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This is the bop.
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The bop is a type of social dance.
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Dance is a language
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and social dance is an expression
that emerges from a community.
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The social dance isn't choreographed
by any one person.
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It can't be traced to any one moment.
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Each dance has steps
that everyone can agree on
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but it's about the individual
and their creative identity.
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Because of that,
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social dances bubble up,
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they change
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and they spread like wildfire.
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They are as old as our remembered history.
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In African-American social dances,
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we see over 200 years
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of how African and African-American
traditions influenced our history.
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The present always contains the past,
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and the past shapes who we are
and who we will be.
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(Clapping)
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The Juba dance was born from enslaved
African's experience on the plantation,
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brought to the Americas,
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stripped of a common spoken language,
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this dance was a way for enslaved Africans
to remember where they're from.
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It may have looked something like this.
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Slapping thighs,
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shuffling feet
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and patting hands:
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this was how they got around
the slave owners' ban on drumming.
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Improvising complex rhythms,
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just like ancestors did
with drums in Haiti,
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or in the Yoruba communities
of West Africa.
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It was about keeping
cultural traditions alive
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and retaining a sense of inner
freedom under captivity.
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It was the same subversive spirit
that created this dance:
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The Cakewalk.
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A dance that parodied the mannerisms
of Southern high society.
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A way for enslaved
to [...] at the masters.
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The crazy thing about this dance
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is that the Cakewalk
was performed for the masters,
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who never suspected
they were being make fun of.
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Now you might recognize this one.
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1920s --
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The Charleston.
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The Charleston was all about
improvisation and musicality,
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making its way into Lindy Hop,
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Swing dancing
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and even the Kid n Play,
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originally called the Funky Charleston.
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Started by a tight-knit Black community
near Charleston, South Carolina,
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the Charleston permeated dance halls
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where young women suddenly had
the freedom to kick their heels
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and move their legs.
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Now social dance is about
community and connection,
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it you knew the steps
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it meant you belonged to a group.
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But what if it becomes a worldwide craze?
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Enter the Twist.
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It's no surprise that the Twist can be
traced back to the 19th century,
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brought to America from
the Congo during slavery.
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But in the late 50s,
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right before the Civil RIghts Movement,
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the twist is popularized
by Chubby Checker and Dick Clark.
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Suddenly, everybody's doing the Twist:
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white teenagers,
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kids in Latin America,
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making its way into songs and movies.
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Through social dance,
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the boundaries between groups
become blurred.
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The story continues in the 1980s and 90s.
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Along with the emergence of Hip-Hop,
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African American social dance
took on even more visibility,
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borrowing from its long past,
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shaping culture and being shaped by it.
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Today these dances continue
to evolve, grow and spread.
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Why do we dance?
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To move.
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To let loose.
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To express.
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Why do we dance together?
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To heal,
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to remember,
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to say, "We speak a common language,
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we exist and we are free."