-
♪ (music) ♪
-
[Narrator] These days, you hear music all the time.
-
Not Synced
It wakes us up, motivates our workouts,
-
Not Synced
keeps us company on our commutes.
-
Not Synced
It doesné matter what kind of music it is,
-
Not Synced
music itself has the ability to affect our moods and our bodies
-
Not Synced
in all sorts of ways.
-
Not Synced
We nod our heads, we sway, dance.
-
Not Synced
Music can give us chills,
-
Not Synced
even make us cry.
-
Not Synced
Music activates every area of the brain we have so far mapped.
-
Not Synced
In fact, there's no area of the brain we know about
-
Not Synced
that music doesn't touch in some way.
-
Not Synced
But what's behind all that?
-
Not Synced
What exactly does music do to us?
-
Not Synced
To find out, I went to a whole series of tests
-
Not Synced
designed to measure my responses to musiC.
-
Not Synced
I met some kids whose brains may actually be changing,
-
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thanks to those hours of learning, practice, and performing.
-
Not Synced
I spoke with a therapist who used music to help former congressman [ ] learn to speak again,
-
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and got a glimpse inside the brain of a two-time winning artist while he played,
-
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all to find out how music affects us.
-
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♪ (music) ♪
-
Not Synced
So what's going on when we listen to music?
-
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We visited the USC Brain and Creativity Institute,
-
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where I had my head examined, literally,
-
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to try to figure it out.
-
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I'm going to go into this [FMRI] machine,
-
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a tiny tube will surround me.
-
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We'll get a baseline reading of my brain,
-
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and then I'm going to listen to some music.
-
Not Synced
We're going to see how my brain responds.
-
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Just close your eyes, relax,
-
Not Synced
and try and get into the music as best you can, okay?
-
Not Synced
♪ (music) ♪
-
Not Synced
And here's what we saw.
-
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These are scans of my brain.
-
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The areas in red are where my activity is above average;
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in blue, below average.
-
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As you can see, there is red activity all over my brain,
-
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not just in one specific area.
-
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Twenty-five years ago, the idea was that language is on the left side of the brain
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and music is in the right side of the brain.
-
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But now that we've got better quality tools,
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higher resolution imaging and better experimental methods,
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we've discovered that's not at all right.
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How does that play out in different regions of the brain?
-
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When music enters and then gets shuttled off to different parts of the brain
-
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and it stops at specialized processing units in auditory cortex,
-
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they track loudness and pitch and rhythm and [tambour] and things like that,
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there's visual cortex activation when you're reading music as a musician
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or watching music
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motor cortex when you're tapping your feet, snapping your fingers, clapping you hands;
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and cerebellum which mediates the emotional responses;
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the memory and the hippocampus,
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hearing a familiar passage,
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finding it somewhere in your memory banks.
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Music is going on in both halves of your brain,
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the left and the right,
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the front and the back,
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the inside and the outside.
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♪ (music) ♪
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So what about a musicians's brain?
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To play a piece of music engages so many things:
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motor systems, timing systens, memory systems, hearing systems.
-
Not Synced
There's all sorts of brain activity happening.
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It's a very robust thing to play music.
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♪ (music) ♪
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I'm Alex Jacob Robertson.
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I'm Nathan Glenn Robertson.
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We asked these 11-year old musicians
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to tell us what's going through their minds as they play.
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Some of the most important things are
-
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I think good posture,
-
Not Synced
getting the note right,
-
Not Synced
legato, staccato.
-
Not Synced
[violin playing]
-
Not Synced
For the violin, you need to hold your hand
at the right place
-
Not Synced
and you need to be in tune
-
Not Synced
and then you also have to have
not only the right intonation
-
Not Synced
but the right sound
-
Not Synced
and then you also need to have great vibrato.
-
Not Synced
There's lot of things to think about.
-
Not Synced
[violin playing]
-
Not Synced
[Narrator] Back at USC,
-
Not Synced
researchers have been studying kids
who play music over the past five years
-
Not Synced
to see how it effects their development.
-
Not Synced
The multi-tasking areas of their brains
understandable lit up
-
Not Synced
but they've seen other results too.
-
Not Synced
Music training over the course of five years
-
Not Synced
has had benefits in cognitive skills and decision making,
-
Not Synced
also had some benefits in social behavior
-
Not Synced
and we've also seen changes
in the associated brain structures.
-
Not Synced
Did you hear that?
-
Not Synced
Changes in brain structures.
-
Not Synced
They found that the brains of children
who have studied music
-
Not Synced
cast stronger connections
between the left and right hemispheres
-
Not Synced
and that can make them better,
more creative problem solvers.
-
Not Synced
And then there's emotion.
-
Not Synced
[emotional music]
-
Not Synced
When you hear a piece like this
-
Not Synced
it's easy to understand why emotions
play such a big part in music.
-
Not Synced
This song by Camille Saint-Saëns is known
as the music for the dying swan in ballet.
-
Not Synced
Well it might move ballerinas to dance
it inspires different reactions in others.
Some people get goosebumps, chills,
that weird tingly sensation that you get when
a great piece of music just hits you in the right way.
It's called frisson and not everyone gets it
but it turns out I do.
Now we're gonna have you listen
to some pieces of music.
-
Not Synced
Okay
-
Not Synced
When you experience a chill,
-
Not Synced
if you do, I want you to just press
this space bar
-
Not Synced
so we have an indication
-
Not Synced
of when those sort of peak moments of
enjoyment are happening.
-
Not Synced
Okay.
-
Not Synced
Max Sachs, a PhD candidate at USC
-
Not Synced
wired me up
to measure my physiological response.
-
Not Synced
So when I'm feeling that kind of emotional connection
-
Not Synced
that has a physical manifestation
-
Not Synced
we'll see what my body is actually doing?
-
Not Synced
Exactly.
-
Not Synced
[dramatic music]
-
Not Synced
Alright, how was that?
-
Not Synced
That was, that had a lot of them.
-
Not Synced
We got them all.
-
Not Synced
Now full disclosure back in the day
-
Not Synced
I played the cello
-
Not Synced
which might have something to do
with why that particular song affected me.
-
Not Synced
Nice hair.
-
Not Synced
But it turns out the brain is at work here too.
-
Not Synced
We processed the difference
-
Not Synced
between this pathway that connects the auditory regions
on the side of the brain here,
-
Not Synced
to the emotional regions
-
Not Synced
and we showed that the tract actually that connects those
two regions is stronger,
-
Not Synced
there's more fibers,
-
Not Synced
in that region in the people who get chills.
-
Not Synced
Which means that some people's brains
might have better communication
-
Not Synced
between what they hear and how they feel.
-
Not Synced
The music itself also plays a role in frisson.
-
Not Synced
Sachs uses different songs in his lectures
to see if students get it.
-
Not Synced
I'll say raise your hand when you get a chill
-
Not Synced
and I'll play a piece of music, a classical piece,
-
Not Synced
and maybe half the people will get it.
-
Not Synced
[Narrator] Then he plays this..
-
Not Synced
Rolling Stone's Give me Shelter.
-
Not Synced
Have you ever seen the movie 20 Feet from Stardom,
-
Not Synced
the documentary?
-
Not Synced
Oh about back up singers?
-
Not Synced
Yeah, there's a part Where They Isolate
the vocals from Give me Shelter.
-
Not Synced
♪from murder yeah ♪
-
Not Synced
♪It's just a shot away ♪
-
Not Synced
♪It's just a shot away ♪
-
Not Synced
and I play that
-
Not Synced
and 90% of the people experience chills
-
Not Synced
sort of independent of where I go.
-
Not Synced
I have to tell you, bringing that up
-
Not Synced
made me think about it and I got that little
kind of thing at the back of neck.
-
Not Synced
But why would that happen?
The high pitched notes that she hits
almost sounds like a scream and
it's very important ancestrally for us
to be able to pay attention
to a scream, figure out what's going on
and either run or fight, whatever we need to do.
[Narrator] So how come that manifests as pleasure?
Well it's because our pre-frontal cortex
the more rational, thinking part of the brain kicks in.
So you realize very quickly after you have
this really quick startle reflex
that there's nothing actually threatening
about the piece of music
that you're sitting in a safe space
with your headphones on and it's in that
reappraisal that we tend to think
of the pleasure responses emerging.
And whether you find listening to music
so pleasurable that you get chills
or you absolutely despise a song
it can produce absolutely fascinating
effects in the brain.
According to Levitan music we enjoy triggers
the brain's internal opiod system, yes, opiod system.
And just like the opioids that come in pill form
these chemicals make you feel good and help relive pain.
And music you don't like well that releases cortisol,
the notorious stress hormone.
But that's not even the half of what music
can do in the brain.
Can you turn on the lights?
[Narrator] When former Congresswomen Gabrielle Giffords
was shot in 2011 the left side of her brain
was severely damaged leaving her struggling
to speak, a condition called aphasia.
Gabby are you frustrated?
[Narrator] But to get an idea of just how
powerful music's effect on the brain can be
watch this video.
You ready?
[Together] This little light of mine
I'm gonna let it shine.
That words that she'd been
struggling to say, light, can easily be in song.
Why would she be able to sing a word
when she's unable to say it?
What we know about the brain is that
the left hemisphere controls language
and there are many other parts of the brain
that have music access.
Music therapist Maegan Morrow's job
is to help patients use those other
pathways to regain language.
Sometimes I compare it to
being in traffic and you can't move
any further but you might need to exit
and take the feeder road to get you to your destination.
So music is basically like that feeder road
to the new destination.
Like a detour, so we know that music
can help us relearn things like speech
by accessing alternative pathways in the brain
and that learning to play music can help
strengthen brain connections.
But what about making music?
To make music is like, it's the language
of humanity, no matter where I go in the world,
if I'm playing something, it doesn't matter if
someone can't speak the language, if they're
into it they're into it.
[Narrator] This is Xavier Dphrepaulezz better known as
Fantastic Negrito.
We brought him to UCSF to meet Charles Limb
a neuroscientist who studies musical creativity.
The Duffler's up next.
[Narrator] To understand how Fantastic Negrito's brain
works when making music Dr. Limb had him
play on of his songs while going
through the fMRI.
[Fantastic Negrito singing]
so how did his brain respond?
The areas that process sensory and motor skills
along with sounds lit up, you can see them here.
Red and yellow, makes sense right?
But here's the really interesting part,
Limb asked him to improvise
to see what happens when he's creating
something totally original.
[Fantastic Negrito singing]
now watch what happens to his brain.
The areas that were active before
the ones that deal with motor skills
and sounds are even more active.
And see how there's way more blue
in the front of his brain?
That's the pre-frontal cortex
and it's associated with effortful planning
and conscience self-monitoring
and it's blue because it's less active.
We see that the pre-frontal cortex appears to be
really shutting down in these moments
of high creativity kind of like letting of
of these conscious self-censoring or self-monitoring
areas that normally are there to help control our output.
[Narrator] And Limb says it's about
more than just letting go.
You view it from perspective of survival
if human beings only could do memorized route responses
we'd be long gone.
It is not just the thing that happens in clubs
and in jazz bars, it's actually maybe
the most fundamental form of what it means to be human
to come up with new ideas.
[singing]
[Narrator] So music is so much more than notes
on a page, it can change the way we
think and speak and feel but is there
a limit to what science can tell us about music?
Just when I discover the answer to one thing
five new questions pop up that are more
interesting than the first and I've gained
an appreciation for how complex the music making
and music listening system is.
It's not demystified to me at all.
It's more mysterious than ever.
[signing]
[clapping]Some of the most important things are
I think good posture, getting the note right,
legato, staccato.
[violin playing]
For the violin you need to hold your hand
at the right place and you need to be in tune
and then you also have to have not only
the right intonation but the right sound
and then you also need to have great vibrato.
There's lot of things to think about.
[violin playing]
[Narrator] Back at USC researchers have been studying
kids who play music over the past five years
to see how it effects their development.
The multi-tasking areas of their brains
understandable lit up but they've seen other results too.
Music training over the course of five years
has had benefits in cognitive skills and decision
making, also had some benefits in social behavior
and we've also seen changes in the associated
brain structures.
Did you hear that?
Changes in brain structures.
They found that the brains of children
who have studied music cast stronger connections
between the left and right hemispheres
and that can make them better,
more creative problem solvers.
And then there's emotion.
[emotional music]
When you hear a piece like this
it's easy to understand why emotions
play such a big part in music.
This song by Camille Saint-Saëns is known
as the music for the dying swan in ballet.
Well it might move ballerinas to dance
it inspires different reactions in others.
Some people get goosebumps, chills,
that weird tingly sensation that you get when
a great piece of music just hits you in the right way.
It's called frisson and not everyone gets it
but it turns out I do.
Now we're gonna have you listen
to some pieces of music.
Okay
When you experience a chill,
if you do, I want you to just press
this space bar so we have an indication of
when those sort of peak moments of
enjoyment are happening.
Okay.
Max Sachs, a PhD candidate at USC wired me up
to measure my physiological response.
So when I'm feeling that kind of emotional connection
that has a physical manifestation
we'll see what my body is actually doing?
Exactly.
[dramatic music]
Alright, how was that?
That was, that had a lot of them.
We got them all.
Now full disclosure back in the day
I played the cello which might have something
to do with why that particular song effected me.
Nice hair.
But it turns out the brain is at work here too.
We processed the difference between
this pathway that connects the auditory regions
on the side of the brain here, to the emotional regions
and we showed that the tract actually that connects those
two regions is stronger, there's more fibers,
in that region in the people who get chills.
Which means that some people's brains
might have better communication
between what they hear and how they feel.
The music itself also plays a role in frisson.
Sachs uses different songs in his lectures
to see if students get it.
I'll say raise your hand when you get a chill
and I'll play a piece of music, a classical piece,
and maybe half the people will get it.
[Narrator] Then he plays this..
Rolling Stone's Give me Shelter.
Have you ever seen the movie 20 Feet from Stardom,
the documentary?
Oh about back up singers?
Yeah, there's a part Where They Isolate
the vocals from Give me Shelter.
♪from murder yeah ♪
♪It's just a shot away ♪
♪It's just a shot away ♪
and I play that and 90% of the people
experience chills sort of independent of where I go.
I have to tell you, bringing that up
made me think about it and I got that little
kind of thing at the back of neck.
But why would that happen?
-
Not Synced
The high pitched notes that she hits
almost sounds like a scream and
it's very important ancestrally for us
to be able to pay attention
to a scream, figure out what's going on
and either run or fight, whatever we need to do.
-
Not Synced
[Narrator] So how come that manifests as pleasure?
-
Not Synced
Well it's because our pre-frontal cortex
-
Not Synced
the more rational, thinking part of the brain kicks in.
-
Not Synced
So you realize very quickly after you have
this really quick startle reflex
-
Not Synced
that there's nothing actually threatening
about the piece of music
-
Not Synced
that you're sitting in a safe space
with your headphones on and it's in that
reappraisal that we tend to think
of the pleasure responses emerging.
-
Not Synced
And whether you find listening to music
so pleasurable that you get chills
or you absolutely despise a song
-
Not Synced
it can produce absolutely fascinating
effects in the brain.
-
Not Synced
According to Levitan music we enjoy triggers
the brain's internal opiod system, yes, opiod system.
-
Not Synced
And just like the opioids that come in pill form
-
Not Synced
these chemicals make you feel good and help relive pain.
-
Not Synced
And music you don't like well that releases cortisol,
-
Not Synced
the notorious stress hormone.
-
Not Synced
But that's not even the half of what music
can do in the brain.
Can you turn on the lights?
-
Not Synced
[Narrator] When former Congresswomen Gabrielle Giffords
was shot in 2011
-
Not Synced
the left side of her brain
was severely damaged
-
Not Synced
leaving her struggling
to speak,
-
Not Synced
a condition called aphasia.
-
Not Synced
Gabby are you frustrated?
-
Not Synced
[Narrator] But to get an idea of just how
powerful music's effect on the brain can be
-
Not Synced
watch this video.
-
Not Synced
You ready?
-
Not Synced
[Together] This little light of mine
I'm gonna let it shine.
-
Not Synced
That words that she'd been
struggling to say, light,
-
Not Synced
can easily be in song.
-
Not Synced
Why would she be able to sing a word
when she's unable to say it?
-
Not Synced
What we know about the brain
-
Not Synced
is that the left hemisphere controls language
-
Not Synced
and there are many other parts of the brain
that have music access.
-
Not Synced
Music therapist Maegan Morrow's job
-
Not Synced
is to help patients use those other
pathways to regain language.
-
Not Synced
Sometimes I compare it to being in traffic
-
Not Synced
and you can't move any further
-
Not Synced
but you might need to exit
and take the feeder road
-
Not Synced
to get you to your destination.
-
Not Synced
So music is basically like that feeder road
-
Not Synced
to the new destination.
-
Not Synced
Like a detour, so we know that music
can help us relearn things like speech
-
Not Synced
by accessing alternative pathways in the brain
-
Not Synced
and that learning to play music can help
strengthen brain connections.
-
Not Synced
But what about making music?
-
Not Synced
To make music is like,
-
Not Synced
it's the language of humanity,
-
Not Synced
no matter where I go in the world,
-
Not Synced
if I'm playing something,
-
Not Synced
it doesn't matter if
someone can't speak the language,
-
Not Synced
if they're into it they're into it.
-
Not Synced
[Narrator] This is Xavier Dphrepaulezz better known as Fantastic Negrito.
-
Not Synced
We brought him to UCSF to meet Charles Limb
-
Not Synced
a neuroscientist who studies musical creativity.
-
Not Synced
The Duffler's up next.
-
Not Synced
[Narrator] To understand how Fantastic Negrito's brain works when making music
-
Not Synced
Dr. Limb had him play on of his songs
while going through the fMRI.
-
Not Synced
[Fantastic Negrito singing]
-
Not Synced
so how did his brain respond?
-
Not Synced
The areas that process sensory and motor skills
along with sounds lit up,
-
Not Synced
you can see them here.
-
Not Synced
Red and yellow, makes sense right?
-
Not Synced
But here's the really interesting part,
-
Not Synced
Limb asked him to improvise
-
Not Synced
to see what happens when he's creating
something totally original.
-
Not Synced
[Fantastic Negrito singing]
-
Not Synced
now watch what happens to his brain.
-
Not Synced
The areas that were active before
the ones that deal with motor skills and sounds
-
Not Synced
are even more active.
-
Not Synced
And see how there's way more blue
in the front of his brain?
-
Not Synced
That's the pre-frontal cortex
-
Not Synced
and it's associated with effortful planning
and conscience self-monitoring
-
Not Synced
and it's blue because it's less active.
-
Not Synced
We see that the pre-frontal cortex
-
Not Synced
appears to be really shutting down
in these moments of high creativity
-
Not Synced
kind of like letting of of these conscious
self-censoring or self-monitoring areas
-
Not Synced
that normally are there to help control our output.
-
Not Synced
[Narrator] And Limb says
it's about more than just letting go.
-
Not Synced
You view it from perspective of survival
-
Not Synced
if human beings only could do memorized route responses,
-
Not Synced
we'd be long gone.
-
Not Synced
It is not just the thing that happens
in clubs and in jazz bars,
-
Not Synced
it's actually maybe
the most fundamental form
-
Not Synced
of what it means to be human
-
Not Synced
to come up with new ideas.
-
Not Synced
[singing]
-
Not Synced
[Narrator] So music is so much more
than notes on a page,
-
Not Synced
it can change the way we think and speak and feel
-
Not Synced
but is there a limit to what science can tell us about music?
-
Not Synced
Just when I discover the answer to one thing
-
Not Synced
five new questions pop up that are more
-
Not Synced
interesting than the first and I've gained
-
Not Synced
an appreciation for how complex the music making
-
Not Synced
and music listening system is.
-
Not Synced
It's not demystified to me at all.
-
Not Synced
It's more mysterious than ever.
-
Not Synced
[signing]
-
Not Synced
[clapping]