< Return to Video

Ellen Gallagher: "Osedax" | "Exclusive" | Art21

  • 0:07 - 0:12
    [ELLEN GALLAGHER: "OSEDAX"]
  • 0:15 - 0:19
    [MUSIC ECHOES THROUGH GALLERY]
  • 0:26 - 0:29
    It seems like animation has always been implied in my work,
  • 0:30 - 0:32
    and has always been moving towards that.
  • 0:33 - 0:35
    [NEW MUSEUM, NEW YORK CITY]
  • 0:39 - 0:45
    In the painting, the way that the form is abstracted is like early animation.
  • 0:47 - 0:50
    I break them down into moving parts.
  • 1:01 - 1:03
    [SOUND OF PROJECTOR MOTOR]
  • 1:03 - 1:05
    ["OSEDAX" (2010), EDGAR CLEIJNE & ELLEN GALLAGHER]
  • 1:06 - 1:11
    Osedax is a bone-devouring worm that was recently discovered
  • 1:11 - 1:13
    off of the coast of Monterey.
  • 1:13 - 1:17
    What they thought they came upon was a cliff jutting out from an ocean canyon.
  • 1:18 - 1:22
    They took off a chunk of it and brought it back into the lab.
  • 1:24 - 1:27
    And they saw that it actually was a whale bone,
  • 1:27 - 1:30
    and that there were all these plummy forms coming out of it.
  • 1:30 - 1:33
    And as they looked at these plummy forms they saw they were a new worm
  • 1:33 - 1:35
    that hadn't been categorized yet.
  • 1:38 - 1:43
    I was really attracted to the way the scientists described finding the form.
  • 1:43 - 1:45
    It was such a literary device.
  • 1:46 - 1:48
    You think you're seeing one thing,
  • 1:48 - 1:51
    and then it turns out to be something completely different.
  • 1:53 - 1:58
    This idea of evolution--and evolutionary possibilities--
  • 1:58 - 2:01
    quite often repeats in science fiction.
  • 2:03 - 2:07
    For me, the protocols of science fiction
  • 2:07 - 2:10
    and the protocols of science are not separate--
  • 2:11 - 2:12
    they're woven together.
  • 2:18 - 2:23
    Whale fall happens as whales descend through the depths of the ocean at their death.
  • 2:24 - 2:27
    And it carries with it so much knowledge.
  • 2:29 - 2:31
    So all those secret passages you hear about
  • 2:31 - 2:33
    between the Atlantic and the Pacific...
  • 2:33 - 2:36
    All of these routes then become lost.
  • 2:37 - 2:40
    So I thought that the osedax worm
  • 2:40 - 2:45
    inscribes these systems of travel into the bone.
  • 2:47 - 2:50
    And it's a paper box inscribed on both sides
  • 2:50 - 2:53
    to signify this kind of carving.
  • 2:59 - 3:05
    Edgar Cleijne and I wanted to create these passageways in the film.
  • 3:05 - 3:09
    For instance, we turned a blob of ink into a 3D model,
  • 3:09 - 3:13
    and so this paper bird swims through this--literally--
  • 3:13 - 3:16
    through what's a blob of ink is now a tunnel.
  • 3:20 - 3:25
    Matter is not fixed and is always in motion.
  • 3:26 - 3:30
    You're dealing with this idea of ecology, transformation, and evolution
  • 3:30 - 3:33
    into something different.
Title:
Ellen Gallagher: "Osedax" | "Exclusive" | Art21
Description:

more » « less
Video Language:
English
Team:
Art21
Project:
"Extended Play" series
Duration:
03:56

English subtitles

Revisions