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Sofies Verden (1999) [Part I] [MultiSub]

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    Two o'clock, then.
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    I wonder what the birds think of us.
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    - Birds can't think.
    - They go south every winter.
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    That's very intelligent.
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    That's instinct, Jorunn.
    Only humans can think.
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    How cool to be a bird and
    soar and see us from above.
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    Do you know how big outer space is?
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    Infinite. It's infinite, Jorunn.
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    Nobody knows how big it is.
    There's so much we'll never know.
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    Soon you can buy a disc
    and connect it to your brain
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    and double your knowledge.
    The brain is like a computer.
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    Birds and computers can't think.
    Only people know that they exist.
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    Just think about it,
    a chip straight into your head.
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    - See you.
    - I'll be over tonight.
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    Bring some candles.
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    Who are you?
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    May the love reach you today
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    That warms every beat of my heart
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    Show me your soul
    through signs in the glass
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    Take me away to a place of reason
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    Show yourself, show yourself...
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    - You're moving the glass!
    - Open up to the unknown.
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    - You have to believe in magic.
    - And you have to believe in reality.
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    Turn the lights on.
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    Why is Jorgen wearing
    sunglasses indoors?
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    Georg asked for you today.
    He wants to go to the movies.
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    Look!
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    - Do you believe in...
    - ghosts?
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    Were you scared?
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    Would like to go to the movies?
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    Did you write that letter?
    The one that said, who are you?
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    - What are you talking about?
    - Someone sent you a letter?
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    Who?
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    No, no, no...
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    Sophie, I've found...
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    Hi, Mother.
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    How did it go?
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    - I found the book at last.
    - Nice... What is it?
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    The 1932 edition.
    My first Latin thesaurus.
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    The one I inherited...
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    Do you think birds can think?
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    Perhaps...
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    The boatswain's got a new tattoo.
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    What does it say...?
    His handwriting is so tiny.
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    - What does it say?
    - Terribly...
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    It's terribly hot here.
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    Qarg is just a harbor
    in a sea of sand. I miss you a lot.
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    I'll call you. A big hug from Ivar.
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    Qarg...
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    Qarg! That's where he is, Sophie.
    Just think about it.
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    Father always writes
    to you, never to me.
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    - He writes to us both.
    - But he signs the letters Ivar.
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    That's his name.
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    Who are you, exactly?
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    I don't know... I'm me.
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    But who are you?
    Or for that matter, who am I?
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    I'm your mother and you are Sophie.
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    I've got it!
    The song I've been looking for.
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    I dreamed Jacobsen tried to
    kill me for not writing my essay.
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    - Was that for today?
    - Forgotten your homework?
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    - What am I going to do?
    - You're frightened.
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    Camilla, my disc.
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    - I thought it was for tomorrow.
    - Relax, it's okay.
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    Syntax...
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    It's all about correct syntax.
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    For once, let me read some essays
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    that show that we've all been
    in this classroom together.
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    Georg!
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    Was it you? Who are you?
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    What are you talking about?
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    No essay?
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    Jacobsen will kill you.
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    Where were we...?
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    In our galaxy!
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    Where else...?
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    Or, more precisely,
    in our solar system.
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    Once it was a mystery what
    the dark side of the moon looked like.
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    Discussing the matter
    wouldn't give you an answer.
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    It was left to your imagination.
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    There were several myths...
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    - Who are you, Jorunn?
    - I'm me. Who else would I be?
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    Was that all the letter said?
    Didn't it say anything else?
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    - Who wrote it?
    - I don't know.
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    Have you thought about it?
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    - About what?
    - Who you are.
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    Will you be over
    for Mystery tonight?
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    I thought you looked familiar!
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    You could say hello to your father.
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    Yes, I'm on my way now.
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    I need the car.
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    Now...? I'm not through
    polishing it yet, dear.
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    Jorunn, dinner's in the microwave.
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    I have to keep the car...
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    Tell your mother she'll get a 20%
    discount if she buys a bed this week.
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    Be careful with the clutch.
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    Where does the world come from?
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    Who are you?
    Where does the world come from?
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    Who are you?
    Where does the world...?
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    Where's the iron?
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    Mother, is it all right
    if Jorunn sees Mystery here tonight?
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    - Who are you?
    - Your mother. Britt Amundsen.
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    - Where does the world come from?
    - What kind of question is that?
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    I just wondered.
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    It was probably created from
    an explosion of gas and rock.
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    Look it up in an encyclopedia.
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    Do you think he did it?
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    Maybe...
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    Who are you?
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    I'm Sophie Amundsen.
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    You are me and I'm you.
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    - Sophie, are you finished?
    - Soon.
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    I'll be late. Open up!
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    I'll open up when I've found out
    where the world comes from.
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    You'll be fourteen
    in a couple of days.
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    Fifteen, mother. Fifteen.
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    Don't forget to turn off
    the stove and remember your keys.
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    - Who are you?
    - The messenger.
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    See you.
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    Sophie!
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    - Did you see him?
    - Who?
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    Another letter?
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    Hello...! Do you remember me?
    Jorunn, your neighbor.
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    - He's written a letter to me.
    - Who?
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    Who are you?
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    The guy who wrote Who are you?
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    Dear Sophie,
    what is most important in life?
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    If we ask a starving person,
    he will answer 'food'.
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    Someone who is cold,
    will say 'warmth'.
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    Even if all needs are satisfied,
    man needs something more.
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    Philosophers say that we have
    a need to know who we are
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    and why we exist.
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    The best approach to philosophy
    is to ask philosophical questions.
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    Who am I? Where does
    the world come from?
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    You won't find the answers to these
    questions in 'Secrets of Spiritism'.
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    Sophie, come on.
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    In general, people don't pay
    attention to the philosophers.
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    They are too lazy.
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    They don't see that philosophers
    set out on a dangerous journey.
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    Will you join me, Sophie?
    Yours sincerely, Alberto Knox.
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    Alberto Knox...?
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    We have talked about syntax...
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    Georg...
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    Will read, What would
    that be in past tense?
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    Come on!
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    I must say that your essay
    was brief. Don't you agree?
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    Very brief or totally nonexistent.
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    Why are you here, Jorunn?
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    Or maybe you're not here at all.
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    But with Sophie,
    it's a completely different matter.
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    - Have you seen the light, Sophie?
    - I haven't written an essay.
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    - It's not...
    - Bring your book.
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    May I have your attention, please.
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    Sophie Amundsen
    The Mythic Conception of the World.
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    The floor is yours.
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    Since the dawn of time
    mankind has created myths
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    to explain the world.
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    There are mythical explanations
    to many philosophical questions.
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    Why the world is
    as it is and, not the least
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    where the world comes from.
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    Before Christianity
    we thought that the God Thor
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    traveled across the heavens
    in a cart drawn by a pair of goats.
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    And with his hammer
    he created thunder and lightning.
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    Thor was in many ways
    the Batman of the Viking Age.
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    The thunder often brought rain,
    which was vital for the farmers.
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    Thor is a mythical explanation
    for natural changes.
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    When there was a drought,
    people needed an explanation.
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    Could it be that trolls
    had stolen Thor's hammer...?
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    In this way myths explained
    things people didn't understand.
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    Nice essay.
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    - That was bad!
    - I didn't write the essay.
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    Who wrote it then?
    Did you write it in your sleep?
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    No!
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    Have you heard about automatic writing?
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    You write as if you are in a trance.
    As if someone took hold of you.
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    Do you swear
    that you didn't write that essay?
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    Strange...
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    Dear Sophie, you won't find
    any answers here. Alberto Knox.
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    No, no, no...!
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    This car is from 1964.
    You can't find that paint anymore!
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    - Hello, dear!
    - Mrs Amundsen...
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    Call me Britt, we are neighbors.
    Have you taken a day off?
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    - How's your wife?
    - She's sunbathing.
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    Nice shirt, by the way.
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    What have you got there?
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    - A secret letter?
    - It's from a friend.
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    It's about time
    now that you'll be fourteen.
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    - Fifteen, mother.
    - Fifteen...
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    How would you like
    to celebrate your birthday?
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    We could be in the garden
    and put lanterns in the trees.
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    And we can invite your friend.
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    Dear Hilde...
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    Sophie...?
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    Happy fifteenth birthday.
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    As you can see I would like
    to give you a gift that lasts.
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    Excuse me for sending
    this postcard to Sophie.
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    It was easier that way.
    Best wishes, Dad.
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    Hilde Maller Knag...?
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    That's right, Hilde Maller Knag.
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    I see. Thanks anyway.
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    Knag... Knox.
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    Sophie! Can you hear me?
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    Get rid of the dog!
    You know that I'm afraid of dogs!
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    Hurry! You know I hate dogs!
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    - A dog...?
    - Be careful.
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    It doesn't have a collar.
    I'm convinced it's a filthy stray!
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    Be careful.
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    - It's gone now, Mother.
    - Are you sure?
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    - How did it get in here?
    - I don't know.
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    - It jumped out of the window.
    - From the second floor?
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    Since I was a little girl...
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    Have I told you about when
    I was attacked by a Labrador?
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    - What are you doing?
    - Your hair looks nice.
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    You should always wear it like that.
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    It's the first compliment
    I've had since Ivar went away.
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    He's called Dad.
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    I thought that we should...
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    talk a bit about boys.
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    - Anything you want to know?
    - No, I know everything.
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    The guy sending you cards,
    who is he?
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    - The phone's ringing.
    - It's the washing-machine.
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    What a smell!
    Are you making toast?
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    False alarm for once.
    Your friend, what's he like?
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    I don't even know who I am.
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    - You are Sophie Amundsen!
    - And who is that?
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    My name is Sophie
    and I'm nearly fifteen.
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    But I must be more
    than a body and a name.
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    Don't you ever wonder
    who you really are?
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    - Or where we're coming from?
    - Of course I do.
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    The machine isn't done yet!
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    Honestly, I never think about it.
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    I am who I am, and I come
    from Granny and Grandpa.
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    - It can't be as simple as that.
    - Not everything is supernatural.
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    I have a lot to do tomorrow.
    Let's go to bed early.
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    - I think I'll go to bed right away.
    - Right away...?
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    Don't you feel well?
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    - Isn't that your father's shirt?
    - It so nice to wear.
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    And it smells a bit of him.
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    It's like he's here
    when I'm wearing it.
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    - Good night, dear.
    - Good night, Mother.
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    Do you know what?
    This belonged to Granny's mother.
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    It's over a hundred years old.
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    Remember to turn off the stove.
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    Is the tape rolling?
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    One, two...
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    Sophie, welcome to Athens.
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    As you probably know by now,
    I'm Alberto Knox.
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    What are we saying?
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    Kalimera Efharisto!
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    We bring you the sun!
    Just follow me.
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    We have just visited the virgin...
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    See you at Ole-Johan's.
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    No, Sophie. I think
    we'll do it my way instead.
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    See the temple?
    That's where the market was.
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    Acropolis. Athens is not
    just the cradle of Europe.
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    It's also the cradle of philosophy!
    This very spot may be
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    a spot where Socrates stood
    with his young disciple Plato.
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    Or, in the words of Plato...
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    Just imagine! 2,400 years ago
    they may have been here
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    discussing where
    the world comes from.
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    Turn off the video.
    Your mother's coming!
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    Hello...?
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    Sophie?
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    So it was just you, Shere Khan?
    You gave me a scare.
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    That was close.
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    Sophie, travel with me...
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    We'll travel in time!
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    Athens, 399 BC.
    The trial of Socrates.
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    Here they come, Socrates.
    And the prosecutors.
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    People are entering the court where
    Meletus will read the accusation.
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    Let's go inside.
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    Socrates is accused of
    introducing new divinities
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    and corrupting the young.
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    Now Socrates is going
    to defend himself.
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    For many years Socrates
    has been irritating people
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    by asking a number
    of critical questions.
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    He has attracted many disciples and
    some people think it's gone too far.
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    Plato is standing over there!
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    Plato will mean a lot
    to the history of philosophy.
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    He's no coward. What a man!
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    - Alberto...?
    - What do you want? Oh, I'm sorry.
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    Socrates would like people
    to think for themselves.
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    If they think about
    the consequences of their statements
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    they'll have to judge themselves.
    He's so smart, so brave!
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    Now he's excusing himself
    for not being eloquent.
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    He will talk simply and directly,
    as he does in the market.
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    People have slandered
    Socrates for many years
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    and he's more afraid of the gossip
    than all the trials in the world.
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    This classic Greek!
    I'm not getting it all.
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    Socrates says,
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    I went to a man
    people considered wise.
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    And I thought to myself,
    I'm even wiser than him.
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    Neither of us knows more than
    the other, but he thinks he does
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    even though he doesn't.
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    I don't know more than him,
    and I'm aware of the fact.
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    Therefore, I'm
    somewhat wiser than him.
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    Do you follow?
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    The jury will now decide
    the fate of Socrates...
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    Possibly the greatest
    thinker of all times.
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    Sophie, this is terrible!
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    They want to sentence him to death.
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    Just because he wanted to
    help people think correctly.
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    Now he says that he deserves
    to be entertained by the state...
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    with a dinner in
    his honor at the City Hall.
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    To kill me would do
    greater harm to Athens
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    than it would to me.
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    Alberto Knox...
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    in ancient Athens.
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    Right now, I'm standing outside
    Socrates' prison cell.
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    Hang on...
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    Socrates says that Plato
    must carry on the tradition.
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    They can kill Socrates
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    but they can't kill off
    all critical thought.
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    It's better to suffer wrongly,
    than act wrongly.
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    He who acts wrongly,
    does damage to himself.
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    He shows that
    his soul lacks clarity.
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    The cup of poison!
    Socrates must drain the cup.
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    The greatest thinker of all times...
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    It's not hard to escape death.
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    Every soldier knows that.
    You just run away.
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    It's much harder
    to escape wickedness.
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    It runs faster than we do.
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    No...!
  • 37:46 - 37:50
    Alberto Knox
    in ancient Athens.
  • 37:50 - 37:55
    Socrates has now been dead for
    a couple of years and we meet Plato.
  • 37:55 - 37:58
    The heir of Socrates.
  • 38:02 - 38:05
    Do you see the shadow?
  • 38:06 - 38:10
    Plato said that all things
    in nature are mere shadows
  • 38:11 - 38:14
    of the eternal ideas.
  • 38:14 - 38:21
    But a lot of people
    are content with false shadows.
  • 38:21 - 38:26
    They're like cave people.
  • 38:26 - 38:29
    They see the shadows on the wall
  • 38:29 - 38:34
    but don't ask themselves
    what created the shadows.
  • 38:34 - 38:40
    They don't dare leave the cave
    to discover the sun, or the truth.
  • 38:41 - 38:47
    That is Plato's famous
    simile of the cave.
  • 38:55 - 38:58
    Sophie...?
  • 39:02 - 39:06
    Sophie Amundsen, confidential.
  • 39:13 - 39:16
    Mother, no!
  • 39:16 - 39:19
    What's this?
  • 39:20 - 39:26
    On this sailing trip you can
    spend four days in Athens.
  • 39:26 - 39:30
    And you need four days
    in the cradle of Europe.
  • 39:30 - 39:33
    You need to se it all.
  • 39:33 - 39:37
    Do you find this exciting?
  • 39:37 - 39:42
    Here on Acropolis
    it's hot and it's cheap.
  • 39:42 - 39:48
    - What does it mean?
    - We must see the false shadows.
  • 39:48 - 39:53
    - False shadows...?
    - Yes, on TV.
  • 39:53 - 39:57
    We have to find insight.
  • 39:57 - 40:00
    Insight...?
  • 40:04 - 40:09
    Last night the tape was completely
    different from this morning.
  • 40:09 - 40:13
    It was about Socrates and Plato...
  • 40:37 - 40:41
    And what about the syntax, Sophie?
  • 40:41 - 40:44
    The syntax? Good.
  • 41:19 - 41:23
    Dear Sophie,
    do you want to know more?
  • 41:23 - 41:26
    As your philosophy teacher,
    I ask you
  • 41:26 - 41:31
    to hand a sugar cube in
    a pink envelope to my messenger.
  • 41:32 - 41:35
    He will be at your gate
    in the morning.
  • 41:35 - 41:38
    Yours sincerely,
    Alberto Knox.
  • 41:46 - 41:50
    - Hi, Johnsen!
    - Christmas cards in the summer?
  • 41:50 - 41:53
    Hi, Sophie!
  • 41:53 - 41:58
    Not at all like Gudbrandsdalen,
    Roses from Vestlandet.
  • 42:07 - 42:11
    Hi, Sophie!
    Where's my daughter today?
  • 42:11 - 42:13
    She's has to take care of herself.
  • 42:14 - 42:18
    - Why is she so wild?
    - Maybe she's trying to find herself.
  • 42:18 - 42:22
    The meaning of life.
  • 42:22 - 42:26
    Looking for something in particular?
    You're going to write love letters!
  • 42:26 - 42:29
    You've got a flat tire.
  • 42:37 - 42:42
    - Are you writing love letters?
    - Not to you, anyway.
  • 42:42 - 42:45
    There was no flat tire.
  • 42:45 - 42:49
    Have you got any more
    books on rose painting?
  • 42:49 - 42:53
    Vibeke, have we got any
    more books on rose painting?
  • 42:53 - 42:55
    Tough essay...
  • 42:55 - 42:57
    Myths and stuff.
  • 42:57 - 43:02
    - What are you doing?
    - I'm studying philosophy.
  • 46:39 - 46:41
    Hello...?
  • 46:42 - 46:46
    Is anybody here?
  • 48:12 - 48:15
    Plato.
  • 48:21 - 48:24
    Immanuel Kant.
  • 48:58 - 49:01
    Hilde Maller Knag.
  • 49:06 - 49:10
    Hilde Maller Knag...?
  • 49:56 - 50:00
    - Where have you been?
    - In the woods.
  • 50:00 - 50:03
    - With your friend?
    - No.
  • 50:03 - 50:07
    I couldn't sleep, so I went for
    a walk in the woods, and got lost.
  • 50:07 - 50:13
    - I found a cabin by the lake.
    - It's been abandoned for years.
  • 50:13 - 50:17
    I saw a girl in the cottage.
  • 50:17 - 50:22
    In a mirror. She looked like me.
    I put my hand through the mirror!
  • 50:22 - 50:25
    I know what it's like at your age.
  • 50:25 - 50:30
    There was a girl in the mirror,
    and the mirror was electrified.
  • 51:36 - 51:41
    You've got the same
    hairline as Aunt Astrid.
  • 51:41 - 51:45
    When I was your age, I thought
    people could read my mind.
  • 51:45 - 51:50
    So I tried not to think
    about anything in particular.
  • 51:50 - 51:54
    - Are you like that?
    - Yes.
  • 51:54 - 51:57
    You take after me.
  • 51:57 - 52:02
    - Maybe a bit after Ivar, too.
    - Dad!
  • 52:02 - 52:05
    Dad Amundsen.
  • 52:07 - 52:11
    Have I told you about
    when Ivar and I were in France?
  • 52:11 - 52:18
    We met a little man in a street
    corner who talked and talked.
  • 52:18 - 52:24
    I tried to figure out what language
    he spoke, and thought it was Latin.
  • 52:24 - 52:29
    - I tried to listen to him...
    - I'll take a nap.
  • 52:32 - 52:36
    - Have I told you this before?
    - Yes.
  • 52:48 - 52:52
    Dear Sophie,
    are you interested in art?
  • 52:53 - 52:56
    - Art...?
    - Art and philosophy are linked.
  • 52:56 - 53:00
    Take a trip to 8 Syrinvejen.
    You have nothing to fear.
  • 53:01 - 53:05
    There's a reason for everything.
    Yours sincerely, Alberto Knox.
  • 53:35 - 53:40
    Sophie, that mysterious
    dog is here again.
  • 53:40 - 53:44
    - Where are you going?
    - Out.
  • 53:44 - 53:48
    I'm going to look at art.
  • 53:49 - 53:52
    Art...?
  • 53:52 - 53:57
    But I thought that we could
    do something together.
  • 54:06 - 54:08
    I hope Ivar will be home soon.
  • 55:01 - 55:06
    A young girl
    is visiting a sculptor.
  • 55:06 - 55:12
    The sculptor is leaning over
    a large block of marble.
  • 55:12 - 55:16
    What are you looking for,
    asks the girl.
  • 55:16 - 55:21
    Just wait and see,
    says the sculptor.
  • 55:21 - 55:24
    A few weeks later
    the girl is back
  • 55:24 - 55:30
    and the sculptor has formed
    a human body out of the marble.
  • 55:30 - 55:35
    How did you know that
    it was hidden in there?
  • 55:35 - 55:40
    There was a Greek philosopher
    by the name of Aristotle.
  • 55:41 - 55:45
    He was a student
    at the Academy of Plato's.
  • 55:45 - 55:47
    Alberto...?
  • 55:47 - 55:49
    Hello...?
  • 55:52 - 55:56
    Do you remember Plato?
  • 55:56 - 56:01
    The man with the shadows.
    The simile of the cave.
  • 56:03 - 56:06
    Exactly.
  • 56:06 - 56:09
    And just like
    sculpture inside the marble
  • 56:09 - 56:13
    Aristotle meant that
    all things in nature
  • 56:13 - 56:18
    have the potential
    to assume a certain form.
  • 56:19 - 56:24
    Aristotle divided the world
    into different substances
  • 56:24 - 56:26
    Dead things...
  • 56:26 - 56:28
    and living things...
  • 56:28 - 56:31
    Why do you hide?
  • 56:35 - 56:38
    Plants, animals
    and human beings...
  • 56:39 - 56:42
    Different substances...
  • 56:42 - 56:48
    Think about the flowers. First
    they're buds, and then they wither.
  • 56:48 - 56:55
    Animals can feel hunger
    and thirst, but only man can...
  • 56:55 - 56:58
    - Philosophize...?
    - That's right!
  • 56:58 - 57:01
    Think, reflect on things...
  • 57:01 - 57:05
    That's what makes
    you human, Sophie.
  • 57:08 - 57:11
    You philosophize.
  • 57:11 - 57:15
    - How can you see that?
    - I see what the stone contains.
  • 57:15 - 57:21
    The stone contains a beautiful
    woman and her name is... Sophie.
  • 57:23 - 57:27
    Did you see her in the stone?
    Did you see me in the stone?
  • 57:27 - 57:32
    - Can anybody see things that way?
    - Yes, if they want to.
  • 57:32 - 57:36
    The artist dedicates his life
    to that which is not yet real
  • 57:36 - 57:39
    but that dwells inside the matter.
  • 57:39 - 57:45
    - And the philosopher?
    - He's the artist's brother.
  • 57:49 - 57:52
    - Or sister.
    - Yes.
  • 57:55 - 57:59
    Alberto...? Where are you?
  • 58:08 - 58:13
    Okay, Shere Khan.
    Aristotelian order.
  • 58:13 - 58:18
    The stone on the table
    is the simplest form.
  • 58:18 - 58:24
    Then we have the plant,
    then you, and on top we have me.
  • 58:26 - 58:31
    Jorunn called and asked
    if you felt like coming over.
  • 58:31 - 58:36
    You do remember Jorunn...?
    And I'm your mother.
  • 58:39 - 58:44
    And what do you contain...?
    The world's smallest sculpture?
  • 58:49 - 58:51
    You know Aristotle...
  • 58:51 - 58:56
    He meant that all things in
    nature have a potential possibility
  • 58:56 - 58:59
    to assume a certain form.
  • 58:59 - 59:02
    Sorry, but I don't know Latin.
  • 59:02 - 59:07
    The difference between a stone,
    a plant, an animal, and man is...
  • 59:07 - 59:10
    Just a moment, Liss.
  • 59:10 - 59:16
    - Have you seen the hairdryer?
    - Ask Johnsen.
  • 59:16 - 59:21
    Jorgen called. You're supposed
    to meet him at a quarter past.
  • 59:21 - 59:24
    I'm back...
  • 59:27 - 59:31
    Have you decided to meet
    them without asking me?
  • 59:31 - 59:35
    I've said it five times,
    Sophie. You're nuts.
  • 60:26 - 60:32
    Take an unforgettable journey,
    a journey in time and space.
  • 60:32 - 60:34
    Alberto!
  • 60:34 - 60:37
    Are you tired of everyday stress?
  • 60:37 - 60:42
    Follow me on a journey
    through the history of philosophy.
  • 60:42 - 60:47
    Yes, you heard correctly.
    Through the history of philosophy.
  • 60:47 - 60:52
    A world full of surprises,
    exciting thoughts and ideas.
  • 60:53 - 60:57
    Order today.
    Our number is 9000...
  • 60:57 - 61:01
    Quick, hand me a pen!
  • 61:03 - 61:05
    See you.
  • 61:05 - 61:09
    Excuse me...
  • 61:09 - 61:13
    - Excuse me.
    - Where are you going?
  • 61:20 - 61:22
    - Alberto?
    - Hi, Sophie!
  • 61:22 - 61:27
    - How did you like the artist?
    - It was you!
  • 61:27 - 61:30
    - How do you do it?
    - Do what?
  • 61:30 - 61:36
    Everything. The tape from Athens,
    the essay, the mirror...?
  • 61:37 - 61:42
    You've got to be patient.
    You'll understand it, eventually.
  • 61:42 - 61:44
    It works.
  • 61:44 - 61:49
    - Is the dog yours?
    - Well...
  • 61:49 - 61:51
    In a way.
  • 61:52 - 61:56
    It spies on me.
  • 61:56 - 62:00
    Let's say that it
    keeps an eye on you.
  • 62:00 - 62:06
    After Socrates, Plato and
    Aristotle, a new era in history starts.
  • 62:06 - 62:11
    - Where are you?
    - Don't think about that now.
  • 62:11 - 62:16
    Where were we...?
    The Greek language and culture
  • 62:16 - 62:23
    came to dominate the world for
    600 years, the Hellenistic Age.
  • 62:23 - 62:26
    Just a sec. Hang on.
  • 62:29 - 62:31
    Come here...
  • 62:36 - 62:42
    Sophie, have you
    heard about the Cynics?
  • 62:42 - 62:46
    - The Cynics...?
    - Watch the film.
  • 62:46 - 62:49
    Hello...? Alberto?
  • 62:51 - 62:55
    Keep quiet!
  • 66:27 - 66:32
    You can't be
    standing there laughing.
  • 66:32 - 66:35
    Sophie...?
  • 66:35 - 66:39
    Where are you going?
  • 66:53 - 66:56
    Hi, Mother!
  • 66:58 - 67:03
    - How was the film?
    - It was informative, different.
  • 67:03 - 67:06
    - What was it about?
    - Two funny cynics.
  • 67:06 - 67:10
    - Do you find cynics funny?
    - Yeah, they don't need much.
  • 67:10 - 67:16
    A staff, a shirt, a barrel...
    They don't need any money.
  • 67:17 - 67:21
    - They're satisfied with sunshine.
    - Philosophy again?
  • 67:21 - 67:27
    Evolveris, that's Latin and
    it means, you're evolving.
  • 67:30 - 67:33
    Paragraph 67 A, comparative...
  • 67:33 - 67:39
    Mother...? What are you going
    to do with all that Latin?
  • 67:39 - 67:43
    What I'm going to do with it...?
  • 67:45 - 67:48
    I'm going to...
  • 68:14 - 68:19
    This is Alberto Knox'
    answering machine.
  • 68:19 - 68:24
    If you want to speak to
    the philosopher, press 1.
  • 68:24 - 68:29
    If you want to leave
    a message, press 2
  • 68:29 - 68:33
    and speak after the tune...
  • 69:04 - 69:08
    Marianne, I've got
    to have it tomorrow.
  • 69:08 - 69:12
    Why were you laughing?
    Yesterday, at the cinema.
  • 69:13 - 69:18
    You were thrown out.
    What were you laughing at?
  • 69:18 - 69:19
    The movie.
  • 69:19 - 69:23
    No one else laughed,
    it was a tragic film.
  • 69:23 - 69:27
    He died in the war.
  • 69:27 - 69:32
    - And what about the pen?
    - It was for a phone number.
  • 69:32 - 69:34
    To Alfredo...?
  • 69:34 - 69:37
    Do you know where he lives?
  • 69:40 - 69:42
    She never cleans up her mess!
  • 69:42 - 69:48
    - Have you been at his place?
    - I can show it to you.
  • 69:48 - 69:50
    Do you dare?
  • 69:50 - 69:55
    - Are you scared?
    - Why should I be scared?
  • 69:55 - 69:58
    It's pretty gloomy.
  • 69:58 - 70:01
    In what way?
  • 71:23 - 71:28
    - Sophie, let's turn back.
    - Are you worried?
  • 71:34 - 71:37
    - You've got such wide eyes!
    - What...?
  • 72:02 - 72:04
    Sophie, can't we...?
  • 72:04 - 72:08
    Hello...? Nobody's here.
  • 72:08 - 72:10
    Come on.
  • 72:16 - 72:21
    - Does he live here?
    - It's a magic mirror.
  • 72:26 - 72:31
    - Mirror, mirror on the wall...
    - Don't play games, Jorunn!
  • 72:31 - 72:34
    There's someone on the other side!
  • 72:34 - 72:38
    - Postcards!
    - Don't touch them!
  • 72:38 - 72:43
    Hilde Maller Knag,
    c/o Alberto Knox.
  • 72:43 - 72:47
    - Isn't he the one that...?
    - Hilde Maller Knag!
  • 72:47 - 72:51
    Dear Hilde, I'm looking forward
    to coming home to Lillesand.
  • 72:51 - 72:55
    I'll arrive at Kjevik
    Midsummer Eve.
  • 72:55 - 73:00
    We can celebrate your birthday,
    even if it's a bit late.
  • 73:00 - 73:03
    Love, Dad.
  • 73:06 - 73:10
    One day you'll meet a girl
    by the name of Sophie.
  • 73:10 - 73:14
    And like you
    she'll get the wings of thought.
  • 73:14 - 73:18
    He's writing about you, Sophie!
  • 73:18 - 73:20
    There is someone in the mirror.
  • 73:20 - 73:26
    - What did you say?
    - There is someone in the mirror.
  • 73:27 - 73:30
    Jorunn...?
  • 73:31 - 73:36
    - Jorunn!
    - Yes, what do you want?
  • 73:59 - 74:03
    - I'll take it!
    - Don't touch it!
  • 74:03 - 74:08
    - It's Sophie.
    - It's me, I got your message.
  • 74:08 - 74:11
    The time has come.
  • 74:11 - 74:14
    We are going to meet.
  • 74:14 - 74:17
    We have to start working together.
  • 74:17 - 74:22
    - That's all I can say right now.
    - What's wrong with the mirror?
  • 74:22 - 74:26
    He's driving me nuts.
  • 74:26 - 74:30
    - What do you mean? Who?
    - I can't tell you.
  • 74:30 - 74:34
    I won't come, if you don't tell me.
  • 74:34 - 74:39
    The Major... I think
    the philosophers will open our eyes.
  • 74:39 - 74:45
    Meet me at the church
    at four o'clock in the morning, alone.
  • 74:45 - 74:48
    Alberto...?
  • 75:13 - 75:17
    God morning. I'm out.
    Have breakfast without me.
  • 77:22 - 77:26
    Did you like it?
    One of my best tricks.
  • 77:26 - 77:30
    Now it's time for the Middle Ages!
  • 77:30 - 77:34
    This church was built a little later,
    but that doesn't matter.
  • 77:35 - 77:37
    Isn't it fantastic?
  • 77:37 - 77:40
    Do the Middle Ages
    start at four o'clock?
  • 77:40 - 77:45
    Assume that Christ was born
    at midnight. One o'clock is 100 AD.
  • 77:45 - 77:48
    Two o'clock... are you listening?
  • 77:48 - 77:52
    - Two o'clock is 200 AD.
    - Three o'clock is 300 AD.
  • 77:52 - 77:54
    And so on...
  • 77:54 - 77:58
    So the Middle Ages started 400 AD?
  • 77:58 - 78:01
    And lasted for a thousand years.
  • 78:02 - 78:07
    But just before four o'clock
    the Roman Empire was split in two.
  • 78:08 - 78:12
    - And a few minutes later...
    - Who's the Major?
  • 78:12 - 78:15
    At a quarter to five...
  • 78:15 - 78:18
    Who is he?
  • 78:18 - 78:22
    - Let's say I've got an assignment.
    - From the Major.
  • 78:24 - 78:26
    Do you know her?
  • 78:26 - 78:32
    We were born on the same date
    and we look like each other.
  • 78:32 - 78:37
    - You've got to be patient.
    - How could she be in the mirror?
  • 78:39 - 78:44
    - The mirror...? At the cabin?
    - Yes.
  • 78:44 - 78:48
    I could put my hand
    straight through the mirror.
  • 78:48 - 78:51
    I didn't know that.
  • 78:51 - 78:55
    Beware of that mirror.
  • 78:58 - 79:00
    Salve.
  • 79:00 - 79:07
    At eight o'clock
    the long schoolday begins.
  • 79:07 - 79:09
    Scusa me, frater.
  • 79:10 - 79:13
    Sophie, knowledge is power.
  • 79:13 - 79:18
    At first, only the monasteries
    are allowed to have schools.
  • 79:18 - 79:22
    At ten, the first cathedral
    school opens, and at twelve o'clock
  • 79:22 - 79:24
    we have the university.
  • 79:25 - 79:30
    Nice meeting you, Sophie.
    Now that's something to celebrate!
  • 79:38 - 79:42
    Chateau de Ciecle, what a wine!
  • 79:48 - 79:52
    - How is it possible?
    - Imagination, Sophie!
  • 79:52 - 79:57
    - I don't have much imagination.
    - Maybe it's not you.
  • 79:58 - 80:00
    The Major...?
  • 80:09 - 80:13
    Not an unusual sight...
  • 80:13 - 80:19
    In the Middle Ages, one child out
    of three dies before it's a year old.
  • 80:21 - 80:25
    But many make it
    and become important men.
  • 80:25 - 80:29
    Am I the first woman
    who is interested in philosophy?
  • 80:30 - 80:36
    No, you're not!
    Hildegard von Bingen, 1098 to 1179.
  • 80:36 - 80:41
    Hildegard grew up at a monastery,
    and from early on...
  • 80:45 - 80:48
    Could we have some peace here?
  • 80:48 - 80:53
    - Who are you talking to?
    - The Major.
  • 80:53 - 80:58
    Do you know what Sophie means?
  • 80:58 - 81:02
    It means wisdom.
    My job is to make you wise.
  • 81:02 - 81:05
    Do you think it's possible?
  • 81:05 - 81:08
    Has Hildegard anything
    to do with Hilde?
  • 81:08 - 81:13
    From an early age Hildegard
    felt that God talked to her.
  • 81:13 - 81:17
    After a while she was considered
    one of God's chosen people.
  • 81:17 - 81:20
    Popes and emperors consulted her.
  • 81:21 - 81:26
    And she was one of the greatest
    composers of Gregorian music.
  • 81:26 - 81:32
    She saw music and art as
    an expression of the divine.
  • 81:32 - 81:34
    The divine?
  • 81:34 - 81:38
    Man's way of asking
    forgiveness for his sins.
  • 81:38 - 81:41
    In the 13th century, there was
    a man called Thomas Aquinas.
  • 81:41 - 81:47
    He held that God showed himself
    both in the Bible and in Reason.
  • 81:47 - 81:51
    But what about
    the essay and the mirror?
  • 81:51 - 81:53
    - The bell tolls.
    - And Hilde...?
  • 81:53 - 81:58
    - There is no Hilde!
    - But I saw her in the mirror!
  • 81:58 - 82:02
    You've got to trust me. Do you?
  • 82:04 - 82:06
    Alberto!
  • 82:24 - 82:30
    About 150 years later
    the plague strikes Europe.
  • 82:30 - 82:33
    The Black Death!
  • 82:33 - 82:36
    Alberto!
  • 82:57 - 83:01
    The first one was Sigurd.
  • 83:01 - 83:07
    The little boy
    who was so nice and sweet.
  • 83:07 - 83:10
    The very image of his father.
  • 83:10 - 83:14
    He too died.
  • 83:15 - 83:19
    And then Magnus, the strong boy.
  • 83:19 - 83:24
    No faith, and no hope.
  • 83:24 - 83:28
    Just the eyes that
    broke your heart in half.
  • 83:31 - 83:33
    He is no more.
  • 83:34 - 83:36
    The Black Death...
  • 83:40 - 83:43
    You too are going to die, Sophie.
  • 83:43 - 83:45
    We're all going to die!
  • 83:45 - 83:49
    Let me give you a kiss...
  • 84:40 - 84:42
    Sophie...?
  • 84:42 - 84:46
    - Where were you?
    - In the Middle Ages.
  • 84:48 - 84:50
    In the Middle Ages...?
  • 84:53 - 84:58
    Does anyone know
    when the Middle Ages occurred?
  • 85:01 - 85:05
    Jorgen, at what point
    in time did they occur?
  • 85:06 - 85:09
    - Jorunn?
    - The Middle Ages...?
  • 85:09 - 85:12
    When were they?
  • 85:13 - 85:15
    Georg, then?
  • 85:15 - 85:20
    About the same time
    as the Viking Era.
  • 85:21 - 85:24
    Four hundred to fourteen.
  • 85:24 - 85:28
    - What was that?
    - 400 to 1400 AD.
  • 85:28 - 85:32
    You don't say.
  • 85:32 - 85:36
    - Who lived in the Middle Ages?
    - Thomas Aquinas...
  • 85:36 - 85:40
    and Hildegard von Bingen.
  • 85:41 - 85:43
    Hildegard von Bingen.
  • 85:46 - 85:49
    Gosh...!
  • 85:49 - 85:52
    - What did she do?
    - Music.
  • 85:52 - 85:56
    She was chosen by God
    and gave the Pope advice.
  • 85:56 - 86:00
    - What's that got to do with music?
    - She composed Gregorian music.
  • 86:00 - 86:05
    She felt that man's divine
    quality showed itself in music.
  • 86:05 - 86:08
    And in all art.
  • 86:11 - 86:14
    Indeed...
  • 86:18 - 86:20
    Let's see...
  • 86:25 - 86:28
    Divine...?
  • 86:33 - 86:37
    Have you called the fire department?
  • 86:37 - 86:43
    Why do things always go wrong?
    We'll have to eat something light.
  • 86:48 - 86:52
    - Where do you think he is now?
    - On the seven seas.
  • 86:53 - 86:59
    - How's your friend, Albert?
    - Yesterday we went to a lecture.
  • 86:59 - 87:02
    A lecture...?
  • 87:04 - 87:09
    So you went to a lecture...?
    What was it about?
  • 87:10 - 87:14
    - Sophie...?
    - It was about the Middle Ages.
  • 87:14 - 87:19
    And that knowledge is power.
  • 87:19 - 87:24
    I would like to meet Albert.
    He seems very interesting.
  • 87:25 - 87:27
    Dad called.
  • 87:27 - 87:30
    - Where did he call from?
    - The boat.
  • 87:30 - 87:35
    He was disappointed
    you weren't at home.
  • 87:35 - 87:40
    He's so nice, the main character.
    Don't you think so, Sophie?
  • 87:40 - 87:42
    Yes...
  • 87:54 - 87:58
    Turn off the stove, the light...
  • 88:00 - 88:03
    Aren't you going to bed?
  • 88:04 - 88:06
    Do you miss Dad?
  • 88:07 - 88:10
    Me, too.
  • 88:25 - 88:30
    About your birthday. We could
    have a party on Midsummer Eve.
  • 88:30 - 88:36
    We could have a garden party,
    and you can invite your friend.
  • 88:38 - 88:43
    Mother, do you know
    what Sophie means?
  • 88:44 - 88:48
    Sophie means...
  • 88:50 - 88:52
    No.
  • 88:52 - 88:55
    It means wisdom.
  • 88:56 - 89:00
    - Bona nochtem.
    - Bona nochtem, my dear.
  • 89:19 - 89:23
    H. M. K...
  • 89:23 - 89:26
    Hilde Maller Knag!
  • 89:56 - 89:58
    Hilde...?
  • 90:03 - 90:05
    Hilde...?
  • 90:05 - 90:09
    Where are you?
Title:
Sofies Verden (1999) [Part I] [MultiSub]
Description:

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Duration:
01:29:10

English subtitles

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