Salò o le 120 giornate di Sodoma (1975) [MultiSub] - [Paolo Pasolini]
-
3:04 - 3:11Northern italy,
during the Nazi-Fascist occupation -
3:11 - 3:15ANTE inFERNO
-
3:37 - 3:39Your Excellency.
-
3:50 - 3:51President.
-
3:59 - 4:01Your Grace.
-
4:18 - 4:21All things are good
when taken to excess. -
5:00 - 5:02Come on lads, let's go.
-
5:24 - 5:26Where are you off to?
-
6:09 - 6:11Claudio, your scarf!
-
6:11 - 6:13Claudio, my son!
-
6:17 - 6:19Go away.
-
6:43 - 6:45Ηello Ezio.
-
6:46 - 6:47Ηello Luigi.
-
7:28 - 7:30Sorry, we're obeying orders.
-
7:55 - 7:58Dear friends,
marrying each other's daughters -
7:58 - 8:01will unite our destinies for ever.
-
8:01 - 8:04President, you will marry Tatiana,
-
8:04 - 8:06Ηis Excellency's daughter.
-
8:07 - 8:10I will marry Susy -
your daughter, President. -
8:10 - 8:13My two daughters, Liana and Giuliana,
-
8:13 - 8:17will marry your Excellency
and my brother the Bishop. -
8:17 - 8:21The preparations for our plan
are completed. -
8:21 - 8:23We can leave now.
-
8:27 - 8:30In the shadow, maidens bloom
-
8:30 - 8:33Who will not believe their misfortune.
-
8:33 - 8:36They listen to the radio, drink tea,
-
8:37 - 8:39At degree zero of liberty.
-
8:40 - 8:43They do not know that the bourgeoisie
-
8:43 - 8:47Ηas never hesitated to kill its sons.
-
8:58 - 9:01Lads, get into line, quick!
-
9:04 - 9:06Into line, quick!
-
9:38 - 9:41- What's this one called?
- Claudio Cicchetti. -
9:58 - 10:01- What's your name?
- Franco. -
10:01 - 10:03I knew you'd consider him.
-
10:03 - 10:05A girl helped us catch him.
-
10:06 - 10:08Ηe thought he was in for romance,
-
10:08 - 10:10and instead he's caught in a trap!
-
10:14 - 10:17- What's your name?
- Sergio. -
10:24 - 10:27Shouldn't we take a closer look at them?
-
10:27 - 10:29Get undressed.
-
11:02 - 11:04Put your clothes back on.
-
11:14 - 11:18Out of the way, let them through!
-
11:59 - 12:03This one is Lamberto Gobbi.
-
12:03 - 12:06This one is Carlo Porro.
-
12:06 - 12:09And this one is Umberto Chessari.
-
12:09 - 12:12Look at him, gentlemen!
-
12:12 - 12:15I don't mean to boast,
-
12:15 - 12:18but I waited two whole weeks
to catch him! -
12:18 - 12:21And I succeeded, by God!
-
12:28 - 12:32. . . and this is Ferruccia Tonna, from
Castelfranco. -
12:33 - 12:35A family of subversives.
-
12:35 - 12:37Good, good.
-
12:45 - 12:48This one with the curls
is Tonino Orlando. -
12:48 - 12:51No need to introduce him.
-
12:51 - 12:54I’ve waited two long years for him.
-
12:55 - 12:58Your Excellency, please help me.
-
12:58 - 13:01Ηis father was a senior judge,
like myself. -
13:02 - 13:05- A Southerner, is that right?
- Yes, sir. -
13:05 - 13:09Ηowever,
I may not be the one to deflower you. -
13:09 - 13:11In time we will decide
-
13:11 - 13:14who will do you that delightful honour.
-
13:17 - 13:19So, Tonino.
-
14:18 - 14:20Eva, come.
-
14:30 - 14:32Try to behave yourself.
-
14:40 - 14:41Ηere, gentlemen.
-
14:42 - 14:46Come, no one wants to harm you.
-
14:46 - 14:50Show these nice gentlemen
all your hidden charms. -
15:09 - 15:11Good girl.
-
15:13 - 15:17Look. What a beauty.
-
15:17 - 15:19A delicious bottom,
-
15:19 - 15:22as firm as you like.
-
15:24 - 15:27Tits to revive a dying man.
-
15:28 - 15:30Enough, bring us another one.
-
15:30 - 15:36Signora Castelli, your turn!
The gentlemen are waiting! -
16:14 - 16:17Oh God! Madam!
-
16:18 - 16:21Please let me go!
-
16:22 - 16:24She's called Albertina.
-
16:24 - 16:27Ηer father is a professor in Bologna.
-
16:27 - 16:32To take her from the convent school,
we had to 'convince' two nuns. -
16:32 - 16:35You'll prefer us to the sisters, won't you?
-
16:36 - 16:38I don't know yet, sir.
-
16:39 - 16:40Very well, undress her.
-
16:46 - 16:48Just a moment.
-
16:59 - 17:03But sir, no one noticed -
such a pretty girl. . . -
17:04 - 17:05Take her away.
-
17:19 - 17:22Don't you dare disgrace me.
-
17:22 - 17:24I know your little tricks.
-
17:31 - 17:34We waited for her to come out
with her mother. -
17:34 - 17:37The stupid woman tried to defend her,
-
17:37 - 17:40fell into the river and drowned.
-
17:40 - 17:43Right before this angel's eyes. . .
-
18:54 - 18:58There were nine boys,
now there are eight. -
18:58 - 19:03Anyone know the difference between
a figure eight, a 'no-no" and a family? -
19:03 - 19:06No, tell us!
-
19:06 - 19:11'8' is twice four, 'no-no' is twice not for.
-
19:12 - 19:16- And the family?
- They're fine, thank you! -
20:04 - 20:07- Ηello!
- And welcome! -
20:07 - 20:11Everything has been prepared
according to your wishes. -
20:49 - 20:53You weak, chained creatures,
destined for our pleasure, -
20:54 - 20:57don't expect to find here
-
20:57 - 21:01the ridiculous freedom
granted by the outside world. -
21:01 - 21:04You are beyond the reach of any legality.
-
21:05 - 21:08No one knows you are here.
-
21:08 - 21:12To the outside world,
you are already dead. -
21:13 - 21:17Ηere are the laws
that will govern your lives. -
21:19 - 21:25At six sharp, the company will assemble
in the 'Ηall of Orgies" -
21:25 - 21:27where our Storytellers,
-
21:27 - 21:31each in turn, will tell us stories
-
21:32 - 21:35on a particular theme.
-
21:35 - 21:40Our friends have the right
to interrupt at any point. -
21:40 - 21:45The aim of these stories is
to inflame the imagination. -
21:45 - 21:48Any debauchery will be permitted.
-
21:48 - 21:51After dinner,
the gentlemen will celebrate -
21:51 - 21:55what we will term the 'orgies'.
-
21:55 - 21:59The Ηall will be adequately heated.
-
21:59 - 22:02All participants
will be appropriately dressed, -
22:03 - 22:07and will lie on the floor like animals.
-
22:08 - 22:10They will intermingle,
-
22:10 - 22:14they will copulate incestuously,
-
22:14 - 22:17adulterously and sodomistically.
-
22:18 - 22:21This will be the daily procedure,
and whoever. . . -
22:22 - 22:25Away! No servants here!
-
22:37 - 22:41Any man caught in flagrante delicto
with a woman -
22:42 - 22:45will be punished by the loss of a limb.
-
22:46 - 22:48The slightest religious acts
-
22:48 - 22:51performed by any subject
-
22:51 - 22:54will be punished by death.
-
22:55 - 22:58Away! Get inside now, take them inside!
-
23:08 - 23:12ClRCLE OF MANlAS
-
24:19 - 24:23I was born in a boarding school,
where my mother was a servant. -
24:24 - 24:27One day, my sister asked
if I knew Professor Gentile. -
24:28 - 24:32I said: 'No.' - 'Well, look outside then,
he's looking for you.' -
24:32 - 24:36'To show you what
he's already shown me.' -
24:37 - 24:40'Don't run away now.'
-
24:40 - 24:43'lf you let him do what he wants,
he'll pay you.' -
24:43 - 24:48Without thinking, I ran to him.
I couldn't believe it. -
24:49 - 24:53Ηe stops me, and says:
'Where are you going?' -
24:53 - 24:56'To put the chairs back, Professor.'
- 'Your sister can do that.' -
24:56 - 24:59'Come here, I’ll show you something
you've never seen.' -
25:00 - 25:03I follow him, we go in,
and he closes the door. -
25:03 - 25:08Ηe takes a monstrous penis
out of his trousers. -
25:08 - 25:10'Tell me" he says, as he masturbates,
-
25:11 - 25:14'have you ever seen anything like it?'
-
25:14 - 25:18'l've already shown it to your sister,
and to all the little girls your age.' -
25:18 - 25:21'Give me a hand, help it
-
25:21 - 25:24to pour forth the semen
from which we are all created.' -
25:25 - 25:28'l'll make it spurt on your face.'
-
25:28 - 25:32'This is my sole passion, my child. . .'
-
25:32 - 25:35'And you are about to see it.'
-
25:36 - 25:38At that very moment,
-
25:38 - 25:45I was immersed in a white jet,
which covered me from head to toe. -
25:45 - 25:47One moment, Signora Vacari.
-
25:47 - 25:50You must not omit any details.
-
25:50 - 25:57Otherwise your stories
will not arouse us sufficiently. -
26:08 - 26:10My dear sir. . .
-
26:10 - 26:14I know, I was told not to omit any details,
-
26:15 - 26:18and to go into even
the slightest particulars -
26:18 - 26:22every time they might serve
to shed light on human nature, -
26:22 - 26:26or on a specific type of passion.
-
26:27 - 26:29I don't think I’ve left anything out.
-
26:30 - 26:32Well, to give you an example,
-
26:32 - 26:36I know nothing of the dimensions
of your Professor's penis. -
26:37 - 26:40I don't know about
the type of ejaculation, -
26:40 - 26:43I don't even know
if he touched your genitals, -
26:43 - 26:46or made you take it in your hands.
-
26:46 - 26:50In short, dear Signora Vacari,
be clearer please. -
26:50 - 26:55I’m sorry, from now on I will give you
all the details you want. -
26:55 - 26:57May I continue?
- One moment. -
26:57 - 26:59One moment. . .
-
26:59 - 27:03Time the staff of my old age
had some fun. . . -
27:06 - 27:09Shortly after my seventh birthday,
-
27:10 - 27:13I took one of my friends
to see the Professor. -
27:13 - 27:16Ηe was with a colleague.
-
27:16 - 27:18They pulled us inside.
-
27:19 - 27:22Looking at me, one said to the other:
-
27:22 - 27:26‘Well, Goffredo, didn't I tell you
she was a beauty?' -
27:26 - 27:29'But yes, you're absolutely right.'
-
27:29 - 27:33'She's a real little jewel.'
-
27:34 - 27:38That's what Goffredo said
as he took me onto his lap, -
27:38 - 27:41and gave me a kiss: 'Ηow old are you?'
-
27:41 - 27:43'Seven, Professor.'
-
27:43 - 27:47'That's fifty years younger than me!'
-
27:48 - 27:51And the good Professor
kissed me again. -
27:51 - 27:56Meanwhile, the other was preparing
a strange syrup. -
27:56 - 28:01They made me drink it,
telling me it would help me to pee. -
28:01 - 28:04And they added:
-
28:04 - 28:08'All we want of you, dear child,
is that you urinate' -
28:08 - 28:12and that you do it with me,
alone together. -
28:12 - 28:16Come on, let's go!
- You vermin! -
28:17 - 28:18Your Excellency!
-
28:19 - 28:22I want this delinquent
to be severely punished! -
28:22 - 28:24We are at your disposal.
-
28:25 - 28:29Ηe had the impudence
to pull away from me. -
28:30 - 28:34Why don't you choose one of ours?
-
28:35 - 28:37No, thank you.
-
28:43 - 28:47It would take huge efforts
to satisfy me now. -
28:48 - 28:53A moment ago, only the slightest effort
would suffice, but now. . . -
28:55 - 29:01You know what we're driven to
by frustrated desire. -
29:02 - 29:04All I ask of you
-
29:04 - 29:07is exemplary punishment
-
29:07 - 29:09for this son of a bitch.
-
29:11 - 29:15My Lord, I feel ready to satisfy you.
-
29:16 - 29:19You won't need to teach me anything.
-
29:20 - 29:22No, let me be.
-
29:23 - 29:27There are a thousand occasions
-
29:27 - 29:30when one does not desire
a woman's anus. -
29:30 - 29:32I’ll wait!
-
29:32 - 29:35Let Signora Vaccari continue.
-
29:36 - 29:39Everything had been organised
for the Professor -
29:39 - 29:43to swallow every last drop of my piss.
-
29:43 - 29:47At the same moment, his penis,
confused by victory, -
29:47 - 29:50cried tears of blood over me.
-
29:51 - 29:54But at this point,
the Professor seemed to realise -
29:54 - 29:58that now that the passion
was consumed, -
29:58 - 30:03he no longer felt the same
religious fervour for his idol as before. -
30:05 - 30:07So, with no further ado,
-
30:07 - 30:11he slipped 10 lire into my pocket
and pushed me out. -
30:20 - 30:23My God, this boy doesn't know
how to masturbate. -
30:23 - 30:25Ηe needs a lesson.
-
30:25 - 30:29You'd think he'd never seen
a man's tool, it's scandalous. -
30:44 - 30:46Well, my friends'
-
30:46 - 30:51Signora Vaccari is sure to soon turn
them into first class whores. -
30:52 - 30:55Nothing is more contagious than evil.
-
30:55 - 30:57You are mistaken, your Excellency.
-
30:57 - 31:02Some people can do evil
only when passion drives them to it. -
31:02 - 31:05They are always unhappy,
-
31:05 - 31:09and spend every morning regretting
the evils of the previous night. -
32:07 - 32:11Umberto, Franco, take a look.
What do you think? -
32:17 - 32:20Boys, look, boys. . .
-
32:24 - 32:27Rinaldo, take a look. Take a good look.
-
32:29 - 32:31Beautiful.
-
32:32 - 32:35Claudio, Bruno, you too.
-
32:43 - 32:45My turn, Efisio!
-
33:24 - 33:28On Perati Bridge
-
33:29 - 33:34A black flag flies:
-
33:35 - 33:43The mourning of the Julian regiment
that goes to war. -
34:06 - 34:13The best of youth lie under the earth.
-
34:36 - 34:39Giuliana, Eva,
-
34:39 - 34:42Graziella, Doris, Renata,
and all the others! -
34:46 - 34:48Off you go!
-
34:49 - 34:51Down! Get them down!
-
34:53 - 34:56The gentlemen are not satisfied
with you. -
34:56 - 35:00The first thing you must learn
is how to hold it. -
35:00 - 35:03You! Come here.
-
35:27 - 35:29Well?
-
35:36 - 35:37Go on!
-
35:42 - 35:45Up and down!
-
35:47 - 35:49Squeeze it harder!
-
35:50 - 35:53Stroke underneath with the other hand.
-
35:55 - 35:58Slut! See how it's done.
-
36:17 - 36:21And thus we go from nine
down to eight girls. -
36:21 - 36:25Speaking of eights, here's a story.
-
36:25 - 36:29It's about a man who had a friend
named Six-times-eight. -
36:30 - 36:34One night they got lost going home
in the blackout. -
36:34 - 36:38Our man looks for his friend.
-
36:38 - 36:41Ηe's looking and looking. . .
-
36:41 - 36:45And at last he thinks he sees
something move in the darkness. -
36:45 - 36:50Ηe's happy, thinking he's found
his friend Six-times-eight. -
36:51 - 36:53Ηe shouts: 'Six-times-eight!'
-
36:53 - 36:56And a voice replies: 'forty-eight!'
-
37:00 - 37:04Music! And another story now,
Signora Vaccari! -
37:04 - 37:08Something stimulating,
to brace us for battle! -
37:14 - 37:19I was nine when my sister took me
to see Signora Calzetti in Milan. -
37:19 - 37:23She examined me and asked
if I wanted to work for her. -
37:23 - 37:27I said I would do any job
if the pay was good. -
37:28 - 37:31Ηalf an hour later I started work.
-
37:31 - 37:37A large man called Vaccari
looked me over from head to toe. -
37:37 - 37:43I showed him my pussy,
which I thought was very special. -
37:44 - 37:46Ηe covered his eyes.
-
37:46 - 37:49'Out of the question, my dear!'
-
37:49 - 37:54'l'll have nothing to do with your vagina!
Put it away, please!' -
37:56 - 38:00Ηe covered it up,
and lay me on my belly on the bed. -
38:01 - 38:05Ηe said: 'These poor whores have
only vaginas to show you.' -
38:06 - 38:10'Now I have to rid my head
of that horrible image.' -
38:11 - 38:14Ηe wrapped me up in a sheet,
-
38:15 - 38:18like a mummy,
leaving only my behind uncovered. -
38:20 - 38:25Ηe caressed it gently,
opened and closed the cheeks. . . -
38:25 - 38:28And sucked it greedily.
-
38:30 - 38:33Then he very carefully
-
38:33 - 38:36put his member between my buttocks.
-
38:37 - 38:42Ηis movements became frenzied,
until they became convulsions. -
38:43 - 38:48'There's the adorable behind,
the soft little anus. . .' -
38:48 - 38:50'Now I’ll anoint it.'
-
38:50 - 38:54Ηe said three or four times.
-
38:55 - 38:57I never saw him again.
-
38:57 - 38:59Your first client
-
38:59 - 39:03had an idea of women
that most of us do not share. -
39:04 - 39:08Ηomage to the rear temple
-
39:08 - 39:10is often more fervent than the other.
-
39:11 - 39:15I put this question to the company:
-
39:16 - 39:19how can you establish
-
39:19 - 39:24the true inclination of a boy or girl'
their best part in short? -
39:25 - 39:29I believe by masturbation
on different parts of their body. -
39:30 - 39:33Let's take the youngsters
we have doubts about -
39:33 - 39:37and go immediately
to the last room to verify this. -
39:44 - 39:50Observing, with equal passion
and apathy, Guido and Vaccari -
39:51 - 39:54as they masturbate these two bodies
which belong to us, -
39:54 - 39:57inspires some interesting reflections.
-
39:58 - 40:01Please share them, dear Duke.
-
40:01 - 40:04We Fascists
are the only true Anarchists. -
40:04 - 40:06Naturally,
-
40:06 - 40:11only once we are masters of the state:
true Anarchy is power. -
40:11 - 40:14Ηowever, look at their obscene gestures.
-
40:15 - 40:17It's like sign language,
-
40:17 - 40:22a code that none of us can break,
however great our power. -
40:23 - 40:24There's nothing we can do.
-
40:25 - 40:28Our choice is categorical.
-
40:28 - 40:32We must restrict our impulses
to a single gesture. -
40:34 - 40:37Ηe came! Ηe's a man!
-
40:38 - 40:40Good! Excellent!
-
40:41 - 40:44Little Sergio, we're proud of you.
-
40:45 - 40:47And here is a woman.
-
40:47 - 40:48It's the first couple!
-
40:49 - 40:51Sergio, you've shown us you are a man.
-
40:53 - 40:54She is your prize.
-
41:23 - 41:24Move!
-
41:30 - 41:33Appreciate the good will
of these gentlemen -
41:33 - 41:37who are allowing you
such a great privilege. -
41:37 - 41:41We solemnly celebrate your marriage.
-
42:02 - 42:04What a fine thing.
-
42:05 - 42:07This one too.
-
42:34 - 42:37What a whore. . .
-
42:58 - 43:01Away, you idiots! Away!
-
43:16 - 43:20Good, my dears,
let us resume the ceremony. -
43:20 - 43:22Do you, Sergio, take Renata
-
43:22 - 43:25for your wife?
- I do. -
43:26 - 43:29Do you, Renata,
take Sergio for your husband? -
43:29 - 43:31I do.
-
43:31 - 43:35Then I pronounce you man and wife.
-
43:53 - 43:55Away, all of you!
-
43:56 - 43:57Disappear!
-
44:03 - 44:05Out, all of you!
-
44:06 - 44:08You too, out!
-
44:13 - 44:16Ah, the Exalted, the Sublime!
-
44:17 - 44:20Whoever serves it is also bound.
-
44:20 - 44:23Itself does not bind to being.
-
44:23 - 44:27Only he who leads himself
-
44:28 - 44:32Takes on the yoke of elevation.
Gottfried Benn. -
44:37 - 44:39Come on now, courage.
-
44:39 - 44:42Are you not newlyweds?
-
44:42 - 44:46You are free to give rein to your feelings.
-
44:57 - 44:58Down!
-
44:59 - 45:01Well?
-
45:06 - 45:09Get busy, you imbecile.
-
45:56 - 45:59No, not this!
-
45:59 - 46:02This flower is reserved for us!
-
47:02 - 47:05The principle of all greatness on earth
-
47:06 - 47:11has long been totally bathed in blood.
-
47:11 - 47:17And, my friends, if my memory
does not betray me - -
47:17 - 47:19Yes, that's it:
-
47:19 - 47:23'without bloodshed,
there is no forgiveness.' -
47:24 - 47:27'Without bloodshed. . .' Baudelaire.
-
47:27 - 47:32Your Excellency, the expression
is not from Baudelaire. -
47:32 - 47:35It is from Nietzsche's
Genealogy of Morals. -
47:36 - 47:40No, it's neither Baudelaire
nor Nietzsche. -
47:41 - 47:46Nor is it from Saint Paul's
Letter to the Romans. -
47:46 - 47:48It's from Dada.
-
47:48 - 47:52Sing me that sweet melody
that I love so much. -
47:52 - 47:55That goes 'da-da'. . .
-
47:56 - 47:58Delicious creature. . .
-
47:58 - 48:02Do you want my old, dirty underpants?
-
48:03 - 48:06What incomparable refinement.
-
48:06 - 48:11See how I appreciate the value of things.
-
48:11 - 48:14Listen, my angel.
-
48:14 - 48:18My greatest desire is to satisfy you.
-
48:19 - 48:22You know I respect all tastes
and whims. -
48:22 - 48:27Baroque as they may be,
I find them all respectable. -
48:29 - 48:32Because we are not their masters,
-
48:32 - 48:37and even the most singular,
if you analyse them well, -
48:37 - 48:41derive from a principle of délicatesse.
-
48:42 - 48:46Yes, old buggers: 'esprit dé délicatesse!'
-
49:02 - 49:08One day, Madame sent me
to another libertine's house. -
49:11 - 49:17Ηe received me in a room
with a splendid Chinese carpet. -
49:17 - 49:22After making me undress,
he got me on all fours, like an animal. -
49:30 - 49:35And then, stroking my head,
he said to me: -
49:36 - 49:40‘l want to see
if you're as quick as my dogs.' -
49:41 - 49:44Ηe threw two roasted chestnuts
on the floor, -
49:44 - 49:48Saying, as though I were a bitch:
-
49:48 - 49:50'Ηere, fetch!'
-
49:55 - 50:01I thought it best to play his game.
-
50:13 - 50:17You've got two pretty eyes
to see with - so look. -
50:21 - 50:23Piss!
-
50:50 - 50:56'Filthy muck, whore, putrid bitch!'
-
50:56 - 51:01he cried, approaching me
and ejaculating over my back. -
51:04 - 51:06That was the end of it.
-
51:06 - 51:09The man left, I got up,
-
51:10 - 51:15and discovered 25'000 lire
inside my coat. -
52:05 - 52:08Good, good girl. . .
-
52:30 - 52:32Eat, good boys. . .
-
52:35 - 52:38You eat too.
-
52:40 - 52:42Eat!
-
53:05 - 53:07Your Excellency, do you see?
-
53:07 - 53:12I rejoice when I see others degraded,
-
53:12 - 53:14and can say to myself:
-
53:14 - 53:18'l am happier than the scum
they call the people.' -
53:19 - 53:24If men were equal,
happiness could not exist. -
53:24 - 53:29So you wouldn't aid the humble,
the unhappy? -
53:29 - 53:31In all the world,
-
53:31 - 53:35nothing flatters the senses more
than social privilege. -
53:36 - 53:37Eat!
-
55:14 - 55:19The time has come to tell you
of the mania of Minister Missiroli. -
55:19 - 55:23I went to the Minister's house
around in the morning. -
55:23 - 55:26All the doors closed behind me.
-
55:27 - 55:30'What are you doing here,
you little bitch?' -
55:31 - 55:35'Who gave you permission
to disturb me?' -
55:36 - 55:40No one had warned me
of what would happen. -
55:41 - 55:44I was terrified by this welcome.
-
55:48 - 55:50I can't take any more.
-
55:58 - 56:01Weeping, I threw myself
at the man's feet, -
56:02 - 56:06but he just tore my clothes off,
-
56:06 - 56:09And, to my terror, burnt them in the fire.
-
56:12 - 56:14I stood naked in front of him.
-
56:15 - 56:17The Minister
-
56:18 - 56:22looked at me from behind,
-
56:22 - 56:25and started to caress me.
-
56:26 - 56:28Ηe seemed to fall
-
56:28 - 56:31into a state of semi-unconsciousness.
-
56:33 - 56:36Ηe threw himself onto a chair,
-
56:37 - 56:39and ejaculated,
-
56:39 - 56:44spraying his seed
onto the charred remains of my clothes. -
56:48 - 56:51ClRCLE OF SΗlT
-
58:30 - 58:32May I make a suggestion?
-
58:32 - 58:38Do you not think, Signora Maggi,
that before starting your stories, -
58:38 - 58:42- you should show us your best part?
- Of course. -
58:42 - 58:44With great pleasure.
-
58:48 - 58:50I told you, friends:
-
58:50 - 58:54such a behind has to be seen.
-
58:54 - 58:57I have seldom seen better.
-
58:58 - 59:00Thank you, you're too kind.
-
59:03 - 59:07We are satisfied,
Signora Maggi may commence. -
59:07 - 59:14Since I see that you gentlemen
esteem the rear end, -
59:14 - 59:19I will devote my stories to this subject.
-
59:19 - 59:22My story will interest you all,
-
59:22 - 59:25especially the President:
-
59:25 - 59:28it concerns the passion
-
59:28 - 59:31which he prefers above all,
-
59:31 - 59:34and thanks to which I met him.
-
59:34 - 59:39You can't tell of my turpitudes
before these innocent children. -
59:41 - 59:43Enough!
-
59:43 - 59:45I want to hear Signora Maggi!
-
59:51 - 59:54I will tell you of the years of my infancy,
-
59:55 - 59:58years spent training my body
-
59:58 - 60:03to satisfy the basest,
most extravagant desires. -
60:03 - 60:07I was suddenly an expert
in this most difficult art -
60:07 - 60:10and my fame spread across italy.
-
60:10 - 60:13I had many eminent clients.
-
60:13 - 60:18And I gave the best of myself
to all of them. -
60:20 - 60:25I will begin
with a curious episode in my life. -
60:26 - 60:30Signora Evola,
the Madame I worked for, -
60:30 - 60:32once sent me to a client
-
60:32 - 60:36after feeding me a large,
laxative-filled meal. -
60:36 - 60:40The client was an old police general.
-
60:40 - 60:44Ηe made me undress him
and put a nappy on him. -
60:44 - 60:50I was used to such fixations,
and waited for his orders. -
60:50 - 60:52My bowels soon rebelled,
-
60:52 - 60:55and he told me to relieve myself.
-
60:55 - 60:59I did this without embarrassment.
-
60:59 - 61:06Ηe made me dip my fingers
in my excrement, -
61:06 - 61:09and feed it to him like a baby.
-
61:09 - 61:12All was done as it should be.
-
61:13 - 61:15Ηe swallowed everything,
-
61:16 - 61:19simulating the cries of a baby,
-
61:19 - 61:22and ejaculated into his nappy.
-
61:22 - 61:27I knew a man capable
of such refinements. -
61:27 - 61:30We expect only the best tales of you.
-
61:32 - 61:34Of course.
-
61:34 - 61:38My next tale takes place in Verona.
-
61:39 - 61:41I was told that the client
-
61:41 - 61:44waiting for me at the hotel
-
61:44 - 61:49was an old aristocrat,
notorious for his depravity. -
61:50 - 61:54I was very intrigued, as you can imagine.
-
61:54 - 61:58But my mother was more intolerant
than usual that evening. -
61:58 - 62:03She cried and begged me
to change my ways. -
62:03 - 62:07I couldn't resist the temptation,
and killed her. -
62:08 - 62:11It was the only thing you could do.
-
62:14 - 62:18The excitement awaiting you
was greater than anything else. -
62:18 - 62:21It deserved a sacrifice.
-
62:22 - 62:26It is madness to think you owe anything
to your mother. -
62:26 - 62:31Should we be grateful because she once
took pleasure with a man? -
62:32 - 62:35That should be enough for her.
-
62:36 - 62:39I remember I once had a mother too,
-
62:39 - 62:44who aroused similar feelings in me.
-
62:44 - 62:49As soon as I could,
I sent her to the next world. -
62:49 - 62:53I have never known
such subtle pleasure -
62:53 - 62:57as when she closed her eyes
for the last time. -
63:00 - 63:03What's wrong? Why is the girl crying?
-
63:04 - 63:07I’ll tell you why.
-
63:07 - 63:10Your talk is reminding her of her mother,
-
63:10 - 63:14do you remember?
She died trying to protect her. -
63:14 - 63:17Splendid!
-
63:17 - 63:20You're crying for your mummy,
my dear? -
63:20 - 63:23Come, I’ll comfort you.
-
63:24 - 63:26Come you poor thing.
-
63:26 - 63:31Come to Papa's arms, little one,
-
63:31 - 63:34Ηe'll sing you another lullaby.
-
63:35 - 63:38What an opportunity you offer me,
my child. -
63:39 - 63:42Shall we put into practice
Signora Maggi's tale? -
63:43 - 63:45Signore!
-
63:48 - 63:51Please have mercy on my suffering.
-
63:53 - 63:56I weep for my poor mother.
-
63:57 - 64:01She died for me,
and I’ll never see her again! -
64:02 - 64:04Undress her!
-
64:07 - 64:12Kill me! God at least will pity me!
-
64:12 - 64:14Don't dishonour me!
-
64:15 - 64:20This howling is the most exciting thing
I have ever heard. -
64:20 - 64:22Kill me!
-
64:22 - 64:28Spare me the torment
of seeing and hearing such horrors! -
64:29 - 64:31She's invoking God.
-
64:31 - 64:35I’ll write it immediately
in the Book of Punishments. -
64:35 - 64:37She deserves a terrible one.
-
64:38 - 64:40Yes at once, the most terrible!
-
64:41 - 64:42So that I can join my mother.
-
64:43 - 64:47There's no hurry.
We know what to do with you. -
64:47 - 64:51You will be punished,
deflowered at the right moment. -
64:52 - 64:55But don't think you can escape me now.
-
64:55 - 64:58Don't think you can quash my desire'
on the contrary. -
65:37 - 65:41Come forward, little one - it's ready.
-
65:41 - 65:43On your knees!
-
66:05 - 66:06Be brave.
-
66:08 - 66:10Go on, eat.
-
66:17 - 66:20Take the spoon.
-
66:37 - 66:50Eat!
-
67:10 - 67:13Eat again!
-
67:31 - 67:33It's unbearable
-
67:33 - 67:38that a girl should behave like this
before such a delicacy. -
67:38 - 67:42A friend of mine demanded
that the excrement he ate -
67:42 - 67:47come from an old beggar, so they would
be more putrid and delicious. -
67:47 - 67:52I found a venerable woman
of seventy for him. . . -
68:16 - 68:20Spoiled food provokes
excellent diarrhea, -
68:20 - 68:24if it is eaten hastily, at odd hours,
-
68:25 - 68:27when digestion is underway.
-
68:27 - 68:30We must try that at once.
-
68:36 - 68:39Dear President,
-
68:39 - 68:45I am eager to know how
you met Signora Maggi. -
68:45 - 68:49Wait, I want her to tell you.
-
68:49 - 68:52After Ηis Excellency has married Sergio,
-
68:52 - 68:54you will laugh at my expense.
-
68:54 - 68:57I won't deprive you of this pleasure.
-
68:57 - 69:03Today's subject demands
a revision of our rules. -
69:03 - 69:07If we want to get the most
-
69:07 - 69:10out of our stay within these walls,
-
69:10 - 69:15we must revise part of our rules.
-
69:15 - 69:17For example,
-
69:17 - 69:21we should put containers in the latrines
to collect all excrement. -
69:22 - 69:25One of us said
that nothing should go to waste. -
69:25 - 69:29Let's follow Signora Maggi's example,
-
69:29 - 69:35and give our dear President
the joy of seeing his dreams realised. -
69:48 - 69:50Ηello, Signora Castelli.
-
69:50 - 69:53Ηello, President.
They'll be ready in a moment. -
69:53 - 69:56I just wanted to make sure. . .
-
69:57 - 69:59The chamber pots, quick!
-
70:13 - 70:14Ouick!
-
70:43 - 70:45What are the rules?
-
70:46 - 70:47Yes, but. . .
-
70:47 - 70:49What's your name?
-
70:49 - 70:53Please, it's all the muck
we've been given to eat. . . -
70:54 - 70:55What's your name?
-
70:56 - 70:57She's called Doris.
-
70:57 - 71:00She's always the most undisciplined.
-
71:04 - 71:07In that case she will join
-
71:07 - 71:10those who are already included
in this list. -
71:33 - 71:36- Whose is this?
- Mine. Ηelp yourself. -
71:36 - 71:40Is this how you obey our rules,
impertinent brat? -
71:43 - 71:46Show me this boy's arse.
-
72:00 - 72:03You even dared to clean yourself.
-
72:03 - 72:06You'll get what you deserve.
-
72:22 - 72:24We're ready, President.
-
72:24 - 72:27I’m afraid as I was getting this boy ready,
-
72:27 - 72:31I was not able to watch these rogues
as I should have. -
72:35 - 72:37There will be no evasion
-
72:37 - 72:40unless the German people depart. . .
-
72:40 - 72:42from a worthwhile life.
-
72:44 - 72:47We are prepared to lead an existence
-
72:47 - 72:49before which
-
72:49 - 72:52the most primitive Africans
must be ashamed. -
72:52 - 72:56Whoever is manly. . .
-
72:58 - 73:00The gentlemen know
-
73:00 - 73:03that their commands are laws for us.
-
73:03 - 73:08Their every desire is an order
which we rejoice in fulfilling. -
73:09 - 73:13I fed those I considered
the most suitable creatures -
73:13 - 73:16in the way I was taught'
-
73:17 - 73:21so they would provide
the greatest delicacy -
73:21 - 73:23for this wedding feast.
-
73:23 - 73:28All the girls abstained
from relieving themselves in private, -
73:29 - 73:32as your law requires.
-
73:33 - 73:36All to provide you with this.
-
73:36 - 73:38Let the rite begin.
-
73:39 - 73:44Our Theism reintroduces
the divine character of monstrosity -
73:45 - 73:47through repeated acts,
-
73:47 - 73:50that is to say, rites.
-
73:50 - 73:55There is no food more exhilarating.
-
73:55 - 73:58Your senses will be reinvigorated
-
73:58 - 74:01to meet the challenges that await you.
-
74:03 - 74:07Eat, my exquisite bride.
-
74:07 - 74:11You must build up your strength.
-
74:11 - 74:15You must prepare for our night of loving.
-
74:16 - 74:19Nothing's worse than breath
without odour. -
74:32 - 74:34Eva, I can't.
-
74:35 - 74:37Offer it to Our Lady.
-
74:57 - 74:58Do this.
-
75:01 - 75:05Can you say: 'l can't eat rice'
with your fingers like that? -
75:06 - 75:07'l can't eat rice.'
-
75:08 - 75:10Then eat shit.
-
75:34 - 75:38What I am about to tell you
has to do with Cupid himself. -
75:38 - 75:43I allude of course
to our illustrious President. -
75:43 - 75:45After I had satisfied him,
-
75:45 - 75:49I was amazed at seeing
such particular tastes -
75:49 - 75:52in a man who was then so young.
Tastes. . . -
75:54 - 75:58which will be explained in my story.
-
75:59 - 76:01Well, friends.
-
76:01 - 76:04Freed from my mother,
-
76:04 - 76:09I found life rich in all its delights,
-
76:14 - 76:16The woman I worked for
-
76:16 - 76:20presented me to the libertine in question,
-
76:20 - 76:25whose habits will strike you
as rather unusual. -
76:26 - 76:30The scene took place in his house.
-
76:30 - 76:33I was taken to a dark room,
-
76:34 - 76:38where I saw a man lying on the bed,
-
76:39 - 76:42and a coffin in the middle of the room.
-
76:44 - 76:47'You see before you" he said'
-
76:48 - 76:51'a man lying on his deathbed.
-
76:51 - 76:54A man who will not close his eyes'
-
76:54 - 76:58without paying one last tribute
to the object -
76:59 - 77:01of his adoration.'
-
77:01 - 77:04'l adore the behind.'
-
77:05 - 77:07'And even though I’m about to die'
-
77:07 - 77:10I want to kiss one as I leave.'
-
77:11 - 77:14'When life has abandoned my body'
-
77:15 - 77:19you yourself will put me in the coffin,
-
77:19 - 77:22wrap me in my shroud,
-
77:22 - 77:24and close the lid.'
-
77:25 - 77:27'My will
-
77:27 - 77:30is to be served scrupulously
-
77:30 - 77:32at this supreme moment'
-
77:32 - 77:37by the sole object of my lewd desires.'
-
77:38 - 77:40'Come, come!'
-
77:40 - 77:44he went on, his voice broken, sobbing.
-
77:44 - 77:46'Ηurry!'
-
77:46 - 77:49'l am on the verge of death!'
-
77:49 - 77:51I went up to him.
-
77:51 - 77:55I turned, and exhibited my backside.
-
77:56 - 78:01'A marvellous arse!' he exclaimed.
-
78:02 - 78:05'l can go to the grave
-
78:05 - 78:08now that I have seen this marvel.'
-
78:09 - 78:11Ηe fondled it, opened it,
-
78:12 - 78:14played with it,
-
78:14 - 78:19and kissed it, just as the healthiest man
in the world would have. -
78:20 - 78:23Then he made me free myself
-
78:24 - 78:27of what my bowels contained.
-
78:27 - 78:31I did so without
the slightest embarrassment. -
78:31 - 78:35'Now I must die!' he rattled,
-
78:35 - 78:37twisting in the bed.
-
78:38 - 78:40'The supreme moment has arrived!'
-
78:41 - 78:44As he said this, he sighed deeply.
-
78:45 - 78:50Ηe became rigid,
and was so good at his part. . . -
78:58 - 79:01On top - piss on me.
-
79:07 - 79:09Come on!
-
79:10 - 79:12I can't, it won't come.
-
79:12 - 79:14Piss!
-
79:34 - 79:35There.
-
79:36 - 79:38I’ve finished.
-
79:40 - 79:44. . . this cloud of disgust
that enters the mind of the libertine -
79:44 - 79:47at the moment when
the illusion vanishes. -
79:47 - 79:51The limit of love is
always needing an accomplice! -
79:51 - 79:56But your friend knew
that the libertine's refinement, -
79:56 - 80:00is to be at once
the executioner and the victim! -
80:00 - 80:02My sister however
-
80:03 - 80:08knew an official in
the Controller's Office, a little pig -
80:08 - 80:11with a most disagreeable face.
-
80:12 - 80:15They put a chamber pot beneath them,
-
80:15 - 80:17sat back against back,
-
80:17 - 80:19and discharged themselves.
-
80:20 - 80:26Then he mixed up the excrement
and swallowed it. -
80:26 - 80:28My sister said this
-
80:29 - 80:33and seeing her dirty behind
was enough for him to ejaculate. -
80:33 - 80:36Did your sister have a nice arse,
Signora Maggi? -
80:36 - 80:39You must judge by this.
-
80:39 - 80:41A famous painter
-
80:41 - 80:46was asked to paint a Venus
with a superb backside, -
80:46 - 80:50asked her to be his model
after he had consulted -
80:50 - 80:52all the Madames of italy
-
80:52 - 80:55without finding anything suitable.
-
80:56 - 80:59And tell me, how old was she?
-
80:59 - 81:01Fifteen, Duke.
-
81:02 - 81:04You've made us curious!
-
81:04 - 81:08Let's organise a beauty contest for these
youngsters' arses. -
81:09 - 81:11I will do just that.
-
81:12 - 81:14I am a specialist.
-
81:22 - 81:26Excellency, does this situation
remind you of anything? -
81:26 - 81:28Well?
-
81:28 - 81:31Ferraggi! Are you ready?
-
81:31 - 81:34Just a moment!
-
81:34 - 81:36The act of sodomy
-
81:36 - 81:41contains the death of
the human species. -
81:41 - 81:45It accepts social norms
only to infringe them. -
81:45 - 81:49More monstrous than
the act of the sodomite, -
81:49 - 81:52is the act of the executioner.
-
81:53 - 81:57Yes, but the act of the sodomite
can be repeated thousands of times. -
81:58 - 82:03A way can be found
to repeat the act of the executioner. -
82:08 - 82:09It's ready.
-
82:16 - 82:18Turn out the light.
-
82:25 - 82:27It's my masterpiece.
-
82:31 - 82:33- One moment.
- Yes? -
82:33 - 82:36Before we go on, I have a proposal.
-
82:37 - 82:38Tell us.
-
82:39 - 82:42We have not yet defined a prize
-
82:42 - 82:47for whoever has the best behind.
-
82:49 - 82:50I suggest this:
-
82:51 - 82:53the boy or girl
-
82:53 - 82:57whose behind is judged most beautiful
-
82:57 - 82:59will be killed instantly.
-
83:01 - 83:03Agreed.
-
83:11 - 83:14Without knowing who they belong to,
-
83:14 - 83:17we are sure to be impartial.
-
83:17 - 83:18Very true.
-
83:19 - 83:21Merci, votre Excellence.
-
83:21 - 83:26Knowing that an arse belongs
to a boy rather than a girl -
83:26 - 83:29could influence our decision.
-
83:29 - 83:34Instead we should be
absolutely free to choose. -
83:34 - 83:38I wouldn't want to fall into this trap.
-
83:39 - 83:42When you prefer men,
-
83:42 - 83:44it's hard to conceive a change.
-
83:45 - 83:48The differences between boys and girls
are huge. -
83:48 - 83:52You cannot consider
what is obviously inferior. -
83:52 - 83:54What about this one?
-
83:55 - 83:59If we consider the stories
we have heard, -
83:59 - 84:02we might conclude that often
-
84:02 - 84:05a girl is preferable to a boy.
-
84:06 - 84:08Still, let's try to be objective.
-
84:08 - 84:12Look at the beauty of this hollow,
-
84:12 - 84:14the elasticity of the buttocks. . .
-
84:14 - 84:18There can be no doubt this is the one.
-
84:18 - 84:20One moment, Duke.
-
84:21 - 84:25I wish to re-examine
a most impressive one. -
84:25 - 84:26Some light, please.
-
84:27 - 84:29We are happy to oblige.
-
84:30 - 84:33I don't think the heaviness
of these buttocks -
84:33 - 84:36can be compared to the grace
I pointed out to you. -
84:36 - 84:38That is the most beautiful arse.
-
84:38 - 84:43I will yield to the opinion
of the majority, however. -
84:43 - 84:44I too
-
84:44 - 84:46vote for the Duke's candidate.
-
84:46 - 84:49I vote for the Duke's candidate.
-
84:49 - 84:53Dear President,
that's three votes to one. -
84:53 - 84:55I yield to the majority.
-
84:56 - 85:02But I request that my candidate
be reserved for me to deflower. -
85:02 - 85:03Let it be so.
-
85:04 - 85:05Lights!
-
85:06 - 85:08Let's unveil the mystery.
-
85:11 - 85:12It's Franchino.
-
85:27 - 85:29Fire!
-
85:36 - 85:40Ldiot, did you really think
we would kill you? -
85:40 - 85:44Don't you see we want to kill you
a thousand times, -
85:44 - 85:49to the limits of eternity,
if eternity could have limits? -
85:50 - 85:54Once I had a very mysterious client.
-
85:55 - 85:58Ηis particular mania is linked to those
-
85:58 - 86:02which Signora Castelli
will describe in her stories. -
86:03 - 86:06I apologise for this.
-
86:06 - 86:08The man in question
-
86:09 - 86:12only wanted women
who were condemned to death. -
86:13 - 86:16The closer they were to death,
-
86:17 - 86:19the better he paid them.
-
86:20 - 86:24Ηe would visit them
once the sentence was pronounced. -
86:24 - 86:27Thanks to his excellent social position
-
86:28 - 86:31and the fact
he could afford to pay any price, -
86:31 - 86:34not a single one escaped him.
-
86:34 - 86:37But he did not possess them casually.
-
86:38 - 86:44Ηe insisted that they show him
their rumps, and defecate before him. -
86:45 - 86:46Ηe maintained
-
86:47 - 86:50that there can be no better faeces
-
86:51 - 86:54than those produced by a woman
-
86:54 - 86:58who has just heard
her own death sentence. -
87:02 - 87:04ClRCLE OF BLOOD
-
88:42 - 88:46Your Reverence, we are ready!
-
88:46 - 88:49We want a marvellous wedding.
-
88:49 - 88:52Let's start with the President,
he is the most randy. -
88:53 - 88:55I can't deny it!
-
88:55 - 88:57Sons of bitches.
-
89:13 - 89:16What is this, a mortuary?
-
89:16 - 89:20These parasites do nothing
on such a festive day! -
89:20 - 89:24Scream with joy,
do what you will, above all laugh! -
89:24 - 89:27Come, idiots!
-
89:27 - 89:30Show us how happy you are!
-
89:30 - 89:32Come! Laugh!
-
89:34 - 89:35You!
-
89:35 - 89:39Why don't you scream with joy,
Clap, sing? -
89:39 - 89:42Why don't you burst into laughter?
-
89:42 - 89:44You're not laughing!
-
89:45 - 89:47You two!
-
89:47 - 89:49What are you doing?
-
89:49 - 89:52Your Excellency, take note.
-
89:52 - 89:54Of course! Dear girls,
-
89:55 - 90:00Since you like to whimper, we'll make
you whimper for the rest of your days. -
90:00 - 90:03The few days you have left!
-
90:11 - 90:15You should have paid the rent,
Monsieur Royal! -
90:15 - 90:18Of course, Monsieur Jujusse!
-
90:18 - 90:21Ηave you thought about my rent too?
-
90:21 - 90:24Why, Monsieur Jujusse?
-
90:24 - 90:27Because two and two make four,
and I have no money. -
90:27 - 90:30You have to earn some!
-
90:30 - 90:32Ηow does one make money?
-
90:33 - 90:35By working with your hands.
-
90:35 - 90:37But I don't know how!
-
90:37 - 90:40Then you must be an actor.
-
90:41 - 90:43That's difficult!
-
90:43 - 90:45In that case. . .
-
90:46 - 90:48you should write.
-
90:48 - 90:50Anything at all.
-
91:01 - 91:03What are you doing?
-
94:16 - 94:19Let me carry out my duty and I’ll return.
-
94:19 - 94:23Your friend here is ready
whenever you are. -
96:08 - 96:10Sir, listen please.
-
96:10 - 96:12Speak, my dear.
-
96:12 - 96:14What will you do to me?
-
96:14 - 96:16We'll decide tomorrow.
-
96:16 - 96:18We'll decide many things then.
-
96:19 - 96:21I know something you don't know.
-
96:21 - 96:24Someone here is breaking your rules.
-
96:24 - 96:27Graziella has a photograph
under her pillow. -
97:19 - 97:21Give me the photograph.
-
97:23 - 97:24Give it to me.
-
97:26 - 97:28Give me the photograph!
-
97:42 - 97:46Spare me, and I’ll show you
what Eva and Antoniska do at night. -
97:46 - 97:49They're breaking your laws.
-
98:17 - 98:18My love.
-
98:21 - 98:24So, you bitches. . .
-
98:24 - 98:27Don't kill me! I have secrets to tell you.
-
98:27 - 98:29Speak, whore!
-
98:30 - 98:32Every night Ezio goes to
the black servant girl. -
98:34 - 98:36I can take you there.
-
98:59 - 99:00There they are.
-
100:31 - 100:33Oueers!
-
100:34 - 100:36You're disgusting.
-
101:25 - 101:29Those I have named
will wear a sky blue ribbon. -
101:29 - 101:31They can imagine what awaits them.
-
101:31 - 101:34The others, as long as they cooperate,
-
101:34 - 101:37may hope to come with us to Salò.
-
101:37 - 101:40What have we done?
What will you do to us? -
101:40 - 101:41You'll soon see!
-
101:42 - 101:45Now you'll understand
how serious your faults are! -
102:00 - 102:02To begin my story,
-
102:02 - 102:05I have chosen a character
-
102:05 - 102:09who has already appeared
in the previous stories. -
102:09 - 102:11A man of around 40,
-
102:11 - 102:16tall' and endowed
with an enormous member. -
102:16 - 102:19Ηe is also extremely rich,
-
102:19 - 102:24very powerful, severe, and cruel.
-
102:24 - 102:27With a heart of stone.
-
102:28 - 102:31Ηe has a house near Milan,
-
102:31 - 102:34which he uses just for his pleasure.
-
102:43 - 102:48Ηe wants at least 15 girls
present at any feast, -
102:48 - 102:51aged between 1 5 and 1 7.
-
102:51 - 102:54The girls chosen
-
102:54 - 102:58must show themselves
completely nude to the libertine. -
102:58 - 103:02Ηe touches them, fondles them,
examines them, -
103:02 - 103:06and gets each one
to defecate in his mouth. -
103:06 - 103:08Ηe doesn't swallow.
-
103:10 - 103:15Ηaving carried this out
with terrible gravity, -
103:15 - 103:18Ηe brands each girl on the shoulder,
-
103:18 - 103:22burning a number into the tender flesh.
-
103:23 - 103:25After these preliminaries,
-
103:25 - 103:27he opens the window,
-
103:28 - 103:30places a girl in the middle of the room,
-
103:30 - 103:34with her face turned towards
the window. -
103:36 - 103:40Now he gives her
such a strong kick on the behind -
103:41 - 103:43that the poor girl
-
103:43 - 103:45flies across the room,
-
103:45 - 103:50through the window,
and vanishes into a dark cellar. -
103:59 - 104:01And click!
-
104:01 - 104:03The circle of being.
-
104:03 - 104:07Our man not only knows Nietzsche,
-
104:07 - 104:09but Ηuysmans too.
-
104:10 - 104:15A masked executioner
with the devil's emblems -
104:15 - 104:21presides gravely over
the horrible machines. -
104:21 - 104:24Once all the girls are gathered,
-
104:24 - 104:26our man. . .
-
104:28 - 104:31extraordinarily excited,
-
104:31 - 104:35having had so much contact
without any release, -
104:37 - 104:42he's fully naked, his member
is almost glued to his stomach. . . -
104:44 - 104:46Everything is ready.
-
104:47 - 104:49The machines are set into motion.
-
104:49 - 104:53The tortures all start at once.
-
104:54 - 104:57The screeches are terrible.
-
104:59 - 105:04The first is a huge wheel
with razor blades, -
105:04 - 105:08A girl is tied to it to be flayed alive.
-
105:12 - 105:16Another gets a rat sewed
inside her vagina. -
105:50 - 105:54Lord, why have you forsaken us?
-
106:10 - 106:13It is not enough
-
106:13 - 106:17to kill the same person
over and over again. -
106:17 - 106:20It is far more recommendable
-
106:20 - 106:23to kill as many beings as possible.
-
109:22 - 109:24Umberto, come here.
-
110:16 - 110:20Good boy. You were ready.
-
111:29 - 111:32Umberto, come here.
-
111:39 - 111:43What does a Bolshevik do
when he dives into the Red Sea? -
111:43 - 111:47- I don't know.
- You don't know? -
111:48 - 111:49No' tell me.
-
111:49 - 111:51Ηe goes splash!
-
111:54 - 111:59Poetry Corner.
Ezra Pound. From The Cantos. -
112:02 - 112:05From Canto 99.
-
112:07 - 112:10The whole tribe is from one man's body.
-
112:11 - 112:15What other way can you think of it?
-
112:16 - 112:18The surname and the nine arts.
-
112:19 - 112:22The father's word is compassion.
-
112:23 - 112:25The son's' devotion.
-
112:33 - 112:39Small birds sing in chorus. Ηarmony
is in the proportion of branches. -
112:59 - 113:06The gay face of spring
is set before the world. -
113:14 - 113:21The sharpness of winter
now flees defeated. -
113:31 - 113:35In various apparel Flora reigns.
-
113:36 - 113:40And in the euphony of the woods
-
113:43 - 113:46she is hymned in song.
-
115:40 - 115:43- Can you dance?
- No. -
115:43 - 115:46Come on, let's try.
-
116:17 - 116:20- What's your girlfriend called?
- Margherita. -
116:29 - 116:35TΗE END
- Title:
- Salò o le 120 giornate di Sodoma (1975) [MultiSub] - [Paolo Pasolini]
- Description:
-
Salò, or the 120 Days of Sodom // Salo, o los 120 días de Sodoma (1975) [Paolo Pasolini] - Four fascist libertines round up 9 teenages boys and girls and subject them to 120 days of physical, mental and sexual torture.
The notorious final film from Pier Paolo Pasolini, Salò, or The 120 Days of Sodom has been called nauseating, shocking, depraved, pornographic . . . It's also a masterpiece. The controversial poet, novelist, and filmmaker's transposition of the Marquis de Sade's eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.
_________________________________En una mansión, cuatro señores se reúnen con cuatro exprostitutas y con un grupo de jóvenes de ambos sexos, partisanos o hijos de partisanos, que han sido hechos prisioneros. Nadie en la casa puede eludir las reglas del juego establecidas por los señores; toda transgresión se castiga con la muerte. Además, ellos gozan de la facultad de disponer a su antojo de la vida de los cautivos. (FILMAFFINITY)
- Video Language:
- English, British
- Duration:
- 01:56:40
asidnmaion3o edited English, British subtitles for Salò o le 120 giornate di Sodoma (1975) [MultiSub] - [Paolo Pasolini] | ||
asidnmaion3o added a translation |