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The Nazis - Louis Theroux BBC Nazi Documentary

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    >> One, two, three, four--
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    >> I'll just make like a--
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    >> four. This is perfect.
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    >> I'll just make a square like this.
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    >> And then set the other way [inaudible].
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    This is what--
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    >> [Laughs]
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    >> What? Why are you laughing?
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    >> [Laughs]
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    >> Hey that's easy too!
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    >> Okay, do you need music?
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    >> Sometimes I wonder if you know kind
    of know how that stuff comes across?
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    >> Mom, it's track 7.
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    >> That's a-- that's an ancient
    Aryan good luck symbol.
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    >> Do you care about people's feelings?
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    Of course I do.
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    I think I'm a pretty empathetic person.
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    >> Because I mean irrespective of what
    the political reality is as you see it,
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    as other people see it, there would just
    be-- there's just a lot of people who--
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    >> Oh you mean all the Jews that might be
    just like really upset at seeing a swastika
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    so that they might, you know, be offended and?
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    >> Why does that make you
    want to cause more offense?
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    >> I'm not doing-- See I'm not doing
    it to go cause pain to somebody.
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    Just because I find it entertaining
    to put a swastika on the floor.
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    You told me to act normal.
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    You told me to do stuff that
    I would normally have done.
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    You know when my kids and I go to the
    beach, sometimes we draw swastikas
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    in the sand and you guys are nowhere around.
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    Gee, I wonder why we do that?
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    Maybe because we just want to.
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    Because we think it's a neat looking symbol.
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    You just can't comprehend it.
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    But you know what's funny, is
    I can comprehend how you feel.
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    I can understand-- you don't seem to
    understand how I, my way of thinking,
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    but I do somewhat understand your way of
    thinking because I understand because I used
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    to be somewhat of a brainwashed
    lemming like yourself.
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    [pause] no offense.
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    [laughs]
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    >> None taken.
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    [Background music] For several weeks
    I've been living among a community
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    of true believers trying to find the humanity
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    in people whose world view is probably the
    most abhorrent and discredited conceivable.
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    But so far, I wasn't having
    a very easy time of it.
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    [ Music ]
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    My journey began three weeks
    earlier in Fallbrook, California,
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    a small town half an hour outside San Diego.
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    I was on my way to meet one of America's most
    notorious racists, a Grand Dragon of the KKK
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    in the 70's, a congressional candidate
    in the 80's, and now the leader
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    of White Aryan Resistance, a
    self-styled revolutionary group.
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    His name: Tom Metzger.
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    [ Frog croaking ]
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    [Doorbell] Hello.
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    >> Hello.
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    >> How are you doing?
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    >> Pretty good.
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    >> You must be Tom.
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    >> And which branch of the
    government are you from?
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    I'm Tom.
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    >> I'm from the BBC, the
    broadcasting arm of the government.
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    >> Oh, the heavy duty boys, huh?
    >>Yeah
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    >> Come on in.
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    >> Are you Tom's better half?
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    >> Yes, I am actually.
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    >> Oh yes, she's my better half.
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    Yeah.
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    >> [Laughs] He doesn't admit that much.
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    >> I gotta say that.
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    Yeah.
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    >> Yes you do.
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    Come on coffee.
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    >> Do you-- I mean how-- I'm
    just sort of just starting
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    out so I don't really-- I'm
    not familiar with all--
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    >> Sure.
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    >> all the terminology and you
    know the specifics of your politics
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    and your world view, but I mean are you a Nazi?
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    >> I think I'm more serious
    than most of the Nazis I've met.
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    I'm a pan-Aryanist.
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    I believe in white people all
    over the world sticking together.
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    Here's the latest paper.
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    >> So this is, the main work you do really is--
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    >> Newspaper.
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    Internet.
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    >> WAR stands for?
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    >> White Aryan Resistance.
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    >> What have we got there?
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    >> Well this is a typical
    white whore and a black guy.
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    >> What is the problem with a white
    woman going out with a black man?
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    >> Most black men are ugly, number one.
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    >> You think you're better
    looking than Denzel Washington?
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    >> Yeah.
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    >> Do you really?
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    >> Oh yeah.
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    >> What if that was put to a
    vote and you were outvoted?
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    >> And If I had the money and the
    power and the deal making movies,
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    I'd get 10 times more women than him.
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    >> Do you really believe that?
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    That seems delusional.
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    >> Well, I believe it.
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    I don't know whether it's delusional or not.
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    Denzel Washington's in there
    because they have to do that.
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    They have to--
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    >> But I'm just talking about
    like just on looks.
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    I mean you've got to-- I mean--
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    >> Denzel-- you think he's--
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    >> You can't really believe that.
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    >> Well he's not bad looking.
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    He's not as ugly--
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    >> Yeah but I mean I think--
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    >> he's not as ugly a nigger as most.
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    Like Kobe Bryant.
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    >> Why did you use that word?
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    >> I use it all the time.
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    I never used to use it.
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    >> Would you not use it around me?
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    >> No I'd use it.
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    In my home I'll use it.
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    If you don't want me to say it in a
    restaurant or out someplace, I won't.
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    But in my home I'll say whatever I want.
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    And then it's up to you.
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    >> That's your right.
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    >> Right.
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    >> As a favor to me though.
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    >> No. If I decide to say nigger, I'll say it.
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    If I don't want to say it, I won't say it.
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    That really upsets you don't it?
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    >> Mmm, it doesn't really upset me.
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    >> Well good then we'll go on.
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    Show some more--
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    >> [Inaudible] to like makes
    me think slightly less of you.
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    >> Oh that's okay.
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    I'm not here to adopt you.
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    Well I got a lot of CDs.
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    I don't know that I like every one of them but--
    some of them I probably haven't even played yet.
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    There's a lot of skinhead music there.
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    Bandit!
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    >> That one.
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    >> Yeah that's-- hey, leave it alone.
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    Yeah.
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    >> What is the point of having a
    lynching of a black man on a CD?
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    >> I think it's conveying the
    message that if a black person is
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    out of line, badly, that it's fine.
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    They should be lynched.
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    But we'll probably let the
    sheriff or the police do it.
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    >> Don't you think that's quite-- don't
    you think that's quite shocking Mary?
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    >> I want them all out of here.
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    I don't want to hang one at a time.
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    Are you kidding?
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    That's too slow.
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    We want them all out is what--
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    >> Do you really?
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    >> Of course.
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    We don't need them.
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    They're a pain.
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    They drag us down.
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    But they-- but on the other hand
    they can have their own nation.
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    Their own police.
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    Their own military.
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    We don't want any part of them.
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    They should be happy.
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    You know, the blacks are always saying how--
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    >> Don't you think that's quite
    shocking Mary to have a picture
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    of a black guy being lynched on a CD?
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    >> It's part of history.
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    I don't think it's terribly shocking, no.
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    >> [Knocking] I think somebody
    knocked at the door.
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    >> Yeah who is it?
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    Would that be Lynn?
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    >> I don't know.
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    She said 4.
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    Oh it is 4.
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    [laughs] Laurie.
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    My long lost little angel.
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    >> Who is Laurie, Mary?
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    >> She's the youngest daughter.
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    >> Okay.
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    >> Hello guys.
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    >> Hello. How do you do?
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    >> This is--
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    >> Good. How are you?
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    >> I'm Louis.
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    >> Nice to meet you.
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    >> Nice to meet you.
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    What do you do Laurie?
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    >> I work at Starbucks.
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    >> Do you?
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    >> And I go to school.
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    >> Do you consider yourself a racist?
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    >> No. But I think in everyone's own way that
    everyone is racist because my whole life,
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    you know, all throughout school,
    kids-- white, black, whatever--
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    would hate me because of my last name.
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    >> Really?
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    >> Yeah. So--
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    >> You pointed at me.
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    >> No, well I mean--
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    >> Well why would they do that?
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    >> Not because of you but because, you know--
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    >> I never hung any of those kids.
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    >> Metzger, ooh.
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    You know? Is your dad Tom?
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    You know?
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    >> Because they'd heard of Tom
    Metzger as a leading racist and--
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    >> You know even now today at work,
    you know, people talk about me and--
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    >> Could you go out with a Jewish guy?
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    >> I mean I can.
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    I'm of age.
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    I can, you know, do my own choices.
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    >> How would you feel about that?
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    Would you worry about what your dad would think?
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    >> Maybe a little but not much.
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    I'm not going to ask for his approval.
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    [laughs]
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    >> That wouldn't make me too happy.
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    >> Well I'm not.
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    >> I know you're not.
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    [laughs]
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    >> What would you do then?
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    >> Well I would not have a Jew with
    my daughter in this house, period.
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    >> [Inaudible] bespeaks a hatred, really.
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    >> No I hate the people who cause me to hate.
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    They kill my friends.
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    They imprison them for life.
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    They give them many more years than
    they do the common black negro.
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    They rape and torture our people.
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    >> That is such bull.
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    That is so-- that is such bull.
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    >> Don't you read the crime statistics
    in your own country for Christ's sake?
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    Don't you read what blacks do in England?
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    I do.
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    Excuse me.
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    >> If I wanted to stay the night at your place,
    would that be, you know would that be feasible?
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    >> I don't think I'd like that.
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    >> Really?
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    >> I don't feel comfortable with
    any stranger staying in my home.
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    It's nothing personal.
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    But we can be pals and go out to lunch and go
    out and have a beer or something like that.
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    I'll even take you out there
    and I'll sing karaoke to you.
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    We can be buddies to that point but it would be
    sort of weird of me to have a buddy-buddy just
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    to be a buddy non-political buddy.
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    >> Would it?
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    >> Yeah.
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    >> Because I mean I don't want
    to do it in a tokenistic way.
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    >> Well at this time it would
    be a very tokenistic way.
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    >> Really?
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    >> Yeah.
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    >> [Singing] Just to be with you.
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    Just to be with you.
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    There is nothing that I wouldn't
    do just to be with you.
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    >> It'd been a long and in
    some ways depressing day.
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    I'd found Tom's attitudes exhausting
    and I was still more confused
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    when the karaoke bar he took me to
    turned out to be largely non-white.
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    I could only assume that for Tom, karaoke
    sometimes took precedence over racism.
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    >> [Singing] On the day I was born
    [inaudible] all gathered around.
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    They gazed at the wild wonder--
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    >> The next day and Tom was taking me to meet
    his recently hired manager John Malpezzi.
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    John was supposedly a showbiz veteran
    with a long list of Hollywood contacts.
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    Exactly why a Nazi needed such a
    manager was still unclear to me.
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    How do you do?
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    >> Fine.
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    >> You must be John.
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    >> And you must be Louis.
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    >> Yes I am.
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    >> I've been looking forward to
    meeting you Louis for a long time.
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    >> Yeah me too.
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    Thank you.
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    >> One of the most important things that I do
    is arranging for his bookings that are outside
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    of the country and that are specialized bookings
    [inaudible] the appearances [inaudible].
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    We've got a lot of things planned for this year.
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    We've got several that are up and coming that
    you've probably heard of and are invited to.
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    And we're looking forward to a very,
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    very busy year of raising his profile
    internationally even more than it is so.
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    >> Why?
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    >> Why not?
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    >> That's his job.
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    >> That's my job.
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    [laughs]
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    >> That's why.
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    >> Has John seen the paper that you put out?
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    >> Of course.
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    >> Yes he's seen it.
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    >> Of course.
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    >> I don't know how much he's
    read it but he's seen it.
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    Here again I don't grab anybody by
    the lapels including my manager.
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    >> Yeah.
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    >> Right.
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    >> I don't like that [inaudible].
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    >> And remember-- and remember, I'm an
    adult guy that's been around a long time.
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    >> So would it be appropriate to
    show you [inaudible] you know to--
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    >> Now if you're going to read--
    if you're going to read striking--
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    >> Louis, Louis, Louis.
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    >> on fire type of stuff and ask do you
    agree with this, I don't want to go there
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    because that's not what this is all about.
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    Other people I've known in the past if
    you would pull that on them and you were
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    in their airplane, they'd throw you out
    of the airplane over the jungle, you know?
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    [laughs]
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    >> If I did what?
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    John? If I did what John?
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    >> Well [pause] let's continue okay?
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    [laughs] I love this guy.
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    >> He is good.
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    >> Hey Tom, I hope you sang "Louie
    Louie" at the karaoke just for Louis.
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    >> "Louie, Louie", yeah.
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    >> It was all a little bit weird and I
    still didn't understand how exactly John
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    and Tom fit together.
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    But I'd heard rumors that John had had a
    colorful career prior to working with Tom
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    and I wondered whether that might
    help explain their relationship.
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    Back at John's house, I seized my moment to ask.
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    And was there some-- did you-- you had some
    sort of a run-in with the authorities and--
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    >> Wait a minute, wait a minute, what is this?
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    >> What?
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    >> Like Louis--
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    >> Spent time in--
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    >> Didn't you tell him?
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    You told him didn't you?
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    >> Didn't you spend time in prison, John?
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    >> [Laughs] Sure, why not?
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    It's all public [inaudible].
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    >> What was it that happened?
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    >> He's on the run.
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    Don't tell anybody.
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    >> Right, I'm on the run
    here openly and notoriously.
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    I'd rather not discuss that, you know?
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    Come on.
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    >> You can't talk about that?
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    >> Well let me put it to you this
    way-- I represented a lot of--
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    come on out with it, I'll
    show you the view boys.
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    The view out here.
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    I represented a lot of large
    clients-- as I told you--
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    large clients like Pablo Escobar
    and guys like that, you know?
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    >> You were some kind of cocaine--
    big kingpin cocaine dealer?
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    >> I-- me?
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    Little old me?
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    Oh geez.
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    >> Seriously?
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    >> See everybody needs an attorney.
  • 15:02 - 15:03
    Even guys like Pablo Escobar.
  • 15:03 - 15:05
    This is the view here.
  • 15:05 - 15:07
    >> And how long did you get?
  • 15:07 - 15:08
    What was your sentence?
  • 15:08 - 15:14
    >> Well I was looking at 85 years and--
  • 15:14 - 15:18
    which would, at that age would
    have meant a life sentence--
  • 15:18 - 15:24
    and we beat it actually and
    wound up doing 3 1/2.
  • 15:24 - 15:26
    And I'm not ashamed to say that.
  • 15:26 - 15:27
    >> What was the conviction?
  • 15:28 - 15:31
    >> Cocaine trafficking and related charges.
  • 15:32 - 15:35
    Today folks, I'm not into that business.
  • 15:35 - 15:41
    You know, you have to move on, you know?
  • 15:43 - 15:45
    So I do other things.
  • 15:48 - 15:50
    >> How long have the two of
    you been in business together?
  • 15:53 - 15:55
    >> Well we've known each other
    sometime but-- several years--
  • 15:55 - 15:59
    but we have not really been in
    business together very long.
  • 15:59 - 16:00
    >> I'd say about a year or so, you know?
  • 16:01 - 16:01
    >> Yeah. Yeah.
  • 16:03 - 16:03
    >> Couple of months you said.
  • 16:06 - 16:12
    >> Well you see it crosses over from friendship
    to business and it gets a little blurry.
  • 16:12 - 16:15
    >> Yeah. I know you like to stay with people.
  • 16:15 - 16:16
    You're a nice guy.
  • 16:16 - 16:17
    Tom's house is his house.
  • 16:18 - 16:22
    My mother is, you know, she's, you know, back
    from the hospital in the next day or two.
  • 16:22 - 16:27
    If you're still around, you know it'd
    be my pleasure to host you Louis.
  • 16:27 - 16:27
    >> Really?
  • 16:27 - 16:30
    >> I like you-- no I like you as a person
  • 16:30 - 16:32
    and I don't think you're as
    sneaky as you think you are.
  • 16:32 - 16:34
    You know I think you're a
    real nice guy, you know?
  • 16:35 - 16:37
    So, other questions?
  • 16:37 - 16:38
    >> Would that be okay with you Tom?
  • 16:38 - 16:39
    >> I don't care.
  • 16:39 - 16:40
    John is his own man.
  • 16:41 - 16:42
    All of my people are that way.
  • 16:42 - 16:44
    They do what they decide to do--
  • 16:44 - 16:46
    >> Because we were hoping to
    stay over with you maybe but--
  • 16:46 - 16:46
    >> No.
  • 16:47 - 16:47
    >> There's no-- no.
  • 16:47 - 16:48
    >> That's not going to happen.
  • 16:49 - 16:49
    >> You thinking about it?
  • 16:50 - 16:52
    >> No. Nope.
  • 16:53 - 16:54
    Wouldn't even consider it.
  • 16:55 - 16:59
    >> And remember Louis, every
    guy that I ever got--
  • 17:00 - 17:04
    >> Who John was and how much of what he said
    I could believe was still all rather vague
  • 17:04 - 17:06
    to me and possibly to him too.
  • 17:06 - 17:11
    But it seemed clear that Tom trusted him
    and I was intrigued by their relationship.
  • 17:11 - 17:11
    >> Isn't he?
  • 17:11 - 17:20
    >> Some days later and Tom was
    booked to speak at a skinhead rally.
  • 17:21 - 17:24
    For him to make a public
    appearance was quite a rarity.
  • 17:24 - 17:28
    Usually he confined himself to his
    internet chat room and his phone lines.
  • 17:28 - 17:31
    I was curious to meet a few
    of his supporters face to face
  • 17:32 - 17:35
    so a few days before the big
    event I decided to visit one
  • 17:35 - 17:37
    of the organizers, a skinhead named Skip.
  • 17:38 - 17:42
    How are you doing?
  • 17:42 - 17:43
    >> [Heavy Metal] Good.
  • 17:43 - 17:43
    Good morning.
  • 17:43 - 17:44
    >> Should we come in?
  • 17:44 - 17:45
    >> Come aboard.
  • 17:54 - 17:55
    >> Skip, I'm Louis.
  • 17:55 - 17:55
    >> I know.
  • 17:55 - 17:56
    >> Yeah.
  • 17:56 - 17:56
    >> I remember.
  • 17:56 - 17:56
    >> Yeah.
  • 17:57 - 17:57
    >> Good morning.
  • 17:57 - 17:58
    >> Good morning.
  • 17:58 - 17:59
    How are you doing?
  • 17:59 - 18:00
    >> Good.
  • 18:00 - 18:01
    >> Got a little cut?
  • 18:01 - 18:01
    >> Yeah.
  • 18:01 - 18:02
    >> What happened?
  • 18:02 - 18:03
    >> Little cut at work.
  • 18:03 - 18:04
    Went right through the lip.
  • 18:04 - 18:04
    >> Ouch.
  • 18:05 - 18:05
    >> Good stuff.
  • 18:06 - 18:07
    >> Introduce us to your family will you?
  • 18:08 - 18:10
    >> Hi guys, how are you?
  • 18:10 - 18:10
    >> How are you doing?
  • 18:10 - 18:11
    >> Sydney.
  • 18:11 - 18:13
    Sydney, come here.
  • 18:13 - 18:14
    >> [Inaudible] meet the family.
  • 18:14 - 18:17
    >> Come here Sydney.
  • 18:18 - 18:21
    Come on. This is my youngest Sydney.
  • 18:21 - 18:22
    >> Sydney.
  • 18:23 - 18:24
    >> This is number two, Rhiannon.
  • 18:25 - 18:25
    >> Hi Rhiannon.
  • 18:25 - 18:27
    >> And this is number one, Kearney.
  • 18:27 - 18:28
    >> Hi Kearney.
  • 18:28 - 18:29
    >> My lovely wife, Heather.
  • 18:29 - 18:30
    >> Hi.
  • 18:30 - 18:31
    >> Hi Heather.
  • 18:31 - 18:32
    >> My baby brother, Lenny.
  • 18:32 - 18:32
    >> Lenny.
  • 18:32 - 18:33
    >> How are you?
  • 18:33 - 18:33
    Manny.
  • 18:33 - 18:34
    >> Good. Lenny.
  • 18:34 - 18:34
    >> Lenny.
  • 18:34 - 18:34
    >> Lenny?
  • 18:35 - 18:35
    >> Yeah.
  • 18:35 - 18:36
    >> Baby brother.
  • 18:36 - 18:36
    >> Yeah.
  • 18:36 - 18:37
    >> Baby brother.
  • 18:37 - 18:38
    >> Baby brother.
  • 18:38 - 18:38
    >> Right.
  • 18:39 - 18:39
    >> Good stuff.
  • 18:39 - 18:40
    >> Yeah, good stuff.
  • 18:40 - 18:41
    >> Well welcome to paradise.
  • 18:42 - 18:43
    >> Yeah. So this is where you live?
  • 18:43 - 18:44
    >> This is where I live.
  • 18:44 - 18:45
    This is where it all happens.
  • 18:45 - 18:46
    >> This is where we do it all.
  • 18:46 - 18:46
    Yeah.
  • 18:46 - 18:47
    >> It's where the magic happens.
  • 18:50 - 18:51
    >> Watch these cats don't come running out.
  • 18:52 - 18:54
    We're going in.
  • 18:55 - 18:58
    It's just a regular house.
  • 18:58 - 18:58
    You know what I mean?
  • 18:58 - 19:00
    It don't look nothing like the
    garage just because I'm a--
  • 19:00 - 19:06
    you know what I mean, I am
    responsible too at the same time.
  • 19:06 - 19:06
    >> Yeah.
  • 19:06 - 19:06
    >> But this is our kitchen.
  • 19:06 - 19:07
    This is where we eat.
  • 19:07 - 19:10
    >> What do you-- you are a-- I mean
    would you call yourself a skinhead?
  • 19:10 - 19:11
    >> You bet.
  • 19:11 - 19:11
    >> Yeah.
  • 19:11 - 19:13
    >> Fuck yeah I've been a skinhead since '83.
  • 19:14 - 19:17
    >> And you know we've been making
    a documentary about Tom Metzger
  • 19:18 - 19:21
    and do you regard him-- how do you view him?
  • 19:21 - 19:25
    >> As a good man.
  • 19:25 - 19:26
    A good patriot.
  • 19:26 - 19:29
    He's done a lot for a long time.
  • 19:29 - 19:32
    Done a lot of good for the young guys.
  • 19:32 - 19:35
    I've been following him since like '83.
  • 19:35 - 19:37
    You know every move, all the skinheads.
  • 19:37 - 19:41
    He's done a lot of good.
  • 19:41 - 19:42
    Yeah he's a good patriot.
  • 19:42 - 19:44
    >> Would you consider yourself white racist too?
  • 19:45 - 19:47
    >> Yeah, definitely.
  • 19:47 - 19:47
    >> Yeah.
  • 19:47 - 19:48
    >> And Nancy?
  • 19:48 - 19:52
    You don't look like-- you're not--
  • 19:52 - 19:55
    >> We're not big conversationalists.
  • 19:55 - 19:55
    [laughs]
  • 19:55 - 19:55
    >> Yeah.
  • 19:56 - 19:57
    >> [Inaudible] little bit of a--
  • 19:57 - 19:58
    >> But she seemed on the fence with that.
  • 19:59 - 20:00
    You seemed a little on the fence there.
  • 20:00 - 20:00
    >> On the fence?
  • 20:01 - 20:01
    >> Yeah.
  • 20:01 - 20:02
    >> Like you're not?
  • 20:02 - 20:04
    >> No. I think you're on the fence, dude.
  • 20:04 - 20:05
    >> Yeah.
  • 20:05 - 20:06
    >> Yeah.
  • 20:06 - 20:09
    >> I'm on the me- I mean I'm the media.
  • 20:09 - 20:14
    I don't come, you know I don't come--
    I'm not sort of like disguising--
  • 20:14 - 20:17
    >> I'm just saying that's like an
    insult to say someone's on the fence.
  • 20:17 - 20:17
    >> Really?
  • 20:17 - 20:17
    >> Yeah.
  • 20:18 - 20:19
    >> Why?
  • 20:19 - 20:20
    >> In our group, probably.
  • 20:20 - 20:22
    >> Because, get off the fence,
    you know what I mean?
  • 20:22 - 20:22
    >> Yeah.
  • 20:22 - 20:23
    >> Pick a side.
  • 20:23 - 20:25
    Be there. You know what I mean?
  • 20:25 - 20:26
    That's what it's all about.
  • 20:26 - 20:28
    >> I didn't mean to insult you Nancy.
  • 20:28 - 20:28
    I apologize.
  • 20:28 - 20:29
    >> I understand.
  • 20:29 - 20:35
    >> So if I told you I was Jewish,
    would that create a problem between us?
  • 20:36 - 20:38
    >> Well because you've got the camera
    right now I'd allow you to stay.
  • 20:38 - 20:41
    If not I'd probably kick your ass
    and put you in the street somewhere.
  • 20:43 - 20:43
    >> For real?
  • 20:44 - 20:46
    >> Pretty much, because a Jew
    wouldn't be here on my property.
  • 20:47 - 20:48
    >> Are you Jewish?
  • 20:48 - 20:51
    >> Do you mind if I don't answer that?
  • 20:51 - 20:54
    >> [Laughs] [Inaudible] with
    the camera-- are you?
  • 20:54 - 20:55
    [laughs]
  • 20:55 - 20:56
    >> Classic.
  • 20:57 - 20:58
    >> Is it my turn?
  • 20:58 - 20:59
    >> That was so classic.
  • 20:59 - 21:01
    >> That's not-- I'm not saying yes or no.
  • 21:02 - 21:04
    >> So you're on the fence?
  • 21:04 - 21:04
    [laughter] Right?
  • 21:07 - 21:08
    You're on the fence.
  • 21:08 - 21:09
    >> I tell you why.
  • 21:09 - 21:14
    I'm not a racist and I don't-- I think it's--
    I actually think it's wrong to be a racist.
  • 21:15 - 21:20
    And so I feel as though by, you know by
    saying whether I'm Jewish or not I'm kind
  • 21:21 - 21:24
    of in a way acknowledging the
    premise that it really matters
  • 21:24 - 21:25
    when I think it shouldn't, and it doesn't.
  • 21:26 - 21:32
    [ Background conversation ]
  • 21:32 - 21:35
    >> I wasn't sure how long
    I'd be welcome at the house
  • 21:35 - 21:38
    but I thought I'd enjoy it while it lasted.
  • 21:38 - 21:43
    As the afternoon passed, I could almost have
    convinced myself that I was feeling relaxed,
  • 21:44 - 21:46
    but something was still bothering Skip.
  • 21:47 - 21:48
    >> How about that?
  • 21:51 - 21:53
    Louis is a jew.
  • 21:53 - 21:54
    We already know it.
    I already know it.
  • 21:54 - 21:55
    You're a Jew.
  • 21:55 - 21:57
    That's why you've got so much animosity.
  • 21:57 - 21:57
    >> Okay--
  • 21:57 - 21:58
    >> That's why you have so much--
  • 21:58 - 22:01
    >> We shouldn't say you don't look like a Jew.
  • 22:01 - 22:03
    >> You're a Jew.
  • 22:04 - 22:05
    You're part Jewish.
  • 22:05 - 22:09
    >> And don't not say I'm not because
    you think somebody's going to beat you
  • 22:09 - 22:11
    up because it's not like that with us.
  • 22:11 - 22:14
    >> Why do you care how-- why will it make
    any difference to you whether I am or not?
  • 22:14 - 22:16
    >> Because I like to know
    who's been in my house.
  • 22:16 - 22:18
    >> We don't care as in the fact like-- we
    don't care if you're a Jew, a Christian,
  • 22:18 - 22:19
    fucking spick Mexican, whatever, Nigger.
  • 22:19 - 22:21
    >> [Inaudible] you have a big
    nose, you are kind of greasy.
  • 22:21 - 22:22
    You do look kind of Jewish.
  • 22:22 - 22:24
    You've got an accent like these lads.
  • 22:24 - 22:26
    He's not Jewish, I'll tell you that right now.
  • 22:26 - 22:27
    >> Look at his face.
  • 22:27 - 22:28
    You know he's not Jewish.
  • 22:28 - 22:28
    >> He's not Jewish.
  • 22:28 - 22:32
    >> But you, frankly, we look at your
    face-- but we would like to know--
  • 22:32 - 22:34
    we want to know if you're a fucking Jew.
  • 22:34 - 22:40
    And if we let you into our house to film our
    fucking everyday ritual, are you a fucking Jew?
  • 22:40 - 22:40
    >> Even if you are--
  • 22:40 - 22:44
    >> I don't feel as though-- I mean, maybe you
    disagree, I don't I feel as though I've kind
  • 22:44 - 22:45
    of compelled you to say anything.
  • 22:45 - 22:46
    >> No you--
  • 22:46 - 22:46
    >> No.
  • 22:46 - 22:48
    >> I feel as though I've been respectful and--
  • 22:48 - 22:48
    >> You have.
  • 22:48 - 22:49
    >> I appreciate that you've
    let us into your house.
  • 22:49 - 22:52
    >> I'm not even debating the fact that you've
    been respectful to my house and to my people.
  • 22:52 - 22:55
    >> So and I don't think I would, honestly don't
    think I would interrogate you to the point
  • 22:55 - 22:56
    where if you said I don't want to talk
  • 22:56 - 23:01
    about that I would say okay that's
    fine, we'll talk about something else.
  • 23:01 - 23:03
    So I'd like you to respect me in the same way.
  • 23:03 - 23:04
    >> [Inaudible] can we turn
    the camera off for a second?
  • 23:05 - 23:06
    >> Can we?
  • 23:06 - 23:07
    >> Pull the plug?
  • 23:07 - 23:08
    >> Pull the plug for a second?
  • 23:09 - 23:09
    >> What for?
  • 23:10 - 23:11
    >> Nothing crazy.
  • 23:11 - 23:12
    [laughs] Don't get all fucking alarmed.
  • 23:12 - 23:13
    >> No no no, I know it's fine.
  • 23:13 - 23:16
    >> Just prefer to talk to not feel
    like we're being filmed about it.
  • 23:16 - 23:18
    >> No I really, I would really rather not say.
  • 23:18 - 23:19
    >> I would really rather you tell me.
  • 23:20 - 23:22
    I've exposed myself.
  • 23:22 - 23:25
    I've exposed my family.
  • 23:25 - 23:29
    I've exposed my brothers,
    my sisters, and my children.
  • 23:30 - 23:32
    Expose yourself now.
  • 23:32 - 23:36
    >> I'll answer any-- I'll--
    let's leave it at that.
  • 23:36 - 23:37
    Can we please, Skip?
  • 23:37 - 23:41
    >> We will in just a second.
  • 23:42 - 23:45
    >> Let's go inside.
  • 23:45 - 23:47
    Go inside.
  • 23:51 - 23:54
    >> I thought it was time to leave.
  • 23:55 - 24:02
    It was the day of the skinhead
    rally and I was back at Tom's.
  • 24:03 - 24:05
    Nice to see you today.
  • 24:05 - 24:07
    >> Good. You look nice.
  • 24:07 - 24:07
    >> Thank you.
  • 24:07 - 24:08
    So do you.
  • 24:08 - 24:11
    >> Tom is I think getting
    the final objects together.
  • 24:12 - 24:13
    Finish loading up the car.
  • 24:13 - 24:14
    >> The final what together?
  • 24:14 - 24:15
    >> Objects.
  • 24:15 - 24:16
    >> Objects.
  • 24:16 - 24:16
    >> Stuff to take.
  • 24:16 - 24:17
    >> Are you in there Tom?
  • 24:18 - 24:21
    >> Yo, yo, yo, are you ready
    to go to the hatenanny?
  • 24:21 - 24:21
    Huh?
  • 24:21 - 24:24
    >> Is that what they call it?
  • 24:24 - 24:25
    >> The Hatenanny.
  • 24:28 - 24:31
    >> With a certain amount of trepidation
    I was returning to Skip's place
  • 24:32 - 24:36
    for an all day white power music event at
    which Tom would be the keynote speaker.
  • 24:38 - 24:43
    I still hadn't seen Tom among fellow racists
    and I was curious how he would be received.
  • 24:43 - 24:44
    >> Is this it in here?
  • 24:45 - 24:45
    >> Second house on the left.
  • 24:46 - 24:47
    Yeah this is it.
  • 24:51 - 24:51
    >> Second house.
  • 24:52 - 24:52
    Left.
  • 24:55 - 24:56
    >> Hi.
  • 24:56 - 24:56
    >> How are you doing?
  • 24:57 - 24:59
    >> Tom Metzger for Tommy Romero.
  • 24:59 - 25:01
    You got a walkie talkie?
  • 25:01 - 25:04
    >> No, actually the dude
    that just had it walked off.
  • 25:05 - 25:05
    >> Where do I park?
  • 25:06 - 25:09
    >> You can just pull down the back.
  • 25:11 - 25:12
    >> Okay.
  • 25:12 - 25:14
    >> Hi Tom.
  • 25:14 - 25:17
    >> Tom had told me he speaks at
    one or two rallies a year and that
  • 25:17 - 25:20
    by skinhead standards, this was a major event.
  • 25:21 - 25:23
    >> Hi. How are you doing?
  • 25:23 - 25:27
    >> [Inaudible] do you want to
    take a picture of me, with me?
  • 25:27 - 25:28
    >> Yeah, sure.
  • 25:28 - 25:29
    >> [Inaudible] get a picture taken.
  • 25:30 - 25:30
    >> Thank you.
  • 25:31 - 25:32
    >> Okay. Who [inaudible]?
  • 25:32 - 25:36
    >> I was hoping that Tom would be my
    guide through what promised to be,
  • 25:36 - 25:38
    for me, a pretty strange experience.
  • 25:38 - 25:43
    But with a public to meet, Tom no longer
    seemed to view me as a top priority.
  • 25:43 - 25:48
    As a member of the supposedly Jewish run
    media, I suspected he found my presence
  • 25:48 - 25:50
    in his entourage a little embarrassing.
  • 25:50 - 25:51
    >> It was a good turnout huh?
  • 25:52 - 25:54
    >> Yeah.
  • 25:54 - 25:54
    >> [Inaudible] good.
  • 25:55 - 25:59
    >> Any of you guys want to talk
    about Tom at all for the documentary?
  • 25:59 - 26:00
    >> What's that?
  • 26:00 - 26:03
    >> You want to, any of you guys want to
    talk about Tom for the documentary at all?
  • 26:03 - 26:04
    >> I got to go back here.
  • 26:04 - 26:06
    >> I don't talk to [inaudible].
  • 26:06 - 26:12
    >> I felt like the school kid no
    one wanted to be friends with.
  • 26:12 - 26:14
    And then the next act came onstage.
  • 26:15 - 26:25
    [ Singing ]
  • 26:25 - 26:28
    >> This was the first time I saw
    the singing duo Lamb and Lynx.
  • 26:29 - 26:51
    [ Singing ]
  • 26:52 - 26:58
    [ Cheering ]
  • 26:58 - 27:02
    >> Can you hear me out there?
  • 27:03 - 27:03
    >> Yeah!
  • 27:03 - 27:03
    >> There's Tom.
  • 27:03 - 27:05
    >> Hello, it's good to be
    here among all of you racists.
  • 27:05 - 27:07
    Now I'll start you out okay?
  • 27:08 - 27:09
    Nigger nigger nigger!
  • 27:09 - 27:15
    Out out out!
  • 27:15 - 27:16
    Nigger nigger nigger!
  • 27:16 - 27:21
    Out out out!
  • 27:21 - 27:23
    This is revolution!
  • 27:23 - 27:24
    Revolution!
  • 27:24 - 27:24
    Revolution!
  • 27:24 - 27:26
    Just keep your powder dry boys.
  • 27:26 - 27:27
    Don't waste yourself.
  • 27:27 - 27:28
    Don't jump too soon.
  • 27:28 - 27:28
    Just wait.
  • 27:28 - 27:29
    Wait until they come out.
  • 27:29 - 27:31
    Let them get right out there.
  • 27:32 - 27:32
    >> Oh yeah!
  • 27:32 - 27:35
    >> Oh boy, I can hardly wait.
  • 27:35 - 27:39
    I've always said I wouldn't leave California
    because this is going to be the start
  • 27:39 - 27:41
    of the second American Civil War--
  • 27:41 - 27:42
    >> Yeah! [cheering]
  • 27:42 - 27:46
    >> right here in California.
  • 27:47 - 27:49
    White revolution!
  • 27:51 - 27:55
    >> White revolution!
  • 27:55 - 27:56
    >> White revolution!
  • 27:56 - 27:56
    >> White revolution!
  • 27:56 - 27:56
    >> White revolution!
  • 27:57 - 27:57
    Thank you.
  • 27:57 - 27:57
    Thank you.
  • 27:58 - 28:04
    [ Dog barking ]
  • 28:05 - 28:05
    >> Come on in.
  • 28:05 - 28:06
    >> Thank you.
  • 28:06 - 28:09
    >> I'm having my morning popsicles.
  • 28:09 - 28:11
    Do you like popsicles?
  • 28:11 - 28:13
    >> I do. How are you doing?
  • 28:14 - 28:16
    >> I'm a little tired but I'm okay.
  • 28:16 - 28:19
    >> Kind of morning after feeling?
  • 28:20 - 28:22
    >> Yeah a little bit but I got in early.
  • 28:22 - 28:24
    >> How late did you stay there?
  • 28:26 - 28:28
    >> We left about nine I guess.
  • 28:29 - 28:30
    Have a popsicle.
  • 28:31 - 28:33
    Everybody needs a popsicle.
  • 28:34 - 28:35
    >> Is Mary around?
  • 28:36 - 28:37
    >> Mary fled the scene.
  • 28:37 - 28:40
    She says I can't take it anymore.
  • 28:40 - 28:40
    >> Did she?
  • 28:40 - 28:41
    >> No she didn't.
  • 28:41 - 28:44
    She had things to do, you know?
  • 28:44 - 28:47
    I usually don't drag her around
    all over the country too much.
  • 28:48 - 28:49
    >> Did she enjoy it?
  • 28:50 - 28:50
    >> Yeah.
  • 28:51 - 28:53
    >> Shall we go outside for a bit?
  • 28:53 - 28:54
    It's very nice out.
  • 28:55 - 28:56
    >> I have to put my shoes on.
  • 28:56 - 28:57
    >> Do you?
  • 28:57 - 28:57
    >> Um hum.
  • 28:59 - 29:01
    >> What is it you like about the skinheads?
  • 29:01 - 29:04
    >> I like about them because
    they're not hypocritical.
  • 29:04 - 29:05
    They're out in the open.
  • 29:05 - 29:06
    They are what they are.
  • 29:06 - 29:07
    They love what they are.
  • 29:07 - 29:09
    And they don't give a damn what anybody thinks.
  • 29:09 - 29:12
    But they are strong racist, and we need them.
  • 29:12 - 29:14
    >> Don't they turn off a lot of the public?
  • 29:14 - 29:18
    >> A lot of the public doesn't
    mean a damn to us.
  • 29:18 - 29:21
    Do you realize we're not trying
    to recruit the general public?
  • 29:22 - 29:24
    What would we do with them if we had them?
  • 29:24 - 29:29
    They sit on their ass watching
    television 20 hours a day.
  • 29:29 - 29:32
    They're feeding their mouth full of crap.
  • 29:32 - 29:34
    All they want to do is go out and buy, buy, buy.
  • 29:34 - 29:36
    What good would they be to us?
  • 29:36 - 29:38
    We're talking about revolutionary activity.
  • 29:39 - 29:43
    We want the leaders out there in
    the public but not the public.
  • 29:44 - 29:48
    We're trying to reach those people out
    there that really know what's cooking.
  • 29:49 - 29:54
    [ Music ]
  • 29:54 - 29:59
    >> I sensed Tom and I needed a break
    from each other and so I decided to drive
  • 29:59 - 30:03
    up to central California to meet the two little
    girls I'd seen at the rally, Lamb and Lynx,
  • 30:04 - 30:05
    and their manager and mother, April.
  • 30:06 - 30:27
    [ Music ]
  • 30:27 - 30:28
    >> Hello.
  • 30:28 - 30:28
    >> Hello.
  • 30:28 - 30:29
    >> You must be April?
  • 30:29 - 30:29
    >> Yes.
  • 30:30 - 30:31
    >> Nice to see you again.
  • 30:32 - 30:34
    Remember we met at the rally.
  • 30:34 - 30:35
    >> Yes, yes I did.
  • 30:35 - 30:35
    >> Shall we come in?
  • 30:35 - 30:36
    >> Yes.
  • 30:36 - 30:38
    >> Which one's Lynx and which one's Lamb?
  • 30:38 - 30:38
    >> I'm Lamb.
  • 30:38 - 30:39
    >> Hi Lamb.
  • 30:39 - 30:42
    >> And the one back there is Lynx.
  • 30:42 - 30:42
    >> Hello.
  • 30:42 - 30:43
    >> And I'm Louis.
  • 30:43 - 30:44
    So very pleased to meet you.
  • 30:44 - 30:45
    Nice to meet you.
  • 30:45 - 30:45
    >> Remember him on Saturday?
  • 30:45 - 30:50
    >> Maybe we can do a, sort of a recital later.
  • 30:50 - 30:51
    Something like that.
  • 30:51 - 30:52
    >> Yeah. Yeah I think that would be good.
  • 30:52 - 31:01
    >> [Singing] I want to tell you about South
    Africa, and the so-called fight for freedom,
  • 31:01 - 31:05
    the much praised black resistance,
    and the communists who lead them.
  • 31:05 - 31:11
    Not too far away in Angola,
    or nearer home in Zimbabwe,
  • 31:12 - 31:19
    the Marxist backed dictators are looking south
    in fear to see strikeforce, white survival,
  • 31:19 - 31:32
    strikeforce, yeah, strikeforce, kill all
    rivals, strikeforce, into the devil's lair.
  • 31:33 - 31:37
    >> Do they, they don't seem old enough
    to really know what that's about.
  • 31:37 - 31:38
    >> Well I've explained to it some.
  • 31:38 - 31:39
    What's the ANC?
  • 31:39 - 31:44
    >> It's African National-- African National--
  • 31:45 - 31:45
    >> Congress.
  • 31:45 - 31:46
    >> Congress.
  • 31:46 - 31:52
    >> Okay. And what happened in South Africa?
  • 31:52 - 31:56
    >> That the blacks are killing whites.
  • 31:56 - 31:57
    >> Yeah.
  • 31:59 - 32:01
    >> Out of their homes.
  • 32:02 - 32:04
    >> Out of their homes.
  • 32:04 - 32:05
    >> And in Zimbabwe.
  • 32:05 - 32:09
    >> And in-- yeah in zabwe-- binzabwe--
  • 32:09 - 32:10
    >> Zimbabwe.
  • 32:10 - 32:15
    >> I mean they seem a little young to get
    into politics and racial issues maybe.
  • 32:15 - 32:19
    >> Yeah but they've got to start sometime.
  • 32:21 - 32:22
    >> How old are they?
  • 32:22 - 32:22
    >> They're 11.
  • 32:23 - 32:23
    >> They're 11.
  • 32:24 - 32:29
    What is the idea behind creating
    this group out of them that sings?
  • 32:29 - 32:32
    >> I think that Lamb and Lynx's
    music and their appeal especially
  • 32:32 - 32:36
    as they just get a little bit older, they're
    going to be an example and they're going
  • 32:36 - 32:43
    to show being-- how being proud of your race
    is something that would be very appealing
  • 32:43 - 32:45
    to young teenage girls, you know?
  • 32:45 - 32:50
    I mean what young man-- red
    blooded American boy isn't going
  • 32:50 - 32:58
    to find two blonde twins 16 years old singing
    about white pride and pride in your race-- who--
  • 32:59 - 33:01
    very few are not going to
    find that very appealing.
  • 33:02 - 33:07
    >> So what-- I'm just curious about
    how-- what school do they go to?
  • 33:07 - 33:08
    What school do you go to?
  • 33:08 - 33:08
    >> We home school.
  • 33:08 - 33:09
    >> We home school.
  • 33:09 - 33:10
    >> You home school?
  • 33:10 - 33:11
    So who teaches you?
  • 33:12 - 33:13
    >> My mama.
  • 33:15 - 33:18
    >> Mom. There you go.
  • 33:18 - 33:19
    Okay.
  • 33:19 - 33:22
    >> Okay who wants what?
  • 33:22 - 33:24
    Bologna, ham, or salami?
  • 33:24 - 33:27
    >> So where is the, is there
    a man of the house April?
  • 33:27 - 33:36
    >> Yeah there's my fiancee and he declined to
    be shown on camera because of his occupation.
  • 33:36 - 33:42
    He's worried he-- we have the same belief
    system and he's very supportive of everything
  • 33:42 - 33:46
    but he actually, he'd love
    to appear but he worries
  • 33:46 - 33:49
    that it would cause him to
    lose his job and it would--
  • 33:49 - 33:50
    >> What does he do?
  • 33:50 - 33:52
    >> He's an educator.
  • 33:54 - 33:58
    Would you like tomato with it too?
  • 33:59 - 34:01
    >> Are there things that they're
    forbidden that other kids have?
  • 34:02 - 34:03
    Things that you deny them?
  • 34:04 - 34:05
    >> Gameboys.
  • 34:05 - 34:05
    We don't--
  • 34:06 - 34:10
    >> Yeah I don't-- I'm not much for
    the Nintendo, computer game stuff.
  • 34:10 - 34:10
    I'm not--
  • 34:10 - 34:11
    >> People get so caught up.
  • 34:11 - 34:14
    >> What about on racial terms though?
  • 34:14 - 34:16
    >> Oh we've got Ethnic Cleansing but
    that's-- we don't play that very often.
  • 34:16 - 34:17
    >> What's that?
  • 34:17 - 34:18
    Is that a-- what's that?
  • 34:18 - 34:22
    >> That's a computer game that the National
    Alliance puts out called eth- it's called
  • 34:22 - 34:26
    "Ethnic Cleansing" and it's
    basically a shoot 'em up computer game
  • 34:27 - 34:33
    in which basically a skinhead goes through
    a ghetto and shoots blacks and Mexicans.
  • 34:33 - 34:34
    >> Do you like it?
  • 34:34 - 34:34
    >> Um hum.
  • 34:34 - 34:41
    It's really hard though because of course
    all the people that you shoot have guns too.
  • 34:41 - 34:43
    >> And they're shooting back at you.
  • 34:43 - 34:49
    >> They hide in bushes and stuff and they--
    like they're like perched up on basketball hoops
  • 34:49 - 34:51
    and stuff and they're climbing
    in trees and stuff.
  • 34:51 - 34:54
    So you've got to watch out and then
    when you hear this gorilla sound--
  • 34:54 - 34:56
    they make gorilla sounds-- it
    goes ooh ooh ooh like that.
  • 34:56 - 34:58
    And then you go, we don't like
    that, and then you shoot it.
  • 34:59 - 35:02
    >> Is that a good idea do you think, April?
  • 35:02 - 35:03
    >> Um hum.
  • 35:04 - 35:05
    >> It seems a little--
  • 35:06 - 35:06
    >> Vulgar?
  • 35:06 - 35:10
    >> Okay. [laughs] After lunch,
    Lamb and Lynx were keen
  • 35:10 - 35:13
    to show me their horses stabled
    a short drive away.
  • 35:13 - 35:15
    >> See there is one of the kids.
  • 35:15 - 35:17
    >> Do you ever-- there's a school bus--
  • 35:17 - 35:19
    do you ever wish you went to
    school with the other kids?
  • 35:20 - 35:20
    >> Sometimes.
  • 35:20 - 35:21
    >> Sometimes.
  • 35:21 - 35:22
    >> Um hum.
  • 35:22 - 35:27
    >> But then I think that I won't
    be able to go with my horses.
  • 35:27 - 35:27
    >> Yeah.
  • 35:28 - 35:34
    >> And that we wouldn't be
    able to see our mom as much.
  • 35:34 - 35:36
    And so [inaudible].
  • 35:36 - 35:39
    >> What did you say Lamb, you wouldn't be
    able to go with your horse did you say?
  • 35:39 - 35:39
    >> Yes.
  • 35:40 - 35:40
    >> Why?
  • 35:40 - 35:42
    >> Play with my horse.
  • 35:42 - 35:44
    Well, I would in the evenings.
  • 35:44 - 35:46
    >> She's really attached to her horses.
  • 35:46 - 35:46
    [Inaudible].
  • 35:46 - 35:46
    >> Yeah.
  • 35:46 - 35:51
    >> Oh is that the skinhead army thingy?
  • 35:51 - 35:53
    >> Who's it by?
  • 35:53 - 35:58
    >> It's Max Resist but I don't think--
    I think it's a cover by somebody else.
  • 35:58 - 35:59
    I think somebody else like Landser.
  • 35:59 - 36:02
    >> -- dedicated to all white
    nationalists all around the world.
  • 36:03 - 36:05
    United we will win.
  • 36:06 - 36:23
    [ Music ]
  • 36:23 - 36:26
    >> [Singing] They call me
    Nazi and I am proud about.
  • 36:26 - 36:28
    They call me racist and I shout it out loud.
  • 36:28 - 36:31
    Proud of my race and proud of my land.
  • 36:31 - 36:33
    White brothers and sisters come raise your hand.
  • 36:33 - 36:38
    We are an 88 Rock 'n' Roll band,
    we are an 88 Rock 'n' Roll band,
  • 36:38 - 36:43
    we are an 88 Rock 'n' Roll band,
    playing and fighting for race and land.
  • 36:44 - 36:47
    We are marching on the streets at night.
  • 36:47 - 36:49
    Boots and braces we are ready to fight.
  • 36:49 - 36:54
    Out gook out, run nigga
    run, we're aryans [inaudible].
  • 36:54 - 36:59
    We are an 88 Rock 'n' Roll band,
    playing and fighting for race and land.
  • 37:04 - 37:09
    >> If anybody asks out here what we've got a ca-
    why we've got a cameraman following us around--
  • 37:09 - 37:09
    >> Yeah.
  • 37:09 - 37:14
    >> I guess we'll just say that you're
    interviewing us about the kids' music.
  • 37:14 - 37:15
    >> Why is that?
  • 37:17 - 37:23
    >> I just don't want somebody messing with my
    horses because, you know, and hurting my horses
  • 37:23 - 37:25
    because of my politics, you know?
  • 37:25 - 37:29
    I mean I don't know what
    they're going to do out here.
  • 37:29 - 37:31
    >> Do you have to lead a
    double life to some extent?
  • 37:31 - 37:34
    >> I've never really had to
    before because, you know,
  • 37:34 - 37:36
    I've never been in the situation
    that I'm in now.
  • 37:36 - 37:41
    It's really hard for me to be
    covert though because I'm just so--
  • 37:41 - 37:44
    it's just like so much, it's
    like in every pore, you know?
  • 37:44 - 37:46
    >> I've noticed.
  • 37:48 - 37:50
    Can I help?
  • 37:50 - 37:52
    Can I take the rag and do a bit?
  • 37:52 - 37:55
    >> Yeah if you want to.
    >> What do I do?
  • 37:55 - 37:56
    >> I don't know, you can wipe
    them down if you want or--
  • 37:56 - 37:57
    >> Is this just water?
  • 37:57 - 37:59
    >> Yeah it's just water on there right now.
  • 37:59 - 38:01
    I was just cleaning their nostrils.
  • 38:02 - 38:03
    >> Oh cleaning their nostrils.
  • 38:03 - 38:07
    [horses whinnying] Are they
    talking to each other?
  • 38:07 - 38:09
    >> Give her-- we can give him a brush.
  • 38:09 - 38:11
    Hey girls, why don't you give him a brush?
  • 38:18 - 38:22
    >> Would you have a problem if Lynx or
    Lamb brought home a friend of another race?
  • 38:23 - 38:26
    >> Yeah I probably wouldn't
    be real happy about it.
  • 38:26 - 38:28
    >> What would you do?
  • 38:29 - 38:31
    >> I would probably tell them not to.
  • 38:31 - 38:37
    I would probably tell them, you know, if that's
    what you're going to do, don't bring them home.
  • 38:37 - 38:39
    See because this is the way I would see it.
  • 38:39 - 38:41
    I would see it first it's the friend.
  • 38:41 - 38:44
    It's okay to have the nice black friend.
  • 38:44 - 38:47
    And then the next thing it's going
    to be the nice black boyfriend.
  • 38:47 - 38:48
    >> And you'd have a problem with that?
  • 38:49 - 38:51
    >> I would never speak to them again.
  • 38:52 - 38:52
    That would be it.
  • 38:53 - 39:00
    If they were race traitors then they
    wouldn't-- I-- that absolutely would be--
  • 39:00 - 39:03
    I wouldn't want to have anything to do with
    them ever again and I've told them that.
  • 39:04 - 39:05
    I consider it-- because this the way I see it--
  • 39:05 - 39:09
    >> That's easy to say but you know
    the maternal instinct's got to be one
  • 39:09 - 39:11
    of the strongest instincts in human beings.
  • 39:11 - 39:11
    >> Um hum.
  • 39:12 - 39:14
    >> You're saying you would
    completely go against that?
  • 39:14 - 39:20
    Have no contact with your child?
  • 39:20 - 39:23
    >> I would be so disappointed.
  • 39:23 - 39:25
    I would just be so disappointed.
  • 39:29 - 39:31
    >> Come on.
  • 39:31 - 39:33
    Come on Becky.
  • 39:33 - 39:41
    [ Music ]
  • 39:41 - 39:45
    >> I couldn't quite believe the almost
    reckless intensity of April's racism.
  • 39:45 - 39:48
    She seemed to revel in how
    outrageous her beliefs were.
  • 39:48 - 39:52
    I wondered how Lynx and Lamb would
    grow up and how they would feel
  • 39:52 - 39:55
    about their mother once they'd left home
    and were able to think for themselves.
  • 39:56 - 40:04
    [ Music ]
  • 40:04 - 40:07
    >> Later that day we headed
    off to meet April's father.
  • 40:07 - 40:11
    I'd heard he was also a proud racist
    and I was hoping he might help me
  • 40:11 - 40:13
    to understand how April came by her beliefs.
  • 40:14 - 40:21
    [ Music ]
  • 40:21 - 40:22
    >> How do you do?
  • 40:23 - 40:24
    >> Hello.
  • 40:24 - 40:25
    >> Louis Theroux, BBC.
  • 40:26 - 40:26
    Nice to meet you.
  • 40:27 - 40:28
    You must be April's father?
  • 40:28 - 40:29
    >> Yeah.
  • 40:29 - 40:30
    >> This is my dad Bill Gaede.
  • 40:31 - 40:32
    >> Bill Gaede.
  • 40:32 - 40:33
    >> Yeah.
  • 40:33 - 40:36
    >> Can we, I noticed you had a,
    can we look at your cattle brand?
  • 40:36 - 40:39
    Is the ranch logo-- I'm not sure
    what the right expression is.
  • 40:40 - 40:41
    >> It's the cattle brand.
  • 40:45 - 40:51
    >> How do you view April's beliefs as
    far as preserving the white race and?
  • 40:52 - 40:54
    >> I think it's great.
    Yeah I think you ought to preserve it.
  • 40:54 - 40:55
    Certainly you should.
  • 40:57 - 40:58
    You know--
  • 40:58 - 40:58
    >> Does it--
  • 40:58 - 41:01
    >> our family were Vikings in
    Denmark in the 12th century.
  • 41:01 - 41:02
    Why not preserve it?
  • 41:02 - 41:06
    >> It seems to me it'll-- it's going to
    preserve itself just fine and there's no need
  • 41:06 - 41:11
    for any radical action as
    far as laws or campaigning.
  • 41:11 - 41:12
    >> You're sitting under a manhole cover.
  • 41:13 - 41:14
    You can't see anything.
  • 41:15 - 41:16
    >> Why? Why is that?
  • 41:16 - 41:17
    >> You just can't see it
    because you're not here.
  • 41:18 - 41:20
    You can't see what's going on.
  • 41:22 - 41:26
    Right now all the people have been so
    politically correct they wouldn't say shit
  • 41:26 - 41:29
    if they had a mouthful of it, you know?
  • 41:29 - 41:33
    But now the people are beginning to see
    what's going on and they're beginning to--
  • 41:33 - 41:37
    their backbone's beginning to straighten
    up a little bit and get a little stiffer.
  • 41:38 - 41:39
    All the white people are.
  • 41:39 - 41:40
    >> I'm a multiculturalist.
  • 41:41 - 41:42
    >> Are you?
    >>Yeah
  • 41:42 - 41:48
    >> When you get married are you going
    to marry a white person or a nigger?
  • 41:48 - 41:49
    Huh?
  • 41:49 - 41:51
    >> What do you usually date?
  • 41:51 - 41:58
    Do you usually date white women?
  • 41:58 - 41:59
    >> So far.
  • 42:00 - 42:02
    >> That's what you find attractive.
  • 42:02 - 42:04
    >> Does Jewish count as white?
  • 42:04 - 42:05
    >> No.
  • 42:05 - 42:06
    >> No, not in our books.
  • 42:06 - 42:07
    >> Why not?
  • 42:07 - 42:12
    >> [Laughs] I think we could
    hope that he marries some Jewess.
  • 42:12 - 42:14
    I mean won't that be funny.
  • 42:14 - 42:16
    >> A JAP. You know what a JAP is?
  • 42:16 - 42:18
    >> Yeah a Jewish American Princess.
  • 42:18 - 42:18
    I hope-- boy you're going to be--
  • 42:18 - 42:21
    >> [Inaudible] marry a JAP,
    a Jewish American Princess.
  • 42:21 - 42:22
    she's going to have you right there.
  • 42:22 - 42:23
    >> Twisted right down.
  • 42:23 - 42:24
    >> Um hum.
  • 42:24 - 42:24
    >> What's your name?
  • 42:24 - 42:25
    >> Louis.
  • 42:25 - 42:26
    >> [High voice] Louis!
  • 42:26 - 42:29
    Louis, I want a new ring, Louis!
  • 42:29 - 42:32
    Bring me my coffee-- tea Louis.
  • 42:33 - 42:35
    Come and flush the toilet for me Louis.
  • 42:35 - 42:36
    I can't push the handle down.
  • 42:36 - 42:37
    [laughs]
  • 42:38 - 42:41
    >> So is that where you get
    it from do you think, April?
  • 42:41 - 42:44
    >> The biggest gift that
    I got from my father was
  • 42:44 - 42:47
    to not give a rip about what
    anybody else thought.
  • 42:47 - 42:48
    It's what you thought.
  • 42:48 - 42:52
    It's what you really knew in your
    heart was the right thing to do.
  • 42:52 - 42:55
    It didn't matter if every
    single person was against you.
  • 42:55 - 43:00
    If you know what you believe is right, then you
    have-- and you can have the strength to just,
  • 43:00 - 43:03
    to fight against everybody and
    to stand strong against everyone.
  • 43:03 - 43:06
    And I believe that I inherited that.
  • 43:06 - 43:10
    I think in the genes and
    then I was taught that also.
  • 43:10 - 43:13
    And I think-- and I owe my
    dad a lot for giving me that.
  • 43:13 - 43:15
    That was a gift.
  • 43:15 - 43:46
    [ Music ]
  • 43:46 - 43:48
    >> Back in Fallbrook and I had a date with Tom.
  • 43:49 - 43:52
    There was a plan in place to meet another
    of his daughters, this one named Lynn.
  • 43:53 - 43:55
    But before that, a barbecue.
  • 43:58 - 44:00
    [doorbell rings] Good afternoon.
  • 44:00 - 44:01
    >> Louis, Louis, Louis!
  • 44:01 - 44:02
    You feel at home?
  • 44:03 - 44:03
    >> Very much so.
  • 44:03 - 44:05
    Look at you, you're wearing a bowler hat.
  • 44:05 - 44:06
    >> Yeah. How do you like that?
  • 44:06 - 44:07
    Do you feel at home?
  • 44:07 - 44:07
    >> It's good.
  • 44:07 - 44:07
    [laughs]
  • 44:07 - 44:08
    >> Come on in.
  • 44:08 - 44:09
    >> It's good.
  • 44:09 - 44:10
    Is that in honor of me?
  • 44:10 - 44:11
    >> Yeah. Right.
  • 44:11 - 44:13
    >> Little bottle of something--
  • 44:13 - 44:13
    >> Oh you brought something.
  • 44:13 - 44:15
    You should've brought two or
    three but that's all right.
  • 44:15 - 44:18
    >> That's all right, I've got one
    more in the car if we run low.
  • 44:19 - 44:21
    So the plan is to have a
    barbecue, is that right?
  • 44:21 - 44:21
    >> Yeah.
  • 44:21 - 44:21
    >> Yeah.
  • 44:21 - 44:24
    >> And we're going to just keep
    it real simple and real easy.
  • 44:24 - 44:26
    >> Yeah. That's how I like it.
  • 44:26 - 44:27
    Hi John, how are you doing?
  • 44:27 - 44:29
    >> Fine. Mary, good to see you again, dear.
  • 44:29 - 44:31
    >> Um hum.
  • 44:31 - 44:32
    >> Good to see you, John.
  • 44:32 - 44:34
    >> And you-- oh the camera's on.
  • 44:34 - 44:36
    Hey I brought something for Louis.
  • 44:36 - 44:37
    Back, Louis!
  • 44:38 - 44:39
    Back! Back, Louis, back!
  • 44:40 - 44:41
    >> John. [laughs]
  • 44:41 - 44:44
    >> What does it mean?
  • 44:45 - 44:49
    >> This cross came from the
    movie "Scream, Dracula, Scream".
  • 44:49 - 44:51
    >> Oh I definitely saw that one.
  • 44:52 - 44:53
    >> Right, so it's a prop.
  • 44:53 - 44:55
    >> You haven't met Laurie before, John?
  • 44:56 - 44:56
    >> No.
  • 44:56 - 45:00
    >> Well no, they've kept me in a
    cage whenever she's around, so.
  • 45:00 - 45:04
    >> I got to watch him when
    it comes to young girls.
  • 45:04 - 45:04
    [laughs]
  • 45:04 - 45:04
    >> That's right.
  • 45:05 - 45:07
    No I've heard that John prefers Mexican women.
  • 45:08 - 45:11
    >> Now what-- where is that cross again?
  • 45:12 - 45:13
    [laughs] Back, Louis, back!
  • 45:13 - 45:14
    >> [Inaudible] we talk about that?
  • 45:14 - 45:17
    >> It didn't work in the movie so, sorry.
  • 45:17 - 45:17
    >> Yeah.
  • 45:27 - 45:30
    >> I got those pork especially
    for you to check you out.
  • 45:30 - 45:31
    >> They're turkey.
  • 45:32 - 45:34
    >> [Laughs] He read the label.
  • 45:35 - 45:37
    I told Mary I was going to do that.
  • 45:42 - 45:43
    >> Do you care if I'm Jewish?
  • 45:45 - 45:46
    >> Not for this, no.
  • 45:48 - 45:49
    >> What about for something else?
  • 45:49 - 45:50
    >> You're doing your job.
  • 45:52 - 45:53
    That's the way it goes.
  • 45:53 - 45:55
    Sometimes there's neutral territory.
  • 45:55 - 45:58
    >> I wonder if you could give me a hand.
  • 46:00 - 46:01
    I don't really know what I'm doing.
  • 46:02 - 46:04
    >> Well you said you wanted to help cook.
  • 46:04 - 46:04
    >> Yeah.
  • 46:05 - 46:06
    >> Well we got to turn down the--
  • 46:07 - 46:09
    >> That is a little-- that's
    on too hot isn't it?
  • 46:09 - 46:09
    >> It's too hot.
  • 46:12 - 46:13
    >> Should we invite the neighbors over?
  • 46:15 - 46:17
    >> I think the neighbors went to TJ.
  • 46:17 - 46:17
    The me-
  • 46:17 - 46:20
    >> Who have you got on that side?
  • 46:20 - 46:22
    >> Well that's a white guy.
  • 46:22 - 46:24
    He's married to a Mexican gal.
  • 46:25 - 46:28
    She's an American type Mexican
    and they got a couple of kids.
  • 46:29 - 46:30
    >> Do you get on okay with them?
  • 46:30 - 46:31
    >> Yeah we get along okay.
  • 46:31 - 46:32
    >> Is she a-- she's white?
  • 46:33 - 46:33
    >> No she's not white.
  • 46:34 - 46:35
    But she's friendly.
  • 46:35 - 46:36
    We don't have a problem.
  • 46:38 - 46:40
    >> I hope you like your hot dogs well done.
  • 46:40 - 46:43
    >> I think that's about well done enough, man.
  • 46:44 - 46:46
    Man, you have screwed my hot dog up.
  • 46:46 - 46:48
    >> [Laughs] I think it's a polish sausage.
  • 46:49 - 46:50
    >> Let me get that--
  • 46:50 - 46:51
    >> Do you want me to put another one on?
  • 46:51 - 46:53
    >> No, no that's not-- that's okay.
  • 46:53 - 46:54
    That's edible.
  • 46:56 - 47:02
    >> Then it was off to see Tom's
    daughter Lynn and her daughter Valerie,
  • 47:03 - 47:05
    who like Lamb and Lynx, is 11 years old.
  • 47:05 - 47:11
    I'd heard Lynn was the most racist of Tom's
    five daughters so I was curious to meet her.
  • 47:12 - 47:13
    >> Maybe the wrong place.
  • 47:13 - 47:13
    [Inaudible] here.
  • 47:14 - 47:16
    I got the wrong place.
  • 47:17 - 47:18
    Hey!
  • 47:18 - 47:18
    >> Hey dad!
  • 47:18 - 47:20
    >> We saw you guys walking by.
  • 47:20 - 47:22
    I'm like where are you going?
  • 47:22 - 47:22
    >> Well you know me.
  • 47:22 - 47:23
    I get--
  • 47:23 - 47:24
    >> I know, I know.
  • 47:24 - 47:25
    >> I forget.
  • 47:25 - 47:27
    Bunch of communist places.
  • 47:27 - 47:27
    They all look alike.
  • 47:27 - 47:28
    >> They all do.
  • 47:28 - 47:28
    >> Hello.
  • 47:29 - 47:30
    >> Hello. Simon?
  • 47:30 - 47:30
    >> Louis.
  • 47:30 - 47:31
    >> Louis.
  • 47:31 - 47:31
    >> Louis.
  • 47:31 - 47:32
    >> This is Louis.
  • 47:32 - 47:33
    >> Very nice to meet you.
  • 47:33 - 47:34
    >> Nice to meet you too.
  • 47:34 - 47:34
    >> Louis.
  • 47:34 - 47:36
    >> This is Valerie, my daughter.
  • 47:36 - 47:36
    >> Nice to meet you.
  • 47:36 - 47:37
    How do you do?
  • 47:37 - 47:38
    >> Louis's the star.
  • 47:39 - 47:39
    >> The star, huh?
  • 47:39 - 47:40
    >> Don't forget it.
  • 47:40 - 47:40
    >> Yeah.
  • 47:40 - 47:42
    >> Okay. [laughs] We won't.
  • 47:42 - 47:43
    Come on in.
  • 47:43 - 47:46
    >> Tom said you used to run
    the Aryan Women's League?
  • 47:46 - 47:48
    >> I did. I did.
  • 47:48 - 47:51
    In fact, it was running for about--
  • 47:51 - 47:52
    >> Thank you.
  • 47:52 - 47:53
    >> I guess five, six years.
  • 47:54 - 47:59
    And we decided to merge with WAR
    because we were doing the same thing.
  • 48:00 - 48:01
    >> WAR is Tom's organization?
  • 48:01 - 48:02
    >> Exactly.
  • 48:02 - 48:02
    Exactly.
  • 48:03 - 48:06
    >> Basically do you share, do you have the
    same kind of racial views that Tom does?
  • 48:07 - 48:10
    >> I do. I don't-- I'm not one of these labels--
  • 48:10 - 48:11
    >> Yeah.
  • 48:11 - 48:11
    >> type of people.
  • 48:11 - 48:12
    Nazi. Left.
  • 48:12 - 48:13
    Right. Democrat.
  • 48:13 - 48:14
    Republican.
  • 48:14 - 48:15
    You know? Pacifist.
  • 48:15 - 48:17
    Whatever. I don't like that.
  • 48:17 - 48:17
    >> Okay.
  • 48:17 - 48:21
    >> I do have a strong sense of racial identity.
  • 48:22 - 48:22
    >> Yeah.
  • 48:23 - 48:26
    >> Strong sense of nature,
    believing in nature, etcetera.
  • 48:26 - 48:29
    And, but I don't like the labels.
  • 48:29 - 48:32
    I don't even like to hear them because
    they really don't mean anything.
  • 48:32 - 48:37
    >> Are you comfortable just-- are you
    comfortable sieg heiling for example?
  • 48:37 - 48:38
    >> I'm comfortable with it.
  • 48:38 - 48:39
    >> Yeah.
  • 48:40 - 48:41
    >> It's not something I do often.
  • 48:41 - 48:46
    In fact last night I did and that was
    probably the first time in a long time.
  • 48:47 - 48:50
    >> What's Valerie's posi- I mean
    is Valerie comfortable on camera
  • 48:50 - 48:52
    or is she going to sort of hang back?
  • 48:52 - 48:55
    >> I asked her and she said in
    the background would be fine.
  • 48:55 - 48:55
    >> Yeah.
  • 48:55 - 48:57
    >> I don't have a problem-- not talking to her.
  • 48:57 - 48:57
    >> Okay.
  • 48:58 - 48:58
    >> She's 11 years old.
  • 48:58 - 49:01
    She's kind of big for her age but she's--
  • 49:01 - 49:01
    >> Yeah.
  • 49:01 - 49:03
    >> you know, she's a really good kid.
  • 49:04 - 49:07
    >> Are you, I mean are you
    bringing her up as a racist?
  • 49:09 - 49:10
    >> Bringing her up as a racist?
  • 49:10 - 49:15
    I'm bringing her up very aware of her heritage.
  • 49:15 - 49:17
    Very aware of what's going on.
  • 49:18 - 49:25
    I have often told her I have opinions,
    I have beliefs, and just like my dad did
  • 49:25 - 49:28
    when I was a kid, I told her
    that she needs to explore.
  • 49:28 - 49:32
    She needs to know what's out there
    and she can't just take what I say.
  • 49:33 - 49:37
    >> Would she be-- would you be
    happy for her to bring children--
  • 49:37 - 49:39
    friends of other races back to the house?
  • 49:39 - 49:42
    >> No. I wouldn't be happy.
  • 49:42 - 49:43
    I mean honestly.
  • 49:43 - 49:52
    I mean she's going to-- you know what I believe
    is she's going to, you know, learn from me
  • 49:52 - 49:58
    and my actions and my words and my
    thoughts when I put them into actions.
  • 49:59 - 50:01
    So we'll just see what happens.
  • 50:08 - 50:12
    >> I was nearing the end of my time with
    Tom and for some days John had been talking
  • 50:12 - 50:15
    about the idea of going to Mexico.
  • 50:15 - 50:19
    His exact purpose was unclear, but for me
    I thought it might be a chance to see Tom
  • 50:19 - 50:22
    in a different environment,
    and so I thought I'd tag along.
  • 50:22 - 50:27
    [ Dog barking ]
  • 50:27 - 50:29
    >> Louis! [laughs]
  • 50:29 - 50:30
    >> Hey John, how are you doing?
  • 50:30 - 50:31
    >> You're going to love it.
  • 50:31 - 50:33
    Let's get ready to go.
  • 50:33 - 50:35
    >> Where's Tom?
    >> He's waiting for us.
  • 50:35 - 50:36
    >> Where?
    >>At his house.
  • 50:36 - 50:37
    >> Oh great, so let's go.
  • 50:37 - 50:38
    >> Oh yeah, yeah, yeah, yeah, yeah.
  • 50:38 - 50:40
    Let me get it going.
  • 50:40 - 50:41
    I've got it all prepared.
  • 50:42 - 50:45
    I've got-- now Louis, what do you think?
  • 50:45 - 50:47
    Am I going to be too warm
    today dressed like this?
  • 50:47 - 50:53
    I look like a tourist which is what I want to
    look like instead of like the slick guy like you
  • 50:53 - 50:54
    that I should be looking like, you know?
  • 50:57 - 51:00
    >> And why are we interested
    in seeing Tom in Mexico?
  • 51:00 - 51:03
    >> You're going to love seeing Tom in Mexico.
  • 51:03 - 51:04
    >> Why?
  • 51:05 - 51:08
    >> Well, you're going to see what
    an international politician does.
  • 51:08 - 51:11
    Now these are my little medicines
    here for myself.
  • 51:11 - 51:15
    >> And he's a racist politician so I
    suppose it's interesting to see him among--
  • 51:15 - 51:16
    >> In a racist country.
  • 51:16 - 51:19
    They will respect him like--
    oh they're racist down there.
  • 51:19 - 51:21
    You didn't know that?
  • 51:21 - 51:24
    [laughs] Follow me.
  • 51:24 - 51:25
    >> Hey Louis.
  • 51:25 - 51:28
    >> He's afraid of getting kidnapped.
    >> No he isn't.
  • 51:28 - 51:29
    >> [Laughs] Yes he is.
  • 51:29 - 51:32
    Every time he goes to Mexico
    they try to kidnap him.
  • 51:32 - 51:34
    >> So we'll be in your car?
  • 51:34 - 51:35
    >> No, we'll be in your car.
  • 51:37 - 51:39
    >> So what is the plan when we get there?
  • 51:39 - 51:41
    >> Why don't you tell him the truth?
  • 51:41 - 51:44
    You just want to get to that whore down there.
  • 51:44 - 51:46
    That's what you're really saying.
  • 51:47 - 51:52
    >> I wouldn't refer to a lovely
    lady like that as a whore.
  • 51:52 - 51:54
    >> Well if you pay money, she's a whore.
  • 51:54 - 51:56
    >> [Talking in foreign language] Hello?
  • 51:59 - 52:03
    Hey did I sent this? It says-- send, sorry.
  • 52:03 - 52:05
    Dialing. Jesus Christ.
  • 52:05 - 52:10
    [Music]
  • 52:10 - 52:18
    [ Talking in foreign language ]
  • 52:18 - 52:20
    >> Boy that's a mouthful.
  • 52:22 - 52:24
    >> We're in.
    >>We're in.
  • 52:24 - 52:25
    >> Watch it now.
  • 52:25 - 52:27
    >> Stay in this lane.
    >>Say in the right lane.
  • 52:27 - 52:29
    >> Why are you getting in the middle lane?
  • 52:29 - 52:32
    >> Downtown.
    Get over to the left, okay?
  • 52:32 - 52:35
    Jeez, left lane Louis.
  • 52:36 - 52:39
    >> Boy you got more backseat
    drivers than you ever had.
  • 52:39 - 52:41
    >> Right turn here Louis.
  • 52:41 - 52:46
    [ Music ]
  • 52:46 - 52:51
    >> I was still curious what form Tom's
    ambassadorial trip would take and was surprised
  • 52:51 - 52:55
    when John began directing me to
    Tijuana's tourist bars.
  • 52:55 - 52:58
    >> I want a sombrero.
    I want to buy--
  • 52:58 - 53:00
    >> I'll take you right-- they're
    right down there all those shops.
  • 53:00 - 53:02
    >> Let's go. Yeah
  • 53:02 - 53:05
    >> Well let's have a drink first.
    >> Yeah let's get a drink first.
  • 53:05 - 53:07
    The drinks are right down there too.
  • 53:07 - 53:08
    [talking in foreign language]
  • 53:11 - 53:14
    >> Is that her?
  • 53:14 - 53:17
    Does she recognize you?
  • 53:17 - 53:32
    [ Talking in foreign language ]
  • 53:32 - 53:35
    >> Hello, I'm Louis.
    >> This is Louis.
  • 53:35 - 53:37
    [ Talking in foreign language ]
  • 53:37 - 53:39
    What's his name? Geraldo Rivera.
  • 53:40 - 53:51
    [ Talking in foreign language ]
  • 53:51 - 53:54
    >> [Inaudible] and I are
    going to get married one day.
  • 53:54 - 53:58
    [ Talking in foreign language ]
  • 53:58 - 54:00
    >> Can we say what it's about?
  • 54:00 - 54:06
    >> No. Because I don't want to--
    who knows what her politics or her--
  • 54:06 - 54:11
    her celebrity, you know, things are.
  • 54:11 - 54:15
    She's my girl and she's going
    to be showing us around.
  • 54:19 - 54:22
    >> You guys got a documentary
    following you around or what?
  • 54:22 - 54:23
    >> Yeah we do.
    Where you from?
  • 54:23 - 54:26
    >> Sacramento.
    >> I used to be the head of the KKK in California.
  • 54:26 - 54:29
    >> No shit!
    >> Yeah. And now I come down--
  • 54:29 - 54:31
    >> What happened? Did you get kicked out or what?
  • 54:31 - 54:32
    >> No I quit. But anyhow--
  • 54:32 - 54:35
    >> Well I got something really
    wild-- I'm skinhead now.
  • 54:35 - 54:38
    You guys need me in Sacramento. That's a fucked up place.
  • 54:38 - 54:40
    >> It's all fucked up.
  • 54:40 - 54:42
    >> No you've got Schwarzenegger--
  • 54:42 - 54:44
    >> He's going to terminate the--
    >> The black nigger right.
  • 54:44 - 54:45
    Yeah--
    >> He's going to terminate the--
  • 54:45 - 54:49
    >> he's going to fuck-- hey,
    you think he's going to save us?
  • 54:49 - 54:50
    Bullshit.
  • 54:50 - 54:52
    >> I don't know, you sound like a racist to me.
  • 54:52 - 54:54
    >> I am a racist. What the hell you talking--
  • 54:54 - 54:55
    >> I'm not a racist.
    >> You're not a racist?
  • 54:55 - 54:56
    >> Fuck no I'm not a racist.
  • 54:56 - 54:59
    >> Don't you want your grandchildren
    to look like you?
  • 54:59 - 55:01
    >> I don't give a shit what
    my grandchildren look like.
  • 55:01 - 55:03
    >> Oh man! You're killing me!
  • 55:04 - 55:06
    >> One dollar. It's one dollar, Tom.
  • 55:06 - 55:08
    Give him a dollar as a tip.
    Buy me a beer, too.
  • 55:09 - 55:12
    >> One more, one more.
    >> One more, one more.
  • 55:13 - 55:14
    >> It's yours, Tom.
  • 55:14 - 55:17
    [ Singing ]
  • 55:17 - 55:20
    >> Come on, sing.
  • 55:23 - 55:26
    >> The ambassadorial visit was
    degenerating into a pub crawl.
  • 55:26 - 55:29
    It had all become rather chaotic.
  • 55:29 - 55:31
    >> Do I need another hat?
    >> Rings?
  • 55:31 - 55:34
    >> I need a bigger hat is what I need.
    I need a bigger hat.
  • 55:34 - 55:35
    >> No swastika?
  • 55:38 - 55:40
    >> Do you have any swastika rings?
  • 55:40 - 55:40
    >> What?
  • 55:41 - 55:42
    >> Swastika.
  • 55:42 - 55:46
    >> Where's Tom? Where's Tom gone?
  • 55:46 - 55:50
    Several tequilas later we lost
    Tom in a souvenir shop somewhere.
  • 55:50 - 55:53
    When he resurfaced, he seemed even more drunk.
  • 55:53 - 55:57
    He was concerned that he could've been
    attacked or kidnapped and accused John
  • 55:57 - 55:59
    of neglecting his security duties.
  • 55:59 - 56:02
    >> I don't depend on anybody who runs any town.
  • 56:02 - 56:07
    I depend on my security, and when I walk
    out of a place and my security's not there--
  • 56:07 - 56:08
    >> Well, did Louis leave you?
  • 56:10 - 56:12
    >> You don't seem to understand, John.
  • 56:12 - 56:17
    >> What I'm trying to tell you is there is
    certain towns that are run a certain way
  • 56:18 - 56:20
    and I am totally wired in down here.
  • 56:20 - 56:24
    >> I don't give a shit how you're wired.
    I'm wired in to only my own people.
  • 56:24 - 56:27
    I don't trust anybody else in nobody's town.
  • 56:27 - 56:28
    Nobody you know.
  • 56:28 - 56:29
    I trust my friends.
  • 56:30 - 56:32
    My security next time is coming with me.
  • 56:32 - 56:35
    >> But I'm telling you, if
    I can walk around here--
  • 56:35 - 56:37
    >> My friends are concerned
    about my security.
  • 56:37 - 56:40
    >> If I can walk around here with a fucking
    hat on my head looking like a clown--
  • 56:40 - 56:43
    >> No but your-- your whole
    brain's full of pussy.
  • 56:43 - 56:45
    That's all you're thinking about.
    >> No it's not.
  • 56:45 - 56:47
    You think I'm not a racist,
    I'm just [inaudible].
  • 56:48 - 56:50
    >> No you're not a racist like I am.
  • 56:52 - 56:55
    >> I want to make a bet.
  • 56:55 - 56:57
    I'm going to put my dollar down, okay?
  • 56:57 - 56:59
    >> He would fuck Matsurat and I wouldn't.
  • 57:00 - 57:00
    >> Why?
  • 57:00 - 57:01
    >> She's not white.
  • 57:02 - 57:03
    I got to go pee.
  • 57:03 - 57:08
    >> The day was winding to a close and I
    reflected on Tom's fears of being kidnapped.
  • 57:08 - 57:10
    I felt this was Tom at his most unguarded
  • 57:11 - 57:14
    and what struck me was Tom's
    fantasies of his own importance.
  • 57:15 - 57:18
    In the car on the way home
    John made a last attempt
  • 57:18 - 57:20
    to salvage something from
    the international trip.
  • 57:22 - 57:25
    >> Tom, tell us about Mexico, okay?
  • 57:25 - 57:27
    What do you think about it? Was it fun?
  • 57:27 - 57:32
    >> I think it's a very interesting
    place to visit and I think a lot
  • 57:32 - 57:37
    of Aryans should go there and
    carve out something like a country.
  • 57:37 - 57:41
    And that might be something
    that I'm thinking about.
  • 57:41 - 57:43
    >> And you know what?
  • 57:43 - 57:45
    That's exactly what we're
    all thinking about here.
  • 57:46 - 57:49
    >> When I saw how well you
    could get on out there Tom,
  • 57:49 - 57:55
    it made me think well maybe
    you'd abandon racism, you know?
  • 57:55 - 58:01
    Maybe you'd find that you didn't really--
    it wasn't something that you needed anymore.
  • 58:02 - 58:04
    >> Let me answer that.
    Let me answer that because--
  • 58:04 - 58:06
    >> [Inaudible] don't understand.
  • 58:07 - 58:11
    >> Right. Tom is actually--
    you don't understand Louis.
  • 58:11 - 58:17
    It's like-- go through the next, you
    know-- go up the hill, go up the hill.
  • 58:17 - 58:19
    Here's what we're going to say.
  • 58:19 - 58:21
    He doesn't because--
  • 58:21 - 58:23
    [ Inaudible ]
  • 58:23 - 58:26
    the Mexican guys--
  • 58:26 - 58:27
    >> Let Tom answer, John.
  • 58:27 - 58:30
    >> No I don't want him to answer right now
  • 58:30 - 58:33
    because it's been a long
    day and my client is tired.
  • 58:34 - 58:35
    >> Yeah.
  • 58:35 - 58:36
    >> He's tired.
  • 58:37 - 58:39
    He's relaxing now.
  • 58:39 - 58:44
    Please, you know?
  • 58:44 - 58:45
    Mary?
    >> Excuse me.
  • 58:45 - 58:47
    >> Hi dear.
    >> It's locked for a reason.
  • 58:47 - 58:50
    >> We've got one rather drunken
    gentleman with us.
  • 58:50 - 58:51
    >> Okay.
  • 58:51 - 58:55
    >> It was far from the statesman's
    visit that John had advertised.
  • 58:55 - 58:58
    I had to keep reminding myself
    that Tom was supposed to be one
  • 58:58 - 59:00
    of the most dangerous racists in America.
  • 59:05 - 59:07
    [ Frog croaking ]
  • 59:07 - 59:08
    It was my last day with Tom.
  • 59:08 - 59:12
    For some time I'd been badgering him
    for a chance to see him at his day job.
  • 59:14 - 59:16
    >> You stay here. Stay.
  • 59:16 - 59:18
    Good morning.
    >> Good morning.
  • 59:18 - 59:19
    Hello there.
    >> Friend or foe?
  • 59:19 - 59:22
    >> Well we haven't worked that out yet have we?
  • 59:22 - 59:24
    >> Okay. Stay here boy.
  • 59:24 - 59:25
    >> That's a work in progress.
  • 59:25 - 59:27
    >> I got to keep my bandit dog back in there.
  • 59:27 - 59:31
    He's so used to running in the car,
    sometimes I have to leave him here.
  • 59:32 - 59:38
    >> Tom's a TV repairman and today he was picking
    up a TV from one of his most faithful clients.
  • 59:38 - 59:40
    >> Do you want a hand with that, Tom?
  • 59:40 - 59:42
    >> Sure. Well wait a minute.
  • 59:42 - 59:44
    I've got to open up the back door.
  • 59:44 - 59:46
    >> How are you do-- is it your TV?
  • 59:46 - 59:46
    >> Yes.
  • 59:47 - 59:48
    >> And what's the problem?
  • 59:48 - 59:50
    >> Well it doesn't work too good.
  • 59:50 - 59:53
    >> So anyway, I have known Tommy for many years.
  • 59:53 - 59:55
    >> Have you?
    >> Oh yes.
  • 59:55 - 60:01
    And I have not found in Fallbrook or
    in L.A. where I lived many years--
  • 60:01 - 60:02
    >> Yeah.
  • 60:02 - 60:04
    >> a man that honest.
  • 60:05 - 60:06
    >> Yeah. You like him?
  • 60:06 - 60:09
    >> Oh I like him very much
    and I can depend on him.
  • 60:09 - 60:12
    I leave my key so I, that much I trust him.
  • 60:13 - 60:15
    >> What about, do you know about his politics?
  • 60:15 - 60:17
    >> Yes. Well, we don't [inaudible]
    about politics.
  • 60:17 - 60:20
    [laughs] I know him as a man.
  • 60:20 - 60:24
    He's got his ideas and I have mine.
  • 60:24 - 60:24
    >> Yeah.
  • 60:24 - 60:28
    >> He does not interfere with...
    He's friend of mine for a long time.
  • 60:28 - 60:30
    >> How about that?
  • 60:30 - 60:32
    And what's your-- you sound
    like you've got a slight accent.
  • 60:32 - 60:34
    Where are you from originally?
    >> From Peru.
  • 60:34 - 60:36
    >> From Peru?
    >> Yes.
  • 60:36 - 60:37
    >> Peruvian?
    >> Yeah.
  • 60:37 - 60:39
    >> I never asked you that myself.
  • 60:39 - 60:40
    >> That's true, Tommy!
  • 60:40 - 60:42
    >> And your name is?
  • 60:42 - 60:44
    >> Oscar.
  • 60:44 - 60:50
    >> Now his-- and of course when
    his wife was alive I-- we used to--
  • 60:50 - 60:53
    >> We had a big house, remember?
    >> That's right.
  • 60:53 - 60:55
    They used to live in a house
    here on the other side of--
  • 60:55 - 60:59
    >> Oscar was just saying that as far as
    politics you kind of agree not to talk about it.
  • 60:59 - 61:01
    >> Right. [laughs]
    >> That's right.
  • 61:01 - 61:03
    >> Exactly.
    >> That's absolutely right.
  • 61:03 - 61:05
    >> I respect all the people's ideas.
  • 61:05 - 61:06
    >> Yeah.
    >> Yep.
  • 61:06 - 61:08
    >> Are you all right with that Tom?
  • 61:08 - 61:11
    You get one side, I'll get the other side.
    >> No.
  • 61:11 - 61:13
    >> Oscar believes in free speech.
    >> [Laughs]
  • 61:17 - 61:20
    >> Do you know how much he's
    going to charge yet?
  • 61:20 - 61:21
    >> [Laughs] No I don't care about that.
  • 61:21 - 61:24
    >> He don't worry about-- he
    knows I'll never cheat him.
  • 61:24 - 61:27
    >> He is the honest-- and the best technician.
  • 61:27 - 61:29
    >> Would you consider Tom a friend?
  • 61:29 - 61:31
    >> Yes. Absolutely.
  • 61:31 - 61:32
    No hesitation.
  • 61:32 - 61:34
    >> Yeah.
    >> Yeah.
  • 61:34 - 61:36
    >> And you'd consider Oscar a friend?
  • 61:36 - 61:37
    >> I believe so, yes.
  • 61:37 - 61:38
    Yeah. Sure.
  • 61:38 - 61:41
    It's been a long-- we've had a long association.
  • 61:41 - 61:42
    >> That's right.
    >> Yeah.
  • 61:42 - 61:44
    >> Longer than my girlfriend.
  • 61:44 - 61:46
    I've only known her 10 years.
  • 61:46 - 61:47
    >> Oh don't tell Mary that.
  • 61:48 - 61:49
    [laughs] Yeah.
  • 61:52 - 61:54
    You're one of the most famous
    racists in America.
  • 61:54 - 61:55
    >> Yeah.
  • 61:55 - 61:57
    >> Maybe the most famous.
  • 61:57 - 62:03
    And there you were saying that you were friends
    with this guy who looked to me non-white and--
  • 62:03 - 62:06
    or at least mixed race-- and
    it just seemed inconsistent.
  • 62:06 - 62:08
    I just thought that was kind of weird.
  • 62:08 - 62:13
    >> Well, maybe you need to be
    educated in the ways of the world.
  • 62:15 - 62:16
    >> How do you mean?
  • 62:16 - 62:18
    I mean, don't you see that as inconsistent?
  • 62:19 - 62:20
    That you would call--
    >> Well--
  • 62:20 - 62:25
    >> you would say you have a friend in
    this guy who looks like he was mixed race?
  • 62:25 - 62:29
    >> Louis is hanging on this friend
    thing, a very abstract word.
  • 62:29 - 62:34
    I would not debate the term
    friend on the man's doorstep.
  • 62:34 - 62:35
    >> Yeah.
  • 62:35 - 62:37
    >> Now you and I can debate it and like that.
  • 62:37 - 62:39
    I don't want to hurt the man's feelings.
  • 62:39 - 62:40
    >> No but there was more to it than that Tom.
  • 62:40 - 62:43
    I felt warmth between you.
  • 62:43 - 62:46
    >> That's just an association,
    that you know these people.
  • 62:46 - 62:50
    And common courtesy and politeness.
    >> Don't you see-- do you really not--
  • 62:50 - 62:53
    >> You treat them respectfully.
    >> do you really not see what I'm trying to say?
  • 62:53 - 62:56
    >> I see what you're trying to
    say but your brain is twisted.
  • 62:56 - 62:58
    >> I think your brain is twisted.
  • 62:58 - 62:59
    >> Well then we agree.
  • 62:59 - 63:02
    We both agree that we believe
    each other's brain is twisted.
  • 63:02 - 63:05
    >> Yeah but the facts are on my side.
    >> And your brain is going to stay twisted and--
  • 63:05 - 63:07
    >> You have friends who are non-white and you--
  • 63:07 - 63:09
    >> I don't have--
    >> and you pal around--
  • 63:09 - 63:11
    >> with people who are non-white
    and you're living a happy life--
  • 63:11 - 63:12
    >> I have people--
  • 63:12 - 63:13
    >> [inaudible] multicultural community.
  • 63:13 - 63:14
    >> Whoa, whoa, whoa.
  • 63:14 - 63:15
    I have people--
  • 63:15 - 63:18
    >> and yet you keep pretending
    that you're a revolutionary.
  • 63:18 - 63:18
    >> Whoa, whoa, whoa.
  • 63:18 - 63:21
    >> But the facts of your existence
    completely undermine that.
  • 63:21 - 63:23
    >> Doesn't that totally fit your package?
  • 63:23 - 63:25
    >> It's the truth though.
  • 63:26 - 63:27
    >> [Laughs] It is the truth.
  • 63:27 - 63:28
    >> This is really funny.
  • 63:28 - 63:33
    >> Your day to day life is a standing
    refutation of everything you profess to believe.
  • 63:33 - 63:33
    >> No it's not.
  • 63:33 - 63:34
    It's not either.
  • 63:34 - 63:35
    >> It is.
  • 63:35 - 63:37
    >> Well follow me to a hostile
    meeting and I'll show you.
  • 63:37 - 63:40
    They'll be trying to kill me and
    I may have to try and kill them.
  • 63:40 - 63:41
    [laughs]
  • 63:41 - 63:42
    >> I think you're a hypocrite.
  • 63:43 - 63:45
    >> Okay. All right.
  • 63:46 - 63:49
    So what? I know what I am.
  • 63:49 - 63:54
    I don't need Louis Theroux
    to quantify what I am.
  • 63:55 - 64:02
    >> As abhorrent as his views were, I found
    it hard to take Tom totally seriously.
  • 64:03 - 64:05
    He seemed to like being seen
    as a dangerous figure,
  • 64:05 - 64:09
    but was all the while enjoying the
    fruits of a multiracial democracy.
  • 64:09 - 64:14
    I felt there was a touch of karaoke about
    this supposed international politician.
  • 64:23 - 64:26
    I was still puzzled by John though
    and thought I'd pay him one last visit
  • 64:26 - 64:30
    to see if I could pin him down.
  • 64:31 - 64:33
    We'll look at the cartoons.
  • 64:38 - 64:42
    >> Okay. How far will niggers go to compound
    the misery of an unfortunate situation?
  • 64:43 - 64:46
    How about looting during a major hurricane?
  • 64:47 - 64:51
    >> Do you fi-- how do you react to that?
  • 64:51 - 64:53
    >> I don't have any reaction at all.
  • 64:54 - 64:55
    I just smoked a cigarette.
  • 64:55 - 64:58
    Can I-- I got-- my mouth is a little dry.
  • 64:58 - 65:00
    Can I go over to the hose and,
    you know, get a little water?
  • 65:00 - 65:01
    >> Yeah.
  • 65:01 - 65:01
    >> Yeah let's go.
  • 65:01 - 65:02
    Okay, yeah.
  • 65:02 - 65:04
    >> I don't want to-- do you
    want to stop doing this, John?
  • 65:04 - 65:05
    >> No, no, no, no, no.
  • 65:05 - 65:08
    I want to answer your questions because it's--
  • 65:09 - 65:12
    >> I mean this is the message that you're--
  • 65:12 - 65:14
    >> This is what a manager does.
  • 65:14 - 65:16
    This is what an agent or a manager does.
  • 65:17 - 65:26
    [ Water splashing ]
  • 65:26 - 65:27
    >> Cigarettes, yuck!
  • 65:28 - 65:36
    >> Because this is the message
    that you're promoting.
  • 65:36 - 65:41
    >> [Laughs] So how is this going to come out?
  • 65:41 - 65:44
    Are you going to say that, you know,
    I'm an asshole because of this magazine?
  • 65:44 - 65:45
    >> I'd say that to your face.
  • 65:45 - 65:47
    >> This is my client's--
    this is my client's magazine.
  • 65:48 - 65:49
    >> I'm not trying to make you [inaudible]--
  • 65:49 - 65:55
    >> A manager that is working for their
    client is working for their client.
  • 65:56 - 65:58
    A lawyer that is representing somebody--
  • 65:58 - 66:02
    >> I think you know-- I mean I think you know
    that this stuff is obscene and that's why I'm--
  • 66:02 - 66:03
    >> It's not obscene.
  • 66:03 - 66:07
    >> I can see the way you talk about it you
    have a kind of sense of guilt about it.
  • 66:07 - 66:08
    I honestly can.
  • 66:08 - 66:13
    I think that's why your mouth went down.
  • 66:13 - 66:15
    >> [Laughs] Gosh, I love you so much, Louis.
  • 66:15 - 66:18
    >> I know you kind of have
    a sense of guilt about it.
  • 66:18 - 66:19
    I can tell.
  • 66:19 - 66:20
    I seriously can.
  • 66:21 - 66:22
    >> You know I have a sense of guilt?
  • 66:22 - 66:25
    Well Louis, let me tell you
    something, there is no sense of guilt.
  • 66:25 - 66:32
    There is a representative's duty--
  • 66:32 - 66:36
    >> And I think you're only doing it
    because you had a few bad breaks.
  • 66:36 - 66:37
    You had your problem with drugs--
  • 66:37 - 66:38
    >> No no no no no--
  • 66:38 - 66:40
    >> getting arrested, doing time,
    and so you can't get other kinds.
  • 66:40 - 66:41
    >> No.
  • 66:41 - 66:42
    >> So that's why you're representing--
  • 66:42 - 66:43
    >> No no no no--
  • 66:43 - 66:43
    >> Tom.
  • 66:43 - 66:44
    >> let's deal with this like this.
  • 66:44 - 66:45
    >> It's because you haven't got other options.
  • 66:45 - 66:47
    >> No no no no, let me answer your question.
  • 66:48 - 66:50
    A few bad breaks.
  • 66:51 - 66:54
    When I went to prison it was the best thing
    that ever happened to me in the world.
  • 66:54 - 66:54
    Do you know why?
  • 66:55 - 66:57
    It taught me what's really going on.
  • 66:58 - 66:59
    >> Do you think this is the
    truth, what's in this paper?
  • 67:01 - 67:08
    >> He's appealing as any political
    figure to a broad base of many dimensions
  • 67:08 - 67:10
    of people and he's got skinheads.
  • 67:10 - 67:13
    He's got this and that.
  • 67:13 - 67:13
    >> Oh I give up.
  • 67:13 - 67:14
    >> He's got democratic populists--
  • 67:14 - 67:16
    >> Every time I ask you a
    question you kind of go onto a--
  • 67:16 - 67:18
    >> No I'm telling you what the truth is.
  • 67:18 - 67:21
    >> No but I asked a simple
    question and you won't answer it.
  • 67:21 - 67:22
    >> I'm answering it.
  • 67:22 - 67:29
    >> Do you think what's in
    this paper is the truth?
  • 67:29 - 67:30
    >> What this paper is--
  • 67:30 - 67:31
    >> You're not-- just please [inaudible]--
  • 67:31 - 67:34
    >> What this paper is, is--
  • 67:35 - 67:37
    >> Just say no.
  • 67:37 - 67:38
    >> Some very hardcore opinions--
  • 67:38 - 67:39
    >> Why don't you just say no?
  • 67:41 - 67:42
    >> Because that would not be the truth.
  • 67:43 - 67:44
    >> Is it wrong or right?
  • 67:44 - 67:50
    Does this paper tell the truth
    or is it a pack of racist lies?
  • 67:50 - 67:55
    >> The paper tells the truth and it
    tells the truth in a way that appeals
  • 67:55 - 67:58
    to a certain dimension of his readership.
  • 67:58 - 67:59
    >> You think this tells the truth?
  • 68:00 - 68:02
    You really think this tells the truth?
  • 68:02 - 68:04
    >> Tom Metzger always tells the truth.
  • 68:24 - 68:24
    So?
  • 68:33 - 68:36
    >> I was heading back to central
    California to see April and the twins.
  • 68:37 - 68:42
    I'd heard that April had booked a studio for
    Lamb and Lynx to record the first few tracks
  • 68:42 - 68:45
    of their debut album to be
    titled "Fragment of the Future".
  • 68:45 - 68:48
    >> Can we just set the [inaudible]?
  • 68:49 - 68:53
    [ Music ]
  • 68:53 - 68:57
    >> This would be my last day among the
    Nazis and a final chance to challenge April
  • 68:58 - 69:00
    on her indoctrination of her two daughters.
  • 69:00 - 69:05
    >> My stickers keep on sliding.
  • 69:05 - 69:06
    [laughs]
  • 69:06 - 69:12
    >> Would you like to be skinheads
    when you grow up?
  • 69:12 - 69:12
    >> No.
  • 69:12 - 69:12
    >> Why not?
  • 69:13 - 69:16
    >> Because you have to shave
    your head a real weird way.
  • 69:16 - 69:19
    >> I'm keeping my hair long.
  • 69:19 - 69:21
    >> And it's not skinhead, it's skinbird.
  • 69:21 - 69:23
    That's a female skinhead.
  • 69:23 - 69:25
    >> Would you like to go out
    with skinheads if you--
  • 69:25 - 69:28
    you know when you're older and
    you're ready to start seeing boys?
  • 69:29 - 69:29
    >> Yes.
  • 69:29 - 69:29
    >> Sure.
  • 69:29 - 69:30
    >> Would you?
  • 69:30 - 69:30
    >> Yes. [laughs]
  • 69:30 - 69:30
    >> Why?
  • 69:31 - 69:32
    >> Because.
  • 69:32 - 69:33
    >> Because.
  • 69:33 - 69:35
    I would. It's cool.
  • 69:35 - 69:38
    >> They're very special people.
  • 69:40 - 69:42
    >> What did Lynx-- what did you say Lynx?
  • 69:43 - 69:44
    >> They're very special people.
  • 69:44 - 69:45
    They're important people.
  • 69:45 - 69:46
    >> Why are they important?
  • 69:46 - 69:54
    >> Because they're very dedicated
    to what they believe in.
  • 69:54 - 69:57
    >> Would you mind that, April?
  • 69:57 - 69:58
    Would you be cool with that?
  • 69:59 - 70:01
    >> What, with them dating a skinhead?
  • 70:01 - 70:03
    >> Yeah and maybe getting married?
  • 70:03 - 70:05
    >> Yeah if he was a good hard worker
  • 70:05 - 70:10
    and he wasn't spending his time
    boozing it up and causing trouble.
  • 70:10 - 70:15
    >> I don't know many very well but they
    seem kind of antisocial, some of them.
  • 70:15 - 70:19
    >> Well see to me they're not.
  • 70:19 - 70:22
    To me and the girls they're
    always just so protective
  • 70:22 - 70:25
    and polite and ultra, ultra polite to us--
  • 70:25 - 70:25
    >> Really?
  • 70:25 - 70:27
    >> everywhere we go.
  • 70:27 - 70:31
    You know whenever we go to concerts or
    meetings or anything, they're always just bend
  • 70:31 - 70:33
    over backwards to take care of us.
  • 70:33 - 70:38
    >> To me they seem kind of-- to me they
    seem kind of angry and sociopathic.
  • 70:39 - 70:41
    >> [Laughs] They just don't seem that way to me.
  • 70:41 - 70:44
    I mean when you see them maybe--
  • 70:44 - 70:48
    maybe it's because you're just so
    freaked out when you see people salute.
  • 70:48 - 70:49
    Maybe that's why.
  • 70:49 - 70:51
    >> Maybe I'm just not meeting
    any of the really good ones.
  • 70:52 - 70:52
    >> Maybe.
  • 70:52 - 70:53
    >> The marriage material.
  • 70:54 - 70:56
    >> Hate for hate.
  • 70:56 - 70:57
    >> And root for root.
  • 70:57 - 70:58
    >> Eye for eye.
  • 70:59 - 71:00
    >> And tooth for tooth.
  • 71:01 - 71:02
    >> Scorn for scorn
  • 71:02 - 71:03
    >> And smile for smile.
  • 71:04 - 71:05
    >> Love for love.
  • 71:05 - 71:06
    >> And guile for guile.
  • 71:06 - 71:07
    >> War for war.
  • 71:07 - 71:08
    >> And woe for woe.
  • 71:08 - 71:10
    >> Blood for blood.
  • 71:10 - 71:12
    >> And blow for blow.
  • 71:17 - 71:18
    >> Ooh that's pretty.
  • 71:20 - 71:26
    >> So do you think you'll go to school one day?
  • 71:27 - 71:31
    >> Maybe next year when we're
    ready but right now--
  • 71:31 - 71:34
    >> Mom says in a year or two.
  • 71:34 - 71:35
    Maybe.
  • 71:35 - 71:36
    >> Would you like to?
  • 71:36 - 71:36
    >> Yeah [inaudible].
  • 71:37 - 71:38
    >> It'd be okay.
  • 71:38 - 71:39
    >> I think it'd be fun.
  • 71:46 - 71:49
    >> And do you know why she
    doesn't want you to go school now?
  • 71:50 - 71:56
    >> Yeah. One of the things is because we're
    having a little bit of money problems.
  • 71:57 - 72:00
    And we need new clothes.
  • 72:00 - 72:02
    Like school clothes.
  • 72:04 - 72:07
    >> You know I didn't realize you have
    to wear special clothes to school.
  • 72:07 - 72:11
    I thought your mom didn't want you going to
    school at the moment because she disagreed
  • 72:11 - 72:12
    with what they were teaching in school.
  • 72:13 - 72:13
    >> Also that.
  • 72:13 - 72:20
    But she wants us to go to high school.
  • 72:20 - 72:23
    But we may not go.
  • 72:23 - 72:28
    >> Why are you, why would
    you like to go to school?
  • 72:28 - 72:29
    What is it about school that you would like?
  • 72:30 - 72:37
    >> So we'd get to meet a lot of friends and--
    it's kind of boring just sitting home all day
  • 72:37 - 72:40
    and not-- and all your friends are at school.
  • 72:40 - 72:44
    And you've got to wait for them.
  • 72:44 - 72:50
    >> Wait until they get home.
  • 72:50 - 72:50
    >> [Inaudible] dudes.
  • 72:52 - 72:59
    >> [Inaudible] this is not
    the way you treat a book.
  • 73:00 - 73:02
    Especially one as nice as this.
  • 73:02 - 73:03
    No. It's new sis.
  • 73:03 - 73:13
    >> Back at the house and Lamb and Lynx were due
    to go to a school carnival with some friends.
  • 73:13 - 73:16
    [music] April had told me that Lamb and Lynx's
    friends don't know that they're being raised
  • 73:16 - 73:21
    as racists and I wondered how leading this
    double life would affect them in the long term.
  • 73:21 - 73:25
    I knew it was hopeless but I
    thought I'd try and talk to April.
  • 73:25 - 73:28
    >> Okay you guys are going now?
  • 73:28 - 73:29
    >> Are you going?
  • 73:29 - 73:29
    >> Yes.
  • 73:30 - 73:34
    >> It's been a pleasure working with you.
  • 73:35 - 73:36
    >> Yes. Don't [inaudible].
  • 73:36 - 73:40
    >> Have a nice time at the carnival.
  • 73:40 - 73:41
    >> Thank you.
  • 73:43 - 73:45
    >> You should give Louis a hug.
  • 73:45 - 73:46
    >> Okay, bye.
  • 73:47 - 73:50
    >> Bye, Shaggy.
  • 73:50 - 73:50
    [laughs]
  • 73:50 - 73:50
    >> Bye.
  • 73:50 - 73:52
    >> Okay bye girls.
  • 73:52 - 73:55
    >> Have a nice time at the carnival.
  • 73:57 - 74:01
    >> No no no no no.
  • 74:01 - 74:02
    I don't like the milk in it.
  • 74:10 - 74:16
    >> Had-- have you thought about the implications
    of indoctrinating Lynx and Lamb in this way?
  • 74:16 - 74:17
    >> Of course I have.
  • 74:18 - 74:23
    >> And have you had-- have you had second
    thoughts or misgivings of any kind?
  • 74:23 - 74:27
    >> I don't want to teach them to be politically
    correct just because that's the easy way out.
  • 74:27 - 74:27
    I don't want to tell them--
  • 74:27 - 74:28
    >> I understand that.
  • 74:28 - 74:29
    But I don't think that means--
  • 74:29 - 74:30
    >> Because it's not the easy way.
  • 74:30 - 74:32
    This is not the easy way.
  • 74:32 - 74:36
    >> It's not a choice between--
    the choice you face is really,
  • 74:36 - 74:40
    is to bring them up judging
    people fairly or not.
  • 74:40 - 74:43
    That's kind of I think what
    you want to think about.
  • 74:44 - 74:49
    >> I don't understand how I'm not doing that.
  • 74:49 - 74:50
    >> You're making it--
  • 74:50 - 74:50
    >> I think a person--
  • 74:50 - 74:53
    >> I mean far be it from me to-- I
    don't have kids so I don't know but--
  • 74:53 - 74:58
    >> a person who tells their children that
    all people are created equal and that men
  • 74:58 - 75:02
    and women are equal, in my mind
    they're lying to their children.
  • 75:02 - 75:04
    They're just, they're blatantly
    lying to their child.
  • 75:05 - 75:10
    >> Do you realize what a handicap
    that will be for them in life?
  • 75:10 - 75:11
    >> No. It won't be.
  • 75:11 - 75:17
    >> They're going to-- they'll be going through
    life as-- with this dual mindset which is,
  • 75:17 - 75:18
    you know, what their mum
    has told them [inaudible]--
  • 75:18 - 75:19
    >> They shouldn't have to go through--
  • 75:19 - 75:23
    >> normal people conduct
    themselves in the world.
  • 75:23 - 75:29
    >> They shouldn't have to go through--
    well, see, but I believe that we're normal
  • 75:29 - 75:33
    and that we're correct and that
    other people are distorted.
  • 75:33 - 75:39
    So yes I'm, I understand that I'm
    raising my children in a perverted world,
  • 75:39 - 75:41
    in a perverted multiculturalist world.
  • 75:41 - 75:45
    I'm teaching-- I have to teach my
    children the truth despite the fact
  • 75:46 - 75:48
    that that's a dangerous thing
    to be teaching them.
  • 75:48 - 75:51
    I'm doing something that is very dangerous.
  • 75:51 - 75:54
    But I can't, could not live
    with myself if I were
  • 75:54 - 75:57
    to tell them anything different
    because it would be a lie.
  • 75:57 - 75:58
    It's--
  • 75:59 - 76:01
    >> I think what it's about really--
  • 76:01 - 76:02
    >> You know?
  • 76:02 - 76:03
    Don't you think that it's difficult--
  • 76:03 - 76:07
    >> is judging people based on who they
    are not your prejudice about who they are.
  • 76:08 - 76:09
    Kind of giving people a chance.
  • 76:09 - 76:11
    >> I find other races annoying.
  • 76:12 - 76:13
    They bother me.
  • 76:13 - 76:14
    I find them annoying.
  • 76:14 - 76:17
    I don't like their chattering
    in other languages.
  • 76:17 - 76:21
    I don't like to look-- the
    way they look, you know?
  • 76:21 - 76:28
    I mean 99% of them I just find the way that
    they look just really-- they're just not pretty.
  • 76:28 - 76:30
    They're not attractive to me.
  • 76:30 - 76:31
    I don't want to be around them.
  • 76:31 - 76:33
    I don't like the way that they act.
  • 76:33 - 76:35
    I don't like the way they
    allow their children to behave.
  • 76:35 - 76:38
    I don't like the way they deal with situations.
  • 76:38 - 76:40
    I don't like the fact that they seem
  • 76:40 - 76:43
    to just make everything messy
    and dirty wherever they are.
  • 76:43 - 76:44
    I don't like that.
  • 76:44 - 76:45
    I don't like to be around them.
  • 76:45 - 76:46
    I want to be around all white people.
  • 76:47 - 76:48
    But it's like I feel like I can't be that--
  • 76:48 - 76:50
    >> Do you ever-- I mean I'm
    not being facetious but like--
  • 76:50 - 76:53
    I'm not being facetious but have you
    ever thought about getting some kind
  • 76:53 - 76:55
    of therapy or something like that?
  • 76:55 - 76:58
    Because what you have is like
    almost like a pathological--
  • 76:59 - 77:01
    >> Have you ever thought about getting therapy
  • 77:01 - 77:05
    and maybe realizing how brainwashed
    you are by multiculturalism?
  • 77:05 - 77:11
    >> I feel like I'm pretty
    well connected to reality.
  • 77:11 - 77:16
    >> Well, see I feel that I am too.
  • 77:16 - 77:17
    Just, you know?
  • 77:17 - 77:18
    >> But, but you're outvoted.
  • 77:19 - 77:19
    >> Huh?
  • 77:19 - 77:21
    >> But basically you're outvoted.
  • 77:24 - 77:26
    >> What? Here?
  • 77:26 - 77:28
    >> In civilized thought, yeah basically.
  • 77:45 - 77:49
    >> My journey through the world of Nazis
    had reached a frustrating conclusion
  • 77:49 - 77:52
    with an argument in a kitchen
    with a mother of two.
  • 77:52 - 77:54
    >> Well Louis, it was nice meeting you--
  • 77:54 - 77:57
    >> I seem to have made no impact on
    April during my time with her and I had
  • 77:57 - 78:02
    to keep reminding myself just how
    anomalous her beliefs actually are.
  • 78:02 - 78:04
    Somehow it wasn't much consolation when the ones
  • 78:04 - 78:08
    who would pay the consequences
    were her children, Lamb and Lynx.
  • 78:09 - 78:09
    See you later.
  • 78:10 - 78:10
    >> Bye.
  • 78:17 - 78:23
    >> Did I ever tell you the
    thing about Denzel Washington?
  • 78:24 - 78:24
    >> What about?
  • 78:25 - 78:26
    >> That Tom said?
  • 78:27 - 78:29
    >> What'd he say about him?
  • 78:29 - 78:33
    >> He said that he thinks he's better
    looking than Denzel Washington.
  • 78:33 - 78:34
    >> I think Tom is too.
  • 78:34 - 78:37
    As a matter of fact we're going
    to make a mug out of Tom's head.
  • 78:38 - 78:40
    I want to trademark his head.
  • 78:40 - 78:42
    That, you know, that beautiful head.
  • 78:42 - 78:46
    >> Like what you would drink out of here?
  • 78:48 - 78:48
    >> Yeah. [laughs]
  • 78:48 - 78:52
    >> [Inaudible] you wouldn't
    enjoy a drink out of that.
  • 78:53 - 78:54
    >> I sure would.
  • 78:54 - 78:55
    Oh yeah, man.
  • 78:55 - 78:56
    >> People like mugs.
  • 78:56 - 78:57
    >> Oh yeah they love mugs.
  • 78:57 - 79:00
    >> His head would make a good mug.
  • 79:00 - 79:00
    >> Oh yeah.
  • 79:02 - 79:03
    Oh Louis.
Title:
The Nazis - Louis Theroux BBC Nazi Documentary
Description:

Nazi documentary by BBC

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Video Language:
English
Duration:
01:19:08

English subtitles

Revisions