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ASMR | Man on Train, 1890

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    [whispers]
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    [murmurs]
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    Excuse me.
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    Yes, hello. Sorry, I do beg your pardon.
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    You do know that this is the, uh,
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    quiet carriage, yes?
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    Yes. No, I know you weren't making any noise.
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    Forgive me for saying so, but you...
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    Well, look a bit...
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    Young.
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    Modern, youthful.
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    No, no.
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    You are totally right.
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    I do apologise for making such a
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    brash and unwanted judgment.
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    Please, go about your business.
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    Can I just say...
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    Sorry to interrupt.
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    You do have a rather...
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    intelligent face,
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    and a rather...
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    charming air about you.
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    Do you get that all the time?
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    No?
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    Just me?
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    A mysterious gentleman on a train?
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    What is your name, if I may ask?
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    Well, that's a lovely name.
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    Very pleased to meet you.
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    My name is Grant,
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    Grant Worthington.
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    Pleased to make your acquaintance.
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    And where are you off to tonight?
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    Ah-ha,
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    London as well.
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    Long time away from home?
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    Yes. No, I see.
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    I see.
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    Would you like the paper, by the way?
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    No, I mean...
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    I've... I've already read it, I'm just...
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    circling the entertainment.
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    Yes. No, I mean, it's been a long time
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    since I've been in London, and I'm
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    rather keen to see what's on at the theatre tonight.
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    Do you like the theatre?
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    Really?
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    What have you seen?
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    Ah,
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    I'm more of a classics man myself.
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    You must have seen that latest, uh...
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    What was that? Gilbert and Sullivan?
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    Operetta, released last year.
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    Oh, "The Gondoliers".
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    I think that's on tonight.
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    Have you seen "The Gondoliers"?
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    It's supposed to be very good.
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    No. No, no.
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    Maybe more of a Shakespeare person.
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    Too right, old bean. Too right.
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    I think that... Yes.
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    Yeah, I've circled it!
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    Tonight, at the Globe,
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    they're playing "A Midsummer Night's Dream".
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    Have you seen that one?
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    You must!
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    In my opinion it is his best.
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    Oh, no.
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    No, I know people say "Hamlet".
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    I know people say...
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    "Macbeth" and various others...
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    Absolute posh, if you ask me.
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    No, "A Midsummer Night's Dream" is a lighthearted romp.
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    Very enjoyable.
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    Only about...
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    three hours long.
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    Which is, you know, in my opinion, fine.
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    Yes, and it follows two
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    couples of lovers, you know,
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    two couples,
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    as they go through a sort of enchanted forest
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    and have games played with them by these
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    manipulative fairies.
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    It's on tonight at the Globe!
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    I saw it about five years ago at the Globe.
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    Oh, go on! It's got Mr. T. Forrest playing Bottom.
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    Bottom, of course, being one of the Mechanicals.
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    He plays Pyramus in the final act,
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    in the "Pyramus and Thisbe".
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    Absolutely hilarious!
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    Please, please! I insist!
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    Go and see it. Shakespeare is
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    an awfully clever chap.
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    Very funny, of course.
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    Very, uh... What is the word?
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    He's very self-referential.
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    He, uh, often talks about his own plays
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    inside of his plays.
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    Yeah.
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    Very meta.
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    Are you sure you don't want to read the paper?
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    Ah-ha.
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    I understand.
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    You think it's dull
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    to read the paper on a train.
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    Youths...
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    I'm kidding, of course. I'm kidding.
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    I like you, we're friends.
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    Charming face.
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    Uh, yes.
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    I would rather have to disagree.
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    We can't always be galavanting around,
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    as I have been.
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    Many adventures in the past...
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    couple of months.
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    You can't always be jumping from hotel
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    to grand hotel.
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    Far too ambitious,
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    far too time-consuming.
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    No.
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    Sometimes,
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    you just need to
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    sit in the train
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    and read the paper.
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    But, you know,
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    some of the times that I've had in the past two weeks, I tell you!
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    Last week I was involved in a...
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    Fight!
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    Or rather a battle.
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    Let's call it a battle.
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    Yes, between me and a, uh, fellow who
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    looked rather similar to me.
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    Yes. Oh,
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    it was epic, I tell you.
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    Thousands, thousands of people came to watch.
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    Yes. No, it was only short. It was only about...
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    ten or so minutes long.
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    But,
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    a lot happened. A lot.
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    You know, got the old blood boiling...
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    Sometimes you just need a good fight, you know.
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    Yes. It took it out of me, though,
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    I must say.
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    Which is rather why
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    right now I just need to sit and...
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    read the paper.
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    With your lovely self.
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    Is there anything wrong with that?
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    No.
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    Sometimes we all just need to relax.
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    What have we got here?
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    Ah-ha,
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    the headliner, the influenza.
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    Have you had it?
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    Have you had the virus?
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    No, a few people I know have.
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    Luckily, I've escaped.
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    It seems to mainly be affecting, uh, the elderly.
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    Again, I don't know anyone.
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    It's really torn through Belfast...
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    I think that London is just beginning to see some increased numbers.
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    Let me read a bit to you.
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    Okay...
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    "Yesterday's returns, taken as a whole,
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    are more satisfactory than those of Thursday's.
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    At the Central Telegraph Office, the official return brought up to Thursday night
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    shows the number of absentees to be 433."
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    That's quite a few people...
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    "The number of sick telegraph boys is also diminishing.
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    The General Post Office employees absent yesterday were 2057,
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    an increase of 27."
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    Who would have thought
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    that a random deadly virus
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    can just take over the world like this?
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    Do you follow sports?
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    The football?
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    What about the rowing?
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    I do like a sport of rowing.
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    "The president of Cambridge University Boat Club states
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    that the next inter-university boat race,
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    the Boat Race,
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    will take place on Tuesday, April 1st at about half past eleven,
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    as the tide would serve at too early an hour
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    on the usual day, March 29th.
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    He also says that no Old Blues
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    are coming up to assist him on this occasion."
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    Have you rowed?
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    I was a handy stroke in my time.
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    Very handy.
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    They called me the human clock,
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    'cause I kept perfect time.
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    Oh.
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    What's this?
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    I seem to have been shot.
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    Yes.
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    Yes. No, just out before.
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    Out in the hallway.
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    Yeah. I don't really know the gentleman who did it.
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    Seemed very angry!
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    He pulled a gun on me and shot me.
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    No, I didn't do anything!
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    I was... I was running from him.
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    I looked rather frightened, if anything.
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    Yes.
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    No, it is rather painful.
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    But, you know...
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    Stiff upper lip and all that!
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    Not a snowflake...
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    Like this generation.
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    Yes, I do seem to be, uh...
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    gradually...
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    losing quite a lot of blood.
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    But, you know...
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    Can't have everything in life!
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    "What doesn't kill you..."
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    Well...
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    Uh...
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    It might...
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    But we all have to die of something...
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    It helps to keep pressure on it.
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    Have you seen "La Traviata",
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    at the opera house?
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    You haven't? Oh...
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    I was in the Traviata, back in the day,
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    back in my youth...
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    I played a matador.
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    You know?
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    With big shoulder pads and...
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    red blanket.
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    "Di Madride noi siam mattatori,
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    Siamo i prodi del circo de' tori."
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    Et cetera.
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    [vocalises]
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    "E una storia, se udire vorrete,
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    Quali amanti noi siamo saprete."
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    And then the, uh...
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    the females:
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    "Sì, sì, bravi: narrate, narrate!"
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    "Ascoltate!"
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    You absolutely need to.
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    The Royal Opera House, ah!
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    Nothing better to do on a Friday night, I tell you.
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    Where are you off to tonight? Where do you live?
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    Nine Elms?
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    It's very close to me,
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    we should share a carriage.
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    Yes, I'm, uh... Shaftesbury Avenue.
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    Actually...
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    What is the time?
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    Eleven o'clock.
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    Okay.
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    That gives us...
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    Yeah, it's a few hours until we arrive.
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    It's quite late.
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    You might want to get some sleep.
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    Actually, before you do,
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    I have rather an odd favour to ask.
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    If that's okay.
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    Well, you see...
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    I'm rather a, uh...
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    photography enthusiast.
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    Have you seen one of these before?
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    It's brand new!
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    This is from Kodak.
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    No, they sell the latest in camera technology.
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    The thing I like about this is
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    you have rather no idea how to get into it,
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    were it not for a secret button,
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    that sits just on the top.
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    Over here.
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    And if you press it...
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    When I find it...
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    Where is it?
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    I've lost it...
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    Come on, secret button, were are you?
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    It's on the other side.
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    Secret button?
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    It just pops right open.
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    Ah...
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    Will you look at this...
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    It's a thing of absolute beauty.
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    Now...
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    If we simply slide it out...
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    It just clicks into place there.
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    And there we have it.
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    Brand new
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    Kodak
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    camera.
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    Have you used one before?
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    No? Well...
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    This here
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    is your viewfinder.
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    So if I look down...
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    There you go! Hello!
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    Hello!
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    I can see you.
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    Very good, very good.
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    And...
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    Down the back here...
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    I won't open it up, because it's got film in it
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    and I don't want to, uh, over-expose the film.
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    But here is where the film goes.
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    In the little spool thing.
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    Hm, handle.
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    Very nice.
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    A very nice leather handle... It's very well made.
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    It cost about...
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    Twenty pounds!
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    Which is quite a lot, don't you think?
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    So, here...
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    We have our
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    aperture,
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    so that's how
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    much light
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    we let in.
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    So, let me just show you.
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    Basically, a wide aperture
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    means that we let in a lot of light.
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    Which means that I can afford to be a little less
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    still when I'm holding it.
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    Maybe I need to only be still for...
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    two seconds or so.
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    Which is as quick as a flash!
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    Oh, it's gorgeous!
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    I was going to ask:
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    do you mind if I take a photograph of you?
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    It's just that...
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    You know...
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    I want to
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    have this suitcase full of memories.
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    And you are my latest,
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    and I do not want to forget this moment with you.
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    Please, is that okay?
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    Oh, I don't... I don't mind how you pose.
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    Yes.
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    Uh, it... No, uh... I'm still...
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    Gushing blood.
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    But
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    it's best if we try to ignore it, I think.
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    Okay, so...
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    Looking at me...
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    Good, okay.
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    Yes, posture. Posture!
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    Wide eyes! Okay, maybe just...
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    Scrunch your face up!
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    Really really ugly.
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    And then, whoosh!
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    Freshen the expression up.
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    'cause I know how the eyes can water if you leave them open for too long.
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    You know.
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    Okay, so.
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    Scrunch the face up...
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    Scrunch!
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    Yes, really really ugly face.
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    Mh-hm, and then...
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    Brighten up and then I'll take your picture.
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    Good.
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    When you brighten up the face,
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    I need you to hold that
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    for about
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    ten seconds, okay?
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    Yes, ten seconds.
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    Okay, okay.
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    Are you ready?
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    Then you're going to scrunch up the face and then
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    brighten the expression up.
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    Like I told you.
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    Yes, okay.
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    Your what?
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    What expression are you going to...?
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    Is it going to be smiling, or is it going to be more like...
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    Serious?
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    You know, without any, uh, smile.
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    Yes, smile! Okay! Yes, good.
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    And...
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    Scrunch!
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    You're not scrunching, scrunch!
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    Ugly face, come on.
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    And...
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    Hold it!
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    No, you didn't hold it for long enough.
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    Come on, take it seriously.
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    And...
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    Scrunch!
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    And...
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    Freshen, go!
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    Oh!
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    That...
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    is going straight...
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    into my journal.
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    Can we do one more?
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    Please! Please, just for me.
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    And...
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    Scrunch!
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    And...
  • 21:16 - 21:18
    Fresh, freshen up!
  • 21:22 - 21:25
    Thank you very much. I really appreciate that.
  • 21:26 - 21:31
    Now, of course, it might come out very blurry, because this train's shaking quite a lot.
  • 21:33 - 21:33
    But...
  • 21:35 - 21:37
    I'd quite like to remember that memory, too.
  • 21:39 - 21:41
    Some people want photographs to be perfect,
  • 21:41 - 21:43
    absolutely perfect.
  • 21:43 - 21:44
    Tack sharp!
  • 21:45 - 21:48
    You know, almost like paintings.
  • 21:48 - 21:50
    They want them to be full of...
  • 21:51 - 21:52
    Full of expression.
  • 21:52 - 21:56
    They want them to be high-resolution and high-quality...
  • 22:00 - 22:01
    But see,
  • 22:01 - 22:04
    I would rather just have the memory.
  • 22:04 - 22:06
    If it's under-exposed, fine.
  • 22:06 - 22:08
    If it's blurry, fine.
  • 22:09 - 22:10
    It all tells a story.
  • 22:13 - 22:14
    Thank you!
  • 22:27 - 22:30
    Yes. No, there's rather no more to the story. Sorry.
  • 22:31 - 22:34
    I wish I had a... An epic tale of...
  • 22:34 - 22:36
    You know, knife fights and
  • 22:36 - 22:39
    me diving into various carriages to...
  • 22:40 - 22:44
    You know... Save people from dying and from the various gunshots.
  • 22:45 - 22:46
    But no...
  • 22:46 - 22:48
    There wasn't much story to it.
  • 22:48 - 22:50
    I just went out of my carriage
  • 22:50 - 22:51
    and then I got shot.
  • 22:54 - 22:58
    Yes. No, it certainly was not a tale of heroism.
  • 22:58 - 22:59
    It was literally just...
  • 23:00 - 23:01
    Bang!
  • 23:01 - 23:02
    Shot in the stomach.
  • 23:02 - 23:05
    And then I sat down and started talking to you.
  • 23:05 - 23:06
    Just...
  • 23:07 - 23:08
    Random.
  • 23:09 - 23:11
    Such is the nature of life...
  • 23:12 - 23:12
    I guess.
  • 23:13 - 23:14
    All just...
  • 23:16 - 23:18
    Blinks in and out of time.
  • 23:22 - 23:25
    Sometimes the most you can do is to
  • 23:26 - 23:28
    have a nice chat
  • 23:29 - 23:33
    with a lovely charming-faced person.
  • 23:34 - 23:36
    And read the newspaper.
  • 23:38 - 23:40
    Oh...
  • 23:40 - 23:42
    Painful, though, I have to say.
  • 23:43 - 23:44
    Don't recommend.
  • 23:45 - 23:48
    Zero out of ten, would not do again.
  • 23:52 - 23:53
    You know what?
  • 23:55 - 23:56
    It's a bit late, isn't it?
  • 24:07 - 24:09
    You've been very good listening to me waffle.
  • 24:10 - 24:11
    I wonder
  • 24:12 - 24:12
    if maybe,
  • 24:13 - 24:14
    you might want to go to sleep.
  • 24:15 - 24:16
    Yes?
  • 24:17 - 24:18
    How about I read you a nice story?
  • 24:21 - 24:22
    Yeah.
  • 24:28 - 24:31
    This is one of my favourite books.
  • 24:32 - 24:36
    It is the Complete Fiction of Grimm's Fairy Tales.
  • 24:38 - 24:39
    Do you like Grimm?
  • 24:40 - 24:41
    Who doesn't, right?
  • 24:42 - 24:43
    Classics!
  • 24:44 - 24:46
    Let's pick a random one...
  • 24:53 - 24:54
    Yes, you're still with me.
  • 24:57 - 24:58
    Good.
  • 24:59 - 25:00
    Okay.
  • 25:01 - 25:03
    Why don't you make yourself nice and comfortable
  • 25:05 - 25:07
    and we'll read, okay?
  • 25:12 - 25:14
    And thank you again for letting me take your picture.
  • 25:20 - 25:21
    Okay.
  • 25:22 - 25:26
    This one's called "The Stolen Farthings".
  • 25:29 - 25:34
    "A father was one day sitting at dinner with his wife and his children,
  • 25:34 - 25:37
    and a good friend, who had come on a visit, with them.
  • 25:38 - 25:40
    And as they thus sat,
  • 25:41 - 25:43
    and it was striking twelve o'clock,
  • 25:43 - 25:46
    the stranger saw the door open
  • 25:46 - 25:51
    and a very pale child dressed in snow-white clothes came in.
  • 25:52 - 25:56
    It did not look around and it did not speak,
  • 25:57 - 25:59
    but went straight into the next room.
  • 26:01 - 26:07
    Soon afterwards, it came back and went out the door again in the same quiet manner.
  • 26:09 - 26:14
    On the second and on the third day, it came also exactly in the same way.
  • 26:16 - 26:19
    At last, the stranger asked the father
  • 26:19 - 26:24
    to whom the beautiful child that went to the next room everyday at noon belonged.
  • 26:24 - 26:27
    'I've never seen it,' said he,
  • 26:27 - 26:30
    and neither did he know to whom it could belong.
  • 26:40 - 26:43
    The next day, when it again came,
  • 26:44 - 26:47
    the stranger pointed it out to the father
  • 26:47 - 26:49
    who, however, did not see it,
  • 26:52 - 26:54
    and the mother...
  • 26:55 - 26:57
    and the children also all saw nothing.
  • 27:00 - 27:02
    On this, the stranger got up,
  • 27:02 - 27:04
    went to the room door,
  • 27:04 - 27:06
    opened it a little, and peeped in.
  • 27:07 - 27:10
    Then he saw the child sitting on the ground
  • 27:10 - 27:13
    and digging and seeking about industriously
  • 27:13 - 27:16
    among the crevices between the boards of the floor.
  • 27:16 - 27:19
    But when it saw the stranger, it disappeared.
  • 27:24 - 27:28
    He now told what he had seen and described the child exactly,
  • 27:29 - 27:31
    and the mother recognized it and said:
  • 27:31 - 27:35
    'Ah, that is my dear child who died a month ago."
  • 27:38 - 27:41
    They took up the boards and found two farthings,
  • 27:41 - 27:44
    which the child had once received from its mother
  • 27:45 - 27:47
    that it might give them to a poor man.
  • 27:49 - 27:54
    It however had thought, "Thou canst buy thyself a biscuit for that!"
  • 27:54 - 27:58
    and kept the farthings and hidden them in the openings between the boards.
  • 28:04 - 28:07
    And therefore it had no rest in its grave,
  • 28:10 - 28:12
    and had come everyday at noon
  • 28:14 - 28:17
    to seek for these farthings.
  • 28:23 - 28:25
    The parents gave the money...
  • 28:27 - 28:29
    at once...
  • 28:30 - 28:31
    to a poor man...
  • 28:33 - 28:36
    and after that the child was never seen."
Title:
ASMR | Man on Train, 1890
Description:

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Video Language:
English
Duration:
29:11

English subtitles

Revisions