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Jane Eyre (1983) - Episode 5

  • 1:07 - 1:08
    It is as I thought.
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    How, sir?
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    You say you saw someone in the corridor?
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    No, only a candle on the floor.
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    But you heard an odd laugh.
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    You've heard that laugh
    before, I should think,
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    or something like it.
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    There is a woman who sews here,
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    Grace Poole... she laughs in that way.
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    She's a singular person, sir.
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    You've guessed it.
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    Grace Poole... she is,
    as you say, singular.
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    Very.
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    I shall reflect upon the matter.
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    But, sir...
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    Miss Eyre, you are the
    only person beside myself
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    who knows the details
    of tonight's incident.
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    You're no talking fool.
    You will say nothing.
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    I will account for
    this state of affairs.
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    Now...
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    go to your own room.
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    But you cannot sleep here, sir.
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    I shall do very well
    on the library sofa.
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    It must be nearly 4:00.
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    In 2 hours, the servants will be up.
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    Good night, then, sir.
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    What? Are you quitting me already?
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    And in that way?
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    You said I might go, sir.
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    At least shake hands.
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    You've saved my life.
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    I have a pleasure in
    owing you so immense a debt.
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    There is no debt or
    obligation in the case, sir.
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    Oh, I knew you would
    do me good in some way,
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    at some time.
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    I saw it in your eyes the
    first time I beheld you.
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    And that expression and smile did not...
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    did not strike delight to my
    very inmost heart so for nothing.
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    Oh, my cherished preserver.
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    Good night.
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    Good night, sir.
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    I am glad I happened to be awake.
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    What, you will go?
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    I am cold, sir.
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    Cold.
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    Yes.
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    Go on, Jane, go.
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    I think I hear mrs. Fairfax move.
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    Well, Jane, leave me.
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    Good night, sir.
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    What a to-do,
    what a to-do.
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    Good morning, mrs. Fairfax.
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    Oh, a good morning, do you call it?
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    Have you seen the master's room?
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    He might have been burned
    to a cinder in his bed,
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    and all for being
    careless with a candle.
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    Oh, well, we shall have it
    to rights within the day,
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    but there are so many
    things to be moved.
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    I have Leah and John in there.
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    I must call the rest of the servants.
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    Jane, dear, take those
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    and put them on the master's bed.
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    Oh, I am so grateful he has gone.
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    Gone? For good?
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    Oh, dear me, no.
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    No. He's only gone to a house party.
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    He will be back. But I must get on.
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    Oh, Jane, keep an eye on Leah and John.
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    You know how they love
    to waste time gossiping.
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    It's lucky he had this water jug full.
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    I wonder he did it himself
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    and waked nobody.
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    Why, miss Jane, what
    do you make of all this?
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    I was looking for mr. Rochester.
    Has he been in?
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    No, miss, but his
    horse is to be saddled,
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    and he's riding over to the leas.
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    Oh, thank you, John.
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    Do you know, is he
    expected to return soon?
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    I'm afraid not, miss.
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    Good morning, miss.
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    Good morning, Grace.
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    It is a strange affair, is it not?
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    I have been told what happened.
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    Did mr. Rochester wake no one?
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    Did no one hear him move?
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    The servants sleep too
    far off to hear, miss.
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    Mrs. Fairfax heard nothing.
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    Elderly people often sleep heavy.
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    But you sleep nearby, miss,
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    and I should say that being
    young you're a light sleeper.
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    Did you not hear a noise?
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    I did.
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    At first I thought it was Pilot,
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    but Pilot cannot laugh,
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    and I'm certain I heard a laugh...
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    a very strange one.
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    Well, it's hardly
    likely master would laugh
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    when he was in such danger.
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    I should think, miss,
    you must've been dreaming.
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    I was not dreaming.
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    You did not think of opening your door
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    and going out into the gallery?
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    Certainly not. I bolted my door.
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    I have not done so before,
    but I shall in the future.
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    It will be a wise thing to do.
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    I have never heard of the hall
    being attempted by robbers,
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    but there are hundreds
    of pounds worth of plate,
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    and there are very few servants.
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    I always think it best
    to err on the safe side.
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    A deal of people, miss, are
    for trusting all to Providence,
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    but I say Providence
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    blesses those that help themselves.
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    Mrs. Poole, will you come
    down to the servants dinner?
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    No. Just put my pint of porter
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    and a bit of pudding on a tray,
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    and I'll carry it upstairs.
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    You'll have some meat?
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    Oh, just a morsel...
    and a taste of cheese.
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    That's all, Maria.
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    Mrs. Fairfax is looking
    for you, miss, for dinner.
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    Thank you.
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    Mr. Rochester! Mr. Rochester!
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    What is it?
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    Grace Poole, sir.
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    She's in your bedroom, as bold as brass.
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    Well?
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    Well, why is she not in
    custody or at least dismissed?
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    You as good as said she
    was guilty last night, sir.
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    Why did you bind me to secrecy?
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    Is that all?
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    Has she some hold over you, sir?
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    Miss Eyre,
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    kindly confine your concerns
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    to matters which are
    within your province.
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    10 days, and not a
    word from mr. Rochester.
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    I wouldn't be surprised
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    if he doesn't go straight
    back to the continent
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    and doesn't show his face in Thornfield
    for another year or more.
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    Would he you know?
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    Mmm. No.
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    He has often left as
    suddenly and without warning.
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    Oh, the tray is not
    yet ready for you, Leah.
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    No, ma'am, but here's
    a letter just come.
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    Oh. Thank you.
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    It is from the master!
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    Well.
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    Well, we are going to be busy now.
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    He is returning?
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    Indeed he is.
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    And within 3 days, he's bringing
    a party of friends with him
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    and the honorable Blanche Ingram.
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    Good morning, ma'am.
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    Welcome to Thornfield.
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    Welcome home, sir.
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    Thank you, mrs. Fairfax.
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    I have enjoyed the company
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    of my only equal on
    horseback in the county
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    we've outpaced our friends by 5 minutes.
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    I always adore this house.
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    It is graced with an adorable guest.
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    Rogers, who is that lady?
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    That's the honorable
    miss Blanche Ingram, miss.
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    Thank you.
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    Let me show you to your room.
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    Mrs. Fairfax will attend upon you
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    until your servant arrives.
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    Mais qu'elle est belle.
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    She is very beautiful.
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    The carriages are ready, sir.
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    Thank you, John.
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    En avant, mes amis.
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    They have a fine day
    for their excursion.
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    And do not mr. Rochester and
    miss Blanche make a fine couple?
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    He evidently prefers her
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    to any of the other ladies.
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    Oh, it is clear he admires her.
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    Yes, it is.
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    Ah, but you see, my dear,
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    the gentry have more to
    consider than themselves.
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    Marriage is a duty.
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    It involves fortunes, family trees,
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    the bringing together of estates.
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    And there must come a time
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    when any gentleman has
    to consider his duty.
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    She is indeed beautiful.
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    Oh, you will see her at
    her best this evening.
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    I happened to mention to mr. Rochester
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    how much Adele wished to
    be introduced to the ladies,
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    and he said, "let her come into
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    the drawing room after dinner."
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    Oh, she will be in ecstasies.
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    And he said, "let miss
    Eyre accompany her."
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    Oh, no. He was only
    speaking out of politeness.
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    I told him you were shy,
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    and he said "Said her it is my wish.
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    If she resists, I shall
    come and fetch her."
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    To speak truth,
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    I did not greatly care
    for mr. Rochester's guests.
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    Most of them, miss Ingram especially,
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    seemed to me to be shallow,
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    haughty, and contemptuous
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    towards those not of their own station.
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    Of course, you have a governess for her.
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    Where is she now? Is she gone?
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    Oh, no, there she is still.
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    You should hear mama about
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    the subject of governesses.
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    I had a half a dozen at least,
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    all either detestable or ridiculous.
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    I used to quiz my governess,
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    but she was such good teacher
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    I might ransack her desk
    or upset her workbox.
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    She would bear anything.
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    I suppose we shall now have an abstract
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    of the memoirs of all the governesses
    of all our families.
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    May I play you something instead?
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    Oh, do, please.
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    Please do.
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    How do you do?
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    I am very well, sir.
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    Why didn't you come and
    speak to me in the room?
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    I did not wish to disturb you,
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    as you seemed engaged, sir.
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    Well, what have you been
    doing during my absence?
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    Nothing particular,
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    teaching Adele, as usual.
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    You're looking a good
    deal paler than you were.
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    What's the matter?
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    Nothing's the matter, sir.
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    Did you catch a cold
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    that night you half-drowned me?
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    Not the least, sir.
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    Return to the drawing room.
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    You're deserting too early.
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    I am tired, sir.
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    And a little depressed.
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    What about?
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    Tell me.
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    I'm not depressed.
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    But I affirm that you are...
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    so much depressed that a few more words
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    would bring tears to your eyes.
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    If I had time, I'd know
    what all this means.
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    Well...
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    tonight, I excuse you, but remember,
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    so long as my visitors stay,
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    I shall expect you in the
    drawing room every evening.
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    It is my wish.
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    Don't neglect it.
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    Now go.
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    Send Sophie for Adele.
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    Good night.
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    One evening,
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    a change of entertainment was proposed.
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    They spoke of playing charades,
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    but in my ignorance I did
    not understand the term.
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    Oh, yes, a wedding.
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    Why, it's a marriage.
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    What a magnificent couple they make.
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    Whatever can it be?
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    Was not the second syllable "well,"
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    and does that not make the
    entire word "Bridewell"...
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    the London prison?
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    Bravo!
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    I got it.
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    I got it.
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    My dear, come down.
  • 15:20 - 15:21
    Let me help you down.
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    Amy, that was quite exciting.
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    And remember, miss Ingram,
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    you are now my wife.
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    We were married just now in
    front of all these witnesses.
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    I saw he was going to marry her
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    for her family, rank, and connections.
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    I was not jealous, or only rarely so,
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    but I suffered an ever-torturing pain,
  • 15:49 - 15:50
    for I knew he did not love her.
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    He told us next day
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    that he had been summoned
    to Millcote on business
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    and would not be back until late.
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    That same afternoon,
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    a stranger arrived at Thornfield.
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    It appears I arrive at an
    inopportune time, madam,
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    when my friend mr.
    Rochester is from home,
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    but I arrive from a very long journey,
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    and I think I may presume
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    so far an old and intimate acquaintance
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    as to install myself until he returns.
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    My name's Mason.
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    I am but just arrived in England.
  • 16:46 - 16:49
    I spent some time on the
    West Indies Station, sir.
  • 16:49 - 16:50
    Do I detect...?
  • 16:50 - 16:52
    You have an acute ear, sir.
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    I am from Kingston, Jamaica.
  • 16:54 - 16:55
    Ha. I know it well.
  • 16:55 - 16:57
    It was there that I met mr. Rochester.
  • 16:57 - 16:58
    I did not know that mr. Rochester
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    had ever been to the West Indies.
  • 17:00 - 17:02
    Oh, Rochester has been everywhere.
  • 17:02 - 17:05
    But allow me to introduce
    you to the company, mr. Mason.
  • 17:05 - 17:07
    Lady Ingram, permit me to present
  • 17:07 - 17:09
    mr. Mason formally to you.
  • 17:09 - 17:11
    Most certainly.
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    Rochester did not like the West Indies.
  • 17:15 - 17:18
    Hurricanes and heat and
    the appalling rainfall
  • 17:18 - 17:21
    were too much even
    for his heroic tastes.
  • 17:21 - 17:23
    Beg pardon, sir.
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    There's an old woman in
    the hall refusing to leave.
  • 17:27 - 17:28
    A gypsy, sir.
  • 17:28 - 17:30
    Well, tell her I'm a magistrate
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    and shall have her put in the stocks
  • 17:32 - 17:34
    if she does not take herself off.
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    No, wait. Sam, did I hear
    you say she was a gypsy?
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    Yes, sir. She insists
    on being brought in
  • 17:38 - 17:41
    before quality to tell fortunes.
  • 17:41 - 17:43
    Well, we have no plans
    for entertainment.
  • 17:43 - 17:45
    Let her entertain us.
  • 17:45 - 17:47
    Surely, colonel Dent,
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    you would not encourage
    such a low imposter.
  • 17:49 - 17:50
    What is she like?
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    A shocking ugly old creature, miss,
  • 17:52 - 17:54
    almost as black as them coals.
  • 17:55 - 17:55
    Let's have her in.
  • 17:55 - 17:57
    To be sure. Why throw away
  • 17:57 - 17:58
    the chance of a little fun?
  • 17:58 - 18:00
    Show her into the library.
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    Well, that is what she wants, miss.
  • 18:01 - 18:04
    She says she'll not appear
    before the vulgar herd.
  • 18:05 - 18:07
    I think I had better go first.
  • 18:07 - 18:09
    No, sir. She wants no gentlemen...
  • 18:09 - 18:12
    ladies only, and only them
    that's young and single.
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    By Jove, she has taste.
  • 18:14 - 18:16
    Oh, my best, my dearest,
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    pause, reflect.
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    What did she say, Blanche?
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    Well, Blanche?
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    She pawed my palm and told me
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    what such people usually tell.
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    It is my turn now.
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    Oh, my dear.
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    I am sure she is something not right.
  • 19:14 - 19:16
    She told me such things...
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    She knows all about us.
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    If you please, miss,
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    gypsy says there is another
    young single lady in room,
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    and she'll not go on
    until she's seen thee.
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    The governess, indeed.
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    I will go, by all means.
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    Ah, I can make nothing
    of such a hand as that.
  • 20:01 - 20:03
    It's too fine.
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    Kneel on the rug.
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    It's in the face.
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    It's about the eyes,
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    in the set of the mouth.
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    I wonder with what feelings
  • 20:22 - 20:24
    you came to me tonight.
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    You have no secret hope
  • 20:28 - 20:31
    that whispers to you of a sweet future?
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    The utmost I hope is
    to save enough money
  • 20:34 - 20:35
    for a little school some day.
  • 20:35 - 20:38
    Mean food for the heart.
  • 20:39 - 20:42
    And when you're sitting
    in that window seat...
  • 20:42 - 20:45
    Oh, yes, I know your habits.
  • 20:46 - 20:48
    You have been speaking to the servants.
  • 20:48 - 20:49
    Oh, one of them.
  • 20:50 - 20:51
    You're sharp. You're quick.
  • 20:52 - 20:54
    Mrs. Poole.
  • 20:54 - 20:57
    Oh, don't be alarmed. She's
    a safe hand is mrs. Poole.
  • 20:58 - 21:01
    She can be trusted.
  • 21:01 - 21:04
    Now, when you're sitting
    in that window seat,
  • 21:04 - 21:07
    do you think of nothing
    but your future school?
  • 21:08 - 21:11
    Is there not one of your
    companions you think about?
  • 21:11 - 21:15
    Is there not one face that you study?
  • 21:15 - 21:17
    I like to observe all faces.
  • 21:17 - 21:19
    You are forced to observe your master.
  • 21:19 - 21:20
    He is not at home.
  • 21:21 - 21:24
    Does that blot him, as
    it were, out of existence?
  • 21:26 - 21:27
    I can scarcely see
  • 21:27 - 21:29
    what mr. Rochester
    has to do with my ways.
  • 21:29 - 21:32
    Amid all this society,
  • 21:32 - 21:35
    have you not seen love in his face?
  • 21:35 - 21:38
    I did not come here to confess.
  • 21:40 - 21:43
    Is it known that mr.
    Rochester is to be married?
  • 21:43 - 21:48
    Aye, and to the beautiful miss Ingram.
  • 21:48 - 21:50
    Shortly?
  • 21:50 - 21:54
    Appearances would make it seem so.
  • 21:54 - 21:56
    But, mother, I did not come here
  • 21:56 - 21:57
    to hear mr. Rochester's fortune.
  • 21:57 - 21:58
    I came to hear my own.
  • 21:58 - 22:01
    Your fortune is yet doubtful.
  • 22:01 - 22:05
    Chance has offered you
    a measure of happiness.
  • 22:05 - 22:06
    It depends on yourself
  • 22:06 - 22:09
    to stretch out your hand and take it up.
  • 22:10 - 22:13
    Whether you will do so is the question.
  • 22:15 - 22:17
    Kneel again on the rug.
  • 22:17 - 22:20
    Do not keep me long. The fire burns me.
  • 22:26 - 22:29
    Ah, the flame flickers in the eye.
  • 22:29 - 22:32
    The eye shines. It's
    soft and full of feeling.
  • 22:32 - 22:35
    The eye is favorable.
  • 22:35 - 22:37
    The mouth...
  • 22:37 - 22:41
    at times delights in laughter.
  • 22:42 - 22:46
    The brow's the enemy.
  • 22:46 - 22:50
    That brow says, "I can live
    alone if self-respect requires it.
  • 22:50 - 22:54
    I needn't sell me soul to buy bliss."
  • 22:54 - 22:55
    That forehead declares,
  • 22:56 - 22:58
    "reason sits firm and holds the reins.
  • 22:58 - 23:01
    "It will not let her feelings burst away
  • 23:01 - 23:04
    "and hurry her to wild chasms.
  • 23:04 - 23:08
    "Strong wind, earthquake shock and fire
  • 23:08 - 23:10
    "may pass by,
  • 23:11 - 23:13
    "but I will follow the guiding
  • 23:13 - 23:17
    "of that still, small voice
  • 23:17 - 23:21
    called conscience."
  • 23:23 - 23:25
    Well said, conscience.
  • 23:25 - 23:29
    Your voice shall be respected.
  • 23:29 - 23:31
    Well, Jane, do you know me now?
  • 23:31 - 23:33
    Off ye lendings.
  • 23:37 - 23:38
    It was well carried
    out, don't you think?
  • 23:38 - 23:40
    This was no party game.
  • 23:40 - 23:41
    You have been trying to draw me out.
  • 23:41 - 23:44
    Oh, Jane, do you forgive me?
  • 23:45 - 23:46
    I don't know.
  • 23:46 - 23:48
    I shall have to have
    time to think about it.
  • 23:51 - 23:52
    Mr. Rochester,
  • 23:52 - 23:55
    are you aware there is a
    stranger waiting to see you?
  • 23:55 - 23:57
    Mr. Mason of the West Indies.
  • 23:58 - 23:59
    Mason?
  • 24:01 - 24:03
    The West Indies?
  • 24:06 - 24:07
    Are you ill, sir?
  • 24:07 - 24:08
    Oh, Jane, I've got a...
  • 24:11 - 24:12
    I've got a blow, Jane.
  • 24:15 - 24:16
    Where is he?
  • 24:16 - 24:17
    In there with the others.
  • 24:23 - 24:24
    No whispering.
  • 24:24 - 24:27
    They're laughing and talking.
  • 24:27 - 24:28
    He seemed sociable.
  • 24:28 - 24:30
    Sociable?
  • 24:33 - 24:37
    Jane, if all those people
    turned their back on me,
  • 24:37 - 24:39
    went away from here,
  • 24:39 - 24:41
    would you go, too?
  • 24:41 - 24:43
    I would stay with any
    friend. I will stay with you.
  • 24:44 - 24:45
    But why?
  • 24:45 - 24:47
    Jane, go in there.
  • 24:47 - 24:48
    Step quietly up to Mason.
  • 24:49 - 24:49
    Whisper in his ear.
  • 24:51 - 24:52
    Tell him that Rochester is here
  • 24:53 - 24:55
    and waiting to see him.
  • 24:57 - 24:59
    Show him in then, then leave us.
  • 25:33 - 25:35
    I am sorry to arrive without warning.
  • 25:42 - 25:43
    Well, I must declare,
  • 25:43 - 25:45
    you're looking well, Richard.
  • 25:45 - 25:46
    Yes, Edward,
  • 25:47 - 25:50
    time has been kinder to me
    than I would have imagined.
  • 25:52 - 25:53
    Would that I could say the same.
  • 25:55 - 25:58
    Mason, I don't like you
    going up there tonight...
  • 25:58 - 26:00
    not on your own.
  • 26:01 - 26:02
    Wait until tomorrow.
  • 26:04 - 26:06
    I must go up now.
  • 26:06 - 26:07
    I could not sleep otherwise.
  • 26:39 - 26:41
    Help!
  • 26:42 - 26:43
    Help!
  • 26:43 - 26:45
    For God's sake, come!
  • 26:54 - 26:57
    Henry, my dear boy, did you hear that?
  • 27:03 - 27:05
    Where in the devil is Rochester?
  • 27:05 - 27:07
    Here I am. Be calm, all of you.
  • 27:08 - 27:10
    What awful thing has happened?
  • 27:10 - 27:13
    Don't strangle me.
  • 27:13 - 27:15
    All is right, do you hear? All is right.
  • 27:15 - 27:17
    What the deuce was that noise, then?
  • 27:18 - 27:20
    Yes. One of the
    servants had a nightmare.
  • 27:20 - 27:21
    That's all.
  • 27:22 - 27:24
    Now I must ask you all
    to return to your rooms.
  • 27:25 - 27:27
    We must get the house settled.
  • 27:27 - 27:30
    And, gentlemen, have the goodness
  • 27:30 - 27:31
    to set the ladies an example.
  • 27:31 - 27:34
    Miss Ingram, I know I can count on you.
  • 27:34 - 27:37
    Ladies, you will catch
    your death of cold
  • 27:37 - 27:38
    in this gallery.
  • 27:42 - 27:44
    Come on, come on.
  • 27:56 - 27:57
    Who is it?
  • 27:57 - 27:59
    Open the door.
  • 27:59 - 28:00
    Have you got any smelling salts?
  • 28:00 - 28:02
    - Yes, sir.
    - Bring them.
Title:
Jane Eyre (1983) - Episode 5
Description:

BBC 1983 TV Mini-Series

Timothy Dalton ... Edward Rochester
Zelah Clarke ... Jane Eyre

more » « less
Video Language:
English, British
Team:
Film & TV
Duration:
29:24

English, British subtitles

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