Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd
-
0:09 - 0:12There are many men in my life
that I look up to. -
0:13 - 0:16I have two grandfathers
of the Windrush Generation -
0:16 - 0:19that came to this country in the 1940s
-
0:19 - 0:21and now in their 80s,
have comfortably retired. -
0:22 - 0:27I have a father: funny,
intelligent, and rich in wisdom. -
0:28 - 0:31And sometimes, when I'm
in the presence of these men, -
0:31 - 0:34I feel as if I'm
in the presence of greatness. -
0:35 - 0:38But sometimes, when I look
too long into these eyes, -
0:38 - 0:40I see eyes full of pain and regret.
-
0:41 - 0:42I see the eyes of men
-
0:42 - 0:45that didn't completely break
the cycles of abuse -
0:45 - 0:47that they saw their fathers commit.
-
0:48 - 0:49I see men that claimed
-
0:49 - 0:52that they would be radically different
to the men that came before them, -
0:52 - 0:54but sometimes, just sometimes,
-
0:54 - 0:57they find that they embody that
which they once despised, -
0:57 - 0:59and it breaks them.
-
0:59 - 1:01I see eyes that speak volumes,
-
1:01 - 1:05but mouths that would never articulate
the pain that they feel. -
1:06 - 1:08I speak of the men in my life,
-
1:08 - 1:12but really, my life is dominated by women.
-
1:12 - 1:14I come from a powerhouse
-
1:14 - 1:18of strong, fearless, passionate,
and compassionate women: -
1:18 - 1:22two Caribbean immigrant grandmothers
that worked tirelessly for their families, -
1:22 - 1:24whilst continuously overcoming the odds;
-
1:24 - 1:28a mother - the epitome
of strength and resilience; -
1:28 - 1:31five sisters - the dreams
of our grandmothers; -
1:31 - 1:35aunties and cousins whose wisdom
remains the soundtrack to my life; -
1:35 - 1:39and a niece, Disney Channel,
emoji-obsessed -
1:39 - 1:40(Laughter)
-
1:40 - 1:43but with the heart of everything
I could ever aspire to be. -
1:43 - 1:46But three years ago,
something very strange happened. -
1:46 - 1:49In a South London hospital,
at about quarter past midnight, -
1:49 - 1:53for the first time in a very long time,
a little boy went into our lives. -
1:54 - 1:57What were we going to do with a boy?
-
1:57 - 2:00It was all very new for us,
but we would have to deal with it, -
2:00 - 2:01as you do.
-
2:01 - 2:04And I remember when he was born,
and I remember being transfixed, -
2:04 - 2:07particularly by his eyes.
-
2:07 - 2:12Because when I looked into his eyes,
I didn't see eyes full of pain and regret. -
2:13 - 2:15I saw eyes that were blameless
-
2:15 - 2:19and held inordinate propensity
for greatness. -
2:19 - 2:21I saw eyes that could break cycles
-
2:21 - 2:26and redefine what masculinity meant
for a new generation of men; -
2:27 - 2:29eyes that no longer had to be silenced;
-
2:29 - 2:34eyes that could cry --
and believe me, they would cry now! -
2:34 - 2:37But how would they [gear] down the line?
-
2:38 - 2:42Feminism: we've been told it's about
ridding our culture of sexist thinking -
2:42 - 2:44in order to liberate women.
-
2:44 - 2:47So, my nephew doesn't really come much
into that conversation. -
2:47 - 2:51But if we saw feminism
as a means of freeing our culture -
2:51 - 2:53from patriarchal thinking and domination,
-
2:53 - 2:55then the conversation would change.
-
2:56 - 2:59(Applause) (Cheers)
-
2:59 - 3:01Thank you.
-
3:01 - 3:04Narratives surrounding feminism
have often focused solely -
3:04 - 3:05on why women need feminism.
-
3:05 - 3:09We focused on individuals,
the battle of men versus women -
3:09 - 3:13rather than a multifaceted
system of patriarchy -
3:13 - 3:16that, too, harms our bothers,
fathers, and friends. -
3:16 - 3:19Of course, women face
the consequences of sexism -
3:19 - 3:22in a very tangible way, on a daily basis,
-
3:22 - 3:25and so it makes sense that we would be
at the forefront of feminist movements -
3:25 - 3:27and their attempts to end sexism.
-
3:27 - 3:29We face inequality in the workplace,
-
3:29 - 3:33we are discriminated against
much within public policy, -
3:33 - 3:36and a president can be elected
into the so-called free world -
3:36 - 3:38that espouses hate
and violence towards us. -
3:38 - 3:43It is imperative that feminism
transforms and empowers women. -
3:43 - 3:47But for me, realities of patriarchy
are realities that affect us all, -
3:47 - 3:50and revolutionary feminist thought
is the understanding -
3:50 - 3:54that being seriously committed to feminism
means being seriously committed -
3:54 - 3:56to ridding our culture
of patriarchal thinking -
3:56 - 3:58that harms both men and women.
-
3:58 - 4:00Because from an early age,
-
4:00 - 4:03boys are taught that they must
perform masculinity -
4:03 - 4:04in an hegemonic manner
-
4:04 - 4:07or their chance
of social survival is slim. -
4:07 - 4:09They are taught that they must be tough,
-
4:09 - 4:13and consequently, when they feel weak,
they must perform strength; -
4:13 - 4:16when they feel inadequate,
they must perform confidence; -
4:16 - 4:20and when they feel emotional,
they must only ever perform anger. -
4:20 - 4:24So in 2014, when Emma Watson
became the bastion for modern feminism, -
4:24 - 4:29claiming HeForShe was the mode in which
we needed to adopt a new feminism, -
4:29 - 4:31I feel as if the point failed to grasp
-
4:31 - 4:33the entirety of the situation
we currently face. -
4:34 - 4:35The campaign argued
-
4:35 - 4:38that men and boys
should be encouraged to take action -
4:38 - 4:41against negative inequalities
faced by women and girls, -
4:41 - 4:43in order to be agents of feminist change.
-
4:44 - 4:47In other words, men should be allies.
-
4:47 - 4:50But how can we ask men to just be allies
-
4:50 - 4:53when they are, too,
victimized by the same system? -
4:53 - 4:55How can we ask men to be allies
-
4:55 - 4:59in a world that leaves them
20 more times more likely to be imprisoned -
4:59 - 5:02because they are taught to be violent;
-
5:02 - 5:06four times more likely to commit suicide
because they are taught to be silent; -
5:06 - 5:10and the least likely to ask for help,
both physically and mentally, -
5:10 - 5:12because they are taught to be strong?
-
5:12 - 5:15Much of the performance
around masculinity -
5:15 - 5:17is rooted in men not being able
to express how they feel -
5:17 - 5:19in the same way that women can.
-
5:19 - 5:23And so, when I talk about radical
and revolutionary feminism, -
5:23 - 5:26I talk about feminism
that understands the importance -
5:26 - 5:30of ridding patriarchal culture
in men, for men. -
5:30 - 5:33A feminism that understands
the importance of spaces -
5:33 - 5:36where men can engage in dialogue
that patriarchal culture doesn't permit, -
5:36 - 5:40where they can talk about their worries,
their interpersonal relationships, -
5:40 - 5:41and their personal growth
-
5:41 - 5:45so that cycles of pain
and regret can be broken. -
5:45 - 5:46At a quarter past midnight,
-
5:46 - 5:48when my beautiful nephew
entered this world, -
5:48 - 5:49I asked myself,
-
5:50 - 5:54"How will a young black boy
from South London engage in a dialogue -
5:54 - 5:57that encourages him
to think critically about masculinity, -
5:57 - 6:00that inspires him to question
pre-existing notions -
6:00 - 6:02of what it means to be a man,
-
6:02 - 6:05and to get to grips with the entirety
of who he is as an individual -
6:05 - 6:08by exploring a plethora of his emotions?"
-
6:09 - 6:14Feminism, we've been told,
looks like this, this, and this. -
6:15 - 6:18But what if I told you
that radical and revolutionary feminism -
6:18 - 6:20was taking place right now,
-
6:20 - 6:24and it looks more like this,
this, and this? -
6:24 - 6:29In 2016, [Tis, Donae'O] and Cadet
released a song which I consider to be -
6:29 - 6:33one of the most radical and revolutionary
feminist projects of the year, -
6:33 - 6:35"Letter to Krept."
-
6:35 - 6:39The song outlines the relationship
between himself and his cousin, -
6:39 - 6:41another famous rapper, Krept.
-
6:41 - 6:44In the song, he outlines his fragmented
relationship with his cousin, -
6:44 - 6:47and discusses how
constant comparison to his cousin -
6:47 - 6:48has caused him much pain.
-
6:49 - 6:52He publicly voices troubles
he has had within his family relationship -
6:52 - 6:55and outlines mechanisms for healing.
-
6:55 - 6:58He finishes the song
by telling his cousin that he loves him, -
6:58 - 7:02and reverses the narrative of what male,
particularly black male relationships -
7:02 - 7:03are supposed to look like.
-
7:04 - 7:07Cadet subverts the notion
that grime is hyper-masculine -
7:07 - 7:08in more ways than one,
-
7:08 - 7:11and shows how rap can be used
to subvert particular discourse -
7:11 - 7:13within popular culture music.
-
7:13 - 7:17If that wasn't legendary enough,
his cousin released a song replying, -
7:17 - 7:19telling his side of the story.
-
7:20 - 7:21For me, the two rappers indicate
-
7:21 - 7:26what healing patriarchal discourse
in the public square can look like. -
7:26 - 7:32Rap, a culture that foreign eyes
have often dubbed as hyper-masculine, -
7:32 - 7:36has provided a space where two men
can engage in healing dialogue. -
7:37 - 7:39And this song doesn't stand in isolation;
-
7:39 - 7:42it's true to say that rap
provides an outlet, -
7:42 - 7:44whatever that outlet may be.
-
7:44 - 7:46Feminist thinking has always understood
-
7:46 - 7:49the importance of outlets.
-
7:49 - 7:53Black feminists in the 1960s,
in deviating from mainstream feminism, -
7:53 - 7:55became increasingly concerned
with creating narratives -
7:55 - 7:58that expressed their lives
and their realities. -
7:58 - 8:00And it's true to say
that from such a generation, -
8:00 - 8:04we saw some of the best literature
a generation ever saw. -
8:04 - 8:08From the likes of Maya Angelou,
to bell hooks, and Toni Morrison, -
8:08 - 8:11rap continues that legacy.
-
8:12 - 8:13This is a genre of music
-
8:13 - 8:16that expresses the complexities
and realities of modern urban life. -
8:17 - 8:19It's provided an outlet of emotion
-
8:19 - 8:22and the successful means
of getting men to engage in issues -
8:22 - 8:24that affect their lives
and their communities. -
8:25 - 8:28And yes, it is true to say
there is that rap music -
8:28 - 8:31which embodies
that which we wouldn't consider -
8:31 - 8:33to represent feminist ideals.
-
8:33 - 8:36However, it is dangerous
to observe these realities -
8:36 - 8:38within a cultural vacuum.
-
8:38 - 8:42If rap is patriarchal,
capitalist, and misogynist, -
8:42 - 8:43surely it's because it reflects a world
-
8:43 - 8:49that is equally, if not more so,
patriarchal, capitalist, and misogynist, -
8:49 - 8:52and not because these are concepts
that have been created by this culture. -
8:53 - 8:56Rap is indeed a culture,
and it is diverse, -
8:56 - 8:58and it speaks many different languages,
-
8:58 - 9:03and far too often we've only been told
of one those languages that it speaks. -
9:03 - 9:06And so the argument
that rap embodies all these evils -
9:06 - 9:08is ill-informed, short-sighted,
-
9:08 - 9:11and a narrative
that too often we have heard. -
9:11 - 9:13But what if we flipped the narrative?
-
9:13 - 9:16What if we saw rap differently?
-
9:16 - 9:18If we saw it as a mode
-
9:18 - 9:20in which men have been able
to discuss their emotions -
9:20 - 9:23in a vulnerable and fragile way.
-
9:23 - 9:26Men who have been told
that their emotions aren't valuable -
9:26 - 9:29find a space where such value is given.
-
9:29 - 9:32And in a society
where a growing number of men, -
9:32 - 9:33particularly black men,
-
9:33 - 9:35are suffering from mental health problems
-
9:35 - 9:38as a result of this lack of communication,
-
9:38 - 9:41this mode of dialogue
should be celebrated as revolutionary, -
9:41 - 9:43and not evil and backwards.
-
9:44 - 9:46bell hooks famously said
-
9:46 - 9:50that "the soul of feminist politics
is the commitment to ending -
9:50 - 9:55patriarchal domination over the lives
of men and women, boys and girls." -
9:55 - 9:58And it is here, where we will see freedom.
-
9:58 - 10:00Our happiness, our existence
-
10:00 - 10:03is predicated upon the fullness
in which we can live, -
10:03 - 10:05and if men were able to live
in that fullness, -
10:05 - 10:08free from patriarchal domination
over their lives, -
10:08 - 10:10our realities would change,
-
10:10 - 10:13we would see a cultural revolution.
-
10:14 - 10:18For far too long, mainstream feminism
has critiqued a genre of music -
10:18 - 10:22that may be the closest thing
to radical feminism we have ever seen. -
10:23 - 10:27Because feminism wants to heal
patriarchal destruction, -
10:27 - 10:30and rap has and continues to provide
-
10:30 - 10:33a means of dealing
with some of that destruction. -
10:34 - 10:36Rap and feminism can be best friends,
-
10:36 - 10:39they just need to look at each other
with a new set of eyes. -
10:40 - 10:41Because we're living in a world
-
10:41 - 10:44where hearts stop beating
and eyes start closing -
10:44 - 10:46every single day
-
10:46 - 10:48because of the realities of patriarchy.
-
10:49 - 10:55But we need to live in a world
where eyes can live, heal, and transform, -
10:56 - 10:59because the mandom need feminism,
-
10:59 - 11:02and my nephew and little boys
across the world -
11:02 - 11:05need eyes that glisten with hope,
-
11:05 - 11:10so that they, their sons,
and their grandsons can live fuller lives. -
11:10 - 11:12Thank you.
-
11:12 - 11:13(Applause)
- Title:
- Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd
- Description:
-
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at http://ted.com/tedx
Modern feminist thinking has often focused on the liberation of women. But what about emancipating men from patriarchal domination? Maybe rap music is paving the way for such a revolution?
Rasheeda Melesse Page-Muir is passionate and madly in love with her community of Greenwich, south-east London, where she was born, grew up and lives. The complexity and diversity all around her has greatly informed her political views. Rasheeda founded RevolYOUtion London, a debate platform for young people, to engage in social and political discourse. She regularly writes and performs poetry and is passionate about public speaking and destroying social injustice. She secretly wants to change the world!
- Video Language:
- English
- Team:
closed TED
- Project:
- TEDxTalks
- Duration:
- 11:29
![]() |
Claudia Sander commented on English subtitles for Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd | |
![]() |
Denise RQ approved English subtitles for Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd | |
![]() |
Denise RQ edited English subtitles for Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd | |
![]() |
Denise RQ accepted English subtitles for Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd | |
![]() |
Denise RQ edited English subtitles for Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd | |
![]() |
Denise RQ edited English subtitles for Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd | |
![]() |
Denise RQ edited English subtitles for Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd | |
![]() |
Denise RQ edited English subtitles for Grime, the silent feminist revolution | Rasheeda Page-Muir | TEDxEastEnd |
Claudia Sander
6:32:89 "Letters to Krept." -> "Letter to Krept."
https://www.youtube.com/watch?v=ssZ109BK3v4