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LITERATURE - George Orwell

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    George Orwell
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    Was an English intellectual who died in 1950,
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    and used literature
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    for the only reason it utimately really exists:
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    to try to change the world for the better.
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    He was in the deepest sense
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    a political writer;
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    someone who wanted art
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    to help us grow kind,
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    fair, wise.
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    In 1946, the year after the publication
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    of his momentaneously popular fable,
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    ''Animal Farm'', he wrote an essay titled
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    ''Why I write'',
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    which laid out his approach
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    with a characteristic clarity.
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    ''What I wanted to do throughout
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    the past ten years
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    is to make political writing
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    into an art.
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    My starting point is always
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    a feeling of partisanship,
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    a sense of injustice.
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    When I sit down to write a book,
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    I don't say to myself
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    ´´ I'm going to produce
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    a work of art´´
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    I write it because there is some lie
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    I want to expose,
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    some fact to which I want
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    to draw attention, and my
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    initial concern is to get a hearing
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    To understand why Orwell matters
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    we therefore have to undestand
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    what this most political of writers loved
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    and what he hated,
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    what he was in rebellion against
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    and what he championed.
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    This is what will give us the keys
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    to undestanding his remarkable work,
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    and painful, yet deeply
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    fullfiled life.
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    George Orwell always hated
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    the social group which he was,
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    despite everything, an exemplary member:
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    Intellectuals.
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    From an early age,
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    he'd wanted to be a writer.
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    But George Orwell exelled
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    at never quite belonging
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    He was born in 1903 in India,
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    which was then part of the British empire,
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    to economically fragile
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    civil servant parents,
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    who fought for him
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    to have a classic, upper middle class
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    English upbringign.
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    And then hoped he might become
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    a doctor or a lawyer.
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    They sent him to what turned out to be
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    a crippling, mean spirited
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    English prep school, at the age of eight,
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    from where he won a scholarship to Eton
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    But he turned against the values
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    and spirit of the English Public School System
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    He never went to university
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    and stint as an imperial policeman in Burma,
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    he settled into the life of the odd throbbing
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    literary intellectual.
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    Working in a hampstered bookshop,
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    reviewing other people's books,
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    and eventually,
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    writing some of his own.
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    Nevertheless, Orwell's desdain of
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    intellectuals was a constant.
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    He accused them of a range of sins:
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    a lack of patriotism,
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    resentment of money,
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    fisical vigor,
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    concealed sexual frustration, pretension
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    and dishonesty.
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    He knew it all from the inside.
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    But Orwell's greatness
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    emerged from the right determnation
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    with which he recognized and
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    came to triumph against such tendencies
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    in himself.
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    ´´The really important fact about
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    the English intelligentsia´´,
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    he once wrote,
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    is that severance from the common culture
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    of the country.
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    In left wing circles
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    it's always felt that there is something slightly
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    disgraceful in being an English man.
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    And there is a duty to snigger
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    at every English institution,
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    from horse racing to suet puddings.
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    Orwell's generation of intellectuals,
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    which has witnessed the first
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    World War and the Great Depression
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    was obsessed with aerie,
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    abstract, large schemes to redeem
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    human kind.
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    Some were fanatical communists,
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    others staunch offenders of
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    radical capitalism, a few
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    admired the new authoritarian regimes
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    of Italy, Spain and Germany
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    and wanted something similar
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    to take hold in anglophones fear.
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    Orwell listened, and was for a time a little
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    seduced, but became gradually
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    to champion something far
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    more radical: the tastes, opinions,
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    needs and outlook of someone
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    he called the ordinary person.
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    A knowledge of ordinary life came
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    rather late to Orwell.
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    As a typical product of an English Public
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    School, he was a little exposed
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    in anyone below his own social
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    class.
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    A tendency compounded by a naturally
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    aloof, bookish and different manner.
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    A friend described him in age 25 as,
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    remarkably muff eaten for one of his age.
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    But Orwell set out to make up
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    for his lack of knowledge
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    and gradually came to be the grat defender
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    of what he repeatedly called
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    ordinary life.
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    Life of people, not especially blessed
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    with material goods, but people who
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    work on ordinary jobs,
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    who don´t have much of an education,
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    who won´t achieve greatness
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    and yet nevertheless, love, care for
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    others, work, have fun, raise children,
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    and have large thoughts about the deepest
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    questions, in ways that Orwell
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    thought especially admirable.
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    Orwell´s journey into ordinary life
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    began in the spring of 1928,
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    when he left the privileges of
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    his class behind, and went
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    to work in series of menial
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    service jobs.
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    In the French and English capitals
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    experiencies he was to recount in
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    his book: Down and Out in Paris and London
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    published in 1933.
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    The book is filled with
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    affection and portraits of life
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    behind stairs in hotels and restaurants
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    and reveals camaraderie, humor and warmth.
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    of an assortment of cleaners,
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    shoe rubbers, waiters, chefs,
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    and the occasional prostitute tramp.
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    It was a side of life Orwell was further
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    to investigate. In a book chronicling his
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    around the industrial coal mining of
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    Northern England.
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    In a 1937 book titled ´´The Road to Wifan
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    Pier´´again, without sentimentality or
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    reverse snobbery, Orwell casts the
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    generous complex eye over
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    the people he met, and concluded that
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    the average pub in a coal mining
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    village contained more intelligence,
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    wisdom, than the British cabinet, or the
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    high table of an Oxbridge college.
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    Orwell especially liked the lack of
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    prudishness and hipocrisy among
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    the ordinary people he met. One thing one
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    notices when he writes, if he looks
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    directly at the common people,
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    especially in the big towns, is that they
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    are not uritanical; they are veteran
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    gamblers, drink as muh beer as their
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    wages will permit and devoted to
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    boardy jokes and use, probably, the
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    foulest language in the world.
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    Then, as now, there was plenty of
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    information in the news about
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    ordinary people. But Orwell understood
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    that these news tended to turn people
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    into abstractions, and he saw it as the
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    role on his craft, literary journalism, to
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    flesh out the human beings behind
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    the statistics.
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    And so, correct the prejudice and casual
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    racism that circulated all around.
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    In an essay written on a trip to Marrakech
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    Orwell wrote sarcastically are
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    the typically neo-colonial attitude of
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    travelers towards the local inhabitants.
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    ´´The people here have brown faces´´
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    ´´´There are so many of them, are they
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    really the same flesh as yourself?´´
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    ´´Do they even have names?´´
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    ´´Or are they merely a kind of
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    undifferentiated brown stuff?´´
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    ´´As individual as bees or coral insects´´
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    All people who work with their hands are
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    partly invisible. And the more important
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    the work that they do, the less visible
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    they are.
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    Orwell´s ove of the ordinary inspired his
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    curiosity about a range of themes
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    not often considered in literature. He
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    thought about and wrote in praise of
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    comics and country walks, dancing and
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    flowers. He wrote bravely in defense
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    of English cooking, kippers, Yorkshire,
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    pudding, Devonshire cream, muffins and
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    crumpets he wrote. And then asked,
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    where else other than Englsh cooking
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    do you see potatoes roasted under the
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    joint? Which is, far in a way, the best
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    way of cooking them. Orwell wrote tenderly
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    in defense of Charles Dickens, at the time
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    this great writer was considered low brow
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    and too popular to win the esteemed
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    of intellectuals. In a great essay of 1946
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    Politics and the English Language,
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    Orwell stood up against the pros typical
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    of intellectuals, high blown and full
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    of long fancy words and defended
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    a simple, almost naive way of writing.
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    He outlined the list of rules for how to
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    write well, which included a complete ban
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    on fancy words like ´´phenomenon´´,
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    ´´categorical´´, ´´utilize´´,
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    ´´inexorable´´ and ´´veritable´´.
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    Orwell revealed a hatred of foreign words
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    like status quo and deus ex machina, and
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    concluded that there is really no need
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    for any of the hundreds of foreign
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    phrases now curent in English.
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    George Orwell is today extremely
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    famous for two books which played a very
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    small part in his life, if measured simply
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    in terms of years. He wrote Animal Farm
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    in 1945 when he was 42 and he published
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    Nineten Eighty-Four in 1949 when he
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    was 45. But he was dead by January 1950
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    at the age of only 46.
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    In other words, he had just four short
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    years being the Orwell we know today.
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    Nevertheless, these two books are
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    anchored in deep thinking that Orwell
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    had done all his adult life about how
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    literature should be written in an age
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    of movies and mass communication.
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    In short, he knew that the task of a
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    writer was to ensure that the most serious
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    ideas should achieve mass popularity, a
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    double act, which requiered particular
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    skill and intelligence. Animal farm is a
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    political trapped about how revolutions
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    fall prey to counter-revolutions,
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    and turn their backs on their own original
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    ideals.
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    It fairly maps out the progress of French
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    revolution. The European Revolutions
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    of 1848 and the Russian Revolution of 1917
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    But, described like this, no one outside
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    of the few academics would ever bother
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    to read it.
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    Orwell´s genius was to hit upon of
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    form the fable which would carry his story
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    to a mass audience and could be undestood
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    as he put it, by more or less, anyone.
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    So Orwell did what Aesop, Walt Disney,
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    La Fontaine and Beatrix Potter amog many
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    others, have done. Which is to tell a
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    story about humans via animals.
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    In the process, Orwell revealed the sins
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    of revolutionaries are not limited to
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    people involved in actual revolutions.
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    Indeed. that it´s a permanent human
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    possibility to believe when he´s guided
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    by high ideals and then go on to betray
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    them all. Every time a revolution now goes
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    wrong, people bring up Animal Farm, and
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    declare it to be ahead of it´t time.
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    So prescient.
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    This is the genius of Orwell´s fable.
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    By cutting out all contemporary human
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    references, Orwell found a way to tell us
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    about ourselves, for all time, even for
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    the future.
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    Having successfully reinvented the fable,
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    Orwell, in an astonishing burst of
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    creativity, reinvented the science fiction
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    novel.
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    As a boy, he loved the novels of H.G.Wells
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    Especially, the Time Machine and The War
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    of The Worlds.
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    Like Wells, Orwell seized upon trends in
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    his own time and try to imagine how they
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    might develop over the long term.
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    His sience fiction novel is set in
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    Airstip One, a place once known as
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    Great Britain, but now province of super
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    state of Oceania, and lockd in perpetual
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    ideological conflict with two other blocks
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    Eurasia and East Asia,
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    Like all great dystopian novels, Orwell´s
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    book was an attempt to warn his own
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    society about it´s own alarming trends.
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    For example, he could see that what can
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    terrorize a country is not so much
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    outright turture or clumsy covert
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    restrictions on free speech, but a lulling
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    of the citizenry through sophisticated
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    entertainment and empty-headed
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    news reports, all wrapped up in a constant
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    reference to freedom.
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    So, in 1984, society is full of intriguing
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    new machines, omnipresent screens, which
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    both addicted and at the same time watch
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    over their citizens.
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    Julia, the leading female figure in the
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    novel, works on the department of
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    goverment known as ´´Mini True´´, which
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    systematicaly distorts access to
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    information in highly subtle ways
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    To blind the citizenry to their
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    enslavement. Julia operates a machine that
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    turns out porn novels alongside films
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    oozing with sex, rubbishing newsapers
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    containing almost nothing but sport, crime
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    and astrology. The people, however, don´t
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    feel they are enslaved.
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    As Orwell so well understood, the really
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    clever and scary regimes of the modern
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    world aren´the obviously dictatorial ones.
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    They are the apparently democratic ones
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    that give their citizens the distinctive
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    feeling that they are free, when in fact
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    blinding them with constant sexual
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    titillation, and sentimental distractions.
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    George Orwell had the wisdom to make
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    himself remarkably future proof.
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    He was weary of economic and political
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    abstractions. He stayed close to the truth
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    of ordinary ife. The realities of sex,
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    food, money, love and pleasure and he
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    wrote with total clarity about enduring
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    eternal themes on human nature.
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    He is perhaps, the most successfull
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    serious English language writer of the 20th
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    century and gives us the tools to continue
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    to imagine what writing should be in our
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    own time. Ultimately, Orwell´s message is
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    the same as the plea that he discerned in
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    all of Charles Dickens books. In the
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    essay he wrote on him namely, that human
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    beings should behave better. This, as he
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    pointed out, is either a terrific cliche
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    or just about the most important
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    instruction in the whole life. It was
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    Orwell´s genius to remind us that it is,
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    of course,very much, the latter.
Title:
LITERATURE - George Orwell
Description:

George Orwell is the most famous English language writer of the 20th century, the author of Animal Farm and 1984. What was he trying to tell us and what is his genius? If you like our films, take a look at our shop (we ship worldwide): https://goo.gl/vSiVRh

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CREDITS

Produced in collaboration with:

Mike Booth
http://www.youtube.com/somegreybloke

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Video Language:
English
Duration:
13:47

English subtitles

Revisions