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Scusa ma ti chiamo amore PARTE 1

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    imdb: 1074213 release: audio Scusa.Ma.Ti.Chiamo.Amore.2008.DVDRip.by.raulismael: en sub: en cd: 1/1
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    Downloaded From www.AllSubs.org
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    - Men: Do you think
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    what would cause, in a work Tuesday,
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    a creative advertising claimed 37,
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    sure SC is passionate about his work,
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    to spend hours and hours sitting on this desert island rocks
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    to devote himself to un'attivitŕ like fishing
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    of which, however, as you can see from the meager results obtained,
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    He has no knowledge?
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    - There's only one thing that has the power to change lives tare to a person:
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    the love.
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    - Of love stories in my work I see constantly
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    and I know that can lead us to come back on our promises.
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    That's not your husband?
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    - Girl: No it's never noticed anything. - If you say so...
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    - Men: Stargazing vowing eternal.
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    - Boy: I love ', look what is forever, just torevertorever.
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    Sure, I love ', provided that you do not fall off!
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    - Breaking with the past.
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    I realized that I hate you!
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    (DOOR BELL)
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    - Men: Believe in tuturo.
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    - I understood that I love you. - Come in.
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    - It was a Thursday when everything is over. Or rather, it began.
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    Love!
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    Elena, I'm home.
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    Elena!
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    Elena?
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    Elena?
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    - Elena: I teletonato in the hotel but you started,
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    twisted hoped to discover me, but there's nothing to find out, unfortunately.
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    I left. Round off and just.
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    Please do not find me,
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    I respect my choices as I have always respected you.
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    Elena.
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    - Man: When a story ends,
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    The pain usually is proportional to the beauty of living,
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    and then arrive on time treacherously memories.
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    Help! Ah!
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    - Man: '' Love is short, forgetting is long '' said Pablo Neruda.
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    And when you're like this, the world seems to have fun at your back,
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    and everything reminds you that she it is gone, even a simple movie.
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    - Verdone (from TV): What girl, Adriana? I am alone!
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    - I was alone in an empty house,
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    with an analyst because I'm also in analysis
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    and so much loneliness, do you understand? Tanta.
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    - Look, you want me to change? Look, I change, eh? - Mh!
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    - you want more resolute, more cakes, more cynical? Tell me what you want.
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    - Actress: How I've missed you! And how much I miss you!
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    - Man: Then you're forced to resort at lowest means,
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    you would not have the courage to confide to anyone.
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    '' Love tragic '' no.
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    '' Separation: how to recover in 12 steps ''.
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    '' When she has had enough ''.
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    The first step to new single: what is important is the Stogo.
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    Arise, terito man come round. Yell out.
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    (Softly) Oh ...
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    (Crescendo) Ah ... Ah ... Ah!
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    (ALEX GRlDA)
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    - By: Oh! Are you done?
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    What are you proof 'alarm? Eh? You go play de '?
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    - Look what you see!
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    er the work day and night vojo sleep ', you know?
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    - It gnaws at you, or ties to ta '' na walk!
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    - Man: I've known Alex for work
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    and twisted it is precisely because he knows what I do
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    It became his best confidant,
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    and he told me all about these four seventeen,
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    un'etŕ where the girls are complicated to say the least.
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    It tanno call '' WAVES '' from the initials of their names:
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    Olly, Niki, Diletta and Erica.
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    Naomi! It should ta 'seriously model!
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    You will understand, with what if you drink!
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    - Men: Olly, real name Olimpia,
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    extroverted, uninhibited, rowdy,
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    say that you love still do not believe it too.
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    - the boys are picked up and dropped. Sex, only healthy sex! - But it '!
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    - Men: Erica, more peaceful Olly, is already engaged,
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    or rather it is engaged for too long with a guy
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    too precise, too methodical and especially too boring.
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    Love, we have to finish to come back tomorrow.
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    - Do not feel like tare late. - Madonna, Gio ', do not break!
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    Vabbč, I go home.
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    This is the price you pay for love.
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    - Men: Dorothy: healthy, wise, sports. One thing separates it from the others,
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    one thing that the WAVES always remember:
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    It is still a virgin.
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    Yes, but, and you pay when the brunt?
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    What a bore! Ve I already told you a thousand times:
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    at the right time with the right person.
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    - But the girl I have had to deal with most is her:
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    Niki, unpredictable, sometimes young girl,
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    then suddenly a woman.
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    - Generosa, believe in love and the dream torza.
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    (DOOR BELL)
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    A beautiful! But tai, do not come to the heads where you invite me?
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    Alessia was very sorry.
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    Mh, I, sorry, Peter, I forgot.
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    Good thing I remembered it! Tonight remain silent fiesta!
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    - I've put here! -Alex: Peter?
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    - Come on, girls, say hello to Alex! - Hello!
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    That tai? What are you keeping silent?
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    - As you say nothing? Let's head. -At my home?
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    And in my house, with my wife?
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    They are the Russian models of your last campaign, you recognize?
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    Truly the choices we had to work.
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    - A lot of people bring work home. - Yes, vabbč.
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    - What tai? - What is it? - You have to offer to the Russian. - Ah.
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    - What shoes are you wearing? - Why? - You look like a trate!
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    - I know 'ugly? - Eh! If you can not see '.
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    Of the House.
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    Here we are!
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    - Man: The man embraced this beautiful girl is Peter,
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    one of the best friends of Alex.
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    - He's a lawyer, has two children, is married,
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    but this is not his wife.
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    - And even that.
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    - His wife's name is Susanna
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    and he has just discovered that yoga with children
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    It is a discipline that helps harmony tamiliare.
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    Here, this is the moment, you are opening a contact with the earth.
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    - Mom, I've got tame. - Hush, hush! Do not you feel now?
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    - Then there are Flavio and Cristina
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    and this is their moment of greatest passion.
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    - Tisanina? - Eh? - Brodie. - Eh.
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    (BRUSlO FROM TV)
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    - ... and Henry and Camilla.
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    - You rowdy and free, his restless, paranoid
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    and fastened with any kind of cultural event.
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    - A truly mismatched couple.
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    - This weird guy Alex does not know it yet,
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    but rivelerŕ an important person,
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    although their relationship, as you will now see,
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    He is not just started on the right foot.
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    Hello do you remember me?
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    No, sorry, sorry.
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    I work in the agency,
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    I have the desk next to that of Elena. Andrea Soldini!
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    - Alex: Ah, yes ... Excuse me a moment, huh, Andrea.
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    Excuse me, can you come? I have to talk to you. Sorry.
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    Do you realize who you take me home?
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    Of course, I brought three Russian models, three pussies!
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    Thou hast brought one that speaks to me of Helen.
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    I am silent as to pull the plug?
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    You 'is obsession with Elena, Elena ... I must free.
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    - Facciamo l'insalata russa.
    - No. - Si, guarda che romantica!
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    - Guarda come mangia la ciliegia.
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    - Pensa quando mangia il bananino.
    -Ah, e dai!
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    Senti, sono le 2:00,
    io vado a dormire.
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    - Uomo: ''Goditi potere e bellezza
    della tua gioventů''.
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    - ''The Big Kahuna.''
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    Ragazze, tenete,
    questi sono per voi. Uno a te...
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    -A che servono 'sti occhialini?
    - Facciamo il Bum Bum Car:
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    č come l'autoscontro,
    perň con macchine vere.
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    Quindi scoppiano i vetri,
    saltano gli sportelli...
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    Questi servono
    a proteggere gli occhi!
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    Tieni. lo non lo taccio.
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    - Ma č fichissimo, l'ho tatto la scorsa
    settimana, non č successo nulla. - No.
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    -Voi?
    -Vabbč!
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    Madonna, ma chi č quello?
    E'fichissimo!
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    Se lui guida,
    io sto in macchina con lui.
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    Olly, e tiette 'na volta, madonna!
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    (CLACSON)
    Eccoli! Oh, stanno arrivando!
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    (SGOMMATE.
    APPLAUSl)
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    - Uomo: 5 macchine rubate,
    prese da un carrozziere per 1.000 euro.
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    - Ci si scommette sopra
    e l'ultima che cammina, vince.
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    - ll rifiuto del sistema.
    E' vero, sarŕ sbagliato,
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    ma quanto mi piacerebbe
    essere li in mezzo!
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    Ciao, Niki.
    Che tai, vieni con me?
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    Se vinciamo, con i soldi
    ti porto a cena e tacciamo pace.
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    Fabio, non stiamo piů insieme.
    Quindi niente cena, okay?
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    Va bene, come vuoi.
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    Ragazze, sono di nuovo su piazza.
    lo e Niki ci siamo lasciati,
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    quindi chi vuole
    venire con me, prego.
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    - Niki: Fabio. Non ci posso credere.
    Mi sembrava bellissimo.
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    - Fabio: #Col tuo viso solare,
    col tuo sorriso speciale,#
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    #con il tuo sguardo d'amore,
    negli occhi lo stesso sapore.#
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    - Niki: Morivo per lui.
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    - La mia prima volta,
    il mio primo amore.
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    - E ora lo guardo
    e non sento niente.
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    - lnsomma, niente, no.
    Perň quant'č stronzo!
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    (CLACSON)
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    (GRlDA.
    SGOMMATE)
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    (GRlDA.
    APPLAUSl)
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    (ELENA ANSlMA)
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    (COLPl ALLA PORTA)
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    Eccolo...
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    - Che c'č? - Tuo amico male,
    malissimo. Andiamo.
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    - Ma chi? Dove?
    - Tuo amico, sta nel bagno.
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    - Ylenia: Eccolo, sta qua.
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    - Che č successo?
    - Scusa, ma sono cardiopatico.
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    - E allora?
    - Ho tatto un tiro di cocaina.
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    Ma come cocaina?
    Ma che sei scemo? Madonna mia!
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    Vabbč. Alzati, respira. Prendilo
    dall'altra parte. Dov'č Pietro? Pietro!
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    Aiuto! Uomo quasi morto. Aiutatemi!
    (SlRENA)
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    Zitta, la tate sta' zitta a questa?
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    Che č successo, oh?
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    - Alex: L'amico tuo
    si č tatto un tiro di cocaina
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    ed č cardiopatico.
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    Ma che sei scemo? Sei scemo?
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    Nun te preoccupa',
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    we have already called the ambulance and the police, quiet!
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    Sorry. I've taken a bit 'at home Alessia.
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    - Just that ... - What? - Who gave it to me I can not tell you.
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    That there Trega who gave it to you! You moron! (DOOR BELL)
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    - Deficient. - No, you poor.
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    Ah, I moron? - Eh! - He moron.
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    They played, I opened.
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    - Good evening. - Alex: Good evening!
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    - Fellow: Who feels bad? - Him. - Him.
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    We measure the pressure immediately.
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    Gentlemen's going on here? Strange Testini seems.
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    Maybe! We were friends, we drank something. All quiet.
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    - How do you feel? - Very bad!
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    - What ta, he writes? - Why, you worried about?
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    No, it was so to say, since it's my house.
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    And these ladies? They are foreign?
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    Yes, Russian, but all with a residence permit.
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    - Peter: Yes, but everything is in order, huh!
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    - Alex: Sono modelle
    di una nostra campagna pubblicitaria.
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    lo sono un creativo.
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    lo un avvocato. Le posso
    offrire qualcosa, capitano?
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    - Brigadiere. - Brigadiere, scusi.
    Volevo dire che... Scusi.
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    E'tutta colpa mia. A me stava
    andando bene con le ragazze...
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    lrina, le posso presentare
    il nostro capitano?
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    - Brigadiere.
    - Buonasera.
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    Parla bene italiano,
    č affascinata dalla divisa.
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    lo sono generoso,
    ho coinvolto i miei amici,
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    lui č cardiopatico,
    giuro non lo sapevo,
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    ha bevuto, ha mischiato,
    troppi caffč... - Troppi caffč?
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    - ll caffč ta male.
    - Carretti, scrivi: troppi caffč.
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    Troppi caffč, eh?
    Come sta il signore?
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    Non grave, ma lo portiamo
    in ospedale per accertamenti.
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    - Ciao, Alex. Grazie di tutto.
    - Carretti: Che tacciamo?
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    Allora, signori, per stavolta
    siamo a posto cosi,
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    but careful what you tate and no noises at night.
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    - The next time we come, but with the mandate. Clear? - Do not worry.
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    -See you later. - Alex: Thanks. Good job. Thank you.
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    - Serra: See you! - Alex: Bye.
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    Ahn, taken away from thee 'sti mess, not even with the abbreviated trial, huh?
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    -Now head is over; all away. - Sure? - Sure.
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    - Peter: Girls, come on!
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    -At least an entertaining evening, eventful, to be repeated. - Yes.
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    The next weekend?
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    - The jacket!
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    - Man: And when you least expect it,
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    when you believe everything is going the wrong way,
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    that your life is planned in detail nautraghi,
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    (SVEGLlA SOUNDS)
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    then suddenly it happens.
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    Good grief!
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    Facts like this tattoo: a eletantino.
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    Why do you have to tare a tattoo? If it's like you feels that you're three!
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    Pertorza, equal brings bad luck.
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    - Good morning, Dad. - Hello. - Good morning mom.
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    Love, you sit down and eat something, come on.
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    I only drink a little 'juice, I am a tottuto late.
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    - You are always in a tottuto late! - Oh! But words are?
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    -Go plan on a motorbike! - You tell me every morning! Do not bring me bad luck!
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    Who teaches these words? '' Misfortune '', '' jinx '', is you!
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    But you can know where the hell you looking at?
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    No, look who I really was I who had precedence.
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    What are you saying, you moron? Had you stop, you, no precedence!
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    - Forget it, how are you? - Mi ta bad elbow.
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    - Let me see. Move it. - Yes, I move, I move it.
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    Look, even the jacket you've ruined!
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    Look at the door, however, all ruined, look.
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    You look at my pants, all torn on the butt.
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    But if you wear them all so the pants.
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    What do you say? These were new! Fornarina, you know?
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    Sure, come on, I'll give you a hand. Here.
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    Oh! Careful, careful!
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    Madonna, what you break, you look like my father.
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    You have no respect for other people's things you.
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    - Now you look my grandfather. - Mashed potato!
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    But look what damage! The front wheel is crooked.
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    I'm sorry, but I can not drive it. I accompany you to school.
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    I can not, I'm late, I'm sorry.
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    I'm calling the police, the ambulance, the Carabinieri,
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    then we see what time arrivals. Let's go come on.
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    (''SHE'S THE ONE'' DA AUTORADlO)
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    No, please, go up quietly. There's no problem.
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    In Julius Caesar, Corso Trieste. Hurry up, they close the gate.
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    - I do not know, something else? - No.
  • 17:35 - 17:38
    - No, you know. - Lovely song! - Eh.
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    - However I am Niki.
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    Alessandro Belli.
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    - Excuse me, your feet? - Thing? - the distance from the dashboard, you take them?
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    - Yes, Alessandro Belli. - I do not know.
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    Do not you have a nickname, a way in which you call friends?
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    They call me Alex.
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    Ah, go here! - Stop! That tai? - Let's cut. The ta even my mother!
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    Take off your hands! Do not you see he's a preterenziale lane?
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    Here, I knew, I was feeling fine.
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    -A rosicone! - What tai? Come in!
  • 18:13 - 18:15
    Excuse me, but I hate them firefighters, it is more pies than me.
  • 18:15 - 18:19
    All we need is there to stop insulting a public official.
  • 18:19 - 18:22
    - Madonna, as you are over the top! Mamma Mia! - I am exaggerated?
  • 18:22 - 18:24
    I come on him, I dirty the car,
  • 18:24 - 18:27
    then there tanno the fine, they arrest us. The Tatte we all.
  • 18:27 - 18:29
    it and you're never going to agree.
  • 18:29 - 18:32
    lntatti we do not get along, we just do not tare an accident.
  • 18:32 - 18:34
    -Really we already feel. - Eh.
  • 18:34 - 18:37
    However, it termati here that this is my school.
  • 18:37 - 18:39
    - This? - Yes, this one.
  • 18:43 - 18:46
    - Alex: Here, my business card with all contacts,
  • 18:47 - 18:50
    for insurance call me - Creative director.
  • 18:50 - 18:53
    - E 'an important role? - More or less.
  • 18:55 - 18:58
    I knew I could Tarti a lawsuit with controfiocchi.
  • 18:58 - 19:02
    - And look, if this is Talso, I now take the license plate, eh?
  • 19:02 - 19:04
    And if even that is Talsa?
  • 19:14 - 19:16
    - Head! - Hello!
  • 19:16 - 19:18
    What happened to you feel? I was waiting yesterday to my head!
  • 19:18 - 19:21
    Sorry, but I do not have recommeneded. You do not know how I was, watching.
  • 19:27 - 19:28
    - Hello Sandra. - Hello!
  • 19:28 - 19:32
    - It 's only two minutes ta, do not worry. - Thank god.
  • 19:32 - 19:35
    - You sit down if you want, I'll call you. - Okay thank you.
  • 19:43 - 19:44
    (ALEX SOSPlRA)
  • 19:46 - 19:48
    You're thinking if we've met?
  • 19:50 - 19:52
    Yes, intact.
  • 19:52 - 19:56
    - Pleasure, Marcello Santi. -Alessandro Belli, pleasure.
  • 19:56 - 19:58
    I had the office over Elena.
  • 19:58 - 20:04
    Ah. You too? - Thing? - Nothing. I said, that there tai here?
  • 20:04 - 20:06
    I have an appointment with Leonardo. (TELEPHONE SQUlLLA)
  • 20:06 - 20:10
    Ah. Me too. - I know. - Sandra: Yes? Yeah, all right.
  • 20:10 - 20:13
    - He said that Leonardo can rise. - Thank you.
  • 20:18 - 20:19
    You are welcome.
  • 20:21 - 20:24
    Oh, here they are. Take a seat, boys.
  • 20:25 - 20:27
    - Bello, De Kooning, right? - Yeah.
  • 20:29 - 20:32
    Ah! Eletantini, GDP brew, 1930. Belli.
  • 20:32 - 20:35
    - Well done, so I like you: competitive.
  • 20:36 - 20:40
    - What's under here? - All. - Anything.
  • 20:40 - 20:43
    Right, Alexander. All. All that interests us.
  • 20:43 - 20:47
    These are LALUNA sweets, tuturo of our agency.
  • 20:47 - 20:51
    They offer 14 million and an exclusive 2 year pertutti the LALUNA products.
  • 20:51 - 20:53
    the Japanese have launched a competition among our agencies.
  • 20:53 - 20:58
    So what I am silent? I copy them, always silent:
  • 20:58 - 21:00
    a race between Belli and Alessandro Marcello Santi.
  • 21:01 - 21:03
    (MOBILE SQUlLLA)
  • 21:08 - 21:11
    - Sorry. Ready? - Hey, Belli, how are you? I took 7!
  • 21:12 - 21:13
    You took 7?
  • 21:13 - 21:15
    Yes, right! It happened not by a citra.
  • 21:16 - 21:19
    - Excuse me, but who is this? - As the speaker? They are Niki.
  • 21:19 - 21:22
    - Niki? - Yes, that morning were going to kill.
  • 21:22 - 21:27
    Ah, yes ... Hello, how are you? In a meeting, sorry, we can not speak.
  • 21:27 - 21:29
    And I at school, in protessori room.
  • 21:29 - 21:31
    Here you can not speak freely to the phone!
  • 21:31 - 21:33
    If anything happens to me?
  • 21:33 - 21:35
    Sorry, we need to talk later, absolutely.
  • 21:35 - 21:38
    I've talked to the mechanic. It 's been to take the keys.
  • 21:38 - 21:40
    Yes, no ... I can not talk.
  • 21:42 - 21:45
    A moment! Okay, I have to attack. See you at the exit.
  • 21:45 - 21:46
    No, Niki, no ...
  • 21:48 - 21:51
    Horses, but we tai protessori in the room?
  • 21:51 - 21:52
    I was rehearsing.
  • 21:52 - 21:55
    But what rehearsing! Turn off the phone, torza.
  • 21:55 - 21:57
    I do not regret the tare 7 I gave you.
  • 21:58 - 22:02
    - The 7 contermato it to me? - '' The 7 contermato it to me ''? Row class.
  • 22:02 - 22:04
    Presta, who is it? You too?
  • 22:04 - 22:07
    E 'was unfair to me. I would treat my vote.
  • 22:07 - 22:11
    You say '' treat '', eh? So you want to tare as Cicero said:
  • 22:11 - 22:13
    '' Some liberalitertractare ''. - CIOCI?
  • 22:14 - 22:16
    - '' you should treat someone well ''. - Exactly!
  • 22:16 - 22:19
    - It's not your case. Hello. - Mortacci yours!
  • 22:20 - 22:23
    - Yes? - Sandra, reproach them in. - Immediately.
  • 22:23 - 22:25
    You will have your personal assistant,
  • 22:25 - 22:28
    People there deluderŕ. You will see, people of good faith.
  • 22:29 - 22:31
    Alessia is perfect for this job.
  • 22:31 - 22:33
    - Alessia going to be the assistant to Marcello.
  • 22:33 - 22:35
    - You work together and she too
  • 22:35 - 22:38
    and I want to create new synergies. - Very well,
  • 22:38 - 22:40
    - Pleasure. We will do a great job together.
  • 22:41 - 22:44
    - Leonardo: Perte, Alessandro, your perfect shade, the graphics genius.
  • 22:45 - 22:48
    - Here it is: Andrea Soldini. - Hello! Hi Alex.
  • 22:49 - 22:51
    - All right, guys, now go and work hard.
  • 22:52 - 22:54
    - ln there grabs the role of creative foreign managers
  • 22:54 - 22:56
    and a substantial increase in salary.
  • 22:56 - 22:58
    Whoever loses, verrŕ trasterito to our agency in Lugano.
  • 22:59 - 23:00
    Perfect.
  • 23:00 - 23:03
    -Vedrai, Alex, we're going tortissimi! - Yes, like last night.
  • 23:05 - 23:06
    Who is that?
  • 23:06 - 23:09
    The tratello the loser who dumped after Christmas.
  • 23:09 - 23:11
    - He does not know what to expect! - Hello sweetheart.
  • 23:12 - 23:15
    - Have you seen your little friends of Bum Bum Car? - Yes. You will understand!
  • 23:15 - 23:18
    - You will understand! I will not go there anymore. -Yet? What a bore! Give me up!
  • 23:18 - 23:20
    Very cool. (HORN)
  • 23:22 - 23:23
    Excuse me, please, huh?
  • 23:30 - 23:32
    - Niki: So how is was work?
  • 23:34 - 23:37
    Well. Well, as usual.
  • 23:40 - 23:42
    Excuse me, gently, you can remove the foot from the dashboard?
  • 23:43 - 23:45
    Madonna, oh, you're old!
  • 23:45 - 23:49
    - Give as the young man with fake Adidas under the dark suit
  • 23:49 - 23:50
    and then break my balls?
  • 23:51 - 23:55
    What does that have to do with anything? And 'the work clothes. The evenings are much more sports
  • 23:55 - 23:57
    Even younger fake.
  • 23:59 - 24:02
    Vabbč, feel never mind. Where's the mechanic?
  • 24:02 - 24:04
    Ah ... He said he can not do ta for now.
  • 24:05 - 24:07
    - How not do ta? - No. - What do you mean?
  • 24:07 - 24:10
    What do you want? But before stondi scooters, then you wonder?
  • 24:10 - 24:13
    But I who have come to take you to tare, then?
  • 24:13 - 24:16
    You put me in the morning and not even offer me one thing?
  • 24:16 - 24:18
    Come on, keep silent close, right? There reconcile.
  • 24:21 - 24:23
    And vabbč, be reconciled.
  • 24:32 - 24:34
    Are you sure? And 'old town, you can not park.
  • 24:34 - 24:38
    Even the lunch brigade. Let's go take a trullato.
  • 24:38 - 24:39
    Who comes last pays.
  • 24:41 - 24:43
    No ... But how '' who comes last pays ''?
  • 24:47 - 24:50
    - Man: '' Anyone who brings a loved '' scar. De Musset.
  • 24:51 - 24:52
    - Only that sometimes she forgets.
  • 24:52 - 24:53
    Wait up!
  • 25:00 - 25:02
    - Oh, what tai exceeds? - No, not true!
  • 25:03 - 25:06
    - Two trullati. - Cashier: Here you are. Thank you.
  • 25:10 - 25:13
    (MOBILE SQUlLLA) Thanks. Can I have a straw?
  • 25:15 - 25:18
    - Mum! - Where are you? - Um ... ln around with Olly.
  • 25:18 - 25:20
    Ah, strange, because Olly called here, he was looking for.
  • 25:20 - 25:23
    I wanted to say that I was ... until a moment t with Olly.
  • 25:23 - 25:24
    Now who are you?
  • 25:25 - 25:29
    - I met a friend of mine. - Who? - A friend of mine. You do not know him.
  • 25:29 - 25:32
    - Vabbč, hurry up and get back that you have to study.
  • 25:32 - 25:34
    I'll leave you to eat in trigo and not to add lies.
  • 25:37 - 25:40
    - Mom? - Mh, say.
  • 25:40 - 25:44
    - Simona: Your daughter gets worse by the day, you do not know who invented bales!
  • 25:44 - 25:48
    - Fantasy tertile, like her mother. - In what sense?
  • 25:49 - 25:52
    Do not you remember the shit that t'inventavi you with your own?
  • 25:53 - 25:55
    No. Type?
  • 25:55 - 25:58
    Type who thought you arrived virgin at marriage.
  • 25:58 - 25:59
    (SlMONA RlDE)
  • 26:01 - 26:03
    Well, I do not think it is appropriate to Niki.
  • 26:06 - 26:07
    Ah.
  • 26:07 - 26:10
    - I took her away. - Are you sure? It was up ahead?
  • 26:10 - 26:14
    But no, it was under the arch, now how to be silent?
  • 26:14 - 26:16
    ln some way solve.
  • 26:16 - 26:18
    Luckily firefighters were at lunch.
  • 26:21 - 26:24
    I tell you I never go up the controllers, do not worry.
  • 26:28 - 26:30
    Good morning. Tickets, please.
  • 26:32 - 26:33
    Tickets, please.
  • 26:33 - 26:38
    - 86,15 €? - Policeman: Yes, more fine. - Mashed potato? - Yes.
  • 26:38 - 26:40
    Ah, see? - What?
  • 26:40 - 26:43
    Nothing, it agreed ricomprartelo new scooter.
  • 26:43 - 26:46
    Madonna, there's nothing worse than the stingy, eh!
  • 26:46 - 26:48
    (MOBILE SQUlLLA) - Here's your change. You are welcome.
  • 26:49 - 26:51
    - Alex: Hello? - Hello, Alex, I'm Andrea Soldini.
  • 26:51 - 26:53
    Hi Andrea how are you?
  • 26:53 - 26:54
    - Siamo qui tutti in ufficio.
  • 26:54 - 26:57
    - Ci chiedevamo se passavi
    piů tardi. - Fammi guidare!
  • 26:57 - 27:00
    - Scusa un attimo. Ho detto di no!
    - Ho la patente, dai!
  • 27:01 - 27:05
    - Si, Andrea, scusa,
    ma ho tatto un po' ritardo,
  • 27:05 - 27:07
    perň tacciamo cosi:
    ispirazione libera,
  • 27:07 - 27:10
    cioč ognuno segua
    il proprio metodo. Si.
  • 27:10 - 27:11
    - Avanti!
  • 27:13 - 27:15
    Va bene, allora procediamo. Ciao.
    (SCHlANTO)
  • 27:16 - 27:18
    Ha detto
    ''oggi ispirazione libera''. Boh.
  • 27:22 - 27:23
    (ALEX SBUFFA)
  • 27:24 - 27:26
    La sto per prendere la patente.
  • 27:28 - 27:31
    - Perň c'ho il toglio rosa.
    -Ah.
  • 27:33 - 27:35
    - Ma sta davvero tanto tanto male?
    -A pezzi sta.
  • 27:36 - 27:38
    - Flavio: Anche fisicamente.
    E' dimagrito, verdastro.
  • 27:39 - 27:42
    - Porello, perň. - Camilla:
    Ha preso una bella botta.
  • 27:42 - 27:44
    Con Elena
    stavano per sposarsi, eh?
  • 27:44 - 27:47
    lo provo sempre a chiamarlo,
    ma o č spento o non risponde.
  • 27:47 - 27:51
    Non ce la ta piů a parlarne.
    Solo Pietro c'č riuscito.
  • 27:51 - 27:52
    I had to submit to his house,
  • 27:53 - 27:56
    He was very ill, I dragged him out of bed, crying, 'na tragedy.
  • 27:56 - 27:57
    He did not send away.
  • 27:57 - 27:59
    I said: '' I am 2:00 in the morning I have a hearing ''.
  • 27:59 - 28:03
    - He told me: '' You sleep with me? '' What you say? - What you say?
  • 28:03 - 28:05
    - The other night, right? - And of course, the other night!
  • 28:05 - 28:07
    Love, but how sweet you are?
  • 28:08 - 28:13
    Arriva. We avoid comments on Elena, who in these situations is obnoxious.
  • 28:13 - 28:15
    - Flavio: Hello Alex! - Hello how are you? - All: Hello.
  • 28:15 - 28:16
    Ciao.
  • 28:19 - 28:20
    Ciao.
  • 28:21 - 28:24
    - Good evening everyone. We are ready to order? - I'd say.
  • 28:24 - 28:27
    But the lady tonight where he left?
  • 28:29 - 28:32
    Look, there may bring gently while water?
  • 28:32 - 28:34
    - Take the courtesy, thank you. - Camilla: What we take?
  • 28:35 - 28:37
    - Flavio: They make good the '' pennette of taro Guardian ''.
  • 28:38 - 28:39
    A beautiful sea bass with salt and passes everything.
  • 28:40 - 28:42
    - Or with a glass of wine. - Pure penne ...
  • 28:42 - 28:44
    - Bass pertutti? - Sea bass.
  • 28:44 - 28:46
    No, I mean, I tregato me the money!
  • 28:48 - 28:50
    -Do you want a hand? - Yes thanks.
  • 28:51 - 28:53
    I'm an expert. He tregato a lot of times even me.
  • 28:54 - 28:57
    - What did you want? -A24, a plum. -A24 ...
  • 29:02 - 29:06
    -Wow thanks! - Anything. Hello! - Hello!
  • 29:09 - 29:11
    - Man: '' Love is like tulmine: ''
  • 29:11 - 29:16
    '' As long as you do not know where it falls he is not fallen ''. Henri Lacordaire.
  • 29:19 - 29:21
    - Olly: Hey! To write this message? -To nobody.
  • 29:22 - 29:25
    - It 's bullshit. Let me see! - No! - Let me see!
  • 29:26 - 29:27
    Erica: Take it, give us a hand.
  • 29:28 - 29:31
    - Oh! Read a little '. - Erica: From what we keep.
  • 29:31 - 29:34
    - Fabio: Well, good, read it well for me, I'm curious.
  • 29:36 - 29:37
    Look, however, was not perte.
  • 29:37 - 29:40
    - Because you things you tell me to shut up, do not you, love?
  • 29:40 - 29:42
    Yes, but do not call me '' love ''.
  • 29:42 - 29:44
    - However I do Trega to those who write. - Better.
  • 29:44 - 29:47
    I came to tell you that I have found my new stage name.
  • 29:47 - 29:49
    Fabio Phobia. Do you like?
  • 29:49 - 29:53
    Very. Original, especially one that ta hip hop.
  • 29:53 - 29:56
    - Fabio Phobia! - Oh God, what a name!
  • 29:56 - 29:59
    Do you know why he does not tunzionato between us? Why are you a rosicona.
  • 29:59 - 30:01
    - Olly: Worse could not find!
  • 30:03 - 30:04
    - Alex: ancient e'troppo old.
  • 30:04 - 30:07
    This lettering is too '80s, not good.
  • 30:07 - 30:09
    Think of the most big moon in metatorico sense.
  • 30:10 - 30:12
    The moon is a large white melon.
  • 30:12 - 30:14
    Vabbč. Let us try in a historical sense, twisted is better, huh?
  • 30:15 - 30:18
    When he found on the moon Armstrong sbarcň these candies.
  • 30:18 - 30:22
    I would not spend my life in the charming Lugano.
  • 30:22 - 30:24
    Why, it's so bad 'is Lugano?
  • 30:24 - 30:27
    I would not even regret saving you the other night.
  • 30:28 - 30:29
    - Excuse me a moment, there is a friend.
  • 30:30 - 30:33
    Keep working pertavore? ldeas new, new, come on!
  • 30:34 - 30:37
    - Henry! - I was looking for you! Sorry I did not warn you, I'm sorry.
  • 30:37 - 30:38
    Imagine, what happened?
  • 30:38 - 30:41
    I've got a little problem. I should have a word.
  • 30:41 - 30:42
    Let them that there's no one. Come.
  • 30:44 - 30:45
    Li, sit them.
  • 30:46 - 30:48
    - Then?
  • 30:48 - 30:50
    There you have 'na silent!
  • 30:51 - 30:53
    - What happened? - Camilla betrays me.
  • 30:53 - 30:57
    - Camilla? Do not even mention it! - No, no, I 'sure. - And I mean?
  • 30:57 - 31:01
    Yesterday she left two pairs of shoes under the chair where was the dress.
  • 31:01 - 31:02
    Eh. So?
  • 31:02 - 31:06
    How then? On! Diane Lane and Richard Gere? '' The intedele love ''!
  • 31:06 - 31:08
    She leaves two pairs of shoes under the chair: is undecided
  • 31:08 - 31:09
    why has another one!
  • 31:10 - 31:13
    -Now an undecided is because he's a slut, I'm sorry? - Come on Pern!
  • 31:13 - 31:16
    - And that bitch? - No, I mean it's not an alarming thing.
  • 31:16 - 31:20
    No, it is however, Camilla has changed a lot in the last period.
  • 31:20 - 31:22
    - But how changed? - It's changed...
  • 31:23 - 31:26
    - When you are silent now is more love ... - The more?
  • 31:26 - 31:29
    - More more? - The more eager, here.
  • 31:29 - 31:33
    - Well, maybe you have them 'sti problems, sorry! - I'm not kidding.
  • 31:34 - 31:35
    You owe me a tare tavore:
  • 31:36 - 31:39
    go by a private investigator, is called Tony Costa.
  • 31:39 - 31:42
    No, a private investigator, no, please, come on!
  • 31:42 - 31:45
    You're the only one I can ask. Do it for our friendship.
  • 31:46 - 31:48
    - All right, come on. - Thank you! I love you.
  • 31:49 - 31:51
    Nothing, nothing, nothing. Come on, I have to work on.
  • 31:52 - 31:54
    - There will be a waste of money, but ... - We hope, we hope.
  • 31:54 - 31:57
    But promise me one thing: just movie with Richard Gere.
  • 31:57 - 31:59
    - That's enough. - That's enough.
  • 32:01 - 32:02
    (MOBILE SQUlLLA)
  • 32:04 - 32:05
    - Ready? - Niki: Hello, Alex!
  • 32:06 - 32:07
    Who's talking?
  • 32:07 - 32:08
    You have not registered my number?
  • 32:09 - 32:10
    I'll be waiting at the exit!
  • 32:10 - 32:15
    Ah, Ni-- Niki, hello. I can not. -Vabbč, I expect the same!
  • 32:16 - 32:17
    All right, see you at school.
  • 32:19 - 32:21
    Alex, did not know you had a child!
  • 32:22 - 32:24
    Eh, either.
  • 32:26 - 32:28
    Here. I do not like debts.
  • 32:28 - 32:31
    But imagine, for a snack! He hath touch give this to you pleasure.
  • 32:31 - 32:33
    All right. However I'm Dorothy, please.
  • 32:34 - 32:35
    It's true. Filippo. We were not presented there.
  • 32:37 - 32:39
    - Erika: No, no, I told you no, thou hast wearied me!
  • 32:40 - 32:44
    - They argue forever! - What a bore, there is Fabio. I'm going.
  • 32:44 - 32:46
    - Where are you going? - After I call you and tell you.
  • 32:50 - 32:52
    -Go, go, hurry! There's my ex! - So?
  • 32:52 - 32:54
    - And then she would not understand. - Do not you understand?
  • 32:55 - 32:56
    - you would not understand and that's it! Then it's abusive.
  • 32:56 - 32:58
    Vabbč, however, raised that it is passed.
  • 33:01 - 33:04
    However, you're the worst, arrive half an hour late.
  • 33:04 - 33:05
    Sorry if I had an important meeting.
  • 33:09 - 33:12
    the feet! I ask pertavore: feet on the dashboard not.
  • 33:13 - 33:15
    -Go here. - Where is it? - Here.
  • 33:17 - 33:21
    - No, fuck, it's closed! - How close? - Closed, closed.
  • 33:21 - 33:24
    - You show up at 14:00, it's normal, right? Come on. Ah, well?
  • 33:24 - 33:26
    And now as I go to Fregene?
  • 33:27 - 33:30
    - There's a very important match them today. I care a lot.
  • 33:30 - 33:34
    - No. -True to take me? - Do not just talk about it. No.
  • 33:34 - 33:35
    Come on, take me.
  • 33:36 - 33:38
    - No, do not give me that look. They are adamant.
  • 33:43 - 33:46
    - Oh, come on, come on, come on, come on! - Plan!
  • 33:46 - 33:47
    But I can not do tai?
  • 33:49 - 33:52
    - Man: '' We were together. All the rest of the world have forgotten ''.
  • 33:53 - 33:54
    - Walt Whitman.
  • 33:58 - 34:03
    - I'll be back soon, huh? - Yes. - You can keep this? - Yes.
  • 34:04 - 34:07
    Ah, through the passage.
  • 34:11 - 34:12
    You are welcome.
  • 34:21 - 34:24
    (I mean, he gave me a kiss on the lips? Calm down.)
  • 34:29 - 34:32
    (Vabbč, has tact so, to thank you, is normal.)
  • 34:32 - 34:34
    (But, quant'č beautiful!)
  • 34:38 - 34:40
    - Niki: Beautiful here, right?
  • 34:40 - 34:42
    This for me is practically a second home.
  • 34:42 - 34:44
    Although school is a bit 'a second home.
  • 34:44 - 34:46
    You know, in the end I like to go to school.
  • 34:48 - 34:51
    (Alex: I like that you clean with your hand.)
  • 34:51 - 34:52
    (I like it clean with your hand?)
  • 34:52 - 34:54
    (You're just tuoro head.)
  • 34:54 - 34:57
    (Niki: God, what is it? Why do I look so mouth?)
  • 34:57 - 34:59
    (Sure I've got something in your teeth.)
  • 35:01 - 35:02
    Thank you.
  • 35:04 - 35:05
    (Niki: Eh, no, we have not.)
  • 35:06 - 35:09
    (You have to find something better to break the ice.)
  • 35:09 - 35:12
    - Tell me about this competition that creates these problems for you.
  • 35:12 - 35:15
    - I'll take risolverteli. - Yes? - Mm-hmm.
  • 35:15 - 35:17
    Alright then. Then,
  • 35:18 - 35:21
    a group of Japanese want to throw a piece of candy on the market. - Mh.
  • 35:22 - 35:26
    I and my group we must find the best way pertarlo. That's all.
  • 35:26 - 35:28
    - How recommeneded candy? -A crowd of moon.
  • 35:28 - 35:31
    Wow !. Then I got it. They are an excellent creative.
  • 35:31 - 35:33
    (MOBILE SQUlLLA)
  • 35:34 - 35:35
    My mother. Mum?
  • 35:35 - 35:38
    Niki, are two hours I'll call you. It was always off!
  • 35:38 - 35:41
    I know. I'm Erica. Here you do not take it well, you know.
  • 35:41 - 35:44
    (Alex: How many years have you had nothing to tare with these teletonate?)
  • 35:44 - 35:47
    (Niki: Who knows how many years does not avrŕ to tare with these teletonate!)
  • 35:47 - 35:49
    Safety? I seem to hear the sea.
  • 35:49 - 35:52
    Macchč, we are studying. However I am here for dinner.
  • 35:52 - 35:55
    - (sighs) Okay, but check back soon. - Okay. Hello.
  • 35:57 - 36:01
    -Vabbč. Fichissima I had an idea for your own publicity. - Shoot.
  • 36:01 - 36:03
    (Niki: Oh my God, '' shoot '' no, eh.)
  • 36:03 - 36:05
    I mean '' he tells ''.
  • 36:05 - 36:06
    Okay. We see a city
  • 36:07 - 36:10
    and suddenly everything trastorma in packages of candy
  • 36:10 - 36:13
    and perfinire the LALUNA Candy: Laluna, a city of sweetness!
  • 36:13 - 36:17
    Carina, but they already recommeneded. del Ponte, 1988 Rubber.
  • 36:18 - 36:21
    1988 I was not born.
  • 36:21 - 36:26
    ( '' FOREVER YOUR GIRL '' lN FOUNDATION)
  • 36:55 - 36:56
    Niki: Why we're termando?
  • 36:56 - 37:00
    Wait here, do not get out of the car, it's a dangerous neighborhood.
  • 37:01 - 37:03
    And paprika.
  • 37:05 - 37:06
    (DOOR BELL)
  • 37:10 - 37:13
    Hi, I'm Alessandro Belli. Looking Tony Costa.
  • 37:13 - 37:16
    - Pleasure, I'm Adele, Tony's assistant. - Pleasure. - You are welcome.
  • 37:18 - 37:20
    Tony! E 'loss!
  • 37:30 - 37:33
    - Tony: And I will have Tony Costa,
  • 37:33 - 37:36
    protessione: private investigator. - Hello.
  • 37:36 - 37:38
    - Breaking and saving unions is my specialty.
  • 37:39 - 37:43
    - I know what you're thinking: I should be a cynic, a mercenary,
  • 37:43 - 37:46
    one that on the emotions of other passes over like a bulldozer.
  • 37:47 - 37:50
    - But it is not so. Each case is close to my heart.
  • 37:50 - 37:52
    - Couples in crisis me dream the night.
  • 37:52 - 37:55
    - And when I discover a betrayal, I am colitis.
  • 37:56 - 37:59
    - As you can see, though, I learned to flaunt protessionalitŕ.
  • 37:59 - 38:00
    - It's part of the job.
  • 38:01 - 38:04
    - Jealousy is a disease irrational, paralyzing, absolutely.
  • 38:04 - 38:07
    - Just a shower tuoro time, a new hairdo,
  • 38:07 - 38:09
    a short message at the wrong time
  • 38:09 - 38:12
    and we are willing to do anything, just to know the truth.
  • 38:12 - 38:14
    - That people like Alex pass by here,
  • 38:14 - 38:16
    They sit in front of me, Tugging
  • 38:17 - 38:18
    and, with pleading eyes, tell me:
  • 38:19 - 38:21
    Look, it's really for my friend.
  • 38:21 - 38:24
    - And I almost always decide to believe.
  • 38:25 - 38:26
    Leave a down payment?
  • 38:27 - 38:33
    - An advance. Yes sure. 1,500, right? - 1500, all right. - Yes, here it is.
  • 38:34 - 38:39
    Well, then, we When updating a few weeks. I'll call.
  • 38:39 - 38:41
    - Thank you. -See you later.
  • 38:58 - 38:59
    (ALEX SOSPlRA)
  • 38:59 - 39:03
    - Well then? Who is cheating who? - Thing?
  • 39:03 - 39:06
    Do not tare the vagus. You citotonato investigator.
  • 39:07 - 39:11
    -I had told you to stay in Pern machine. - It 's true, you said!
  • 39:11 - 39:13
    - So? - So I am silent as I please.
  • 39:13 - 39:15
    I do not want to talk about this story.
  • 39:15 - 39:18
    Quiet, I talk about myself. You're left with your girlfriend, right?
  • 39:18 - 39:19
    But what do you know?
  • 39:20 - 39:23
    But you see. I mean, you're just in that tase, a classic:
  • 39:23 - 39:25
    As soon as you left, other women disappear.
  • 39:26 - 39:28
    You did not even deign to look.
  • 39:30 - 39:34
    - Did I looked, I looked and saw a little girl.
  • 39:34 - 39:36
    Mh. But you'd be an adult?
  • 39:37 - 39:39
    One who wants to find out if she has betrayed you.
  • 39:39 - 39:43
    Maybe he was a good story, you need to tarsiers there evil?
  • 39:43 - 39:45
    Look, it's not for me. E 'for my friend.
  • 39:45 - 39:48
    Yes, vabbč, everybody says so. (MOBILE SQUlLLA)
  • 39:51 - 39:54
    ll my head. Ready Leonardo?
  • 39:54 - 39:56
    Yes, yes, yes, we have a lot of proposals!
  • 39:58 - 40:04
    Tomorrow at 16:00. Sure why not? Perfect. On time. Okay. Hello.
  • 40:06 - 40:09
    - Shit, I knew it! I knew it! - What?
  • 40:09 - 40:12
    I just have to find a new idea and ingenious by tomorrow at 16:00.
  • 40:13 - 40:15
    Why do not we go to you, so we find the inspiration?
  • 40:21 - 40:24
    - This house is Fichissima! - Thank you.
  • 40:24 - 40:26
    - No! But you recommeneded you this publicity?
  • 40:26 - 40:27
    Yes you like?
  • 40:27 - 40:30
    - Heck, I love your socks. Of course, the ever-extension, eh,
  • 40:30 - 40:34
    Pern at the end mica the port every day.
  • 40:40 - 40:41
    Sure.
  • 40:48 - 40:50
    - What's up on a terrace? - Yes.
  • 40:51 - 40:54
    - I can? - Yes, yes. You are welcome.
  • 40:55 - 40:59
    Would you like something to drink? Vodka, rum, gin and tonic?
  • 40:59 - 41:01
    - Coca-Cola, thanks. - Coke.
  • 41:09 - 41:11
    - Here. - Thank you. - You are welcome.
  • 41:16 - 41:19
    - Coca-Cola and jasmine. - Good?
  • 41:20 - 41:22
    We could invent a new drink: the Gelsomin Cola.
  • 41:23 - 41:24
    You want to steal your job?
  • 41:25 - 41:28
    Though not tunzionerebbe: is too complicated name.
  • 41:28 - 41:30
    People love the simple things.
  • 41:31 - 41:33
    Pern, I feel good.
  • 41:38 - 41:40
    - Good. - And I?
  • 41:45 - 41:47
    I have a good taste I?
  • 42:01 - 42:02
    Niki ...
  • 42:03 - 42:09
    - Excuse me, but ... it's too complicated. - It 'a simple thing.
  • 42:12 - 42:13
    Alex: I can not.
  • 42:14 - 42:16
    You can, you can.
  • 42:25 - 42:28
    - Alex: Do you have a sweet protumo. - Jasmine.
  • 42:30 - 42:33
    - Alex: I do not think anything. - Only with you.
  • 42:36 - 42:39
    - Alex: I tremble. - Hug me.
  • 42:43 - 42:44
    - Alex: I want you.
  • 42:51 - 42:52
    - How beautiful you are!
  • 42:57 - 43:00
    - Alex: Only with you. - I want you.
  • 43:01 - 43:02
    - Only with you, Niki.
  • 43:10 - 43:12
    - Alex: Kiss.
  • 43:17 - 43:20
    - Niki: Behold - Again ...
  • 43:22 - 43:24
    - Alex: Still ...
  • 43:26 - 43:28
    - Niki Still ...
  • 43:34 - 43:36
    The girl jasmine.
  • 43:39 - 43:40
    Che tai, tumi?
  • 43:40 - 43:43
    At home I can never tumare. My l do not know.
  • 43:44 - 43:46
    lmmagino that instead everything else they know.
  • 43:46 - 43:50
    - type, which are no longer a virgin? - Eh, among many others.
  • 43:51 - 43:55
    You are crazy? They never had the courage to tackle the subject.
  • 43:56 - 43:57
    Although, when I was with Fabio,
  • 43:57 - 44:00
    it was obvious, we were always locked in the room!
  • 44:02 - 44:04
    (ALEX SOSPlRA)
  • 44:05 - 44:09
    - tai What, are you jealous? - him? No, why?
  • 44:09 - 44:12
    - Come on, a bit '. - No.
  • 44:15 - 44:17
    Un po '. (NlKl RlDE)
  • 44:18 - 44:21
    Cool! it can not stand jealousy,
  • 44:21 - 44:25
    PERN you can be me ... I can even go crazy.
  • 44:30 - 44:32
    Shit, it's very late! l me my drink!
  • 44:33 - 44:34
    I have to go home.
  • 44:35 - 44:39
    - Martini: Palmiri, 4+. The usual disaster.
  • 44:39 - 44:43
    Olly, you tarmi a huge tavore. I tai two drawings?
  • 44:43 - 44:44
    No way.
  • 44:45 - 44:47
    First, where were you last night,
  • 44:47 - 44:49
    and second, most importantly, what you touch.
  • 44:49 - 44:52
    I swear, if I tai drawings, I'll tell you everything!
  • 44:52 - 44:55
    - In the last detail? -All right, okay. - Okay.
  • 44:56 - 45:00
    - Martini: Severi, tell me about your interesting parallel
  • 45:00 - 45:03
    between the cruel nature of Giacomo Leopardi
  • 45:04 - 45:07
    and this melancholic suffering of Francesco Totti.
  • 45:07 - 45:08
    (RlSATE)
  • 45:08 - 45:11
    And 'that, I mean, what I think
  • 45:11 - 45:15
    however, it is that it is normal that Leopardi wrote love poems
  • 45:16 - 45:17
    a little 'heartbreaking
  • 45:17 - 45:21
    because when one which has the physical ditetto, like he was a hunchback,
  • 45:21 - 45:26
    it's normal that you are more somber, no? - You say?
  • 45:26 - 45:29
    - Sure. He saw the smear of Totti before the World Cup, after intortunio?
  • 45:29 - 45:31
    Of course, like to forget?
  • 45:31 - 45:35
    He was serious, he looked sad. (RlSATE)
  • 45:37 - 45:41
    l mean, protesso ', perhaps he did not write' 'Jabberwocky' ',
  • 45:41 - 45:45
    PERN me the broken ankle Totti me ta think 'the hump Leopardi.
  • 45:45 - 45:46
    (RlSATE)
  • 45:46 - 45:49
    Whatever happens, I know 'two poets, eh? (RlSATE)
  • 45:50 - 45:53
    Me to remove a curiosity both?
  • 45:53 - 45:58
    - But you want to give this year maturitŕ? Or not? -Volendo ...
  • 45:58 - 46:01
    - Olly, I fell in love. - Really, and How's he?
  • 46:01 - 46:05
    - Beautiful, but there is a problem. - Would be? It's with two?
  • 46:06 - 46:09
    - Macchč! It has 20 years more! - Really, that's cool!
  • 46:09 - 46:11
    And I even waste time with you!
  • 46:12 - 46:15
    - What happens? - Niki is 20 years with a bigger!
  • 46:15 - 46:18
    - But really? It 's crazy! -Vado tarmi to tell all.
  • 46:20 - 46:23
    - 20 years, I tell you one thing. 20! - Oh, but you are crazy?
  • 46:24 - 46:26
    It's no good, it's old, well this is old.
  • 46:26 - 46:30
    It needs something new, less classical, more original, surprising.
  • 46:37 - 46:38
    No.
  • 46:58 - 47:00
    Guys, I have seen the works of Marcello:
  • 47:00 - 47:03
    we really have a brainstorm.
  • 47:03 - 47:05
    How nice that you came to tell us.
  • 47:05 - 47:06
    (TELEPHONE SQUlLLA) Sorry, Alex.
  • 47:06 - 47:09
    - Alex: Hello? -Alex, there ... - We have not for anyone.
  • 47:09 - 47:11
    -All right, I'm sorry - None.
  • 47:11 - 47:12
    (ALEX snorts)
  • 47:14 - 47:16
    '' I'll give you the idea ''!
  • 47:17 - 47:19
    The feel is that I'm crazy, I'm crazy.
  • 47:19 - 47:23
    I'm messing around with a seventeen year anzichč work!
  • 47:23 - 47:26
    What do you expect from that? She does not remember her things, she figured mine.
  • 47:27 - 47:28
    Not even called!
  • 47:28 - 47:30
    I'll call. But yes, I call.
  • 47:33 - 47:36
    - Hi Alex! - Hello, Niki. How are you? You feel another accident?
  • 47:36 - 47:39
    Macchč, I'm fine. I had a great idea about your candy!
  • 47:39 - 47:42
    -Oh yes? Tell me. - I've also recommeneded draw!
  • 47:42 - 47:44
    - And why did not I bring it? - I've brought,
  • 47:44 - 47:47
    but your secretary says he does not let anyone tar.
  • 47:47 - 47:49
    - Where are you? - Outside of your office.
  • 47:53 - 47:56
    - Really! How are you? - Well.
  • 47:57 - 47:59
    - are these? - Yes, they are. -Come.
  • 48:00 - 48:03
    - Sure? - Yes, come, meet the rest of the team.
  • 48:04 - 48:06
    Guys, she's Niki. - Hello. - All: Hello.
  • 48:07 - 48:09
    - It took us an idea. - Oh.
  • 48:09 - 48:12
    I thought back to what I said about Alex LALUNA Candy
  • 48:12 - 48:14
    and I came to my mind of things.
  • 48:14 - 48:16
    The drawings he feels my friend Olly them.
  • 48:19 - 48:22
    -Wow !. - Uh! - Niki, but it's beautiful!
  • 48:23 - 48:26
    - Brava, Niki. - It's beautiful! - Beautiful this!
  • 48:27 - 48:28
    - Alex: Come on, come with me.
  • 48:28 - 48:31
    - Beautiful, Niki! (APPLAUSl)
  • 48:32 - 48:33
    Alex Go, ran!
  • 48:36 - 48:38
    You wait here.
  • 48:41 - 48:44
    Leonardo, I have a perte surprise.
  • 48:47 - 48:49
    We'll catch later.
  • 48:50 - 48:51
    Well done, well done!
  • 48:53 - 48:57
    -Come with me. Thank you, Niki. - Imagine. But where are you taking me?
  • 48:57 - 49:00
    That's enough. For I finished today. You won a driving lesson
  • 49:00 - 49:03
    and you can stasciarmi the machine all you want. - You are crazy!
  • 49:04 - 49:05
    And?
  • 49:05 - 49:08
    -Avverta the Japanese who send the proposals. - Agree.
  • 49:09 - 49:11
    - Tony: '' We are contacts of the same stuff as dreams ''.
  • 49:11 - 49:12
    - William Shakespeare.
  • 49:13 - 49:16
    - You're weird tonight. - so, why?
  • 49:16 - 49:18
    Me to dinner at the club on the day of my birthday?
  • 49:18 - 49:20
    It seemed a nice idea, no?
  • 49:20 - 49:21
    But play your friends?
  • 49:21 - 49:23
    No, jokes? It 'just to be just you and me.
  • 49:24 - 49:26
    Best wishes!
  • 49:27 - 49:32
    Camilla! Camilla! Camilla! Camilla!
  • 49:38 - 49:39
    - What? -Come.
  • 49:41 - 49:42
    - What? -Then? -So what? - Tony.
  • 49:43 - 49:44
    - Tony chi?
    - Tony Costa.
  • 49:44 - 49:48
    Ah, Tony; He has accepted the position. It's all OK. - Thank god. - Yes.
  • 49:48 - 49:52
    - Oh, maybe there is already someone who is spying on us? - Maybe.
  • 49:53 - 49:55
    - It was what you wanted, right? - It's right.
  • 49:55 - 49:57
    - You paid for that. - I 'clear, I paid.
  • 49:58 - 50:01
    - Okay, but you feel the event tonight in Camilla? - Thing?
  • 50:01 - 50:03
    He's cut his hair.
  • 50:03 - 50:06
    - Well? - Alex, '' A woman, a rogue '', Lino Ventura:
  • 50:06 - 50:08
    '' When a woman changes hairstyle, ''
  • 50:08 - 50:09
    '' He is going to change man ''.
  • 50:09 - 50:11
    Enrico, new rule:
  • 50:11 - 50:15
    no Richard Gere, no romance film. Yes, of any kind.
  • 50:15 - 50:17
    Indeed, it feels a nice settimanella cartoons.
  • 50:18 - 50:19
    - The cartons? - Yes.
  • 50:20 - 50:21
    -All right. Oh! - Yes?
  • 50:22 - 50:25
    - Thank you, really thank you. - But of what?
  • 50:25 - 50:27
    - Tony Costa, the whole situation. - Do not even mention it. - Thank you.
  • 50:28 - 50:29
    - Enri '... - Che č?
  • 50:30 - 50:33
    - If you leave me your arm ... - You're right! - Hello.
  • 50:33 - 50:34
    - Oh! - Are u?
  • 50:34 - 50:36
    (Softly) I recommend, if you see something ...
  • 50:38 - 50:40
    - Peter: So? Have you finished tare the hermit?
  • 50:40 - 50:42
    Tie ', eaten' I'm Japanese.
  • 50:42 - 50:45
    I assure you that in here and over there tuoro is full of women
  • 50:45 - 50:46
    them ready that are waiting for you.
  • 50:47 - 50:49
    Do not worry, I have my little soddistazioni.
  • 50:49 - 50:52
    Great! But tai, do not tell me anything? Years?
  • 50:52 - 50:55
    - What you have years now? - They're important!
  • 50:56 - 50:59
    -Years? - Diciasse-- - Huh?
  • 51:01 - 51:04
    Seventeen, but if you say something to someone your head off.
  • 51:04 - 51:08
    Seventeen? Kill genre that you've caught. You're a myth!
  • 51:08 - 51:10
    Oh! I definitely want to go out with friends, eh?
  • 51:10 - 51:11
    - Alex: Are you sick. No, no.
  • 51:12 - 51:14
    - Take me? We go out with her friends? - No!
  • 51:14 - 51:15
    You're a intame.
  • 51:17 - 51:20
    -What time you told? - I know, you told us Alex.
  • 51:20 - 51:21
    At what time?
  • 51:21 - 51:25
    I do not know, will now exit from school and will come, right?
  • 51:25 - 51:27
    'It's something that excites me out of school!
  • 51:27 - 51:28
    - Henry: 14:00 am, I tame!
  • 51:28 - 51:30
    - Peter: Think eat '? Here it is!
  • 51:31 - 51:32
    - Cute this place! -True?
  • 51:32 - 51:33
    Yes, but who knows how much it costs!
  • 51:34 - 51:36
    - you pay them? I do not have a euro. - Do not worry.
  • 51:37 - 51:40
    - No, I mean, guys, I'm leaving. - Where are you going, where are you going?
  • 51:40 - 51:41
    They're too small.
  • 51:41 - 51:44
    For roscetta would take 30 years in prison, they are all.
  • 51:45 - 51:47
    - Peter, please. - Yes, yes.
  • 51:47 - 51:49
    - Niki, but who is Alex? - The one at the head.
  • 51:49 - 51:51
    - Kill, that's cool! - Erika: Beautiful!
  • 51:51 - 51:53
    - Diletta: The others all look bad.
  • 51:53 - 51:58
    - No come on. The one with the tie is not bad. - He is married! - You're the usual.
  • 51:59 - 52:02
    - Hello. Hi, nice to meet you. - Hello.
  • 52:02 - 52:03
    - Pleasure, Dorothy. - Hello, Henry.
  • 52:04 - 52:06
    (STOPS OVERLYING)
  • 52:08 - 52:09
    Come on, guys we want to sit down?
  • 52:10 - 52:12
    Come on, sit! Man, woman, man, woman.
  • 52:12 - 52:15
    - Alex: She's Niki. - Pleasure. - Niki
  • 52:15 - 52:17
    - It 'Niki. - I get it registered.
  • 52:17 - 52:19
    So, I sit me here.
  • 52:19 - 52:21
    - Peter: Oh, here we are, this is a memorable day.
  • 52:21 - 52:25
    - We thank all Alex. - All: Thank you. - No come on. About what?
  • 52:25 - 52:27
    - Excuse me, you offer you, right? - And of course, my treat.
  • 52:28 - 52:30
    - Champagne pertutti! - Champagne?
  • 52:30 - 52:32
    Do you want mineral water? Champagne bubbles.
  • 52:34 - 52:37
    I knew that you would have stuck with the talk about the clubs.
  • 52:37 - 52:40
    - Erica: Will be 20 years who do not set foot where he dances. I see!
  • 52:41 - 52:43
    Look, you're wrong and too big.
  • 52:43 - 52:46
    - We have recently been ... What's his name? - Goa, sorry, it's not practical.
  • 52:46 - 52:49
    - The head of ... - Flavio: George, age 40, remember?
  • 52:50 - 52:53
    - the 40 years to Goa? I 'grandmother Manco! - Such as?
  • 52:54 - 52:57
    Guys, shut up, sennň is a group suicide that.
  • 52:57 - 53:00
    - Very nice purple these claws a little 'aggressive. - Beautiful, is not it?
  • 53:01 - 53:02
    What do you want?
  • 53:02 - 53:05
    - Carina the medal. It reminds me of the military. - Really?
  • 53:05 - 53:07
    It ta sex at age 40 as a 16.
  • 53:07 - 53:10
    Indeed, 40 is even better, there is more experience.
  • 53:10 - 53:14
    There's not all Tretta and the toga of 18 years. I do not know what I mean.
  • 53:14 - 53:18
    Yes, but who thinks now 40 years old? For me, life is now.
  • 53:18 - 53:19
    Six of Claudio Baglioni's daughter?
  • 53:20 - 53:21
    (RlSATE)
  • 53:21 - 53:23
    - Carina the small springs that you have on your hair. - Thank you!
  • 53:24 - 53:27
    Why did you set up 'is what? I'm not jealous. I'm jealous?
  • 53:27 - 53:30
    -Ammazza if you're jealous. - I know 'jealous? - No!
  • 53:30 - 53:32
    But you're not jealous of your boyfriend?
  • 53:32 - 53:35
    the? But that guy! But I think that ingelosisco me to someone?
  • 53:35 - 53:37
    Brava! See, for example, she is open.
  • 53:37 - 53:40
    - Olly: I'm going to tumarmi a cigarette.
  • 53:40 - 53:41
    Me too I'm going to Tuma 'a cigarette.
  • 53:42 - 53:44
    - Henry: Peter, where are you going?
  • 53:46 - 53:49
    - He never tumato in his life. - Never. (RlSATE)
  • 53:50 - 53:52
    Instead of tumarci a cigarette,
  • 53:52 - 53:55
    why did not I try tai beauty of my 20 years?
  • 53:55 - 53:58
    There are silent ride a scooter, we get lost in the tightly wind?
  • 53:58 - 54:01
    - Yes, but not too tight. - Straits enough.
  • 54:01 - 54:03
    All right, keep silent this round.
  • 54:15 - 54:17
    Peter! Children, Dad!
  • 54:18 - 54:20
    Love, what a surprise! A kiss to Daddy.
  • 54:20 - 54:23
    - Mom took me to play football. - Good boy.
  • 54:23 - 54:25
    - What tai here? - I'm here at lunch with Alex. -Alex.
  • 54:27 - 54:28
    Oh, if the ...
  • 54:30 - 54:31
    I said:
  • 54:31 - 54:34
    Via Veneto, straight, square Hungary, left, straight and is arrived.
  • 54:34 - 54:35
    I will 'will'.
  • 54:35 - 54:37
    'Sti young, not even thank you.
  • 54:37 - 54:40
    - You're with the children who greet Alex. - No! She cries at breakneck speed.
  • 54:40 - 54:43
    I touch a figure with the waiter! Better not.
  • 54:43 - 54:46
    - He can not overcome the gap to Elena. - It's hard.
  • 54:46 - 54:47
    I greet him the same.
  • 54:47 - 54:50
    No, but I'm joking? But what effect the tare you can see us, the children,
  • 54:50 - 54:53
    the image of a tamiglia Telice? See you this evening. Return.
  • 54:53 - 54:56
    - You are right. Hello Star. - Hello sweetheart.
  • 54:56 - 54:57
    A kiss.
  • 54:57 - 54:59
    - Hello children! - Hi Daddy!
  • 55:03 - 55:06
    Dorothy: He's still gnawing for Peter, eh?
  • 55:06 - 55:08
    Think if the wife will pecked two minutes later!
  • 55:08 - 55:11
    - Olly: At least finally he understands who you got married.
  • 55:11 - 55:15
    Look, if that is so, the crisis went on for some time.
  • 55:15 - 55:18
    Yes, yes. All the excuses are good, Olly!
  • 55:18 - 55:22
    But explain to me why always spoken and only me?
  • 55:23 - 55:27
    In here there is someone else who can no telling right, true, Niki?
  • 55:27 - 55:29
    Make see signs of Alex, tammi see.
  • 55:29 - 55:34
    - What an idiot you are! And if he coughs? - You recommeneded own trap.
  • 55:34 - 55:37
    But that trap! Niki you're just falling in love.
  • 55:37 - 55:38
    You said nothing!
  • 55:42 - 55:46
    - Lady, you can not see this furniture. - No, huh?
  • 55:46 - 55:47
    We change?
  • 55:47 - 55:50
    ( '' SEMPLlCEMENTE '' lN FOUNDATION)
  • 55:58 - 55:59
    Increase!
  • 56:02 - 56:03
    Good!
  • 56:12 - 56:16
    Niki, right by, so are the signs, please. Niki!
  • 56:23 - 56:29
    Horses! Good night! From Pascal, I've said a thousand times ...
  • 56:31 - 56:34
    - Niki: Look how wonderful this taro. Read here.
  • 56:34 - 56:37
    It he can become guardians for a while. Would not it be nice?
  • 56:37 - 56:40
    - Thing? -Go to live in a taro for a while '.
  • 56:41 - 56:44
    Yes, beautiful, PERN definitely impossible.
  • 56:44 - 56:47
    Of course you are right now slave to the system.
  • 56:47 - 56:48
    Working, producing, earning,
  • 56:49 - 56:50
    and still work, produce, earn.
  • 56:51 - 56:53
    So you miss all the good things in life.
  • 56:54 - 56:58
    - Guy? - Me. Ah, it's true, I had forgotten.
  • 56:59 - 57:02
    - But I salverň. - Thank you. - You are welcome.
  • 57:08 - 57:10
    (HORN)
  • 57:19 - 57:21
    - Good morning. - Good morning.
  • 57:21 - 57:24
    Good morning. You again.
  • 57:24 - 57:27
    - Carts: And who's the girl? Another Russian?
  • 57:27 - 57:32
    - No. - No, Italian. And I have the toglio pink. - Contermo.
  • 57:33 - 57:35
    Serra: Vabbč, let them go.
  • 57:35 - 57:38
    - Carts: Goodbye. -See you later. -See you later.
  • 57:41 - 57:42
    (ALEX SOSPlRA)
  • 57:42 - 57:46
    - Well, that's is the history of Russian? - No, a work thing. Ouch!
  • 57:47 - 57:49
    Ah! - Work, huh?
  • 57:50 - 57:52
    Come on, come on, leave the trizione.
  • 57:54 - 57:56
    (Scoured)
  • 57:58 - 58:01
    - Niki: I'm back! - Simona: Hello. - Hello.
  • 58:01 - 58:02
    Come on, that tai I missed!
  • 58:02 - 58:06
    - Dad, you've cut your sideburns? - A bit'. - FIG. You look younger.
  • 58:06 - 58:08
    -I'm going to study. - Hello sweetheart.
  • 58:09 - 58:12
    Mh ... e'troppo Telice.
  • 58:15 - 58:17
    - Is there something I should know? - I mean?
  • 58:18 - 58:22
    - I 'slept with someone? - Dad, have you still not understand?
  • 58:24 - 58:26
    I mean, I know 'last?
  • 58:43 - 58:45
    - What tai? - It is very late. I have to go home,
  • 58:45 - 58:49
    but he continues to sleep. Quiet. I take a taxi, love.
  • 58:52 - 58:53
    What did you say?
  • 58:54 - 58:59
    I said ... that are 2:00 and I take a taxi, you sleep.
  • 59:00 - 59:02
    No, no. I want to understand how you called me.
  • 59:03 - 59:05
    Ah, yeah, I decided.
  • 59:06 - 59:11
    - Sorry, but I'll call you '' love ''. - Sorry? - But I'll call you '' love ''.
  • 59:11 - 59:13
    What? (NlKl RlDE)
  • 59:13 - 59:17
    - Tony: I know what you're thinking: that is romantic, right?
  • 59:17 - 59:19
    - But Italians are a nation of romantics.
  • 59:19 - 59:24
    - The more than 50% / sms of their starts or ends with the word '' love ''.
  • 59:25 - 59:26
    I want a divorce.
  • 59:26 - 59:29
    Lawyer, is absurd. There are reasons.
  • 59:29 - 59:32
    - Tony: This is not to say that the trickle always smooth relations.
  • 59:32 - 59:34
    - Boy: That's not your husband?
  • 59:34 - 59:36
    - Girl: Yeah, but you is not never noticed anything.
  • 59:36 - 59:38
    If you say so...
  • 59:40 - 59:42
    - Tony: Or that we have no second thoughts.
  • 59:42 - 59:43
    Forgive me.
  • 59:44 - 59:46
    I understand that I can not live without you.
  • 59:48 - 59:50
    - Tony:
    O decisioni definitive.
  • 59:50 - 59:55
    'She's a bitch. '' Forevertorever '' a pair of balls! Your Mortacci!
  • 60:02 - 60:06
    - Niki: Come on please, tallo for me! - You're crazy, but why? - Come on!
  • 60:06 - 60:11
    - No, it seems to me too. -At least I'm also more calm. - No come on!
  • 60:11 - 60:14
    You're quiet, but I do not know how to tell him, what do I say?
  • 60:14 - 60:16
    ln round you will understand, you're almost the same age.
  • 60:18 - 60:19
    (Ironically) Nice!
  • 60:20 - 60:22
    You do not want tarmi Telice?
  • 60:23 - 60:25
    Come on, tammi Telice!
  • 60:28 - 60:32
    - Sorry? - There's goalkeeper. - Thank you, eh.
  • 60:32 - 60:33
    (DOOR BELL)
  • 60:35 - 60:37
    - Hello. - Hi, I'm Alessandro Belli.
  • 60:38 - 60:40
    - I came ... - Yes, of course! Come on, I was waiting for.
  • 60:41 - 60:45
    Ah, he was waiting? - Sure. They have warned. Ah.
  • 60:45 - 60:50
    - You are welcome. Because good weather? - Yeah, nice ...
  • 60:52 - 60:54
    - Please, take a seat. - Thank you.
  • 60:55 - 61:01
    Here it is. Let's go straight to the point. I'm 39 and my husband has 45.
  • 61:02 - 61:07
    -We had my youngest daughter and I love you very much Niki. - Sure.
  • 61:08 - 61:12
    - You have kids? - No! No, no ... - Too bad.
  • 61:12 - 61:17
    - You never know what might happen, and instead we would like for her safety.
  • 61:17 - 61:18
    Sure sure.
  • 61:18 - 61:21
    He does not have offered nothing to drink. He wants something?
  • 61:22 - 61:23
    A glass of water, thanks.
  • 61:24 - 61:28
    As for me I have not any doubt.
  • 61:29 - 61:31
    I am satisfied that the choice fell on her,
  • 61:33 - 61:37
    Yes, you ... Dr me a feeling of confidence,
  • 61:38 - 61:40
    Then we talked about it at length with my husband
  • 61:41 - 61:44
    in short, we believe both of us. - With her husband as well?
  • 61:44 - 61:46
    For Niki we would like ...
  • 61:47 - 61:50
    lnvestire 15,000 Euros in the round retirement.
  • 61:53 - 61:54
    Ah.
  • 61:54 - 61:56
    What, it seem little?
  • 61:56 - 61:59
    No, no absolutely right. (SlMONA RlDE)
  • 62:00 - 62:01
    I thought...
  • 62:08 - 62:13
    - Well, then ... the silent call from my office. - Yes..
  • 62:14 - 62:18
    Yes, so they start practicing and ... Yes, I think it's better that way.
  • 62:19 - 62:25
    -Aspettiamo your teletonata be silent and then signing. - Yes. - Okay.
  • 62:25 - 62:27
    -See you later. -See you later.
  • 62:29 - 62:31
    (MOBILE SQUlLLA)
  • 62:35 - 62:36
    And?
  • 62:36 - 62:40
    - I called the promoter, that of Round pensions. - Now?
  • 62:40 - 62:42
    Yes. And he told me that unfortunately can not come.
  • 62:45 - 62:48
    - Are you there, oh? - Yes, yes, there are.
  • 62:49 - 62:51
    Eh, vabbč, hello.
  • 62:53 - 62:56
    I do not believe my mother mistook Alex for one round of the pension.
  • 62:56 - 62:57
    And that he also believed it!
  • 62:58 - 63:00
    - Why, did you send to know your mother? - Sure!
  • 63:00 - 63:03
    - Oh, we're good! - You will understand!
  • 63:03 - 63:06
    - What do you mean '' understand ''? - You will understand!
  • 63:06 - 63:07
    Wake up, Niki!
  • 63:07 - 63:09
    It means that for him you're just a little girl.
  • 63:09 - 63:11
    What a bit of 'avrŕ need adult women:
  • 63:12 - 63:13
    runs, works, goes abroad.
  • 63:13 - 63:17
    Olly, but to me you're pulling '? And then I can not go abroad?
  • 63:17 - 63:19
    What about it, twisted it once did Olly reason.
  • 63:19 - 63:22
    As tai know if you can really trust him?
  • 63:22 - 63:25
    I want to trust him, then we want to believe in love.
  • 63:26 - 63:29
    - Leonardo: Ideas are not gone, sorry.
  • 63:29 - 63:31
    They say they need credible dreams,
  • 63:31 - 63:33
    not a girl on a swing in the clouds
  • 63:33 - 63:35
    or ta surf among the stars.
  • 63:35 - 63:39
    A month. You have a month, we finally sennň tuoro.
  • 63:45 - 63:47
    - How are you? - Well.
  • 63:47 - 63:50
    I met this girl, is quiet, cute,
  • 63:50 - 63:52
    does not create any problem.
  • 63:58 - 64:01
    Truly a person DR telicitŕ me, the joy ...
  • 64:02 - 64:03
    (CAR ALARM)
  • 64:05 - 64:06
    - Ma no impazzita? -Alex!
  • 64:09 - 64:12
    - Stop! That tai? - Leave me! - Stop!
  • 64:13 - 64:14
    Give me back my ideas! Bastard!
  • 64:14 - 64:17
    - What is happening? - No, nothing, nothing.
  • 64:18 - 64:22
    I wanted to present Niki. Niki, she is Claudia, my sister.
  • 64:23 - 64:26
    Oh, please ...
  • 64:26 - 64:30
    - Did you feel angry, huh? E'tatto so. - Mashed potato!
  • 64:31 - 64:35
    Vabbč, I'm going home. I expect the mine.
  • 64:35 - 64:37
    - Hello, eh? - Hello.
  • 64:40 - 64:41
    And 'crazy.
  • 64:42 - 64:45
    I just hope to be there when you present to Mom and Dad.
  • 64:46 - 64:50
    Why, in your opinion how to take it? Well, is not it?
  • 64:50 - 64:55
    - Seriously he is 17 years old? - Thing? You touch my escape Elenuccia?
  • 64:55 - 64:57
    Just 17-17?
  • 64:57 - 65:00
    The children, Alex: Tarne not mettercisi together!
  • 65:00 - 65:03
    Perte I have only one word: trouble, lots of trouble.
  • 65:03 - 65:06
    Uncle, then even your girlfriend ta the Winx collection?
  • 65:07 - 65:11
    - Maybe I'd better expect ta 18 years. - it has not even 18 years?
  • 65:13 - 65:15
    - Susanna: Sure Alex does not risk jail?
  • 65:15 - 65:18
    - Flavio: No! With under 16 he goes to jail.
  • 65:18 - 65:21
    In any case, Alex might be her father.
  • 65:21 - 65:23
    - Can it be her father, but that's the problem?
  • 65:23 - 65:26
    - Like what's the problem? Come on! - Come on, do not tare the moralist!
  • 65:27 - 65:29
    What I put it? These or red ones?
  • 65:30 - 65:32
    - Get well tonight? - Yes!
  • 65:32 - 65:34
    - You do not tell me anything? - No!
  • 65:34 - 65:36
    Type something about the pension circles?
  • 65:36 - 65:38
    Ah, but then you have already opened?
  • 65:38 - 65:40
    Hey! Do not tare the spiritual.
  • 65:40 - 65:43
    It has 20 years more than you, is a man. Think about it.
  • 65:45 - 65:48
    Mom, I swear that for now there's nothing to worry about.
  • 65:48 - 65:51
    (Sighing) If you swear, I'm quiet, look.
  • 65:51 - 65:54
    Then at least you know I feel. Do you trust?
  • 65:55 - 65:56
    No.
  • 65:57 - 65:59
    (MUSlCA)
  • 66:03 - 66:06
    - Niki: My mother has lost faith in me because of you.
  • 66:06 - 66:08
    My sister's your fault, too.
  • 66:08 - 66:12
    I feel guilty; pertarmi forgive I brought you into a community center.
  • 66:12 - 66:13
    - Thank you.
  • 66:13 - 66:16
    You see? These are all possible LALUNA consumers.
  • 66:17 - 66:20
    In my opinion they consume everything except the candy.
  • 66:21 - 66:24
    There's no night that does not intrigue with a different one! (RlDONO)
  • 66:25 - 66:27
    - What do you drink? - One coke, please.
  • 66:28 - 66:29
    A Coke and a brandy, thank you.
  • 66:30 - 66:32
    - Fabio: What are you ta 'here? -Ahia!
  • 66:32 - 66:33
    - Let go, Fabio! I tai bad!
  • 66:34 - 66:36
    - who is this? -My business! - How long have you known him?
  • 66:36 - 66:37
    What do you want? Leave me!
  • 66:37 - 66:39
    - That's why you're gone. - What happens?
  • 66:40 - 66:43
    - What you Tarti your dicks! - Niki, if you want to intervene.
  • 66:46 - 66:47
    I told Tarti your dicks!
  • 66:47 - 66:49
    - Boy: Leave! What happens?
  • 66:49 - 66:52
    - Drank Too Much? Pills? Smoke?
  • 66:52 - 66:55
    Macchč! He only took a punch in the accusation of an asshole!
  • 66:57 - 67:00
    Ah! Burn, burn, burn. - Sorry, sorry, sorry.
  • 67:00 - 67:03
    But what is that? Have you used this?
  • 67:04 - 67:08
    - E 'for tunghi. Ah! Vabbč, come on, that's great!
  • 67:15 - 67:18
    - Anyway, I'm sorry for what happened. -Me too.
  • 67:19 - 67:22
    - Tell me one thing: it's over? - But no, Niki.
  • 67:22 - 67:23
    You're afraid, eh?
  • 67:23 - 67:27
    But no, you got to do? And 'one of them is bad Tarr.
  • 67:29 - 67:31
    There is too much difference in age, Niki.
  • 67:31 - 67:35
    I knew that the speech would come out, I prepared intact, here it is:
  • 67:35 - 67:36
    Tom Cruise e Katie Holmes,
  • 67:36 - 67:39
    Luca Cordero di Montezemolo and Andreoli Ludovica,
  • 67:39 - 67:40
    Woody Allen e Soon-Yi,
  • 67:40 - 67:42
    Pierce Brosnan
    e Keely Shaye Smith,
  • 67:43 - 67:46
    All telicemente coupled with at least 20 years apart.
  • 67:47 - 67:48
    There the taremo we too, love.
  • 67:49 - 67:51
    Ah, ah, ah! - Sorry, sorry.
  • 67:52 - 67:56
    - Tony: '' A night of love is a book read in less ''. Honorč De Balzac.
  • 67:57 - 67:59
    - But sometimes that night you can change your life.
  • 68:01 - 68:03
    - Here, in these moments I love my job:
  • 68:03 - 68:06
    when love is no longer a drama, but a magic
  • 68:06 - 68:11
    and suddenly it makes life simple and beautiful thing in the world anymore,
  • 68:11 - 68:13
    and everything fits perfectly,
  • 68:13 - 68:17
    and your reality is exactly as you would like cough.
  • 68:17 - 68:20
    - Then they get the ideas that were missing.
  • 68:20 - 68:24
    (''TOMORROW NEVER''
    lN SOTTOFONDO)
  • 69:18 - 69:20
    Hey, boy of the machines!
  • 69:21 - 69:23
    Oh! The girl who does not want to leave debts.
  • 69:23 - 69:26
    - How are you? - All right, you? - It's all OK. That tai here?
  • 69:26 - 69:29
    - And here I am silent? - Question stupid. - A bit'.
  • 69:29 - 69:33
    - Take me to the car? They ritardissimo? - Yes. - Over there.
  • 69:34 - 69:35
    Leonardo: Shhh! Is coming.
  • 69:40 - 69:44
    If one of these days we went together to run, would you?
  • 69:44 - 69:47
    - Yes, gladly. - Tell me when you.
  • 69:48 - 69:51
    - Type ... next Sunday? - Yes!
  • 69:51 - 69:54
    Yes! Congratulations to Alex and his team.
  • 69:54 - 69:55
    (ALL exult)
  • 70:00 - 70:01
    We've recommeneded!
  • 70:03 - 70:04
    Congratulations, boss.
  • 70:08 - 70:10
    - Congratulations. - Thank you.
  • 70:11 - 70:15
    - Well, we'll see you on Sunday? -All right, with much pleasure. - Okay.
  • 70:15 - 70:16
    - A kiss. Hello. - Hello.
  • 70:28 - 70:29
    (STRlDlO DEl FRENl. SCHlANTO)
  • 70:35 - 70:39
    - These are perte. - Thanks, but you've done? - Anything.
  • 70:39 - 70:43
    You're only to become the star of the new campaign of Laluna.
  • 70:44 - 70:49
    - I do not believe it. When you Tatte me? - Yesterday night while you were sleeping.
  • 70:49 - 70:54
    - Niki: Oh, my God, crazy! No! I do not believe it!
  • 70:55 - 70:57
    - Alex: Do you like? - To death!
  • 70:57 - 70:59
    (MOBILE SQUlLLA)
  • 71:00 - 71:02
    Olly.
  • 71:02 - 71:05
    Are you ready to see me in Tormato giant pertutta Rome?
  • 71:05 - 71:08
    Diletta had an accident. We all here at the hospital.
  • 71:15 - 71:17
    Excuse me, excuse me.
  • 71:19 - 71:22
    - Niki: What the fuck happened? - He beat her head.
  • 71:22 - 71:24
    - Where is it? - One can not enter!
  • 71:25 - 71:26
    - Dov'è? - ECCO!
  • 71:30 - 71:32
    - lntermiera: You can not enter.
  • 71:32 - 71:36
    -Aspettare tuoro. The doctor arriverŕ ... - E 'our friend!
  • 71:36 - 71:39
    - The doctor arriverŕ soon. - Moments? But such moments?
  • 71:39 - 71:43
    - Out. You can not stand. - There he is. Doctor!
  • 71:44 - 71:47
    Your friend has suffered a head injury cakes.
  • 71:47 - 71:51
    Brain tunzioni are active, but at the moment we can only hope
  • 71:51 - 71:52
    and wait.
  • 71:52 - 71:54
    Wait and hope? But how ta to say such a thing?
  • 71:55 - 71:58
    As ta ?! Diletta has to heal, he can not die! He must heal!
  • 71:58 - 72:02
    That's enough! We expect tuoro from. We expect tuoro.
  • 72:07 - 72:10
    -I want to know who reduced so! Who?! - I know.
  • 72:10 - 72:14
    The car's gone on to Villa Borghese. We had just said goodbye.
  • 72:14 - 72:16
    I'm sorry.
  • 72:25 - 72:27
    (SOUND OF RESPlRATORE)
  • 72:38 - 72:41
    -There I brought some food. - Girls: Thank you.
  • 73:04 - 73:08
    Girls, you go home. Here you do not solve anything.
  • 73:10 - 73:13
    - Niki, Erica, Olly: #Ci want to trade because, #
  • 73:15 - 73:18
    #lavoro heart, you know. #
  • 73:18 - 73:25
    #Cantare love is never enough, NC gonna need more of, #
  • 73:26 - 73:29
    # to tell you again, to tell you #
  • 73:30 - 73:36
    # Most beautiful thing there is not, most beautiful thing about you! #
  • 73:36 - 73:38
    - Erica: Russian Revolution?
  • 73:38 - 73:43
    - This is the know! 1918? - Would you like: 1917 - Fuck!
  • 73:45 - 73:47
    (GIRLS comment PHOTOS)
  • 73:54 - 73:57
    Beloved, do you remember here? We had the whole tarci alone.
  • 73:57 - 73:59
    -At the head of Mark. - How beautiful!
  • 73:59 - 74:02
    (GIRLS comment PHOTOS)
  • 74:06 - 74:07
    Spanish Civil War?
  • 74:09 - 74:14
    - 1922-1929? - Yes, boom! You messed least 10 years:
  • 74:14 - 74:16
    1936-1939.
  • 74:16 - 74:20
    - What a bore, do not take Tarn ever! - If you no commitments! Are you studying?
  • 74:21 - 74:22
    - No, girls, I can not.
  • 74:24 - 74:25
    - Niki: 'Sapere Aude':
  • 74:25 - 74:27
    Have the courage to use your intelligence.
  • 74:28 - 74:29
    Got it, Dorothy?
  • 74:29 - 74:32
    - you 'no tai the crowd, you also have the tares you maturitŕ.
  • 74:34 - 74:37
    So, now we move on to something more difficult:
  • 74:37 - 74:39
    the '' gnosologia '' Kant.
  • 74:41 - 74:43
    Diletta: Epistemology ...
  • 74:51 - 74:55
    You have to tell the E.'re wrong as usual.
  • 75:06 - 75:09
    '' Epistemology '' is the most beautiful word in the world.
  • 75:16 - 75:17
    Sc 'Svegliati!
  • 75:27 - 75:29
    (GIRLS exult)
  • 75:36 - 75:38
    Thank you! Thank you!
  • 75:43 - 75:44
    Niki, I'm really Telice.
  • 75:45 - 75:46
    I have a crazy desire to see you, love.
  • 75:46 - 75:48
    I'm home, but I'm going to race
  • 75:48 - 75:51
    to check on the sketches of your publicity;
  • 75:51 - 75:54
    going to be a tough day. -At least I'll be always there with you.
  • 75:55 - 75:56
    But we'll see you tomorrow?
  • 75:56 - 76:00
    - Yes, if I am silent, you, okay? - Hello.
  • 76:02 - 76:04
    (NlKl SOSPlRA)
  • 76:05 - 76:09
    - That there tai here? - I was wrong, but I understand.
  • 76:10 - 76:13
    Elena, but why did you disappear?
  • 76:14 - 76:16
    - I wrote why. Ah,
  • 76:16 - 76:19
    that ticket, I forgot. Thank you.
  • 76:19 - 76:22
    ln that moment I thought it would be better that way.
  • 76:22 - 76:26
    When you asked me was too much, I was afraid. It 's normal to be afraid.
  • 76:26 - 76:28
    Of course it's normal.
  • 76:28 - 76:31
    -So are gone, I'm sorry. - Right, tacile disappear, right?
  • 76:32 - 76:33
    You go, you come back ...
  • 76:33 - 76:37
    Do you think things are as before then? Things change, Elena.
  • 76:38 - 76:41
    Why, what's changed? Alex, what's changed?
  • 76:45 - 76:46
    Nothing's changed.
  • 76:48 - 76:51
    Anything. Trust me.
  • 77:03 - 77:07
    Hello sweetheart! What happened to you feel? I've tried so yesterday!
  • 77:07 - 77:09
    Um ... I worked a lot.
  • 77:11 - 77:13
    What is it, Alex?
  • 77:14 - 77:16
    - Nothing, why? - I look strange.
  • 77:17 - 77:19
    And 'I thought back to our story.
  • 77:24 - 77:25
    And 'the situation is not good.
  • 77:26 - 77:29
    Even with the problem of the difference in age?
  • 77:29 - 77:32
    Come on, you well the song says: '' We'll find out just living '', right?
  • 77:33 - 77:36
    Niki, only 18 years Life can be better than a song.
  • 77:37 - 77:40
    - Why? - Because we had fun, we dreamed.
  • 77:41 - 77:44
    - E'tanto wrong to live a dream? - That's not realistic.
  • 77:46 - 77:50
    You are a coward. I got in the game, I love you.
  • 77:51 - 77:55
    Things end if there is a valid reason. You got it?
  • 77:57 - 77:58
    Maybe not.
  • 78:00 - 78:02
    PERN I have not even a reason to stay with you.
  • 78:10 - 78:13
    Love, but who is? What did you feel? You changed all? No, no!
  • 78:13 - 78:18
    What it is' is absurd? No! It seems the house of fools.
  • 78:18 - 78:19
    Besides, it's my fault.
  • 78:31 - 78:32
    - Erica: Do you realize?
  • 78:33 - 78:35
    - It 's been a month and see how s'č shooting!
  • 78:35 - 78:39
    I always said I was too cakes but now touches your maturitŕ, do not run away!
  • 78:39 - 78:41
    You do not you realize that you ran the risk:
  • 78:41 - 78:43
    you could leave without having ever touch.
  • 78:43 - 78:46
    - From tomorrow we begin, have fun!
  • 78:46 - 78:49
    Then if I enjoy it too, see how I finish.
  • 78:49 - 78:52
    - Olly: I told him. - Look, I'm fine! - Eh!
  • 78:52 - 78:56
    - Olly: Anyway, Staying on the subject, I brought you a wonderful surprise.
  • 79:01 - 79:03
    - Look who I brought. - Hey!
  • 79:03 - 79:05
    - You he can? - Sure!
  • 79:06 - 79:07
    - How are you? - Well.
  • 79:10 - 79:14
    - Girls, though if the trumpet, in the hospital is a myth! - Olly, come on!
  • 79:14 - 79:17
    ( '' How many ANNl HWhen '' lN FOUNDATION)
  • 79:27 - 79:29
    (COLPl THE DOOR) Next.
  • 79:31 - 79:34
    -Love, he is ready. - I have to study, I do not tame.
  • 79:42 - 79:46
    - Hey, but sooner or later you have to eat. - Mom, I have to study.
  • 79:46 - 79:49
    Simply, it's been a month.
  • 79:49 - 79:53
    You know how many are in there tuoro beautiful, sympathetic, intelligent
  • 79:53 - 79:55
    and especially of your age? Eh?
  • 80:09 - 80:12
    - Tony: '' It 'better to have loved and lost than never to have loved' ',
  • 80:13 - 80:14
    Altred said Tennyson,
  • 80:14 - 80:17
    but it is also true that love is a little 'how to play poker:
  • 80:18 - 80:20
    sometimes it's better to go see that dish,
  • 80:20 - 80:21
    because at least risks to win.
  • 80:22 - 80:23
    Niki!
  • 80:24 - 80:26
    Who is that? Another sister?
  • 80:28 - 80:29
    No.
  • 80:29 - 80:33
    I did not say who had returned; I accepted everything more tacilmente.
  • 80:34 - 80:36
    I'm sorry, I'm sorry.
  • 80:36 - 80:39
    There was not a valid reason to stay with me, huh?
  • 80:39 - 80:41
    You believe that you feel coughs me not to go well.
  • 80:42 - 80:43
    Do not say anything?
  • 80:45 - 80:48
    Of course, in some cases is much more tacile keep quiet.
  • 80:48 - 80:50
    PERN thee I want to say one thing:
  • 80:50 - 80:52
    soon I'll have the maturitŕ,
  • 80:52 - 80:54
    I have to study, I'm sick, I can not,
  • 80:54 - 80:57
    PERN I have to take it, because it means to grow.
  • 80:57 - 81:00
    Growing up, Alex. What should you tare.
  • 81:01 - 81:05
    ( '' WHAT YOU Ml DAVI '' lN FOUNDATION)
  • 81:13 - 81:16
    He wanted to know at all costs where we go, but I did not say anything.
  • 81:16 - 81:19
    Is not that when we reach that throws below?
  • 81:19 - 81:20
    Come on, you think?
  • 81:20 - 81:23
    Girls, is really broken.
  • 81:23 - 81:25
    I can not think of what has been intame Alex.
  • 81:26 - 81:27
    (HORN)
  • 81:31 - 81:33
    But you are crazy!
  • 81:36 - 81:38
    Girls, thanks, but that's cool!
  • 81:38 - 81:41
    Yes, and here I have four passes for the aftershow of Absolute Zero.
  • 81:41 - 81:44
    - But now I stop to think about Alex. -All right, I'll try.
  • 81:49 - 81:51
    -Love, they're broken. - Yes.
  • 81:51 - 81:54
    - But I wait for me, right? I ayurveda. - Who?
  • 81:54 - 81:58
    -Love, the ayurvedic massage. Wait for me? Ah, yes, why not?
  • 81:58 - 82:01
    - No, if you want to see you at home. - No, I'll take you.
  • 82:01 - 82:04
    - Absolute Zero: #E 'eternal state, out of breath, just a moment #
  • 82:04 - 82:08
    #giusto time to feel the winter that envelops us tonight #
  • 82:08 - 82:10
    ta # and you lose the sense that sometimes #
  • 82:10 - 82:15
    #sembrava much more intense, much more beautiful, much more than that cakes #
  • 82:15 - 82:19
    #and only when you return, heat over time, finding the torza that I lost. #
  • 82:19 - 82:24
    - # - You ... - You so important, you are so present, so you forever #
  • 82:24 - 82:26
    # - I ... - What I dress my limitations, #
  • 82:26 - 82:28
    #tutto's gone, but still shivering. #
  • 82:29 - 82:31
    - #E I expected, you know, everything more tacile, #
  • 82:31 - 82:33
    # Is that nobody teaches you to receive. #
  • 82:33 - 82:35
    - #Forse not needed now more apologizing, #
  • 82:35 - 82:37
    #lo feel this silence that weighs? #
  • 82:40 - 82:44
    #Do thought #
  • 82:44 - 82:48
    #bastasse so little, #
  • 82:49 - 82:51
    #to remind#
  • 82:52 - 82:56
    #chi tried to forget #
  • 82:58 - 83:00
    #da so long #
  • 83:02 - 83:09
    #for fear of not finding #
  • 83:09 - 83:13
    # Another that gave me #
  • 83:13 - 83:17
    #quello you gave you, as you were, #
  • 83:17 - 83:21
    #quello you gave you, as you were, #
  • 83:22 - 83:26
    #quello you gave you, as you were, #
  • 83:26 - 83:31
    #quello you gave you, as you were ... #
  • 83:32 - 83:37
    - Well, but ... it's okay, right? - Let's say yes.
  • 83:39 - 83:40
    Well I'm glad.
  • 83:40 - 83:43
    - This is pertarle see that I have worked hard,
  • 83:43 - 83:46
    I have not stolen the money you gave me. - Sure.
  • 83:47 - 83:49
    - But there is also this.
  • 83:52 - 83:56
    Here are other take off, other days, other routes,
  • 83:56 - 83:59
    toto other than those who just saw.
  • 84:00 - 84:03
    - Maybe. O no torso.
  • 84:04 - 84:06
    Please, take it,
  • 84:06 - 84:11
    so she, or rather his friend, will decide what he wants to know.
  • 84:15 - 84:18
    Alex I feel a crazy gift pertesteggiare promotion.
  • 84:18 - 84:21
    Maybe a little 'first, eh? 1,200 euro, but you have to see What is!
  • 84:22 - 84:25
    - And what gave you a present? - Summer Duster Scervino scream.
  • 84:26 - 84:28
    - Peter: Do not start talking about dusters.
  • 84:28 - 84:30
    Still you are not married and already we sprotondati so?
  • 84:31 - 84:33
    Soon taremo the ranking of the dishwasher!
  • 84:33 - 84:36
    What happened to the touch and Alex Henry? What a bore!
  • 84:36 - 84:38
    I can wait a lifetime a man for me dinner?
  • 84:38 - 84:39
    Do not tell me.
  • 84:40 - 84:43
    - Sorry, the metamorphosis that took Alex while I was gone?
  • 84:43 - 84:47
    The house looked like the loft of a twenty year old crazy. (RlDE)
  • 84:48 - 84:51
    - Peter: We begin to eat? I have a feeling peckish. What do you say?
  • 84:51 - 84:53
    (BEATING DOOR) I think they arrived.
  • 84:53 - 84:54
    - Peter: The we keep silent this paste?
  • 84:54 - 84:57
    - It was time! - Two hours we pasta in intensive care!
  • 85:01 - 85:04
    Sorry I'm late, love. Excuse me, I wash my hands and arrival.
  • 85:04 - 85:07
    - Peter Pern Hurry! - It 'soon, it's all ready.
  • 85:08 - 85:10
    - Peter: There you are! - There was a lot of traffic.
  • 85:10 - 85:12
    - Hello. - Peter: We eat overcooked pasta.
  • 85:13 - 85:16
    - Tony: I find that the truth is no better than fiction.
  • 85:16 - 85:18
    - Not that I like the lies,
  • 85:18 - 85:20
    but then there is need to call them '' lies ''?
  • 85:21 - 85:25
    - It's not better '' temporary suspension of reality ''?
  • 85:25 - 85:26
    - For example:
  • 85:26 - 85:29
    if that red folder coughing ended in the hands of Henry,
  • 85:30 - 85:34
    Today cheerful chats and civilians with Peter would not be possible.
  • 85:35 - 85:36
    Com'č pasta?
  • 85:36 - 85:39
    - It's not tacile to share his wife with someone
  • 85:39 - 85:41
    let alone with a friend.
  • 85:49 - 85:51
    (GRlDA E SCHlAMAZZl)
  • 85:54 - 85:56
    I'll have it taken 45, right?
  • 85:56 - 85:58
    80, pain in the ass that you are nothing, 80!
  • 85:59 - 86:02
    And did I feel a nice gift for maturitŕ: Greece!
  • 86:02 - 86:03
    No!
  • 86:06 - 86:07
    Oh God!
  • 86:08 - 86:12
    - Niki, if I do not say nothing to los forget, I give up. - Let's hope.
  • 86:21 - 86:25
    - Alex: Niki, no, come on, so are the signs, please. Niki!
  • 86:26 - 86:27
    But that's what you want.
  • 86:27 - 86:29
    So, if you ever leave us,
  • 86:29 - 86:33
    one day you will see him, you will remember and you will be miserable.
  • 86:33 - 86:37
    - Tony: Sometimes it's a snap. A memory and everything appears sharp.
  • 86:38 - 86:41
    - And with simplicity, life ta you figure out where you went wrong.
  • 86:42 - 86:46
    - Only you can decide what tare of your life. Your Life.
  • 86:49 - 86:50
    Here we are.
  • 86:50 - 86:53
    Look, I've only taken a bottle,
  • 86:53 - 86:56
    Alessi indeed the last time you are presented with nothing.
  • 86:57 - 86:58
    No?
  • 87:13 - 87:16
    - can not stand silent. - Thing? - I'm sorry.
  • 87:16 - 87:19
    It'll take you there more from Alessi, if you tanno this effect.
  • 87:19 - 87:24
    No, the problem is not the Alessi, the thing is much more simple:
  • 87:27 - 87:33
    I do not love you anymore. - Thing? What does that do not love me anymore?
  • 87:33 - 87:35
    Do you realize what you're saying?
  • 87:35 - 87:38
    Yes, unfortunately I realize.
  • 87:38 - 87:42
    My God! Even with 'history that I have left home.
  • 87:42 - 87:46
    Do not you hate it when tai so. I'm going. We'll talk later, eh?
  • 88:25 - 88:27
    - Ah, you're awake. Thank god!
  • 88:28 - 88:32
    My love, this morning I woke up and I thought about you.
  • 88:34 - 88:37
    I was still excited thinking about what we feel.
  • 88:37 - 88:42
    Especially excites me to death to think that you'll be in a meeting with him.
  • 88:43 - 88:46
    Can you go at noon?
  • 88:46 - 88:48
    I want to...
  • 88:48 - 88:51
    These are the jump because a number of your filth.
  • 88:52 - 88:53
    I take it from here.
  • 88:53 - 88:57
    I hope you manage to win, so you'll be in Rome
  • 88:57 - 88:59
    and we can continue to stay together,
  • 89:00 - 89:03
    because as I'm with you, Marcello ...
  • 89:06 - 89:07
    Solo che Marcello,
  • 89:07 - 89:10
    il deficiente che avrebbe dovuto
    prendere il mio posto, ha perso
  • 89:10 - 89:11
    ed č stato trasterito a Lugano
  • 89:13 - 89:19
    e, caso strano, paff,
    ricompari tu, improvvisamente.
  • 89:20 - 89:24
    Allora sai cosa ho tatto?
    Ho preparato queste belle valigie,
  • 89:24 - 89:30
    c'ho messo dentro tutto quello
    che c'era di tuo, tutto, prego, prego,
  • 89:31 - 89:33
    c'ho messo dentro
    anche le saponette, stai tranquilla.
  • 89:34 - 89:38
    E vorrei che tu tacessi una bella cosa,
    che tacessi come le tatine nei film.
  • 89:40 - 89:42
    Anzi, torse piů brava,
    piů brava, prego,
  • 89:43 - 89:48
    perchč vorrei che sparissi,
    per sempre. Tieni, questa č tua.
  • 89:53 - 89:54
    Alex, non dovevi!
  • 89:55 - 89:58
    Volevo solo ringraziarti, Andrea.
    Mi hai aiutato moltissimo.
  • 89:58 - 90:00
    Ma le idee sono tutte tue!
    lo ho tatto solo il mio lavoro.
  • 90:00 - 90:02
    Ora perchč
    mi ritrovo un computer nuovo?
  • 90:02 - 90:04
    Forse perchč sei un ''amico vero''.
  • 90:04 - 90:07
    Conoscevi Marcello,
    hai lavorato con Elena,
  • 90:08 - 90:10
    It has been not so hard to find out.
  • 90:12 - 90:15
    The email that's come to me has been delivered at 21:45
  • 90:15 - 90:16
    from a computer company.
  • 90:17 - 90:20
    And at that time you were there in the office only you and Leonardo,
  • 90:22 - 90:23
    he did not think it was.
  • 90:24 - 90:26
    Alex, forgive me. Maybe I made a mistake.
  • 90:26 - 90:30
    Imagine. Indeed, thanks.
  • 90:37 - 90:40
    This is the diary. The first news I already wrote it:
  • 90:41 - 90:43
    Yesterday I left Gio '. - No! - Niki: I do not believe!
  • 90:43 - 90:46
    Not only that, I want to tare incredible massacres, I tare off,
  • 90:46 - 90:48
    avrŕ each page a different name.
  • 90:48 - 90:50
    Great Erica! This is who is talking!
  • 90:50 - 90:54
    Convince these two reasons that they would pertare mess!
  • 90:54 - 90:57
    it no longer, my dear. Philip is at home waiting for me
  • 90:57 - 91:01
    and when I will return Tarn of Tollie that even images. - Maybe!
  • 91:06 - 91:08
    - Niki: Here I am, promoted to maturitŕ,
  • 91:08 - 91:10
    I'm here with my friends and all that will happen.
  • 91:10 - 91:14
    - Fun, fun, and never suffer.
  • 91:14 - 91:17
    - Dorothy: It's love, but I have a little 'fear,
  • 91:17 - 91:20
    but if you're rushing ... Philip you can be?
  • 91:20 - 91:23
    - I wish I could be Telice. I want to be Telice.
  • 91:23 - 91:26
    - Erica: No, no, I'm sure. I feel good to leave.
  • 91:26 - 91:29
    - Sometimes you are afraid to admit it to themselves.
  • 91:29 - 91:31
    - It was over, now I just want to fall in love again.
  • 91:32 - 91:35
    - Niki: I can not. You have to be telici for you is what you still have,
  • 91:36 - 91:39
    but it is so difficult when you're sick and something I miss her to death.
  • 91:40 - 91:43
    - I miss you, Alex, and I can not not think of you.
  • 91:43 - 91:47
    - When you lose the smile when you look at all Telice,
  • 91:47 - 91:50
    When tai pretend, even to yourself, not to think,
  • 91:50 - 91:53
    behold, he is wrung not just a trip.
  • 92:11 - 92:13
    - Cool! - But when he recommeneded?
  • 92:14 - 92:17
    Ehm, effettivamente
    qualcosa mi aveva detto...
  • 92:17 - 92:19
    Certo che sono stati
    veramente bravi, eh?
  • 92:19 - 92:24
    - Ormai tanno di tutto, sembrava
    veramente che dormisse. - Giŕ.
  • 92:28 - 92:31
    - Simona: Guarda chi c'č.
    Vuole proporci un nuovo investimento?
  • 92:31 - 92:34
    - Chi č?
    - ll finto promotore finanziario.
  • 92:34 - 92:37
    No, volevo solo darle questa.
  • 92:40 - 92:43
    - Niki non c'č,
    torna tra due settimane. - Lo so.
  • 92:43 - 92:46
    Papŕ, chi č, il tamoso fidanzato
    di Niki, quello vecchio?
  • 92:46 - 92:48
    Ma che ne sai tu?
    Pensa a anda' a casa.
  • 92:57 - 92:59
    - Scusa un attimo.
    - No, scusa te, che vuoi tare?
  • 92:59 - 93:02
    Porca miseria, non si legge niente.
    Mettiamo su dell'acqua?
  • 93:02 - 93:03
    Perchč, hai giŕ tame?
  • 93:03 - 93:05
    Ma no. Vuole aprirla con il vapore.
  • 93:05 - 93:08
    - Ma dove le leggete queste cose?
    - Sull'ultimo numero di Diabolik.
  • 93:08 - 93:11
    Col vapore la apriamo,
    la leggiamo e la richiudiamo.
  • 93:11 - 93:12
    Niki neanche se ne accorge.
  • 93:12 - 93:15
    Absolutely. Niki's age. He is 18 years old and ta what you want.
  • 93:16 - 93:17
    - Let's just peek! - Leave me!
  • 93:17 - 93:20
    Come on, I want to know if Alex and Niki is reunited.
  • 93:20 - 93:24
    - And 'the life of your sister, leaves ... Roberto! - Excuse me, pertavore.
  • 93:25 - 93:29
    Niki has been very bad. I do not like to see her more so.
  • 93:29 - 93:35
    Let's make one thing: we are here I swear I did not touch,
  • 93:35 - 93:39
    we take a little 'time to think, okay?
  • 93:39 - 93:43
    If anyone opens this letter, I am silent a putiterio!
  • 93:43 - 93:46
    - you do not have to open, right? - Clear.
  • 93:48 - 93:52
    - It also applies perte. - Heard?
  • 94:00 - 94:02
    - Hello, what tai? - I'll get the things I need.
  • 94:03 - 94:04
    The LALUNA campaign is a success,
  • 94:04 - 94:07
    the Japanese have asked us to work on other projects.
  • 94:08 - 94:10
    Then you can call your friend from Lugano.
  • 94:11 - 94:13
    - What do you mean? - That I'm leaving.
  • 94:14 - 94:15
    They have offered another job.
  • 94:16 - 94:18
    If it's a problem of money, we can talk.
  • 94:18 - 94:20
    No, it's just that I'm going on vacation.
  • 94:20 - 94:22
    Ah, then I have an idea:
  • 94:22 - 94:25
    while you're away, silent set everything to Alessia, the thy past.
  • 94:25 - 94:27
    I do not know when I return.
  • 94:27 - 94:29
    Do as the type of publicity with credit card
  • 94:29 - 94:31
    who finds himself naked desert island?
  • 94:31 - 94:34
    But why do you think that everything is a publicity?
  • 94:34 - 94:36
    There's also more to life.
  • 94:38 - 94:41
    I'm back! Hello, Dad!
  • 94:41 - 94:47
    - Here she is. Love, welcome back! What splendor! - Hello!
  • 94:51 - 94:52
    Ciao.
  • 94:53 - 94:56
    - Have you eaten? You dimagritissima. - Yeah restart?
  • 94:56 - 94:59
    - It 's thin as an anchovy. - Look how beautiful it is. - But, but ...
  • 94:59 - 95:03
    -There I brought gifts. This is perte, Mom. - Thank you.
  • 95:03 - 95:05
    Matthew, these are perte, Dad.
  • 95:05 - 95:08
    And 'the Santa's sack. Thank you.
  • 95:08 - 95:12
    - How nice, a sarong! - Strong, the dell'Olimpiakos shirt.
  • 95:12 - 95:13
    Hai trovato pure il numero.
  • 95:17 - 95:19
    - Niki: Che c'č,
    non vi sono piaciuti i regali?
  • 95:31 - 95:37
    - Hai visto? Abbiamo tatto bene
    a non aprirla. - Giŕ. Andiamo, Matte'.
  • 95:57 - 95:58
    Che c'č?
  • 95:59 - 96:01
    Non ci posso credere.
  • 96:03 - 96:06
    - Cosa? - Che sei ancora piů bella.
    dopo avertatto l'amore.
  • 96:06 - 96:11
    - Dai, mi prendi in giro?
    - E' vero! No, non ti prendo in giro.
  • 96:12 - 96:17
    -Aveva ragione Olly. - Che dice Olly?
    - Che ho perso un sacco di tempo.
  • 96:18 - 96:19
    Possiamo recuperare.
  • 96:24 - 96:26
    (VERSl DEl GABBlANl)
  • 96:29 - 96:31
    - Tony: Avete capito ora
    cos'ha portato Alex
  • 96:31 - 96:34
    a entrare nell'universo
    di bigattini e vermi coreani?
  • 96:34 - 96:36
    - Ma non č finita.
  • 96:37 - 96:40
    - Vi ricordate il taro di Niki
    e quel sogno di andarci a vivere?
  • 96:41 - 96:43
    - Ecco, Alex ci č andato.
  • 96:44 - 96:45
    Buongiorno, signora Winspeare.
  • 96:45 - 96:48
    (accento inglese) Buongiorno a lei.
    Oggi c'č il rombo, signor Belli.
  • 96:48 - 96:50
    Non per merito mio.
  • 96:51 - 96:54
    - Tony: But to realize a dream we must know how to wait,
  • 96:54 - 96:57
    reflect, be patient.
  • 96:58 - 97:01
    - How to learn to draw or win back a woman.
  • 97:03 - 97:06
    - Since he lives in taro, Alex constantly watch the clock,
  • 97:07 - 97:09
    He coughs as if a kind of lure for Niki.
  • 97:12 - 97:16
    - But the beauty is that it is not trutto of any calculation.
  • 97:24 - 97:25
    (HORN)
  • 97:47 - 97:53
    They are 21 days, 8 hours, 16 minutes and 24 seconds waiting for you.
  • 97:53 - 97:57
    So? I am 18 or older and mica I never complained.
  • 98:08 - 98:10
    Here, we start from here.
  • 98:10 - 98:13
    (''SHE'S THE ONE'' DA AUTORADlO)
  • 98:30 - 98:31
    Come.
  • 98:55 - 98:58
    - Promise me something. - Thing?
  • 98:59 - 99:01
    What I'm thinking.
  • 99:07 - 99:08
    I promise you, love.
  • 99:26 - 99:28
    - Tony: '' The true love is like tantasmi: ''
  • 99:28 - 99:31
    '' Everyone talks about it, but very few people have actually seen ''.
  • 99:31 - 99:33
    - The Rochetoucauld.
  • 99:38 - 99:42
    - Tony: Peter has been discovered by Susanna with one of his women
  • 99:42 - 99:43
    and he was thrown out.
  • 99:43 - 99:46
    - E 'remained intact relationship with Henry,
  • 99:46 - 99:48
    to which, of course, he did not say anything.
  • 99:50 - 99:53
    - Camilla, however, it seems that trequenti another guy.
  • 99:54 - 99:57
    - Flavio and Cristina continue their passionate evenings.
  • 99:57 - 100:00
    - Every now and then whack of living: rent a horror!
  • 100:01 - 100:05
    - Elena's trasterita in Lugano, hoping to regain Marcello.
  • 100:05 - 100:07
    - For now, there is no success.
  • 100:08 - 100:11
    - Andrea Soldini is engaged to a Russian model.
  • 100:11 - 100:14
    - Never touch more drug use.
  • 100:15 - 100:18
    - Dorothy and Philip are making up for lost time.
  • 100:20 - 100:22
    - Erika has rethought and tried it again Gio ':
  • 100:22 - 100:25
    teletonato him and of course they had a fight,
  • 100:25 - 100:27
    but he did not say anything to the WAVES.
  • 100:31 - 100:34
    - Simona and Roberto have invested in a pension round,
  • 100:34 - 100:35
    but for themselves.
  • 100:36 - 100:39
    - By Niki and Alex no news.
  • 100:39 - 100:42
    - There are those who say that still have not exited the taro.
  • 100:44 - 100:48
    - The other day instead I happened is a strange thing in the office.
  • 100:49 - 100:52
    - Olly: About two weeks ta, this friend of mine was telling you about,
  • 100:52 - 100:55
    is gone to the disco, she knew a guy.
  • 100:56 - 100:58
    Pern is afraid of love.
  • 100:58 - 101:02
    Do not look so. Really, it's not for me. E 'for this my friend.
  • 101:03 - 101:05
    Okay, okay, it's for me.
  • 101:05 - 101:09
    But she does not know, Mr. Costa, I do not understand, no one who falls in love:
  • 101:09 - 101:11
    I've always been too afraid.
  • 101:11 - 101:14
    - But, now that it happened ...
  • 101:15 - 101:18
    well, it's beautiful, beautiful!
  • 101:18 - 101:21
    ( '' SORRY IF CHlAMO LOVE '' lN FOUNDATION)
  • 103:17 - 103:19
    Subtitles edited by STUDlO ASCL - Cream
  • 103:20 - 103:30
    Downloaded From www.AllSubs.org
Title:
Scusa ma ti chiamo amore PARTE 1
Video Language:
Italian
Duration:
32:26

Danish subtitles

Revisions