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μ–΄μˆ λΌ λ³Έ λΌμ΄λ”©μŠ€λ°”λ“œ(Ursula von Rydingsvard): "μ˜€λ‚˜" | "Exclusive" | Art21

  • 0:07 - 0:12
    [Ursula von Rydingsvard: "μ˜€λ‚˜"]
  • 0:19 - 0:21
    [기계 μ†Œλ¦¬]
  • 0:21 - 0:24
    [폴릭 νƒˆλ¦­μŠ€ 미술 μ£Όμ‘° 곡μž₯,
    락 νƒœλ²ˆ, λ‰΄μš•]
  • 0:37 - 0:41
    μƒ‰μƒμ˜ 폭넓은 λ³€ν™”λ₯Ό
  • 0:41 - 0:43
    ν™•μΈν•˜κ³  μ‹Άμ–΄μš”
  • 0:43 - 0:46
    μƒ‰μƒμ˜ λ‹€μ–‘ν•œ λ³€ν™”λ₯Όμš”.
  • 0:48 - 0:50
    [Von Rydingsvard]
    κ·Έλž˜μ„œ 이런 λ³€ν™”λ₯Ό 쀬죠.
  • 0:50 - 0:51
    [Philip Castore]
    λ„€, κ·Έλ ‡λ„€μš”. μ’‹μ•„ λ³΄μ—¬μš”.
  • 0:51 - 0:52
    [Von Rydingsvard]
    μ΄λ ‡κ²Œλ„ ν•΄λ΄€μ–΄μš”.
  • 0:52 - 0:53
    μ’€ κ³Όμž₯을 ν–ˆμ£ .
  • 0:53 - 0:54
    [Castore]
    μ’‹μ•„μš”.
  • 0:54 - 0:56
    [Von Rydingsvard]
    당신이 λ§Œλ“  κ· μ—΄λœ 선이
  • 0:56 - 0:57
    κ°€μž₯ λ©‹μ Έ λ³΄μ—¬μš”.
  • 0:57 - 0:58
    정말 κ·Έλž˜μš”.
  • 0:58 - 0:59
    [Philip Castore, νŒŒν‹°λ‚˜ μ˜ˆμˆ κ°€]
  • 0:59 - 1:00
    [Castore]
    두고 봐야죠!
  • 1:00 - 1:02
    [Von Rydingsvard]
    ν•œλ²ˆ μ§€μΌœλ΄…μ‹œλ‹€.
  • 1:02 - 1:06
    μ–΄λ–€ 게 쒋을 지
    κ³ λ―Ό μ€‘μ΄μ—μš”!
  • 1:07 - 1:11
    λŒ€ν˜• μ½”λ₯΄ν‹΄ μ² κ°• 건물
    μ˜†μ— μ„Έμ›Œμ•Ό ν•˜λ‹ˆκΉŒμš”.
  • 1:16 - 1:19
    λ°”ν΄λ ˆμ΄μ¦ˆ μ„Όν„°μ˜ "μ˜€λ‚˜"λŠ”
  • 1:19 - 1:23
    μ²­λ™μœΌλ‘œ λ§Œλ“  μž‘ν’ˆ 쀑
    μ΅œλŒ€μ˜€μ–΄μš”.
  • 1:23 - 1:26
    κ·Έ 정도 규λͺ¨λŠ” μ²˜μŒμ΄μ—μš”.
  • 1:27 - 1:31
    "μ˜€λ‚˜"λŠ” ν΄λž€λ“œμ–΄λ‘œ
    'κ·Έλ…€μ˜' λ˜λŠ” 'κ·Έλ…€'λ₯Ό λœ»ν•˜λŠ”λ°
  • 1:32 - 1:36
    μ € 쑰각을 λ³Ό λ•Œλ§ˆλ‹€
  • 1:36 - 1:40
    왠지 μ—¬μ„±μŠ€λŸ¬μ›€μ΄ λŠκ»΄μ Έμš”.
  • 1:42 - 1:45
    μž‘ν’ˆλͺ…이 κ°„λ‹¨ν•œλ°,
  • 1:45 - 1:47
    μž‘ν’ˆμ˜ μ™Έν˜•κ³Ό μ–΄μšΈλ¦¬λŠ”
  • 1:47 - 1:50
    이름인 것 κ°™μ•„μš”.
  • 2:03 - 2:05
    λ†€λžκ²Œλ„ λ‹€μ–‘ν•œ 색을
    μ‚¬μš©ν•΄λ΄€μ–΄μš”.
  • 2:06 - 2:09
    μ €λŠ” 색을 μ‹«μ–΄ν•˜κ±°λ“ μš”.
  • 2:09 - 2:11
    색을 잘 μ“Έ 쀄
    λͺ¨λ₯΄μ£ .
  • 2:11 - 2:14
    왠지 κ±°μŠ¬λ¦¬κ±°λ“ μš”.
  • 2:14 - 2:16
    κ·Έλž˜μ„œ νŒŒν‹°λ‚˜μ—
    색을 μž…νžˆλ©° λ†€λž¬μ£ .
  • 2:20 - 2:23
    μ–΄λ–»κ²Œ 될 지 λͺ°λžκ³ 
  • 2:23 - 2:25
    μž‘μ—… κ³Όμ • λ‚΄λ‚΄
  • 2:25 - 2:27
    κ³ λ―Όν–ˆμ–΄μš”.
  • 2:27 - 2:30
    "까만 색을 썼어야 ν–ˆμ–΄!"
  • 2:31 - 2:34
    그런데 λ°”ν΄λ ˆμ΄ μ„Όν„°λŠ”
  • 2:34 - 2:38
    κΈˆμ† λŠλ‚Œμ΄ κ°•ν•©λ‹ˆλ‹€.
  • 2:38 - 2:40
    λ…ΉμŠ¨ μ½”λ₯΄ν‹΄ 강철이죠.
  • 2:40 - 2:45
    μ „ λ­”κ°€ 가볍고
    밝은 게 ν•„μš”ν–ˆμ–΄μš”.
  • 2:47 - 2:50
    [Castore]
    κ°€μ—΄ν•˜λ©΄ μ²­λ™μ˜ ν‹ˆμƒˆλ‘œ
  • 2:50 - 2:52
    ν™”ν•™λ¬Όμ§ˆμ΄ μŠ€λ©°λ“€μ£ .
  • 2:52 - 2:55
    μŠ΅μ‹λ²•μ΄λ‚˜ 건식법
    λͺ¨λ‘ κ°€λŠ₯ν•˜μ£ .
  • 2:55 - 2:57
    λͺ¨μŠ΅μ΄ λ‹¬λΌμ Έμš”.
  • 2:59 - 3:03
    [Von Rydingsvard]
    λ‚˜λ¬΄κ°€ 곑예λ₯Ό ν•˜κ³  있죠.
  • 3:03 - 3:07
    μ—¬κΈ° μ €κΈ° λΉ„ν‹€μ–΄μ„œ
    λͺ¨μ–‘을 μž‘μ•˜μ–΄μš”.
  • 3:07 - 3:10
    μƒμƒν•˜κΈ° νž˜λ“  λͺ¨μ–‘μœΌλ‘œ 말이죠.
  • 3:10 - 3:12
    κΈˆμ†μœΌλ‘œλŠ” λΆˆκ°€λŠ₯ν–ˆμ„ κ²λ‹ˆλ‹€.
  • 3:15 - 3:17
    κΈˆμ†μ€ λ§ˆμŒλŒ€λ‘œ λͺ¨μ–‘을
  • 3:17 - 3:21
    μž‘μ„ 수 μ—†μ–΄ λ‹΅λ‹΅ν•˜μ£ .
  • 3:23 - 3:25
    λ‚˜λ¬΄μ˜ μž₯점은
  • 3:25 - 3:28
    세뢀적인 λ¬˜μ‚¬κ°€ κ°€λŠ₯ν•˜λ‹€λŠ” κ±°μ£ .
  • 3:28 - 3:31
    μž‘μ—…ν•  수 μžˆλŠ”
    심리적인 ν† λŒ€λ₯Ό λ§ˆλ ¨ν•΄μ£Όκ³ 
  • 3:32 - 3:35
    세뢀적인 ν‘œν˜„μ„ κ°€λŠ₯μΌ€ ν•˜μ£ .
  • 3:38 - 3:41
    λ‚˜λ¬΄ λŠλ‚Œμ„ 살리렀고
    ν•˜λŠ” 건 μ•„λ‹ˆκ³ μš”,
  • 3:41 - 3:45
    κΈˆμ† λŠλ‚Œμ„ μ£Όλ €κ³ μš”.
  • 3:45 - 3:47
    κ·Έλ ‡κ²Œ 될 κ²λ‹ˆλ‹€.
  • 3:47 - 3:49
    κΈˆμ†μœΌλ‘œ 보이게 ν•˜κ³  μ‹Άμ–΄μš”.
  • 3:49 - 3:52
    μ‹œκ°„μ΄ μ§€λ‚˜λ©΄
    μ²­λ™μ˜ 경우
  • 3:52 - 3:54
    νŒŒν‹°λ‚˜ λŠλ‚Œμ΄ μ‚΄μ•„λ‚˜μ£ .
  • 3:54 - 3:57
    그리고 λ…νŠΉν•œ λͺ¨μŠ΅μœΌλ‘œ
    자리λ₯Ό 작게 λΌμš”.
  • 4:07 - 4:09
    이 쑰각듀은 κ±°λŒ€ν•΄μš”.
  • 4:09 - 4:11
    비계λ₯Ό μ΄μš©ν•΄μ•Ό ν•˜μ£ .
  • 4:11 - 4:14
    싀은 μΈμƒμ˜ 1/3을
    비계 μœ„μ—μ„œ 보내죠.
  • 4:14 - 4:16
    늘 긴박감이 μžˆμ–΄μš”.
  • 4:16 - 4:20
    λͺ‡ λ…„ μ•ˆ λ‚¨μ•˜μœΌλ‹ˆκΉŒμš”.
  • 4:20 - 4:24
    ν˜ΉμžλŠ” λ‚˜μ΄ λ“€λ©΄
    인생이 νŽΈν•΄μ§„λ‹€κ³  ν•˜μ§€λ§Œ
  • 4:24 - 4:26
    그렇지 μ•Šμ•„μš”.
  • 4:26 - 4:30
    κ°€μž₯ 큰 μ†Œλ§μ€
    더 큰 μš©κΈ°μ™€
  • 4:30 - 4:32
    μžμ‹ μ— λŒ€ν•œ
    더 큰 믿음과
  • 4:32 - 4:33
    더 큰 신념을
    κ°–λŠ” κ±°μ£ .
  • 4:33 - 4:37
    전에 ν•˜μ§€ λͺ»ν–ˆλ˜
    일듀을 ν•  수 μžˆκ²Œμš”.
  • 4:38 - 4:42
    이런 재λŠ₯이 μžˆμ–΄
    큰 ν–‰μš΄μ΄μ£ .
  • 4:42 - 4:44
    지λŠ₯이 μžˆκΈ°μ—
  • 4:44 - 4:46
    μž‘μ—…μ„ ν•  수 있죠.
  • 4:49 - 4:53
    λΈŒλ£¨ν΄λ¦°μ—μ„œ 34λ…„μ§Έ μΌν•˜κ³  μžˆμ–΄μš”.
  • 4:53 - 4:58
    제 뢄신이 이 곳에 μžˆμ–΄ κΈ°μ˜λ‹΅λ‹ˆλ‹€.
  • 5:02 - 5:06
    λ¬Όλ‘  λ°•λ¬Όκ΄€ μ „μ‹œν’ˆμ€ μ•„λ‹ˆμ£ .
  • 5:08 - 5:11
    λˆ„κ΅¬λ‚˜ λ‹€κ°€μ˜¬ 수 있게
  • 5:11 - 5:15
    ν•˜κ³  μ‹Άμ—ˆμ–΄μš”.
  • 5:15 - 5:18
    μ‹¬λ¦¬μ μœΌλ‘œ λŒλ¦¬κ²Œμš”.
  • 5:18 - 5:20
    λ¬Όλ¦¬μ μœΌλ‘œλ„ 말이죠.
  • 5:20 - 5:23
    이 λ‘˜μ˜ 영ν–₯이 λͺ¨λ‘ ν•„μš”ν•˜μ£ .
  • 5:23 - 5:25
    μ–΄μ©Œλ©΄, 이 μž‘ν’ˆμ„ λ§Œμ§€κ²Œ 되면
  • 5:25 - 5:27
    μ†μœΌλ‘œλ„ λ­”κ°€λ₯Ό
  • 5:27 - 5:29
    λ³Ό 수 μžˆμ„ 것 κ°™μ•„μš”.
  • 5:38 - 5:41
    μ‚¬λžŒλ“€μ—κ²Œ μ˜ˆμˆ μ„ 보여쀄 수 μžˆμ–΄
  • 5:43 - 5:46
    λ„ˆλ¬΄ κΈ°μ©λ‹ˆλ‹€.
  • 5:46 - 5:48
    λ¬Όλ‘ , μ›ν•œλ‹€λ©΄ 말이죠.
  • 5:50 - 5:54
    κ°•μš”ν•˜κ³  μ‹Άμ§€λŠ” μ•Šμ•„μš”.
  • 5:54 - 5:57
    κ·Έλƒ₯ λ‚˜λˆ„κ³  μ‹Άμ£ .
Title:
μ–΄μˆ λΌ λ³Έ λΌμ΄λ”©μŠ€λ°”λ“œ(Ursula von Rydingsvard): "μ˜€λ‚˜" | "Exclusive" | Art21
Description:

Filmed in August 2013, Ursula von Rydingsvard discusses her large-scale sculpture "Ona" (2013), which is permanently installed outside of Barclays Center in Brooklyn, New York. Originally made with cut cedar beams, the sculpture was cast in bronze at the Polich Tallix Fine Art Foundry, where von Rydingsvard is shown applying a patina to its undulating surface. By installing the work in a public space without security guards or barricades, von Rydingsvard is encouraging visitors to touch the work, to "see with one's hands."

Ursula von Rydingsvard builds towering cedar structures, creating an intricate network of individual beams and sensuous, puzzle-like surfaces. While abstract at its core, von Rydingsvard's work takes visual cues from the landscape, the human body, and utilitarian objectsβ€”such as the artist's collection of household vesselsβ€”and demonstrates an interest in the point where the man-made meets nature.

μ˜ˆμˆ κ°€μ— λŒ€ν•΄ 더 μ•Œκ³  μ‹ΆμœΌλ©΄:
http://www.art21.org/artists/ursula-von-rydingsvard

CREDITS: Producer: Ian Forster. Consulting Producers: Wesley Miller & Nick Ravich. Interview: Ian Forster. Camera: Ian Forster, Rafael Salazar & Ava Wiland. Sound: Amanda Long & Ava Wiland. Editor: Morgan Riles. Artwork Courtesy: Ursula von Rydingsvard & Barclays Center. Special Thanks: Polich Tallix Fine Art Foundry. Theme Music: Peter Foley.

"Exclusive" is supported, in part, by the New York City Department of Cultural Affairs in partnership with the City Council; 21c Museum Hotel, and by individual contributors.
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Video Language:
English
Team:
Art21
Project:
"Extended Play" series
Duration:
06:14

Korean subtitles

Revisions Compare revisions

  • Revision 2 Edited (legacy editor)
    June Lee Dec 14, 2013, 8:44 AM
  • Revision 1 Edited (legacy editor)
    June Lee Dec 14, 2013, 8:30 AM
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