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Blue Is The Warmest Color - Full Movie HD

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    "Will I always digress?
    I think so."
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    Impossible not to.
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    Ideas take hold of me.
    I am a woman. I tell my story.
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    Consider my words.
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    "See how little I misuse
    the privileges this gives me."
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    Start over from "I am a woman."
    But first say it to yourself.
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    "I am a woman" is a truth.
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    Understand, Saïda?
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    Start from there.
    You tell your story.
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    It's a truth.
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    "I am a woman.
    And I tell my story."
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    Among the young men I attracted
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    was one I myself noticed.
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    My gaze fell upon him
    in particular.
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    I didn't realize
    the pleasure I procured.
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    I flirted with others,
    not with him.
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    "I wanted to watch him,
    not please him."
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    Thank you, Saïda. Maëlisse?
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    "It seems"
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    first love begins
    with this sincerity.
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    Perhaps its sweetness
    curtails the desire to please.
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    In turn, he observed me
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    differently from other young men.
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    More reservedly,
    yet more thoughtfully.
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    There was something more serious
    between him and me.
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    Others welcomed my charms.
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    I felt at times
    he was not indifferent to them,
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    but so confusedly,
    I could not say what I thought of him
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    "nor of myself."
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    "We left the church.
    I remember walking slowly."
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    I reduced my pace.
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    I was sorry
    to be leaving that place.
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    My heart was missing something,
    but it did not know what it was.
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    I say it did not know.
    Perhaps it did,
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    for as I left, I often turned around
    to see the young man I left behind
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    "without knowing
    I did so for him."
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    What does it mean
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    that her heart
    was missing something?
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    When you exchange glances,
    when you cross paths
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    and you both exchange glances
    spontaneously,
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    like with love at first sight,
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    is there something
    less or more in your heart?
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    Eli...
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    Regret?
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    Regret about not speaking
    to the person.
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    For you it's regret?
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    So regret is something less
    in your heart.
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    Regret about not filling
    the emptiness in your heart.
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    Thank you, Eli.
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    Let's stay on this passage
    and compare it
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    to The Princess of Clèves.
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    Particularly when she first meets
    the Duc de Nemours.
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    Furthermore, I want you to think
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    about the idea of predestination
    in their encounters, okay?
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    Which happens, for example,
    with love at first sight.
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    Honestly,
    if I can get laid, I will.
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    But I won't wait three months.
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    Four days is all it takes.
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    Who needs to wait
    three months to get laid?
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    He seems a little wishy-washy.
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    A little?
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    He just sat there for an hour!
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    Just a second.
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    Thomas keeps looking at you.
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    Behind me?
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    Look. He can't see.
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    He keeps staring.
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    Yeah, and it's not the first time.
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    He's totally into you.
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    - Never noticed?
    - Come on!
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    Give me a break.
    I've seen him do it.
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    It could be any of us.
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    He's sneaking a peak.
    You can look.
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    I don't believe you.
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    - I'm sure you can.
    - Can what?
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    What do you think? Play cards?
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    It's obvious
    you're both into each other.
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    He's cool.
    It's totally possible.
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    Seriously, he's hung up on you.
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    You think you like him?
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    Sure, physically.
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    Yeah, he's cute.
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    More than just "yeah."
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    He's cute,
    but he's not Brad Pitt.
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    Pretty close!
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    Honestly, he is.
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    Our choices at school suck.
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    Yeah, and then?
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    So he called and I told him off.
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    He's gone.
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    I swear, it is so in the bag!
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    Stop turning around, Amélie.
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    She is so heavy-handed.
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    I checked out his friend.
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    He's not bad either.
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    Hugo?
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    He is totally cute.
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    No more Vincent. It's Hugo now.
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    Vincent's with his sister.
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    He's so hot.
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    Can I have some more?
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    It's so good.
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    Some more?
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    Thank you.
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    What's up? Can I sit here?
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    If you want to.
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    This weather sucks.
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    It's crazy.
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    What's the book?
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    Marivaux's Life of Marianne.
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    We have to do
    a presentation on it.
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    - Interesting?
    - It's amazing.
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    - You're a junior?
    - Yeah, and you?
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    Senior. In science.
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    Like it?
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    It's not that I like it.
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    I'm just good in math.
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    And after high school?
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    I'd like to work in music.
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    Start a record label.
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    Discover artists,
    start a production company.
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    And do you...
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    - You play, or just want to produce?
    - I play too.
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    What?
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    I play percussion...
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    guitar, piano.
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    I'm not a pro, but...
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    Where did you learn?
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    On my own. With videos.
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    By listening.
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    You play anything?
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    I'd like to, but I'd have
    to start with music class.
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    It's not for me.
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    It's awful.
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    My mom made me go. I hated it.
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    Turned me off for 10 years.
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    What do you listen to?
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    Everything.
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    I can get into reggae, gypsy music,
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    classical, dubstep.
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    Everything.
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    Only thing I really can't stand
    is hard rock.
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    People with long hair
    who scream.
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    No words, no melody...
    not my thing.
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    It's annoying.
    But everything else.
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    Oh, fuck.
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    Why?
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    Because...
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    my big thing is hard rock.
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    I mean it. It's no joke.
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    I'm into the hard stuff.
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    Hard rock, hard metal.
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    You said it's lots of screaming.
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    You may not like my stuff.
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    I associate it with guys
    with long hair who scream.
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    So I pass.
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    Maybe your stuff is different.
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    I'm sorry.
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    - I was kidding.
    - You don't play it?
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    I was trying to fix things.
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    I couldn't.
    I kept blabbering on.
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    You really think
    they all have long hair?
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    Almost.
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    I don't play it, but it's not true.
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    But you don't play it?
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    I'll play you my stuff.
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    Yeah, cool. I'd like that.
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    That way we have
    to get together again.
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    Sorry.
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    You okay?
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    Fine, and you?
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    - Sorry, I got held up.
    - No problem.
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    The train was late.
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    Been waiting long?
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    What now?
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    You want to eat something?
    A waffle, a crepe.
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    We can sit outside.
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    But a gyro instead.
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    You got me slaving away
    this weekend.
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    Why?
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    Life of Marianne.
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    - You read it?
    - I tried. I started.
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    And?
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    It's pretty tough. Slow-going.
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    You mean you don't like it?
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    Thick books like that...
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    they put me off.
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    I put down some short books
    after two pages.
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    But how can anyone not like it?
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    I didn't say that.
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    It's all that...
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    that vocabulary,
    the long sentences, the old stuff.
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    There's lots of description.
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    He explores sentiments
    but gets under her skin.
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    Who knows?
    Maybe you'll make me like it.
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    I'll try to read it all.
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    Ever read a book you liked?
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    Have you read a book you liked?
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    I never read a book!
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    You never finished
    a book you liked?
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    Never?
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    There was one book I got into.
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    But I didn't read it alone.
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    What was it?
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    Dangerous Liaisons.
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    Choderlos de Laclos.
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    You learned that by heart.
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    Alone, I'd have missed out.
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    Maybe you'd have found
    your own reasons for liking it.
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    He explained each chapter,
    each letter, analyzed stuff.
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    It's a bunch of letters.
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    You don't find it a pain,
    a teacher explaining it all?
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    It made it come to life.
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    I got into the double-dealing.
    At one point he writes
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    to the "Marquise de Merqueuil."
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    He says he loves her,
    but he's writing on a whore's back.
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    When you read every other line,
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    it's another letter,
    but she doesn't know.
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    I'd never have gotten that.
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    That stuff goes over my head.
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    But in the end I got really into it.
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    I'm the opposite.
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    - You read a lot?
    - I love to.
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    When a teacher makes me
    overanalyze a book
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    or a text,
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    tying everything
    into the author's life,
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    it closes off my imagination.
    I don't like it.
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    But why Marianne in particular?
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    I was going to ask.
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    Why that one?
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    Finish and you'll see why.
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    I'll read it.
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    I swear I'll read
    Life of Marianne.
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    Careful what you say.
    It's 600 pages.
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    I'll read it.
    I don't give a fuck.
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    You look like crap.
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    You didn't sleep?
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    You fucked. I smell it on you.
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    How did it go with Thomas?
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    Sleep with him?
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    That's not an answer.
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    I'm pregnant.
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    I'm pregnant.
    We're tying the knot.
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    Sleep at his place?
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    - Details.
    - There are none.
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    What did you two do?
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    Spent the afternoon together.
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    No afternoon fucks?
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    So you deny it.
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    What are you, a sex cop?
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    I want details.
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    It's obvious you fucked.
    Why not say so?
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    I didn't or I'd say so.
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    You didn't sleep.
    What did you do?
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    Go on, say it.
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    Come on.
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    Because it sucked?
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    I'd tell you, whatever happened.
    I promise.
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    I don't buy it.
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    With her face, the smell on her...
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    I'm going in. And you?
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    We're coming.
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    I smell it from here.
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    You are so gross.
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    Since when is fucking a crime?
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    He's following her.
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    Straight to the bathroom!
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    Adèle?
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    Got a sec?
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    I feel like you're avoiding me.
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    I don't know, maybe...
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    you misunderstood,
    or I went about it too fast.
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    In fact I like you a lot.
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    Nothing to say?
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    It wasn't good?
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    Yes.
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    It was great.
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    Say something.
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    I feel like I'm faking.
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    Faking everything.
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    If he's getting you
    so worked up...
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    No, it's me.
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    He's not the problem.
    I'm missing something.
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    I'm all messed up. I'm crazy.
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    There's a reason.
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    You're not sad out of the blue.
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    There have to be reasons.
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    Come on,
    stop torturing yourself.
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    I look like crap.
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    Come on, you're gorgeous.
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    - Stop.
    - I mean it.
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    - Think I don't see myself?
    - How can you?
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    My nose is running,
    my hair's all oily.
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    My face is a mess.
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    Adds to your charm.
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    Thank God I have you.
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    You'll make him dump you.
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    Bastard.
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    I won't have to tell him.
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    If he sees me like this,
    he'll say, "Beat it."
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    I'll answer, "Okay. You sure?"
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    It's over.
  • 26:49 - 26:51
    All settled.
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    I'm sorry. I swear I am.
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    Students, take to the streets!
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    No to privatization!
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    No to job cuts!
  • 29:04 - 29:06
    No to austerity measures!
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    More money for education!
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    From the city projects
    to the faraway countryside
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    We're society's rejects,
    always on the outside
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    We cannot find our place
    We do not have the right face
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    Born without a silver spoon
    inside a gilded cocoon
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    Got no home, got no job
    Got no papers, we're the mob
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    They don't want us to unite
    They've done it, all right
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    Their world is dog eat dog
    In their machine we're a cog
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    Let's fix a new goal
    Let's make their heads roll
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    We won't give up!
    We won't give up!
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    They look quadriplegic!
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    "Little" is a word
    that comes back over and over
  • 31:08 - 31:09
    in the play.
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    It's a word that stigmatizes
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    childhood,
    and powerlessness too.
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    Childhood is a time...
    no longer for you...
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    when we're helpless.
    Not big enough,
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    not mature enough,
    not strong enough.
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    Antigone is still a child.
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    She's still little.
    "Too little," as she says.
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    But she refuses to be little anymore.
    Not that day.
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    It's the day she will say no.
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    The day she says no,
    the day she dies.
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    What we have here
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    is a perfect example of tragedy.
  • 31:43 - 31:46
    Tragedy is the unavoidable.
  • 31:46 - 31:48
    It's what we cannot escape,
  • 31:48 - 31:49
    no matter what.
  • 31:49 - 31:51
    It concerns eternity.
  • 31:51 - 31:53
    It concerns what is timeless.
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    It concerns the mechanism,
    the essence,
  • 31:56 - 31:57
    of humankind.
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    - You okay?
    - And you?
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    I was bored stiff in French.
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    Got a light?
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    You okay? Not too cold?
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    We're fine.
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    Alice is cute.
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    She has a nice little ass.
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    Checking out her ass?
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    I just noticed it
    when she walked by.
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    The kind of girl I like.
    Something cool about her.
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    Don't be jealous.
    You're cute too.
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    I'm not jealous.
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    You sure?
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    You know it anyway.
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    Know what?
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    That you're really cute.
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    You're one of the prettiest girls
    in our grade.
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    It's true.
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    Surprised to hear me say it?
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    I like that mysterious side of yours.
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    I bet the guys love it.
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    Not really.
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    Anyway, I find you cute.
  • 33:50 - 33:51
    Thanks.
  • 33:52 - 33:54
    Even cuter than Alice.
  • 34:00 - 34:01
    Are you blushing?
  • 34:02 - 34:03
    Not at all.
  • 34:09 - 34:10
    You are too!
  • 34:15 - 34:15
    Let me see.
  • 34:16 - 34:17
    Am I?
  • 34:34 - 34:36
    It's freezing.
  • 34:41 - 34:44
    - I'm dying to skip English.
    - Me too.
  • 34:52 - 34:53
    See you later?
  • 34:53 - 34:54
    Bye.
  • 35:23 - 35:24
    The drumstick?
  • 35:24 - 35:26
    I don't care.
  • 35:29 - 35:31
    Give me your plate.
  • 35:35 - 35:37
    I'll give you potatoes after.
  • 35:38 - 35:39
    What's wrong with it?
  • 35:39 - 35:42
    No idea. It cooked long enough.
  • 35:42 - 35:44
    It's hard to take apart.
  • 35:45 - 35:47
    - Want some?
    - Yes, please.
  • 35:59 - 36:00
    Give me your plate.
  • 36:01 - 36:03
    You seem out of it, Adèle.
  • 36:03 - 36:04
    Enjoy.
  • 36:05 - 36:06
    Want some?
  • 36:06 - 36:07
    Yes, please.
  • 36:17 - 36:18
    What?
  • 36:18 - 36:21
    You look like you had a great day.
  • 36:23 - 36:24
    I guess so.
  • 36:24 - 36:25
    It shows.
  • 36:32 - 36:34
    Not hungry?
  • 36:34 - 36:35
    I'd like some salad.
  • 37:09 - 37:10
    How are you?
  • 37:13 - 37:14
    And you?
  • 37:40 - 37:41
    Sorry, I didn't think...
  • 37:45 - 37:47
    that you'd get so hooked.
  • 37:50 - 37:53
    What happened
    yesterday was just...
  • 37:55 - 37:58
    It happened
    on the spur of the moment.
  • 38:04 - 38:07
    I didn't think
    you'd make much of it.
  • 38:11 - 38:12
    Understand?
  • 38:14 - 38:18
    Nothing will change between us.
    I won't tell anyone.
  • 38:23 - 38:24
    I'm sorry.
  • 38:31 - 38:32
    See you later.
  • 39:23 - 39:25
    Come here.
  • 39:40 - 39:41
    Can't she hear me?
  • 39:44 - 39:46
    Why did you ignore me?
  • 39:47 - 39:48
    What is it?
  • 39:49 - 39:50
    Nothing.
  • 39:51 - 39:53
    - Tell me what it is.
    - Nothing.
  • 39:53 - 39:55
    - Talk to me.
    - Let's go out.
  • 40:13 - 40:15
    What's up?
  • 40:16 - 40:18
    Adèle, my friends.
  • 40:21 - 40:22
    How are you?
  • 40:26 - 40:27
    Nice to see you.
  • 40:27 - 40:28
    You okay?
  • 40:35 - 40:38
    Come on and dance a little.
  • 40:38 - 40:39
    Want to dance?
  • 40:39 - 40:41
    I'll finish my drink first.
  • 40:41 - 40:43
    Let's all dance.
  • 40:43 - 40:45
    I'll watch you, then I'll come.
  • 40:45 - 40:46
    Promise?
  • 41:35 - 41:38
    Love has no gender.
    Take whoever loves you.
  • 41:39 - 41:41
    Whatever makes you happy.
    Who cares?
  • 41:41 - 41:44
    True love.
  • 41:44 - 41:47
    Even if we have to die tomorrow,
    who cares?
  • 43:37 - 43:40
    How are you?
    Looking for someone?
  • 43:41 - 43:42
    I'm meeting a friend.
  • 43:42 - 43:43
    Too bad.
  • 43:44 - 43:45
    Enjoy your evening.
  • 45:52 - 45:53
    First time here?
  • 45:55 - 45:56
    You seem lost.
  • 45:57 - 45:59
    I'd buy you a drink,
    but you've got one.
  • 46:01 - 46:02
    Are you okay?
  • 46:03 - 46:04
    Yeah.
  • 46:06 - 46:08
    Talking to my cousin?
  • 46:08 - 46:09
    Your cousin?
  • 46:14 - 46:15
    Can I go?
  • 46:15 - 46:16
    Be my guest.
  • 46:17 - 46:18
    Be good.
  • 46:21 - 46:23
    Sophie, strawberry milk, please.
  • 46:25 - 46:27
    Why are you here all alone?
  • 46:29 - 46:31
    I don't know.
  • 46:32 - 46:34
    I came in here by chance.
  • 46:37 - 46:38
    By chance.
  • 46:40 - 46:43
    You're drinking a Bulldog.
  • 46:43 - 46:45
    Bull dyke beer.
  • 46:47 - 46:48
    I had no idea.
  • 46:48 - 46:49
    Sure is.
  • 46:54 - 46:55
    Taste this.
  • 47:01 - 47:02
    So?
  • 47:03 - 47:04
    You like it?
  • 47:05 - 47:06
    Honestly?
  • 47:07 - 47:09
    You won't be upset?
  • 47:09 - 47:10
    No, go ahead.
  • 47:11 - 47:12
    It's gross.
  • 47:19 - 47:20
    I love it.
  • 47:23 - 47:25
    Your type is rare here.
  • 47:27 - 47:28
    What's my type?
  • 47:29 - 47:31
    Your type...
  • 47:31 - 47:33
    I don't know, underage...
  • 47:33 - 47:35
    hanging out in bars at night.
  • 47:45 - 47:47
    How do you know I'm underage?
  • 47:48 - 47:49
    I can just tell.
  • 47:49 - 47:50
    Or else...
  • 47:52 - 47:54
    a straight girl who's a little
  • 47:55 - 47:56
    curious.
  • 47:58 - 48:01
    Like I said,
    I came in here by chance.
  • 48:03 - 48:04
    No such thing as chance.
  • 48:07 - 48:08
    Think so?
  • 48:14 - 48:15
    What's your name?
  • 48:16 - 48:17
    Adèle.
  • 48:18 - 48:20
    Pretty name, Adèle.
  • 48:21 - 48:25
    Adèle means something in Arabic.
    I think it means
  • 48:25 - 48:26
    sun.
  • 48:27 - 48:28
    Hope.
  • 48:28 - 48:29
    Love.
  • 48:30 - 48:32
    It means justice.
  • 48:32 - 48:33
    I was close.
  • 48:33 - 48:34
    Sun...
  • 48:40 - 48:42
    What's your name?
  • 48:43 - 48:44
    My name's Emma.
  • 48:46 - 48:47
    What do you do?
  • 48:48 - 48:50
    What do you think?
  • 48:51 - 48:52
    Hairdresser?
  • 48:59 - 49:00
    Fourth year of Fine Arts.
  • 49:01 - 49:02
    Fine Arts?
  • 49:03 - 49:04
    You like it?
  • 49:05 - 49:06
    Yeah, I do.
  • 49:08 - 49:10
    Why is it called Fine Arts?
  • 49:10 - 49:12
    Are there arts that are ugly?
  • 49:14 - 49:16
    No ugly arts. I mean...
  • 49:18 - 49:19
    some can be ugly.
  • 49:20 - 49:22
    But it's subjective.
  • 49:22 - 49:26
    Because there are also
    Decorative Arts, Applied Arts.
  • 49:26 - 49:28
    There's no Ugly Arts school.
  • 49:29 - 49:29
    Why not?
  • 49:31 - 49:33
    That's a good point.
  • 49:33 - 49:36
    At the time of the Impressionists,
  • 49:36 - 49:38
    everyone who was rejected
  • 49:38 - 49:41
    from the Salon
    for beautiful paintings
  • 49:41 - 49:43
    and everyone who was considered...
  • 49:44 - 49:47
    "ugly" went to the Salon of the...
  • 49:47 - 49:48
    Ugly.
  • 49:48 - 49:51
    Sort of the Salon of the Ugly.
    The best artists.
  • 49:52 - 49:53
    You like painting?
  • 49:54 - 49:56
    I don't know much, but I like it.
  • 49:56 - 49:57
    What do you know?
  • 49:58 - 49:59
    Picasso.
  • 50:01 - 50:02
    And...
  • 50:02 - 50:03
    Picasso.
  • 50:04 - 50:05
    So you already know...
  • 50:06 - 50:07
    Picasso.
  • 50:11 - 50:13
    What do you do, Adèle?
  • 50:15 - 50:16
    I'm in school.
  • 50:16 - 50:18
    Oh yeah? What are you studying?
  • 50:19 - 50:22
    Literature.
    I haven't graduated yet.
  • 50:25 - 50:28
    I'm in high school.
    I'm doing French lit.
  • 50:29 - 50:30
    Okay, I see.
  • 50:31 - 50:33
    What's your favorite subject?
  • 50:34 - 50:35
    Depends on the teacher.
  • 50:36 - 50:38
    If the teacher inspires me,
  • 50:38 - 50:41
    I like it all.
    I find it interesting.
  • 50:41 - 50:44
    It's a problem,
    because my grades can vary.
  • 50:44 - 50:48
    They can drop
    from 15 to 4 in a year.
  • 50:48 - 50:49
    From 15 to 4?
  • 50:53 - 50:55
    With you it's all or nothing.
  • 50:58 - 50:59
    But...
  • 50:59 - 51:02
    they don't vary in French,
    because I love to read.
  • 51:04 - 51:05
    And languages too.
  • 51:06 - 51:07
    Because...
  • 51:07 - 51:10
    - In fact I love English.
    - I'm lousy at English.
  • 51:11 - 51:12
    Really?
  • 51:13 - 51:15
    It's something I'd really like to...
  • 51:16 - 51:18
    I should take English classes.
  • 51:18 - 51:21
    My accent is shit.
    It's horrible.
  • 51:22 - 51:24
    - I'm really good.
    - Really?
  • 51:25 - 51:26
    Lucky you.
  • 51:29 - 51:32
    And since I love American movies,
  • 51:33 - 51:36
    now I can watch movies
    without subtitles. It helps me.
  • 51:37 - 51:38
    What was that?
  • 51:45 - 51:46
    I can't remember.
  • 51:46 - 51:47
    Say it.
  • 51:48 - 51:49
    I love American movies.
  • 51:50 - 51:51
    Like what?
  • 51:52 - 51:55
    I love it all. Scorsese, Kubrick...
  • 51:55 - 51:56
    Hey, honey.
  • 51:57 - 51:59
    What're you up to?
  • 51:59 - 52:01
    Not saying hi to my cousin?
  • 52:02 - 52:03
    Cut it out.
  • 52:03 - 52:06
    How old is your cousin?
  • 52:08 - 52:09
    Allowed to be here?
  • 52:10 - 52:12
    Girls, show some respect.
  • 52:15 - 52:18
    We're going clubbing in Belgium.
    Want to come?
  • 52:18 - 52:20
    - Good for you.
    - What? You coming?
  • 52:21 - 52:23
    Come along with us, honey.
  • 52:23 - 52:26
    You can bring your cousin.
  • 52:26 - 52:27
    Hey, cousin...
  • 52:30 - 52:31
    She's cute!
  • 52:34 - 52:35
    We'll be waiting.
  • 52:39 - 52:41
    Five minutes!
  • 52:45 - 52:46
    What high school?
  • 52:46 - 52:47
    Pasteur.
  • 52:50 - 52:51
    Damn it, Emma!
  • 52:51 - 52:53
    I can't talk for five minutes!
  • 53:22 - 53:24
    What do I owe you?
  • 53:24 - 53:25
    It's paid for.
  • 54:25 - 54:26
    How did you do?
  • 54:26 - 54:30
    I flunked it big-time.
    And I studied during break.
  • 54:30 - 54:31
    You cheated.
  • 54:32 - 54:35
    You were caught red-handed,
    like an asshole.
  • 54:51 - 54:53
    - How are you?
    - And you?
  • 54:54 - 54:57
    I was nearby.
    I thought we'd have a drink.
  • 55:01 - 55:03
    Adèle, you know her?
  • 55:17 - 55:19
    See that tomboy?
  • 55:21 - 55:22
    Where are they going?
  • 56:01 - 56:02
    Can I move?
  • 56:03 - 56:04
    - Sure you can.
    - Really?
  • 56:06 - 56:07
    No, stay like that.
  • 56:10 - 56:12
    - Seriously?
    - Yeah, you can move.
  • 56:17 - 56:18
    Thanks.
  • 56:19 - 56:20
    Thanks for what?
  • 56:21 - 56:22
    Just thanks.
  • 56:24 - 56:25
    Embarrassed?
  • 56:26 - 56:27
    A little.
  • 56:27 - 56:29
    Really?
  • 56:29 - 56:30
    Yeah.
  • 56:30 - 56:32
    It doesn't make you happy?
  • 56:33 - 56:35
    It does.
  • 56:36 - 56:37
    Doesn't show.
  • 56:37 - 56:40
    I don't get sketched every day.
  • 56:52 - 56:54
    You often draw people you meet?
  • 56:55 - 56:56
    No, not often.
  • 56:57 - 56:59
    I just felt like it.
  • 57:03 - 57:07
    - My hair isn't a mess?
    - It's pretty. Don't touch.
  • 57:09 - 57:10
    I rarely do portraits.
  • 57:11 - 57:12
    I pick a detail.
  • 57:13 - 57:15
    And I use it again after.
  • 57:16 - 57:17
    Differently.
  • 57:17 - 57:18
    It can be...
  • 57:19 - 57:21
    a skin fold by the lips
  • 57:22 - 57:23
    or an emotion in the eyes.
  • 57:25 - 57:28
    "The mysterious weakness
    of man's face."
  • 57:28 - 57:30
    - Know that?
    - I don't think so.
  • 57:31 - 57:32
    Sartre.
  • 57:33 - 57:35
    - Know him?
    - Yeah, but I never heard that.
  • 57:37 - 57:40
    I tried his essays,
    but I didn't understand.
  • 57:40 - 57:43
    I prefer his plays.
    You know Dirty Hands?
  • 57:44 - 57:45
    - Like it?
    - Love it.
  • 57:46 - 57:47
    Me too.
  • 57:48 - 57:50
    Try Existentialism is a Humanism.
  • 57:50 - 57:52
    Good introduction.
  • 57:52 - 57:54
    And not too hard.
  • 57:55 - 57:57
    The idea behind Sartre is that
  • 57:58 - 57:59
    existence precedes essence.
  • 57:59 - 58:01
    We're born, we exist...
  • 58:02 - 58:04
    and then define ourselves
    by our actions.
  • 58:04 - 58:07
    It gives us a great responsibility.
  • 58:07 - 58:09
    I think I read it. I'm sure.
  • 58:11 - 58:12
    But I didn't understand.
  • 58:14 - 58:16
    Maybe I'm bad
    at philosophy, but for me,
  • 58:16 - 58:20
    existence, essence
    is like the chicken and the egg.
  • 58:20 - 58:23
    I don't think we can
    ever know what came first.
  • 58:25 - 58:26
    You're funny.
  • 58:27 - 58:30
    None of that stuff matters much.
  • 58:31 - 58:33
    He started an intellectual revolution
  • 58:34 - 58:37
    that set an entire generation free.
  • 58:37 - 58:39
    He said we can choose our lives
  • 58:39 - 58:42
    without any higher principle.
  • 58:42 - 58:45
    I was big on Sartre in high school.
  • 58:45 - 58:47
    - Really?
    - It did me good.
  • 58:48 - 58:51
    Especially in affirming
  • 58:51 - 58:53
    my freedom and my own values.
  • 58:54 - 58:57
    And the rigorousness
    of his commitments.
  • 58:59 - 59:00
    I agree with it.
  • 59:00 - 59:02
    Sort of like Bob Marley.
  • 59:04 - 59:05
    Almost.
  • 59:05 - 59:07
    I'm not so sure of that.
  • 59:07 - 59:11
    I'm almost sure of that.
    Their ideas are similar.
  • 59:11 - 59:13
    You know "Get Up, Stand Up"?
  • 59:13 - 59:14
    Yeah, I know it.
  • 59:15 - 59:16
    He's committed.
  • 59:17 - 59:18
    It's true.
  • 59:18 - 59:19
    Same as Sartre.
  • 59:19 - 59:22
    Philosopher, prophet...
    same thing.
  • 59:23 - 59:26
    You can help me with philosophy,
    because you seem...
  • 59:27 - 59:29
    Whenever you want.
  • 59:38 - 59:39
    I have to go.
  • 59:40 - 59:43
    I was supposed to meet Sabine
    15 minutes ago.
  • 59:43 - 59:44
    Want to see?
  • 59:45 - 59:47
    You don't have to like it.
  • 59:50 - 59:52
    Yeah, I like it.
  • 59:53 - 59:56
    It's strange,
    because it's me and it isn't.
  • 59:58 - 60:02
    It's a sketch.
    It needs some work.
  • 60:07 - 60:08
    I'll give it to you.
  • 60:11 - 60:13
    Been with Sabine long?
  • 60:13 - 60:15
    It's been...
  • 60:15 - 60:16
    about two years.
  • 60:18 - 60:19
    Why?
  • 60:23 - 60:24
    I have to go.
  • 60:24 - 60:26
    What's your schedule like?
  • 60:26 - 60:28
    I'm studying for exams.
  • 60:30 - 60:32
    But maybe I can squeeze you in.
  • 60:34 - 60:35
    Yeah, I'll have time.
  • 60:37 - 60:38
    Here's my number.
  • 60:44 - 60:45
    Promise you'll call?
  • 60:45 - 60:46
    I swear.
  • 61:15 - 61:16
    See you soon.
  • 61:16 - 61:17
    Deal.
  • 61:44 - 61:47
    Here she is. Speak of the devil.
  • 61:47 - 61:48
    A friend of yours.
  • 61:48 - 61:50
    Someone named Emma.
  • 61:51 - 61:52
    You're welcome. Good-bye.
  • 61:55 - 61:57
    Just checking
    you gave me the right number.
  • 61:58 - 61:59
    Think I'm avoiding you?
  • 61:59 - 62:01
    I don't know.
  • 62:01 - 62:03
    Since I'm the weird
    and imposing type.
  • 62:04 - 62:06
    You think you're a certain type?
  • 62:07 - 62:08
    Maybe.
  • 62:08 - 62:11
    The type who's over 18
    and hangs out in gay bars.
  • 62:11 - 62:14
    I think we're pretty different.
  • 62:14 - 62:15
    I'm not so sure.
  • 62:16 - 62:18
    You can't tell from one meeting.
  • 62:32 - 62:33
    How are you?
  • 62:34 - 62:34
    And you?
  • 62:45 - 62:46
    Got a light?
  • 62:46 - 62:48
    Who was that girl who came?
  • 62:48 - 62:49
    With blue hair.
  • 62:49 - 62:51
    A little bit dykey.
  • 62:52 - 62:53
    - Whatever.
    - Totally.
  • 62:53 - 62:55
    Blue hair doesn't mean dyke.
  • 62:55 - 62:58
    It's obvious she eats pussy.
  • 62:58 - 62:59
    Where did you meet?
  • 63:00 - 63:02
    I met her in a café.
  • 63:02 - 63:03
    In a café?
  • 63:03 - 63:06
    Not in a gay bar,
    by chance, with Valentin?
  • 63:07 - 63:10
    He said you went out with him.
  • 63:12 - 63:13
    Why hang out there?
  • 63:14 - 63:15
    But I don't.
  • 63:15 - 63:17
    You didn't go with him?
  • 63:18 - 63:20
    He told us all.
  • 63:20 - 63:22
    I don't know why he said that.
  • 63:22 - 63:23
    Valentin!
  • 63:25 - 63:28
    You go to a gay bar with Adèle
    the other night?
  • 63:28 - 63:31
    - Yeah, so what?
    - Just asking.
  • 63:33 - 63:35
    You lied. It's not good.
  • 63:35 - 63:38
    I didn't lie. It's just that...
  • 63:39 - 63:43
    we were out walking,
    and we had a drink, that's all.
  • 63:43 - 63:46
    - That was all.
    - Just a drink in a gay bar.
  • 63:46 - 63:49
    - Okay, no problem.
    - End of story.
  • 63:50 - 63:51
    We're just asking.
  • 63:52 - 63:54
    Why did she come meet you here?
  • 63:54 - 63:56
    Because we're friends.
  • 63:57 - 63:58
    Why don't we know her
  • 63:59 - 64:00
    if you're friends?
  • 64:02 - 64:04
    I only just met her.
  • 64:04 - 64:06
    You already eat her pussy?
  • 64:06 - 64:08
    - What bullshit.
    - You're fast.
  • 64:09 - 64:10
    You were this close!
  • 64:10 - 64:12
    We were just talking.
  • 64:13 - 64:15
    Talk to friends like this?
  • 64:15 - 64:17
    You talk to me like this?
  • 64:19 - 64:21
    You blew me off and ran after her.
  • 64:22 - 64:24
    Is she the new woman in your life?
  • 64:26 - 64:28
    Fess up and tell us.
  • 64:28 - 64:30
    Nothing to fess up to.
  • 64:30 - 64:34
    She's a friend.
    We were talking, so we were close.
  • 64:34 - 64:36
    What you're saying sounds phony.
  • 64:36 - 64:39
    I don't know.
    It sounds phony because...
  • 64:39 - 64:41
    you're all grilling me.
  • 64:41 - 64:43
    Admit you eat pussy.
  • 64:43 - 64:46
    I don't care if you're a lesbo.
    It's your life.
  • 64:46 - 64:49
    But you've slept naked
    a few times in my bed.
  • 64:50 - 64:51
    That's harder.
  • 64:51 - 64:53
    - I'm a friend.
    - I know.
  • 64:53 - 64:55
    I prefer to be clear.
  • 64:55 - 64:56
    So admit it.
  • 64:56 - 64:58
    I won't admit to what I'm not.
  • 64:58 - 65:00
    Give us a break, Adèle.
  • 65:02 - 65:05
    Some lesbo comes
    and picks you up at school...
  • 65:05 - 65:07
    She's not a lesbo.
  • 65:07 - 65:10
    Don't deny it.
    You can see it from a mile away.
  • 65:11 - 65:12
    You're a lesbo?
  • 65:13 - 65:14
    Fess up.
  • 65:15 - 65:17
    I don't care,
    but keep me out of it.
  • 65:17 - 65:19
    You'll never eat my pussy.
  • 65:19 - 65:22
    I'd never touch you.
    I'm no lesbian!
  • 65:22 - 65:23
    Chill out.
  • 65:23 - 65:24
    Don't tell me to chill.
  • 65:25 - 65:27
    She's talking crap.
    I'm fighting back.
  • 65:27 - 65:28
    You're freaking out!
  • 65:29 - 65:33
    You're talking crap in front of everyone.
    I'm not a lesbian!
  • 65:33 - 65:34
    Relax.
  • 65:35 - 65:36
    - You relax.
    - We're talking.
  • 65:36 - 65:37
    Just fess up.
  • 65:38 - 65:40
    She jumped down my throat!
  • 65:40 - 65:41
    Relax. How old are you?
  • 65:42 - 65:45
    How old are you?
    I'm not a lesbian. Are you stupid?
  • 65:45 - 65:47
    You see what's going on?
  • 65:48 - 65:49
    She's a whore.
  • 65:49 - 65:52
    She sleeps naked in my bed,
    checks out my ass.
  • 65:53 - 65:54
    Cut the shit!
  • 65:55 - 65:56
    Whores like you are into ass.
  • 65:57 - 65:59
    Does your bitch
    have a blue pussy?
  • 66:05 - 66:06
    Fucking cunt!
  • 66:12 - 66:13
    Fucking lesbo!
  • 66:15 - 66:16
    Go eat pussy!
  • 66:16 - 66:18
    What the hell?
  • 66:18 - 66:23
    Why tell everyone we went to a gay bar?
    Why the fuck did you do it?
  • 66:23 - 66:26
    It's not the end of the world.
  • 66:26 - 66:29
    It is! They all think
    I'm a lesbian, that I eat pussy.
  • 66:29 - 66:31
    She thinks I check out her ass.
  • 66:31 - 66:33
    You said we'd ask calmly.
  • 66:35 - 66:37
    Don't look. Listen to me.
  • 66:42 - 66:45
    You're not talking.
    You attacked her.
  • 66:45 - 66:47
    She attacked us.
  • 66:47 - 66:50
    She attacked physically.
    But you did verbally.
  • 66:50 - 66:52
    - We asked nicely.
    - You did not.
  • 66:52 - 66:56
    If I were a closeted fag,
    I'd have done the same.
  • 66:57 - 66:58
    Come on, let's fight.
  • 67:00 - 67:02
    You'll never touch my pussy!
  • 67:02 - 67:03
    Dirty dyke!
  • 67:03 - 67:05
    Shut your face!
  • 67:07 - 67:11
    He mentions "a pathological scruple."
    What is that?
  • 67:12 - 67:15
    Does that mean gravity, for you?
  • 67:15 - 67:16
    Louis?
  • 67:16 - 67:18
    In stanza two, he says...
  • 67:18 - 67:21
    "The only vice of water
    is gravity."
  • 67:22 - 67:26
    He associates natural law,
    the universal law of gravity,
  • 67:26 - 67:28
    with a vice, as if...
  • 67:29 - 67:32
    everything natural is perverted,
    and vice versa.
  • 67:36 - 67:38
    It's sort of the opposite of...
  • 67:39 - 67:40
    Catholic conservatism,
  • 67:40 - 67:44
    which would say
    that vice is not natural,
  • 67:44 - 67:46
    and you have to...
  • 67:48 - 67:49
    repress it, reject it.
  • 67:50 - 67:51
    He says that
  • 67:51 - 67:55
    gravity itself is a vice.
    It can't be avoided.
  • 67:55 - 67:58
    It's totally intrinsic to water.
  • 67:58 - 68:00
    Adèle, what do you think?
  • 68:01 - 68:02
    About what Louis said.
  • 68:06 - 68:07
    I agree.
  • 68:10 - 68:12
    Are you following any of this?
  • 68:12 - 68:13
    No.
  • 68:18 - 68:22
    We're talking about
    a vice intrinsic to water. Gravity.
  • 68:24 - 68:26
    Start reading from "This vice..."
  • 68:30 - 68:32
    Page 62.
  • 70:07 - 70:08
    Throwing away the skin?
  • 70:08 - 70:10
    Yeah, why?
  • 70:11 - 70:12
    You don't eat it?
  • 70:12 - 70:13
    I don't like it.
  • 70:14 - 70:16
    I love it. I eat all the skins.
  • 70:18 - 70:20
    Rinds too.
  • 70:20 - 70:22
    As a kid I even ate my scabs.
  • 70:23 - 70:24
    I loved them.
  • 70:27 - 70:28
    You're funny.
  • 70:28 - 70:30
    So you're really into eating.
  • 70:31 - 70:32
    You can't imagine.
  • 70:32 - 70:33
    I can see.
  • 70:34 - 70:36
    I eat everything.
  • 70:36 - 70:38
    I could eat nonstop all day.
  • 70:39 - 70:41
    It's scary. Even when I'm full.
  • 70:41 - 70:43
    Everything but shellfish.
  • 70:43 - 70:45
    - Really?
    - That's all.
  • 70:46 - 70:47
    That's what I like most.
  • 70:47 - 70:49
    It's beyond me.
  • 70:51 - 70:52
    I love oysters.
  • 70:52 - 70:53
    Really?
  • 70:54 - 70:56
    The texture alone grosses me out.
  • 70:57 - 70:59
    That's the best part.
  • 71:00 - 71:02
    They're like little snot balls.
  • 71:02 - 71:04
    Big snot balls.
  • 71:04 - 71:06
    They remind me of something else.
  • 71:07 - 71:08
    I don't want to know.
  • 71:19 - 71:20
    Something to say?
  • 71:21 - 71:22
    I don't know.
  • 71:22 - 71:23
    What?
  • 71:27 - 71:28
    I wanted to know
  • 71:29 - 71:30
    when was the first time
  • 71:32 - 71:33
    that you tasted...
  • 71:34 - 71:36
    Tasted a sausage?
  • 71:36 - 71:38
    Tasted a girl.
  • 71:38 - 71:39
    A girl?
  • 71:42 - 71:44
    You mean kiss?
  • 71:44 - 71:45
    Or taste?
  • 71:46 - 71:47
    Kiss.
  • 71:48 - 71:50
    To start with. Then we'll see.
  • 71:53 - 71:54
    I was fourteen.
  • 71:55 - 71:57
    Sometime around then.
  • 71:57 - 72:00
    There was a party.
    All the girls had guys.
  • 72:00 - 72:01
    And I...
  • 72:03 - 72:05
    I went out with Louise.
  • 72:05 - 72:06
    That was her name.
  • 72:08 - 72:10
    We didn't kiss
    during the party, but...
  • 72:11 - 72:15
    I asked her to sleep over.
    That's when we kissed.
  • 72:18 - 72:20
    You've always preferred girls?
  • 72:21 - 72:23
    I tried both.
    I dated boys, girls...
  • 72:23 - 72:26
    and I realized I preferred girls.
  • 72:28 - 72:29
    For sure.
  • 73:42 - 73:43
    It's nice being here.
  • 73:47 - 73:48
    A little too nice.
  • 73:53 - 73:54
    I guess so.
  • 85:10 - 85:11
    It's here.
  • 85:16 - 85:17
    Mom?
  • 85:23 - 85:24
    - How are you?
    - Fine, and you?
  • 85:28 - 85:29
    Adèle...
  • 85:29 - 85:31
    my mom, Catherine.
  • 85:31 - 85:34
    We've heard good things about you.
  • 85:34 - 85:35
    I'm glad to be here.
  • 85:36 - 85:38
    - For you.
    - I'll take that.
  • 85:39 - 85:40
    Very nice, thank you.
  • 85:41 - 85:42
    Hi, honey.
  • 85:42 - 85:43
    How are you?
  • 85:43 - 85:45
    - And you?
    - I'm fine.
  • 85:46 - 85:48
    - We've been waiting.
    - What's to eat?
  • 85:48 - 85:49
    Your favorite.
  • 85:52 - 85:53
    Vincent, my stepdad.
  • 85:56 - 85:58
    The family cook.
  • 85:58 - 86:00
    We're having white.
    Okay with you?
  • 86:01 - 86:02
    - Sure.
    - White's fine.
  • 86:02 - 86:03
    White too?
  • 86:04 - 86:06
    Tell me what you think of it.
    I like it.
  • 86:06 - 86:08
    Vincent's new pick.
  • 86:09 - 86:12
    We drank a lot
    while we were waiting for you.
  • 86:12 - 86:14
    - Not that much.
    - True.
  • 86:14 - 86:15
    We were reasonable.
  • 86:16 - 86:19
    But it's always nice
    to cook with a glass of white.
  • 86:20 - 86:21
    My dad's the same.
  • 86:21 - 86:22
    Really?
  • 86:24 - 86:25
    Shall we toast?
  • 86:26 - 86:27
    To love.
  • 86:29 - 86:30
    Welcome, Adèle.
  • 86:31 - 86:32
    Big words. To love.
  • 86:32 - 86:34
    Yes, to love, my love.
  • 86:34 - 86:35
    To love, then.
  • 86:44 - 86:45
    How is it?
  • 86:46 - 86:47
    - Delicious.
    - Very good.
  • 86:47 - 86:49
    Good, isn't it? I like it a lot.
  • 86:50 - 86:53
    Me too.
    I don't know wine, but it's good.
  • 86:56 - 86:58
    I bet you haven't eaten all day.
  • 86:58 - 86:59
    Adèle...
  • 87:00 - 87:01
    I went and bought
  • 87:02 - 87:04
    the best I could find at Trière.
  • 87:05 - 87:06
    You know it?
  • 87:07 - 87:08
    Just by name.
  • 87:09 - 87:11
    - Help yourself.
    - I'm fine.
  • 87:11 - 87:14
    Shit, I forgot to tell you
    that Adèle...
  • 87:15 - 87:17
    doesn't like shellfish.
  • 87:19 - 87:20
    I'm so sorry.
  • 87:20 - 87:22
    No big deal.
  • 87:23 - 87:25
    Seafood isn't really my thing.
  • 87:25 - 87:26
    But don't worry.
  • 87:27 - 87:29
    A nightmare. It's all we have.
  • 87:29 - 87:30
    You're a pain.
  • 87:31 - 87:33
    I go all out,
    then you come and say...
  • 87:33 - 87:35
    "Adèle hates oysters."
  • 87:35 - 87:37
    I'll have other stuff.
    The entree too? No problem.
  • 87:38 - 87:40
    - Even jumbo shrimp?
    - Especially.
  • 87:41 - 87:44
    No biggie. Perfect occasion
    to initiate her. It's fine.
  • 87:45 - 87:47
    Like at the school cafeteria.
  • 87:48 - 87:50
    You squeeze lemon on the oyster.
  • 87:51 - 87:55
    And usually,
    if it's really good and fresh,
  • 87:55 - 87:57
    it moves.
  • 87:58 - 87:59
    That means...
  • 87:59 - 88:00
    it's good. See?
  • 88:01 - 88:02
    Look.
  • 88:02 - 88:04
    - It's moving.
    - Why tell me this?
  • 88:05 - 88:07
    - It's alive.
    - Exactly.
  • 88:08 - 88:09
    It has to be alive.
  • 88:10 - 88:11
    Don't eat it otherwise.
  • 88:13 - 88:16
    Alive is good.
    You can eat the muscle too.
  • 88:16 - 88:17
    I'm fine.
  • 88:18 - 88:19
    Go on.
  • 88:20 - 88:21
    The juice too.
  • 88:21 - 88:25
    Well?
  • 88:25 - 88:27
    - Are you okay?
    - It's good.
  • 88:27 - 88:30
    - You seem to enjoy it.
    - It's good.
  • 88:31 - 88:32
    I'll try another.
  • 88:33 - 88:34
    Great.
  • 88:34 - 88:36
    These are excellent oysters.
  • 88:40 - 88:42
    You have beautiful paintings.
  • 88:44 - 88:46
    My ex-husband was an art lover.
  • 88:46 - 88:49
    Emma gets a lot of that
    from her father.
  • 88:49 - 88:51
    Your ex loved art
  • 88:52 - 88:53
    but your new husband...
  • 88:54 - 88:55
    A lover as well.
  • 88:55 - 88:58
    But most of the paintings here...
  • 88:59 - 89:00
    Lover of what?
  • 89:00 - 89:02
    They come from her father.
  • 89:03 - 89:05
    A lover of food and wine.
    That counts.
  • 89:05 - 89:07
    I agree.
  • 89:07 - 89:08
    And also...
  • 89:08 - 89:09
    culture.
  • 89:11 - 89:12
    Tell us about yourself.
  • 89:13 - 89:16
    We want to know about your life,
  • 89:17 - 89:18
    what you want to do.
  • 89:19 - 89:20
    I want to teach.
  • 89:22 - 89:24
    Nursery school. I love kids.
  • 89:26 - 89:28
    You love kids.
  • 89:28 - 89:30
    Have you always wanted to teach?
  • 89:31 - 89:34
    It's not that
    I loved the school system,
  • 89:34 - 89:37
    but school means a lot to me.
    It's taught me a lot.
  • 89:38 - 89:40
    It helped expose me to things
  • 89:41 - 89:44
    that my parents or friends
    didn't show me.
  • 89:45 - 89:46
    I want to pass that on.
  • 89:47 - 89:48
    What do you need to do?
  • 89:49 - 89:53
    I'll get a masters
    and then do teacher training.
  • 89:53 - 89:58
    That way I can start
    by being an assistant teacher.
  • 89:59 - 90:01
    And honestly,
    I don't see myself...
  • 90:02 - 90:04
    going to school
    for 10 or 15 years
  • 90:05 - 90:07
    just to end up unemployed.
  • 90:08 - 90:10
    I want something concrete.
  • 90:10 - 90:12
    Does the job market scare you?
  • 90:13 - 90:15
    I sense it in what you say.
  • 90:15 - 90:20
    Maybe you'll go to school and see
    that something else interests you.
  • 90:21 - 90:23
    For now it's what interests me.
  • 90:24 - 90:26
    At least you know
    where you're going.
  • 90:28 - 90:30
    And that's important, I think.
  • 92:04 - 92:05
    Mom?
  • 92:29 - 92:34
    Happy Birthday, my sincerest wishes
  • 92:34 - 92:39
    May these flowers bring you joy
  • 92:40 - 92:44
    May your year be sweet and carefree
  • 92:45 - 92:48
    And next year may we all meet again
  • 93:03 - 93:05
    Happy 18th, Adèle!
  • 93:08 - 93:10
    Mom? Cheers.
  • 94:52 - 94:55
    - He's the king of bolognese.
    - Hope you like it.
  • 94:59 - 95:00
    Help yourself.
  • 95:00 - 95:02
    Some wine?
  • 95:02 - 95:03
    Yes, please.
  • 95:03 - 95:05
    Nice to meet you, Emma.
  • 95:05 - 95:08
    We've heard about you for months.
  • 95:08 - 95:10
    Here you are at last.
  • 95:10 - 95:11
    It's great to...
  • 95:12 - 95:15
    to put a face
    to everything you've said.
  • 95:15 - 95:16
    Really.
  • 95:17 - 95:19
    I'm the one who...
  • 95:19 - 95:21
    Thanks for having me.
  • 95:21 - 95:23
    It's our pleasure.
  • 95:28 - 95:29
    Eat. It'll get cold.
  • 95:36 - 95:39
    It's nice of you
    to help her with philosophy.
  • 95:41 - 95:43
    It's a really hard subject.
  • 95:43 - 95:46
    She was having
    a tough time, but now...
  • 95:47 - 95:48
    it seems to be going well.
  • 95:49 - 95:52
    Your grades are up.
    Thanks to you.
  • 95:52 - 95:53
    It's a pleasure for me.
  • 95:55 - 95:58
    I wasn't going about it right.
    She taught me...
  • 95:59 - 96:00
    to make outlines.
  • 96:01 - 96:02
    That's important.
  • 96:02 - 96:06
    I don't know how
    they can do that subject
  • 96:06 - 96:09
    in just a year.
    I don't see the point.
  • 96:09 - 96:11
    You can't do it in depth.
  • 96:11 - 96:13
    One year isn't enough.
  • 96:13 - 96:14
    - Well?
    - It's delicious.
  • 96:15 - 96:16
    I knew it.
  • 96:16 - 96:18
    So you're at Beaux-Arts.
  • 96:20 - 96:22
    - It shows.
    - Really?
  • 96:23 - 96:24
    It's artistic.
  • 96:24 - 96:26
    Not everyone likes it.
  • 96:27 - 96:28
    It suits you well.
  • 96:30 - 96:31
    Do you do it...
  • 96:32 - 96:34
    yourself?
  • 96:36 - 96:39
    Her stuff is great.
    She's having a show.
  • 96:39 - 96:40
    Already?
  • 96:41 - 96:43
    At the end of the year
    we show our work.
  • 96:44 - 96:47
    You have to let us know.
    We'll come see.
  • 96:48 - 96:52
    Living off painting
    is pretty hard nowadays.
  • 96:52 - 96:53
    It's difficult.
  • 96:54 - 96:58
    The people who make
    a living off it are all dead.
  • 96:58 - 96:59
    It's true.
  • 97:01 - 97:03
    I'm a graphic artist too.
  • 97:04 - 97:08
    And it's easier these days
    to live off graphic arts
  • 97:08 - 97:09
    than off painting.
  • 97:10 - 97:12
    There are openings in that.
  • 97:13 - 97:16
    It's important
    to have an artistic side.
  • 97:20 - 97:23
    But you need a real job too.
    To earn a living.
  • 97:23 - 97:25
    So if things ever get bad,
  • 97:25 - 97:27
    you make a living.
  • 97:32 - 97:34
    Not to pry,
    but your boyfriend...
  • 97:36 - 97:37
    what does he do?
  • 97:38 - 97:39
    He works in business.
  • 97:40 - 97:42
    That's good. It's reassuring.
  • 97:43 - 97:47
    That way you can do
    your painting and he...
  • 97:47 - 97:49
    If you want to be an artist,
  • 97:49 - 97:52
    it's nice to have a husband
    who pays the bills.
  • 97:59 - 98:00
    We're not married.
  • 98:01 - 98:02
    You have time.
  • 98:03 - 98:04
    Take your time.
  • 98:04 - 98:06
    - You never know.
    - True!
  • 98:08 - 98:10
    The pasta is delicious.
  • 98:12 - 98:14
    Simple but...
  • 98:16 - 98:16
    very good.
  • 99:08 - 99:09
    My love.
  • 99:12 - 99:14
    You scared me.
    I thought you were going to scream.
  • 99:15 - 99:16
    I was going to shriek.
  • 99:18 - 99:20
    Good thing you didn't.
  • 99:29 - 99:30
    You're beautiful.
  • 99:35 - 99:36
    So soft.
  • 99:40 - 99:43
    My mom thinks
    you're sleeping in the bed there.
  • 99:44 - 99:45
    On the cot.
  • 99:48 - 99:50
    Enjoying philosophy?
  • 99:50 - 99:54
    I love it.
    It's incredibly enriching.
  • 99:54 - 99:56
    Very deep.
  • 99:56 - 99:57
    Very intense.
  • 99:58 - 100:00
    Orgasm precedes essence...
  • 100:01 - 100:03
    Your grade better be good.
  • 100:03 - 100:04
    Give me a grade.
  • 100:08 - 100:09
    Fourteen.
  • 100:12 - 100:13
    Just fourteen?
  • 100:16 - 100:18
    You still need some practice.
  • 100:21 - 100:23
    I'll give it all I've got.
  • 101:51 - 101:53
    This time it must be the wolf.
  • 101:54 - 101:57
    "It's Mrs. Goat,
    with my seven kids.
  • 101:57 - 102:00
    Let us hide.
    Have you heard the bad news?"
  • 102:01 - 102:03
    The wolf is coming back!
  • 102:04 - 102:07
    "Come inside," says Mr. Rabbit.
  • 102:08 - 102:11
    Everyone sits down,
    and suddenly...
  • 102:11 - 102:13
    Knock, knock, knock.
  • 102:14 - 102:15
    It's the wolf!
  • 102:16 - 102:17
    It must be the wolf.
  • 102:17 - 102:19
    Must be.
  • 102:19 - 102:20
    "It's me, Little Lamb."
  • 102:21 - 102:22
    I was down by the stream.
  • 102:23 - 102:25
    But I cannot go home, because...
  • 102:25 - 102:28
    "the wolf is coming back!"
  • 102:29 - 102:32
    "Come in," says Mr. Rabbit.
    "Come sit by the fire."
  • 102:35 - 102:38
    Little Lamb sits by the fire
    when suddenly...
  • 102:44 - 102:45
    Bang it.
  • 102:57 - 102:58
    Keep moving.
  • 103:03 - 103:04
    Keep using your hands!
  • 103:04 - 103:07
    Play your drums. Don't stop.
  • 103:16 - 103:17
    Keep on moving!
  • 103:38 - 103:40
    You don't want to play?
  • 103:40 - 103:42
    Want to stay here?
  • 103:42 - 103:43
    Hey, you.
  • 103:43 - 103:44
    Alone as usual.
  • 103:47 - 103:47
    Best behaved.
  • 103:48 - 103:49
    Always has been.
  • 103:53 - 103:55
    What are you doing tonight?
  • 103:56 - 103:57
    I don't know.
  • 103:57 - 103:58
    We're going out for a drink.
  • 103:59 - 104:01
    Sylvie, Quentin, Anabelle...
  • 104:02 - 104:03
    Want to come?
  • 104:05 - 104:07
    But tonight I have a family dinner.
  • 104:09 - 104:11
    You have a lot
    of family dinners.
  • 104:11 - 104:13
    These days I do.
  • 104:13 - 104:16
    Maybe after. Around what time?
  • 104:16 - 104:18
    Are you avoiding us?
  • 104:18 - 104:20
    Why do you say that?
  • 104:20 - 104:23
    Whenever I suggest something,
    you're busy.
  • 104:25 - 104:27
    Just bad timing, that's all.
  • 104:28 - 104:29
    Is your family far?
  • 104:30 - 104:32
    No, pretty close.
  • 104:33 - 104:34
    A few miles.
  • 104:38 - 104:40
    Okay, then.
  • 104:41 - 104:43
    I hope you'll be able
  • 104:44 - 104:45
    to get free.
  • 104:46 - 104:48
    I'll do my best.
  • 104:49 - 104:50
    I swear I will.
  • 106:12 - 106:14
    It's gorgeous!
  • 106:17 - 106:21
    I've seen you on canvas.
    Finally in flesh and blood.
  • 106:29 - 106:30
    Congratulations!
  • 106:48 - 106:49
    There's champagne.
  • 106:51 - 106:52
    You made them?
  • 106:52 - 106:54
    - Like it?
    - Delicious.
  • 106:54 - 106:56
    It's chicken inside?
  • 106:56 - 106:59
    There's chicken,
    tuna, and shrimp.
  • 107:03 - 107:06
    - Good to see you.
    - Same here. It's great.
  • 107:08 - 107:09
    Soon.
  • 107:13 - 107:15
    In two months I've gotten big.
  • 107:16 - 107:17
    Come here.
  • 107:18 - 107:19
    This is Lise.
  • 107:22 - 107:23
    It's nice to see you.
  • 107:24 - 107:25
    Want to touch it?
  • 107:25 - 107:26
    Go on.
  • 107:27 - 107:29
    - You don't mind?
    - Not at all.
  • 107:29 - 107:31
    - Feel it?
    - Yes. Boy or girl?
  • 107:32 - 107:33
    I don't want to know.
  • 107:33 - 107:35
    To keep it a mystery?
  • 107:41 - 107:42
    Does it hurt? Want to sit?
  • 107:43 - 107:44
    - I'm fine.
    - Sure?
  • 107:44 - 107:45
    Playing with baby?
  • 107:47 - 107:49
    - Is he the dad?
    - Not at all.
  • 107:49 - 107:50
    You thought it was him?
  • 107:51 - 107:52
    Not him.
  • 107:53 - 107:54
    I'm sorry.
  • 107:54 - 107:56
    He's an uncle.
  • 107:56 - 107:57
    Exactly.
  • 107:59 - 108:01
    What you do is really nice.
  • 108:02 - 108:03
    What do I do?
  • 108:03 - 108:04
    On the paintings.
  • 108:04 - 108:06
    Your presence, your poses.
    Stunning.
  • 108:07 - 108:08
    Thanks. That's nice.
  • 108:08 - 108:09
    It's normal.
  • 108:09 - 108:12
    It's especially Emma
    who did it all.
  • 108:12 - 108:13
    Very powerful.
  • 108:13 - 108:15
    Joachim, she writes very well.
  • 108:15 - 108:17
    Really?
  • 108:17 - 108:19
    Can I read your stuff sometime?
  • 108:20 - 108:22
    For the time being,
  • 108:22 - 108:24
    all I've written is my diary.
  • 108:24 - 108:26
    She's shy.
  • 108:26 - 108:28
    I want her to write more.
  • 108:28 - 108:29
    I see you here
  • 108:29 - 108:32
    with a desire to appear on canvas.
  • 108:32 - 108:35
    Your writing must be wonderful.
    I want to read it.
  • 108:36 - 108:38
    Want a drink?
  • 108:38 - 108:39
    - A glass.
    - Champagne?
  • 108:39 - 108:41
    And that painting?
  • 108:41 - 108:43
    That last one is amazing.
  • 108:51 - 108:53
    First of all,
    thanks for being here.
  • 108:54 - 108:55
    Thanks for being on time.
  • 108:58 - 109:00
    I'd especially like
    to thank my muse,
  • 109:00 - 109:03
    my source of inspiration
    who makes me happy today...
  • 109:03 - 109:04
    Adèle.
  • 109:06 - 109:07
    Welcome, Adèle!
  • 109:10 - 109:13
    I'd also like to say
    she did all the cooking.
  • 109:17 - 109:18
    Speech!
  • 109:19 - 109:21
    It's your turn now.
  • 109:22 - 109:25
    I'm really thrilled
    to meet you all,
  • 109:25 - 109:27
    and I hope you like it.
  • 109:28 - 109:30
    Don't cry.
  • 109:30 - 109:31
    Cheers.
  • 109:31 - 109:33
    Let's have a toast.
  • 109:36 - 109:37
    To Adèle!
  • 109:37 - 109:39
    To Emma and Adèle!
  • 109:40 - 109:41
    To love!
  • 109:49 - 109:51
    She's in a trance!
  • 109:52 - 109:54
    And not even drunk yet!
  • 110:03 - 110:04
    Anything else?
  • 110:04 - 110:06
    Come sit down a little.
  • 110:06 - 110:07
    Join us.
  • 110:15 - 110:16
    What do you do?
  • 110:16 - 110:18
    I teach nursery school.
  • 110:21 - 110:22
    And you?
  • 110:24 - 110:25
    I'm doing a Ph.D.
  • 110:26 - 110:28
    Both art history and philosophy.
  • 110:28 - 110:31
    I'm doing a Ph.D. on...
    You know Egon Schiele?
  • 110:34 - 110:36
    - I told you about him.
    - Maybe.
  • 110:36 - 110:37
    He does nudes,
  • 110:37 - 110:40
    emaciated,
    in unlikely positions.
  • 110:41 - 110:44
    I'm working on morbidity
    in Schiele's oeuvre.
  • 110:45 - 110:48
    Didn't you show her some stuff?
  • 110:48 - 110:50
    Yeah, but I prefer Klimt.
  • 110:51 - 110:53
    Klimt is so...
  • 110:53 - 110:55
    There's something so...
  • 110:55 - 110:57
    florid... decorative.
  • 110:57 - 111:00
    Florid and decorative?
    You and I can't talk.
  • 111:01 - 111:03
    You hate it
    when people disagree.
  • 111:04 - 111:05
    I like Schiele a lot.
  • 111:06 - 111:07
    It's more twisted.
  • 111:08 - 111:10
    It's darker, more obscure.
  • 111:10 - 111:13
    That's the reason I like Klimt.
  • 111:13 - 111:14
    It's that...
  • 111:16 - 111:18
    The problem
    with that florid stuff...
  • 111:18 - 111:20
    It's not florid.
  • 111:20 - 111:22
    You can't say it's florid.
  • 111:26 - 111:27
    I'm hungry!
  • 111:29 - 111:30
    I'm starving.
  • 111:32 - 111:33
    Some sauce too.
  • 111:38 - 111:39
    Any Parmesan?
  • 111:42 - 111:43
    Get in line.
  • 111:47 - 111:49
    That's fine. Perfect. Thank you.
  • 111:50 - 111:51
    You're welcome.
  • 111:53 - 111:54
    It's so good!
  • 111:55 - 111:58
    Adèle, it's out of this world!
  • 111:58 - 111:59
    Thank you so much.
  • 111:59 - 112:00
    You're welcome.
  • 112:04 - 112:05
    - Good?
    - Excellent.
  • 112:06 - 112:10
    A worm crawls out
    of a plate of spaghetti and says,
  • 112:11 - 112:12
    "That was some gangbang!"
  • 112:13 - 112:14
    How sweet!
  • 112:14 - 112:17
    "Sweet" may not be the word.
  • 112:17 - 112:20
    What a pleasure to share this.
  • 112:20 - 112:21
    Our kind of pleasure.
  • 112:22 - 112:24
    Can pleasure be shared?
  • 112:25 - 112:27
    We each experience it differently.
  • 112:28 - 112:29
    My pleasure
  • 112:29 - 112:31
    isn't the same as yours.
  • 112:31 - 112:33
    I don't get
    the same pleasure as you.
  • 112:34 - 112:35
    Find the Parmesan?
  • 112:36 - 112:38
    Between the sexes,
    a quality of pleasure
  • 112:38 - 112:40
    so different
  • 112:40 - 112:42
    that we attain differing realities.
  • 112:42 - 112:44
    Over and above orgasm.
  • 112:44 - 112:46
    I'm curious.
    Why do you think that?
  • 112:48 - 112:49
    Because...
  • 112:49 - 112:51
    We make faces?
  • 112:52 - 112:54
    - We make more noise?
    - Big difference!
  • 112:54 - 112:56
    Something to drink?
  • 112:57 - 112:59
    Every time I slept with a woman,
  • 112:59 - 113:01
    I noticed something
  • 113:01 - 113:02
    that's not...
  • 113:02 - 113:04
    She enters another world.
  • 113:04 - 113:05
    That's it.
  • 113:05 - 113:07
    Orgasm is
    an out-of-body experience.
  • 113:08 - 113:10
    Our orgasm is limited.
  • 113:10 - 113:13
    For you,
    female orgasm is mystical.
  • 113:13 - 113:15
    I'm totally sure of it.
  • 113:16 - 113:17
    Anyone need anything?
  • 113:20 - 113:22
    Sit down.
    You've been serving everyone.
  • 113:22 - 113:23
    Here, eat.
  • 113:25 - 113:27
    Relax a little.
    You cooked for everyone.
  • 113:30 - 113:35
    Insofar as I'm a man,
    everything I glimpse is frustrated
  • 113:35 - 113:37
    by the limits of male sexuality.
  • 113:38 - 113:41
    Even though I've done it
    with men and women.
  • 113:41 - 113:45
    I remember the story of Tiresias,
    who was lucky enough
  • 113:45 - 113:48
    to be a man, then a woman,
    then a man again.
  • 113:49 - 113:50
    When he was asked
  • 113:50 - 113:53
    who gets more pleasure,
    man or woman,
  • 113:53 - 113:55
    he answered categorically
  • 113:55 - 113:58
    that women get nine times
    more pleasure than men.
  • 113:59 - 114:02
    Ever since women
    have been shown in paintings,
  • 114:02 - 114:07
    their ecstasy is shown more than men's,
    which is shown via woman.
  • 114:07 - 114:10
    We see women bathing, we see...
  • 114:10 - 114:12
    The Origin of the World.
  • 114:12 - 114:14
    Men try desperately
    to depict it.
  • 114:16 - 114:17
    Meaning they saw it.
  • 114:17 - 114:19
    - Or imagined it.
    - Or wished for it.
  • 114:20 - 114:21
    It could be their fantasy.
  • 114:23 - 114:26
    - So it's based in...
    - Look in their eyes.
  • 114:26 - 114:28
    That gaze into another world.
  • 114:28 - 114:31
    Art by women
    never tackles female pleasure.
  • 114:31 - 114:33
    Excellent pasta.
  • 114:33 - 114:34
    Want some more?
  • 114:35 - 114:37
    Yeah, I'd like a little.
  • 114:37 - 114:39
    Not too spicy? You like spicy?
  • 114:39 - 114:41
    It's a little spicy.
  • 114:41 - 114:43
    But just spicy enough.
  • 114:44 - 114:46
    You see, Emma, your paintings
  • 114:46 - 114:48
    of Adèle seem to illustrate this.
  • 114:48 - 114:51
    I know I'll never experience that,
  • 114:51 - 114:53
    because I'll always be a man.
  • 114:54 - 114:57
    I love the sauce.
    Make it with fresh tomatoes?
  • 114:57 - 114:58
    From the market.
  • 114:59 - 115:00
    I can tell.
  • 115:04 - 115:06
    Had you ever posed before?
  • 115:07 - 115:07
    Never.
  • 115:08 - 115:09
    It's your first time?
  • 115:09 - 115:11
    I don't really pose.
  • 115:11 - 115:12
    Just with Emma.
  • 115:13 - 115:16
    You seem comfortable
    in the paintings.
  • 115:16 - 115:19
    Because they were
    at times when I...
  • 115:19 - 115:20
    I don't know.
  • 115:20 - 115:23
    I can't imagine doing it
    with someone else.
  • 115:23 - 115:25
    I know it's a stupid question...
  • 115:26 - 115:28
    but have you been
    with girls for long?
  • 115:29 - 115:33
    Is Emma the first,
    or were there any before?
  • 115:33 - 115:35
    She's the first.
  • 115:39 - 115:40
    Is it different?
  • 115:40 - 115:42
    - From what?
    - Guys.
  • 115:42 - 115:43
    Yes.
  • 115:45 - 115:46
    A little.
  • 115:48 - 115:50
    Is it gentler?
  • 115:51 - 115:53
    It depends.
  • 115:54 - 115:55
    I have no idea.
  • 115:55 - 115:57
    Sorry to ask like this.
  • 115:58 - 115:59
    You don't have to answer.
  • 116:00 - 116:02
    I don't think I could explain.
  • 116:04 - 116:05
    What do you do?
  • 116:05 - 116:07
    I teach nursery school.
  • 116:07 - 116:08
    You like kids.
  • 116:10 - 116:12
    Would you like to have some?
  • 116:16 - 116:18
    What do you do?
  • 116:18 - 116:20
    I'm an actor.
  • 116:20 - 116:21
    I do action movies.
  • 116:21 - 116:23
    I did an action movie,
  • 116:23 - 116:25
    my first, in the States,
  • 116:25 - 116:28
    that I got because I speak Arabic.
    They dig that.
  • 116:29 - 116:30
    The beard thing.
  • 116:30 - 116:33
    We were terrorists, hijackers.
  • 116:34 - 116:36
    They love it when we say
    Allah al akbar.
  • 116:36 - 116:38
    So we did that.
  • 116:40 - 116:41
    I'm serious.
  • 116:42 - 116:45
    It was fun to see
    how the Americans work.
  • 116:47 - 116:48
    Where in the States?
  • 116:50 - 116:53
    We shot it in a studio in L.A.
  • 116:53 - 116:55
    But it took place in New York.
  • 116:55 - 116:58
    They rebuilt the city.
    It's wild.
  • 116:58 - 117:01
    It's like you're walking
    down the streets of New York.
  • 117:02 - 117:04
    Then I was
    in New York on vacation.
  • 117:04 - 117:06
    I really, really loved it.
  • 117:07 - 117:10
    I'm sure
    it's a city you'd adore.
  • 117:11 - 117:13
    - I'm dying to go.
    - Really?
  • 117:13 - 117:14
    So go. Why wait?
  • 117:16 - 117:17
    It's a total trip.
  • 117:17 - 117:18
    It's amazing.
  • 117:19 - 117:21
    It's like walking on a film set.
  • 117:22 - 117:22
    I swear.
  • 117:23 - 117:25
    Such energy.
    Everything seems possible.
  • 117:25 - 117:27
    You can do whatever.
  • 117:27 - 117:29
    Like there are no barriers.
  • 117:30 - 117:32
    There's a huge bug on you.
  • 117:35 - 117:36
    What was it?
  • 117:36 - 117:37
    I don't know.
  • 119:27 - 119:28
    What are you reading?
  • 119:29 - 119:32
    A piece on Schiele, the guy
    Lucie and I were talking about.
  • 119:35 - 119:37
    Your friends are nice.
  • 119:37 - 119:39
    They're funny.
  • 119:39 - 119:41
    They talk about so much stuff.
  • 119:41 - 119:43
    They seem so knowledgeable.
  • 119:44 - 119:46
    So cultured.
    I felt uncomfortable.
  • 119:48 - 119:49
    You were perfect.
  • 120:26 - 120:28
    You made a good impression.
  • 120:29 - 120:30
    Especially on Joachim.
  • 120:31 - 120:32
    Really?
  • 120:34 - 120:36
    What does he do?
  • 120:37 - 120:38
    I was afraid to ask.
  • 120:40 - 120:43
    - Biggest gallery owner in Lille.
    - In Lille?
  • 120:43 - 120:47
    He's extremely cultured.
    A genius. He knows everything.
  • 120:48 - 120:51
    He shows only the crème de la crème.
    Believe me...
  • 120:51 - 120:54
    if he ever shows my work,
    I've got it made.
  • 120:54 - 120:56
    He'll show your work.
  • 120:56 - 120:58
    - Think so?
    - Of course.
  • 120:59 - 121:01
    He talks about you
    as if you were Picasso.
  • 121:01 - 121:04
    It's business above all
    for those guys.
  • 121:04 - 121:07
    - He's your friend. Why wouldn't...
    - My friend...
  • 121:08 - 121:10
    Our relationship
    is mostly professional.
  • 121:12 - 121:13
    Not really a friendship.
  • 121:14 - 121:16
    But he can change things.
  • 121:17 - 121:18
    Just believe in it.
  • 121:19 - 121:20
    Knock on wood.
  • 121:28 - 121:30
    You should also do
  • 121:30 - 121:32
    something you really like.
  • 121:33 - 121:34
    I work.
  • 121:35 - 121:37
    I know. I don't mean that.
  • 121:37 - 121:39
    You write really well, for example.
  • 121:40 - 121:41
    Why not write some stuff?
  • 121:42 - 121:44
    Even short stories...
  • 121:44 - 121:46
    I've always just written for myself.
  • 121:47 - 121:50
    It's a shame
    to waste your talent like that.
  • 121:50 - 121:54
    I write what I feel.
    I can't expose my life to the world.
  • 121:54 - 121:56
    You can invent rather than expose.
  • 121:56 - 121:58
    I don't know how.
  • 121:59 - 122:02
    You love inventing stories
    and telling them to kids.
  • 122:02 - 122:04
    You like doing that.
  • 122:04 - 122:08
    But for kids. Constructing
    a storyline isn't my thing.
  • 122:09 - 122:10
    Anyway, it's up to you.
  • 122:11 - 122:13
    I don't know.
  • 122:13 - 122:15
    I'd like you to be...
  • 122:17 - 122:18
    - Be what?
    - I don't know.
  • 122:19 - 122:20
    Fulfilled.
  • 122:20 - 122:22
    I am fulfilled with you.
  • 122:24 - 122:27
    I like it that you're here,
    cooking and stuff...
  • 122:28 - 122:29
    but I'd like to see you happy.
  • 122:30 - 122:31
    I am happy.
  • 122:32 - 122:35
    I'm happy with you, like this.
  • 122:35 - 122:37
    It's my way of being happy.
  • 122:38 - 122:40
    If you say so.
  • 122:42 - 122:44
    It hurts when you insist.
  • 122:44 - 122:45
    I'm not insisting.
  • 122:45 - 122:47
    A little.
  • 122:56 - 122:57
    Kiss me.
  • 123:01 - 123:03
    A real kiss.
  • 123:11 - 123:13
    I want you.
  • 123:13 - 123:14
    I can't.
  • 123:15 - 123:16
    Why not?
  • 123:16 - 123:18
    I'm having my period.
  • 123:19 - 123:21
    Why now?
  • 123:22 - 123:24
    I don't know. It happens.
  • 123:24 - 123:25
    You're early.
  • 123:25 - 123:28
    What can I say? I have no idea.
  • 123:37 - 123:38
    Is Lise your ex?
  • 123:44 - 123:45
    She paints too.
  • 123:47 - 123:50
    Monday is all gray.
  • 123:50 - 123:52
    Tuesday, yellow like hay.
  • 123:53 - 123:55
    Pink Wednesday,
    stay home and play.
  • 123:56 - 123:57
    Blue Thursday
  • 123:57 - 123:58
    comes our way.
  • 123:59 - 124:01
    Thursday green is next seen.
  • 124:03 - 124:04
    Friday green!
  • 124:06 - 124:07
    Who's first?
  • 124:12 - 124:14
    Sana, stand up.
  • 124:20 - 124:21
    In the morning?
  • 124:22 - 124:24
    We come to school.
  • 124:25 - 124:28
    She's telling us
    what we do during the day.
  • 124:28 - 124:30
    Listen up.
  • 124:30 - 124:32
    Stop pinching, Maxence.
    Come here.
  • 124:34 - 124:35
    Go on, Sana.
  • 124:38 - 124:39
    We play.
  • 124:40 - 124:42
    After we get here, we play.
  • 124:43 - 124:45
    We do our activities. And then?
  • 124:46 - 124:48
    We go outside for...
  • 124:48 - 124:50
    Recess.
  • 124:50 - 124:51
    Then?
  • 124:51 - 124:53
    We have gym.
  • 124:53 - 124:55
    After gym?
  • 124:56 - 124:57
    We take a nap,
  • 124:58 - 125:01
    and then we work
    with Thérèse and Madame.
  • 125:20 - 125:22
    Time to stop talking.
  • 125:25 - 125:27
    Do they have everything?
  • 125:27 - 125:29
    I had three dollies.
  • 125:50 - 125:52
    I can watch them now.
  • 125:52 - 125:53
    - Really?
    - Sure.
  • 125:54 - 125:55
    I'll meet you after.
  • 126:26 - 126:28
    One new message.
  • 126:31 - 126:32
    Honey, it's me.
  • 126:33 - 126:36
    I'm still with Lise, working
    on the mock-up I mentioned.
  • 126:37 - 126:40
    It's a big job,
    and it has to be perfect.
  • 126:41 - 126:43
    Don't wait up. I'll be late.
  • 126:43 - 126:45
    Call if you want.
  • 126:46 - 126:47
    Take care.
  • 128:11 - 128:12
    It's hot.
  • 130:49 - 130:53
    What's his problem with me?
    He has a thing with lesbians!
  • 130:54 - 130:58
    I'm happy to explain my paintings,
    to say what inspired me,
  • 130:59 - 131:01
    but I can't get
    into intimate details.
  • 131:02 - 131:05
    I don't have to justify who I am.
  • 131:05 - 131:08
    There are things
    I don't want to tell him!
  • 131:18 - 131:19
    I can't sell myself.
  • 131:19 - 131:22
    When I see someone
    constantly needling me...
  • 131:23 - 131:25
    He meant to put me down!
  • 131:25 - 131:27
    That's the thing.
  • 131:33 - 131:35
    He has to respect my work.
  • 131:35 - 131:39
    It's my freedom of expression,
    my artistic freedom.
  • 131:39 - 131:41
    I can paint what I want!
  • 131:42 - 131:44
    You don't want some coffee?
  • 131:44 - 131:45
    Too bad if it's no.
  • 131:45 - 131:48
    But he can't say,
    "I'll buy your painting,"
  • 131:48 - 131:50
    but accentuate the line...
  • 131:51 - 131:55
    "or make it blurrier here,
    or use this or that color."
  • 131:55 - 131:57
    I'm not saying that.
  • 131:57 - 131:59
    I'm open to criticism.
  • 131:59 - 132:00
    I saw his questions coming.
  • 132:01 - 132:03
    How can I answer that?
  • 132:08 - 132:09
    Asshole.
  • 132:09 - 132:11
    Bread and butter?
  • 132:11 - 132:14
    It's crazy.
    They don't understand anything.
  • 132:16 - 132:19
    There's a fad in painting.
    You have to follow it.
  • 132:19 - 132:21
    I don't care about fads.
  • 132:21 - 132:22
    Want one?
  • 132:23 - 132:24
    I don't give a shit.
  • 132:25 - 132:28
    People only think
    in terms of business.
  • 132:28 - 132:32
    They have no...
    I don't know how to explain it...
  • 132:33 - 132:34
    They have no taste.
  • 132:35 - 132:36
    They just have no taste.
  • 132:37 - 132:40
    It's normal to be tense at times.
  • 132:40 - 132:42
    I get tense with colleagues too.
  • 132:47 - 132:51
    Did you put your pacifier
    in the binky box?
  • 132:59 - 133:01
    Say good-bye to Mommy.
  • 133:02 - 133:04
    Thank you. How nice.
  • 133:11 - 133:13
    Hang up your coat.
  • 133:25 - 133:27
    Luna, go find your name.
  • 133:31 - 133:32
    Friends?
  • 133:33 - 133:36
    I wore my pants.
  • 133:37 - 133:40
    Did you wear your pants?
  • 133:40 - 133:42
    I wore this again.
  • 134:19 - 134:20
    Thanks a lot.
  • 134:58 - 134:59
    Anything wrong?
  • 135:02 - 135:03
    I went out
  • 135:03 - 135:05
    for a drink with my coworkers.
  • 135:06 - 135:08
    After work. Why didn't you call?
  • 135:10 - 135:11
    Did someone drop you off?
  • 135:16 - 135:17
    Who?
  • 135:18 - 135:19
    A girl from work.
  • 135:20 - 135:21
    A girl?
  • 135:27 - 135:29
    Why'd she drop you off
    down the street?
  • 135:31 - 135:34
    I didn't want to say
    I went out with a girl.
  • 135:34 - 135:35
    Really?
  • 135:36 - 135:38
    Why am I whispering?
  • 135:38 - 135:40
    You ashamed to be with a girl?
  • 135:41 - 135:43
    No, but they don't all
    need to know.
  • 135:43 - 135:45
    Afterwards they start blabbing.
  • 135:48 - 135:50
    You think I'm ashamed?
  • 135:53 - 135:54
    Who is he?
  • 135:55 - 135:56
    Who?
  • 135:56 - 135:58
    The guy who dropped you off.
  • 135:59 - 136:00
    Just a coworker.
  • 136:01 - 136:03
    You think I'm stupid?
  • 136:05 - 136:07
    - Think I didn't see?
    - He's a coworker, I swear.
  • 136:08 - 136:09
    I saw him.
  • 136:09 - 136:10
    We work together.
  • 136:11 - 136:14
    Come see.
    He's a coworker in another class.
  • 136:15 - 136:17
    How long have you been
    seeing him?
  • 136:20 - 136:21
    Since I started there.
  • 136:22 - 136:23
    Really?
  • 136:25 - 136:27
    - Why are you lying?
    - I'm not.
  • 136:28 - 136:29
    So why are you crying?
  • 136:30 - 136:32
    I'm not crying.
  • 136:32 - 136:34
    Then why the tears?
  • 136:35 - 136:37
    I'm tired.
  • 136:39 - 136:42
    I'm not dumb. How long
    have you been sleeping with him?
  • 136:44 - 136:45
    I'm not sleeping with him.
  • 136:46 - 136:48
    How long have you been
    lying to me?
  • 136:51 - 136:53
    I'm not sleeping with him.
  • 136:58 - 137:00
    We shared a drunken kiss once.
  • 137:00 - 137:02
    So why are you crying?
  • 137:02 - 137:03
    I regret it.
  • 137:03 - 137:04
    I'm not dumb!
  • 137:04 - 137:05
    - I swear.
    - Don't lie!
  • 137:06 - 137:06
    I swear.
  • 137:06 - 137:08
    How long have you been
    sleeping with him?
  • 137:09 - 137:10
    How many times
    have you slept with him?
  • 137:11 - 137:12
    Tell me!
  • 137:13 - 137:15
    How long have you been
    lying to me?
  • 137:15 - 137:19
    - Since when do you think I'm dumb?
    - I've never thought that.
  • 137:19 - 137:21
    Get out of here! Get out.
  • 137:22 - 137:25
    I don't want a liar here!
    Pack your stuff and go.
  • 137:25 - 137:26
    Get going.
  • 137:28 - 137:29
    Get lost!
  • 137:33 - 137:36
    I slept with him two or three times.
    I can't remember.
  • 137:38 - 137:38
    Two or three times?
  • 137:39 - 137:42
    I didn't tell you because...
    I don't know...
  • 137:43 - 137:46
    I couldn't explain it.
    I knew it was stupid.
  • 137:47 - 137:49
    I felt so alone.
  • 137:53 - 137:54
    Are you in love?
  • 137:55 - 137:56
    Of course not!
  • 137:56 - 137:58
    I just felt all alone.
  • 138:00 - 138:02
    I never meant to hurt you.
  • 138:05 - 138:06
    Fuck.
  • 138:07 - 138:08
    I'm sorry.
  • 138:09 - 138:11
    It's just that...
  • 138:11 - 138:13
    Fuck this!
  • 138:15 - 138:18
    He's nothing, just a colleague.
  • 138:18 - 138:20
    It was a stupid mistake.
  • 138:26 - 138:29
    I swear I never meant
    to hurt you.
  • 138:29 - 138:30
    I promise I didn't.
  • 138:31 - 138:32
    Adèle, stop.
  • 138:33 - 138:34
    Wait.
  • 138:35 - 138:36
    You hurt me. It's done.
  • 138:37 - 138:39
    No, I swear.
  • 138:39 - 138:41
    It wasn't on purpose.
    There's no reason.
  • 138:42 - 138:43
    You're a little slut.
  • 138:44 - 138:45
    Little whore.
  • 138:46 - 138:47
    You get fucked, right?
  • 138:48 - 138:50
    You like that.
  • 138:51 - 138:54
    You suck him off in his car
    and then kiss me?
  • 138:54 - 138:55
    You dare kiss me?
  • 138:56 - 138:58
    You dare touch me
    and look at me?
  • 138:59 - 139:01
    You do stuff like that?
  • 139:02 - 139:05
    And then you lie,
    you talk bullshit, you talk crap!
  • 139:05 - 139:06
    I'm sorry.
  • 139:06 - 139:07
    You're a slut!
  • 139:07 - 139:10
    I don't know
    how to ask for forgiveness.
  • 139:10 - 139:12
    There is no forgiveness!
  • 139:12 - 139:15
    I never want
    to see your face again!
  • 139:15 - 139:17
    Pack your bags and get out!
  • 139:19 - 139:21
    Get out of my life!
  • 139:25 - 139:28
    I wouldn't hurt you
    for anything.
  • 139:28 - 139:29
    Get out of here.
  • 139:29 - 139:31
    Stop it.
  • 139:31 - 139:34
    Get out of here now.
    Out of my house.
  • 139:35 - 139:37
    Pack up and get out.
  • 139:37 - 139:40
    I don't want a slut, a whore!
    Pack your stuff!
  • 139:41 - 139:43
    Let me talk. He means nothing.
  • 139:43 - 139:44
    I won't talk!
  • 139:44 - 139:47
    Get the hell out!
  • 139:47 - 139:49
    I'm sorry.
    I don't know why I did it.
  • 139:50 - 139:51
    Take your clothes.
  • 139:51 - 139:52
    Let me explain.
  • 139:55 - 139:56
    Get lost!
  • 139:57 - 139:59
    I never want to see you again!
  • 140:00 - 140:03
    Never again. Get out of my life!
  • 140:05 - 140:07
    Think you're the only one
    who suffers?
  • 140:08 - 140:10
    It was nothing. Just let me...
  • 140:10 - 140:12
    It's too late!
  • 140:13 - 140:15
    Take your stuff and get out.
  • 140:16 - 140:17
    No sluts here!
  • 140:18 - 140:20
    I didn't do anything!
  • 140:20 - 140:22
    Stop! I'm not an idiot!
  • 140:22 - 140:25
    Don't do this.
    Where do I go without you?
  • 140:25 - 140:26
    Go see that guy!
  • 140:27 - 140:29
    I don't love him!
  • 140:29 - 140:32
    It's you I love!
    I can't go! What will I do?
  • 140:32 - 140:34
    What will I do? I'm begging you!
  • 140:34 - 140:36
    Get out!
  • 140:45 - 140:46
    Open the door!
  • 140:51 - 140:53
    I'm sorry. Let me talk to you.
  • 140:54 - 140:55
    I'm sorry.
  • 140:55 - 140:57
    You're just a whore!
  • 141:12 - 141:14
    Leave now, Adèle!
  • 142:43 - 142:44
    Did you pick these out?
  • 142:45 - 142:46
    So pretty.
  • 142:46 - 142:48
    I have so many
    I can make a garden.
  • 142:49 - 142:51
    It's really nice of you.
  • 142:51 - 142:53
    I can't even hold them all.
  • 142:53 - 142:55
    Bye-bye, Lili Rose.
  • 142:56 - 142:58
    That was a great dance you did.
  • 142:58 - 143:00
    Bye-bye, Maxence.
  • 143:08 - 143:10
    Enjoy your summer.
  • 144:36 - 144:38
    Careful.
  • 144:45 - 144:48
    Not in the face or eyes.
  • 144:50 - 144:52
    If you get it in her eyes,
    no swimming.
  • 145:27 - 145:30
    - How's it going?
    - Fine.
  • 145:33 - 145:35
    Can you watch mine for a minute?
  • 145:35 - 145:37
    No problem at all.
  • 147:59 - 148:01
    Concentrate on our dictation.
  • 148:03 - 148:05
    No drawing on your slates!
  • 148:05 - 148:08
    "In the kitchen..."
  • 148:09 - 148:10
    Go on.
  • 148:13 - 148:16
    "In the kitchen, Mommy..."
  • 148:22 - 148:23
    Start with a capital letter.
  • 148:24 - 148:27
    "Is peeling..."
  • 148:30 - 148:32
    "an onion."
  • 148:34 - 148:35
    Eyes down.
  • 148:36 - 148:39
    No need to talk during dictation.
  • 148:39 - 148:44
    "In the kitchen, Mommy
    is peeling an onion." Period.
  • 148:49 - 148:52
    "Laura is playing the violin."
  • 148:59 - 149:00
    Is there an O?
  • 149:01 - 149:03
    What vowel
    is in the word "long"?
  • 149:04 - 149:05
    Concentrate.
  • 149:07 - 149:10
    Say it again for her.
  • 149:16 - 149:19
    Shemzeddine, quiet.
    You think I enjoy this?
  • 149:28 - 149:29
    Ready?
  • 149:29 - 149:32
    If we're behind, it's your fault.
  • 149:34 - 149:34
    God bless you.
  • 149:35 - 149:37
    You're not concentrating.
    You're distracted.
  • 149:37 - 149:40
    Dictation is taking an hour.
  • 149:40 - 149:44
    We could have done it in 15 minutes
    and had time for fun.
  • 149:45 - 149:48
    Who sees mistakes in her sentence?
    Are there any?
  • 149:49 - 149:52
    "In kitchen
    Mommy is peeling an onion."
  • 149:52 - 149:54
    You forgot the word "the."
  • 149:54 - 149:58
    It's not a big mistake.
    You just weren't paying attention.
  • 149:59 - 150:02
    "In the kitchen
    Mommy is peeling an onion."
  • 150:02 - 150:04
    How did you spell "onion"?
  • 150:06 - 150:08
    How did you spell it?
  • 150:08 - 150:09
    It's like this.
  • 150:13 - 150:14
    Did anyone spell it right?
  • 150:15 - 150:17
    - Me.
    - Really?
  • 150:18 - 150:21
    Who'll write the next sentence?
  • 150:21 - 150:22
    Go ahead, Renda.
  • 152:03 - 152:05
    How are you doing?
  • 152:24 - 152:26
    It's been too long.
  • 152:28 - 152:29
    Sit down.
  • 152:42 - 152:45
    - Want something to drink?
    - Yeah, sure.
  • 152:46 - 152:48
    I got a glass of white.
  • 152:48 - 152:49
    I see.
  • 152:49 - 152:51
    Taste it. I think you'll like it.
  • 152:52 - 152:53
    No thanks, I'm okay.
  • 152:53 - 152:55
    - Are you sure?
    - No, I'm fine.
  • 152:56 - 152:59
    I called your stepdad.
    He said you'd like it.
  • 153:01 - 153:02
    What do you want?
  • 153:05 - 153:06
    I'll have a coffee.
  • 153:06 - 153:09
    Excuse me. A coffee, please.
  • 153:15 - 153:17
    You doing well?
  • 153:17 - 153:19
    I am. And you? Are you okay?
  • 153:26 - 153:28
    You have a new hairdo.
  • 153:31 - 153:33
    It makes me look old.
  • 153:34 - 153:35
    Not too much.
  • 153:36 - 153:37
    You still look as young.
  • 153:38 - 153:40
    It's hard to lose these cheeks.
  • 153:40 - 153:42
    I wanted to look more ladylike.
  • 153:42 - 153:46
    I changed my hair to be taken
    seriously. But apparently...
  • 153:47 - 153:48
    I was wrong.
  • 153:51 - 153:52
    It looks good.
  • 153:52 - 153:55
    You know,
    it happens faster than you think.
  • 153:56 - 153:57
    Really?
  • 154:03 - 154:06
    I've never met anyone
    who wanted to look older.
  • 154:08 - 154:10
    What about your shows and stuff?
  • 154:11 - 154:12
    Is all that going well?
  • 154:12 - 154:13
    It's fine.
  • 154:14 - 154:15
    It's all fine.
  • 154:17 - 154:18
    Tell me.
  • 154:18 - 154:19
    It's a little...
  • 154:20 - 154:23
    a little complicated to organize.
  • 154:23 - 154:25
    Press, journalists.
  • 154:26 - 154:27
    The price of success.
  • 154:27 - 154:30
    I see what your fans write
    on your site.
  • 154:30 - 154:31
    Bunch of dykes.
  • 154:33 - 154:35
    Hey, you asked for it.
  • 154:41 - 154:43
    I saw your latest paintings.
  • 154:43 - 154:44
    Really?
  • 154:45 - 154:48
    You blow me away.
    It's new, yet it's still you.
  • 154:48 - 154:51
    I'm lousy at explaining it.
  • 154:52 - 154:54
    I'll buy one
    once I have some money.
  • 154:54 - 154:56
    Come on, I'll give you one.
  • 154:57 - 154:59
    I'll pay you.
  • 155:00 - 155:01
    Yes.
  • 155:01 - 155:03
    It's important for me.
  • 155:03 - 155:05
    I can pay in flesh and blood.
  • 155:11 - 155:13
    It was a joke. A bad joke...
  • 155:13 - 155:15
    but a joke.
  • 155:15 - 155:16
    It was funny.
  • 155:19 - 155:21
    And you're doing well?
  • 155:22 - 155:23
    Still with my kids.
  • 155:24 - 155:26
    I have first-graders now. Older.
  • 155:27 - 155:29
    I'm a beginner, but...
  • 155:29 - 155:32
    it's great.
    Them too, with their ABCs.
  • 155:33 - 155:35
    During school break,
  • 155:35 - 155:38
    I have a support group
    for the ones with problems.
  • 155:38 - 155:40
    They're my favorites.
  • 155:40 - 155:42
    Very special cases, but...
  • 155:42 - 155:44
    they're magical.
  • 155:44 - 155:46
    So gratifying when you can help.
  • 155:48 - 155:49
    I'm having a blast.
  • 155:49 - 155:51
    They put me to the test,
  • 155:51 - 155:52
    push my limits.
  • 155:52 - 155:54
    But it's fascinating.
  • 155:54 - 155:56
    It's what you wanted.
  • 155:57 - 155:58
    Yeah, I think.
  • 156:02 - 156:03
    That's good.
  • 156:03 - 156:05
    Yeah, it's great.
  • 156:05 - 156:08
    But time-consuming.
    I have no time for myself.
  • 156:08 - 156:10
    You don't go out?
  • 156:10 - 156:12
    I do, but with other teachers.
  • 156:12 - 156:15
    Nightclubs,
    Vieux-Lille, restaurants.
  • 156:16 - 156:17
    But...
  • 156:19 - 156:20
    I often go home alone.
  • 156:21 - 156:23
    I mean, I'm all alone.
  • 156:25 - 156:27
    And no boyfriend?
  • 156:30 - 156:31
    Girlfriend?
  • 156:36 - 156:38
    I had some stupid flings, but...
  • 156:39 - 156:40
    nothing concrete.
  • 156:40 - 156:42
    Anyway, I have a hard time
  • 156:42 - 156:44
    getting attached.
  • 156:46 - 156:48
    I can understand.
  • 156:48 - 156:50
    It's not easy to be a couple.
  • 156:53 - 156:56
    You still with the girl
    who was at our place?
  • 156:57 - 156:58
    Lise?
  • 157:03 - 157:04
    You happy?
  • 157:05 - 157:06
    Yeah.
  • 157:10 - 157:11
    That's good, then.
  • 157:14 - 157:15
    Is she nice?
  • 157:16 - 157:17
    Yeah, she's nice.
  • 157:17 - 157:22
    I can see her cooking for you
    when you get home at night,
  • 157:22 - 157:24
    giving you flowers
    in the morning.
  • 157:24 - 157:26
    That's her style.
  • 157:27 - 157:30
    It's especially the kid, Aude...
  • 157:30 - 157:32
    that I like a lot.
  • 157:32 - 157:33
    Yeah, she has a kid.
  • 157:33 - 157:35
    She was very pregnant.
  • 157:36 - 157:38
    - How old is she?
    - Three.
  • 157:39 - 157:42
    I like her a lot. She's funny.
    We get along great.
  • 157:42 - 157:44
    We clown around together.
  • 157:45 - 157:46
    I teach her a lot.
  • 157:47 - 157:49
    And Lise yells at us.
  • 157:49 - 157:50
    No way.
  • 157:51 - 157:53
    Two kids in the house is a lot.
  • 157:59 - 158:01
    It's my family.
  • 158:17 - 158:19
    And sexually?
  • 158:21 - 158:22
    Do you enjoy it?
  • 158:28 - 158:30
    It's...
  • 158:32 - 158:33
    Lousy?
  • 158:34 - 158:36
    It's not lousy, but it's...
  • 158:38 - 158:39
    It's boring.
  • 158:40 - 158:42
    I don't know, Adèle.
  • 158:44 - 158:46
    It's not like with you.
  • 158:57 - 158:59
    I miss you.
  • 159:02 - 159:04
    I miss touching each other,
  • 159:04 - 159:07
    seeing each other,
    breathing in each other's scent.
  • 159:19 - 159:21
    I want you.
  • 159:22 - 159:23
    All the time.
  • 159:24 - 159:26
    No one else.
  • 159:30 - 159:32
    I miss everything.
  • 159:32 - 159:35
    But I have to say,
    I miss this a lot.
  • 159:43 - 159:45
    Let me touch you.
  • 160:10 - 160:11
    Stop.
  • 160:11 - 160:14
    Don't say you don't want to.
    I don't believe it.
  • 160:15 - 160:17
    I know you miss it too.
  • 160:22 - 160:23
    Touch.
  • 161:00 - 161:01
    Stop it.
  • 161:40 - 161:41
    I can't.
  • 161:46 - 161:48
    Forgive me. I don't know.
  • 161:49 - 161:50
    I don't know.
  • 161:54 - 161:55
    It's beyond my control.
  • 161:57 - 161:59
    You're forgiven.
  • 162:01 - 162:03
    You won't see me anymore?
  • 162:08 - 162:09
    No.
  • 162:21 - 162:23
    You haven't forgiven me.
  • 162:24 - 162:25
    Yes, I have.
  • 162:34 - 162:36
    You don't love me anymore.
  • 162:58 - 163:00
    Are you sure?
  • 163:02 - 163:03
    Yes.
  • 163:11 - 163:13
    I'm with someone else now.
  • 163:17 - 163:18
    You know that.
  • 163:26 - 163:29
    But I feel an infinite
    tenderness for you.
  • 163:32 - 163:33
    I always will.
  • 163:34 - 163:36
    My whole life.
  • 164:00 - 164:02
    I'm sorry.
  • 164:03 - 164:05
    You know me.
  • 164:08 - 164:10
    Sometimes I cry for no reason.
  • 164:11 - 164:13
    Yeah, I know you
    pretty damn well.
  • 164:18 - 164:20
    Happens to me every time.
  • 164:21 - 164:23
    I know.
  • 164:23 - 164:25
    You're always blubbering.
  • 164:30 - 164:32
    Leave whenever you want.
  • 164:32 - 164:33
    Yeah, right.
  • 164:35 - 164:36
    No, really.
  • 164:38 - 164:40
    I won't bother you again.
  • 164:42 - 164:44
    You're not bothering me.
  • 164:47 - 164:48
    Okay, I'm going.
  • 165:12 - 165:13
    Get going.
  • 165:14 - 165:16
    Go on, beat it.
  • 166:37 - 166:39
    Alexandre, wake up.
    You just got here.
  • 166:51 - 166:53
    "No Need" by Alain Bosquet.
  • 166:54 - 166:55
    Take your time.
  • 166:55 - 166:59
    What's the hurry?
    Pronounce so we all understand.
  • 166:59 - 167:02
    "No Need" by Alain Bosquet.
  • 167:02 - 167:06
    "The elephant's trunk"
  • 167:06 - 167:10
    is for picking up pistachios.
  • 167:10 - 167:13
    "No need to bend down."
  • 167:14 - 167:17
    Adam, can you continue?
  • 167:18 - 167:19
    You know where we are?
  • 167:20 - 167:22
    "The giraffe's neck is..."
  • 167:22 - 167:25
    Louder, please.
    Start from the beginning.
  • 167:25 - 167:29
    "The giraffe's neck
    is for grazing on the stars.
  • 167:29 - 167:31
    No need to fly."
  • 167:31 - 167:32
    Very good.
  • 167:34 - 167:35
    Prune?
  • 167:35 - 167:37
    "The chameleon's skin,"
  • 167:37 - 167:39
    green, blue, purple, white,
  • 167:39 - 167:42
    is for hiding from animals.
  • 167:42 - 167:44
    "No need to run away."
  • 167:45 - 167:46
    Wassila?
  • 167:47 - 167:51
    "The poem of the poet
    is to say all this"
  • 167:52 - 167:54
    and thousands and thousands
    of other things.
  • 167:55 - 167:56
    "No need to understand."
  • 169:24 - 169:27
    I can't believe she came.
    It's been ages.
  • 169:34 - 169:36
    Myrième, exactly.
    I haven't seen you in ages.
  • 169:38 - 169:41
    What a pretty dress.
    I love the color blue.
  • 169:42 - 169:43
    Thanks. That's nice of you.
  • 169:43 - 169:45
    Can I ask you something?
  • 169:45 - 169:48
    My nephew, Nicolas Rouillard.
    Ring a bell?
  • 169:48 - 169:51
    He said his teacher
    was named Adèle. You?
  • 169:51 - 169:53
    Seriously. What's he like?
  • 169:53 - 169:55
    Adorable.
  • 169:55 - 169:56
    My sister's son.
  • 169:56 - 169:59
    I wanted you to give me
    the scoop on him.
  • 170:00 - 170:00
    How funny.
  • 170:01 - 170:03
    Is he a good worker? Really?
  • 170:03 - 170:04
    A sweetheart.
  • 170:07 - 170:10
    I'm going to go mingle.
    We'll talk later.
  • 170:10 - 170:11
    See you.
  • 170:12 - 170:13
    Are you okay?
  • 170:14 - 170:15
    And you?
  • 170:16 - 170:18
    How did you get here?
  • 170:18 - 170:19
    By foot. I live nearby.
  • 170:21 - 170:22
    Nice neighborhood.
  • 170:25 - 170:26
    Welcome.
  • 170:27 - 170:28
    Thanks for inviting me.
  • 170:29 - 170:30
    It's normal.
  • 170:31 - 170:34
    So here are my paintings.
  • 170:35 - 170:38
    And behind you is a painter
    named Adé Bernard.
  • 170:38 - 170:39
    Okay.
  • 170:42 - 170:44
    That one is awesome.
  • 170:46 - 170:47
    It's amazing.
  • 170:47 - 170:48
    Really.
  • 170:48 - 170:50
    Everything.
  • 170:53 - 170:55
    Hello. How are you?
  • 170:56 - 170:57
    Remember me?
  • 170:57 - 171:00
    We love it,
    but we have a few questions.
  • 171:00 - 171:02
    That's why I'm here.
  • 171:03 - 171:04
    Excuse me.
  • 171:05 - 171:08
    I see old Emma, new Emma,
    blue and red.
  • 171:08 - 171:09
    The life bearer.
  • 171:10 - 171:12
    She seems totally at peace,
  • 171:12 - 171:16
    yet there's something
    troubling in her eyes.
  • 171:17 - 171:20
    I like it. I was wondering
    what she's thinking.
  • 171:22 - 171:25
    There's an incipient
    happiness, but also
  • 171:25 - 171:26
    a lot of anguish.
  • 171:27 - 171:30
    Her gaze is absent,
    yet it seems to beckon us
  • 171:31 - 171:32
    amid all the colors.
  • 171:33 - 171:34
    I'll be right back.
  • 171:34 - 171:35
    We'll talk afterwards.
  • 171:36 - 171:38
    Sarah went to Beaux Arts too.
  • 171:39 - 171:41
    I love what you do.
  • 171:41 - 171:45
    I feel a passion, a movement...
  • 171:45 - 171:47
    in the lines.
  • 171:47 - 171:48
    Too much talk.
  • 171:48 - 171:50
    What a pickup artist.
  • 171:55 - 171:57
    It's nice to see you.
  • 171:57 - 171:59
    How do you like it?
  • 172:00 - 172:02
    It's breathtaking.
  • 172:02 - 172:04
    And Joachim's showing her work.
  • 172:05 - 172:08
    When I got the invitation,
    I thought of you both.
  • 172:08 - 172:10
    She really wanted it.
  • 172:12 - 172:13
    It was perfect timing.
  • 172:14 - 172:15
    It's really good.
  • 172:18 - 172:20
    And you see... you're still here.
  • 172:27 - 172:28
    It's nice to see.
  • 172:31 - 172:32
    See you later.
  • 172:32 - 172:33
    Sure thing.
  • 173:07 - 173:08
    You doing okay?
  • 174:04 - 174:05
    How are you?
  • 174:05 - 174:06
    Yeah, great.
  • 174:07 - 174:08
    Good to see you.
  • 174:08 - 174:09
    Same here.
  • 174:12 - 174:14
    Are you still in movies?
  • 174:15 - 174:16
    Real estate now.
  • 174:18 - 174:21
    I'm still doing movies,
    but very little.
  • 174:22 - 174:25
    I was sick of...
    rubbing everyone the right way.
  • 174:25 - 174:27
    Ball-busting directors.
  • 174:28 - 174:29
    It was a pain.
  • 174:29 - 174:31
    Better to be a hypocritical salesman.
  • 174:33 - 174:34
    Like the show?
  • 174:35 - 174:37
    Not bad.
    It's not really my thing.
  • 174:41 - 174:42
    You're still as beautiful.
  • 174:43 - 174:44
    Think so?
  • 174:44 - 174:45
    Even in real life.
  • 174:48 - 174:50
    That makes you laugh?
  • 174:50 - 174:52
    At least you're smiling again.
  • 174:55 - 174:58
    It's not that hard seeing Emma?
  • 174:59 - 175:01
    Things are settled between us.
  • 175:01 - 175:03
    As long as they're settled.
  • 175:08 - 175:10
    You ever get to New York?
  • 175:12 - 175:13
    Not yet.
  • 175:13 - 175:15
    Traveling opens your mind.
  • 175:16 - 175:17
    Yeah, I know.
  • 175:19 - 175:20
    Let me steal him.
  • 175:20 - 175:22
    - Come on.
    - One sec.
  • 175:43 - 175:44
    It was great.
  • 175:52 - 175:54
    I saw you in a movie.
  • 175:54 - 175:56
    - Acting suited you.
    - Really?
Title:
Blue Is The Warmest Color - Full Movie HD
Video Language:
English

English subtitles

Revisions