0:00:05.734,0:00:08.634
<i>The name: Dr. Richard Kimble.</i>

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<i>The destination:</i>[br]<i>death row, state prison.</i>

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<i>The irony:</i>

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<i>Richard Kimble is innocent.</i>

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<i>Proved guilty, what</i>[br]<i>Richard Kimble could not prove</i>

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<i>was that moments</i>[br]<i>before discovering</i>

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<i>his murdered wife's body,</i>[br]<i>he saw a one-armed man</i>

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<i>running from the vicinity</i>[br]<i>of his home.</i>

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<i>Richard Kimble ponders his fate</i>[br]<i>as he looks at the world</i>

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<i>for the last time</i>[br]<i>and sees only darkness.</i>

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<i>But in that darkness,</i>

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<i>fate moves its huge hand.</i>

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( <i>tense theme playing</i> )

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( train rattling )

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( crickets chirping )

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ANNOUNCER:

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( <i>dramatic theme playing</i> )

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<i>A QM production.</i>

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<i>Starring David Janssen</i>[br]<i>as The Fugitive.</i>

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<i>With special guest stars</i>[br]<i>Vera Miles,</i>

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<i>Brian Keith,</i>

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<i>Harry Townes.</i>

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<i>Also starring Barry Morse</i>[br]<i>as Lieutenant Gerard.</i>

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ANNOUNCER:

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( <i>mellow theme playing</i> )

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( air brakes hiss )

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NARRATOR:[br]<i>Now six months a fugitive,</i>[br]<i>this is Richard Kimble</i>

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<i>with a new identity</i>

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<i>and, for as long as it is safe,</i>[br]<i>a new name:</i>

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<i>James Lincoln.</i>

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<i>He thinks of the day</i>[br]<i>when he might find</i>

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<i>the man with one arm,</i>[br]<i>but now is now.</i>

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<i>And this is how it is with him.</i>

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<i>Another journey, another place.</i>

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<i>Walk neither too fast,</i>[br]<i>nor too slow.</i>

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<i>Beware the eyes of strangers.</i>

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<i>Keep moving.</i>

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( <i>tense theme playing</i> )

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<i>The right one?</i>

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<i>Or will it be a mistake?</i>

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<i>Is this the trap</i>[br]<i>where it will end?</i>

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( latch clicks )

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<i>Safe, for now.</i>

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<i>Another room.</i>

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<i>Windows look out</i>[br]<i>and look in.</i>

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<i>Get busy.</i>

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<i>Look closely.</i>

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<i>Be sure of this:</i>[br]<i>They'll never stop looking.</i>

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<i>He'll never stop.</i>

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<i>Not Lieutenant Gerard.</i>

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Somewhere in here.

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I'm sure of it.

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What about Mexico?[br]He's near enough.

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No. He'd be the yanqui,[br]someone different.

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Gerard, when are you[br]due for a vacation?

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I'm not taking[br]my vacation, captain.

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Later. I will later.

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East. South. Midwest.

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Every report verified.

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But by the time you arrive...

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One day, he'll be there.

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Phil, from the very beginning,

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the arrest,[br]all through the trial,

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the appeals,[br]and the accident...

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Why?

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What is it about Kimble?

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I enforce the law.

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The law pronounced him guilty.

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I enforce the law.

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What are you trying[br]to convince yourself of?

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I remember his defense.

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A man with one arm,

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running from the direction[br]of the house.

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Phil, I--[br]I'm beginning to think

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that you believe[br]there was such a man.

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No, I-- I did everything[br]I could to find him.

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Meaning that he didn't exist,

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or that he escaped.

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And if he did escape,

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the law made a mistake.

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Captain, whether the law[br]is right or wrong

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is not my concern.

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Let others debate and conclude.

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I obey.

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And when I begin to question,[br]doubt...

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( folder thuds )

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I can't permit it.

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Others found him guilty.

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Others were[br]about to execute him.

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I was merely an instrument[br]of the law, and I am.

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( <i>tense theme playing</i> )

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And Dr. Kimble must be found.

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NARRATOR:[br]<i>Ready.</i>

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<i>A job.</i>

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<i>What will it be?</i>

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<i>Make no mistakes.</i>

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<i>Be ready for the questions</i>

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<i>and hope there won't</i>[br]<i>be too many.</i>

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( piano playing softly )

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Are you fast, Lincoln?

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I worked in Reno.

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Well, you won't have[br]to be fast tonight,

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but tomorrow's Saturday.

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Bring your roller skates.

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Take over.[br]It's all yours.

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Seventy-five a week.

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You'll find a vest[br]at the other end of the bar.

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Is it, uh, Jim?

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Yeah, Jim's fine.

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Cleve Brown.

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But we won't shake hands

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because I might[br]fire you tomorrow.

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The waitress is Evelyn,

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and the lady at the piano[br]is Monica.

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Introduce yourself.

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Hi.

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I'm Evelyn.

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My name's Jim Lincoln.

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Well, the boss said[br]to say hello.

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My name's Jim Lincoln.

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Her name's Monica.

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Monica Welles.

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Plays beautifully,[br]doesn't she?

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Mm-hm.

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Lovely too,[br]wouldn't you say?

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Wouldn't you say she was lovely?

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Very.

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Well, now, how can you tell?[br]You just glanced at her.

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You gotta look at her, Jim.

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Hey, Jim.

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Scotch and soda.

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Give her one too.

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She isn't drinking.

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Maybe she would[br]if you bought it, huh?

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I'll pay for it.

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( coin clinks against glass )

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She doesn't want a drink.

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You have one.

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I make it a rule[br]never to, uh,

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drink when I'm working.

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That's a real dandy rule.

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Did you make that up[br]all by yourself?

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BROWN:[br]Jim.

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About now I usually have[br]a so-called meal

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from our so-called kitchen.

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Do you want something?

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No, thanks.

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You know that fellow back there?

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No. Why?

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He's working pretty hard[br]to make trouble.

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Jim, for the price of a drink,

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he can buy an audience.

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On Monday morning[br]he'll have to face

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whatever's bothering him,

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but this is Friday night.

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Hey, what were you saying[br]to him about me?

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( chuckling ):[br]What makes you think[br]I was talkin' about you?

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I don't like you, Jim.

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Wanna remember that?[br]I don't like you at all.

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See you again, sweetheart.

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( music stops )

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May I please have a drink?

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Anything.

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Thank you.

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Do you know that fellow?

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Oh, you tell me

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if it's none[br]of my business.

0:11:20.801,0:11:22.701
You know, sometimes these,[br]uh, worshipers--

0:11:22.701,0:11:24.701
He does not worship me.

0:11:26.400,0:11:27.400
( exhales )

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Thanks for trying to help.

0:11:28.934,0:11:30.534
( sniffs )

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Meaning it's none[br]of my business.

0:11:34.033,0:11:36.834
Meaning it isn't fair[br]to involve you.

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EVELYN:[br]One bourbon on the rocks.

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( <i>melancholy theme playing</i> )

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( sniffs )

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MONICA:[br]No. Please!

0:12:20.801,0:12:22.634
No. No!

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No! Please.

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( crying out )

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( cries )

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( <i>action theme playing</i> )

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( engine starts )

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( tires squeal )

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Please...

0:13:00.901,0:13:02.234
no police.

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Have you got a car?

0:13:07.400,0:13:08.400
Come on, we'll get a cab.

0:13:08.400,0:13:09.968
I'm sorry.

0:13:09.968,0:13:12.367
I'm so sorry.

0:13:13.467,0:13:15.334
I didn't mean to involve you.

0:13:26.400,0:13:28.334
( <i>dramatic theme playing</i> )

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Here.

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( taxi departs )

0:14:04.267,0:14:05.767
Is everything all right,[br]Miss Blaine?

0:14:05.767,0:14:08.334
Oh-- Oh, yes.[br]He's fine.

0:14:09.200,0:14:10.434
Good. Uh...

0:14:10.434,0:14:11.767
Oh, that's all right.

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I'll get my money[br]tomorrow.

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Oh, well,[br]good night.

0:14:19.267,0:14:20.200
Good night.

0:14:27.367,0:14:29.000
When I asked you[br]not to call the police,

0:14:29.000,0:14:31.501
I had a very good reason.

0:14:31.501,0:14:33.100
That man is my husband.

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Want to leave now,

0:14:36.167,0:14:39.934
or you want to stick around[br]and hear the story of my life?