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Bodyguard (2011) Blu-Ray 720p English Subtitle movieshdnow.com

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    "Bodyguard movieshdnow.com."
  • 3:42 - 3:46
    'My love story started with a train journey... '
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    '... and continued like one.'
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    'Intentionally or unintentionally... '
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    '... this journey began from a village called jaisingpur.'
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    'That night, bodyguard balwant singh and sudha's child... '
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    '... would've never seen the world... '
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    '... if an angel hadn't arrived at the right moment.'
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    'And that angel was... sartaj rana.'
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    'This is mr. Sartaj's mansion.'
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    'For the people of jaisingpur... '
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    '... this is nothing less than the court... '
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    '... where one gets right and instant justice.'
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    Reema.
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    Come.
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    Mr. Sartaj, this is reema.
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    Greetings. - Greetings.
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    Mr. Sartaj, please save my daughter.
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    Few people have forcefully abducted her.
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    Who are they?
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    Ranjan mhatre and his brothers.
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    Ranjan.
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    Sir, there are other girls along with my daughter...
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    ...and they are being taken to thailand to be sold.
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    What were the police and the other officials doing?
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    They are all in this together.
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    That's why i approached you.
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    How did you get all this information?
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    My brother ajay works on that ship.
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    He told me that in a few hours...
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    ...a ship called m.v. Arun sagar...
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    ...will depart from mumbai's premium dock.
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    Uncle.
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    Uncle, please.
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    Please save us.
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    We don't want to go, uncle.
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    Uncle, please save us.
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    Listen...
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    so, uncle ajay.
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    Are you here to free your niece from our clutches?
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    Listen. Listen to me. - Come on.
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    Due to her video we are getting a good price...
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    ...for everyone in bangkok.
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    No. No. Don't do that. - Get lost.
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    Hey, listen. - Uncle! Uncle!
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    Come on, uncle. Come on, go.
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    Get in. - Leave my niece. Don't do this.
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    Mumbai.
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    Yes, sir.
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    Call bindra.
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    Mr. Shekhar, instead of ten guards...
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    ...i will send one bodyguard.
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    We asked for ten.
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    What good will one do?
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    Let me tell you something about him.
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    He gives complete guarantee of your job with warranty.
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    Whether you are there or not.
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    "Bodyguard." - When it comes to loyalty...
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    ...he's one step ahead of royalty.
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    "Bodyguard." - and he's the only person in the world...
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    ...who can make his opposition pee in his pants...
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    ...by simply staring at him.
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    "Bodyguard." - He's the best man for this job.
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    Lovely singh. - "Feel the heat."
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    "Feel the kick."
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    "Feel the power."
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    "Feel the punch."
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    "Feel the heat."
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    "Feel the kick."
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    "Feel the power."
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    "Feel the punch."
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    "Bodyguard."
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    'Do me a favor.'
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    'Never do me a favor.'
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    "Come one, come all."
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    "Come together."
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    "The bodyguard's here."
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    "He's hot, he's hard."
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    "Anyone that challenges him will be in trouble."
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    "The bodyguard's here."
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    "He's our honour, he's our pride."
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    "He's everyone's friend."
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    "The bodyguard's here."
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    "He eradicates evil."
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    "He is unmatched."
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    "The bodyguard's here."
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    "Feel the heat."
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    "Feel the kick."
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    "Feel the power."
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    "Feel the punch."
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    "He's everyone's heartbeat."
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    "He's a good indian."
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    "The bodyguard's here."
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    "He is strong."
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    "He's unlike any other."
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    "The bodyguard's here."
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    "We were waiting for you."
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    "Here comes the bodyguard."
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    "Bodyguard."
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    "Come one, come all."
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    "Come together."
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    "Come one, come all."
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    "Come together."
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    "The bodyguard's here."
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    "Bodyguard."
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    "He's hot, he's hard."
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    "Anyone challenges him will be in trouble."
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    "The bodyguard's here."
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    "He's our honour, he's our pride."
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    "He's everyone's friend."
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    "The bodyguard's here."
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    "We were waiting for you."
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    "Here comes the bodyguard."
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    "We were waiting for you."
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    "Here comes the bodyguard."
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    "Feel the heat."
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    "Feel the kick."
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    "Feel the power."
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    "Feel the punch."
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    "Bodyguard."
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    "Bodyguard." - "Feel the heat."
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    "Feel the heat."
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    "Feel the kick." - "Feel the kick."
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    "Bodyguard." - bodyguard, madam.
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    "Feel the power."
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    "Feel the punch."
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    "Feel the punch." - "Bodyguard."
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    Hello. Bodyguard lovely singh speaking.
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    Lovely, where are you?
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    Sir, i am taking a massage.
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    Do as i say.
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    Stop taking a massage.
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    And get to premium dock immediately.
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    You have to save some girls.
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    Someone called mhatre is sending them to bangkok to sell them.
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    Premium dock.
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    But that's towards the west, sir.
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    I am heading north, sir.
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    Opposite direction.
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    Lovely, don't waste time. Go.
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    Can't you send someone else, sir?
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    I would... if this wasn't mr. Sartaj's job.
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    "Bodyguard."
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    Thank you. - Wel come.
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    Run.
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    Come on. Come on. Come on.
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    "Bodyguard."
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    Forty girls. And a deal worth millions was ruined.
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    Only because of that one man.
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    Who is he?
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    We should ask 'what' he is.
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    He ruined everything all alone.
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    It's necessary to find his whereabouts.
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    "My name is sheila."
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    "Youthful sheila."
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    "I'm too sexy for you."
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    "You can't lay your hands on me."
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    Sir.
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    Well done, lovely.
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    Thank you sir. - Mr. Sartaj is really happy with your job.
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    I feel you have repaid all his debts.
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    No, sir. I can never repay his debts.
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    I am alive today because of him.
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    Where is your uniform?
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    Sir, one of katrina kaif's fans attacked her...
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    ...and my uniform got torn while trying to save her.
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    I have sent it for stitching.
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    Anyway, mr. Sartaj has called you to his home, jaisingpur.
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    Why, sir?
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    He has a daughter, divya. - Yes, sir.
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    Her life is in danger.
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    She is a management student.
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    These days she is at home.
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    Here is her photograph.
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    Sir, this is ma'am katrina kaif's picture.
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    This assignment is over.
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    Shall i tear this photograph? - No, give it. Give it back.
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    Thank you.
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    Yes, sir.
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    You now have an opportunity...
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    ...to serve the benevolent man you revered all your life.
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    Yes, sir.
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    Hey, tupperware.
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    Hey...
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    what the... hey bus, tupperware.
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    Hey, tupperware.
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    Let me come in.
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    This is a passenger bus and not a goods train.
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    Then what are you doing inside, conductor. Why you...
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    hey, drive the vehicle faster i say.
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    Hey, stop, stop.
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    Hey, move. Move.
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    Make place for a delicate man.
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    What are you doing?
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    I work for mr. Sartaj of jaisingpur.
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    I am the conductor. - I see.
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    I thought you were the watchman.
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    I suggest you give me a ticket for jaisingpur.
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    Where are you going?
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    Jaisingpur.
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    Come.
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    No, no.
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    Come on.
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    You sit here. I'll stand up.
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    No, no, it's fine.
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    Give me the child. I will hold him.
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    Come on.
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    On my lap.
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    Come on. - Publicly.
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    Come here.
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    Later, later.
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    It's fine. Come on.
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    I cannot control any longer.
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    What are you doing?
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    You called me. - Not you. I called her.
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    I'll make some space for myself.
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    Aunt, hold this. - What are you doing?
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    I am making some place to sit.
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    All three can sit together.
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    Fatso.
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    Fatso?
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    Blind lady.
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    My name is tsunami singh.
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    Falling on deaf ears.
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    Ticket, ticket, ticket.
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    'Ma'am.'
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    'Is he here to kill the ma'am? '
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    'A killer with killer looks.'
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    Hello. - Mr. Shekhar, there is a man in the bus...
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    ...and i suspect that he wants to attack ma'am.
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    What? - He has the ma'am's photo.
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    He is a killer.
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    Killer?
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    Hello, mr. Bindra. - Has the bodyguard left?
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    Our bodyguard has left by the nine o'clock bus.
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    I have a confirmed report that...
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    ...a killer is on the same bus.
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    Yes, sir. - I just received information that...
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    ...a man has set out to kill that girl.
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    And he is traveling in your bus right now. - Okay, sir.
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    Lord, please protect my ma'am.
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    No need to be afraid.
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    There is just one killer and there are 12 of you. - Thirteen.
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    Why are you counting me?
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    Dear, you?
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    Greetings. - God bless you. God bless you.
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    How are you, brother? - I'm absolutely fine.
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    And where's divya? - Divya is inside.
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    You go inside as well.
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    Don't let her come out.
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    We're having an important meeting here.
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    Quickly. - Okay.
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    Mr. Shekhar. Mr. Shekhar.
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    Mr. Shekhar. - Yes. - where is ma'am?
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    Ma'am is upstairs.
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    Everything is fine. - Did you tell them everything?
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    No one will find out anything.
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    We'll deal with him.
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    Understand that. Yes.
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    Hey, videographer. - Yes.
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    What are you staring at?
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    Make a nice video.
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    This might turn into breaking news. - Yes, sir.
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    Go, quickly.
  • 21:13 - 21:15
    You are so strange.
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    First of all, you're watching a horror film...
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    ...and then you're scared.
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    I wasn't scared, i was surprised.
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    Stop lecturing me and watch the film.
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    I am savita.
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    Aunt had called me. - Yes, go in.
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    Yes.
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    Has she come to complain about me?
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    Divya. Divya.
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    What is this?
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    Why is ma'am divya screaming?
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    What is happening upstairs?
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    Help!
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    I think the killer has reached upstairs, mr. Shekhar.
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    Killer? - Yes. - half of you go that way.
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    The other half go this way.
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    You come with me.
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    Quickly. - Come on. Come on.
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    Come on, come on.
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    Kill her.
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    Kill her. I will bloody kill you.
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    Kill her. Kill her. Kill her.
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    Help!
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    Sir.
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    Sir, i am bodyguard lovely singh.
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    You had saved my mother when she was pregnant.
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    Maybe you don't remember.
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    Years ago you had a bodyguard. Balwant singh.
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    I am his son.
  • 23:48 - 23:50
    Mr. Sartaj...
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    i regret that i couldn't save your father.
  • 23:56 - 24:04
    How is your mother?
  • 24:04 - 24:05
    Mr. Shekhar. - Yes.
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    For the first time i made a mistake.
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    What happened? - I thought that he is the killer.
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    He is the killer.
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    He's tsunami.
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    Tsunami singh. He works with us.
  • 24:16 - 24:18
    It's his record.
  • 24:18 - 24:20
    He has never done anything properly until today.
  • 24:20 - 24:22
    Let's go, girls.
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    Come on.
  • 24:27 - 24:29
    Tsunami. - Yes.
  • 24:29 - 24:32
    Go and show him his room. - Yes.
  • 24:32 - 24:33
    Aunt. - Yes.
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    Which is my room?
  • 24:36 - 24:37
    She is savita.
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    She is here to cook food.
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    Show her, her room. - Yes, aunt.
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    You?
  • 24:47 - 24:50
    Let's go.
  • 24:50 - 24:53
    You don't know ranjan mhatre.
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    He's a rascal of a man.
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    He can stoop to any level.
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    You must have heard that saying...
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    '... one needs luck to survive each time.'
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    'But you need to be lucky just once to kill.'
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    Divya doesn't know these things.
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    Because mr. Sartaj doesn't want her...
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    ...to live under any threat. Understand? - Yes, sir.
  • 25:25 - 25:31
    It's just a matter of few days.
  • 25:31 - 25:36
    As soon as her education is over...
  • 25:36 - 25:40
    ...divya will leave for london.
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    She will get married there. - Yes, sir.
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    Rest.
  • 25:46 - 25:48
    In the morning, you have to go to college along with divya.
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    Yes, sir.
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    Bye, father.
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    Ready, dear? Good.
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    I have to say an important thing to you...
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    ...this time a bodyguard is going along with you.
  • 26:05 - 26:09
    Bodyguard? - Yes.
  • 26:09 - 26:11
    What are you saying?
  • 26:11 - 26:13
    He doesn't even have a proper name.
  • 26:13 - 26:14
    What... lovely singh.
  • 26:14 - 26:15
    Lovely singh.
  • 26:15 - 26:21
    Bodygaurd lovely singh, reporting ma'am.
  • 26:21 - 26:24
    Don't do anything without informing him.
  • 26:24 - 26:26
    Don't go anywhere.
  • 26:26 - 26:30
    And yes, he will also train you in self-defense.
  • 26:30 - 26:34
    But, father, how will i find time for all this?
  • 26:34 - 26:37
    Yes, dear, you will have to find some time.
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    Get up early.
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    God bless you. - Oh, god! Bodyguard.
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    Are you serious? - Yeah.
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    In the college? No way.
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    Bye. - Look after yourself.
  • 26:54 - 26:58
    Okay, see you. Bye. - Bye.
  • 26:58 - 27:02
    Where is savita? Oh, savi...
  • 27:02 - 27:05
    savita, are you leaving?
  • 27:05 - 27:08
    No. I am coming along.
  • 27:08 - 27:09
    That's more like it.
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    You fool.
  • 27:11 - 27:27
    Let's go.
  • 27:27 - 27:32
    Madam.
  • 27:32 - 27:34
    Who is that?
  • 27:34 - 27:37
    Ma'am, until i don't ask you to get down...
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    come. ...please don't get down.
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    All clear, ma'am.
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    Now you can kindly get down.
  • 27:53 - 27:54
    Hi, divya. - Hi.
  • 27:54 - 27:58
    Hi, maya. - Hi.
  • 27:58 - 28:02
    Who lost his child?
  • 28:02 - 28:03
    I am not a child.
  • 28:03 - 28:05
    Then where is the rest of you?
  • 28:05 - 28:07
    Inside the ground. - Why?
  • 28:07 - 28:10
    Didn't your parents give you complan?
  • 28:10 - 28:11
    Shut up.
  • 28:11 - 28:12
    If they had given me complan...
  • 28:12 - 28:14
    ...then i would've been here.
  • 28:14 - 28:19
    And i would've been on the top floor of this beautiful building.
  • 28:19 - 28:21
    Understand, mr. Suitcase?
  • 28:21 - 28:23
    Handbag, i will lock you up in a suitcase...
  • 28:23 - 28:27
    ...and send you to the complan people.
  • 28:27 - 28:30
    Excuse me.
  • 28:30 - 28:37
    Waiter, i will see you later.
  • 28:37 - 28:39
    Where is he?
  • 28:39 - 28:41
    I can't see him.
  • 28:41 - 28:43
    Where were you, lovely?
  • 28:43 - 28:48
    Ma'am, i am dumb. Sorry, ma'am.
  • 28:48 - 28:49
    I told you not to wear this outfit.
  • 28:49 - 28:51
    If i don't wear this outfit, how will i look like a bodyguard?
  • 28:51 - 28:53
    Can't you come as a friend?
  • 28:53 - 28:56
    A bodyguard can never be a friend, ma'am.
  • 28:56 - 28:58
    Hello. - How far have you reached?
  • 28:58 - 29:00
    What is happening there?
  • 29:00 - 29:02
    We reached 41/2 hours ago.
  • 29:02 - 29:03
    I have kept the luggage at home.
  • 29:03 - 29:05
    And right now, ma'am is heading towards her class...
  • 29:05 - 29:17
    ...and i am right behind her.
  • 29:17 - 29:20
    Too good. - What is that commotion?
  • 29:20 - 29:24
    Ma'am, it's the college girls screaming, ma'am.
  • 29:24 - 29:25
    Where is divya?
  • 29:25 - 29:27
    Ma'am, she is inside. She is busy.
  • 29:27 - 29:29
    What are you doing outside?
  • 29:29 - 29:31
    Go inside and stand beside her. Go.
  • 29:31 - 29:33
    How can i go inside, ma'am? - What?
  • 29:33 - 29:34
    That's your duty.
  • 29:34 - 29:38
    Do i have to guard ma'am's body...
  • 29:38 - 29:40
    ...in the ladies toilet as well, ma'am?
  • 29:40 - 29:43
    Stand right there, outside.
  • 29:43 - 29:46
    Thank you, ma'am.
  • 29:46 - 29:48
    Meghna. Get down.
  • 29:48 - 29:49
    Otherwise if it breaks under the weight...
  • 29:49 - 29:50
    ...people will blame me.
  • 29:50 - 29:52
    Shravan, did you receive my message?
  • 29:52 - 30:07
    He will always interfere...
  • 30:07 - 30:12
    good morning, sir.
  • 30:12 - 30:14
    Not sir. Bodyguard. - Bodyguard?
  • 30:14 - 30:19
    Bodyguard.
  • 30:19 - 30:21
    Good morning, sir.
  • 30:21 - 30:26
    Good morning. Good morning. Please sit down.
  • 30:26 - 30:29
    Sit down.
  • 30:29 - 30:31
    Please sit down.
  • 30:31 - 30:36
    Everybody sit...
  • 30:36 - 30:38
    what happened? - I cannot sit, sir.
  • 30:38 - 30:42
    Why? Are you suffering from piles?
  • 30:42 - 30:44
    I am a bodyguard, sir.
  • 30:44 - 30:49
    And bodyguards don't sit. - Not even in the morning?
  • 30:49 - 30:55
    I have to sit in the morning, sir.
  • 30:55 - 30:59
    Bodyguard? Whose bodyguard?
  • 30:59 - 31:01
    Okay.
  • 31:01 - 31:02
    But as long as you are in this classroom...
  • 31:02 - 31:04
    ...consider yourself a student.
  • 31:04 - 31:08
    And quietly be seated here.
  • 31:08 - 31:10
    Sir, i cannot sit next to ma'am.
  • 31:10 - 31:13
    I cannot sit beside her nor in front or at her back.
  • 31:13 - 31:16
    Then sit on my head.
  • 31:16 - 31:18
    But, lovely, please sit down.
  • 31:18 - 31:28
    Okay, ma'am.
  • 31:28 - 31:32
    Look if divya's father wasn't a trustee of this college...
  • 31:32 - 31:34
    ...i would've sent you out by now.
  • 31:34 - 31:38
    Okay, today we shall talk about the challenges of globalization.
  • 31:38 - 31:41
    Now for a better part of the last century...
  • 31:41 - 31:45
    ...the very concept of citizenship has been based...
  • 31:45 - 31:49
    ...despite its many differences has had one thing in common.
  • 31:49 - 32:05
    And for those of us who aren't listening, the very concept...
  • 32:05 - 32:07
    get out. - Bodyguard, sir.
  • 32:07 - 32:09
    Get out of my class. - Bodyguard, sir.
  • 32:09 - 32:26
    I said leave!
  • 32:26 - 32:31
    Wonder when was the last time he smiled. - In 1947.
  • 32:31 - 32:34
    Wow! What a model!
  • 32:34 - 32:38
    Men in black.
  • 32:38 - 32:39
    Really, man.
  • 32:39 - 32:41
    We will at least have to get his uniform changed.
  • 32:41 - 32:56
    But how?
  • 32:56 - 32:59
    Lord, don't wake me up...
  • 32:59 - 33:03
    ...until the morning rays don't fall on my bum.
  • 33:03 - 33:38
    I wish that savita falls asleep on me thinking of me as a mattress.
  • 33:38 - 33:40
    Lovely. Lovely.
  • 33:40 - 33:41
    Leave it.
  • 33:41 - 33:45
    Ma'am, he burnt my bum.
  • 33:45 - 33:51
    Take a look.
  • 33:51 - 33:53
    Aren't you ashamed to use words like bum...
  • 33:53 - 33:55
    ...in front of the ladies?
  • 33:55 - 33:59
    If i don't call it a bum then shall i call it rum, drum...
  • 33:59 - 34:02
    ...chewing-gum, 'pani-kum' or 'humdum'?
  • 34:02 - 34:05
    Lovely, you will find a new pair of pants...
  • 34:05 - 34:08
    ...but i won't find a new pair of my bum.
  • 34:08 - 34:13
    You are not a bodyguard but itch-guard, itch-guard.
  • 34:13 - 34:14
    Look ma'am.
  • 34:14 - 34:16
    I can see your faces through my pants.
  • 34:16 - 34:21
    Look. Look.
  • 34:21 - 34:23
    Because he burnt it.
  • 34:23 - 34:29
    I burnt it? How can i burn it? I was sleeping.
  • 34:29 - 34:31
    Ma'am, go and rest.
  • 34:31 - 34:34
    You have to go to college tomorrow morning.
  • 34:34 - 34:36
    Savita, why are you going to sleep?
  • 34:36 - 34:41
    You don't have to go to college.
  • 34:41 - 34:51
    No uniform from tomorrow. Come on.
  • 34:51 - 34:55
    Sister divya. Sister divya.
  • 34:55 - 34:57
    What happened?
  • 34:57 - 34:58
    Sister divya, come quickly.
  • 34:58 - 35:00
    I will show you something.
  • 35:00 - 35:04
    What happened? - Come on.
  • 35:04 - 35:06
    Come.
  • 35:06 - 35:07
    What happened?
  • 35:07 - 35:09
    Take a look.
  • 35:09 - 35:11
    1001.
  • 35:11 - 35:13
    1002.
  • 35:13 - 35:14
    1003.
  • 35:14 - 35:19
    There is just one way to tighten loose clothes.
  • 35:19 - 35:20
    Exercise with stones...
  • 35:20 - 35:22
    ...and make a body of stone.
  • 35:22 - 35:25
    What will you do with this loose screw?
  • 35:25 - 35:28
    Gone with the wind.
  • 35:28 - 35:31
    New uniform again.
  • 35:31 - 35:32
    See, ma'am.
  • 35:32 - 35:34
    He awakened the tailor at night.
  • 35:34 - 35:36
    Made him work the entire night...
  • 35:36 - 35:38
    ...and got a new uniform stitched for himself.
  • 35:38 - 35:40
    How could i go to college without the uniform?
  • 35:40 - 35:42
    Nude.
  • 35:42 - 35:45
    What? - Nude.
  • 35:45 - 35:46
    You two get ready.
  • 35:46 - 36:18
    Go quickly. We are getting late for college.
  • 36:18 - 36:21
    Mr. Mhatre, we found her.
  • 36:21 - 36:27
    But that bodyguard is with her as well.
  • 36:27 - 36:31
    Oh no. Our entire plan was foiled.
  • 36:31 - 36:32
    He will drive me crazy.
  • 36:32 - 36:35
    We will have to do something about this cement model.
  • 36:35 - 36:36
    Yes. Really - sure thing.
  • 36:36 - 36:38
    And the worst thing is that i can't even tell father.
  • 36:38 - 36:39
    Otherwise he'll call me back.
  • 36:39 - 36:40
    Please do something.
  • 36:40 - 36:43
    I have an amazing idea.
  • 36:43 - 36:45
    Why don't we get him busy somewhere else?
  • 36:45 - 36:49
    Meghna, i have an idea.
  • 36:49 - 36:51
    Call him up repeatedly and convince him that...
  • 36:51 - 37:19
    ...you have fallen madly in love with him.
  • 37:19 - 37:20
    Faster. More energy.
  • 37:20 - 37:22
    Full power, ma'am.
  • 37:22 - 37:25
    Legs higher, ma'am.
  • 37:25 - 37:28
    Okay, ma'am. You can go.
  • 37:28 - 37:31
    Tomorrow morning at 4 o'clock.
  • 37:31 - 37:32
    Goodnight, ma'ams.
  • 37:32 - 37:33
    Why did you stop?
  • 37:33 - 37:37
    You will keep doing this until 4 o'clock.
  • 37:37 - 37:39
    What a torture!
  • 37:39 - 37:41
    Outside he tortures me as a bodyguard...
  • 37:41 - 37:43
    ...and here as a trainer.
  • 37:43 - 37:46
    God, i want to kill him.
  • 37:46 - 37:47
    Chill.
  • 37:47 - 37:50
    We have to do something.
  • 37:50 - 37:51
    Affair.
  • 37:51 - 38:02
    On the phone. - Divya, no.
  • 38:02 - 38:04
    No way. - Yes, way.
  • 38:04 - 38:08
    You are crazy. - He will be.
  • 38:08 - 38:10
    The caller id of this phone is restricted.
  • 38:10 - 38:13
    Instead of the number, only private number is displayed.
  • 38:13 - 38:14
    I know that.
  • 38:14 - 38:16
    But the bodyguard doesn't know that.
  • 38:16 - 38:19
    But, won't he recognize your voice?
  • 38:19 - 38:22
    He will recognize it only when he hears it.
  • 38:22 - 38:24
    Now listen.
  • 38:24 - 38:30
    Hello. Can i talk to bodyguard lovely singh?
  • 38:30 - 38:32
    Wow.
  • 38:32 - 38:34
    Now...
  • 38:34 - 38:47
    wait. What are you doing? Stop, divya.
  • 38:47 - 38:49
    Private number.
  • 38:49 - 39:04
    Hello.
  • 39:04 - 39:06
    Divya, no.
  • 39:06 - 39:15
    Divya.
  • 39:15 - 39:16
    Private number.
  • 39:16 - 39:24
    Hello.
  • 39:24 - 39:26
    Divya, stop.
  • 39:26 - 39:30
    Divya.
  • 39:30 - 39:40
    Lovely, i will see who is disrupting your practice.
  • 39:40 - 39:43
    I'll switch on the speaker.
  • 39:43 - 39:50
    Hello.
  • 39:50 - 39:55
    Brother, it's some girl.
  • 39:55 - 39:58
    Girl? Why would a girl call me?
  • 39:58 - 40:03
    Brother, if girls don't call you will boys call?
  • 40:03 - 40:05
    Who is this?
  • 40:05 - 40:07
    This is tsunami singh speaking.
  • 40:07 - 40:08
    What kind of a name is that?
  • 40:08 - 40:10
    Su for surender.
  • 40:10 - 40:12
    Na for narender.
  • 40:12 - 40:13
    Mi for milka.
  • 40:13 - 40:15
    Tsunami in short.
  • 40:15 - 40:18
    Is this bodyguard lovely singh's phone?
  • 40:18 - 40:20
    No, it's a blackberry.
  • 40:20 - 40:22
    Who are you?
  • 40:22 - 40:25
    This is his girlfriend speaking.
  • 40:25 - 40:29
    Brother, it's your girlfriend speaking. - Girlfriend?
  • 40:29 - 40:31
    I don't have a girlfriend.
  • 40:31 - 40:33
    If you call me again...
  • 40:33 - 40:34
    ...i will turn you into a punching bag.
  • 40:34 - 40:37
    Tell her that.
  • 40:37 - 40:38
    Did you hear?
  • 40:38 - 40:44
    That was bodyguard lovely singh's personal statement.
  • 40:44 - 40:47
    Brother, when her voice is so lovely...
  • 40:47 - 40:49
    ...then she must be lovely looking as well.
  • 40:49 - 40:51
    Sorry, sorry. - You are so strange.
  • 40:51 - 40:55
    That's the punching bag and not me.
  • 40:55 - 40:56
    It's okay for starters.
  • 40:56 - 40:58
    Wait and watch now.
  • 40:58 - 41:00
    You are such a... - what'll happen?
  • 41:00 - 41:06
    Goodnight.
  • 41:06 - 41:08
    Madam.
  • 41:08 - 41:11
    Madam, it's 4 o'clock. Please get up.
  • 41:11 - 41:15
    Madam.
  • 41:15 - 41:21
    It's mr. Sartaj's order.
  • 41:21 - 41:23
    Good morning, ma'am. - Good morning.
  • 41:23 - 41:25
    Get up, ma'am.
  • 41:25 - 41:27
    Divya, get up.
  • 41:27 - 41:28
    He's here.
  • 41:28 - 41:31
    Ma'am.
  • 41:31 - 41:37
    Good morning, ma'am.
  • 41:37 - 41:41
    You have to go jogging, ma'am.
  • 41:41 - 41:43
    Then you have to go to college, ma'am.
  • 41:43 - 41:46
    Get up, ma'am.
  • 41:46 - 41:53
    Please get up, ma'am.
  • 41:53 - 41:57
    Thank you, ma'am.
  • 41:57 - 42:00
    Hitler.
  • 42:00 - 42:02
    Let's go, divya, or else he will kill us.
  • 42:02 - 42:03
    Come on, come on, hurry up.
  • 42:03 - 42:15
    Hurry up.
  • 42:15 - 42:19
    Faster. Faster.
  • 42:19 - 42:21
    Correct.
  • 42:21 - 42:23
    Yes, ma'am. - What do i have to do?
  • 42:23 - 42:26
    Cross trainer.
  • 42:26 - 42:37
    Faster. Good. Very good.
  • 42:37 - 42:43
    I'm the winner.
  • 42:43 - 42:50
    Work out.
  • 42:50 - 42:55
    Tsunami. Tsunami. Tsunami.
  • 42:55 - 42:58
    Brother, is it... - shut up!
  • 42:58 - 43:04
    ...the same girl that called last night?
  • 43:04 - 43:06
    If someone's troubling you, don't answer the phone.
  • 43:06 - 43:15
    No need, ma'am. It's just a wrong number.
  • 43:15 - 43:16
    See.
  • 43:16 - 43:17
    Why don't you switch it off?
  • 43:17 - 43:19
    No one will switch off their phone.
  • 43:19 - 43:21
    Everyone will keep their phone on.
  • 43:21 - 43:33
    It's mr. Sartaj's order.
  • 43:33 - 43:35
    Your class is done for the day.
  • 43:35 - 43:36
    I have to teach someone a lesson today.
  • 43:36 - 43:38
    Please. Good night.
  • 43:38 - 43:39
    Okay. - You may go.
  • 43:39 - 43:44
    You may leave now.
  • 43:44 - 43:46
    You too. - Yes. I shall also leave?
  • 43:46 - 43:51
    Sir, i shall also leave?
  • 43:51 - 43:54
    Who is it?
  • 43:54 - 43:55
    Disconnected the call.
  • 43:55 - 43:57
    Coward.
  • 43:57 - 44:00
    Try and call again.
  • 44:00 - 44:02
    Who are you and where... - lovely...
  • 44:02 - 44:03
    hello. - Lovely.
  • 44:03 - 44:04
    Yes, sir. - Are you in your senses?
  • 44:04 - 44:06
    Yes, sir. - Whom are you screaming at?
  • 44:06 - 44:08
    Sorry, sir. Someone's been calling me repeatedly, sir.
  • 44:08 - 44:12
    What if it were a girl?
  • 44:12 - 44:15
    Would you have talked to her similarly? - No, no, sir.
  • 44:15 - 44:17
    Where are both the girls?
  • 44:17 - 44:19
    Are they working out or not? - Of course, sir.
  • 44:19 - 44:20
    You must also run. - As you wish, sir.
  • 44:20 - 44:24
    Good, well done. - Thank you, sir.
  • 44:24 - 44:28
    Sir also gets up so early in the morning.
  • 44:28 - 44:31
    Yes.
  • 44:31 - 44:34
    This is the only way to handle this bodyguard.
  • 44:34 - 44:37
    What if he finds out?
  • 44:37 - 44:43
    You are always worried about something that won't happen.
  • 44:43 - 44:46
    Good night.
  • 44:46 - 44:49
    Try again. Call him again.
  • 44:49 - 44:55
    Waiting for your call.
  • 44:55 - 44:57
    Divya, get up...
  • 44:57 - 45:03
    ...otherwise that uniformed hitler will scream at us again.
  • 45:03 - 45:06
    Oh god!
  • 45:06 - 45:11
    I will at least get rid of his uniform today.
  • 45:11 - 45:21
    Not again.
  • 45:21 - 45:26
    "I am a crazy..."
  • 45:26 - 45:30
    parvati nambiyar.
  • 45:30 - 45:34
    Brother, some parvati nambiyar is calling.
  • 45:34 - 45:35
    Who is parvati nambiyar?
  • 45:35 - 45:40
    Parvati nambiyar.
  • 45:40 - 45:42
    Private number.
  • 45:42 - 45:46
    Both have almost the same spelling. These englishmen...
  • 45:46 - 45:48
    i told you so many times not to call me.
  • 45:48 - 45:49
    Why do you call me?
  • 45:49 - 45:53
    Sorry, i couldn't control myself.
  • 45:53 - 45:57
    Actually the thing is that all the girls in the college...
  • 45:57 - 45:59
    ...are crazy about you.
  • 45:59 - 46:00
    Girls are crazy.
  • 46:00 - 46:03
    Your style, your sunglasses.
  • 46:03 - 46:05
    That uniform.
  • 46:05 - 46:08
    Killer style.
  • 46:08 - 46:10
    That uniform.
  • 46:10 - 46:13
    So hot.
  • 46:13 - 46:15
    I am always worried that...
  • 46:15 - 46:22
    ...if you stop wearing that uniform what will happen to me?
  • 46:22 - 46:25
    The truth is because of these things...
  • 46:25 - 46:30
    ...you look like the only man in the entire college.
  • 46:30 - 46:34
    Others look like children.
  • 46:34 - 46:37
    Please, always stay like this.
  • 46:37 - 46:38
    Promise me.
  • 46:38 - 46:40
    I am warning you for the last time.
  • 46:40 - 46:45
    If you call me again i won't spare you.
  • 46:45 - 46:46
    But how?
  • 46:46 - 46:48
    You don't know me.
  • 46:48 - 47:01
    I'm a bodyguard. I'ii find out.
  • 47:01 - 47:04
    They have turned me into a servant.
  • 47:04 - 47:05
    What is wrong, savita?
  • 47:05 - 47:07
    You are really happy to see me.
  • 47:07 - 47:09
    No, no, that bodyguard.
  • 47:09 - 47:11
    What is wrong with the bodyguard?
  • 47:11 - 47:14
    I just saw him without the uniform.
  • 47:14 - 47:16
    Aren't you ashamed?
  • 47:16 - 47:19
    You are jumping with joy at seeing another man unclothed.
  • 47:19 - 47:21
    And when will you see me unclothed.
  • 47:21 - 47:24
    Not unclothed, without the uniform.
  • 47:24 - 47:32
    Yes! - Yes.
  • 47:32 - 47:37
    Lovely has quit his job as a bodyguard.
  • 47:37 - 47:38
    Not job, duty.
  • 47:38 - 47:39
    Duty means obligation.
  • 47:39 - 47:42
    No one ever quits his obligations.
  • 47:42 - 47:47
    Lovely, is it your birthday today? - No... yes, ma'am.
  • 47:47 - 47:48
    Today onwards, everyday is my birthday.
  • 47:48 - 47:52
    Lovely, you didn't tell me it is your birthday today.
  • 47:52 - 47:56
    Happy birthday to you.
  • 47:56 - 47:59
    A small gift for you. Brother lovely.
  • 47:59 - 48:01
    Brother lovely.
  • 48:01 - 48:04
    Brother lovely, where are you going leaving me behind?
  • 48:04 - 48:21
    What shall i do with this carrot?
  • 48:21 - 48:24
    That pervert.
  • 48:24 - 48:25
    Good morning. - Hi. - hello.
  • 48:25 - 48:29
    Good morning. Hello.
  • 48:29 - 48:31
    Say it again. - Hello.
  • 48:31 - 48:32
    Louder. - Hello!
  • 48:32 - 48:34
    Softer. - Hello.
  • 48:34 - 48:35
    Closer. - Hello
  • 48:35 - 48:36
    further. - Hello
  • 48:36 - 48:39
    darn it.
  • 48:39 - 48:48
    Hello
  • 48:48 - 48:49
    oh! What's this unique piece!
  • 48:49 - 48:51
    You know.
  • 48:51 - 48:52
    You are the only man here.
  • 48:52 - 48:57
    The rest are children.
  • 48:57 - 49:01
    'You seem like the only man in this entire college.'
  • 49:01 - 49:03
    'The rest look like children.'
  • 49:03 - 49:06
    Hello.
  • 49:06 - 49:09
    Say it again. - What?
  • 49:09 - 49:10
    "Hello". - Hello.
  • 49:10 - 49:13
    Hello. Hello.
  • 49:13 - 49:15
    Thank god.
  • 49:15 - 49:19
    Dear brother. I don't belong to your category, brother.
  • 49:19 - 49:22
    But, sister, can i give you a compliment? - Yes.
  • 49:22 - 49:26
    This is the first time lovely singh was scared of someone.
  • 49:26 - 49:36
    Excuse me.
  • 49:36 - 49:50
    He's there.
  • 49:50 - 49:51
    Where are you?
  • 49:51 - 49:54
    You can't imagine how close i am.
  • 49:54 - 49:56
    Hello. Hello. Hello.
  • 49:56 - 49:58
    Say it again? - Say what?
  • 49:58 - 50:00
    Anything.
  • 50:00 - 50:01
    Stupid.
  • 50:01 - 50:03
    No, not you. - Can't be her.
  • 50:03 - 50:04
    Where are you?
  • 50:04 - 50:09
    I just passed-by when you were troubling that girl.
  • 50:09 - 50:11
    Just say i love you once.
  • 50:11 - 50:13
    I will show myself.
  • 50:13 - 50:14
    I have changed my appearance...
  • 50:14 - 50:17
    ...and you still don't understand.
  • 50:17 - 50:19
    But you are looking hotter now.
  • 50:19 - 50:24
    So hot, yet so cool.
  • 50:24 - 50:26
    Cool. Bloody...
  • 50:26 - 50:31
    you think i am a fool... in nursery school.
  • 50:31 - 50:34
    But you need some changes.
  • 50:34 - 50:36
    Why do you wear sunglasses all the time?
  • 50:36 - 50:40
    Because your eyes are so lovely, lovely.
  • 50:40 - 50:43
    So that my eyes are not seen.
  • 50:43 - 50:47
    Your smile is so lovely.
  • 50:47 - 50:54
    Because your heart is so lovely.
  • 50:54 - 50:56
    Just tell me your name.
  • 50:56 - 50:58
    How sweet!
  • 50:58 - 51:02
    My name...
  • 51:02 - 51:04
    ...is chhaya. - Chhaya.
  • 51:04 - 51:06
    Chatra-chaya (under one's wings).
  • 51:06 - 51:08
    From today i am your enemy.
  • 51:08 - 51:42
    No one knows me by this name here.
  • 51:42 - 51:44
    He is done for.
  • 51:44 - 52:08
    Of course he is.
  • 52:08 - 52:10
    "Wonder what this secret is."
  • 52:10 - 52:13
    "Wonder what you have done."
  • 52:13 - 52:29
    "It's like you lit up my life."
  • 52:29 - 52:32
    "Wonder what this secret is."
  • 52:32 - 52:34
    "Wonder what you have done."
  • 52:34 - 52:40
    "It's like you've lit up my life."
  • 52:40 - 52:45
    "The moon and the stars are nothing compared to you."
  • 52:45 - 52:50
    "You are more beautiful than them."
  • 52:50 - 52:58
    "I love you."
  • 52:58 - 53:13
    "Hey, i love you."
  • 53:13 - 53:16
    "We talk the entire day."
  • 53:16 - 53:23
    "Yet i feel it's not enough."
  • 53:23 - 53:29
    "I don't think of anyone else."
  • 53:29 - 53:33
    "You are the only important one to me these days."
  • 53:33 - 53:35
    "I am the cloud."
  • 53:35 - 53:38
    "You are the sky."
  • 53:38 - 53:44
    "You are close but where are you?"
  • 53:44 - 53:49
    "You are not my obsession but my passion."
  • 53:49 - 54:22
    "I love you."
  • 54:22 - 54:28
    "Sometimes i ask myself."
  • 54:28 - 54:33
    "Am i worthy of you?"
  • 54:33 - 54:36
    "But i do know one thing."
  • 54:36 - 54:42
    "After meeting you i've changed into a better person."
  • 54:42 - 54:48
    "I learnt a little... from you."
  • 54:48 - 54:54
    "The ways of loving someone."
  • 54:54 - 54:58
    "The heart yearns only for you."
  • 54:58 - 55:01
    "I love you. - I love you, i love you."
  • 55:01 - 55:03
    "I love you."
  • 55:03 - 55:05
    I love you, i love you."
  • 55:05 - 55:08
    "I love you."
  • 55:08 - 55:09
    I love you, i love you."
  • 55:09 - 55:12
    "Wonder what this secret is."
  • 55:12 - 55:14
    "Wonder what you have done."
  • 55:14 - 55:20
    "It's like you've lit up my life."
  • 55:20 - 55:25
    "The moon and the stars are nothing compared to you."
  • 55:25 - 55:30
    "You are more beautiful than them."
  • 55:30 - 56:08
    "I love you."
  • 56:08 - 56:09
    Hello.
  • 56:09 - 56:11
    Hello. - Hello.
  • 56:11 - 56:13
    Hello, chhaya. Hello.
  • 56:13 - 56:16
    Why are you screaming? - I am at the disco.
  • 56:16 - 56:19
    You? At the disco? - Ma'am is here.
  • 56:19 - 56:21
    I am doing my duty.
  • 56:21 - 56:23
    You are ma'am's tail.
  • 56:23 - 56:26
    Look i am warning you
  • 56:26 - 56:28
    stop roaming around with that divya. - What?
  • 56:28 - 56:31
    Of course. That arrogant girl.
  • 56:31 - 56:33
    She shows off her wealth.
  • 56:33 - 56:37
    And... - chhaya, don't say such things about divya ma'am.
  • 56:37 - 56:38
    What nice?
  • 56:38 - 56:40
    She has done only one good thing in her life.
  • 56:40 - 56:42
    Made you her bodyguard.
  • 56:42 - 56:43
    Though only to show off.
  • 56:43 - 56:46
    Show off? The poor girl doesn't know that...
  • 56:46 - 56:47
    ...her life is in danger.
  • 56:47 - 56:50
    Yeah, right. - Honestly.
  • 56:50 - 56:52
    Honestly.
  • 56:52 - 56:54
    She can be attacked any minute.
  • 56:54 - 57:00
    What nonsense!
  • 57:00 - 57:03
    Look. Chhaya, don't say such things...
  • 57:03 - 57:11
    ...about divya ma'am. Please.
  • 57:11 - 57:12
    Seems like ma'am is in danger.
  • 57:12 - 57:15
    Danger? It's okay.
  • 57:15 - 57:22
    Disconnect the call.
  • 57:22 - 57:30
    Hey.
  • 57:30 - 57:32
    Disconnect the call.
  • 57:32 - 58:02
    Hello. - Disconnect the call.
  • 58:02 - 58:10
    Out. Everybody out. Get out.
  • 58:10 - 58:12
    Move.
  • 58:12 - 58:15
    I'm doing a favor on you. I'm leaving you alive.
  • 58:15 - 58:16
    Get lost.
  • 58:16 - 58:37
    Lovely.
  • 58:37 - 59:58
    You are done for.
  • 59:58 - 60:05
    "Bodyguard."
  • 60:05 - 60:06
    Hello. - Lovely.
  • 60:06 - 60:08
    Chhaya, i am sorry, chhaya.
  • 60:08 - 60:10
    I screamed at you.
  • 60:10 - 60:12
    No...
  • 60:12 - 60:14
    i understood everything about you.
  • 60:14 - 60:18
    That means now you won't say anything about divya ma'am.
  • 60:18 - 60:21
    No.
  • 60:21 - 60:28
    I know everything, lovely.
  • 60:28 - 60:31
    I love you.
  • 60:31 - 60:34
    I love you, lovely.
  • 60:34 - 61:27
    "I love you."
  • 61:27 - 61:29
    Lovely.
  • 61:29 - 61:33
    Bodyguard, ma'am.
  • 61:33 - 61:36
    Do me a favor...
  • 61:36 - 61:40
    ...never do me a favor.
  • 61:40 - 61:43
    Ma'am, this nightclub is dead, ma'am.
  • 61:43 - 61:56
    You have to get up at 4 o'clock in the morning. Please.
  • 61:56 - 61:59
    Actually, lovely, i am grateful to you.
  • 61:59 - 62:03
    Thank you - but why did you take divya to the club?
  • 62:03 - 62:05
    Actually, sir, divya madam and her friends...
  • 62:05 - 62:07
    if she wasn't listening to you...
  • 62:07 - 62:09
    ...you could have called me.
  • 62:09 - 62:11
    I made a mistake.
  • 62:11 - 62:13
    That's not good.
  • 62:13 - 62:14
    Didn't you see?
  • 62:14 - 62:16
    He came here as soon as he heard the news...
  • 62:16 - 62:18
    ...about the attack on his daughter.
  • 62:18 - 62:22
    Mr. Bindra, ranjan mhatre's brother, vikrant...
  • 62:22 - 62:23
    ...is a dangerous man.
  • 62:23 - 62:26
    He won't remain quiet about his younger brother's death.
  • 62:26 - 62:28
    He will surely do something.
  • 62:28 - 62:29
    This is not a good thing.
  • 62:29 - 62:32
    Mr. Sartaj...
  • 62:32 - 62:34
    ...regardless of how many...
  • 62:34 - 62:35
    ...and whatever kind of enemies you have...
  • 62:35 - 62:40
    ...as long as lovely singh is with you they need to worry.
  • 62:40 - 62:42
    You don't have to worry at all.
  • 62:42 - 62:44
    I am a father after all.
  • 62:44 - 62:46
    I am worried.
  • 62:46 - 62:47
    But i trust him as well.
  • 62:47 - 62:49
    If i didn't trust him...
  • 62:49 - 62:53
    ...i wouldn't have handed such a valuable treasure to him.
  • 62:53 - 62:55
    Sir, as soon as the college is over...
  • 62:55 - 62:59
    ...i will return your valuable treasure to you safe and sound.
  • 62:59 - 63:42
    That's my promise.
  • 63:42 - 64:18
    Brother.
  • 64:18 - 64:22
    What are you staring at?
  • 64:22 - 64:24
    I didn't send them there to die.
  • 64:24 - 64:25
    They went there willingly.
  • 64:25 - 64:28
    Knowing that he alone had the upper-hand.
  • 64:28 - 64:32
    Why did he have to act smart?
  • 64:32 - 64:35
    But who is he? Where did he come from?
  • 64:35 - 64:38
    He is balwant singh's son...
  • 64:38 - 64:40
    ...whose father sacrificed his life for sartaj singh.
  • 64:40 - 64:45
    The same blood is running in his veins too.
  • 64:45 - 64:49
    There is a time for everything.
  • 64:49 - 64:52
    It's his time now.
  • 64:52 - 65:00
    Let our time come.
  • 65:00 - 65:03
    I will surely meet him.
  • 65:03 - 65:06
    But not now.
  • 65:06 - 65:10
    First i am sending a gift for you.
  • 65:10 - 65:17
    Bodyguard lovely singh.
  • 65:17 - 65:22
    Divya. What happened?
  • 65:22 - 65:26
    Are you okay?
  • 65:26 - 65:48
    Nothing.
  • 65:48 - 65:49
    Where is lovely?
  • 65:49 - 65:51
    Tsunami was saying that...
  • 65:51 - 65:56
    ...they have gone to the girl's hostel.
  • 65:56 - 65:57
    Girl's hostel?
  • 65:57 - 65:59
    "My name is chhaya."
  • 65:59 - 66:00
    "Chhaya..." - chhaya?
  • 66:00 - 66:01
    Ma'am, we are looking for chhaya...
  • 66:01 - 66:03
    ...and not for you. Please leave... - whatever.
  • 66:03 - 66:05
    "My name is chhaya."
  • 66:05 - 66:07
    "Youthful chhaya..."
  • 66:07 - 66:09
    blind people.
  • 66:09 - 66:11
    "My name is chhaya." - this isn't the airport but the girl's hostel.
  • 66:11 - 66:13
    Yes. - Chhaya is an educated girl.
  • 66:13 - 66:15
    She will come as soon as she reads this board.
  • 66:15 - 66:22
    This way... - "my name is chhaya..."
  • 66:22 - 66:25
    lovely. Lovely. Lovely.
  • 66:25 - 66:27
    Why are you repeating my name?
  • 66:27 - 66:29
    I can see it clearly.
  • 66:29 - 66:31
    The way you stroking her name...
  • 66:31 - 66:35
    ...when you find her, you will do the same with her cheeks.
  • 66:35 - 66:37
    Watch just that much.
  • 66:37 - 66:38
    Don't look any further down.
  • 66:38 - 66:42
    Brother, forget about that and think of the future.
  • 66:42 - 66:46
    Tell me, are you sure she will call you?
  • 66:46 - 66:49
    The girl that said "i love you" to me yesterday...
  • 66:49 - 66:52
    ...will surely call me.
  • 66:52 - 66:55
    Chhaya. - What are you doing?
  • 66:55 - 66:58
    Brother, i suggest that you take that girl's room number.
  • 66:58 - 67:00
    It will be easier for us to find her.
  • 67:00 - 67:03
    Go and take her picture.
  • 67:03 - 67:07
    Just a second. - Not mine you...
  • 67:07 - 67:08
    take your sister-in-law's picture.
  • 67:08 - 67:10
    Brother, the sister, sister-in-law?
  • 67:10 - 67:15
    I am confused.
  • 67:15 - 67:16
    Hello.
  • 67:16 - 67:18
    So?
  • 67:18 - 67:19
    What are you doing in my hostel early in the morning?
  • 67:19 - 67:21
    Chhaya, you live in this hostel?
  • 67:21 - 67:23
    I was just passing-by.
  • 67:23 - 67:27
    What is your floor number, room number, phone number?
  • 67:27 - 67:28
    Very funny.
  • 67:28 - 67:31
    As if i am going to tell you.
  • 67:31 - 67:33
    Fine, that's okay. Don't tell me.
  • 67:33 - 67:34
    I am not in a hurry.
  • 67:34 - 67:45
    Take your time.
  • 67:45 - 67:48
    Oh, it's itching.
  • 67:48 - 67:50
    I just passed by a while ago.
  • 67:50 - 67:52
    You didn't recognize me.
  • 67:52 - 67:54
    Who is that huge girl?
  • 67:54 - 67:55
    Chayya. - What is the hurry?
  • 67:55 - 67:58
    I will see you soon.
  • 67:58 - 68:03
    What's wrong in waiting for a while?
  • 68:03 - 68:04
    Yes. I know.
  • 68:04 - 68:06
    What are you asking on the phone?
  • 68:06 - 68:08
    We will speak when we meet.
  • 68:08 - 68:10
    Chhaya chhaya... everywhere.
  • 68:10 - 68:12
    You always talk on the phone.
  • 68:12 - 68:13
    Won't you come meet me?
  • 68:13 - 68:15
    I cannot meet you. - Why are you standing outside?
  • 68:15 - 68:16
    And in abundance.
  • 68:16 - 68:17
    So what if you waited for a while?
  • 68:17 - 68:19
    I wish i was a mobile as well.
  • 68:19 - 68:22
    Lovely, you are really lucky.
  • 68:22 - 68:25
    Chhaya. Chhaya. Chhaya. - Lovely, that's amazing.
  • 68:25 - 68:27
    Chhaya there as well. - I miss you?
  • 68:27 - 68:29
    Chhaya. Chhaya. - But i cannot meet you.
  • 68:29 - 68:30
    You will have to come see me.
  • 68:30 - 68:32
    Chhaya.
  • 68:32 - 68:46
    Chhaya? - Hey. - chhaya.
  • 68:46 - 68:48
    Girls, thief!
  • 68:48 - 68:49
    Beat him. Beat him. - I am not a thief.
  • 68:49 - 68:51
    Fatso. Bag of potatoes.
  • 68:51 - 68:54
    I am not a thief. - Catch him.
  • 68:54 - 68:59
    Beat him.
  • 68:59 - 69:00
    Save me.
  • 69:00 - 69:03
    Someone save me.
  • 69:03 - 69:07
    Someone please save me.
  • 69:07 - 69:09
    What did i get myself stuck into.
  • 69:09 - 69:11
    Why are you beating me?
  • 69:11 - 69:15
    It's his idea. - Whose?
  • 69:15 - 69:17
    Fatso, his? - Whose?
  • 69:17 - 69:20
    Him?
  • 69:20 - 69:22
    Where is the bodyguard?
  • 69:22 - 69:27
    You dare lie?
  • 69:27 - 69:31
    Beat him. Beat him. Beat him.
  • 69:31 - 69:33
    Take your shoes out.
  • 69:33 - 69:42
    Beat him.
  • 69:42 - 69:51
    They beat me black and blue.
  • 69:51 - 69:57
    Who are they?
  • 69:57 - 70:01
    Who is she, brother? - Savita.
  • 70:01 - 70:05
    Savita.
  • 70:05 - 70:09
    Savita, do you have a twin sister? - Why?
  • 70:09 - 70:11
    He's seeing double of everything.
  • 70:11 - 70:17
    And i can see four of thing's that are double. - Stupid.
  • 70:17 - 70:20
    Come on. - Pay the taxi driver.
  • 70:20 - 70:22
    What is wrong with you?
  • 70:22 - 70:25
    Ma'am, the girls at the girls' hostel...
  • 70:25 - 70:28
    ...beat me up so badly and they hit me in places...
  • 70:28 - 70:31
    ...that i can neither see nor touch.
  • 70:31 - 70:36
    Why did you go to the girl's hostel?
  • 70:36 - 70:40
    All this happened and what were you doing there?
  • 70:40 - 70:42
    I will tell you.
  • 70:42 - 70:44
    I was getting beaten up...
  • 70:44 - 70:47
    ...and he slipped out of there.
  • 70:47 - 70:50
    Come, let's go to the bedroom.
  • 70:50 - 71:22
    Savita, apply some ointment on my delicate body.
  • 71:22 - 71:33
    Phone. Where is my phone?
  • 71:33 - 71:43
    Ma'am.
  • 71:43 - 71:45
    Sorry, ma'am.
  • 71:45 - 71:48
    Ma'am, i have a request. - Yes.
  • 71:48 - 71:49
    I can't find my phone.
  • 71:49 - 71:57
    Will you please give a miss call?
  • 71:57 - 71:59
    Please give a miss call
  • 71:59 - 72:03
    fine, i will do it.
  • 72:03 - 72:15
    Please. Thank you madam.
  • 72:15 - 72:18
    Bro...
  • 72:18 - 72:21
    your phone.
  • 72:21 - 72:23
    Return it soon.
  • 72:23 - 72:27
    I am in the mood today.
  • 72:27 - 72:29
    Thank you, ma'am.
  • 72:29 - 72:32
    I found my phone. Thank you.
  • 72:32 - 72:37
    Thank you, ma'am.
  • 72:37 - 72:39
    Today my phone saved you...
  • 72:39 - 72:44
    ...but how long can you escape?
  • 72:44 - 72:49
    Divya.
  • 72:49 - 72:50
    What are you doing, divya?
  • 72:50 - 72:55
    What are you doing?
  • 72:55 - 73:01
    I love him.
  • 73:01 - 73:03
    Are you mad?
  • 73:03 - 73:05
    Don't be a fool, divya.
  • 73:05 - 73:07
    You know, right?
  • 73:07 - 73:10
    The day your father finds out about this what then?
  • 73:10 - 73:12
    What's wrong with him?
  • 73:12 - 73:14
    What's wrong in it?
  • 73:14 - 73:17
    Divya, it's wrong to play this game.
  • 73:17 - 73:18
    It's wrong to lie.
  • 73:18 - 73:20
    It's even wrong to deceive someone.
  • 73:20 - 73:23
    And it's wrong to fall in love like this.
  • 73:23 - 73:26
    This is true love.
  • 73:26 - 73:31
    He doesn't love you, he loves chhaya.
  • 73:31 - 73:34
    I wish i were chhaya.
  • 73:34 - 73:37
    Then go now and tell him.
  • 73:37 - 73:39
    More than losing chhaya...
  • 73:39 - 73:46
    ...the fact that you are chhaya will hurt him more.
  • 73:46 - 73:49
    Divya. Lovely can never be yours.
  • 73:49 - 73:52
    Because he looks up to your father like god.
  • 73:52 - 73:57
    He will never break his trust.
  • 73:57 - 74:00
    If he finds out that you love him...
  • 74:00 - 74:06
    ...he will hand you over to your father.
  • 74:06 - 74:09
    That's why the sooner you end this game...
  • 74:09 - 74:32
    ...the lesser it will hurt.
  • 74:32 - 74:34
    Lovely.
  • 74:34 - 74:40
    Lovely. Note down her address. - Hello.
  • 74:40 - 74:42
    Hi. - Hi, chhaya.
  • 74:42 - 74:43
    How did you call so early today?
  • 74:43 - 74:47
    I couldn't sleep the entire night. - Me too.
  • 74:47 - 74:52
    Lovely, i want to meet you. - Today?
  • 74:52 - 74:54
    No, not today.
  • 74:54 - 74:57
    When?
  • 74:57 - 74:59
    Sunday. - Sunday?
  • 74:59 - 75:00
    What's on sunday?
  • 75:00 - 75:01
    She wants to meet.
  • 75:01 - 75:03
    I am not free on sunday.
  • 75:03 - 75:05
    You can go meet her.
  • 75:05 - 75:09
    And do tell her that tsunami will see her on monday.
  • 75:09 - 75:14
    Hold on, i will confirm with my ma'am.
  • 75:14 - 75:20
    He is coming up.
  • 75:20 - 75:24
    Divya ma'am, any special plans for sunday? - No.
  • 75:24 - 75:27
    Why?
  • 75:27 - 75:30
    I have to go see the doctor.
  • 75:30 - 75:34
    Headache.
  • 75:34 - 75:35
    No, if you have any special program...
  • 75:35 - 75:38
    ...then i can go later as well.
  • 75:38 - 75:41
    It's fine. You can go.
  • 75:41 - 75:46
    Thank you, ma'am.
  • 75:46 - 75:48
    So tell me where we have to meet on sunday.
  • 75:48 - 75:53
    Summer park 5 o'clock. - Done.
  • 75:53 - 75:57
    Listen. Don't bring divya along.
  • 75:57 - 75:59
    I can't even tell her.
  • 75:59 - 76:01
    But how sweet!
  • 76:01 - 76:05
    Ma'am has given me permission. - Fine.
  • 76:05 - 76:13
    Then sunday at 5 o'clock.
  • 76:13 - 76:17
    When did you learn? - In my mother's womb.
  • 76:17 - 76:20
    Brother, did you tell her that...
  • 76:20 - 76:22
    ...i will meet her on monday?
  • 76:22 - 76:27
    Yes. - Well done.
  • 76:27 - 76:32
    I won't spare her.
  • 76:32 - 76:47
    Brother.
  • 76:47 - 76:50
    "Today i entered the ring of love."
  • 76:50 - 76:57
    "Play the native beats."
  • 76:57 - 77:00
    "I will take you away with me in broad daylight."
  • 77:00 - 77:06
    "Play the native beats."
  • 77:06 - 77:10
    "Your eyes are shooting arrows."
  • 77:10 - 77:13
    "Today i entered the ring of love."
  • 77:13 - 77:35
    "Play the native beats."
  • 77:35 - 77:37
    "Your eyes are lovely."
  • 77:37 - 77:39
    "Eyebrows are mesmerizing."
  • 77:39 - 77:41
    "Give me the order."
  • 77:41 - 77:43
    "And i will marry you right away."
  • 77:43 - 77:44
    "You are my love."
  • 77:44 - 77:46
    "And i am your beloved."
  • 77:46 - 77:53
    "Leave the world behind and come to me."
  • 77:53 - 77:55
    "The path of love."
  • 77:55 - 77:57
    "Is not an easy one."
  • 77:57 - 78:05
    "I have lost my peace and slumber."
  • 78:05 - 78:08
    "I will announce it to the whole world."
  • 78:08 - 78:14
    "Play the native beats."
  • 78:14 - 78:18
    "Your eyes are shooting arrows."
  • 78:18 - 78:21
    "Today i entered the ring of love."
  • 78:21 - 78:28
    "Play the native beats."
  • 78:28 - 78:29
    "Turn the track you got the desi beat."
  • 78:29 - 78:31
    "The beats been loud to get on your feet."
  • 78:31 - 78:33
    "Better keep the music popping, gotta feel the heat."
  • 78:33 - 78:43
    "Put your hands in the air if you're down with me."
  • 78:43 - 78:47
    "My condition is similar to yours."
  • 78:47 - 78:51
    "My life is wherever you are."
  • 78:51 - 78:54
    "I accept that you are the only one for me."
  • 78:54 - 79:01
    "I have devoted my life to you."
  • 79:01 - 79:04
    "I want to dwell in your eyes."
  • 79:04 - 79:05
    "You've bewitched me."
  • 79:05 - 79:13
    "Now i just want to be yours."
  • 79:13 - 79:16
    "I will take you away with me in broad daylight."
  • 79:16 - 79:22
    "Play the native beats."
  • 79:22 - 79:26
    "Your eyes are shooting arrows."
  • 79:26 - 79:29
    "Today i entered the ring of love."
  • 79:29 - 79:34
    "Play the native beats."
  • 79:34 - 79:47
    "Turn the track you got the desi beat."
  • 79:47 - 79:51
    "Better keep the music popping, gotta feel the heat.
  • 79:51 - 79:53
    Put your hands in the air if you're down with me."
  • 79:53 - 79:55
    "Turn the track you got the desi beat."
  • 79:55 - 80:07
    Rock it, buddy.
  • 80:07 - 80:13
    Lovely.
  • 80:13 - 80:15
    Yes, madam. - Oh, you are ready.
  • 80:15 - 80:18
    Come, we need to go buy some books.
  • 80:18 - 80:21
    Ma'am.
  • 80:21 - 80:23
    Today is sunday.
  • 80:23 - 80:26
    Oh, god. Today is sunday.
  • 80:26 - 80:29
    You had to go see the doctor, isn't it? - Yes.
  • 80:29 - 80:30
    But that's fine.
  • 80:30 - 80:32
    I will come along with you to buy the books.
  • 80:32 - 80:33
    I will go see the doctor later.
  • 80:33 - 80:36
    No, no, it's important to go see the doctor.
  • 80:36 - 80:40
    I will come along with you.
  • 80:40 - 80:44
    Ma'am, i... was meeting the doctor outside.
  • 80:44 - 80:45
    Meeting him outside? - Yes, ma'am.
  • 80:45 - 80:47
    What kind of a doctor is this?
  • 80:47 - 80:48
    He's a nice doctor.
  • 80:48 - 80:51
    What is his name?
  • 80:51 - 80:52
    He doesn't have a designated name.
  • 80:52 - 80:54
    That's why we all call him doctor.
  • 80:54 - 80:55
    He's a nice doctor.
  • 80:55 - 80:58
    Lovely, did anyone ever tell you that...
  • 80:58 - 81:01
    ...you are a failure at lying? - Yes, ma'am.
  • 81:01 - 81:04
    Tell me, what is the reason?
  • 81:04 - 81:06
    Actually, i am going to see a friend.
  • 81:06 - 81:10
    Friend or girlfriend?
  • 81:10 - 81:12
    Girlfriend. - You never told us.
  • 81:12 - 81:16
    Who is she?
  • 81:16 - 81:17
    She is from the college, ma'am.
  • 81:17 - 81:19
    She is from our college.
  • 81:19 - 81:20
    Yes, ma'am.
  • 81:20 - 81:22
    You sly guy.
  • 81:22 - 81:26
    Do you love her a lot? - Yes, ma'am.
  • 81:26 - 81:28
    Does she know?
  • 81:28 - 81:32
    Do you have a photo of hers that you can show us?
  • 81:32 - 81:36
    I haven't seen her, ma'am. - What?
  • 81:36 - 81:39
    And yet you love her so much? - Yes.
  • 81:39 - 81:43
    What if you don't like her after you see her?
  • 81:43 - 81:45
    We like someone from the heart, ma'am.
  • 81:45 - 81:53
    We love someone from the heart, as well.
  • 81:53 - 81:54
    Fine, go. - Just a second, madam.
  • 81:54 - 82:04
    Ma'am, i'll just go tuck in my shirt.
  • 82:04 - 82:05
    Lovely.
  • 82:05 - 82:07
    Yes, ma'am.
  • 82:07 - 82:11
    If you don't mind, can i come with you? - Okay, ma'am.
  • 82:11 - 82:15
    No, ma'am. - Why?
  • 82:15 - 82:18
    Will she be furious seeing me?
  • 82:18 - 82:22
    Fine, i will watch from a distance. Promise.
  • 82:22 - 82:26
    Please. - Okay, ma'am.
  • 82:26 - 82:37
    Please.
  • 82:37 - 82:42
    Madam, is this shirt right for this occasion.
  • 82:42 - 82:44
    Yes. - Thank you, madam?
  • 82:44 - 82:45
    Nervous
  • 82:45 - 82:47
    a lot.
  • 82:47 - 82:49
    I have talked to her many times.
  • 82:49 - 82:52
    But right now... face to face...
  • 82:52 - 82:56
    i don't have the confidence to talk to her.
  • 82:56 - 82:59
    It concerns my wife and life.
  • 82:59 - 83:01
    Today you need a bodyguard.
  • 83:01 - 83:06
    Okay, consider me chhaya and talk to me.
  • 83:06 - 83:08
    Consider you chhaya?
  • 83:08 - 83:10
    No, ma'am.
  • 83:10 - 83:13
    There's no comparison between you and chhaya.
  • 83:13 - 83:15
    In front of you... not possible. - What not possible?
  • 83:15 - 83:17
    Don't be so stupid.
  • 83:17 - 83:20
    You love her so much though you haven't seen her.
  • 83:20 - 83:23
    I feel she's your soul mate.
  • 83:23 - 83:26
    And if you say something absurd to her...
  • 83:26 - 83:29
    ...and if she leaves you forever...
  • 83:29 - 83:33
    ...what will happen to you, lovely?
  • 83:33 - 83:38
    Come on, give me your hands.
  • 83:38 - 83:42
    Come on.
  • 83:42 - 83:47
    Hello, ma'am... divya. Chhaya.
  • 83:47 - 83:49
    How do you do?
  • 83:49 - 83:50
    How are you?
  • 83:50 - 83:52
    I am lovely singh reporting.
  • 83:52 - 83:56
    Are you introducing yourself to the girl's father...
  • 83:56 - 83:58
    stupid.
  • 83:58 - 84:01
    Look into my eyes.
  • 84:01 - 84:04
    And you will automatically convey your feelings.
  • 84:04 - 84:06
    That's even more difficult, ma'am.
  • 84:06 - 84:09
    Nothing is impossible in love, lovely.
  • 84:09 - 84:20
    Coming, ma'am. Coming.
  • 84:20 - 84:31
    Sorry, ma'am.
  • 84:31 - 84:35
    Chhaya... you do love me, don't you?
  • 84:35 - 84:40
    I hope you are not joking.
  • 84:40 - 84:44
    When you said that you love me...
  • 84:44 - 84:47
    ...i couldn't say anything.
  • 84:47 - 84:52
    But it felt nice.
  • 84:52 - 84:57
    I love you, too.
  • 84:57 - 85:00
    I love you.
  • 85:00 - 85:04
    Say the same thing to her honestly.
  • 85:04 - 85:08
    She will be yours forever.
  • 85:08 - 85:09
    Chhaya is a very lucky girl, lovely.
  • 85:09 - 85:18
    Thank you.
  • 85:18 - 85:23
    See, i did a wrong thing so the tree punished me.
  • 85:23 - 85:24
    It's okay.
  • 85:24 - 85:29
    Come here, hide.
  • 85:29 - 85:31
    Here.
  • 85:31 - 85:33
    What do they say?
  • 85:33 - 85:36
    Won't you wish me 'all the best'?
  • 85:36 - 86:44
    All the best. - Thank you, ma'am.
  • 86:44 - 86:46
    Hello, chhaya.
  • 86:46 - 86:48
    Is the network proper?
  • 86:48 - 86:52
    Chhaya, i am waiting for you in the garden under the sun...
  • 86:52 - 86:54
    ...wearing blue jeans and checkered shirt.
  • 86:54 - 86:56
    Can you see me?
  • 86:56 - 86:59
    I never want to see you again.
  • 86:59 - 87:02
    Chhaya.
  • 87:02 - 87:09
    I told you not to bring divya along, right?
  • 87:09 - 87:11
    Chhaya?
  • 87:11 - 87:13
    What kind of a reason is that, chhaya?
  • 87:13 - 87:14
    You're joking with me, aren't you?
  • 87:14 - 87:17
    Why did you bring her along when i asked you not to?
  • 87:17 - 87:19
    She didn't have any wrong intention.
  • 87:19 - 87:21
    She just wanted to see you.
  • 87:21 - 87:23
    I saw everything that...
  • 87:23 - 87:25
    ...was happening before i arrived.
  • 87:25 - 87:27
    Chhaya, how can you doubt me?
  • 87:27 - 87:29
    I had explained you that divya...
  • 87:29 - 87:32
    no need to say anything, lovely.
  • 87:32 - 87:35
    You broke my trust. - Chhaya.
  • 87:35 - 87:39
    I will never call you again.
  • 87:39 - 87:41
    Forget me.
  • 87:41 - 87:43
    Forget everything that has ever happened.
  • 87:43 - 88:44
    Chhaya.
  • 88:44 - 88:45
    What happened? Is she coming late?
  • 88:45 - 88:47
    Actually it's my fault.
  • 88:47 - 88:48
    I was talking to her the entire night on the phone...
  • 88:48 - 88:50
    ...so she's tired.
  • 88:50 - 88:53
    She will call me tomorrow.
  • 88:53 - 88:57
    She knows that i am here, doesn't she?
  • 88:57 - 88:59
    No. Not at all.
  • 88:59 - 89:01
    I am sorry.
  • 89:01 - 89:04
    Divya ma'am, she will call me today.
  • 89:04 - 89:07
    She surely will. 100 percent.
  • 89:07 - 89:39
    Chhaya loves me, divya ma'am.
  • 89:39 - 89:46
    "Our love story is a difficult one."
  • 89:46 - 89:53
    "It's impossible to convey it in a few words."
  • 89:53 - 90:01
    "This is a new story of a boy and a girl."
  • 90:01 - 90:08
    "It's impossible to convey it in a few words."
  • 90:08 - 90:15
    "Our love story is a difficult one."
  • 90:15 - 90:23
    "It's impossible to convey it in a few words."
  • 90:23 - 90:30
    "We separated though we were made for each other."
  • 90:30 - 90:37
    "Our love story is a difficult one."
  • 90:37 - 90:59
    "It's impossible to convey it in a few words."
  • 90:59 - 91:03
    "The whole day will pass."
  • 91:03 - 91:07
    "The entire night will pass."
  • 91:07 - 91:14
    "Your thoughts trouble me every moment."
  • 91:14 - 91:29
    "This anguish wants the distance between you and me to disappear."
  • 91:29 - 91:37
    "We separated though we were made for each other."
  • 91:37 - 91:44
    "Each and every moment we shared was filled with joy."
  • 91:44 - 91:52
    "It's impossible to convey it in a few words."
  • 91:52 - 91:59
    "This is a new story of a boy and a girl."
  • 91:59 - 92:50
    "It's impossible to convey it in a few words."
  • 92:50 - 92:53
    Brother, can i say something?
  • 92:53 - 92:56
    I'm really scared.
  • 92:56 - 93:22
    What if savita turns out to be chhaya?
  • 93:22 - 93:24
    Hello, chhaya. - Hello.
  • 93:24 - 93:27
    I knew that you would surely call.
  • 93:27 - 93:32
    Lovely. I wanted to talk to you for the last time.
  • 93:32 - 93:36
    I know... there's something restraining you.
  • 93:36 - 93:41
    But, chhaya, you will have to meet me.
  • 93:41 - 93:42
    I will come.
  • 93:42 - 93:48
    Maybe we should get married soon, lovely.
  • 93:48 - 93:49
    Yes, chhaya.
  • 93:49 - 93:51
    We will get married soon.
  • 93:51 - 93:54
    Fine, then we will meet in an hour at the railway station.
  • 93:54 - 93:57
    One hour?
  • 93:57 - 93:59
    Chhaya, i have to go drop divya ma'am home.
  • 93:59 - 94:01
    It will take me around nine hours.
  • 94:01 - 94:05
    It will be too late until then, lovely.
  • 94:05 - 94:12
    My family would have taken me away by then.
  • 94:12 - 94:17
    But, chhaya, i won't be able to come.
  • 94:17 - 94:21
    But... - chhaya, right now nothing is more important to me...
  • 94:21 - 94:24
    ...than divya ma'am's safety.
  • 94:24 - 94:28
    Not even me?
  • 94:28 - 94:31
    I will wait for you at the railway station, lovely.
  • 94:31 - 94:35
    I am much more troubled then you are.
  • 94:35 - 94:41
    Divya.
  • 94:41 - 94:46
    I will call you later.
  • 94:46 - 94:47
    You heard everything, ma'am.
  • 94:47 - 94:49
    But don't worry.
  • 94:49 - 94:51
    I will first drop you home safely...
  • 94:51 - 94:54
    ...and then go see chhaya.
  • 94:54 - 94:55
    Duty comes first, ma'am.
  • 94:55 - 95:05
    Adter all, i am a bodyguard, ma'am.
  • 95:05 - 95:08
    You called him.
  • 95:08 - 95:14
    I called him... because i cannot live without him.
  • 95:14 - 95:19
    He will wait for chhaya at the railway station.
  • 95:19 - 95:23
    And here he will take me home.
  • 95:23 - 95:26
    How is that possible?
  • 95:26 - 95:28
    Tell him everything, divya.
  • 95:28 - 95:30
    Go with him.
  • 95:30 - 95:32
    Go from here.
  • 95:32 - 95:36
    There is no other way.
  • 95:36 - 95:42
    I will handle everything.
  • 95:42 - 95:43
    Aunt.
  • 95:43 - 95:47
    Yes, savita.
  • 95:47 - 95:50
    What are you saying, savita?
  • 95:50 - 95:51
    Yes, mr. Sartaj.
  • 95:51 - 95:55
    Tsunami, give the phone to lovely.
  • 95:55 - 95:58
    Lovely and divya ma'am are coming separately.
  • 95:58 - 96:30
    And the three of us are coming seperately.
  • 96:30 - 96:32
    Hello, lovely.
  • 96:32 - 96:35
    What am i hearing?
  • 96:35 - 96:39
    That you are eloping with divya?
  • 96:39 - 96:44
    I am sure you will never resort to such a cheap thing.
  • 96:44 - 96:48
    But still i want you to hear it from you.
  • 96:48 - 96:49
    Hello.
  • 96:49 - 96:51
    He disconnected it, didn't he?
  • 96:51 - 96:52
    I told you.
  • 96:52 - 98:24
    But no one believes me.
  • 98:24 - 99:18
    Madam, please come inside. - Lovely.
  • 99:18 - 99:20
    Lovely.
  • 99:20 - 99:30
    Come.
  • 99:30 - 99:34
    Lovely.
  • 99:34 - 100:02
    Move aside.
  • 100:02 - 100:03
    Lovely.
  • 100:03 - 100:24
    Lovely, listen to me...
  • 100:24 - 101:51
    leave me.
  • 101:51 - 101:53
    Look lovely.
  • 101:53 - 101:56
    Our main target is sartaj and his family.
  • 101:56 - 101:58
    We don't have any enmity with you.
  • 101:58 - 102:00
    I can do a favor to you.
  • 102:00 - 102:01
    Favor?
  • 102:01 - 102:02
    I can let you leave from here alive.
  • 102:02 - 102:30
    Do me a favor, never do me a favor.
  • 102:30 - 102:37
    Madam, sorry madam.
  • 102:37 - 103:05
    Dont worry, madam.
  • 103:05 - 103:09
    I don't have any enmity with you but with your brother.
  • 103:09 - 103:12
    If you want to save yourself...
  • 103:12 - 103:14
    ...do yourself a favor...
  • 103:14 - 103:16
    ...go away from here.
  • 103:16 - 103:23
    And don't every come back again.
  • 103:23 - 103:26
    I won't go back.
  • 103:26 - 103:30
    Or spare my brother's murderer.
  • 103:30 - 103:37
    I pray the right one wins.
  • 103:37 - 103:40
    For us we are the heroes.
  • 103:40 - 104:45
    And you are the heroes in your view.
  • 104:45 - 106:05
    Hey, bodyguard.
  • 106:05 - 106:08
    Papa.
  • 106:08 - 106:11
    Sir.
  • 106:11 - 106:14
    There was your father...
  • 106:14 - 106:17
    ...who gave up his life to save mine.
  • 106:17 - 106:20
    And then there's you...
  • 106:20 - 106:28
    ...who is trying to snatch my life from me... - no, father.
  • 106:28 - 106:31
    It's not his fault.
  • 106:31 - 106:34
    He saved my life.
  • 106:34 - 106:36
    What do you think?
  • 106:36 - 106:39
    He was eloping with me.
  • 106:39 - 106:46
    The girl he loves is waiting for him at the station.
  • 106:46 - 106:49
    Yes, sir. - Please let him go.
  • 106:49 - 106:51
    Sir.
  • 106:51 - 106:55
    Divya ma'am is right.
  • 106:55 - 106:58
    Someone is waiting for me.
  • 106:58 - 107:01
    We love each other immensely, sir.
  • 107:01 - 107:04
    With your permission.
  • 107:04 - 107:06
    Please, father.
  • 107:06 - 107:10
    Please.
  • 107:10 - 107:14
    You go. - But, mr. Sartaj...
  • 107:14 - 107:15
    you go, lovely.
  • 107:15 - 107:18
    Thank you, sir.
  • 107:18 - 107:20
    Thank you, divya ma'am.
  • 107:20 - 107:39
    I will miss all of you.
  • 107:39 - 108:01
    Chhaya.
  • 108:01 - 108:06
    'Right then, there was just one thought in lovely's mind.'
  • 108:06 - 108:08
    'To give up his life.'
  • 108:08 - 108:11
    'And if i hadn't reached the station at the right time... '
  • 108:11 - 108:20
    '... that's exactly what he might have done.'
  • 108:20 - 108:23
    Yes.
  • 108:23 - 108:29
    "Yes."
  • 108:29 - 108:30
    We are about to reach.
  • 108:30 - 108:40
    Get ready quickly. - Okay, father.
  • 108:40 - 108:45
    The train arriving on...
  • 108:45 - 108:47
    welcome, welcome, welcome.
  • 108:47 - 108:49
    That's enough. What are you doing?
  • 108:49 - 108:51
    Come, son.
  • 108:51 - 108:53
    Great.
  • 108:53 - 108:55
    Come on. Let's go. Come.
  • 108:55 - 109:29
    Come.
  • 109:29 - 109:43
    Sir. He's here.
  • 109:43 - 109:45
    Sir.
  • 109:45 - 109:48
    Come.
  • 109:48 - 109:50
    Come in.
  • 109:50 - 109:53
    Lie down, sir. - I thought you won't come.
  • 109:53 - 109:55
    How is that possible?
  • 109:55 - 109:58
    How could i not come? - Bless you.
  • 109:58 - 110:04
    Sit down.
  • 110:04 - 110:07
    I am really happy to hear about your progress.
  • 110:07 - 110:09
    Thank you, sir.
  • 110:09 - 110:13
    I heard that you are going to canada. - Yes, sir.
  • 110:13 - 110:14
    For a few months.
  • 110:14 - 110:16
    I couldn't control myself.
  • 110:16 - 110:19
    That's why i called you here.
  • 110:19 - 110:22
    Sorry for the trouble i caused.
  • 110:22 - 110:24
    You are my master.
  • 110:24 - 110:27
    Everyone's good wishes are with you.
  • 110:27 - 110:33
    You will get well soon.
  • 110:33 - 110:38
    You didn't ask about divya.
  • 110:38 - 110:40
    I was about to, sir.
  • 110:40 - 110:42
    How is she?
  • 110:42 - 110:44
    She must be in london with her husband, isn't it?
  • 110:44 - 110:46
    Is she happy?
  • 110:46 - 110:51
    How many children does she have?
  • 110:51 - 110:54
    Divya isn't in london.
  • 110:54 - 111:32
    She is right there.
  • 111:32 - 111:38
    Bodyguard lovely singh reporting, ma'am.
  • 111:38 - 111:40
    How are you, divya ma'am?
  • 111:40 - 111:42
    When did you arrive from london?
  • 111:42 - 111:52
    Are your husband and children here with you too?
  • 111:52 - 111:59
    Divya... didn't get married.
  • 111:59 - 112:00
    Didn't get married?
  • 112:00 - 112:07
    But... your marriage... in london.
  • 112:07 - 112:12
    Sir, i would always tell my wife that...
  • 112:12 - 112:16
    "...only a man that has earned many merits..."
  • 112:16 - 112:21
    "...can be fortunate enough to have divya ma'am as his wife."
  • 112:21 - 112:25
    I couldn't find such a boy.
  • 112:25 - 112:30
    And when she found one herself...
  • 112:30 - 112:36
    ...i couldn't recognize him.
  • 112:36 - 112:40
    Ma'am. I could never imagine that...
  • 112:40 - 112:42
    ...i would see you like this.
  • 112:42 - 112:44
    Your son is here too, isn't it?
  • 112:44 - 112:46
    Yes.
  • 112:46 - 112:51
    Where is he?
  • 112:51 - 112:58
    I thought that when he grows up he will be like you.
  • 112:58 - 113:16
    Sartaj.
  • 113:16 - 113:22
    Come.
  • 113:22 - 113:28
    Bless you.
  • 113:28 - 113:32
    Sartaj, did you recognize her?
  • 113:32 - 113:52
    That's aunt divya.
  • 113:52 - 113:53
    'Poor divya.'
  • 113:53 - 113:56
    'She could've never imagined... '
  • 113:56 - 113:58
    '... what happened with her that day.'
  • 113:58 - 114:03
    'She had to lie to her father to save lovely's life.'
  • 114:03 - 114:06
    'That you tried to snatch my life from... - no, father.'
  • 114:06 - 114:09
    'What do you think? '
  • 114:09 - 114:11
    'He was eloping with me.'
  • 114:11 - 114:17
    'The girl he loves is waiting for him at the station.'
  • 114:17 - 114:22
    'You go, lovely.'
  • 114:22 - 114:26
    'Mr. Sartaj, do you think he is speaking the truth? '
  • 114:26 - 114:29
    'He always speaks the truth.'
  • 114:29 - 114:32
    'But someone's lying.'
  • 114:32 - 114:34
    'Jaggi. - Yes, sir.'
  • 114:34 - 114:37
    'Go to the station and take a look.'
  • 114:37 - 114:40
    'Lf there's really a girl then let him go.'
  • 114:40 - 114:43
    'Otherwise... '
  • 114:43 - 114:58
    'yes, sir.'
  • 114:58 - 114:59
    'Divi, are you okay? '
  • 114:59 - 115:01
    'I don't know how savita found out everything.'
  • 115:01 - 115:03
    'Maya, you will have to go to the station right now... '
  • 115:03 - 115:05
    '... where lovely is waiting for me.'
  • 115:05 - 115:09
    'What, me? But... - lovely's life is in danger.'
  • 115:09 - 115:11
    'Dad has instructed his men... '
  • 115:11 - 115:15
    '... to shoot lovely if they don't see a girl with him.'
  • 115:15 - 115:18
    'Oh my god.'
  • 115:18 - 115:20
    'That is why i am sending you there.'
  • 115:20 - 115:23
    'Because if chhaya doesn't make it there... '
  • 115:23 - 115:25
    '... then lovely might do something to himself.'
  • 115:25 - 115:28
    'Go and tell him the truth.'
  • 115:28 - 115:29
    'That i am chhaya.'
  • 115:29 - 115:32
    'But, divya, why will he believe me? '
  • 115:32 - 115:33
    'Of course he will.'
  • 115:33 - 115:35
    'I would've have called him myself... '
  • 115:35 - 115:37
    '... but i lost his phone.'
  • 115:37 - 115:41
    'I suggest that i will call you and explain him everything.'
  • 115:41 - 115:43
    'Go on.'
  • 115:43 - 115:49
    'Go.'
  • 115:49 - 115:52
    'Yes, give the signal. Just a minute.'
  • 115:52 - 116:59
    'Mister. This is the last train.'
  • 116:59 - 117:03
    'Maya.'
  • 117:03 - 117:08
    'Maya, you could have tried telling me once that you are chhaya.'
  • 117:08 - 117:26
    'Lovely, chhaya is... '
  • 117:26 - 117:30
    'divya's friend maya is with him.'
  • 117:30 - 118:05
    'Okay.'
  • 118:05 - 118:09
    'I did something with my friend... '
  • 118:09 - 118:13
    '... which no one does even to their enemy.'
  • 118:13 - 118:16
    'But i wasn't that fortunate... '
  • 118:16 - 118:21
    '... to have a husband like your father.'
  • 118:21 - 118:26
    'I brought him far away from this world, those people... '
  • 118:26 - 118:30
    '... where no one could find us.'
  • 118:30 - 118:35
    'And then i was punished for my doing.'
  • 118:35 - 118:41
    'My ailment will soon put an end to my life.'
  • 118:41 - 118:52
    'I will be with you two for a few more days.'
  • 118:52 - 118:56
    'You will find this diary only after i am gone.'
  • 118:56 - 119:02
    'Son, throw this diary away after reading it.'
  • 119:02 - 119:16
    'Because i never want your father to hate me.'
  • 119:16 - 119:21
    Yes.
  • 119:21 - 119:23
    You aren't asleep yet.
  • 119:23 - 119:27
    I am not sleepy.
  • 119:27 - 119:29
    Are you crying? - No.
  • 119:29 - 119:32
    Why are you lying?
  • 119:32 - 119:37
    Your father couldn't lie either.
  • 119:37 - 119:39
    Tell me why are you crying?
  • 119:39 - 119:44
    I am missing my mother.
  • 119:44 - 119:56
    I am right here.
  • 119:56 - 120:03
    Are you angry with my mother?
  • 120:03 - 120:08
    Angry? No.
  • 120:08 - 120:17
    I am slightly hurt that she didn't try to meet me.
  • 120:17 - 120:19
    Nothing else.
  • 120:19 - 120:21
    Forgive her.
  • 120:21 - 120:34
    I already forgave her.
  • 120:34 - 120:37
    Thank god.
  • 120:37 - 120:45
    That i lived long enough to apologize to you.
  • 120:45 - 120:49
    To see you happy.
  • 120:49 - 120:55
    And... meet this junior sartaj.
  • 120:55 - 120:58
    We will come see you often, sir.
  • 120:58 - 121:02
    Just look adter yourself.
  • 121:02 - 121:07
    Son. Say goodbye to aunt divya.
  • 121:07 - 121:23
    Go. Go. Go.
  • 121:23 - 121:26
    I will say bye on only one condition...
  • 121:26 - 121:30
    ...if you come see me again soon.
  • 121:30 - 121:44
    Can i call you mother?
  • 121:44 - 121:46
    Why not?
  • 121:46 - 122:04
    Then come with us as my mother.
  • 122:04 - 122:06
    Son. Say sorry.
  • 122:06 - 122:09
    Say sorry to divya ma'am.
  • 122:09 - 122:12
    Say sorry now.
  • 122:12 - 122:13
    Say sorry.
  • 122:13 - 122:21
    No.
  • 122:21 - 122:31
    Sartaj. Sartaj.
  • 122:31 - 122:34
    Sir, he is a very decent boy.
  • 122:34 - 122:38
    I don't know why he misbehaved today.
  • 122:38 - 122:42
    He didn't misbehave, son.
  • 122:42 - 122:45
    He has a clear conscience.
  • 122:45 - 122:51
    His intentions are clear just like yours.
  • 122:51 - 122:54
    The truth us, son...
  • 122:54 - 122:57
    ...today he has said...
  • 122:57 - 123:02
    ...what i wanted to.
  • 123:02 - 123:10
    But... i couldn't muster the courage.
  • 123:10 - 123:16
    Son, will you...
  • 123:16 - 123:29
    ...accept my daughter?
  • 123:29 - 124:01
    Sir.
  • 124:01 - 124:16
    Madam.
  • 124:16 - 124:38
    Bless you. Bless you.
  • 124:38 - 124:49
    Where is he?
  • 124:49 - 124:51
    Where were you?
  • 124:51 - 124:55
    I had gone to the toilet, father.
  • 124:55 - 125:07
    There's a bathroom in the train as well, come on.
  • 125:07 - 125:15
    Where were you?
  • 125:15 - 126:48
    Bless you. Bless you.
  • 126:48 - 126:50
    Hello.
  • 126:50 - 126:53
    Chhaya.
  • 126:53 - 127:13
    Bodyguard lovely singh reporting.
  • 127:13 - 127:50
    "I love you."
  • 127:50 - 127:57
    "Our love story is a difficult one."
  • 127:57 - 128:04
    "It's impossible to convey it in a few words."
  • 128:04 - 128:07
    "This is a new story of a boy and a girl."
  • 128:07 - 128:11
    When you find her, you will do the same with her cheeks.
  • 128:11 - 128:13
    "It's impossible to convey it in a few words."
  • 128:13 - 128:15
    I will come along with you.
  • 128:15 - 128:17
    No, there is no need for that.
  • 128:17 - 128:24
    "Our love story is a difficult one."
  • 128:24 - 128:30
    "It's impossible to convey it in a few words."
  • 128:30 - 128:32
    Brother, don't forget to do one thing...
  • 128:32 - 128:38
    "we separated though we were made for each other."
  • 128:38 - 128:45
    "Our love story is a difficult one."
  • 128:45 - 128:53
    "It's impossible to convey it in a few words."
  • 128:53 - 129:01
    He will recognize my voice. - Sorry.
  • 129:01 - 129:06
    So sorry, i am sorry.
  • 129:06 - 129:09
    "The whole day will pass."
  • 129:09 - 129:13
    "The entire night will pass."
  • 129:13 - 129:20
    "Your thoughts trouble me every moment."
  • 129:20 - 129:34
    "This anguish wants the distance between you and me to disappear."
  • 129:34 - 129:41
    "We separated though we were made for each other."
  • 129:41 - 129:48
    "Our love story is a difficult one."
  • 129:48 - 129:55
    "It's impossible to convey it in a few words."
  • 129:55 - 130:02
    "This is a new story of a boy and a girl."
  • 130:02 - 130:08
    "It's impossible to convey it in a few words."
  • 130:08 - 130:12
    Arrogant girl. Arrogant girl.
  • 130:12 - 130:16
    "You are there in my every thought. You are there in my every dream."
  • 130:16 - 130:29
    Action. - "it's impossible to convey it in a few words."
  • 130:29 -
    Cut. (movieshdnow.com)
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Bodyguard (2011) Blu-Ray 720p English Subtitle movieshdnow.com
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Video Language:
Vietnamese
Duration:
02:10:40
Amara Bot added a translation
Amara Bot added a translation

English subtitles

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