Jonathan Safran Foer: Novels can learn from poetry

Interview with American writer Jonathan Safran Foer, in which he reflects on the power of literature in general and poetry in particular. Foer also argues that art always has a personal point of departure, where the artist confronts the world and rearranges it.

In this interview Jonathan Safran Foer (born 1977) reflects on various media and cultural activities. Personally, he is fascinated by film, but at all the critical moments of life Foer has been drawn to the unique power of literature, and especially poetry. However, all true art and culture has a common ground, Foer says. Unlike most other activities in society, art and culture are produced without a direct function and solely for their own sake. Foer argues that every work of art -- whether it is a painting, a book, a film or a piece of music -- is highly subjective at heart. Foer further explains why his novels often revolve around the theme of the family. "How can you not write about it," he asks, "since everybody is confronted with the subject, even those who have lost their family or grew up without it?" It would be much more relevant, he claims, to ask J.K. Rowling why she writes about wizards.

Jonathan Safran Foer was interviewed by Synne Rifbjerg.

Camera: Troels Kahl and Martin Kogi

Produced by: Kamilla Bruus and Synne Rifbjerg, 2012

Copyright: Louisiana Channel, Louisiana Museum of Modern Art.

Meet more artists at http://channel.louisiana.dk

Louisiana Channel is a non-profit video channel for the Internet launched by the Louisiana Museum of Modern Art in November 2012. Each week Louisiana Channel will publish videos about and with artists in visual art, literature, architecture, design etc.

Read more:
http://channel.louisiana.dk/about

Supported by Nordea-fonden.

人們常討論文學的死亡

我認為人們曾短暫地討論它

在這一本的文學作品出現時

但之後就愈來愈多人討論了

而這個現相是由於讀者愈來愈少造成的

介由他們的逐漸增加的冷默

或者是無慮又或是對文學的不信任

以至於這個現相造就螢幕所以的一切

都在螢幕出現 所以意謂不夠好的書本

就無法在螢幕上出現