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How architecture changes for the Deaf

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    [Sound of subway announcements]
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    We live in a world built for people who hear.
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    Hello? Can you hear me?
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    [Sounds of many different day-to-day activities]
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    But what would our man-made world look like if it were designed for those who don't hear?
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    Gallaudet University in Washington, DC is a school for the Deaf and hard of hearing
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    And they are redesigning entire buildings based on the sensory experience of those who don't hear.
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    We've only just begun to challenge ourselves to examine how we could design
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    entire buildings, entire campuses, or even cities, to be aligned with DeafSpace.
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    Deaf people as a culture have been marginalized largely
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    We've been, as a marginalized community, developing our own culture
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    and that defines what kind of place we call home,
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    how we claim and occupy space.
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    And so we've begun to ask ourselves these questions
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    and because of that have gotten a lot more creative and think bigger
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    about how we can find different ways to align our ways of being to our environments.
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    The classrooms are oriented in a semi-circle
    or U-shape
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    so that classmates and continuously visually connect with other classmates.
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    So if you want to be involved in a discussion, everyone has a front row seat to seeing.
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    In a wider hallway, two people can walk in parallel signing with each other.
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    But we do have specific distance parameters wherein we can observe the whole body and its signing.
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    Hearing people, though could disregard that kind of a distance requirement
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    they can be just next to each other speaking to each other without that need for the visual field.
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    Stairs also require more visual attention to your footing
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    and so ramps reduce that.
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    So if you are communicating with someone while navigating a ramp
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    you can do so much more easily.
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    Within DeafSpace we have always relied on a heavily visible environment
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    because we are not getting information auditorily.
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    So if you are sitting at the top of terrace you can see all the way to the bottom of the terrace.
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    It's one distinct place that can be unified or have three distinct areas.
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    Color and lighting are highly aligned to communication access.
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    Blues and greens will usually contrast with most skin tones enough to reduce eye strain
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    You may want to have more diffused lighting.
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    A lot of the lighting here is directional so that it can be aligned.
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    There are mirrors present
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    to allow somebody to know and have a sense of what's happening behind them.
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    Through the use of that reflection they can know if someone is nearing behind them or if sombedody taps them.
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    They can look up and that reflective space lets them know who's there.
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    Transparency of, say, doorways.
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    So that when a person is in an office they can either have a transparent doorway or passageway
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    or one that is opaqued.
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    So that I can see lighting and shadow and movement and know somebody is at the door
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    But not clearly see who's there.
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    Very often, people refer to "hearing loss" as an example
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    which negatively frames the whole approach from the outset.
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    But let's imagine the Deaf baby who has never heard
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    and yet is still described as experiencing "hearing loss".
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    And instead we propose a different framing: that of "Deaf gain"
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    What is it that we gain by the experience of being or becoming Deaf?
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    DeafSpace, I believe is born of the idea that we have something to offer the world
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    That being Deaf confers some very interesting perspectives on life.
Title:
How architecture changes for the Deaf
Description:

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Video Language:
English
Team:
Amplifying Voices
Project:
Accessibility and Inclusion
Duration:
04:48

English subtitles

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