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Controlling Selective Color Changes in Lightroom

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    (dramatic music)
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    - Hi, and welcome.
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    My name's Julieanne Kost
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    and on today's episode
    of The Complete Picture,
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    we're gonna take a look at how you
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    can make some selective color
    adjustments using Lightroom.
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    Now, I think we probably all know
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    that you can make more global adjustments
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    using things like the
    Temperature or the Tint sliders
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    and certainly in the Basic
    panel we can come down
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    under presence and change
    Vibrance and Saturation
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    but that's gonna change all of
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    the colors in the image at one time.
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    So if we wanna have a
    little bit more control
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    we need to take a look
    at the Hue, Saturation,
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    and Luminance area of Lightroom.
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    Now, let's just start with the Saturation.
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    If I simply wanted to
    de-saturate this entire image
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    I could use, for example, the V key
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    if I wanted to go all the
    way to black and white.
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    But I actually want to
    leave the image in color
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    'cause that's gonna enable
    me to do a few more things.
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    So I'll just take down the saturation
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    by clicking here on each
    one of the color sliders.
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    So, obviously if I did this often
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    what I'd wanna do is I'd wanna go ahead
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    and create a preset for that and, in fact,
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    there's a preset that you can download
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    from my blog if you want to,
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    that simply de-saturates everything.
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    But it's really easy,
    you would just set all
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    of the sliders up if you
    wanna create your own
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    and then click on the plus icon
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    and save out the saturation
    color adjustments right here.
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    And save that as your preset.
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    Alright, so that's one way
    to de-saturate an image
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    but obviously because I can go into
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    each one of these color ranges
    I have a lot more control.
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    So say, for example, I
    might not want to have
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    this top red area as
    de-saturated as it is right now.
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    Well, if we grab the
    targeted adjustment tool
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    by clicking on it and then click
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    in that color that we want to manipulate,
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    if we drag up it would
    increase the saturation
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    and if we click and drag down,
    it decreases the saturation.
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    So it might be a little
    confusing because when you click,
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    Lightroom hides the cursor
    but I'm actually clicking
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    and dragging up and you can see
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    the sliders going to the right.
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    If I click and drag down the
    sliders move to the left.
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    And you'll also notice that
    it's not just the red slider
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    that's moving because where
    I clicked in this image
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    that color is made up
    of both red and orange
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    so Lightroom goes ahead and moves both
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    the red and orange slider
    in the correct relationship
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    to how much color is underneath
    the point where I clicked.
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    So we can go ahead and do that
    for this blue area, as well.
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    Again, clicking and dragging
    up would add saturation,
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    click and drag down to
    decrease the saturation.
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    So it's kind of an easy
    way to balance things out.
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    Then I could also go under
    the Hue, for example,
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    if I wanted to change the color.
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    Maybe I don't quite like
    that blue so, again,
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    clicking and dragging up
    in that area will shift
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    the blues and in this case
    a little bit of the aqua
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    more towards the purple colors.
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    Clicking and dragging down would
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    bring them back towards the aqua.
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    So, again, all I'm
    trying to do is just get
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    two colors that match a
    little bit better here.
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    Alright, now you might also
    wanna take this one step further
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    and go and select your adjustment brush.
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    Because I do have a lot
    of blue that's reflecting
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    up here in this giant container.
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    And so what I'll do is I'll
    grab my adjustment brush
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    and just bring down the saturation here.
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    And we can go ahead and bring it down
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    to -100 and now you can
    see when I paint in here
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    I can selectively change the color here
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    because I'm just painting out 100%.
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    If you tap the A key, that
    would give you the auto-mask
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    right down here, that toggles it on.
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    So we don't have to be quite as careful
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    where I paint because
    Lightroom's gonna see the line
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    between this container here
    and the little building
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    and it won't jump over to
    de-saturate that orange color.
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    Alright, let's move to the
    next image for one moment
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    'cause I also wanna show maybe
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    a little bit of a different use of this.
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    Now I will start here with the Basic panel
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    because I do want to change
    the overall color balance.
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    So, again, that's a global
    change so in that case,
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    I would go ahead and use my
    Temperature or my Tint slider.
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    I just want that background
    a little bit more blue.
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    Now, what if we wanted to match
    the bicycle with the door?
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    Well, then I need to
    scoot down again to HSL.
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    And, by the way, HSL and
    Color, these two options...
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    The functionality is almost identical.
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    Let me just show you the difference.
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    The main difference is that HSL,
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    the Hue, Saturation, and Luminosity area
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    that has the targeted
    adjustment tool which
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    I use all the time
    instead of trying to guess
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    what color this is, you
    know, is it more orange
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    or does it have more yellow or red in it?
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    I'll use the targeted adjustment
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    tool to make my adjustments.
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    If we scoot over to the Color area,
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    we don't have that
    targeted adjustment tool.
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    And the reason that we
    have them both though
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    is they're just a different
    way of accessing color.
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    See, when I'm in HSL
    I've got Hue, Saturation,
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    and Luminosity so I can
    click on any of these
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    and then I get all of the
    different color ranges.
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    When we scoot over to
    color, basically I can click
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    on any color and then quickly access
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    Hue, Saturation, and Luminosity.
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    So it's just a different
    way of laying it out.
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    If you click on HSL and then
    you actually click on All
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    we can see HSL, Hue,
    Saturation, and Luminosity
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    for each color range so that
    might be an option as well.
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    When I'm on a smaller monitor though,
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    I like to pick just Hue,
    Saturation or Luminosity.
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    Okay, so if I want to make the bike
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    and the door the same color, again,
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    I'll pick up my targeted adjustment tool
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    and I'll be sure that I've
    got my option here set to Hue
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    and then you can click
    and drag on that orange
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    and you'll notice that by
    clicking and dragging up,
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    I'm shifting those reds and oranges
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    more towards the yellow hues.
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    Now that's a little bit too
    far so I'm gonna back off.
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    I'm also going to
    de-saturate that a little.
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    So I'll click and just drag
    down a little on my saturation.
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    Then I'll go back to Hue
    and I'm gonna pick up
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    on the yellow door and I'm gonna go ahead
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    and start dragging that
    down to bring those values,
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    the orange and yellow,
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    closer to the orange value in the bike.
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    So you can see, you can
    make a lot of color changes.
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    And if you think about it,
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    we could actually take
    this to black and white
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    as well and use the Black
    & White options to change
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    the color ranges, how that
    converts to black and white.
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    But now I wanna keep this in color
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    and I just wanna show you one other way
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    because you might be thinking,
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    "Well, maybe you didn't
    wanna bring those two colors
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    "closer together, maybe you wanted to have
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    "the bike change to a different color."
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    You'll notice that when I click
    and drag to change the hue,
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    we really can't get a green bicycle.
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    If you wanted to do that, then we need
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    to switch over to our adjustment brush.
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    I'm gonna bring the
    saturation all the way down.
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    So I'm actually removing the saturation.
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    And then I'm going to click in
    this color swatch right here,
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    and we can go ahead
    and pick a green color.
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    So now when we paint, and I'll just get
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    a little bit smaller
    of a paint brush here,
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    you can see that what's happening is
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    I've got auto-mask turned on
    so Lightroom is automatically
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    creating a mask so that I don't
    go over into the blue area.
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    And the adjustment brush
    is basically taking out
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    all of the saturation wherever I paint
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    and then overlaying the
    green color that I selected.
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    And if I paint too far all I need
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    to do is hold down the Option key
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    and then we can go ahead and back that out
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    'cause I didn't mean to
    paint that in the tire there.
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    And then, again, I can get a smaller brush
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    just using the left bracket key
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    and go in and refine this and
    make any other adjustments.
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    Again, I went a little
    too far there so, again,
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    hold down the option key
    and just paint that out.
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    What the Option key or
    the Alt Key on Windows
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    does is it basically just changes
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    from your brush to the eraser tool.
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    So that's a way that you would go in
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    and actually hand color an image.
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    Just remember, if you are going
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    to hand color an image
    don't take it to grayscale,
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    don't tap the V key and go to grayscale,
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    use the Hue, Saturation, and
    Luminosity area down here
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    and just remove all of the saturation.
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    Otherwise you're not going to
    be able to paint in the image
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    because you told Lightroom
    to take it to grayscale.
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    So, using a combination of
    Hue, Saturation, and Luminosity
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    as well as the adjustment
    brush should allow you
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    to make all of the selective color changes
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    that you need in Lightroom.
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    My name's Julieanne Kost,
    thanks for watching.
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    (dramatic music)
Title:
Controlling Selective Color Changes in Lightroom
Description:

In this episode of The Complete Picture, Julieanne demonstrates how to use Hue, Saturation, Luminance and the Adjustment Brush to selectively control color in Lighroom. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop.

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Video Language:
English
Duration:
09:07

English subtitles

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