0:00:02.800,0:00:06.440 [Liz Magor: Everyone Should Have A Studio] 0:00:06.440,0:00:09.830 If I'm not here, I want to be here. 0:00:10.260,0:00:11.720 And I want to work. 0:00:16.480,0:00:17.760 It's a quiet space. 0:00:17.760,0:00:19.060 It has really good light. 0:00:19.720,0:00:21.220 The light comes from the East. 0:00:24.480,0:00:26.280 A lot of people don't know I'm here. 0:00:26.700,0:00:28.540 I don't have my name on the door. 0:00:29.480,0:00:32.180 I meet my friends outside of the studio. 0:00:36.180,0:00:38.920 It's my space--totally my space. 0:00:45.520,0:00:49.840 Working might be a placating[br]or calming situation 0:00:49.840,0:00:52.680 where I have no distractions. 0:00:58.400,0:01:00.900 I was going to say it's like meditating,[br]but what do I know about meditating? 0:01:00.900,0:01:02.380 [LAUGHS] Not very much! 0:01:02.380,0:01:08.120 It's a way to keep myself on a single focus-- 0:01:08.670,0:01:10.080 on a single track-- 0:01:10.080,0:01:12.880 and there's something pleasurable about that. 0:01:14.800,0:01:17.000 So I'm here for pleasure, in a way, 0:01:17.000,0:01:20.340 although it's not fun. 0:01:35.500,0:01:39.540 When I cast my material into this[br]mold of a paper bag, 0:01:39.540,0:01:41.210 then I get a positive. 0:01:41.210,0:01:43.410 That yellow will come to the outside. 0:01:44.200,0:01:49.640 And it's part of my wanting to[br]make these objects have some 0:01:49.650,0:01:52.130 vitality or vivaciousness. 0:01:52.640,0:01:56.490 The contents are going to be[br]pushing for your attention. 0:01:57.120,0:02:01.220 The yellow is pushing[br]to get the bag to be alive. 0:02:07.409,0:02:10.149 I keep the studio in a very[br]rudimentary state 0:02:10.149,0:02:14.290 in terms of the technology[br]and the systems that I use. 0:02:14.290,0:02:16.910 I'm not investing in equipment-- 0:02:17.419,0:02:18.919 I'm not a factory. 0:02:19.549,0:02:20.959 It's because I want to be able 0:02:20.959,0:02:24.900 to quit whatever thing[br]I might be interested in 0:02:24.900,0:02:27.180 and move on to a completely different thing. 0:02:29.000,0:02:31.980 I'm thinking, so I need to be mobile. 0:02:32.660,0:02:34.020 This might sound pretentious, 0:02:34.020,0:02:36.700 but it's like a place[br]for physical philosophy. 0:02:42.600,0:02:44.860 I talk a lot about the "below the radar" 0:02:44.870,0:02:48.230 or the "ever-present-but-unacknowledged" things. 0:02:48.230,0:02:53.680 And to me, these are part of that realm[br]because they're brilliant. 0:02:53.680,0:02:55.060 This is brilliant! 0:02:56.620,0:02:59.480 And I want my mold making to register them. 0:03:02.200,0:03:03.360 Although that's... 0:03:03.360,0:03:04.840 those are air bubbles. 0:03:08.670,0:03:11.090 --So this is the front and that's the back. 0:03:11.090,0:03:14.930 --And the front has fragile things[br]sticking out. 0:03:17.880,0:03:20.160 I need a very quiet studio, 0:03:20.160,0:03:22.820 because a work starts with me acknowledging 0:03:22.829,0:03:28.109 those ever-present, not noisy[br]operations in the world. 0:03:29.060,0:03:32.560 They're always there,[br]but they're not always acknowledged. 0:03:33.560,0:03:36.020 Those are the things I'm interested in. 0:03:40.379,0:03:42.019 Everyone should have a studio. 0:03:43.099,0:03:47.879 They should be issued by the government[br]as health-mandated items. 0:03:48.180,0:03:49.680 Because it is a place where you 0:03:49.689,0:03:54.829 kind of line up all those dissonances 0:03:55.720,0:03:57.620 and have a good look.