< Return to Video

트렌톤 도일 핸콕: "전자와 사다리 또는 상승과 킨친" | "Exclusive" | Art21

  • 0:07 - 0:12
    [트렌톤 도일 핸콕: "전자와 사다리 또는 상승과 킨친"]
  • 0:13 - 0:18
    이건 정말 작은 샘플인데요
  • 0:18 - 0:22
    제 스튜디오의 바닥과 같은 모양이에요.
  • 0:23 - 0:26
    몇 가지를 주워서 가져왔죠.
  • 0:26 - 0:29
    이걸 벽에 있는 작품과
  • 0:29 - 0:32
    관련지어 보여고요.
  • 0:33 - 0:36
    제 작업실에서는 지우개를 안 써요.
  • 0:38 - 0:41
    재료가 포개어지도록 하죠.
  • 0:41 - 0:44
    그래서 지나간 흔적을 볼 수 있게요.
  • 0:44 - 0:48
    지우개 대신 칼을 씁니다.
  • 0:48 - 0:53
    이전 재료가 보이도록 칼집을 내서 새롭게 탄생시키죠.
  • 0:53 - 0:55
    아니면 축소시키든지요.
  • 0:57 - 1:00
    모양이 그대로네요.
  • 1:00 - 1:01
    E라는 글자죠.
  • 1:01 - 1:05
    "전자와 사다라"라는 작품 속에 있었죠.
  • 1:06 - 1:09
    여기 바지 부분에요.
  • 1:09 - 1:14
  • 1:15 - 1:18
  • 1:18 - 1:19
  • 1:19 - 1:21
  • 1:21 - 1:25
  • 1:25 - 1:28
  • 1:31 - 1:36
  • 1:36 - 1:38
  • 1:41 - 1:45
  • 1:45 - 1:48
  • 1:48 - 1:50
  • 1:50 - 1:52
  • 1:52 - 1:54
  • 1:54 - 1:56
  • 1:56 - 1:59
  • 1:59 - 2:02
  • 2:02 - 2:04
  • 2:04 - 2:06
  • 2:06 - 2:09
  • 2:09 - 2:14
  • 2:14 - 2:17
  • 2:22 - 2:23
  • 2:23 - 2:28
  • 2:28 - 2:29
  • 2:41 - 2:43
  • 2:43 - 2:44
  • 2:45 - 2:48
  • 2:48 - 2:52
  • 2:52 - 2:56
  • 2:58 - 3:00
  • 3:00 - 3:03
  • 3:03 - 3:06
  • 3:06 - 3:08
  • 3:08 - 3:10
  • 3:10 - 3:13
  • 3:13 - 3:15
  • 3:18 - 3:21
  • 3:21 - 3:23
  • 3:23 - 3:25
  • 3:26 - 3:29
  • 3:29 - 3:34
  • 3:34 - 3:38
  • 3:40 - 3:44
  • 3:44 - 3:46
  • 3:48 - 3:51
  • 3:51 - 3:54
  • 3:54 - 3:56
  • 3:56 - 3:57
  • 3:57 - 3:57
  • 3:57 - 3:59
  • 3:59 - 4:00
  • 4:00 - 4:02
  • 4:02 - 4:04
  • 4:04 - 4:05
  • 4:05 - 4:07
  • 4:13 - 4:16
  • 4:16 - 4:18
  • 4:18 - 4:20
  • 4:20 - 4:23
  • 4:23 - 4:25
  • 4:25 - 4:27
  • 4:28 - 4:31
  • 4:31 - 4:32
  • 4:33 - 4:36
  • 4:36 - 4:38
  • 4:39 - 4:41
  • 4:42 - 4:44
  • 4:44 - 4:46
  • 4:46 - 4:48
  • 4:48 - 4:51
  • 4:52 - 4:54
  • 4:54 - 4:56
Title:
트렌톤 도일 핸콕: "전자와 사다리 또는 상승과 킨친" | "Exclusive" | Art21
Description:

Filmed in 2012 at James Cohan Gallery in New York City, artist Trenton Doyle Hancock discusses his large-scale collage "The Former and the Ladder or Ascension and a Cinchin'" (2012). Made from materials that Hancock accumulated over a fifteen-year period, including scraps from some of his earlier artworks, it provides a condensed overview of his artistic development to-date. The artist, who recently moved away from his longtime Mounds and Vegans narrative, describes the central figure as busting out of shackles and "trying to get free of something." "The Former and the Ladder or Ascension and a Cinchin'" is held in the Virginia Museum of Fine Arts collection.

Influenced by the history of painting, especially Abstract Expressionism, Hancock transforms traditionally formal decisions—such as the use of color, language, and pattern—into opportunities to convey narratives.

Learn more about the artist at:
http://www.art21.org/artists/trenton-doyle-hancock

CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Ian Forster. Camera: Ian Forster, Rafael Salazar Moreno & Ava Wiland. Sound: Stephanie Andreou & Ava Wiland. Editor: Morgan Riles. Artwork Courtesy: Trenton Doyle Hancock & James Cohan Gallery. Theme Music: Peter Foley.

"Exclusive" is supported, in part, by by the New York City Department of Cultural Affairs in partnership with the City Council; 21c Museum Hotel, and by individual contributors.

Trenton Doyle Hancock, "The Former and the Ladder or Ascension and a Cinchin'" (2012) at the Virginia Museum of Fine Arts
http://www.vmfa.museum/Collections/21st-Century_Art/Hancock_T_2013_3_Former_and_the_Ladder.aspx
more » « less
Video Language:
English
Team:
Art21
Project:
"Extended Play" series
Duration:
05:10

Korean subtitles

Revisions Compare revisions

Our website uses cookies for analysis purposes.