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Ask Laftan Anlamaz - Episode 2

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    Welcome in facebook: Corner Turkish PL Series
  • 0:14 - 0:21
    Ask Laftan Anlamaz / Love does not understand the words, sect. 2, PL subtitles, translation: aneta3721 synchronization Subtitle: Joanna (translation help), paste Subtitle: Paulina, the text of the Bosnian Ula
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    Love does not understand the words - Aşk Laftan Anlamaz
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    Will love understand words?
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    .
    Doesn't believe in coincidences.
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    Contrary to ones that know everything.
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    I do not know anything
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    Contrary to ones that know everything.
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    Around the only desirable women.
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    I've had enough, throw me.
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    In this insidious game
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    A liar's candle will go out.
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    The story begins anew.
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    It was a song, what was it called?
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    La
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    La
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    La
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    It is love, it's never obvious.
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    It turns and finds me. Is this life not mine?
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    There is always a chance, who knows.
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    It turns and finds me.
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    Because love does not understand the words.
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    Ask Laftan Anlamaz / Love does not understand the words, sect. 2, PL subtitles, translation: aneta3721 synchronization Subtitle: Joanna (translation help), paste Subtitle: Paulina, the text of the Bosnian Ula
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    Do not ask, just work.
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    You have no idea about working in the business.
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    And you have no idea about humanity.
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    What will we do about that?
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    It's agony, not a work assistant.
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    This is not a boss, it's a demon from hell.
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    What sins did I commit to fall into his hands?
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    But Suna predicted this.
    That's why she ran away from here.
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    Hello.
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    I was here to see Suna Pektaş.
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    I'm Suna Pektaş.
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    What a coincidence. I am too.
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    Miss Suna?
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    Yes?
    -Yes?
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    We have the same name.
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    We do?
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    Why are you still here?
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    Because I came just now.
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    I didn't ask you.
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    His problem is with me.
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    Deal with your friend after work.
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    Why is that, sir?
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    Please don't get involved.
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    But you talked about me.
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    I was talking to my employee.
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    Me too, could have been the worker.
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    But God saved you from it.
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    I see that friend is just like you.
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    We are not friends.
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    When you say that we are not friends,
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    You want to say that this is the wrong
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    word for what unite us.
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    That is to say, Suna and I are like sisters.
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    So we are very close with each other.
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    What!?
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    Yes!
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    Isn't it friend? If she were my sister,
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    I'd probably not have loved her just as when my friend.
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    What is this sister thing again?
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    That's not what I meant, Mr. Murat.
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    I mean, we're like sisters.
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    I will explain everything to you later.
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    It doesn't matter, anyway, thank you for
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    this unnecessary show of your friendship,
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    now it's obvious that you're quirky,
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    and in private and professional life. This is the problem
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    Wow! I can see that the welcoming committee is here.
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    Well, we came unannounced.
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    Welcome.
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    What are you doing here, Mr. Nejat?
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    Uncle Nejat.
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    Derya, this is the young lady I told you about on our way.
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    Suna, daughter of our Kemal. This is my wife, Derya.
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    Nice to meet you.
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    Me too.
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    Never mind, let's get to the office.
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    At that time, Miss Suna will send her friend and return to work, is that clear?
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    Miss Suna?
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    Yes?
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    We answer in the same way.
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    We're friends, sisters. Even more than sisters.
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    You heard Mr. Murat.
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    As soon as you send back your sister or friend there,
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    take care of the work, please.
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    But wait a second.
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    We heard Murat said, right?
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    Soon I'll explain everything.
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    Well, Murat? How was the meeting with the Arabs?
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    So far, this is professional secrecy.
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    Are you preparing a new export?
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    Don't bother, Dad.
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    You will not catch me on it. Wait and see.
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    You have such a gifted son that he's beginning
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    to take care of everything before you retire, Nejat.
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    Why is that so bad? We can plan our future journey earlier.
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    The case has nothing to do with my dad's retirement, mom Derya.
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    I'm preparing something big.
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    I wouldn't to surprise him with something that wasn't important.
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    Preparing something big?
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    Yes.
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    Would you kindly explain to me what's going on here?
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    I'm trying to do just that.
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    Uncle Nejat called my father and said he was very pleased with me.
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    But I didn't even go for an interview.
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    A moment ago he introduced you to his wife as myself.
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    You tell me, what does this mean?
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    Now..
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    It is...
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    You know how you abandoned the elevator,
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    threw your 5 paged CV in my face and walked out ...
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    Yes.
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    I decided to pick them up and make sure that people didn't think that I made the mess.
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    And?
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    Then, I left the elevator.
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    I was holding your CV in my hand,
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    When Murat's assistant saw me holding your CV,
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    She took me for you.
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    so..
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    So I didn't correct her. I couldn't.
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    I couldn't do that because I was in a difficult situation.
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    I still am.
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    I beg you, only a few days.
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    Let me work here for a few days under your name.
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    Never in this world.
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    Tomorrow you're done with this job.
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    And this in a way that does not bring me trouble.
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    Is it too provocative?
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    A woman should be challenging, confident
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    and attractive. No matter what she wears.
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    What matters is how you wear it.
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    No no. It seems to me that this place should remain covered.
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    We are in June. You're like a ruby.
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    If the marble saw you, it would die with envy.
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    Believe me. You can be sure ...
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    Here you have to explore more.
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    If someone is to be admired in this world. I'm that person.
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    You see, I did that in one movement?
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    I am a fashion icon.
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    What was it before? It was horrible.
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    Tuval.
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    Go and bring us coffee, please.
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    Have you heard anything about
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    the new project, by any chance?
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    What new project? Who is in charge of it?
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    How many people? When does it start?
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    It's profitable?
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    Murat mentioned it a moment ago.
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    Of course, without details.
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    He will keep it to himself until he is satisfied. It's something secret.
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    Never mind, let's leave it. I just asked randomly.
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    I swear to you that these my talents are finishing me off. My head aches from my geniusness.
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    Where's my coffee?
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    Asia, where's my coffee?!
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    She said that I have to finish this work. And in such a way that it does not harm her.
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    So that it does not harm her? What does that mean? I don't understand.
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    It is very easy. Let me translate. This case is to be between the two.
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    Would the real Suna die if she couldn't wait a few days? She could at least wait until my mom leaves. Why tomorrow!
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    Wait a moment, calm down. Where are you now?
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    In the archives room.
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    Why?
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    Because Mr Murat ordered that I should write up the data for the past years into the system.
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    That's not what I meant. What are you still doing in the company? You're basically fired.
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    I can't be release, because I haven't even been employed, Ipek.
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    The girl wants to work, let her gather her thoughts.
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    So what, honey? Is she has to leave work tomorrow, why is she still there?
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    Let her come out, take in the fresh air. Walk. Let her enjoy the charms of Istanbul.
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    She wants to work, let her work.
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    Let her work for free for that smartass boss, alright! No, she shouldn't work!
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    Let her do what she wants! Ay!
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    Do I know what I'm doing to know what I want? I know one thing - I don't want to go back to my hometown. But tomorrow I will not have a job.
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    Cagla. Where is Murat?
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    I just saw as he walked to the archive room.
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    Thank you.
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    It is best if you stand in front of the boss and explain everything to him. Maybe he will show mercy and employ you.
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    They he will take Hayat to the police station for impersonation. Instead of giving her a job, he submits evidence against her.
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    I think you should definitely listen Asli.
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    I have a better idea.
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    What is it?
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    I will go and explain everything to him and say whatever comes to my mouth. Might as well express myself if I'm losing my job.
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    Miss Hayat?
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    Mr Murat?
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    Do you still call this maniac Mr?
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    Well, you shouldn't tell him this straight in the face, just behind him. At least you escape from trouble.
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    You realize that you always fall into my arms?
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    And what about it? I fall, but you catch me in your arms.
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    I'll let you go then.
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    Let go.
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    Do not let go!
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    You really do not know what you want.
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    Drowning man grabs, right?
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    I told you to let go of me but not so suddenly. Humanly speaking.
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    What do you need?
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    SWOT analysis.
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    SWOT analysis?
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    I think you've surely heard of what a SWOT analysis is after so many years of studying.
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    Of course I know. That's an understatement if I say that my whole life is a SWOT analysis.
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    (Ipek) What is SWOT analysis?
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    Wait wait. I found it, and I'm reading.
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    SWOT analysis is a method of strategic analysis of the company having in mind the assessment of the strengths and weaknesses of the company against the market opportunities and threats.
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    I don't need to go to work anymore so there is not point of learning that.
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    It seems to me that we should once again talk with real Suna.
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    Okay, talk, but the girl has a set mind. She wont be convinced.
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    Everyone has their weaknesses.
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    Yes, it has. Birds.
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    Maybe if we go to Suna and give her a cage full of birds, then she will change her mind.
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    Ah girl... Why are you doing this? Is now the time for tears?
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    If we stick together, we'll find a solution.
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    We;ll find one, won't we, friend?
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    Of course, we will.
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    Yes.
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    If we unite and still not find a solution... We'll hand in hand help you pack your suitcase. No problem.
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    The food is ready. Come prepare the table, girls.
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    The woman cries out that food ready. Tell her that in addition to have Halva prepared.
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    Oof! I'm tired of this. Stop crumpling your head into this pillow like a bird. We'll find a solution. It's okay.
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    I'm listening. You called me.
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    Doruk, did you know anything about it?
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    About what?
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    Your brother's business plans.
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    Which one?
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    About a large evolvement.
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    Small investments are not in the style of my brother.
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    I'm serious, Doruk. Did you know, or not?
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    He hasn't mentioned anything yet.
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    Ha, there.
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    And when I say this boy is doing things behind your back, I'm at fault.
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    Can you give us five minutes?
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    My brother does not do anything behind my back.
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    So why hide this big investment from you?
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    He had no opportunity to tell me.
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    Right now, when father is planning to retire. Just now when he gave you a period of six months. And just now when my father watching your actions, to decide who will head the company.
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    Just as I suspected. It's the fault of the dryer. Overheated that pretty head of yours.
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    Doruk!
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    You're right, but we'll see if the true Suna will agree to even talk to us.
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    If she doesn't agree, we will make her.
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    How?
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    And we have our methods, thank God.
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    Someone come take the salad!
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    I'm going, Mommy.
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    If we have to talk to her, we can't wait until tomorrow.
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    You can't go out after dark.
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    And who said that?
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    Nobody even have to say, darling. Aunt Fadik and aunt Emine will wait until morning and yell at us!
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    We'll leave before nightfall and return after dark.
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    Who am I talking to?
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    I was coming, Mom.
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    What are you arguing here? Head in head, whispering.
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    (Ipek) Love (Hayat) Work (Asli) Hayat
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    We talked about Hayat's love towards work, Aunt Emine.
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    God applause for my friend. May God bless her. Thinking about work all the time.
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    Aunt Emine, I still have never seen such devotion to work.
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    But God has blessed.
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    They're are turning some tables again but...
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    Who?
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    Hayat and her gang.
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    Surprise!
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    I don't remember agreeing to go out this evening.
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    If we had agreed there would be no surprises, would there?
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    I brought delicious sweets.
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    I haven't even eaten dinner yet.
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    It does not matter, darling. First, we eat, and then eat something sweet.
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    You really running away from home?
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    If only we were allowed, Asli.
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    Asli.
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    Asli.
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    We go out of the house, you you cover for us. Okay?
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    I think I have a fever.
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    I won't be able to do it!
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    You stay, I'll go with Hayat.
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    Who will use the car?!
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    Can you pay for the taxi ride? And we already know well of your performances on the road.
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    Yes, it will be sad for the car , the pedestrians, any living creature.
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    You drive, I go. Hayat stays.
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    That'll never work.
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    At Bebek they opened a new location. Our girls went there. They loved it. [Bebek - one of the most expensive districts of Istanbul]
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    I thought at first to take you there, but I changed my mind and bought sweets.
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    What's wrong, for God's sake?
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    I just didn't expect a visitor.
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    We're just eating together. What's wrong with that?
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    You know, I do not like surprises, nor putting me under such situations.
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    Neither I, for God's sake. For example, the way I learned about your new assistant.
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    I had no idea that I had to submit a report on the change of my personnel. Forgive me.
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    Do you want some coffee?
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    We haven't yet finished eating.
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    I finished.
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    She even insulted me, rude thing.
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    Who?
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    Your new assistant.
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    What did she say?
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    We met in the toilet. I asked her for help. Handkerchiefs and so on. You'd have to see it. This arrogance, this behavior.
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    She said she was the assistant's assistant of Murat Sarsilmaz.
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    She's right.
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    And I said, I'm the girlfriend of Murat Sarsilmaz.
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    And what did she say? That being a girlfriend is not a position.
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    And that's right too.
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    Certainly, you told her that we were in a relationship in the past, right?
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    Murat, I'm telling you, that girl humiliated me, and you're going to praise her.
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    I want you to fire this girl.
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    I do not understand.
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    You will throw this girl out!
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    Why? Because she told the truth?
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    I saw you! Understand?
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    What are you talking about?
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    I saw you together in the archive room. You were in each other's arms.
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    It was an accident.
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    I'm sure it was.
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    But the girl knows what she's doing.
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    It did not occur to me that the best place to fulfill the fantasy may be in the archive.
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    Didem!
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    I said that it was an accident. Anyway, I have no obligation to you to explain anything.
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    You're breaking my heart.
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    You're asking for it.
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    Murat.
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    Can you not give me one more chance?
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    Nobody has to give you a chance, Didem. People themselves create them.
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    I can fix this.
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    You are on the wrong path.
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    My lamb, nothing will happen. Mama and Aunt Fadik are still staring at the show. They wont get up before eleven. If they need anything, stall them.
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    Have you left me the address? It can be a journey of no return.
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    I left my address and phone number at your phone. Don't be afraid. Okay?
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    Are we ready.
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    We're ready.
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    I can not look at this.
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    Are you sure you're all right, Mr. Murat?
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    Since I called after your shift is over, please don't say "Mr", Kerem.
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    Let's say that the house got too crowded.
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    Usually you not easily change the program.
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    I have not changed it. I decided to visit my parents.
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    Unexpectedly.
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    Hayat.
  • 25:36 - 25:38
    Good God, I think I'm having a heart attack.
  • 25:41 - 25:43
    Hayat. Come here for a second child.
  • 25:47 - 25:48
    No, this is a panic attack.
  • 25:49 - 25:50
    Oh God!
  • 25:54 - 25:58
    God, I beg you!
  • 25:59 - 26:00
    Hayat!
  • 26:00 - 26:04
    Get a grip, Asli. You can do it. You'll do it.
  • 26:12 - 26:13
    Yes, Aunt Emine.
  • 26:14 - 26:15
    I called for Hayat, child.
  • 26:16 - 26:17
    Hayat isn't here.
  • 26:19 - 26:20
    What do you mean?
  • 26:21 - 26:23
    She is, but isn't.
  • 26:24 - 26:31
    It's like this: at Ipek's workplace, they gave us masks.
  • 26:31 - 26:32
    Face masks.
  • 26:32 - 26:42
    We used them. They must lie motionless in silence for half an hour.
  • 26:43 - 26:49
    Daughter, do not put these things on your face. It will hurt you. Even swell, God forbid. Don't.
  • 26:50 - 26:51
    Yes.
  • 26:52 - 26:54
    Yes. Okay, then.
  • 26:55 - 26:56
    Come here for a while.
  • 26:58 - 26:58
    Girl.
  • 26:59 - 27:00
    Come here.
  • 27:03 - 27:04
    Come, come, my daughter.
  • 27:05 - 27:06
    Why, God forbid?
  • 27:06 - 27:08
    Daughter, come.
  • 27:11 - 27:14
    Come, my beautiful daughter.
  • 27:14 - 27:16
    Come here, my child.
  • 27:18 - 27:19
    Sit down here.
  • 27:25 - 27:26
    Beautiful daughter.
  • 27:28 - 27:29
    My child.
  • 27:30 - 27:33
    You are most organized and level-headed of the three.
  • 27:36 - 27:43
    Tell me. What are these two doing again inside?
  • 27:52 - 27:54
    Ya, what are going to do?
  • 27:55 - 27:59
    Our Hayat began working under the name of another girl. When she began working under her name, the girl learned about it.
  • 27:59 - 28:05
    And because they do not want to go back to his hometown, they decided to leave the house and run beg that girl ...
  • 28:17 - 28:18
    Of course, she didn't go.
  • 28:30 - 28:32
    Such a thing does not happen even in the series.
  • 28:32 - 28:33
    It doesn't!
  • 28:34 - 28:36
    But I laughed. May God reward you.
  • 28:37 - 28:38
    Me too.
  • 28:39 - 28:40
    Me too.
  • 28:54 - 28:55
    Why are we here?
  • 28:55 - 28:56
    Running out of fuel.
  • 29:00 - 29:01
    Just the right time.
  • 29:01 - 29:03
    It will not take me even five minutes, be right back. Brother, to the full.
  • 29:05 - 29:08
    Well, we trampled our last chance. Don't worry, we have no rush.
  • 29:09 - 29:10
    God, look at me.
  • 29:12 - 29:17
    Hayat, do not be silly. Why should she have to decide whether you'll be Suna or not based on what she looks like?
  • 29:36 - 29:37
    How much I owe you, sir?
  • 29:37 - 29:39
    Three hundred and twenty, brother.
  • 29:39 - 29:40
    Three hundred twenty.
  • 29:42 - 29:45
    What do you think about what those chocolates?
  • 29:46 - 29:47
    In what sense, brother?
  • 29:47 - 29:50
    The increase in serotonin, the hormone of happiness.
  • 29:50 - 29:51
    So they say, brother.
  • 29:51 - 29:54
    On the other hand, it lowers your levels of blood sugar.
  • 29:54 - 29:55
    This causes fatigue.
  • 29:55 - 29:57
    A real paradox.
  • 29:57 - 30:00
    A man happy, but tired.
  • 30:02 - 30:04
    Your story about chocolate is really exciting, but ...
  • 30:06 - 30:09
    Maybe you could already move and I could continue too?
  • 30:21 - 30:22
    What happened? You're petrified. What's wrong?
  • 30:23 - 30:24
    Do you not recognize me?
  • 30:25 - 30:27
    Sorry, I don't recognize you.
  • 30:27 - 30:31
    It's you. By God, it's you. It's the moment.
  • 30:32 - 30:37
    This is the moment in which we share a destiny. I've been waiting for you since I can remember.
  • 30:38 - 30:41
    You know how many times you've tried to marry me, and I told them not to? But why?
  • 30:42 - 30:47
    Because one day this person would come to me. I told them not to insist. And you see, you came along to.
  • 30:49 - 30:52
    I am your destiny. I'm Kerem.
  • 30:55 - 30:56
    But I'm not like Asli.
  • 30:57 - 31:03
    See, brother. Don't anger me, mind your own business. Don't delay me any longer.
  • 31:03 - 31:08
    Just look at the sweetness of that rebelliousness. Just as I dreamed.
  • 31:09 - 31:14
    Okay, let's get out of here, we go different ways, but our paths will meet again. You will see.
  • 31:15 - 31:18
    Brother, see. You see this place?
  • 31:18 - 31:19
    Yes.
  • 31:19 - 31:20
    Alright now leave and go there.
  • 31:21 - 31:25
    What a cunning vixen. Look at the behaviour.
  • 31:28 - 31:29
    I understand you.
  • 31:30 - 31:32
    I understand, okay.
  • 31:32 - 31:42
    Now you jump into your car. You go straight. You'll see the intersection. At the junction turn left. Okay?
  • 31:43 - 31:45
    Why? What is there?
  • 31:46 - 31:47
    A hospital.
  • 31:48 - 31:52
    You're not well. Measure your temperature. Measure your blood pressure. Do anything.
  • 31:53 - 31:56
    Why are you standing there?! Move up! Don't waste my time.
  • 32:00 - 32:04
    Three days. I needed three days. And then I would leave.
  • 32:13 - 32:14
    Mr Murat.
  • 32:15 - 32:18
    So now you've gone as far as arguing with windows?
  • 32:19 - 32:21
    I am arguing with myself.
  • 32:22 - 32:24
    In the end, did you get the right address.
  • 32:25 - 32:27
    I recommend you do the same.
  • 32:29 - 32:33
    Maybe then you will end the torture of people who surround you.
  • 32:43 - 32:44
    See you tomorrow.
  • 32:59 - 33:05
    See you tomorrow. Tomorrow I will just work like he wants. Cheeky!
  • 33:05 - 33:06
    (Ipek) Look, what a maniac!
  • 33:08 - 33:09
    Everyone is the same!
  • 33:10 - 33:13
    The entire male race is so sly and predictable?!
  • 33:13 - 33:14
    For sure.
  • 33:15 - 33:16
    Who are you talking about?
  • 33:16 - 33:18
    Of course, sadist, Mr Murat.
  • 33:18 - 33:19
    You?
  • 33:20 - 33:22
    The animal, whose name I do not even know.
  • 33:33 - 33:38
    Grandma, here, I'll be your first like. I'll poke you everyday. I'll be the one to like you the most.
  • 33:38 - 33:41
    Never make fun of your grandmother. In fact I'll be the one to poke you.
  • 33:42 - 33:46
    If this 'like' thing is something bad, I'll show you.
  • 33:46 - 33:50
    Three months ago you asked me what google was.
  • 33:51 - 33:56
    Now, see how far you've come. You'll be a slave to the Internet, Azime Sarsilmaz.
  • 33:56 - 34:01
    I'm no slave! I need this. Be patient. You'll see why.
  • 34:02 - 34:07
    Well. Everything is ready. Now we have to put one picture as the profile.
  • 34:08 - 34:12
    Let's put something full body so everyone's jaw drops as they see you.
  • 34:12 - 34:18
    No way. Why do people have to see my picture? I once made manti. [Turkish dumplings]. Your father took a photo. Use that.
  • 34:18 - 34:20
    Grandma, how would dumplings be a photo?
  • 34:21 - 34:28
    And, look, maybe this way you will find the love of your life. Excellent.
  • 34:28 - 34:32
    No such thing! Dirty boy. Look at how he talks to his grandma.
  • 34:33 - 34:35
    Youngsters, we're going out. Good night.
  • 34:37 - 34:39
    God, like Brad and Angelina.
  • 34:40 - 34:42
    By the way, Dad, I'll add you as a friend for grandmother.
  • 34:45 - 34:47
    Mother did you make an account for yourself?
  • 34:48 - 34:49
    It was needed for something, son.
  • 34:50 - 34:55
    But Mom, it may be difficult to add your friends. Most of them are already in the next world.
  • 34:58 - 35:06
    You better pray I don't know technology. If in our time we had such inventions, I would have wed my son with someone better.
  • 35:06 - 35:11
    Yes. Grandma. What a witty riposte.
  • 35:14 - 35:15
    Do not add your mother Doruk, she's unnecessary.
  • 35:17 - 35:18
    Good evening.
  • 35:18 - 35:22
    Murat. What a nice surprise. Welcome.
  • 35:23 - 35:26
    I swear, if I knew, I wouldn't wear this suit.
  • 35:27 - 35:28
    Going to a party?
  • 35:30 - 35:31
    I still popped in for a moment. I'm leaving soon.
  • 35:31 - 35:32
    Why?
  • 35:33 - 35:40
    Stay. When we come back, we'll talk a little bit. This is also your home. I wish you always stayed with us.
  • 35:41 - 35:45
    Nejatt, Murat is an adult. Believe me, he has his own life.
  • 35:47 - 35:51
    We are his life. Hello, baby. Come here. Look.
  • 35:52 - 35:58
    I also won't let my brother go tonight. We have something to do, buddy check your phone.
  • 36:01 - 36:07
    Oooooo ... An invitation to be friends with Azime Sarsilmaz. It's an honor.
  • 36:07 - 36:10
    Come on, add me. Grandma's can't wait.
  • 36:27 - 36:28
    It's here.
  • 36:29 - 36:31
    I guessed that. Come on, I'm pressing it.
  • 36:32 - 36:34
    Wait. Maybe we should have called?
  • 36:34 - 36:35
    No way, she needs to be under pressure.
  • 36:36 - 36:36
    Wait.
  • 36:37 - 36:39
    We are not here to cause her stress. We came to get along.
  • 36:39 - 36:43
    What happened to the feisty girl? Did a certain someone make that girl disappear?
  • 36:43 - 36:44
    What's that got to do with anything?
  • 36:45 - 36:49
    I just do not know what will happen next, if she doesn't accept our offer. I don't have a plan B.
  • 36:50 - 36:52
    Therefore, we need to hold onto plan A.
  • 36:55 - 36:56
    And what if there is no one at home?
  • 37:00 - 37:02
    Welcome, how can I help you?
  • 37:02 - 37:03
    You see, they are at home.
  • 37:07 - 37:14
    Look, look. I vouch for girls from our family on this list. There is no other girls like these, I guarantee.
  • 37:15 - 37:16
    I prepared it for you for many days.
  • 37:17 - 37:24
    For God's sake, Sultan Azime, such determination Steve Jobs didn't even have. The professionalism, the work system. Really, bravo.
  • 37:24 - 37:28
    What should I do, son? I had to. These days you have to do it this way.
  • 37:29 - 37:34
    And I thought that Grandma changed her approach to be accustomed to the Internet and to modernize.
  • 37:34 - 37:36
    And we still are the problem.
  • 37:37 - 37:41
    Don't talk too much, just write, Mr. Doruk. Aslihan Godekli.
  • 37:47 - 37:48
    Grandma, who is this girl?
  • 37:49 - 37:54
    Do not you know, son? You do not know Murvet, sister of the wife of your uncle?
  • 37:54 - 37:55
    Certainly, there is.
  • 37:55 - 37:59
    Exactly. This is a friend of his sister-in-law. Do you really not recognize her?
  • 38:00 - 38:01
    Oh no I didn't recognize when you said it this way.
  • 38:02 - 38:08
    How do you not remember? We drove to our hometown, you played for hours with the girl.
  • 38:09 - 38:16
    Grandma, this is my brother. He plays with the girls and then then doesn't remember.
  • 38:16 - 38:21
    You say you like you was better. Does not matter. How is she?
  • 38:23 - 38:29
    Respecive, decent, honest. She likes to cook. Nursery teacher.
  • 38:30 - 38:37
    1meter 64. Dimensions are 105-95-100. Well, what do you think?
  • 38:39 - 38:41
    I did not feel any chemistry, Grandma. I don't know.
  • 38:41 - 38:43
    You should at least drink tea together, son.
  • 38:44 - 38:46
    It is not meant for me.
  • 38:47 - 38:48
    And you, Doruk?
  • 38:49 - 38:51
    I also don't feel anything, Grandma.
  • 38:52 - 38:54
    I prefer to try my luck with the other candidates.
  • 38:55 - 39:01
    Oh, you like it so that it's just skin and bones, like wood.
  • 39:02 - 39:06
    Girl is hard-working, strong.
  • 39:09 - 39:12
    Write. Fatmanur Sevcan.
  • 39:12 - 39:14
    Fatmanur Sevdzan.
  • 39:17 - 39:22
    Ooo, I felt the chemistry. Grandma.
  • 39:23 - 39:29
    What's her cell? Let me add her and poke her too, excellent.
  • 39:29 - 39:35
    Look at me, without a ring or marriage, no poking! Dirty boy.
  • 39:35 - 39:37
    Fatmanur is really lovely.
  • 39:37 - 39:38
    Isn't she?§
  • 39:39 - 39:41
    Really.
  • 39:43 - 39:45
    Again Cologne.
  • 39:49 - 39:55
    Tell me, what are you doing here? More specifically, what are you doing here? By the way, who are you?
  • 39:55 - 39:59
    I am Hayat's roommate. But today, think of me as her lawyer.
  • 39:59 - 40:02
    If anyone here needs a lawyer, it's me darling.
  • 40:02 - 40:04
    One second, one second.
  • 40:04 - 40:08
    There is no need to make the situation worse. We came to talk with you humanely.
  • 40:09 - 40:11
    To me it looks rather intimidating.
  • 40:11 - 40:14
    I said the same to Hahat; that she will be under pressure.
  • 40:14 - 40:17
    So you say that you are guilty, but strong.
  • 40:17 - 40:18
    No, we didn't.
  • 40:18 - 40:20
    I'm just saying that I need this job for a few days.
  • 40:22 - 40:24
    I think that you need this too, sweetie.
  • 40:25 - 40:26
    What's that supposed to mean?
  • 40:34 - 40:35
    What are you doing?
  • 40:35 - 40:39
    Brother, we need to be safe. It's grandma, you'll never know.
  • 40:40 - 40:42
    Plus, we hardly got out of there.
  • 40:42 - 40:43
    Don't exaggerate.
  • 40:44 - 40:53
    Brother, I say this for your own good. After we went past 11 candidates as a bride, I saw with my own eyes the smoke coming out of your ears, just like in the cartoons.
  • 40:53 - 40:57
    I said clearly what I think about marriage. I don't understand why she keeps pushing.
  • 40:57 - 40:59
    Just your luck.
  • 40:59 - 41:01
    Her stubbornness does not work with me though.
  • 41:02 - 41:08
    As if I did not know. Reflecting on what you're doing, I can say one thing - your bad side is severe.
  • 41:10 - 41:11
    What have you seen of my bad side?
  • 41:12 - 41:15
    God is my witness, I do not know. But you have a clear problem with women.
  • 41:15 - 41:17
    In that case, they shouldn't bother me
  • 41:17 - 41:20
    For God's sake, for example, your new assistant.
  • 41:20 - 41:27
    What did she do to you? With what you've done to her, she can't keep her mouth closed. She really hates you.
  • 41:28 - 41:32
    I did nothing to her. Twice I saved her life. As a thank you I got a bunch of insults.
  • 41:33 - 41:38
    So you're saying that this time we have planned a different tactic. I mean, you're going gentleman.
  • 41:38 - 41:41
    Nobody is pretending anything. My job is to make money.
  • 41:41 - 41:43
    Pathetic words.
  • 41:43 - 41:49
    I understand when it comes to Ozge or Didem. But what do you want from this simple girl?
  • 41:51 - 41:55
    Exactly. I've been getting to know her. She's a bit folksy.
  • 41:59 - 42:02
    Do not you think that Hayat is too simple to be the daughter of a rich man?
  • 42:08 - 42:12
    You inhuman creature! You egoist! The epitome of cruelty!
  • 42:16 - 42:23
    What did I misunderstand? Your patience is ending. Just look at him. You are pushing me the phone. An excuse to get my number. Give me that.
  • 42:26 - 42:27
    What have you done?
  • 42:27 - 42:29
    I set you to the vertical. Enough of this!
  • 42:33 - 42:38
    Do I look like someone who works there for a different reason than the one that I was forced to work with this sadist?
  • 42:39 - 42:41
    Here's the problem. You do not look like me.
  • 42:43 - 42:44
    I say this not to humiliate you.
  • 42:45 - 42:48
    But she wasted her life just to please his father.
  • 42:49 - 42:51
    So that's why you lied to the poor man telling him that you started work?
  • 42:52 - 42:52
    Ipek.
  • 42:53 - 42:57
    What Ipek? It would be best to talk with my uncle Kemal.
  • 42:57 - 42:58
    You can not.
  • 42:58 - 42:59
    We can not.
  • 42:59 - 43:00
    Of course. And I'm talking about.
  • 43:01 - 43:05
    We can not. That's what you did, is inhumane.
  • 43:06 - 43:12
    If these times do not help a woman a woman, do not support it, let us then God help you.
  • 43:14 - 43:14
    Suna.
  • 43:15 - 43:17
    I have no such luck as you.
  • 43:18 - 43:19
    I not am studying at private universities.
  • 43:20 - 43:23
    I not even crossed the Turkish border, not to mention a long stay abroad.
  • 43:24 - 43:26
    I'm fighting for my life ever since I was born.
  • 43:28 - 43:33
    I do not despise his native place, but if you go back, the life that awaits me is clear.
  • 43:34 - 43:40
    Father wants to close it at home like a prisoner. And then marry a man she does not love and who have children birth cluster.
  • 43:40 - 43:49
    I beg you. Just a couple of days. I'll work as long as the Sun's mother did not leave.
  • 43:51 - 43:55
    I think that we have a chat with uncle Kemal. You have one output.
  • 43:55 - 43:56
    Ipek.
  • 43:58 - 43:59
    Sun, please.
  • 44:02 - 44:09
    Fine. Well. But only a few days. Then you have to find a definitive solution to this situation.
  • 44:10 - 44:15
    First of all, do not forget that you started a job based on my CV. If this gets out, we're both finished.
  • 44:17 - 44:18
    In that case, you must help me.
  • 44:19 - 44:20
    In what?
  • 44:21 - 44:23
    It can start with a SWOT analysis?
  • 44:41 - 44:45
    But with you Sleepers. Wake up!
  • 44:46 - 44:48
    What happened? Mother caught the girl?
  • 44:48 - 44:50
    Who was caught, God forbid?
  • 44:50 - 44:52
    How is it who's daughter? Dzejda.
  • 44:52 - 45:00
    It's good. What do I care about it? It is important that Hayat was not caught.
  • 45:01 - 45:02
    What would we catch Hayat?
  • 45:05 - 45:06
    What they've caught?
  • 45:08 - 45:09
    You just said so.
  • 45:10 - 45:17
    What did I say? I ... I'm sleepy. How do I know what am I saying, Aunt Fadik? I'm awful sleepy.
  • 45:19 - 45:21
    May God help her.
  • 45:21 - 45:22
    Where are you going?!
  • 45:22 - 45:26
    For God's sake, my daughter! And where can I go? I'm going to the kitchen.
  • 45:28 - 45:30
    Are you hiding something from me?
  • 45:31 - 45:34
    You can't hear the ones from inside.
  • 45:36 - 45:41
    No. Since they put those masks on their faces, they probably just fell asleep.
  • 45:43 - 45:44
    No.
  • 45:45 - 45:52
    My daughter doesn't sleep at this time, even if I forced it. There's something suspicious about this. Wait.
  • 45:52 - 45:54
    Do not go. Do not go, I beg you.
  • 45:54 - 45:56
    Daughter, what are you doing? Let me go. For God's sake.
  • 45:58 - 46:01
    It makes no sense to be afraid. Come on, Asli.
  • 46:03 - 46:05
    What is going on here?
  • 46:08 - 46:12
    Really, what's going on here? Thank God.
  • 46:14 - 46:15
    We were getting some air.
  • 46:16 - 46:17
    At this time?
  • 46:18 - 46:22
    And why not, darling? Does the atmosphere have a schedule, Aunt Fadik?
  • 46:25 - 46:37
    I told you. I said that it was because of those masks. It got them hot. They probably went to cool. Right?
  • 46:37 - 46:38
    Definitely.
  • 46:39 - 46:48
    Daughter. Child. We are in June. It's forty degrees, what is this cooling down?
  • 46:49 - 46:52
    We're not even questioning these bags in their hands.
  • 46:55 - 47:01
    Thank God, otherwise I wouldn't know what to say.
  • 47:07 - 47:08
    They're crazy.
  • 47:09 - 47:11
    Move.
  • 47:24 - 47:25
    Good.
  • 47:29 - 47:33
    It's very late. Immediately to bed. Tomorrow you have a job.
  • 47:34 - 47:35
    Come on good night.
  • 47:35 - 47:36
    Sleep well, girls.
  • 47:37 - 47:38
    Good night.
  • 47:44 - 47:47
    Okay. Do you really have work tomorrow?
  • 47:48 - 47:50
    With God's help, who is her friend?
  • 47:54 - 47:56
    I told you to sleep!
  • 47:56 - 47:57
    We're already asleep.
  • 48:17 - 48:22
    What's happening? Early in the morning this 'trrr' noise in my head. 'trrr'
  • 48:23 - 48:27
    Don't ask, but our precious printer.
  • 48:29 - 48:32
    Suna sent a SWOT analysis. I'm printing it.
  • 48:33 - 48:34
    Really?
  • 48:36 - 48:38
    Did she wake up and write an analysis?
  • 48:39 - 48:44
    She sent just before dawn. May God bless her. Today I woke up really happy.
  • 48:47 - 48:51
    This one would sleep even if the world was on fire. It gets on my nerves.
  • 48:52 - 48:53
    Let's wake her then.
  • 48:55 - 48:59
    Come. Three, two, one!
  • 49:06 - 49:07
    Hello!
  • 49:18 - 49:21
    You didn't let me take my car, at least let me sleep.
  • 49:22 - 49:26
    If I let you take the car, who knows where you'd go. Stop dozing off. Get a grip.
  • 49:26 - 49:27
    Today we have an important meeting.
  • 49:29 - 49:30
    Hello, Cagla.
  • 49:30 - 49:31
    Yes, Mr. Murat.
  • 49:31 - 49:34
    Before the meeting, I'm going to drop off to the site. Send Miss Hayat directly to the site of the recording.
  • 49:35 - 49:38
    Miss Hayat? Are you sure?
  • 49:38 - 49:41
    Yes. Today we have a meeting with the Arabs. After all, she speaks four languages.
  • 49:42 - 49:44
    Look at the girl, she speaks four languages?
  • 49:44 - 49:45
    Ok.
  • 49:46 - 49:54
    Applause for the girl, she speaks four languages. Although it looks like she could barely speak English.
  • 49:55 - 50:00
    We'll see. Today, we'll see if her cv is the result of her labors, or her father's full pockets.
  • 50:00 - 50:03
    Wow, that today is the day of the big exam.
  • 50:03 - 50:08
    Since I mentioned big exam, what is this big launch you're doing?
  • 50:09 - 50:11
    Come to a meeting, you'll find out.
  • 50:12 - 50:14
    Brother, you are really cruel.
  • 50:17 - 50:19
    Mom, we're going out.
  • 50:20 - 50:24
    Aunt Emine, it seems that we're eating and leaving but we'll make it up tonight.
  • 50:24 - 50:28
    Aunt Emine, the omelet was delicious.
  • 50:28 - 50:29
    Wait. I'm going too.
  • 50:30 - 50:31
    Meaning?
  • 50:32 - 50:33
    Let me press this and we'll go.
  • 50:34 - 50:36
    I don't understand. Mom, where are you going?
  • 50:36 - 50:37
    To your work place?
  • 50:38 - 50:39
    To my work place?
  • 50:39 - 50:40
    No, Ipek's.
  • 50:40 - 50:43
    In that case, let her be. Let her come.
  • 50:45 - 50:48
    Daughter, of course, your work. What would I do with Ipek?
  • 50:48 - 50:50
    What would you like to do with Hayat at work, Aunt Emine?
  • 50:51 - 50:55
    Her father said so. That I have to go and see what this place is, and who is working there.
  • 50:56 - 50:59
    He said he can not accept this job if you have to work with some questionable characters.
  • 50:59 - 51:03
    He said if so, take her and bring home, and we'll find her another job. When I say take and bring I mean to our hometown.
  • 51:03 - 51:05
    We already know everything about that, unfortunately.
  • 51:06 - 51:07
    Today, you can not go, Mom.
  • 51:08 - 51:09
    Why not, my lamb?
  • 51:09 - 51:11
    I'm late and I can't wait.
  • 51:12 - 51:13
    Yes. She can't wait.
  • 51:13 - 51:14
    Another time.
  • 51:24 - 51:27
    The number is correct. Why isn't this girl answering?
  • 51:38 - 51:42
    Girl, do you want to die? I have to write her a message.
  • 52:01 - 52:02
    What are you doing here?
  • 52:03 - 52:04
    I work here.
  • 52:06 - 52:07
    Don't I?!
  • 52:08 - 52:09
    Did not you get my message?
  • 52:09 - 52:10
    What message?
  • 52:11 - 52:14
    Mr Murat waiting for you on the spot recording.
  • 52:15 - 52:18
    Why? What would I do there?
  • 52:18 - 52:23
    You have nothing to do with on-site recording. You will meet there with Mr Murat and you go to a meeting with the Arabs.
  • 52:23 - 52:24
    You will be translating.
  • 52:25 - 52:28
    What? Translate from Arabic?
  • 52:29 - 52:32
    Rather than repeating everything I say like a parrot, you should go.
  • 52:32 - 52:35
    Mr. Murat hates to wait.
  • 52:36 - 52:36
    Take this.
  • 52:38 - 52:39
    What is this?
  • 52:39 - 52:43
    Bluetooth headset. Since you're my assistant, you will record my ways.
  • 52:45 - 52:45
    Address?
  • 52:46 - 52:46
    Look at the message.
  • 52:49 - 52:53
    I can't. Even if I did, I won't see anything.
  • 52:53 - 52:57
    You sent a message to the number on my CV, right? I don't use that number anymore.
  • 52:58 - 53:03
    Okay. On the way, send me your new number and I will send you the address. Hurry.
  • 53:04 - 53:06
    Excuse me. I'm very sorry.
  • 53:09 - 53:11
    Good morning, Mrs. Derya.
  • 53:12 - 53:15
    Mr. Murat and Mr. Doruk went to the place of recording, ma'am
  • 53:15 - 53:18
    I know. I came to see you.
  • 53:40 - 53:42
    Enough! Is that not enough powder?
  • 53:49 - 53:50
    Try these.
  • 53:55 - 53:57
    Have you met this new girl?
  • 53:58 - 53:59
    What new girl?
  • 54:00 - 54:02
    Murat's assistant's assistant.
  • 54:02 - 54:04
    Does it matter?
  • 54:05 - 54:07
    This girl is up to something.
  • 54:09 - 54:11
    You say that there is something between them?
  • 54:12 - 54:13
    I'm asking you.
  • 54:18 - 54:25
    I am not Murat's bodyguard, Didem. I'm the chief designer. Is that clear? How do I know?
  • 54:28 - 54:29
    Is that clear?
  • 54:29 - 54:29
    How am I to know?
  • 54:35 - 54:40
    Brother, I've never been so happy that I listened to you and came to work. Unbelievable.
  • 54:41 - 54:44
    I expect the same performance from you at the meeting, Doruk.
  • 54:46 - 54:48
    Here, the woman of my life.
  • 54:48 - 54:52
    Do not say that. You'll cast a bad spell on my destiny.
  • 54:52 - 54:58
    How can I Tuval? I don't have enough strength. God, you're like a living torch, burn us all.
  • 54:58 - 55:02
    Our company may close, but your destiny is endless.
  • 55:03 - 55:04
    Hi, Tuval. What's up?
  • 55:04 - 55:07
    Hello, Murat. It seems that we are ready.
  • 55:07 - 55:09
    Cool. Let me check the decoration.
  • 55:10 - 55:12
    Come let's gossip a bit.
  • 55:14 - 55:22
    Gossiping is my job, Doruk. It's my middle name. Spill. Come on, spit it out. What have you heard?
  • 55:23 - 55:25
    For God's sake, I do not know anything. I wanted to hear something from you.
  • 55:26 - 55:28
    Sour since she has arrived.
  • 55:29 - 55:33
    I feel like shoving oily foods down her throat.
  • 55:33 - 55:37
    She has finished off me, sapped my energy, chewed and spat.
  • 55:38 - 55:42
    And she suspects that there is something between Murat and his new assistant.
  • 55:42 - 55:43
    Really?
  • 55:44 - 55:44
    I swear.
  • 55:56 - 55:58
    Since everything ready, perhaps we can slowly start?
  • 55:58 - 56:00
    We are ready. We can begin immediately. No problem.
  • 56:01 - 56:02
    Hello Darling.
  • 56:03 - 56:04
    Hello, Ms. Didem.
  • 56:11 - 56:13
    Let's see the recording site.
  • 56:13 - 56:14
    Tuval.
  • 56:18 - 56:19
    What happened? Why are you so upset?
  • 56:22 - 56:25
    Yesterday evening, we had a fight again, because of that assistant.
  • 56:26 - 56:26
    Which assistant?
  • 56:27 - 56:29
    This ugly one you gave to Cagla.
  • 56:29 - 56:30
    Ugly?
  • 56:31 - 56:33
    Better not say the same in front of my brother.
  • 56:35 - 56:35
    Why?
  • 56:36 - 56:37
    You don't know who she is?
  • 56:38 - 56:43
    This ugly girl, assistant's assistant, is a childhood love of my brother.
  • 56:43 - 56:44
    What?!
  • 57:09 - 57:11
    I think there is a problem with the swing.
  • 57:12 - 57:16
    Be calm. The guys checked it again. There's no problem.
  • 57:17 - 57:18
    But it swings.
  • 57:21 - 57:27
    Of course, it has to swing, baby. It's called a swing, is it not? Come on, sweetheart.
  • 57:29 - 57:30
    Ok.
  • 59:06 - 59:07
    Move!
  • 59:08 - 59:10
    Friends, raise it.
  • 59:10 - 59:11
    Move away. Let go of my hand!
  • 59:24 - 59:27
    Even if it ended in failure, it was a heroic effort. Congratulations.
  • 59:28 - 59:30
    I can get up alone, thank you.
  • 59:32 - 59:37
    [Does love understand words?]
  • 59:40 - 59:45
    [It doesn't believe in coincidences.]
  • 59:48 - 59:52
    [I do not know anything.]
  • 59:54 - 59:55
    What now? Hold on or let go?
  • 59:55 - 60:01
    [Contrary to those who know everything.]
  • 60:03 - 60:06
    I'd rather fall into the water again than ask for anything from you.
  • 60:21 - 60:24
    Listen, Cagla. You're an intelligent girl.
  • 60:25 - 60:30
    Nejat plans to retire. And his place will be either Murat's or Doruk's.
  • 60:31 - 60:39
    If Murat triumphs, you will spend the rest of life as an assistant. But if Doruk does...
  • 60:39 - 60:42
    We can think of a position as a Director for you.
  • 60:44 - 60:45
    Otherwise?
  • 60:45 - 60:49
    Otherwise, you'd be an assistant for the rest of your life.
  • 60:51 - 60:54
    This is not an offer but a threat, Mrs. Derya..
  • 60:54 - 61:01
    It depends on which side you look at it. The decision is up to you whether you stand on the side that will be beneficial for you.
  • 61:03 - 61:09
    I'll ask again. What's Murat's big surprise?
  • 61:15 - 61:21
    No, Ipek. Do not you understand wrong. Today, in a moment I have a business meeting with the Arabs.
  • 61:22 - 61:24
    Mr Murat wants me explained.
  • 61:24 - 61:26
    And what now?
  • 61:27 - 61:28
    Sam I want to ask.
  • 61:31 - 61:32
    Now I can not talk too much.
  • 61:33 - 61:37
    I try to call Suny? Maybe she comes up with some idea.
  • 61:40 - 61:42
    Okay, what do you want from me?
  • 61:42 - 61:47
    I'm not sure when I will end the meeting. Give it at home.
  • 61:48 - 61:49
    At home?
  • 61:49 - 61:50
    Mrs. Emine.
  • 61:52 - 61:52
    Your mom?
  • 61:53 - 61:54
    My mother is dead, Asli.
  • 61:54 - 61:57
    What are you talking about, girl? God forbid!
  • 61:57 - 62:00
    That's not what I mean. You know, many years ago ...
  • 62:01 - 62:08
    That's why you call Mrs. Emine and tell her that the late return, and not to wait for me with food.
  • 62:09 - 62:12
    Someone is next to you. That's why you can not talk.
  • 62:14 - 62:15
    Disconnect.
  • 62:45 - 62:45
    Did something happen?
  • 62:49 - 62:50
    You ask me, sweetheart?
  • 62:57 - 62:58
    I do not understand.
  • 63:08 - 63:13
    In that case, I am assisting assistant, assistant chief of Murata.
  • 63:16 - 63:19
    You have a meeting in half an hour.
  • 63:25 - 63:27
    Do not look so.
  • 63:28 - 63:29
    Follow me!
  • 63:33 - 63:33
    Follow me?
  • 63:35 - 63:36
    Behind you. Okay.
  • 63:41 - 63:43
    Yes. Where do I provide these clothes, you Tuval?
  • 63:44 - 63:46
    You know Dolmabahçe Palace?
  • 63:46 - 63:46
    Yes.
  • 63:47 - 63:50
    There is a cage with birds. Bet the past and come back.
  • 63:52 - 63:54
    Leave them on the table.
  • 63:56 - 63:58
    Now try to become invisible.
  • 63:59 - 64:01
    Let you do not see at least a week.
  • 64:02 - 64:06
    Now I close my eyes, open them as it is to you not be here.
  • 64:07 - 64:09
    You're still here. Get out! Get out!
  • 64:10 - 64:11
    Did she go? Did she go?
  • 64:12 - 64:12
    She went.
  • 64:36 - 64:39
    But I feel strange when you look at me like that.
  • 64:39 - 64:40
    Yes.
  • 64:41 - 64:45
    They say that I cast a spell on people.
  • 64:46 - 64:47
    And especially ...
  • 64:49 - 64:51
    On the men.
  • 64:52 - 64:54
    I'm starting to get hot.
  • 64:57 - 65:02
    So you're the daughter of a friend your boss?
  • 65:02 - 65:04
    They say that I am.
  • 65:06 - 65:07
    Witty.
  • 65:09 - 65:15
    Did you meet Murat through work? Or from the past?
  • 65:16 - 65:18
    Why do you ask?
  • 65:20 - 65:23
    Not confident, curious.
  • 65:28 - 65:29
    This, or this?
  • 65:33 - 65:34
    None.
  • 65:36 - 65:39
    Are they not too bold for a business meeting?
  • 65:41 - 65:50
    It's not about the color. The point is, if you can find something more modest?
  • 65:52 - 65:53
    You know the Galata Bridge?
  • 65:54 - 65:54
    Yes.
  • 65:55 - 65:57
    Shall I go there and throw myself off it?
  • 66:01 - 66:03
    I like you!
  • 67:21 - 67:22
    I'm ready, Mr. Murat.
  • 67:23 - 67:24
    I see.
  • 67:26 - 67:27
    Kerem, prepare the car.
  • 67:27 - 67:28
    As you wish.
  • 67:29 - 67:30
    Doruk, come on.
  • 67:32 - 67:34
    Brother, you go. I'm staying.
  • 67:36 - 67:37
    After you.
  • 67:58 - 68:02
    Ah, right, you'd rather burn than to hold my hand. I forgot.
  • 68:04 - 68:07
    I'm having thoughts of breaking your nose but...never mind.
  • 68:20 - 68:23
    See, what a fantasy.
  • 68:24 - 68:30
    Find your childhood love after so many years, and then give her a position as your assistant.
  • 68:31 - 68:34
    Look at you, brother.
  • 68:37 - 68:39
    Dido, were you here?
  • 68:40 - 68:43
    Doruk, tell me the truth. Where did they go? What kind of meeting? Why did you not go with them?
  • 68:44 - 68:45
    Why do you think?
  • 68:46 - 68:48
    Or is it...
  • 68:50 - 68:51
    Exactly.
  • 68:52 - 68:54
    What exactly? I do not understand. Speak openly.
  • 68:55 - 68:57
    This meeting cover. It's all a lie.
  • 68:57 - 68:57
    What?
  • 68:58 - 69:02
    They went together to eat. The meeting is just camouflage, so no one said anything.
  • 69:03 - 69:07
    I understand everyone else, but how could you fall for it, Dido?
  • 69:32 - 69:33
    What's that in your hand?
  • 69:34 - 69:37
    I almost forgot. The SWOT analysis you wanted.
  • 69:44 - 69:46
    Where did you say you studied?
  • 69:46 - 69:48
    But I didn't say anything like that.
  • 69:52 - 69:53
    At the University of Michigan state.
  • 69:54 - 69:55
    Your master?
  • 69:56 - 69:57
    Sorbonne.
  • 69:59 - 70:00
    Subject?
  • 70:01 - 70:05
    The necessary organization in facing the great steps in business.
  • 70:06 - 70:09
    Okay, did you study saving the human life in Busingu or at the Sorbonne?
  • 70:13 - 70:16
    Was it worth it to fall into the water to rescue someone who you recently argued with?
  • 70:17 - 70:18
    How do you know that we argued?
  • 70:18 - 70:19
    I am the boss.
  • 70:23 - 70:24
    It had nothing to do with Miss Didem.
  • 70:25 - 70:28
    So as well as a phobia of closed rooms, you're afraid of swings?
  • 70:31 - 70:33
    I do not want to talk about it.
  • 70:49 - 70:53
    Did you see it? Murat ran for the assistant instead of coming to me.
  • 70:56 - 70:57
    It was the positioning.
  • 70:58 - 71:01
    It was a nice position.
  • 71:03 - 71:04
    Again, I'm getting hot.
  • 71:06 - 71:11
    You were sitting on the grass with your ass and the poor girl fell into the pond.
  • 71:11 - 71:14
    It's not like she was going to drown.
  • 71:14 - 71:16
    Besides, the whole team came running to you.
  • 71:16 - 71:17
    That's what I'm saying.
  • 71:18 - 71:24
    Everyone came running to me, and Murat ran to his childhood love.
  • 71:25 - 71:27
    Oh my God.
  • 71:28 - 71:36
    Hayat and Murat are childhood lovers? So there was something between them.
  • 71:39 - 71:41
    How did you know?
  • 71:41 - 71:42
    Doruk told me.
  • 71:43 - 71:47
    My name is Didem, I'll send her back to where she came from.
  • 71:48 - 71:50
    It will be a little difficult.
  • 71:51 - 71:51
    Why?
  • 71:52 - 71:54
    She's confident...
  • 71:54 - 71:57
    I'll eat her confidence like potato chips!
  • 71:59 - 72:04
    I am a twin according to the horoscope, but I'm the better one.
  • 72:08 - 72:11
    Now, quiet please, my mom is calling.
  • 72:11 - 72:12
    I beg your pardon?
  • 72:12 - 72:14
    We need to talk, Doruk.
  • 72:15 - 72:19
    But now I'm in a very important meeting, can I call you later?
  • 72:19 - 72:20
    Obviously.
  • 72:23 - 72:25
    Can you not tell me this on the phone, Mom?
  • 72:25 - 72:28
    I don't want to hear any objections. In half an hour you have to be home.
  • 72:28 - 72:30
    Fine, okay.
  • 72:49 - 72:52
    Come on, do not be stubborn. Hold my hand. I need you today.
  • 73:21 - 73:22
    Come on girls, come on.
  • 73:23 - 73:24
    I beg your pardon?
  • 73:25 - 73:27
    What are you doing there?
  • 73:28 - 73:30
    Phone. I checked the time.
  • 73:31 - 73:32
    Fine. Come.
  • 73:32 - 73:34
    Do I have to go?
  • 73:34 - 73:35
    I do not understand.
  • 73:36 - 73:37
    I must urgently go to the bathroom.
  • 73:38 - 73:41
    Well, go ahead, but be quick about it. They can come at any time.
  • 73:46 - 73:49
    I will go straight to the point. I do not have much time. What did you do?
  • 73:49 - 73:54
    I called Mrs. Emine, I mean, I called aunt Emine and said you'll be late.
  • 73:55 - 73:56
    What did she say?
  • 73:57 - 74:01
    Is there even such a position? What kind of work is this? Why is there dinner on the first week?
  • 74:02 - 74:04
    No surprises. No problem.
  • 74:04 - 74:07
    And what did you do, Ipek? Were you able to talk to Suna?
  • 74:07 - 74:11
    Suna is ready. You only need one handset.
  • 74:11 - 74:13
    This time it's certain.
  • 74:13 - 74:13
    Yes, yes.
  • 74:14 - 74:19
    Due to the storm in America, the gaggle moved to Spain. Miguel sent me a picture.
  • 74:19 - 74:22
    I think it's only a matter of time before they will be here. I am very excited.
  • 74:22 - 74:27
    Me too. And I am, baby. This will be my first flock of geese, which we will see together.
  • 74:27 - 74:33
    But not the last, my bird. Together we will see a lot of geese, predators and spring birds.
  • 74:40 - 74:42
    Yes?
  • 74:42 - 74:44
    Suna, are you ready? I'm about to go into the meeting.
  • 74:45 - 74:46
    I'm ready, I'm ready.
  • 74:47 - 74:49
    What did you say?
  • 74:49 - 74:52
    I said, I'm ready. I am waiting for your answer.
  • 74:52 - 74:55
    You're screaming too much. We'll miss the birds before they even fly.
  • 74:55 - 74:57
    Why is your voice is so unclear?
  • 74:57 - 75:00
    I'm on the field with Gokce. We are waiting for the arrival of the birds.
  • 75:01 - 75:02
    They're coming!
  • 75:03 - 75:04
    I think they're coming to me too.
  • 75:05 - 75:07
    These are clouds of dust, bird.
  • 75:07 - 75:09
    False alarm. It's only a cloud of dust.
  • 75:11 - 75:15
    As I said in a telephone interview, Sarte is interested in a one-off collaboration.
  • 75:29 - 75:30
    They're wishing us good luck.
  • 75:32 - 75:33
    What have you got in your ear?
  • 75:41 - 75:41
    It is...
  • 75:44 - 75:45
    Cagla.
  • 75:45 - 75:46
    Ms. Cagla.
  • 75:47 - 75:50
    She said she wanted me using her methods since I'm her assistant.
  • 75:50 - 75:52
    She gave it to me.
  • 76:01 - 76:02
    One after the other!
  • 76:04 - 76:07
    If your Arabic is not good enough, we can hire a second translator, Miss Hayat.
  • 76:07 - 76:08
    No way.
  • 76:09 - 76:12
    There's just a difference in the accent. That's why.
  • 76:13 - 76:15
    I wish you said it in Arabic.
  • 76:16 - 76:17
    I'll do that too.
  • 76:32 - 76:32
    Yes?
  • 76:34 - 76:35
    Yes what?
  • 76:36 - 76:37
    What did they say?
  • 76:37 - 76:38
    We have a small problem with the connection.
  • 76:39 - 76:41
    Hello, hello. Can you hear me?
  • 76:43 - 76:44
    Unclear!
  • 76:46 - 76:49
    Can I explain to you unclearly?
  • 76:52 - 76:58
    'I'm not like my partner, I don't like to prolong the topic. Our request is clear.
  • 76:59 - 77:05
    Not renew it, but immediately get down to business. They have the same opinion. What are our goals?
  • 77:07 - 77:11
    To strengthen the brand Sarte, we want to start their own production.
  • 77:12 - 77:12
    So?
  • 77:14 - 77:18
    I mean, do I translate it all at once?
  • 77:20 - 77:23
    We want to get a furniture factory in Turkey, which is not profitable.
  • 77:41 - 77:41
    What happened?
  • 77:42 - 77:42
    It disconnected.
  • 77:43 - 77:47
    I mean, my voice suddenly broke.
  • 77:52 - 77:54
    Hayat, can you hear me?
  • 78:27 - 78:31
    Yes, ma'am. What is so urgent? I'm curious now.
  • 78:32 - 78:37
    Doruk. Did your brother mention anything about this great project?
  • 78:38 - 78:39
    Mom, this again?
  • 78:39 - 78:41
    Did he say something or not?
  • 78:42 - 78:43
    There was no opportunity.
  • 78:43 - 78:45
    I learnt about it, though.
  • 78:45 - 78:50
    Our dear young master wants to extend the concept of Sarte.
  • 78:51 - 78:53
    What do you mean?
  • 78:53 - 78:55
    Let me say it like this.
  • 78:55 - 79:00
    From now on you you will not only deal with clothes, but also shoes, bags, furniture, or accessories.
  • 79:00 - 79:02
    Whatever comes to mind.
  • 79:02 - 79:07
    Wow, look at Murat Sarsilmaz. Aiming high.
  • 79:07 - 79:12
    And just when your father said that one of you will lead the company.
  • 79:13 - 79:14
    No, Mom.
  • 79:14 - 79:20
    Doruk, if your brother had clear intentions, why would he hide it from you.
  • 79:20 - 79:22
    The fact that there was no time is no excuse.
  • 79:23 - 79:26
    This tactic for misdirection.
  • 79:48 - 79:51
    You ... both sides knew English ...
  • 79:52 - 79:56
    Why do we have to speak in English when I have an assistant who knows Arabic?
  • 80:08 - 80:11
    It's so late. Mrs. Emine will kill me.
  • 80:13 - 80:14
    Are you also here?
  • 80:15 - 80:16
    Where do you live?
  • 80:16 - 80:17
    At Reşitpaşa.
  • 80:18 - 80:20
    I mean, I wanted to say at the Tarabya.
  • 80:21 - 80:24
    I used to live there. It's okay, Tarabya is nearby. I'll ride you, don't worry.
  • 80:24 - 80:27
    Oh, no, I can not. Then I'll have to go back.
  • 80:27 - 80:28
    To where?
  • 80:31 - 80:32
    What's happening?
  • 80:33 - 80:36
    Mr. Murat, is it a problem to drive Miss Hayat to her house?
  • 80:37 - 80:40
    No. I don't have a problem other that going home.
  • 80:41 - 80:44
    Me too. So please do not bother. I'll go by bus.
  • 80:45 - 80:47
    By bus? The daughter of a rich man?
  • 80:49 - 80:51
    I mean, just a saying. I'll take a taxi.
  • 80:51 - 80:54
    It's probably not a good idea to get a taxi at this time and in this outfit.
  • 80:54 - 80:57
    And that taksi does not drive this way. We'll take you. Tarabya is nearby.
  • 80:58 - 81:02
    This young lady has a phobia of driving a car with strangers, Kerem. You don't know about it.
  • 81:04 - 81:06
    Does she know the taxi driver?
  • 81:08 - 81:09
    He does not count.
  • 81:11 - 81:13
    Please, Miss Hayat. After you.
  • 81:28 - 81:29
    Nervous?
  • 81:30 - 81:31
    I'm late.
  • 81:34 - 81:38
    Tell your boyfriend to get accustomed. Our working hours are not certain.
  • 81:39 - 81:40
    I do not have a boyfriend.
  • 81:41 - 81:43
    I'm not surprised.
  • 82:00 - 82:01
    It seems that this non-existent boyfriend calling you.
  • 82:02 - 82:03
    No. It's from home.
  • 82:04 - 82:05
    Answer it then.
  • 82:06 - 82:07
    There's no need.
  • 82:08 - 82:10
    You can't leave family worried. Answer it.
  • 82:13 - 82:14
    Yes?
  • 82:15 - 82:16
    Where are you, darling?
  • 82:17 - 82:18
    On the way, Mrs. Emine.
  • 82:18 - 82:20
    What? Who? Who? Who?
  • 82:21 - 82:23
    Let's not extend this, I can not talk right now.
  • 82:24 - 82:29
    Daughter, it's three, your father rang four times.
  • 82:29 - 82:35
    He asked what kind of work is this? What's she doing there so long? He said it's getting dark!
  • 82:36 - 82:37
    You see, your father said...
  • 82:37 - 82:42
    I said, let's not not extend this, Mrs. Emine. I'm on the way. I'm coming.
  • 82:44 - 82:49
    God, God. Give me sanity God.
  • 83:04 - 83:06
    An aggressive driver.
  • 83:06 - 83:08
    But the driver must be patient.
  • 83:10 - 83:12
    Whoever doesn't have patience, won't arrive.
  • 83:21 - 83:23
    No, this won't work like this.
  • 83:24 - 83:28
    Mr. Murat. If you allow me, I'd like to pull over for a few minutes.
  • 83:29 - 83:30
    Okay, Kerem. Do what is necessary.
  • 83:57 - 84:02
    I've been trying to overtake you for 2 hours! What is this swerving around?
  • 84:07 - 84:07
    You?
  • 84:09 - 84:10
    Oh no!
  • 84:10 - 84:11
    Yes. Me.
  • 84:11 - 84:15
    Your destiny. Did I not tell you that we will meet, even if we go other routes?
  • 84:16 - 84:17
    Oh, only you were missing from this.
  • 84:17 - 84:21
    What a misfortune you are, turning up in front of me. Like a coincidence...
  • 84:21 - 84:26
    That's what you call a coincidence is destiny's way of laughing. I don't even know your name..
  • 84:26 - 84:31
    Your ego is not yet aware of this but your conscience has already begun to follow me.
  • 84:33 - 84:34
    It's a nightmare.
  • 84:34 - 84:37
    As in a dream, right? But our love is true, do not worry.
  • 84:38 - 84:40
    Look at me! What love? Speak decently, or I will break your neck!
  • 84:40 - 84:45
    I love these crazy your reactions. Tell me, what is your name. I'll tattoo it on my heart .
  • 84:46 - 84:49
    I'm very late. What's going on?
  • 84:51 - 84:52
    It's Ipek!
  • 84:52 - 84:53
    What Ipek?
  • 84:54 - 84:54
    My friend.
  • 84:57 - 84:58
    Ipek.
  • 85:00 - 85:03
    Girl. What are you doing in this loser's car?
  • 85:05 - 85:08
    By the way, you look brilliant.
  • 85:08 - 85:09
    Mr Kerem is Mr Murat's driver.
  • 85:11 - 85:13
    I'm very tired. I'll explain later.
  • 85:14 - 85:14
    Ipek.
  • 85:16 - 85:18
    So your name is Ipek.
  • 85:21 - 85:22
    Kerem and Ipek.
  • 85:25 - 85:29
    Good good. Ipek and Kerem. The harmony of our love has been enriched by our names.
  • 85:33 - 85:36
    Hayat. Let's leave as soon as possible before I kill this man.
  • 85:38 - 85:40
    He was just driving me home.
  • 85:40 - 85:41
    Where is Reşitpaşa, and where are we?!
  • 85:42 - 85:46
    What Reşitpaşa again? What would do there? We're going to Tarabye.
  • 85:47 - 85:51
    Mrs. Emine doesn't stop ringing too, God has sent me to you.
  • 85:52 - 85:53
    Ipek.
  • 85:54 - 85:59
    Am I surprised that Hayat is your friend? I'm not. But why? Because life (Hayat) is messing with us to get us to connect with each other.
  • 85:59 - 86:02
    I swear to you, that our history is like a black-and-white movies.
  • 86:03 - 86:08
    Can we go before I sacrifice him to black-and-white action films? Take your things. Come on.
  • 86:12 - 86:15
    I will go on with my friend. Anyway, thank you.
  • 86:18 - 86:20
    Let me see.
  • 86:25 - 86:27
    Do not worry. You'll live.
  • 86:33 - 86:34
    Have a nice day.
  • 86:36 - 86:37
    What are you looking at?
  • 86:38 - 86:38
    Ipek.
  • 86:39 - 86:40
    It's done.
  • 86:42 - 86:44
    Ipek. See you later.
  • 86:45 - 86:46
    God forbid.
  • 87:09 - 87:13
    In fact, I realized that something was happening. I noticed it.
  • 87:19 - 87:21
    What am I saying, what are you saying?
  • 87:23 - 87:29
    For exactly four and a half hours, you've been talking about Murat and I've listened. I'm finished!
  • 87:31 - 87:33
    It's not fat, just water. So swollen by you!
  • 87:36 - 87:37
    Shall I refill it?
  • 87:38 - 87:40
    How beautiful do you say that.
  • 87:42 - 87:44
    Don't top up, just repeat.
  • 87:45 - 87:46
    Well, I repeat. Shall I refill?
  • 87:48 - 87:50
    This hooligan is funny too!
  • 87:51 - 88:06
    I would like to drink something else. I like to try different things. I'm looking for something that warms me inside, and thus cool as a light breeze.
  • 88:08 - 88:11
    In that case, please sit under the air conditioning , and I'll prepare a coffee.
  • 88:12 - 88:13
    Certainly a hooligan.
  • 88:14 - 88:21
    Best to prepare me "Koko Ibamu Salijena Kalijenta" [whatever it is].
  • 88:21 - 88:22
    I never heard of it.
  • 88:25 - 88:30
    Can you tell me what to do when you're done flirting? Please.
  • 88:34 - 88:39
    At this point, my shift is over. I found a doctor to your problems. Bother him instead.
  • 88:41 - 88:43
    There is something called a private life.
  • 88:43 - 88:47
    I'm sorry, sorry, sorry.
  • 88:52 - 88:53
    How's it going?
  • 88:56 - 88:59
    Shall I help you with that shaker?
  • 89:15 - 89:22
    This girl will kill me! What time is this! Where are they up to now? Where? Where?
  • 89:23 - 89:24
    They are on the way, Emine. Calm down a little bit.
  • 89:25 - 89:26
    On what way?
  • 89:27 - 89:32
    Where was this meeting? Tell me. Where? In Fizenda? Did they meet in Fizenda?
  • 89:33 - 89:39
    It can't be like this, Aunt Emine. No, please. Lie down.
  • 89:43 - 89:46
    I know. I know what I'll do it.
  • 89:47 - 89:52
    Her father already said. He said that from today it is in my hands.
  • 89:54 - 89:58
    From the beginning it was clear that this girl is all awry.
  • 90:00 - 90:02
    Why? Did you have a difficult birth, Aunt Emine?
  • 90:02 - 90:14
    Oh, girl, ah. She ... ah, ah ... Normal babies are born head or legs, she was born ass first.
  • 90:15 - 90:22
    I had exactly thirty-three stitches. And even after the birth , something was wrong. Such a small baby at 8 months.
  • 90:23 - 90:29
    And you because of the difficult birth, you gave her name Hayat [Life] so she lives a long and prosper life.
  • 90:30 - 90:34
    No. When she was two days old, she was a lot to handle, that's why they gave her the name.
  • 90:35 - 90:37
    Oh no. This Hayat that we know?
  • 90:37 - 90:38
    Yes.
  • 90:39 - 90:44
    Yes, yes. Does not matter. It's okay. I'm fine.
  • 90:47 - 90:52
    The cologne made it better, my headache is gone a bit.
  • 90:53 - 90:54
    We came!
  • 90:55 - 90:55
    Thank God.
  • 91:08 - 91:09
    My God!
  • 91:13 - 91:13
    Hayat.
  • 91:16 - 91:19
    What is that on you, my child?
  • 91:21 - 91:22
    Daughter, Hayat, what is this?
  • 91:24 - 91:26
    It is the work clothing. Let's not extend this topic, Mom.
  • 91:29 - 91:34
    Work ... What kind of work ...
  • 91:34 - 91:35
    Mom?!
  • 91:37 - 91:38
    Mom!
  • 91:39 - 91:43
    Brother, I'm telling you, she cried 2 bucketloads. I had no idea what to do.
  • 91:44 - 91:45
    So you grabbed her hand and you brought her here, right?
  • 91:45 - 91:50
    I tried to calm her down for hours, but I couldn't.
  • 91:56 - 92:00
    Nothing was wrong this morning, I don't know why she's falling apart.
  • 92:02 - 92:03
    Me too.
  • 92:13 - 92:15
    You hurt me a lot, Murat.
  • 92:18 - 92:21
    Were you talking to this girl when we were in a relationship?
  • 92:29 - 92:34
    Let me correct you. We have never been in a relationship, Didem. I have no idea who you're talking about.
  • 92:35 - 92:37
    About your childhood love, Suna.
  • 92:39 - 92:40
    Where did that come out of?
  • 92:42 - 92:43
    Doruk told me everything.
  • 92:43 - 92:44
    Doruk..
  • 92:50 - 92:51
    Doruk.
  • 92:52 - 92:55
    Doruk, can you explain the real story, please?
  • 92:55 - 92:59
    No, brother. I think that you should not hide it any longer. Leave these lies.
  • 92:59 - 93:01
    You are madly in love with this girl.
  • 93:01 - 93:04
    Doruk, your joke does not amuse me. Already, talk.
  • 93:05 - 93:09
    Brother, you've been in love since the age of 5. In the end, she's the first girl you kissed.
  • 93:09 - 93:10
    Doruk!
  • 93:10 - 93:13
    Okay, okay. Fine. It was all a lie.
  • 93:14 - 93:17
    My brother doesn't see anybody but you.
  • 93:17 - 93:20
    I figured it would improve your relationship.
  • 93:20 - 93:24
    See him. Crazy. He hasn't been himself for days.
  • 93:25 - 93:29
    Hug and do not let go of each other, it is hard to find true love.
  • 93:29 - 93:30
    Doruk!
  • 93:52 - 93:53
    Take. Drink it.
  • 93:56 - 93:58
    I do not know what is all the fuss.
  • 93:59 - 94:02
    She's still saying that there's nothing to exaggerate.
  • 94:05 - 94:06
    Of course.
  • 94:07 - 94:07
    Right.
  • 94:08 - 94:10
    Already in the first week, coming home late.
  • 94:12 - 94:21
    Expensive clothes. Naming the 'Mrs.' Emine on the phone. Horrible things come to mind, Aunt Emine.
  • 94:24 - 94:27
    And you still want to add fuel to the fire, Ipek?
  • 94:27 - 94:32
    Is it a good time for jokes? After all Hayat explained a moment ago.
  • 94:33 - 94:36
    Daughter, why do not you let the mother go with you to work?
  • 94:37 - 94:40
    Aunt Fadik, things like that on the first day?
  • 94:40 - 94:44
    Lead me like a child. Plus I didn't say she couldn't come.
  • 94:44 - 94:45
    I said that today can not.
  • 94:45 - 94:46
    Maybe next time.
  • 94:47 - 94:51
    Your father said the same thing. If not today, something will come out of this.
  • 94:52 - 94:53
    He was right.
  • 94:54 - 95:03
    He told me.He told me when you wanted to study in Istanbul. Let's not send her. She'll say I wan't to study and not come back.
  • 95:04 - 95:05
    But I did not listen.
  • 95:06 - 95:08
    You didn't and what happened, Mom?
  • 95:08 - 95:11
    You're acting as if I didn't start work, but went astray.
  • 95:11 - 95:14
    And this is what will soon happen if you act so thoughtlessly.
  • 95:14 - 95:16
    My God. Again, something is happening to me, Fadik.
  • 95:17 - 95:23
    Mom, I do not act without thinking. I'm trying to do what's good for me.
  • 95:24 - 95:27
    How do you know what is good for you?
  • 95:28 - 95:31
    Okay, how do you know what is best for me?
  • 95:32 - 95:38
    Times have changed. As a woman, I may have different expectations than a house and a child.
  • 95:39 - 95:42
    Instead of getting angry, try at least once to understand me.
  • 95:44 - 95:46
    Ask me what I want for once.
  • 95:47 - 95:50
    Through this behaviour, life is getting cold for me.
  • 96:00 - 96:02
    What did she say now?
  • 96:24 - 96:27
    I worried you late at night, I'm sorry.
  • 96:28 - 96:30
    But I came to myself. I feel good.
  • 96:32 - 96:34
    I made coffee. Drink if you want. You will feel better.
  • 96:35 - 96:39
    Nothing can help me now to feel better. I'm ashamed.
  • 96:41 - 96:43
    Well. Do not think about it. No problem.
  • 96:44 - 96:45
    It's not that.
  • 96:47 - 96:51
    Well. Do not think about what Doruk said. Same pranks as always.
  • 96:53 - 96:55
    I am ashamed that you pairing you with that girl.
  • 96:56 - 96:57
    Again this topic.
  • 96:58 - 97:00
    That's not what I meant.
  • 97:00 - 97:03
    First, I had no idea that it was the daughter of a friend of your father.
  • 97:03 - 97:03
    And?
  • 97:04 - 97:07
    If I knew that, I would refrain from pointing out her insolence. I wouldn't say anything.
  • 97:08 - 97:11
    And you go on about this? You realize that this girl ran to rescue you today?
  • 97:11 - 97:13
    Her problem was not to rescue me.
  • 97:13 - 97:14
    What was her problem?
  • 97:14 - 97:15
    You.
  • 97:16 - 97:18
    She did it to draw your attention.
  • 97:19 - 97:22
    It was a planned step. She was the center of attention of the whole team.
  • 97:23 - 97:24
    Give up for God's sake.
  • 97:24 - 97:27
    I also could not believe it. This woman is literally mentally ill.
  • 97:28 - 97:32
    One of the assistants heard her boast the victory on the phone.
  • 97:33 - 97:36
    So, it wasn't only me that she behaved insolently to.
  • 97:37 - 97:39
    You can see that it is back in this position.
  • 97:40 - 97:44
    Doesn't matter. Soon the truth will come out. You can see her true face.
  • 97:55 - 97:58
    Will I always have to fight for my life like this?
  • 97:58 - 98:03
    Not only you are concerned. No one is easy in life.
  • 98:04 - 98:07
    But look also on the positive side.
  • 98:08 - 98:09
    Positive side?
  • 98:09 - 98:12
    For example, Suna agreed to help you.
  • 98:12 - 98:14
    Only for a few days.
  • 98:17 - 98:20
    You could have been exposed.
  • 98:20 - 98:22
    That does not mean that this will not happen.
  • 98:25 - 98:28
    Your relationship with your boss greatly improved.
  • 98:29 - 98:31
    Rather it has a greater chance of death.
  • 98:32 - 98:34
    It does not improve.
  • 98:35 - 98:38
    As soon as something comes out of me, he get's more angry.
  • 98:39 - 98:40
    What does that mean?
  • 98:41 - 98:42
    He wanted me to tidy the archive.
  • 98:43 - 98:45
    After Suna appeared, he asked me about the SWOT analysis.
  • 98:46 - 98:50
    Then for hours, he forced me to translate from Arabic, although both sides knew English.
  • 98:51 - 98:54
    And when we came back, he questioned me in connection with the CV.
  • 98:56 - 99:00
    Why would he hide that he suspects something? He would have asked directly.
  • 99:00 - 99:05
    He doesn't ask, he tortures. Even if he was sure.
  • 99:05 - 99:06
    Typical boss.
  • 99:07 - 99:08
    It's got nothing to do with that.
  • 99:09 - 99:16
    He's weird. It's impossible to understand what he is thinking, or what he wants.
  • 99:59 - 100:03
    Yesterday's photos from the shoot are here, sir. They're waiting until you select the photos for catalog.
  • 100:03 - 100:04
    You can leave them here, Cagla.
  • 101:18 - 101:20
    Girl I told you I don't have any sales.
  • 101:20 - 101:24
    Plus I didn't say that we would hang out every night, just one night.
  • 101:26 - 101:28
    So you're not insisting but threatening me?
  • 101:29 - 101:32
    I say that I already have plans for the evening. Why you do not believe me?
  • 101:33 - 101:37
    Wait, wait, I'll give you the phone to someone who is responsible for organizing the evening.
  • 101:38 - 101:39
    What can I say?
  • 101:41 - 101:42
    How that can be?
  • 101:42 - 101:44
    She's stuck to me and won't leave. Talk.
  • 101:45 - 101:46
    Hello. Me?
  • 101:47 - 101:48
    And I who am I?
  • 101:48 - 101:49
    My girlfriend.
  • 101:50 - 101:51
    I am Mr. Doruk's girlfriend.
  • 101:51 - 101:53
    Without the Mr.
  • 101:53 - 101:55
    I Doruk's girlfriend.
  • 101:57 - 101:59
    We are very close to each other.
  • 102:00 - 102:01
    Look, miss ...
  • 102:02 - 102:05
    It's not what you think, please allow me to explain.
  • 102:06 - 102:10
    Mr. Doruk ... I mean, Doruk already has other plans for the evening.
  • 102:12 - 102:14
    But you won't let me speak properly.
  • 102:14 - 102:15
    She doesn't.
  • 102:19 - 102:23
    This is too much. The boy says he is busy, and you still insisting. I don't understand.
  • 102:25 - 102:26
    You faceless...
  • 102:26 - 102:30
    This is really too much. You're a woman, have some respect for yourself. You've stuck to the boy like a leech.
  • 102:32 - 102:34
    Us? Our situation is completely different.
  • 102:35 - 102:36
    Say we are engaged.
  • 102:36 - 102:37
    Say we are engaged.
  • 102:37 - 102:39
    We're engaged.
  • 102:40 - 102:42
    Stay away from my fiancé.
  • 102:47 - 102:49
    What happened? What did she say?
  • 102:49 - 102:51
    She cursed and hung up.
  • 102:51 - 102:56
    God glory. You saved my life, I am in your debt.
  • 102:57 - 102:58
    You're welcome. It is our duty.
  • 102:59 - 103:02
    Besides, I had some fun, people should at least have some sense of shame.
  • 103:51 - 103:54
    It's you? I got so scared.
  • 103:55 - 103:55
    Come on let's go.
  • 103:56 - 103:56
    Where are we going?
  • 103:56 - 103:57
    We're going to visit Hayat at work.
  • 103:58 - 104:00
    What are we doing at Hayat's work?
  • 104:00 - 104:06
    Her father ordered. I have to go and to look at it before I leave. He said I had to see for myself where and with whom she's working, then I can come back.
  • 104:07 - 104:08
    Well, let me get ready.
  • 104:09 - 104:10
    You look good.
  • 104:10 - 104:11
    How is the weather?
  • 104:12 - 104:12
    Beautiful.
  • 104:12 - 104:13
    Come on, take your bag and let's go
  • 104:13 - 104:14
    As my hair?
  • 104:14 - 104:15
    Good. Let's go.
  • 104:16 - 104:16
    Okay, I'm coming.
  • 104:27 - 104:28
    Can I go in?
  • 104:28 - 104:30
    Actually, I've already entered.
  • 104:30 - 104:33
    Why we owe your presence in Sarte, Mr. Doruk?
  • 104:34 - 104:38
    We are in the workplace, which belongs to our father, is not it?
  • 104:38 - 104:40
    Amazing that you remembered.
  • 104:40 - 104:42
    By God, today, are you not in the mood.
  • 104:43 - 104:46
    And you're joyful enough to gossip with employees.
  • 104:49 - 104:50
    With who? With Suna?
  • 104:51 - 104:54
    Miss prefers to be called Hayat. Not so good that you don't know?
  • 104:55 - 104:58
    Listen to me. Are you jealous of us?
  • 104:58 - 105:02
    Of course not. It's your business what you do in your private life.
  • 105:02 - 105:05
    But it is inappropriate to be so free with employees.
  • 105:06 - 105:10
    There's nothing between us. If there were I wouldn't hide it. I'd tell you all about it.
  • 105:13 - 105:14
    I'm not like you am I, brother?
  • 105:21 - 105:23
    I'm not hiding anything from you. How did you come up with this?
  • 105:24 - 105:28
    I learnt from others that you plan to transform Sarte in the concept of the brand.
  • 105:45 - 105:48
    Like I said, I didn't hide it from you. If you came to the meeting, you would have heard.
  • 105:49 - 105:53
    Fine. Let's leave it. I was just curious.
  • 105:54 - 105:57
    Anyway, I'm leaving, I'm just going to visit dad for five minutes.
  • 105:57 - 105:58
    Ok, brother. See you later.
  • 105:59 - 106:05
    Doruk. I ask out of curiosity. How did you hear about the concept? That is to say, dad had no idea.
  • 106:06 - 106:08
    The birds told me.
  • 106:53 - 106:55
    What are you up to, Suna Pektaş?
  • 107:11 - 107:13
    I was looking for you.
  • 107:14 - 107:15
    Why?
  • 107:15 - 107:17
    Of course, in order to show you where your place is.
  • 107:18 - 107:21
    To tell you that I will not fall for your sweet smile act
  • 107:21 - 107:22
    What are you talking about?
  • 107:22 - 107:24
    I'm telling you to stay away from Murat.
  • 107:25 - 107:29
    Mr Murat is just my boss. I keep away from him anyway.
  • 107:30 - 107:33
    Actually, who are you to speak to me this way?
  • 107:35 - 107:37
    I see you're trusting your father and throwing attitude.
  • 107:38 - 107:39
    But for me it is no obstacle.
  • 107:40 - 107:42
    I know Murat well.
  • 107:43 - 107:46
    And if my name is Didem, I'll know how to send you out of here as soon as possible.
  • 107:49 - 107:54
    Actually, it's probably hard for you to understand but I'm not running after anyone.
  • 107:55 - 107:58
    I am neither near nor far. I am doing my job. My job!
  • 108:00 - 108:02
    I suggest you do the same.
  • 108:06 - 108:09
    Are you suggesting to me that I don't do my job? I do not understand.
  • 108:10 - 108:15
    Do I have to tell you? Anyone who has a little bit of reason and perception will notice.
  • 108:16 - 108:19
    I don't know how a man like Mr. Murat sticks your side.
  • 108:19 - 108:22
    Your words and behavior are sharp and offensive.
  • 108:24 - 108:28
    I came here to thank you for yesterday, and you tell me such things.
  • 108:29 - 108:31
    What are you talking about? What thanks?
  • 108:33 - 108:34
    Murat.
  • 108:41 - 108:42
    Mr. Murat, I ...
  • 108:43 - 108:45
    Immediately to my office.
  • 109:02 - 109:05
    Girl, this place is huge. How do we find her?
  • 109:05 - 109:08
    Come on, let's ask. Come.
  • 109:08 - 109:09
    Yes?
  • 109:09 - 109:10
    Good morning, child.
  • 109:10 - 109:11
    Hello!
  • 109:11 - 109:12
    Hello!
  • 109:13 - 109:14
    We are looking Hayat Uzun.
  • 109:15 - 109:16
    In the department he works, Auntie?
  • 109:17 - 109:20
    Assistant to the director's general assisstant.
  • 109:25 - 109:27
    Hayat Uzun has guests.
  • 109:27 - 109:28
    Hayat Uzun.
  • 109:29 - 109:32
    Assistant to the director's general assisstant.
  • 109:33 - 109:34
    Are you sure?
  • 109:36 - 109:36
    Okay.
  • 109:39 - 109:41
    There is no one named Hayat Uzun who would work for us.
  • 109:47 - 109:52
    No no. Again...
  • 110:00 - 110:02
    Assistant to the director's general assisstant.
  • 110:03 - 110:06
    It really is not like you think. Let me explain.
  • 110:06 - 110:07
    I heard what I needed to hear.
  • 110:07 - 110:08
    But it is not everything.
  • 110:08 - 110:09
    I was informed about before.
  • 110:10 - 110:15
    I don't know what you've heard about before but I feel cheated. Please listen to me.
  • 110:16 - 110:19
    Can we leave what I heard to aside, and focus on what I saw?
  • 110:22 - 110:24
    You invited a friend just after getting the job.
  • 110:25 - 110:29
    Argued with the main model. More specifically, said offensive words.
  • 110:34 - 110:37
    Not to mention the free behavior in relation to the boss of the workplace.
  • 110:39 - 110:40
    Boss...?
  • 110:41 - 110:43
    How so? Which...
  • 110:47 - 110:51
    If you're talking about Mr Doruk, it's not like you think. He asked me for help and I ...
  • 110:51 - 110:52
    And the most important.
  • 110:53 - 110:58
    Telling others about what we talked about in the meeting with the Arabs.
  • 111:00 - 111:02
    I didn't do such a thing.
  • 111:02 - 111:05
    If you think that the friendship of our fathers protects you, you're mistaken, Hayat.
  • 111:06 - 111:09
    In fact, you're wrong. And from the very beginning.
  • 111:09 - 111:16
    I do not know with what kind of people you've worked with so far, nor what kind of people you hang with, but looking at your environment, it's not hard to guess.
  • 111:16 - 111:21
    But now I tell you. I am not who you think. And especially a snitch!
  • 111:22 - 111:24
    Where are you going? I am not done yet.
  • 111:24 - 111:25
    It's finished for me.
  • 111:26 - 111:31
    Hire me for any position, you can hinder my life however you want, perhaps even torture me.
  • 111:32 - 111:35
    But you can't accuse me having such a character, Mr. Murat!
  • 111:36 - 111:39
    I will not ask you what I can do and what I can't. I'm the boss here.
  • 111:45 - 111:47
    Not any more.
  • 111:49 - 111:50
    Because I quit.
  • 112:02 - 112:05
    Ask Laftan Anlamaz / Love does not understand the words, sect. 2, PL subtitles.
  • 112:06 - 112:10
    Translation: aneta3721 synchronization Subtitle: Joanna (translation help), paste Subtitle: Paulina, the text of the Bosnian Ula
  • 112:10 - 112:14
    Welcome to facebook: Corner Turkish PL Series
Title:
Ask Laftan Anlamaz - Episode 2
Description:

In the second episode of "Ask Laftan Anlamaz"; Having found the real Suna, Hayat struggles with what she will do. Moreover, Emine notices the strangeness in Hayat and follows her to Sarte. Things will get harder for her daughter. As always, Aslı and Ipek grow for the help of Hayat. All you have to do is take ask for a few more days to work from Suna. Although Hayat says it is not possible, Ipek promises to find a way. They will go to Suna's house. Will Ipek and Hayat be able to convince Suna? Hayat, struggling with Murat's work from one side, thinks that he was subjected to strange tests. She suspects that her boss has learned everything. Hayat also has to choose between pride and the future, as well as the jealousy of Didem and other misunderstandings.

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Video Language:
Turkish
Duration:
01:53:54
  • holaaaaa......quiero dar las gracias por la traduccion de este capitulo....ahora quisiera preguntar seguiran subtitulando esta serie....ojala puedan....saludos y gracias

English subtitles

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