LITERATURE - George Orwell
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0:08 - 0:09George Orwell
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0:09 - 0:12Was an English intellectual who died in 1950,
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0:12 - 0:13and used literature
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0:13 - 0:16for the only reason it utimately really exists:
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0:17 - 0:19to try to change the world for the better.
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0:20 - 0:21He was in the deepest sense
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0:21 - 0:23a political writer;
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0:23 - 0:24someone who wanted art
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0:24 - 0:26to help us grow kind,
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0:26 - 0:27fair, wise.
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0:28 - 0:30In 1946, the year after the publication
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0:30 - 0:32of his momentaneously popular fable,
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0:33 - 0:35''Animal Farm'', he wrote an essay titled
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0:35 - 0:36''Why I write'',
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0:37 - 0:38which laid out his approach
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0:38 - 0:40with a characteristic clarity.
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0:41 - 0:42''What I wanted to do throughout
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0:42 - 0:43the past ten years
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0:43 - 0:45is to make political writing
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0:45 - 0:46into an art.
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0:47 - 0:48My starting point is always
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0:48 - 0:50a feeling of partisanship,
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0:50 - 0:52a sense of injustice.
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0:52 - 0:53When I sit down to write a book,
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0:53 - 0:54I don't say to myself
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0:54 - 0:55´´ I'm going to produce
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0:55 - 0:56a work of art´´
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0:57 - 0:58I write it because there is some lie
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0:58 - 1:00I want to expose,
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1:00 - 1:01some fact to which I want
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1:01 - 1:03to draw attention, and my
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1:03 - 1:05initial concern is to get a hearing
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1:06 - 1:08To understand why Orwell matters
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1:08 - 1:09we therefore have to undestand
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1:09 - 1:12what this most political of writers loved
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1:12 - 1:13and what he hated,
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1:13 - 1:15what he was in rebellion against
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1:15 - 1:17and what he championed.
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1:17 - 1:19This is what will give us the keys
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1:19 - 1:21to undestanding his remarkable work,
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1:21 - 1:23and painful, yet deeply
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1:23 - 1:24fullfiled life.
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1:25 - 1:26George Orwell always hated
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1:26 - 1:28the social group which he was,
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1:28 - 1:30despite everything, an exemplary member:
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1:31 - 1:32Intellectuals.
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1:32 - 1:33From an early age,
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1:33 - 1:34he'd wanted to be a writer.
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1:34 - 1:36But George Orwell exelled
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1:36 - 1:37at never quite belonging
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1:37 - 1:39He was born in 1903 in India,
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1:40 - 1:42which was then part of the British empire,
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1:42 - 1:43to economically fragile
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1:43 - 1:45civil servant parents,
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1:45 - 1:46who fought for him
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1:46 - 1:48to have a classic, upper middle class
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1:48 - 1:49English upbringign.
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1:49 - 1:50And then hoped he might become
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1:50 - 1:52a doctor or a lawyer.
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1:52 - 1:54They sent him to what turned out to be
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1:54 - 1:55a crippling, mean spirited
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1:55 - 1:58English prep school, at the age of eight,
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1:58 - 2:00from where he won a scholarship to Eton
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2:00 - 2:02But he turned against the values
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2:02 - 2:04and spirit of the English Public School System
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2:04 - 2:06He never went to university
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2:06 - 2:09and stint as an imperial policeman in Burma,
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2:09 - 2:11he settled into the life of the odd throbbing
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2:11 - 2:12literary intellectual.
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2:13 - 2:15Working in a hampstered bookshop,
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2:15 - 2:16reviewing other people's books,
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2:17 - 2:18and eventually,
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2:18 - 2:19writing some of his own.
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2:19 - 2:21Nevertheless, Orwell's desdain of
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2:21 - 2:23intellectuals was a constant.
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2:23 - 2:25He accused them of a range of sins:
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2:25 - 2:27a lack of patriotism,
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2:27 - 2:28resentment of money,
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2:28 - 2:29fisical vigor,
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2:29 - 2:32concealed sexual frustration, pretension
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2:32 - 2:33and dishonesty.
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2:33 - 2:35He knew it all from the inside.
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2:36 - 2:37But Orwell's greatness
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2:37 - 2:39emerged from the right determnation
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2:39 - 2:41with which he recognized and
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2:41 - 2:43came to triumph against such tendencies
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2:43 - 2:44in himself.
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2:44 - 2:46´´The really important fact about
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2:46 - 2:47the English intelligentsia´´,
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2:48 - 2:48he once wrote,
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2:49 - 2:51is that severance from the common culture
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2:51 - 2:52of the country.
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2:52 - 2:53In left wing circles
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2:53 - 2:55it's always felt that there is something slightly
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2:55 - 2:57disgraceful in being an English man.
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2:58 - 2:59And there is a duty to snigger
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2:59 - 3:01at every English institution,
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3:01 - 3:03from horse racing to suet puddings.
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3:04 - 3:06Orwell's generation of intellectuals,
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3:06 - 3:07which has witnessed the first
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3:07 - 3:09World War and the Great Depression
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3:09 - 3:10was obsessed with aerie,
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3:10 - 3:12abstract, large schemes to redeem
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3:12 - 3:14human kind.
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3:14 - 3:16Some were fanatical communists,
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3:16 - 3:17others staunch offenders of
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3:17 - 3:19radical capitalism, a few
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3:19 - 3:21admired the new authoritarian regimes
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3:21 - 3:24of Italy, Spain and Germany
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3:24 - 3:25and wanted something similar
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3:25 - 3:27to take hold in anglophones fear.
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3:27 - 3:30Orwell listened, and was for a time a little
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3:30 - 3:32seduced, but became gradually
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3:32 - 3:33to champion something far
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3:33 - 3:35more radical: the tastes, opinions,
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3:35 - 3:37needs and outlook of someone
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3:37 - 3:40he called the ordinary person.
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3:41 - 3:42A knowledge of ordinary life came
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3:42 - 3:44rather late to Orwell.
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3:44 - 3:46As a typical product of an English Public
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3:46 - 3:48School, he was a little exposed
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3:48 - 3:49in anyone below his own social
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3:49 - 3:50class.
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3:50 - 3:52A tendency compounded by a naturally
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3:52 - 3:55aloof, bookish and different manner.
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3:55 - 3:57A friend described him in age 25 as,
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3:57 - 4:00remarkably muff eaten for one of his age.
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4:01 - 4:02But Orwell set out to make up
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4:02 - 4:04for his lack of knowledge
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4:04 - 4:06and gradually came to be the grat defender
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4:06 - 4:08of what he repeatedly called
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4:08 - 4:08ordinary life.
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4:09 - 4:11Life of people, not especially blessed
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4:11 - 4:13with material goods, but people who
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4:13 - 4:14work on ordinary jobs,
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4:14 - 4:15who don´t have much of an education,
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4:15 - 4:17who won´t achieve greatness
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4:17 - 4:20and yet nevertheless, love, care for
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4:20 - 4:22others, work, have fun, raise children,
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4:22 - 4:24and have large thoughts about the deepest
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4:24 - 4:26questions, in ways that Orwell
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4:26 - 4:28thought especially admirable.
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4:29 - 4:31Orwell´s journey into ordinary life
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4:31 - 4:33began in the spring of 1928,
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4:33 - 4:34when he left the privileges of
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4:34 - 4:36his class behind, and went
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4:36 - 4:37to work in series of menial
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4:37 - 4:38service jobs.
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4:38 - 4:40In the French and English capitals
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4:40 - 4:42experiencies he was to recount in
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4:42 - 4:44his book: Down and Out in Paris and London
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4:44 - 4:46published in 1933.
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4:47 - 4:48The book is filled with
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4:48 - 4:49affection and portraits of life
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4:49 - 4:51behind stairs in hotels and restaurants
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4:51 - 4:55and reveals camaraderie, humor and warmth.
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4:55 - 4:56of an assortment of cleaners,
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4:56 - 4:58shoe rubbers, waiters, chefs,
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4:58 - 5:00and the occasional prostitute tramp.
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5:00 - 5:03It was a side of life Orwell was further
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5:03 - 5:05to investigate. In a book chronicling his
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5:05 - 5:07around the industrial coal mining of
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5:07 - 5:09Northern England.
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5:09 - 5:12In a 1937 book titled ´´The Road to Wifan
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5:12 - 5:15Pier´´again, without sentimentality or
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5:15 - 5:17reverse snobbery, Orwell casts the
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5:17 - 5:19generous complex eye over
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5:19 - 5:21the people he met, and concluded that
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5:21 - 5:23the average pub in a coal mining
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5:23 - 5:25village contained more intelligence,
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5:25 - 5:28wisdom, than the British cabinet, or the
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5:28 - 5:30high table of an Oxbridge college.
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5:30 - 5:32Orwell especially liked the lack of
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5:32 - 5:33prudishness and hipocrisy among
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5:33 - 5:36the ordinary people he met. One thing one
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5:36 - 5:38notices when he writes, if he looks
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5:38 - 5:40directly at the common people,
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5:40 - 5:41especially in the big towns, is that they
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5:41 - 5:44are not uritanical; they are veteran
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5:44 - 5:45gamblers, drink as muh beer as their
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5:45 - 5:47wages will permit and devoted to
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5:47 - 5:50boardy jokes and use, probably, the
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5:50 - 5:52foulest language in the world.
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5:52 - 5:54Then, as now, there was plenty of
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5:54 - 5:56information in the news about
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5:56 - 5:58ordinary people. But Orwell understood
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5:58 - 6:01that these news tended to turn people
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6:01 - 6:03into abstractions, and he saw it as the
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6:03 - 6:05role on his craft, literary journalism, to
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6:05 - 6:08flesh out the human beings behind
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6:08 - 6:09the statistics.
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6:09 - 6:12And so, correct the prejudice and casual
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6:12 - 6:14racism that circulated all around.
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6:15 - 6:17In an essay written on a trip to Marrakech
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6:17 - 6:19Orwell wrote sarcastically are
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6:19 - 6:21the typically neo-colonial attitude of
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6:21 - 6:24travelers towards the local inhabitants.
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6:24 - 6:26´´The people here have brown faces´´
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6:26 - 6:28´´´There are so many of them, are they
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6:28 - 6:30really the same flesh as yourself?´´
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6:30 - 6:32´´Do they even have names?´´
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6:32 - 6:33´´Or are they merely a kind of
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6:33 - 6:36undifferentiated brown stuff?´´
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6:36 - 6:39´´As individual as bees or coral insects´´
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6:39 - 6:42All people who work with their hands are
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6:42 - 6:44partly invisible. And the more important
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6:44 - 6:46the work that they do, the less visible
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6:46 - 6:47they are.
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6:48 - 6:50Orwell´s ove of the ordinary inspired his
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6:50 - 6:52curiosity about a range of themes
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6:52 - 6:54not often considered in literature. He
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6:54 - 6:57thought about and wrote in praise of
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6:57 - 6:59comics and country walks, dancing and
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6:59 - 7:01flowers. He wrote bravely in defense
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7:01 - 7:03of English cooking, kippers, Yorkshire,
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7:03 - 7:06pudding, Devonshire cream, muffins and
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7:06 - 7:08crumpets he wrote. And then asked,
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7:08 - 7:10where else other than Englsh cooking
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7:10 - 7:12do you see potatoes roasted under the
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7:12 - 7:15joint? Which is, far in a way, the best
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7:15 - 7:18way of cooking them. Orwell wrote tenderly
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7:18 - 7:20in defense of Charles Dickens, at the time
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7:20 - 7:23this great writer was considered low brow
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7:23 - 7:25and too popular to win the esteemed
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7:25 - 7:27of intellectuals. In a great essay of 1946
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7:27 - 7:29Politics and the English Language,
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7:29 - 7:32Orwell stood up against the pros typical
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7:32 - 7:34of intellectuals, high blown and full
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7:34 - 7:36of long fancy words and defended
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7:36 - 7:39a simple, almost naive way of writing.
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7:39 - 7:42He outlined the list of rules for how to
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7:42 - 7:44write well, which included a complete ban
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7:44 - 7:47on fancy words like ´´phenomenon´´,
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7:47 - 7:50´´categorical´´, ´´utilize´´,
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7:50 - 7:52´´inexorable´´ and ´´veritable´´.
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7:52 - 7:55Orwell revealed a hatred of foreign words
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7:55 - 7:58like status quo and deus ex machina, and
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7:58 - 8:01concluded that there is really no need
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8:01 - 8:02for any of the hundreds of foreign
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8:02 - 8:04phrases now curent in English.
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8:06 - 8:08George Orwell is today extremely
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8:08 - 8:10famous for two books which played a very
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8:10 - 8:13small part in his life, if measured simply
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8:13 - 8:16in terms of years. He wrote Animal Farm
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8:16 - 8:19in 1945 when he was 42 and he published
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8:19 - 8:21Nineten Eighty-Four in 1949 when he
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8:21 - 8:25was 45. But he was dead by January 1950
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8:25 - 8:27at the age of only 46.
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8:27 - 8:29In other words, he had just four short
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8:29 - 8:32years being the Orwell we know today.
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8:33 - 8:35Nevertheless, these two books are
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8:35 - 8:37anchored in deep thinking that Orwell
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8:37 - 8:39had done all his adult life about how
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8:39 - 8:41literature should be written in an age
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8:41 - 8:44of movies and mass communication.
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8:44 - 8:46In short, he knew that the task of a
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8:46 - 8:48writer was to ensure that the most serious
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8:48 - 8:52ideas should achieve mass popularity, a
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8:52 - 8:54double act, which requiered particular
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8:54 - 8:57skill and intelligence. Animal farm is a
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8:57 - 8:59political trapped about how revolutions
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8:59 - 9:02fall prey to counter-revolutions,
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9:02 - 9:04and turn their backs on their own original
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9:04 - 9:05ideals.
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9:05 - 9:07It fairly maps out the progress of French
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9:07 - 9:09revolution. The European Revolutions
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9:09 - 9:12of 1848 and the Russian Revolution of 1917
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9:12 - 9:15But, described like this, no one outside
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9:15 - 9:18of the few academics would ever bother
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9:18 - 9:18to read it.
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9:19 - 9:21Orwell´s genius was to hit upon of
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9:21 - 9:24form the fable which would carry his story
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9:24 - 9:26to a mass audience and could be undestood
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9:26 - 9:29as he put it, by more or less, anyone.
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9:30 - 9:32So Orwell did what Aesop, Walt Disney,
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9:32 - 9:35La Fontaine and Beatrix Potter amog many
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9:35 - 9:37others, have done. Which is to tell a
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9:37 - 9:40story about humans via animals.
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9:40 - 9:43In the process, Orwell revealed the sins
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9:43 - 9:45of revolutionaries are not limited to
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9:45 - 9:47people involved in actual revolutions.
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9:48 - 9:50Indeed. that it´s a permanent human
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9:50 - 9:52possibility to believe when he´s guided
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9:52 - 9:55by high ideals and then go on to betray
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9:55 - 9:58them all. Every time a revolution now goes
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9:58 - 10:01wrong, people bring up Animal Farm, and
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10:01 - 10:02declare it to be ahead of it´t time.
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10:03 - 10:04So prescient.
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10:04 - 10:07This is the genius of Orwell´s fable.
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10:07 - 10:09By cutting out all contemporary human
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10:09 - 10:12references, Orwell found a way to tell us
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10:12 - 10:15about ourselves, for all time, even for
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10:15 - 10:16the future.
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10:18 - 10:20Having successfully reinvented the fable,
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10:20 - 10:22Orwell, in an astonishing burst of
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10:22 - 10:24creativity, reinvented the science fiction
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10:24 - 10:25novel.
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10:25 - 10:28As a boy, he loved the novels of H.G.Wells
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10:28 - 10:30Especially, the Time Machine and The War
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10:30 - 10:31of The Worlds.
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10:31 - 10:34Like Wells, Orwell seized upon trends in
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10:34 - 10:36his own time and try to imagine how they
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10:36 - 10:39might develop over the long term.
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10:39 - 10:41His sience fiction novel is set in
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10:41 - 10:44Airstip One, a place once known as
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10:44 - 10:46Great Britain, but now province of super
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10:46 - 10:49state of Oceania, and lockd in perpetual
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10:49 - 10:51ideological conflict with two other blocks
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10:51 - 10:53Eurasia and East Asia,
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10:54 - 10:56Like all great dystopian novels, Orwell´s
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10:56 - 10:59book was an attempt to warn his own
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10:59 - 11:01society about it´s own alarming trends.
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11:02 - 11:04For example, he could see that what can
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11:04 - 11:06terrorize a country is not so much
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11:06 - 11:09outright turture or clumsy covert
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11:09 - 11:12restrictions on free speech, but a lulling
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11:12 - 11:14of the citizenry through sophisticated
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11:14 - 11:16entertainment and empty-headed
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11:16 - 11:19news reports, all wrapped up in a constant
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11:19 - 11:21reference to freedom.
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11:21 - 11:24So, in 1984, society is full of intriguing
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11:24 - 11:27new machines, omnipresent screens, which
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11:27 - 11:30both addicted and at the same time watch
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11:30 - 11:31over their citizens.
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11:32 - 11:34Julia, the leading female figure in the
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11:34 - 11:36novel, works on the department of
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11:36 - 11:38goverment known as ´´Mini True´´, which
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11:38 - 11:40systematicaly distorts access to
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11:40 - 11:42information in highly subtle ways
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11:43 - 11:44To blind the citizenry to their
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11:44 - 11:47enslavement. Julia operates a machine that
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11:47 - 11:49turns out porn novels alongside films
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11:49 - 11:52oozing with sex, rubbishing newsapers
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11:52 - 11:55containing almost nothing but sport, crime
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11:55 - 11:57and astrology. The people, however, don´t
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11:57 - 11:59feel they are enslaved.
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11:59 - 12:02As Orwell so well understood, the really
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12:02 - 12:04clever and scary regimes of the modern
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12:04 - 12:08world aren´the obviously dictatorial ones.
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12:08 - 12:11They are the apparently democratic ones
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12:11 - 12:13that give their citizens the distinctive
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12:13 - 12:16feeling that they are free, when in fact
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12:16 - 12:18blinding them with constant sexual
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12:18 - 12:21titillation, and sentimental distractions.
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12:23 - 12:24George Orwell had the wisdom to make
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12:24 - 12:27himself remarkably future proof.
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12:27 - 12:29He was weary of economic and political
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12:29 - 12:31abstractions. He stayed close to the truth
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12:31 - 12:34of ordinary ife. The realities of sex,
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12:34 - 12:36food, money, love and pleasure and he
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12:36 - 12:39wrote with total clarity about enduring
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12:39 - 12:41eternal themes on human nature.
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12:41 - 12:44He is perhaps, the most successfull
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12:44 - 12:46serious English language writer of the 20th
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12:46 - 12:48century and gives us the tools to continue
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12:48 - 12:51to imagine what writing should be in our
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12:51 - 12:55own time. Ultimately, Orwell´s message is
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12:55 - 12:57the same as the plea that he discerned in
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12:57 - 12:59all of Charles Dickens books. In the
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12:59 - 13:02essay he wrote on him namely, that human
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13:02 - 13:06beings should behave better. This, as he
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13:06 - 13:09pointed out, is either a terrific cliche
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13:09 - 13:11or just about the most important
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13:11 - 13:13instruction in the whole life. It was
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13:13 - 13:16Orwell´s genius to remind us that it is,
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13:16 - 13:19of course,very much, the latter.
- Title:
- LITERATURE - George Orwell
- Description:
-
George Orwell is the most famous English language writer of the 20th century, the author of Animal Farm and 1984. What was he trying to tell us and what is his genius? If you like our films, take a look at our shop (we ship worldwide): https://goo.gl/vSiVRh
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- Duration:
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Paloma Candia edited English subtitles for LITERATURE - George Orwell | |
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Paloma Candia edited English subtitles for LITERATURE - George Orwell | |
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Paloma Candia edited English subtitles for LITERATURE - George Orwell | |
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Paloma Candia edited English subtitles for LITERATURE - George Orwell | |
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Paloma Candia edited English subtitles for LITERATURE - George Orwell | |
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Paloma Candia edited English subtitles for LITERATURE - George Orwell | |
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Paloma Candia edited English subtitles for LITERATURE - George Orwell |