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The Fugitive 1x1 Fear in a Desert City Pt.1

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    The name: Dr. Richard Kimble.
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    The destination:
    death row, state prison.
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    The irony:
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    Richard Kimble is innocent.
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    Proved guilty, what
    Richard Kimble could not prove
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    was that moments
    before discovering
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    his murdered wife's body,
    he saw a one-armed man
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    running from the vicinity
    of his home.
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    Richard Kimble ponders his fate
    as he looks at the world
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    for the last time
    and sees only darkness.
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    But in that darkness,
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    fate moves its huge hand.
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    ( tense theme playing )
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    ( train rattling )
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    ( crickets chirping )
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    ANNOUNCER:
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    ( dramatic theme playing )
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    A QM production.
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    Starring David Janssen
    as The Fugitive.
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    With special guest stars
    Vera Miles,
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    Brian Keith,
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    Harry Townes.
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    Also starring Barry Morse
    as Lieutenant Gerard.
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    ANNOUNCER:
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    ( mellow theme playing )
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    ( air brakes hiss )
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    NARRATOR:
    Now six months a fugitive,
    this is Richard Kimble
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    with a new identity
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    and, for as long as it is safe,
    a new name:
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    James Lincoln.
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    He thinks of the day
    when he might find
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    the man with one arm,
    but now is now.
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    And this is how it is with him.
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    Another journey, another place.
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    Walk neither too fast,
    nor too slow.
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    Beware the eyes of strangers.
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    Keep moving.
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    ( tense theme playing )
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    The right one?
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    Or will it be a mistake?
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    Is this the trap
    where it will end?
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    ( latch clicks )
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    Safe, for now.
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    Another room.
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    Windows look out
    and look in.
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    Get busy.
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    Look closely.
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    Be sure of this:
    They'll never stop looking.
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    He'll never stop.
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    Not Lieutenant Gerard.
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    Somewhere in here.
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    I'm sure of it.
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    What about Mexico?
    He's near enough.
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    No. He'd be the yanqui,
    someone different.
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    Gerard, when are you
    due for a vacation?
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    I'm not taking
    my vacation, captain.
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    Later. I will later.
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    East. South. Midwest.
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    Every report verified.
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    But by the time you arrive...
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    One day, he'll be there.
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    Phil, from the very beginning,
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    the arrest,
    all through the trial,
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    the appeals,
    and the accident...
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    Why?
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    What is it about Kimble?
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    I enforce the law.
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    The law pronounced him guilty.
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    I enforce the law.
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    What are you trying
    to convince yourself of?
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    I remember his defense.
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    A man with one arm,
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    running from the direction
    of the house.
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    Phil, I--
    I'm beginning to think
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    that you believe
    there was such a man.
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    No, I-- I did everything
    I could to find him.
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    Meaning that he didn't exist,
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    or that he escaped.
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    And if he did escape,
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    the law made a mistake.
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    Captain, whether the law
    is right or wrong
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    is not my concern.
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    Let others debate and conclude.
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    I obey.
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    And when I begin to question,
    doubt...
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    ( folder thuds )
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    I can't permit it.
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    Others found him guilty.
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    Others were
    about to execute him.
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    I was merely an instrument
    of the law, and I am.
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    ( tense theme playing )
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    And Dr. Kimble must be found.
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    NARRATOR:
    Ready.
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    A job.
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    What will it be?
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    Make no mistakes.
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    Be ready for the questions
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    and hope there won't
    be too many.
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    ( piano playing softly )
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    Are you fast, Lincoln?
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    I worked in Reno.
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    Well, you won't have
    to be fast tonight,
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    but tomorrow's Saturday.
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    Bring your roller skates.
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    Take over.
    It's all yours.
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    Seventy-five a week.
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    You'll find a vest
    at the other end of the bar.
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    Is it, uh, Jim?
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    Yeah, Jim's fine.
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    Cleve Brown.
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    But we won't shake hands
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    because I might
    fire you tomorrow.
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    The waitress is Evelyn,
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    and the lady at the piano
    is Monica.
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    Introduce yourself.
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    Hi.
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    I'm Evelyn.
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    My name's Jim Lincoln.
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    Well, the boss said
    to say hello.
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    My name's Jim Lincoln.
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    Her name's Monica.
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    Monica Welles.
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    Plays beautifully,
    doesn't she?
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    Mm-hm.
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    Lovely too,
    wouldn't you say?
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    Wouldn't you say she was lovely?
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    Very.
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    Well, now, how can you tell?
    You just glanced at her.
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    You gotta look at her, Jim.
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    Hey, Jim.
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    Scotch and soda.
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    Give her one too.
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    She isn't drinking.
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    Maybe she would
    if you bought it, huh?
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    I'll pay for it.
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    ( coin clinks against glass )
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    She doesn't want a drink.
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    You have one.
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    I make it a rule
    never to, uh,
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    drink when I'm working.
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    That's a real dandy rule.
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    Did you make that up
    all by yourself?
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    BROWN:
    Jim.
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    About now I usually have
    a so-called meal
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    from our so-called kitchen.
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    Do you want something?
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    No, thanks.
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    You know that fellow back there?
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    No. Why?
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    He's working pretty hard
    to make trouble.
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    Jim, for the price of a drink,
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    he can buy an audience.
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    On Monday morning
    he'll have to face
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    whatever's bothering him,
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    but this is Friday night.
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    Hey, what were you saying
    to him about me?
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    ( chuckling ):
    What makes you think
    I was talkin' about you?
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    I don't like you, Jim.
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    Wanna remember that?
    I don't like you at all.
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    See you again, sweetheart.
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    ( music stops )
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    May I please have a drink?
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    Anything.
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    Thank you.
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    Do you know that fellow?
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    Oh, you tell me
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    if it's none
    of my business.
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    You know, sometimes these,
    uh, worshipers--
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    He does not worship me.
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    ( exhales )
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    Thanks for trying to help.
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    ( sniffs )
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    Meaning it's none
    of my business.
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    Meaning it isn't fair
    to involve you.
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    EVELYN:
    One bourbon on the rocks.
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    ( melancholy theme playing )
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    ( sniffs )
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    MONICA:
    No. Please!
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    No. No!
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    No! Please.
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    ( crying out )
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    ( cries )
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    ( action theme playing )
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    ( engine starts )
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    ( tires squeal )
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    Please...
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    no police.
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    Have you got a car?
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    Come on, we'll get a cab.
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    I'm sorry.
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    I'm so sorry.
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    I didn't mean to involve you.
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    ( dramatic theme playing )
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    Here.
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    ( taxi departs )
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    Is everything all right,
    Miss Blaine?
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    Oh-- Oh, yes.
    He's fine.
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    Good. Uh...
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    Oh, that's all right.
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    I'll get my money
    tomorrow.
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    Oh, well,
    good night.
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    Good night.
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    When I asked you
    not to call the police,
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    I had a very good reason.
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    That man is my husband.
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    Want to leave now,
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    or you want to stick around
    and hear the story of my life?
Title:
The Fugitive 1x1 Fear in a Desert City Pt.1
Video Language:
English, British
Team:
Film & TV
Duration:
14:46

English subtitles

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