Tommy Hartung's Undergound Movies | "New York Close Up" | Art21

How little does an artist need in a moving image to tell a story? In this film, artist Tommy Hartung employs minimal means and materials to create animated movies, performing a series of experiments in his basement studio in Ridgewood, Queens. Hartung's remodeled underground space functions as a workshop—or in the words of a friend, an "arena"—with colored lights, dioramas, and puppet-like characters. Using stop-motion photography, Hartung records a series of simple actions: blowing smoke through an artificial mouth, dripping Karo syrup on a frog, crumpling plastic wrap, adjusting a doll's clothing, and funnelling salt through a hole. Preferring what the artist terms "dead cinema," Hartung's hand-crafted props and their intentionally un-lifelike movements are against the grain of current computer-generated animation spectacles. Featuring scenes from the works "The Story of Edward Holmes" (2008) and "The Ascent of Man" (2009).

Tommy Hartung (b. 1979, Akron, Ohio, USA) lives and works in Queens, New York.

CREDITS | "New York Close Up" Created & Produced by: Wesley Miller & Nick Ravich. Editor: Mary Ann Toman. Cinematography: Andrew David Watson. Sound: Nicholas Lindner & Nick Ravich. Associate Producer: Ian Forster. Production Assistant: Paulina V. Ahlstrom, Don Edler & Maren Miller. Design: Open. Artwork: Tommy Hartung. Thanks: Candice Madey, Jorge Olivo, On Stellar Rays, Ronnie. An Art21 Workshop Production. © Art21, Inc. 2011. All rights reserved.

"New York Close Up" is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional support provided by The 1896 Studios & Stages.

For more info: http://www.art21.org/newyorkcloseup

Ficou legalzinho...

[Experimento #001--Lábios]

Meu nome é Tommy Hartung.
Eu faço filmes.

[Tommy Hartung--Artista]

E vivo e trabalho em Ridgewood, Queens.

--should translate?--

["Os Filmes Underground
de Tommy Hartung"]

Eu mudei para
um lugar novo no verão.

E pensei muito sobre o tipo
de espaço que quero trabalhar.

Um amigo disse que o estúdio
é uma espécie de arena.

E eu gostei muito da ideia. É como seu eu