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In 1987, Tina Lord found herself
in quite the pickle.
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See, this gold digger made sure
she married sweet Cord Roberts
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just before he inherited millions.
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But when Cord found out
Tina loved his money
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as much as she loved him,
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he dumped her.
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Cord's mother Maria was thrilled
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until they hooked up again.
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So Maria hired Max Holden to romance Tina
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and then make sure Cord didn't find out
Tina was pregnant with his baby.
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So Tina, still married but thinking
Cord didn't love her
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flew to Argentina with Max.
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Cord finally figured out what was going on
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and rushed after them,
but he was too late.
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Tina had already been kidnapped,
strapped to a raft,
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and sent over a waterfall.
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She and her baby were presumed dead.
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Cord was sad for a bit,
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but then he bounced right back with
a super-smart archaeologist named Kate,
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and they had a gorgeous wedding
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until Tina, seemingly back from the dead,
ran into the church holding a baby.
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"Stop!" she screamed. "Am I too late?
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Cord, I've come so far.
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This is your son."
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And then, ladies and gentlemen,
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is the soap opera "One Life To Live"
introduced a love story
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that lasted 25 years.
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(Laughter)
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Now, if you've ever seen a soap opera,
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you know the stories and the characters
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can be exaggerated, larger than life,
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and if you're a fan,
you find that exaggeration fun,
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and if you're not,
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maybe you find them melodramatic
or unsophisticated.
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Maybe you think watching soap operas
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is a waste of time,
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that their bigness means their lessons
are small or nonexistent.
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But I believe the opposite to be true.
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Soap operas reflect life, just bigger.
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So there are real life lessons
we can learn from soap operas,
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and those lessons are
as big and adventurous
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as any soap opera storyline.
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Now, I've been a fan since I ran home
from the bus stop in second grade
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desperate to catch the end
of Luke and Laura's wedding,
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the biggest moment
in "General Hospital"'s history.
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(Applause)
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So you can imagine how much
I loved my eight years
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as the assistant casting director
on "As The World Turns."
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My job was watching soap operas,
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reading soap opera scripts,
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and auditioning actors
to be on soap operas.
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So I know my stuff.
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(Laughter)
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And yes, soap operas
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are larger than life,
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drama on a grand scale,
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but our lives can be filled
with as much intensity,
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and the stakes can feel just as dramatic.
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We cycle through tragedy and joy
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just like these characters.
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We cross thresholds, fight demons,
and find salvation unexpectedly,
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and we do it again and again and again,
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but just like soaps,
we can flip the script,
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which means we can learn
from these characters
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that move like bumblebees,
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looping and swerving through life.
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And we can use those lessons
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to craft our own life stories.
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Soap operas teach us to push away doubt
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and believe in our capacity
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for bravery, vulnerability,
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adaptability, and resilience.
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Most importantly, they show us
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it's never too late to change your story.
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So with that, let's start
with soap opera lessons one:
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surrender is not an option.
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(Laughter)
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"All My Children"'s Erica Kane was
daytime's version of Scarlett O'Hara,
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a hyperbolically self-important princess
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who deep down
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was scrappy and daring.
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Now, in her 41 years on TV,
perhaps Erica's most famous scene
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is her alone in the woods
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suddenly face to face with a grizzly bear.
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She screamed at the bear,
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"You may not do this!
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Do you understand me?
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You may not come near me!
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I am Erica Kane,
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and you are a filthy beast!"
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And of course the bear left,
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so what that teaches us
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is obstacles are to be expected
and we can choose to surrender
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or we can stand and fight.
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Pandora's Tim Westergren
knows this better than most.
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You might even call him
the Erica Kane of Silicon Valley.
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Tim and his cofounders
launched the company
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with two million dollars in funding.
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They were out of cash the next year.
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Now lots of companies fold
at that point, but Tim chose to fight.
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He maxed out 11 credit cards
and racked up six figures in personal debt
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and it still wasn't enough.
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So every two weeks for two years on payday
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he stood in front of his employees
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and he asked them
to sacrifice their salaries,
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and it worked.
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More than 50 people deferred
two million dollars,
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and now, more than a decade later,
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Pandora is worth billions.
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When you believe that there is a way
around or through whatever
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is in front of you,
that surrender is not an option,
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you can overcome enormous obstacles.
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Which brings us to soap opera lesson two:
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sacrifice your ego
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and drop the superiority complex.
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Now, this is scary.
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It's an acknowledgment of need
or fallibility.
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Maybe it's even an admission
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that we're not as special
as we might liked to think.
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Stephanie Forrester of
"The Bold and the Beautiful"
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thought she was pretty darn special.
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She thought she was so special,
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she didn't need to mix
with the riffraff from the valley,
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and she made sure
valley girl Brooke knew it.
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But after nearly 25 years
of epic fighting,
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Stephanie got sick and let Brooke in.
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They made amends,
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arch-enemies became soulmates,
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and Stephanie died in Brooke's arms,
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and here's our takeaway.
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Drop your ego.
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Life is not about you.
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It's about us,
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and our ability to experience joy
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and love and to improve our reality
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comes only when we make
ourselves vulnerable
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and we accept responsibility
for our actions
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and our inactions,
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kind of like Howard Schultz,
the CEO of Starbucks.
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Now, after a great run as CEO,
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Howard stepped down in 2000,
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and Starbucks quickly overextended itself
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and stock prices fell.
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Howard rejoined the team in 2008,
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and one of the first things he did
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was apologize to all 180,000 employees.
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He apologized.
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And then he asked for help,
honesty, and ideas in return.
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And now, Starbucks has more than doubled
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its net revenue since Howard came back.
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So sacrifice your desire to be right
or safe all the time.
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It's not helping anyone, least of all you.
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Sacrifice your ego.
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Soap opera lesson three:
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evolution is real.
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You're not meant to be static characters.
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On television, static equals boring
and boring equals fired.
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Characters are supposed
to grow and change.
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Now on TV, those dynamic changes
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can make for some rough transitions,
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particularly when a character
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is played by one person yesterday
and played by someone new today.
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Recasting happens all the time on soaps.
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Over the last 20 years,
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four different actors have played
the same key role
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of Carly Benson on "General Hospital."
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Each new face triggered a change
in the character's life and personality.
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Now, there was always an essential nugget
of Carly in there,
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but the character and the story
adapted to whomever was playing her.
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And here's what that means for us.
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While we may not swap faces
in our own lives,
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we can evolve too.
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We can choose to draw a circle
around our feet and stay in that spot,
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or we can open ourselves to opportunities
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like Carly, who went
from nursing student to hotel owner,
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or like Julia Child.
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Julia was a World War II spy,
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and when the war ended,
she got married, moved to France,
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and decided to give
culinary school a shot.
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Julia, her books, and her TV shows
revolutionized the way America cooks.
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We all have the power to initiate
change in our lives,
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to evolve and adapt.
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We make the choice,
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but sometimes life chooses for us,
and we don't get a heads up.
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Surprise slams us in the face.
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You're flat on the ground,
the air is gone,
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and you need resuscitation.
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So thank goodness
for soap opera lesson four:
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resurrection is possible.
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(Laughter) (Applause)
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In 1983, "Days of Our Lives'"
Stefano DiMera died of a stroke,
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but not really, because in 1984
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he died when his car
plunged into the harbor,
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and yet he was back in 1985
with a brain tumor.
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(Laughter)
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But before the tumor could kill him,
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Marlena shot him, and he tumbled
off a catwalk to his death.
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And so it went for 30 years.
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(Laughter)
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Even when we saw the body,
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we knew better.
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He's called the Phoenix for a reason.
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And here's what that means for us.
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As long as the show is still on the air,
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or you're still breathing,
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nothing is permanent.
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Resurrection is possible.
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Now, of course, just like life,
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soap operas do ultimately meet
the big finale.
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CBS canceled my show,
"As The World Turns," in December 2009,
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and we shot our final episode
in June 2010.
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It was six months of dying
and I road that train
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right into the mountain.
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And even though we were in the middle
of a huge recession,
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and millions of people
were struggling to find work,
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I somehow thought
everything would be okay.
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So I packed up the kids
and the Brooklyn apartment,
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and we moved in with my in-laws
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in Alabama.
-
(Laughter)
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Three months later, nothing was okay.
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That was when I watched
the final episode air,
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and I realized the show
was not the only fatality.
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I was one too.
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I was unemployed and living
on the second floor
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of my in-laws' home,
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and that's enough to make anyone
feel dead inside.
-
(Laughter)
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But I knew my story wasn't over,
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that it couldn't be over.
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I just had to tap into everything
I had ever learned about soap operas.
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I had to be brave like Erica
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and refuse to surrender, so every day,
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I made a decision to fight.
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I had to be vulnerable like Stephanie
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and sacrifice my ego.
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I had to ask for help a lot of times
across many states.
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I had to be adaptable like Carly
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and evolve my skills, my mindset,
and my circumstances,
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and then I had to be resilient,
like Stefano,
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and resurrect myself and my career
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like a phoenix from the ashes.
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Eventually I got an interview.
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In 15 years in news and entertainment,
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nine months of unemployment
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and this one interview,
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I had an offer for an entry level job.
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I was 37 years old,
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and I was back from the dead.
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We will all experience
what looks like an ending,
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and we can choose to make it a beginning.
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Kind of like Tina, who miraculously
survived that waterfall,
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and because I hate to leave
a cliffhanger hanging,
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Tina and Cord did get divorced,
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but they got remarried three times
before the show went off the air in 2012.
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So remember,
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as long as there is breath in your body,
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it's never too late to change your story.
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Thank you.
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(Applause)
Retired user
03:26 "daytime's version" is spelled wrongly. "Daytime" is the name of the broadcaster ("ABC Daytime")