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【Gacharic Spin】最新アルバム『W』全曲インタビュー!

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    I'm MC Darling Honey Nagashima. Let's introduce today's guests.
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    Super aggressive and flashy rock girl band, Gacharic Spin.
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    First of all, please introduce yourself.
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    Thank you. I'm Gacharic Spin's mic performer, Angelina 1/3.
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    I'm Gacharic Spin's bassist, F Chopper Koga.
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    Thank you.
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    My name is pretty long, so please call me Angie.
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    I'm called Koga-chan.
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    Let's start with Koga-san.
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    I used to be in a girl band before Gacharic Spin.
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    The vocalist of the band I was in at the time was jokingly saying that the bassist needed pheromone.
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    Pheromone starts with P.
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    I made a mistake and used F.
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    There was a bassit at the time called John B. Chopper.
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    That's where I got my name from.
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    It wasn't this chopper (slapping).
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    It's different.
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    I made a mistake in everything.
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    There was a time to change it.
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    Only my real name, Koga, is correct.
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    I see.
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    It's unique.
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    I didn't think I'd be called Chopper for so long.
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    I wanted to change my name.
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    I wanted to change my name many times.
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    I consulted with the staff.
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    But I ended up keeping Chopper.
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    I see.
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    But with Chopper name.
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    I think Koga-san is synonymous whit that kind of playing.
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    When I think about putting Chopper in my name, it's amazing.
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    I didn't know at the time.
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    I'm regretting it now.
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    It's already hot, so let's keep it.
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    I see.
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    Angie, how about your name?
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    My name is Angelina 1/3.
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    1/3 represents three countries in the Philippines, Spain, and Japan.
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    I see.
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    My name is 1/3.
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    And Angelina is a foreign name.
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    I see.
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    Angie, you're not lying.
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    I'm not lying.
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    Koga-san, you're lying a lot.
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    She's lying a lot.
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    That's my name.
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    I see.
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    Where did you get the nickname mic performer?
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    Mic performer came from Koga-san.
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    Koga-san.
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    Why did you name me that?
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    Gacharic Spin originally had dancers in the band, and they were active for quite a long time.
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    After dancers graduated, I wanted to put in new blood who could fill a similar role.
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    I wanted to put a girl who could also make a voice a weapon.
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    I wanted for them to be able to sing and rap.
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    I thought it would be nice to name it mic performer.
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    When I found Angie, I named her mic performer.
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    I didn't think there were many other bands with that kind of role.
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    I see.
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    Did you find her during the audition?
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    That's right.
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    I joined after three months of auditioning.
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    Three months is a long time, isn't it?
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    I think I've seen a lot of human power.
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    That's crazy.
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    Originally, I saw you singing at a school festival.
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    She was a high school girl.
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    I see.
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    You were in the second year of high school, right?
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    That's right.
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    I was singing and playing the guitar of Aimyon-san songs.
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    When she saw me, she was curious about something, so she asked me.
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    I see.
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    I didn't participate in the audition before, so I auditioned from there.
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    I see.
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    Did Koga-san who wanted to push Angie?
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    That's right.
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    I pushed her a lot.
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    I see.
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    There were a few other candidates.
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    Also there were few staff memebers and a record company.
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    The members pushed Angie the most.
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    I see.
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    Angie was a alternate at that time.
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    That's right.
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    She was an alternate.
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    Actually, another vocalist was going to join.
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    I was going to do it together as a twin vocals.
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    That girl was so good at it.
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    I'm really stupid.
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    I don't remember the lyrics.
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    I make a mistake in the melody.
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    I can't perform at all.
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    I'm told to go to the right, but I go to the left.
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    I see.
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    They were afraid to let me officially join.
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    I've been told that I'm an alternate.
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    Of course.
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    That's right.
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    I see.
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    The vocalist who was originally going to join decided to withdraw right before the announcement.
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    So I won the lottery.
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    I see.
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    I won the lottery.
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    That's great.
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    I'm glad.
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    I'm really glad.
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    I see.
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    You were playing the guitar.
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    Did you play the guitar from the beginning?
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    It was my first time I playing in front of people.
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    I see.
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    I had to create an opportunity for someone to see me during my three years of high school.
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    I'm going to do my best to play a song that I can't play at all.
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    She watched me play.
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    I couldn see her standing on the stage for the first time.
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    She was really confident.
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    I see.
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    I wondered why she was doing it all by herself.
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    She said it was her first time.
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    That's amazing, too.
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    That's amazing.
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    I thought it was important.
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    I'm sure you've listened a lot of music.
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    What influenced you the most?
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    I really love Japanese rock music.
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    I used to listen to Super Beaver when I was a kid.
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    I used to listen to it in the first half of junior high school.
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    I used to listen to RADWIMPS.
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    When it comes to music genres, I used to listen to Western music.
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    My grandmother loves Enka.
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    I used to listen to Enka.
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    I used to listen to various genres.
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    I used to listen to all genres.
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    When you play on the stage, did you peform your own songs?
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    I wanted to do it, but I didn't have a sense for it.
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    If I'm going to do something crazy, I'd rather play a song that I remember.
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    I thought I couldn't do it without it.
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    That's why I played Aimyon.
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    I'd like to ask Koga-san a question.
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    Why did you start playing the bass?
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    I started with what was left over.
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    When we were forming a band we didn't have a bassist.
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    That's when I started playing the bass.
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    I didn't know the difference between bass and guitar.
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    I started with a sober mind.
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    I didn't think I'd be doing this for so long.
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    I really didn't think I'd start a band myself.
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    I don't know what's going to happen in my life.
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    The kids I used to play with at the time wanted to do music.
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    I was one of those kids.
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    Now that I think about it, everyone who wanted to do music quit and I'm the only one left.
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    I'm the only one left.
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    But that's how much I like the band and the bass playing.
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    We make one thing together.
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    I see. You don't care which one you're in charge of.
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    Looking back on it now, I could have played any part.
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    I don't know, I guess, but bass suited me.
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    I see.
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    What made you start a band called Gacharic Spin?
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    That F Chopper girl you mentioned was in a band.
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    I was the only one who's going to leave that band.
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    The band was about to make a major debut.
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    We had a lot of talk about it.
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    I thought I was a little different, so I quit.
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    I tried to go back to my parent's house after I quit music.
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    I thought if I were to do it again, I'd do it more seriously and for the last time.
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    Hana is a guitar vocalist now.
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    But at that time, I asked Hana to join a band together as a drummer.
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    She said she'd do it.
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    If Hana hadn't said she'd do it, Gacharic Spin wouldn't have been possible.
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    And probably I wouldn't be doing music anymore.
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    Speaking of Gacharic Spin, I feel like there's a variety of music in it.
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    It's a genre-less band.
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    When did you decide on that kind of sound?
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    From the beginning, I wanted to combine digital and rock sound.
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    There weren't a lot of girls doing rock music, so I wanted to do that.
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    We also wanted to do ballads as well.
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    Rather than wanting to do only specific genre, I wanted to make something like this.
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    As it went on, it became a non-genre.
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    There are a lot of very playful members.
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    Koga-san made an instructional DVD.
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    It's made by a group of people with such skills.
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    I have an image that it came out naturally.
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    Did it come naturally? Or you needed to brush up?
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    We had to brush up.
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    It has decreased considerably now, but at the time, just by being a woman you'd get made fun of.
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    I didn't want people to say that I wasn't good at it.
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    I thought, let's put something flashy and technical as our weapons first.
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    I wanted to do something that catch people's eyes.
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    But I also wanted to do a song with a lot of ballads.
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    First of all, I wanted to stand out.
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    But, well, that's the summary.
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    I wanted to do something technical like that.
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    But there are a lot of women musicians now.
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    There are a lot of technical people.
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    At that time, there weren't that many.
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    In that sense, I think we stood out.
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    It's a six-member all-girl band.
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    Is there anything difficult as a leader?
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    Of course there is.
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    If I say there's nothing difficult, I would be lying.
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    There are a lot of things, but it's not because I'm a leader.
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    Everyone has their own position.
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    Everyone has their own difficulties, but that part is the leader.
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    I was wondering what I should do to make each member shine.
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    When I get a lot of opinions, I make a lot of decisions.
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    In that sense, I often worry about it.
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    Angie is a mic performer.
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    What do you focus on when performing?
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    For example, to liven up the audience's agitation.
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    What I'm trying to do is to be honest all the time.
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    To be honest?
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    I've always loved bands.
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    I loved Gacharic Spin.
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    So I can understand the feelings of the audience.
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    If there's a lie in it, there's a part that doesn't connect.
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    I'm in charge of connecting the audience to the stage.
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    As a mic performer.
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    I'm always thinking about putting my honest feelings into the song or performance.
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    Speaking of honest feelings, Angie, you're on a radio show.
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    How do you approach the radio show?
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    I'm doing two songs, so if the same person talks for 30 minutes.
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    I have to make sure that both of them have a positive effect.
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    I'm very careful about how to divide the story.
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    But I can't talk about things I haven't experienced.
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    I'm going to deliver a more personal part on TBS radio.
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    I'm going to talk about what I'm feeling right now in the midst of the recent situation.
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    It's like a cultural broadcast.
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    That's great.
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    You're like a commentator.
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    I want you to listen to both and understand more.
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    First of all, I want to spread the name of Gacharic Spin.
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    Even if I play a song, I always say the band's name.
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    I think it's a chance for people to know me and like Gacharic Spin.
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    I always answer in interviews.
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    I have five members as my sisters.
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    One of the members, Angie, has the blood of the five members.
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    I think that if people will like me they will like Gacharic Spin.
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    I think that's the first priority.
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    Do you have any concerns?
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    I don't have any concerns.
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    Like a bunch of uncles listening to a magic radio.
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    The age of the listener is good.
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    I don't want to forget that I'm on the stage.
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    Some people use the artist's face to do the radio.
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    I want to convey the feeling of being 21 years old and my stage persona together.
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    You always feel like you can see yourself from a bird's-eye view.
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    I don't know if I can see it, but I hope so.
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    You're on a variety show.
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    What motivates you?
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    I'm just hoping that the name of the band will spread a little.
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    I'm Angelina 1/3 of Gacharic Spin, so when I'm on the media.
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    I have to leave a mark on it.
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    But I'm trying to be myself.
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    I don't think I'm trying too hard.
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    You don't try too hard.
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    The more you try too hard, the more you'll be sad when it's cut off.
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    That's right.
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    I'm selecting where I can go and where I can't go.
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    When I can go, I look at MC's eyes.
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    When I can't go, I say, it's ok.
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    I'm fine.
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    In 2019, mic performer Angie and drummer yuri joins.
    Drummer and vocalist Hana switches to guitar and vocals
    to complete Gacharic Spin's final form!
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    Let's go back to the story of the band.
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    Yuri, the drummer, was announced on March 9, 2019.
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    Hana, the drum vocalist, was converted to a guitar vocalist.
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    What kind of decision did you make?
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    The a decision was not easy.
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    She has been playing drums for about 10 years.
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    The fact that a person comes forward and becomes a guitar vocalist.
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    I'm sure the audience will be confused.
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    Hana herself might be confused.
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    I was wondering what was going on.
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    Hana can play all instruments.
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    She's the kind of person who thinks that music can be played in any part.
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    She said "I wanted to be a guitar vocalist".
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    She can say that "I wanted to be a guitar vocalist" even though she was a drummer.
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    She has been playing drums for 10 years.
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    Even if the person is prepared to make this change, maybe others cannot make this change.
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    I thought it would be interesting.
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    But it couldn't be done without Yuri, the drummer.
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    I met her there.
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    Everyone felt that this group was good.
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    Yuri joined.
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    Hana became a guitar vocalist.
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    Angie became a mic performer.
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    The direction of the songs, the direction of the performance, and the way the band was shown changed.
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    It was the 10th anniversary when Angie joined.
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    I felt like I was starting a new band.
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    It's a band called Gacharic Spin.
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    I felt like I was a high school student again.
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    Like "What do you do?"
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    In that sense, it's Angie's first band.
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    It was the first time for her to do a rehearsal.
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    We felt fresh.
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    It inspired me.
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    It's been five years since you joined.
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    How have you been doing as a new band for the past five years?
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    I've always had a dream of wanting to be in a band.
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    I feel like I'm in the middle of a dream.
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    I met a lot of people.
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    I thought about how romantic and dreamy it was to be in the sound of a band that I loved.
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    I'm also doing my own activities.
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    So I wish I could pay back the band a little.
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    I'm always thinking about what I can do to keep being a member of Gacharic Spin.
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    I'm very happy to be able to do that.
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    You're an adult.
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    She's not 21 years old.
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    You're not, are you?
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    I'm 21 years old.
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    There's a rumor about that.
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    What do you think is the best part of the current Gacharic Spin lineup?
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    Of course, the six of us are the members who joined later.
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    Speaking of Gacharic Spin, I think it's the best way to remember that this shape will never change.
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    It's not easy to continue the band.
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    It's our 14th anniversary this year.
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    I think it's the best way to remember that the six of us are running towards our dreams.
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    The new album "W" will be released on July 5,
    and it will be the first album under the new label as
    well as the third full-length album by the current group
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    Let's talk about your new album.
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    Your new album, W, will be released on July 5th.
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    It's the first album since you changed the label.
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    It's the third album with the current lineup.
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    What was the theme of this album?
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    To be honest, we didn't have a direction.
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    All the members write songs and lyrics.
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    We each want to put in what we want to do.
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    In that sense, we've been making songs since before the album.
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    We've been doing it for a long time during the pandemic.
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    There are a lot of songs that aren't in this album yet.
  • 19:28 - 19:39
    We've been making songs for a long time, and when we put them together, we put in what we wanted.
  • 19:39 - 19:46
    Each member has a lot of songs with their own colors.
  • 19:46 - 19:50
    Where did the album title W come from?
  • 19:50 - 19:56
    When we lined up 10 songs, the concept of the album wasn't decided.
  • 19:56 - 20:02
    When we lined up, there were 10 songs with this kind of duality in them.
  • 20:02 - 20:12
    There was a new part that made me realize that each member had that kind of face and that kind of approach.
  • 20:12 - 20:17
    I think this is something that everyone can relate to in their daily lives.
  • 20:17 - 20:19
    Two-sidedness is something everyone has.
  • 20:19 - 20:25
    I think people can live a better life by loving both sides.
  • 20:25 - 20:31
    So we decided to put this title on it because it's a two-sided face.
  • 20:31 - 20:34
    From Koga's point of view, where do you think Angie's two-sidedness is?
  • 20:34 - 20:38
    She looks very bright, but she can be a bit dark.
  • 20:38 - 20:41
    There are some dark areas.
  • 20:41 - 20:43
    And she's surprisingly shy, right?
  • 20:43 - 20:44
    Very shy.
  • 20:44 - 20:46
    She doesn't seem to be shy.
  • 20:46 - 20:53
    When I went to see her on the radio the other day, when I entered the booth,
  • 20:53 - 20:55
    the person on the other side was a little cooler than I had imagined,
  • 20:55 - 20:58
    I thought she was going to greet me with a gusto.
  • 20:58 - 20:59
    She was like.
  • 20:59 - 21:00
    What?
  • 21:00 - 21:02
    She said "Here you go".
  • 21:02 - 21:04
    That's it.
  • 21:04 - 21:07
    I can feel that switch off.
  • 21:07 - 21:10
    It's pretty dark in the house.
  • 21:10 - 21:11
    Is there any electricity in the house?
  • 21:11 - 21:12
    There's not much electricity.
  • 21:12 - 21:14
    What are you doing today?
  • 21:15 - 21:17
    That's what I think.
  • 21:17 - 21:20
    From Angie's point of view, Koga's two-sidedness.
  • 21:20 - 21:23
    I really wonder about it.
  • 21:23 - 21:26
    Aren't you surprisingly good at it?
  • 21:26 - 21:28
    I said it.
  • 21:28 - 21:29
    It's good.
  • 21:29 - 21:31
    It's a title killer.
  • 21:31 - 21:36
    It's a title killer, but she can't show the two-sidedness anymore.
  • 21:36 - 21:37
    I see.
  • 21:37 - 21:40
    So where is the real Koga?
  • 21:40 - 21:44
    I don't know where it starts and ends.
  • 21:44 - 21:47
    I don't know if it's Koga when she's in front of someone.
  • 21:47 - 21:50
    She doesn't like to show the switch.
  • 21:50 - 21:51
    I see.
  • 21:51 - 21:52
    Is that so?
  • 21:52 - 21:54
    But if you look at it like this,
  • 21:54 - 21:56
    she's dark, too.
  • 21:56 - 21:57
    She doesn't turn on the lights.
  • 21:57 - 21:59
    You really have to turn on the lights, because this is an aggressive band.
  • 21:59 - 22:01
    She's not very aggressive.
  • 22:01 - 22:04
    She's a pretty naive.
  • 22:04 - 22:06
    Koga is also the type who doesn't turn on the lights.
  • 22:06 - 22:08
    She's the type who doesn't turn on the lights.
  • 22:08 - 22:10
    I'm not good at bright places.
  • 22:10 - 22:13
    I want to go to a quiet place.
  • 22:13 - 22:14
    You want to go quietly.
  • 22:14 - 22:15
    She wants to go quietly.
  • 22:15 - 22:16
    I see.
  • 22:16 - 22:18
    That's why she's not on stage and playing music every day.
  • 22:18 - 22:20
    It's a spark.
  • 22:20 - 22:25
    The brighter the person, the more likely they are to have something like that.
  • 22:25 - 22:28
    I can't express it unless it's a good part.
  • 22:28 - 22:29
    I see.
  • 22:29 - 22:30
    That's really...
  • 22:30 - 22:31
    That's cool.
  • 22:31 - 22:35
    All six of us are like that.
  • 22:35 - 22:40
    I don't think drummer Yuri is like that.
  • 22:40 - 22:41
    Does it natural?
  • 22:41 - 22:43
    She's a bit of a natural.
  • 22:43 - 22:44
    It's like that.
  • 22:44 - 22:45
    Oh, I see.
  • 22:45 - 22:47
    It's like "Oh, I see".
  • 22:47 - 22:49
    That sounds like something you'd say at home.
  • 22:49 - 22:51
    It's nice to have members like that.
  • 22:51 - 22:52
    That's right.
  • 22:52 - 22:54
    It makes you feel at home.
  • 22:54 - 22:59
    How do you guys make songs?
  • 23:00 - 23:07
    This time, we've been able to work on it for a long time.
  • 23:07 - 23:12
    It's a good song, so let's make lyrics and put them in.
  • 23:12 - 23:15
    Depending on the song, one person will work on it.
  • 23:15 - 23:20
    As for these two, Hana, the guitar vocalist, will make the composition.
  • 23:20 - 23:25
    I will be thinking about the melody and the lyrics.
  • 23:25 - 23:27
    Have a good time.
  • 23:27 - 23:30
    Clatteringly.
  • 23:30 - 23:32
    I see. There's that way of making it, too.
  • 23:32 - 23:33
    I see.
  • 23:33 - 23:36
    So the tune changes depending on the song.
  • 23:36 - 23:37
    That's right.
  • 23:37 - 23:40
    I make one song out of three songs.
  • 23:40 - 23:43
    That's amazing.
  • 23:43 - 23:48
    Oreo, the keyboardist, is good at making ballad songs.
  • 23:48 - 23:51
    Oreo is good at making songs like that.
  • 23:51 - 23:55
    Hana is good at making live-like songs.
  • 23:55 - 23:58
    Everyone bring their own things that they are good at.
  • 23:58 - 24:01
    I just ask Angie about the tempo.
  • 24:02 - 24:06
    She always told me to use a BPM of about 184.
  • 24:06 - 24:08
    I asked what it sounded like.
  • 24:08 - 24:09
    She said, "Yes, that's fine with me".
  • 24:09 - 24:14
    They just sent me that BPM.
  • 24:14 - 24:16
    I made the bar without thinking about the pitch.
  • 24:16 - 24:20
    I got an OK and it became a song.
  • 24:20 - 24:21
    It's amazing.
  • 24:21 - 24:28
    It's not like Hana and Tomo-zo are playing the guitar with the tempo of 180.
  • 24:28 - 24:30
    Like a guitar riff or any chord that you want to play is fine
  • 24:30 - 24:35
    That's amazing.
  • 24:35 - 24:39
    "I want to do this kind of thing at a live show".
  • 24:39 - 24:42
    "The chorus lyrics are like this".
  • 24:42 - 24:45
    I'm not sure if it's just the lyrics of the chorus, or if it's something else and if you want me to summarize the rest, I'll do it.
  • 24:45 - 24:47
    It's a little interesting.
  • 24:47 - 24:52
    It's interesting to see what comes back when you throw it away or leave it.
  • 24:52 - 24:56
    Tomo-zo, the guitarist, really has a lot of talent.
  • 24:56 - 25:02
    She make upper songs, or Gacharic Spin-like medium tempo songs.
  • 25:02 - 25:07
    In that sense, Tomo-zo on the guitar brings various songs for Gachapin.
  • 25:07 - 25:08
    I see.
  • 25:08 - 25:10
    How do you decide the vocals?
  • 25:10 - 25:14
    "What should I do with the vocals of this song?"
  • 25:14 - 25:17
    Usually we have a general image of the song.
  • 25:17 - 25:19
    I see.
  • 25:19 - 25:23
    So the composer says, this is Hana's main, this is Angie's main.
  • 25:23 - 25:26
    "Let's sing this together".
  • 25:26 - 25:32
    "Let's make it something that Oreo, Hana, and Angie can sing together".
  • 25:32 - 25:35
    Sometimes it's adjusted after the lyrics are written.
  • 25:35 - 25:36
    I see.
  • 25:36 - 25:39
    Recording sounds like a great club activity and a lot of fun.
  • 25:39 - 25:42
    It sure sounds like a fun club activity.
  • 25:42 - 25:45
    There are moments when it gets pretty bumpy.
  • 25:45 - 25:49
    I would say, "I think this is good".
  • 25:49 - 25:52
    And someone would say, "No, I like this one better".
  • 25:52 - 25:53
    No, no, no.
  • 25:55 - 25:57
    Please do it.
  • 25:57 - 26:00
    I think it's okay to record the chorus.
  • 26:00 - 26:02
    There are times when I make fun of it.
  • 26:02 - 26:03
    I see.
  • 26:03 - 26:04
    Make a free zone.
  • 26:04 - 26:06
    Koga doesn't usually sing.
  • 26:06 - 26:08
    I'm not good at it.
  • 26:08 - 26:09
    I want to say one thing.
  • 26:09 - 26:13
    I'm in a band where everyone can sing.
  • 26:13 - 26:15
    I remember that.
  • 26:15 - 26:17
    But it doesn't matter.
  • 26:17 - 26:22
    The rhythm is really good, but when it comes to singing, it's really bad.
  • 26:22 - 26:24
    You can't get the rhythm, can you?
  • 26:24 - 26:25
    You can't get it.
  • 26:25 - 26:27
    I'm the one who's taking it.
  • 26:27 - 26:29
    I'm taking the rhythm.
  • 26:29 - 26:30
    It's amazing.
  • 26:30 - 26:32
    I'm singing while listening to the click.
  • 26:32 - 26:33
    I see.
  • 26:33 - 26:35
    It's amazing that you're playing.
  • 26:35 - 26:40
    Really, when it comes to the chorus, we went in together with Koga and something happened.
  • 26:40 - 26:43
    The member who directs the song says,
  • 26:43 - 26:45
    "I'd like you to sing with a voice like this".
  • 26:45 - 26:46
    I was singing as if to attract people.
  • 26:46 - 26:48
    I do it like this.
  • 26:48 - 26:51
    That's really in the song.
  • 26:51 - 26:57
    In that sense, the song called Kachikachiyama in this album has lot of play in the chorus.
  • 26:57 - 26:58
    I see.
  • 26:58 - 27:01
    Now, let's talk about each song.
  • 27:01 - 27:03
    First of all, the first song, Replica.
  • 27:03 - 27:08
    It's a song with a sense of fast and a sharp cathartic tone.
  • 27:08 - 27:12
    I think it's a great lead song that fits the duality.
  • 27:12 - 27:18
    When it comes to the word Replica, I think there are a lot of people who have a negative image.
  • 27:18 - 27:23
    I think a lot of people feel like it's fake.
  • 27:23 - 27:29
    But it's precisely because there's that fake part, you can protect yourself and others.
  • 27:29 - 27:35
    Replica can be used to protect people and to protect yourself.
  • 27:35 - 27:38
    It's a song that I was able to express that a lot.
  • 27:38 - 27:47
    I think it's the best lead song in the album to express this duality called W.
  • 27:47 - 27:53
    On SNS (social media), you can have a different personality.
  • 27:53 - 27:56
    There's something a little scary about that, too.
  • 27:56 - 28:01
    And when you're dealing with people, don't you wonder what they're like?
  • 28:01 - 28:07
    What kind of face is this person using to talk to you?
  • 28:07 - 28:14
    I think it's a song that you can see yourself in it.
  • 28:14 - 28:17
    And in terms of interpersonal relationships,
  • 28:18 - 28:23
    in order to live as a person, there are things that you have to keep asking yourself.
  • 28:23 - 28:26
    There are parts that you have to digest in yourself.
  • 28:26 - 28:30
    I felt a lot through this song.
  • 28:30 - 28:36
    When I entered the recording booth, I was wondering which lyrics I can relate to myself.
  • 28:36 - 28:40
    I was reading them one by one and overlapping them with my sense of life.
  • 28:40 - 28:44
    I took a little bit of a beating from it.
  • 28:44 - 28:46
    Recording was hard, wasn't it?
  • 28:46 - 28:48
    It was really hard to sing.
  • 28:48 - 28:49
    Was it hard?
  • 28:49 - 28:52
    It's really hard to sing live.
  • 28:52 - 28:56
    It's the same with facial expressions and words.
  • 28:56 - 29:00
    I'm singing this song while taking great care of it.
  • 29:00 - 29:01
    I see.
  • 29:01 - 29:05
    It took a long time to write the lyrics.
  • 29:05 - 29:08
    What was the hardest part of recording?
  • 29:08 - 29:12
    Recording is really about the way you talk.
  • 29:12 - 29:15
    As I said earlier, I'm the kind of person
  • 29:15 - 29:19
    who can't sing or stand on stage if it's not with that honest feeling.
  • 29:19 - 29:26
    When I'm with myself, I have to think about how to match my sense of life one by one.
  • 29:26 - 29:33
    When each word comes into my body, I feel like I'm being dragged into the dark side.
  • 29:33 - 29:36
    But that's not a negative image.
  • 29:36 - 29:45
    It's a song that makes me think that I can live because I'm taking great care of the dark side.
  • 29:45 - 29:50
    It's a song that I've been facing for a long time.
  • 29:50 - 29:51
    I see.
  • 29:51 - 29:54
    That's what I felt.
  • 29:54 - 29:56
    It's really suitable for the first song.
  • 29:56 - 30:01
    I wrote and released the lyrics that everyone imagined.
  • 30:01 - 30:04
    I released the chorus as a keyword.
  • 30:04 - 30:11
    Then Oreo read everyone's lyrics and wrote the same nuance.
  • 30:11 - 30:22
    When guitarist Tomo-zo brought this song, there was a word called Replica in the melody.
  • 30:22 - 30:24
    Replica really sticks in your ears, so we used it as a theme for this song.
  • 30:24 - 30:28
    I wanted to mix in a little bit of everyone's lyrics,
  • 30:28 - 30:31
    so Oreo was the one to do it.
  • 30:31 - 30:35
    There was also a consultation about what to do about this song.
  • 30:35 - 30:37
    We wrote it to the last minute.
  • 30:37 - 30:40
    The lyrics were finished the day before the recording.
  • 30:40 - 30:41
    That's right.
  • 30:41 - 30:45
    That's how we wrote it.
  • 30:45 - 30:46
    I see.
  • 30:46 - 30:51
    And the second song, The Come Up Chapter.
  • 30:51 - 30:57
    The two guitarists stand out in this song.
  • 30:57 - 31:04
    Tomo-zo wanted to make a song where the twin guitars come forward.
  • 31:04 - 31:08
    So we brought it and listened to it as a demo.
  • 31:08 - 31:12
    We had the lyrics to the point where I wanted to use it as a lead.
  • 31:12 - 31:15
    After that, Tomo-zo brought a lot of songs.
  • 31:15 - 31:18
    The lead of this album became Replica.
  • 31:18 - 31:21
    It's a song with a punch.
  • 31:21 - 31:25
    It's a very technical song, like many other Gacharic Spin songs.
  • 31:25 - 31:28
    It's a hot message sung by Angie.
  • 31:28 - 31:35
    I hope you'll pay attention to the lyrics that make Angie's singing voice stronger.
  • 31:35 - 31:40
    The Come Up Chapter also means the beginning of the show.
  • 31:40 - 31:42
    That's right.
  • 31:42 - 31:47
    In the lyrics, it's not the current me, but a new me.
  • 31:47 - 31:59
    I want to take care of myself, but I want to take the next step and open up a new chapter.
  • 31:59 - 32:03
    Gachapin has evolved more and more.
  • 32:03 - 32:07
    This form is the final chapter.
  • 32:07 - 32:12
    It's not the beginning of the final chapter, but I wanted to give you a nuance like that.
  • 32:12 - 32:15
    That's why I chose this title.
  • 32:15 - 32:17
    And the third song.
  • 32:17 - 32:19
    This is also a lead song.
  • 32:19 - 32:21
    What kind of song is this?
  • 32:21 - 32:28
    The guitarist Tomo-zo wants to start with an interesting riff and a rap.
  • 32:28 - 32:30
    We wanted to make a song like that.
  • 32:30 - 32:34
    We made about 10 patterns of rap and riff.
  • 32:34 - 32:39
    We made it while thinking about which one would remain one's ears.
  • 32:39 - 32:43
    After that, the chorus was a very bright.
  • 32:43 - 32:50
    Gachapin seems to have a lot of bright songs, but this time there are no bright songs.
  • 32:50 - 32:56
    I wanted a bright song, and I thought it would be nice for Angie to sing a bright song.
  • 32:56 - 33:01
    At first, I put on summer-like lyrics.
  • 33:01 - 33:03
    But it became normal.
  • 33:03 - 33:07
    I thought it was different, so I decided to put in words that left a punch.
  • 33:07 - 33:12
    I was addicted to the words "Kachi-kachi Yama", and that's why I put them on.
  • 33:12 - 33:22
    I think there are a lot of things that are related to your daily life, such as the pressure you have with your boss and the things you always think about.
  • 33:23 - 33:29
    I think there are lyrics like that.
  • 33:29 - 33:36
    I thought it would be interesting for pop music to have the characters from the old stories, and I thought it would remain in my ears.
  • 33:36 - 33:40
    Momotaro is a hero, isn't he?
  • 33:40 - 33:42
    And people think that demons are bad guys.
  • 33:42 - 33:45
    What do you think when you think from the perspective of a demon?
  • 33:45 - 33:51
    If it's a story according to the demon, Momotaro might be a bad guy.
  • 33:51 - 33:56
    Momotaro became a hero because he had a demon.
  • 33:56 - 34:02
    If you don't have any encounters, you can't meet that kind of thing or feel that way.
  • 34:02 - 34:04
    I wanted to say that.
  • 34:04 - 34:09
    Sometimes you feel like crap because of a boss.
  • 34:09 - 34:12
    What do you think because you have a boss?
  • 34:13 - 34:18
    What do you think when you are in the position of a boss?
  • 34:18 - 34:22
    I wanted to write lyrics that asked such questions.
  • 34:22 - 34:30
    The words of the lyrics come out like Kintaro and Tanuki, so it's easy to think of it as an interesting song.
  • 34:30 - 34:32
    What I wanted to say is...
  • 34:32 - 34:34
    If you read it well, it's deep, isn't it?
  • 34:34 - 34:37
    That's right.
  • 34:37 - 34:40
    And the fourth song, Rabbit Hole.
  • 34:40 - 34:45
    It's a song where Angie and Hana-san swap twin vocals which are also a bit captivating.
  • 34:45 - 34:51
    That's true. The 5th lineup with these 6 members also have twin vocals.
  • 34:51 - 34:57
    I think it's a song that has a good balance and a new approach.
  • 34:57 - 35:02
    Rabbit Hole was originally a live song before it was included in the album.
  • 35:02 - 35:09
    A dream has become the meaning of this song.
  • 35:09 - 35:11
    But until then, it was about love?
  • 35:11 - 35:14
    That's right. It's a little bit more about love.
  • 35:14 - 35:17
    I like hyenas.
  • 35:17 - 35:22
    This time, I compared hyenas to dreams.
  • 35:22 - 35:26
    Dreams are sparkly.
  • 35:26 - 35:32
    But having a dream can crush you or hurt you.
  • 35:32 - 35:34
    So dreams and love are the same.
  • 35:34 - 35:40
    Because if you have someone you love or you have a dream, you feel like you can't get hurt anymore.
  • 35:40 - 35:47
    You're lost in a hole you don't know where to go.
  • 35:47 - 35:51
    I wanted to express that frustration.
  • 35:51 - 35:58
    And when I listened to the song, it had a mature atmosphere.
  • 35:58 - 36:03
    I wanted to write lyrics that couldn't be answered.
  • 36:04 - 36:06
    There are a lot of serious themes.
  • 36:06 - 36:10
    The only bright song is Kachikachi-Yama.
  • 36:10 - 36:13
    Did you have any thoughts about singing this song?
  • 36:13 - 36:18
    I've never sung a melodious song like this before.
  • 36:18 - 36:22
    It was my first time to put my voice on a song like this.
  • 36:22 - 36:28
    I think there was a song like that in the past, sung by Hana and Oreo, with a similar approach.
  • 36:28 - 36:31
    I was wondering how to sing this song.
  • 36:31 - 36:37
    I was wondering what to say to this mature melody.
  • 36:37 - 36:41
    When the theme was love, I didn't understand it even more.
  • 36:41 - 36:44
    I was wondering what love was.
  • 36:44 - 36:47
    When it came to the theme of dreams,
  • 36:47 - 36:57
    I thought about how I would sing while embracing my dreams.
  • 36:57 - 37:00
    It's strange to say this while calculating,
  • 37:00 - 37:04
    but I made it like a puzzle while assembling it.
  • 37:04 - 37:05
    I see.
  • 37:05 - 37:09
    Also, that's the song that Hana-san and I really sing together with twin vocals.
  • 37:09 - 37:13
    I wanted to clearly show the difference with Hana.
  • 37:13 - 37:18
    The meaning of singing with a twin vocals was very strong in this song.
  • 37:18 - 37:26
    I tried various approaches that Hana couldn't do.
  • 37:26 - 37:30
    Speaking of singing, the next song is Lonely Mart.
  • 37:30 - 37:33
    This is also a rock ballad song.
  • 37:33 - 37:34
    That's right.
  • 37:34 - 37:38
    It was my first time to sing a song like this as a main.
  • 37:38 - 37:42
    Originally, there were two arrangements.
  • 37:42 - 37:45
    We were thinking about which one to use to make it sound like a ballad,
  • 37:45 - 37:49
    and which one to use to make it sound like a rock song.
  • 37:49 - 37:50
    There were two ideas.
  • 37:50 - 37:55
    The older sisters team decided to go in the direction of a ballad.
  • 37:55 - 38:01
    Yuri and I wanted to change it from the second half to a rock song.
  • 38:01 - 38:04
    Then, Oreo, who wrote and composed the song,
  • 38:04 - 38:07
    had a lot of thoughts about what to do.
  • 38:07 - 38:10
    But I wanted to include both elements,
  • 38:10 - 38:13
    so we made it sound like a ballad at first.
  • 38:13 - 38:16
    After that, we changed the tempo and made it a rock song.
  • 38:16 - 38:18
    That's how we made this song.
  • 38:18 - 38:24
    We call it the kindest cheering song on this album.
  • 38:24 - 38:31
    There is a frustrating feeling of a person who wants to be alone but doesn't want to be alone.
  • 38:31 - 38:34
    When I felt that kind of feeling,
  • 38:34 - 38:40
    I felt that it would be nice if this song could be a song that gently pat someone's back.
  • 38:40 - 38:44
    I took the vocals with that in mind.
  • 38:45 - 38:50
    It's a bit of a catharsis to make it a rock song from a ballad.
  • 38:50 - 38:53
    That the feeling of opening the bar makes it more emotionally explosive.
  • 38:53 - 38:56
    I felt like I could explode my emotions more.
  • 38:56 - 39:04
    I thought it was normal, but I wanted to express it in the form of music.
  • 39:04 - 39:07
    I was very happy to be able to do that.
  • 39:07 - 39:10
    And the sixth song, Kira Kirai.
  • 39:10 - 39:13
    This is the impressive "I hate sparkles" song.
  • 39:13 - 39:16
    I think it's going to be a hit.
  • 39:16 - 39:19
    I think it's going to be on TikTok.
  • 39:19 - 39:24
    I was jogging a lot during the pandemic.
  • 39:24 - 39:31
    At that time, I had a dream of a sparkling love.
  • 39:31 - 39:35
    The more sparkling it is, the more I hate it.
  • 39:35 - 39:39
    I thought it would be interesting if I could write a song that I hated.
  • 39:39 - 39:43
    I wrote the lyrics and threw them to Hana-san.
  • 39:43 - 39:46
    I just wanted to say that I hate the chorus.
  • 39:46 - 39:48
    What happened?
  • 39:48 - 39:50
    What happened while you were jogging?
  • 39:50 - 39:53
    I was reading a lot of books at that time.
  • 39:53 - 39:59
    I was reading a manga about a naive girl falling in love.
  • 39:59 - 40:01
    It was a jogging from there.
  • 40:01 - 40:04
    That's the lyrics.
  • 40:04 - 40:09
    I wrote down the lyrics on my phone and threw them to Hana-san.
  • 40:09 - 40:13
    Then, at a relatively early stage, I thought, how about this arrangement?
  • 40:13 - 40:16
    I thought it wouldn't go with this melody.
  • 40:16 - 40:20
    We decided to play it live even before it was included in the album.
  • 40:20 - 40:25
    It's a popular song for girls, so I thought I'd put it in this time.
  • 40:25 - 40:28
    And the seventh song, Voice.
  • 40:28 - 40:30
    Angie wrote the lyrics.
  • 40:30 - 40:35
    My father passed away when I was in the first grade of junior high school.
  • 40:35 - 40:40
    Based on the letter my father gave me, it's a song that I wrote as an answer song.
  • 40:40 - 40:44
    It's a really personal story.
  • 40:44 - 40:50
    I was a little worried about whether it would be okay for me to bring a song with my lyrics to the band.
  • 40:50 - 40:57
    In February of this year, the six of us decided that this is the final form of the band and we're going to create a new wave.
  • 40:57 - 41:00
    My sisters told me that with determination.
  • 41:00 - 41:04
    Originally, the reason I joined the band was this voice.
  • 41:04 - 41:09
    When I thought about it again, I wanted to deliver my voice more.
  • 41:09 - 41:12
    That's why I named it Voice.
  • 41:12 - 41:15
    When I think about it, I really hated the sound of my voice.
  • 41:15 - 41:18
    There were times when I was bullied for my voice and built a complex.
  • 41:18 - 41:22
    But now I'm standing in the front with this voice as a weapon.
  • 41:22 - 41:27
    I'm so happy to be in a band.
  • 41:27 - 41:34
    I wrote the lyrics with my father's feelings in mind.
  • 41:34 - 41:39
    This song was the last one to slip in.
  • 41:39 - 41:43
    Originally, I thought it wouldn't be able to get in.
  • 41:43 - 41:46
    She had the song for a long time, but this song is amazing.
  • 41:46 - 41:49
    This song is really good, so I want to put it in.
  • 41:49 - 41:56
    When we were talking about writing lyrics and submitting them again.
  • 41:56 - 42:01
    Other members were arranging and doing other lyrics.
  • 42:01 - 42:05
    When Angie said she'd write it, I was hooked.
  • 42:05 - 42:08
    I'm sure this will be in the album.
  • 42:08 - 42:12
    I'm so happy that it made it in.
  • 42:12 - 42:15
    The song that have been kept warm for a long time are now being played by the new members.
  • 42:15 - 42:19
    The fact that the new members put the lyrics on and expressed it in the current form.
  • 42:19 - 42:22
    I think there's history.
  • 42:22 - 42:26
    The history of the band and Angie's experience.
  • 42:26 - 42:32
    I think it's important for a singer to have a strong feeling.
  • 42:32 - 42:36
    I think it's great that there are both.
  • 42:36 - 42:39
    Angie, when you heard this song,
  • 42:39 - 42:43
    The moment you decided to put your feelings into the lyrics.
  • 42:43 - 42:45
    What were your thoughts when you heard it?
  • 42:45 - 42:47
    When I first heard the song,
  • 42:47 - 42:51
    I was really worried about how to write the lyrics.
  • 42:51 - 42:54
    It's a song that conveys very straightforwardly.
  • 42:54 - 42:57
    It's just the sound that conveys it.
  • 42:57 - 43:00
    The feelings of the members who have cherished this so much.
  • 43:00 - 43:03
    I don't have to listen to the story, but I can tell.
  • 43:03 - 43:08
    I thought I'd write the lyrics about what I cherish the most.
  • 43:08 - 43:11
    What I want to cherish the most right now is this band.
  • 43:11 - 43:16
    The activities in this band are the most important things in my life.
  • 43:16 - 43:20
    If you write about the feelings of the people who were really important to you,
  • 43:20 - 43:25
    I think you can find emotions that can be made to explode.
  • 43:25 - 43:28
    That's when I wrote the lyrics.
  • 43:28 - 43:31
    Of course, I'm writing based on my own experience.
  • 43:31 - 43:35
    I think there are many people who are separated from their loved ones when they are alive.
  • 43:35 - 43:37
    And not just people.
  • 43:37 - 43:40
    Family, dogs, cats,
  • 43:40 - 43:44
    I think there are many forms of family and important people.
  • 43:44 - 43:50
    I hope you can remember and listen to it while staying close to them.
  • 43:50 - 43:52
    The reason I fell in love with music is because
  • 43:52 - 43:58
    just by listening to it, you can feel the life of that person and it's important.
  • 43:58 - 44:02
    I felt the romance of the precious time coming back to me.
  • 44:02 - 44:04
    I wanted to do music.
  • 44:04 - 44:10
    I hope everyone will make such a song and grow up.
  • 44:10 - 44:14
    It's a song that I want to grow up with everyone because it was just born.
  • 44:14 - 44:18
    It's a song that feels like a bond.
  • 44:18 - 44:24
    I thought this voice would be a different expression when Angie grew up.
  • 44:24 - 44:26
    I'm looking forward to hearing that.
  • 44:26 - 44:28
    I'm going to cry a little.
  • 44:28 - 44:31
    I imagined it.
  • 44:31 - 44:35
    The 8th song is called Live Every Moment.
  • 44:35 - 44:40
    This is Ohmura-san, the guitarist of Babymetal.
  • 44:40 - 44:44
    We've been interacting with Ohmura-san for a long time.
  • 44:44 - 44:49
    We've been doing Omura-san's birthday live together for more than 5 years.
  • 44:49 - 44:53
    There's always Gachapin on Ohmura-san's birthday.
  • 44:53 - 44:56
    We want to spend time with Omura-san.
  • 44:56 - 44:59
    We always ask Omura-san to write a song.
  • 44:59 - 45:02
    We asked Ohmura-san to write a song last time.
  • 45:02 - 45:05
    After that, Ohmura-san told me that he would write a song again.
  • 45:05 - 45:08
    But before this album was even made,
  • 45:08 - 45:11
    Ohmura-san suddenly came up with a song.
  • 45:11 - 45:13
    Ohmura-san said, "I made a song with the image of Gachapin".
  • 45:13 - 45:15
    That's timely.
  • 45:15 - 45:18
    I didn't officially order it, so I was wondering what to do.
  • 45:18 - 45:21
    I'm grateful, but I was wondering what to do.
  • 45:21 - 45:24
    I thought it was cool, so I wanted to make it.
  • 45:24 - 45:27
    I told Ohmura-san, I don't know what the album will be like yet.
  • 45:27 - 45:29
    I don't have a release date yet.
  • 45:29 - 45:32
    Of course we can play it live without a release,
  • 45:32 - 45:34
    but I don't know how it will turn out.
  • 45:34 - 45:37
    I asked Ohmura-san if it's okay.
  • 45:37 - 45:39
    And he said, "Okay, let's do it".
  • 45:39 - 45:41
    It's amazing.
  • 45:41 - 45:46
    Since then, Hana has been interacting with Ohmura-san.
  • 45:46 - 45:48
    If we want to change the arrangement.
  • 45:48 - 45:51
    We added rap.
  • 45:51 - 45:54
    Added rap and added lyrics.
  • 45:54 - 45:57
    We've been working on it.
  • 45:57 - 46:02
    It's a song from a place that's not us.
  • 46:02 - 46:04
    The approach is very interesting.
  • 46:04 - 46:08
    I was very happy to be able to do it together this time.
  • 46:08 - 46:11
    And the ninth song, Nanmaida.
  • 46:11 - 46:14
    It's a complicated composition.
  • 46:14 - 46:21
    I think it's a song that represents the history of Gacharic Spin in both the song and the lyrics.
  • 46:21 - 46:25
    Nanmaida is not about Buddha.
  • 46:25 - 46:30
    Gacharic Spin has a lot of timing that doesn't make sense, no matter how many times you die.
  • 46:30 - 46:34
    It's a band that has a lot of ups and downs, such as member changes.
  • 46:34 - 46:36
    It doesn't make sense even if it's disbanded 100 times.
  • 46:36 - 46:41
    There was a time when it was disbanded hundreds of times.
  • 46:41 - 46:46
    The members who are there at each time and the staff who are around to tell me what to do, they haven't changed much anymore.
  • 46:46 - 46:57
    It's a song that represents the history of Gacharic Spin.
  • 46:57 - 47:01
    I think it's a song that represents the history of Gacharic Spin.
  • 47:01 - 47:04
    There's a lot of development in the song.
  • 47:04 - 47:08
    I think that's part of the history of Gacharic Spin.
  • 47:08 - 47:13
    I think it's a song that represents the history of Gacharic Spin in both arrangement and lyrics.
  • 47:13 - 47:17
    Hana made this song.
  • 47:17 - 47:19
    It's fun.
  • 47:19 - 47:22
    As she was making the song, she was wondering if it would be a song that expresses that.
  • 47:22 - 47:27
    I think it's going to be a lot of fun at the live show.
  • 47:27 - 47:29
    I'm scared.
  • 47:29 - 47:34
    Anyway, the bass slapping is really fast.
  • 47:34 - 47:38
    I don't know if I can play this song.
  • 47:38 - 47:40
    Hana said, "I think you can play it".
  • 47:40 - 47:42
    I said, "I can't play this song".
  • 47:42 - 47:45
    I was desperate to record this song.
  • 47:45 - 47:48
    I didn't expect so many vocalists to come in.
  • 47:48 - 47:54
    I thought they finished, but I couldn't get in.
  • 47:54 - 47:56
    I thought I was going to do it.
  • 47:56 - 47:59
    You were nervous at the live show.
  • 47:59 - 48:04
    But I think it's the most fun song when the six of us put it together.
  • 48:04 - 48:08
    And the 10th song, Reverse Psychology.
  • 48:08 - 48:11
    It starts with Koga's slaps.
  • 48:11 - 48:17
    This song is included in the album, and it feels really cool.
  • 48:17 - 48:26
    But originally it was a joke song that was all about jumping.
  • 48:26 - 48:29
    When Hana arranged it, it was really cool.
  • 48:29 - 48:31
    It's a waste of a joke song.
  • 48:31 - 48:34
    So we decided to make something cool with the full version and put it in the album.
  • 48:34 - 48:35
    I see.
  • 48:35 - 48:37
    That's the story behind it.
  • 48:37 - 48:42
    It was a song that only had you jumping for about a minute and a half.
  • 48:42 - 48:44
    There was only the chorus.
  • 48:44 - 48:48
    It's been jumping all the time, but the chorus is really cool.
  • 48:48 - 48:50
    Wouldn't it be better to make this a song?
  • 48:50 - 48:52
    I see.
  • 48:52 - 48:55
    When we talked about what to do with A melody and B melody.
  • 48:55 - 48:58
    Initially it was a bit more of an instrumental without including a melody.
  • 48:58 - 49:02
    There's a chorus, but the flow of the A and B is instrumental only.
  • 49:02 - 49:05
    It's not cool that the flow feels like this.
  • 49:05 - 49:09
    In that sense, it's a bit of a unique position on this album.
  • 49:09 - 49:14
    But this is the last song on this Gacharic Spin album.
  • 49:14 - 49:20
    I like the performance part, or the rap part by Angie as a player, but the chorus also has a solid melody.
  • 49:20 - 49:25
    The Gachapin verse is still there, and we wanted to wrap it up with something that had a solid melody,
  • 49:25 - 49:27
    so we put in the Reverse Psychology at the end.
  • 49:27 - 49:28
    I see.
  • 49:28 - 49:29
    The lyrics are interesting, too.
  • 49:29 - 49:35
    It's a bit of reverse psychology, like you shouldn't do something or you don't have to do it, but it doesn't matter.
  • 49:35 - 49:39
    If you say no to that, I want to do it.
  • 49:39 - 49:41
    I feel like I want to move a little on the contrary.
  • 49:41 - 49:44
    I think there are many ways to look at it.
  • 49:44 - 49:50
    Even though you think you shouldn't fall in love with someone like that, you end up falling in love with them.
  • 49:50 - 49:55
    Or you feel like your dreams are no longer here, but you keep chasing them.
  • 49:55 - 49:58
    Something like that.
  • 49:58 - 50:01
    This is what humans are like.
  • 50:01 - 50:03
    Feelings and actions.
  • 50:03 - 50:05
    If you're conscious, you'll be pulled towards it.
  • 50:05 - 50:06
    That's right.
  • 50:06 - 50:11
    While including things like that, in the sense that it's a show, and performance is the highlight.
  • 50:11 - 50:13
    It's Angie's rap.
  • 50:13 - 50:17
    I hope you'll listen to it the most.
  • 50:17 - 50:18
    I see.
  • 50:18 - 50:24
    This time, the first limited edition will include the LINE CUBE Shibuya show that happened on February 23, 2023.
  • 50:24 - 50:25
    It's Shibuko.
  • 50:25 - 50:27
    It's a recording of a live performance.
  • 50:27 - 50:29
    What are the highlights of this live performance?
  • 50:29 - 50:30
    It was a lot of fun.
  • 50:30 - 50:32
    I don't know if I can put all of this in.
  • 50:32 - 50:34
    It's a great deal, isn't it?
  • 50:34 - 50:41
    You can hear old songs that give you a deep sense of history as well as the current ones.
  • 50:41 - 50:47
    If you look at this, you'll be able to understand the history of Gachapin and the current Gachapin.
  • 50:47 - 50:53
    Moreover, if you can listen to the songs from the new album there, it will be a great value album that you can now complete.
  • 50:53 - 50:57
    I think it's a good deal.
  • 50:57 - 51:01
    And, yes, on November 18, it will be the wild music!
  • 51:01 - 51:04
    Hibiya Park's outdoor music hall.
  • 51:04 - 51:06
    What you can tell about this?
  • 51:06 - 51:11
    As Gachapin, we've already had a one-man live performance.
  • 51:11 - 51:17
    In the final form of these six people, it's the first one-man live performance.
  • 51:17 - 51:21
    In that sense, I'm a new member.
  • 51:21 - 51:22
    But it's something I've cherished so much.
  • 51:22 - 51:24
    That's Shibuko.
  • 51:24 - 51:28
    Let's step onto the stage called Yaon once again with the six of us in our final form.
  • 51:28 - 51:31
    Put your feet on the ground.
  • 51:31 - 51:35
    I'm so happy to be able to put my feet on the ground and make a sound.
  • 51:35 - 51:39
    So I want to deliver music at Yaon that can go beyond that.
  • 51:39 - 51:40
    I see.
  • 51:40 - 51:42
    What about from Koga-san's point of view?
  • 51:42 - 51:47
    Well, I don't think it's a place where you can really do it over and over again.
  • 51:47 - 51:49
    Yaon is like that, isn't it?
  • 51:50 - 51:52
    It's a renewal.
  • 51:52 - 51:57
    I feel very lucky to be able to do it at that timing.
  • 51:57 - 52:02
    If I think back, this live was crazy.
  • 52:02 - 52:06
    I'd like to make it a live performance.
  • 52:06 - 52:10
    It's a run-up to the 15th anniversary.
  • 52:10 - 52:12
    We've had a lot of talk.
  • 52:12 - 52:14
    It's time for the ending.
  • 52:14 - 52:18
    Please send a message to the viewers.
  • 52:18 - 52:20
    It's Gacharic Spin.
  • 52:20 - 52:22
    It's only two of us now,
  • 52:22 - 52:25
    but there are other interesting members.
  • 52:25 - 52:32
    If you come to see the live performance of Gacharic Spin, you'll understand.
  • 52:32 - 52:34
    First of all, listen to the album a lot.
  • 52:34 - 52:37
    I'd be happy if you could come to our live performance.
  • 52:37 - 52:39
    Thank you.
  • 52:39 - 52:42
    This month's guests were Koga and Angie from Gacharic Spin.
  • 52:42 - 52:44
    Thank you.
  • 52:48 - 52:50
    Please look forward to the next time.
Title:
【Gacharic Spin】最新アルバム『W』全曲インタビュー!
Description:

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Video Language:
Japanese
Duration:
53:23

English subtitles

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