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Following a devastating nuclear war,
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Lilith Iyapo awakens
after 250 years of stasis
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to find herself surrounded by a group
of aliens called the Oankali.
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These highly evolved beings
want to trade DNA
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by breeding with humans
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so that each species’ genes
can diversify and fortify the other.
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The only alternative they offer is
sterilization of the entire human race.
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Should humanity take the leap into
the biological unknown,
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or hold on to its identity and perish?
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Questions like this haunt
Octavia Butler’s Dawn,
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the first in her trilogy Lilith’s Brood.
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A visionary storyteller who
upended science fiction,
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Butler built stunning worlds
throughout her work–
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and explored dilemmas that keep
us awake at night.
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Born in 1947,
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Butler grew up shy and introverted in
Pasadena, California.
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She dreamt up stories from an early age,
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and was soon scribbling these
scenarios on paper.
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At twelve, she begged her mother
for a typewriter
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after enduring a campy science
fiction film called Devil Girl From Mars.
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Unimpressed with what she saw,
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Butler knew she could tell a better story.
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Much science fiction featured
white male heroes
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who blasted aliens or were uninvited
saviors for brown people.
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Butler wanted to write diverse characters
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and bring nuance and depth to the
representation of their experiences,
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all while exploring mind-bending
scenarios.
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For Butler,
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imagination was not only for planting
the seeds of science fiction–
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but also a strategy for surviving an unjust
world on one’s own terms.
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Typically, her work takes troubling
features of the world
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such as discrimination on the basis of
race, gender, class, or ability,
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and invites the reader to contemplate
them in new contexts.
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One of her most beloved novels,
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the Parable of the Sower,
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follows this pattern.
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It tells the story of Lauren Oya Olamina
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as she makes her way through a world
ruined by corporate greed,
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inequality, and environmental destruction.
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As she struggles with hyperempathy,
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or the ability to feel others’ pain,
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Lauren embarks on a quest with a group
of refugees to find a place to thrive.
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There, they seek to live in accordance
with Lauren’s found religion, Earthseed,
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which is based on the principle
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that humans must adapt to an
ever-changing world.
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Lauren’s quest had roots
in a real life event–
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California Prop 187,
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which attempted to deny illegal immigrants
fundamental human rights,
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before it was deemed unconstitutional.
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Butler frequently incorporated
contemporary news into her writing.
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In her 1998 sequel to The Parable of the
Sower, Parable of the Talents,
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she wrote of a presidential candidate
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who controls Americans with virtual
reality and “shock collars.”
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His slogan? “Make America great again.”
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While people have noted her prescience,
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Butler was also interested in
re-examining history.
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For instance,
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Kindred tells the story of a woman
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who is repeatedly pulled back in time
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to the Maryland plantation
of her ancestors.
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Early on, she learns that her mission
is to save the life of the white man
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who will rape her great grandmother.
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If she doesn’t, she herself
will cease to exist.
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This grim dilemma forces Dana to
confront the ongoing trauma
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of slavery and sexual violence
against Black women.
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With her stories of women who
founded new societies,
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time travelers overcoming
historical strife,
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and interspecies bonding,
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Butler had a profound influence on growing
popularity of Afrofuturism.
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That’s a movement where Black writers and
artists who are inspired by the future
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produce works that incorporate magic,
history, technology and much more.
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And today,
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Butler’s work remains a powerful reminder
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that imagination can be a tool
for real change–
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as well as a rallying call for those who
seek other ways to be in the world.
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As Lauren comes to learn in
Parable of the Sower,
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"All that you touch you Change.
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All that you Change Changes you.
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The only lasting truth is Change.”