"I give them the method to change... by thinking" but they continue to repeat behaviors

Motivational speaking is a beautiful thing. Negative comments or dislikes come from those that are bored, and yes, I understand, that boredom would be a horrible state of being. For this reason, such words as this are here to teach you how to see past the negative, to come to the positive, to live in a new hope, to find life. To get past the hypnotic state, to rise up from the farm where you've toiled for, looking back over your life, likely feels like nothing. To say goodbye to the gin, see a new morning and do the work you love. But you need to know how to get past the lame, and ancient knowledge could hold the mystery to the kim-possible in your life. See the landscape of the uncanny poetry in your heart, do the ventures, find mental health. The elusive rational thinking that leads you to waste valuable time leaving negative comments, striking dislikes, this is the work of a bully, bullying to cause others to be the victim while the rest of us work in realms that are not considered what sucks. Bullies are against good things, which causes things to rust and decay. Get a new way of thinking, or begin to think at all... this is your moment.

http://www.youtube.com/watch?v=ZmN7Mn6poAY&

SF Media Elite hate Michael Savage by Richard Lieberman (415 Media, http://richliebermanreport.blogspot.com/)
There's a reason why you have a lot of Michael Savage haters: most of them are concentrated in local media circles. What's the beef with Savage? Jealousy and envy. Oh, of course, money too.

Savage is difficult to work for and with; a local PD who orchestrated Savage's brief tenure at ex-talkie,KTRB, was on the verge of quitting because of the host's petulant, crazed, and frequent e-mails.

The two made up and things went smooth, (temporarily), but that type of pronounced angst and severe irritance is a common element when Savage is in the equation.

Here in the Bay Area, where Savage does his show from several secret remote locations, (he'll continue that operation when his new Cumulus show begins next week), he's the frequent target of derision and envy, particularly from talk-radio hosts and broadcast execs.

Among the most noted:

*Ronn Owens: KGO's 9-nooner who has never liked Savage. Part of that is money. Envy too. It was at KGO where Savage began his radio career, (in 1994); little did anyone know at the time that some weekend "schmuck", (as Owens once referred to Savage), would become the second most-listened-to radio talk host in the country and make close to $10 million a year. Owens liked to verbally strut that his million-dollar-plus salary made him the highest-paid media figure in the Bay Area. Wrong, Savage holds that distinction.

*Brian Sussman: Sussman, part of the KSFO morning show, is a celebrated Savage basher. Part of that is due to the fact that it was at KSFO, (where Savage worked, after his KGO stint), Savage's national career kicked off. Sussman wasn't at the station when Savage worked there, but he knew several people, broadcast execs and air-talent, that had frequent flare-ups with Savage. (How utterly infuriating it must be for Sussman to realize that Savage's show will air on KSFO. Ouch.)

Savage has never been a fan of the local SF minions--from the broadcast biz to the political arena, he has openly chastised the city, many times referring to it as "San Fran-sicko." A distinction that has made him aloof in the social scene but admired and beloved by a large portion of SF's small conservative club.

Savage doesn't care. And although his notorious reputation as being difficult to work with has increased, so have his listeners. The new deal with Cumulus brings a ton of ironies in addition to more radio and digital platforms. For better or worse, Savage's show will no doubt be a solid affirmation to his work. Love him, hate him, despise him, as many in and out of the business do, this huge new juggernaut just got a whole lot bigger.

You can take that to the bank. yes respect every day doing back keep isn't different become try social thank less use having agree got while human without shit guy first live they're person wrong.

The Adventures of Brannigan Smith: 1.01 - Pilot
Various Artists | Format: MP3 ... http://www.amazon.com/gp/product/B007RXT8E2/ref=cmswrtwalp_W.FQpb18JHSD2

via @amazon and unless you forgot, E.L. James
is doing book signings in NYC. for Fifty Shades

of Grey Exclusive Party. By E.L. James  http://amzn.to/JG68qK
Author also doing book signings this week

in New Jersey and New York City Author E.L.
James. Have you heard her on Ryan Seacrest

show? http://www.youtube.com/watch?v=MuHV8O9OqBA
and they're saying Ryan is really into this

http://bit.ly/KY02T2 ...  author E.L. James.
[5/8/12 11:36:24 PM] Sam botta: http://www.youtube.com/watch?v=MN-1Kwmdtzc

http://www.linkedin.com/profile/view?id=24786263&pid=11877014&authType=name&authToken=W42V&trk=pbmap
twitter and youtube

[5/10/12 3:09:22 PM] Sam botta: E.L. James
has invited Becca Battoe, "Fifty Shades of

Grey"  Audiobook Narrator to her book signing
Ryan Seacrest: http://www.youtube.com/watch?v=MuHV8O9OqBA

Becca is honored.
PART VI

SAM BOTTA'S INSPIRATIONAL QUOTES:
Roger Williams, the most inspired Composer,

Pianist with a beautiful heart and intelligence
so vast yet so humble he spoke through the

life altering melodies that will forever inspire,
encourage, comfort and surprise as his works

are embedded even through every radio hit
currently in Ryan Seacrest's AT40, the songs

Rick Dees plays daily and the ongoing countdowns
of Casey KASEM, ... Every musician, whether

aware or oblivious, has been influenced by
the Great Man Roger Williams. You will be

missed. If you failed to purchase his music,
find Jacque HEEBNER, and buy it as you'll

know what you should have heard long ago to
reduce psychological stress.

QUOTES of Sam Botta that's like Bah-Dah Bing
Bah-dah boom, get it live it! Bee-atch!

• Roger Williams, the most inspired Composer,
Pianist with a beautiful heart and intelligence

so vast yet so humble.
• He spoke through the life altering melodies

that will forever inspire, encourage, comfort
and surprise as his works are embedded.

• Every musician, whether aware or oblivious,
has been influenced by the Great Man Roger

Williams.
--------------------------------------------------------------------

Al Davis and pteve Jobs: "we need a marketing
campaign that reflects what we do" which led

to the famous "1984" Super Bowl ad that aired
once and is used at Universities as the example

of effective advertising (though the Professors
were teaching how to work within a box)...

Lest you forget, University "geniuses" - Steve
Jobs dropped out of college to learn a la

carte (I stayed and graduated, but ...my learning
occurred from those that actually accomplished

visions without a tenured Professor job).
A la carte is key to a healthier eating lifestyle,

and key to real and effective learning, not
the sick menu forced by University which steals

time and resources that could be spent on
real learning. The "1984" ad will be played

on the future technologies that are the YouTube
of the future, which may actually be connected

seamlessly with your brain, which was not
Steve's intention, but the tapestry sisal

davis and Steve Jobs both played in 1984 Super
Bowl ... Al owned the. L A Raiders that played

that game and Steve Jobs had that ad that
launched my first Apple machine ... Been writing

today and returning following the flying chariots
and floating green sign ahead ... Happiness

is a choice... So is Love.... brand "Steve
Jobs" you are talking about. Let him always

be an example to you of "the rich" instead
of demonizing those that began at less than

zero and through relentless focus on the vision
they slowed down enough to see. I, Sam Botta,

know that you, too have vision but you let
your repetitive "good" life be all you will

do because your friends all do as you do,
and everything in all entertainment and media

that babysits you makes you feel the mediocre
life is just fine. Therefore, you're never

challenged to slow down. No one supports the
life-saving choice to ignore the protectors

of the mundane. No one reaches you about basic
economics which is why you work for the tool

called paper money and investments in 401k's
into corporations you do not control, then

you complain about these companies customer
service team members and wonder why your paper

money "assets" are losing, and eventually
you see that working the job for security

and stability was a way to always hide your
fear of failing at the vision that is solely

yours which could change the whole world.
So continue in your daily life which IS a

set of unhealthy habits others believe is
just right for you. Or, open yourself to ( www.livefearless.com

) Live Fearless! Be open to the new habits
that will let you see the vivid vision of

your path and purpose that for us driven dreamers,
is so clear. So either be convinced that going

your path will lead to lifetime love and bliss,
or remember that after tens of thousands of

interviews, I see it: At the end of life in
this body, the mundane life where you resent

your partner and feel pleasure from work that
makes very little difference... Most people

at the end say they regret not taking risks
of the heart. I can show you how to find that

vision that IS your path and purpose, but
your closest friends will not be accepting

of the new habits or your soon to find joy
and happiness. It's up to you, but in the

end, what will you regret not doing that is
in the vision inside of you? ~Sam Botta @ Dog

Park
QUOTES:

• Happiness is a choice... So is Love....
• Through relentless focus on the vision

they slowed down enough to see.
• I, Sam Botta, know that you, too have

vision but you let your repetitive "good"
life be all you will do because your friends

all do as you do.
• Everything in all entertainment and media

that babysits you makes you feel the mediocre
life.

• Never challenged to slow down.
• No one supports the life-saving choice

to ignore the protectors of the mundane.
• No one reaches you about basic economics

which is why you work for the tool called
paper money and investments.

• Working the job for security and stability
was a way to always hide your fear of failing

at the vision that is solely yours.
• Continue in your daily life which is a

set of unhealthy habits others believe is
just right for you.

• Be open to the new habits that will let
you see the vivid vision of your path and

purpose that for us driven dreamers.
• Be convinced that going your path will

lead to lifetime love and bliss.
• At the end of life in this body, the mundane

life where you resent your partner and feel
pleasure from work that makes very little

difference.
• Most people at the end say they regret

not taking risks of the heart.
• In the end, what will you regret not doing

that is in the vision inside of you.
-------------------------------------------------------------------------

Inspiration Point, Newport Beach, Yesterday,
Moon Shines Running Toward The Sunset. In

the moments of heightened stress, it's the
joy of living out your path and purpose, run

with strength, never lose hope, learn who
you are not based on the definitions of the

unavoidable magazine covers in line at the
store with the red target logo, the signs

along the path, the books you read, what you
hear, wha...t you see, be the inspiration

that points beginning on this Columbus Day,
chart your course to the New-Port, Run Like

Eagles, Glow like The Celebrating Day of the
Butterfly, then slow down, and walk, finding

your music, being the dreaming child, catching
the vision, raising it to the sky, here's

your rope, pull, I'll catch you in the place
where the inventors live, when innovation

is organically changing you, and lives live
know how to love and be loved. Do what excites

you, forgetting what they say, it lives in
your heart, you've always known, smell the

ocean breeze, and feel the exhilaration of
the white splash caps of the waves that cover

you in pure bliss, rose from the water and
sprint and rake flight, because this day celebrates

exploration of the new and discovering life
change which leads to living life with more

than all aspects of functional health, the
purpose, the light surrounds you and you see

the whole picture... A blonde that carries
you to a soaring state, smiling, and they

are inspired to be where you know they can,
see it as you cut the vast sky, your reflection

commanding joyful awe in
the realization that he, she is closer than
believed and the why of it all becomes embedded

thoughts you know, living out the gravity
and distance that affects with the true positive,

revealing how the reality skewed by reproduce
message engineering fades the lack from the

limited thinking forced on the greatest intelligence
but on this sunset the glow from behind, from

inside is the force beyond anti-gravity, beyond
digital, it's the real you and the non artificial

flight becomes your path.
QUOTES

• In the moments of heightened stress, it's
the joy of living out your path and purpose,

run with strength.
• Run with strength, never lose hope, learn

who you are.
• Slow down, and walk, finding your music,

being the dreaming child.
• Live know how to love and be loved.

• Do what excites you, forgetting what they
say.

• Celebrates exploration of the new and
discovering life change which leads to living

life.
• Your reflection commanding joyful awe

in the realization.
• Living out the gravity and distance that

affects with the true positive, revealing
how the reality skewed.

• The glow from behind, from inside is the
force beyond anti-gravity.

• Beyond digital, it's the real you and
the non artificial flight becomes your path.

Year Bliss Proving that Lifetime Love isn't
the stuff of one movie: Love Is a Daily Choice,

just like Happiness Is a Daily Choice; do
what Excites You, as This IS 'Who You Are"

... Stop Saying You Know Who You Are because
you haven't defined Who You Are. I can show

you how to know, but you may not like the
path of knowing. Risks of the heart not taken

are the stuff of your regrets. KnowNo I, Sam
Botta, Know How to Love and Be Loved because

of my Family, including my Grandparents ~70
more regrets, (? proofreader) consider the

butterfly feeling you remember in your stomach
... That's where what excites you lives, find

me and I'll show you how we did it. (photo
taken October 9, 2011 at Inspiration Point,

Newport Beach, CA with Canon 5D Mark II on
Automatic Setting, no editing except cropping,

no photoshop, 100% real. Clothing is "Oyster
BM" provided by Hugo Boss LiveFearless, I

Love You, Sam Botta
Absolutely Real. NO photoshop, no editing,

that's with one of the Canon 5D Mark II cameras
that actually got quite sandy last Sunday

when the shotthat was taken at Inspiration
Point, Newport Beach. Sun had just gone below

the horizon, and this camera, on automatic
setting, it just does stuff even with the

wrong lens for this kind of shot ... the lens
is made for super-closeups, hence the reason

why the background looks like it's not real...
Real men wear pink... and Hugo Boss

Inspiration Point ... Newport Beach ... Yesterday
... Moon Shines Running Toward the Sunset.

In the moments of heightened stress, it's
the joy of living out your path and purpose;

run with strength, never lose hope, learn
who you are not based on the definitions of

the unavoidable magazine covers in line at
the store with the red target logo, the signs

along the path, the books you read, what you
hear, what you see ... be the inspiration

that points toward beginning on this Columbus
Day. Chart your course to the New-Port, Run

Like Eagles, and Glow Like The Celebrating
Day of the Butterfly, then slow down, and

walk, finding your music, being the dreaming
child, catching the vision, raising it to

the sky ... here's your rope, pull, I'll catch
you in the place where the inventors live,

when innovation is organically changing you,
and lives like you know how to love and be

loved. Do what excites you, forgetting what
they say, it lives in your heart as you've

always known, smell the ocean breeze, and
feel the exhilaration of the white splash

caps of the waves that cover you in pure bliss,
rising from the water and sprinting and taking

flight, because this day celebrates exploration
of the new and discovering life-change that

leads to living life with more than all aspects
of functional health, the purpose, the light

surrounds you and you see the whole picture...
A blonde that carries you to a soaring state,

smiling, and they are inspired to be where
you know they can be, see it as you cut the

vast sky, your reflection commanding joyful
awe in the realization that he, she, is closer

than you believed and the why of it all becomes
embedded thoughts you know, living out the

gravity and distance that affects with the
true positive, revealing how the reality skewed

by reproduce message engineering fades the
lack from the limited thinking forced on the

greatest intelligence, but on this sunset
the glow from behind, from inside is the force

beyond anti-gravity, beyond digital; it's
the real you and the nonartificial flight

becomes your path. www.LiveFearless.com s
a m b o t t a

YouTube CENSORSHIP CLEAN, POSITIVE content
producer? YouTube Bans top Videos (that I

own 100%) from my Channel, Allows Same Videos
on Explicit Channels. YouTube has allowed

many others to steal my videos (100% owned
by me, including the music which I had composed

for the series!) This particular video, my
2,000,000 unique views, 20-second interview

clip with Roger Moore stating that his marriage
is stable because of how his wife has a beautiful

heart... The POSITIVE, CLEAN video had 2,000,000
views. I own the content 100%, including the

music that I paid an actual composer to write
and perform for this series. YouTube removed

it from my CLEAN channel, yet is now allowing
OTHER channels that have EXPLICIT content

in common... They STOLE that video to use
it for their own gain. They are committing

"infringement"? They REFUSE to BAN those DIRTY
channels that STOLE my VIDEO!!! Those DIRTY

channels, interestingly, contain SOFT PORN
and/or EXPLICIT words that are SILENT/DELETED

on the radio mix of songs from the http://www.at40.com/
(CHR) Top 40 chart, as played on the most

influential music radio station in the world
(KIIS-FM Los Angeles, CA) and through "American

Top 40 with Ryan Seacrest", or "AT40", the
No. 1 countdown show in the U.S. which can

be heard on more than 500 radio stations worldwide,
including markets such as New York, Los Angeles,

Chicago, Washington, D.C., Singapore, Toronto,
Vancouver, Montreal, Tokyo, Kuala Lumpur,

Dubai, Beijing. YouTube censors channels like
mine that NEVER utilize explicit content,

while allowing MY VIDEOS they BANNED to be
viewed on YouTube channels with EXPLICIT content

that's not deemed appropriate for popular
radio airplay on the entire world's most listened

to music radio stations. To demonstrate the
clean vs. explicit set of words in action

yourself, please take the time to listen to
the radio version of a song that is topping

the charts now (a song which, as a composer,
I'm AMAZED at its intricate design with obsessive

attention to musical detail in its sound,
engineering, melodies, writing, use of digital

technologies to appeal to the human mind and
heart! I'm a fan of this "sound," so I am

NOT AGAINST the MUSIC, but for a demonstration,
please compare the two versions of the same

song... CLEAN http://amzn.to/o2zxum EXPLICIT
http://amzn.to/nUwogy It's the amazing composition

"Lighters" by Bad Meets Evil w/ Eminem, Royce
Da 5'9 Bruno Mars and a long list of credited

and noncredited genius talents that should
be recognized for their near perfect artistic

intelligence on this song. In the CLEAN version,
please notice how many words are missing or

silenced over instrumental music. YouTube
Video channels that USE these WORDS are ALLOWED

to STEAL and USE my videos which had more
than 1,000,000 UNIQUE views. CENSORSHIP of

CLEAN CONTENT that I OWN which has NOTHING
to do with WRESTLING ... YouTube states:
We

have received copyright complaint(s) regarding
material you posted, as follows:

from

World Wrestling Entertainment, Inc. about
Roger Moore "I Married A Beautiful Woman"

James Bond tells Sam Botta sambotta (account
name)
Video ID: AYanc6FJZRI ***************It

appears that the lesson from YouTube is: If
your channel promotes the POSITIVE and CLEAN

instead of EXPLICIT, your most-viewed videos
will be banned from your on the basis of false

complaints, then the same videos will be allowed
by EXPLICIT YouTube Channels

2,000,000 YouTube views and is the WWE acting
jealous of skinny me? Huh??? World Wrestling

Entertainment, Inc. I have respected you and
your right to act in whatever manner you have

chosen, yet you, WWE issued a copyright complaint
about my 20-second interview clip with Roger

Moore, freezing my YouTube account. This SHORT
clip has NOTHING to do with Wrestling... Roger

Moore (James Bond) is talking about his happy
marriage, and contractually, the red carpet

interviews is something I have FULL RIGHTS
to. Further, in regards to accusing about

the music... I paid a composer to create and
play it for the purposes of this series! There

is NOTHING infringing on anyone's copyright.
I am 150 POUNDS! Why would you bully me? Bothered

that my video hits 2,000,000 views? Why? You
have more than 10,000,000 views. How many

others will you shut down?
Al Davis and Steve Jobs: "we need a marketing

campaign that reflects what we do," which
led to the famous "1984" Super Bowl ad that

aired once and is used at universities as
the example of effective advertising (though

the professors were teaching how to work within
a box)... Lest you forget, university "geniuses"

- Steve Jobs dropped out of college to learn
a la carte (I stayed and graduated, but my

learning occurred from those that actually
accomplished visions without a tenured professor

job). A la carte is key to a healthier eating
lifestyle, and key to real and effective learning,

not the sick menu forced by university which
steals time and resources that could be spent

on real learning. The "1984" ad will be played
on the future technologies that are the YouTube

of the future, which may actually be connected
seamlessly with your brain, which was not

Steve's intention, but the tapestry sisal
Davis and Steve Jobs both played in 1984 Super

Bowl ... Al owned the. L A Raiders that played
that game and Steve Jobs had that ad that

launched my first Apple machine ... Been writing
today and returning following the flying chariots

and floating green sign ahead ... Happiness
is a choice... So is Love.... brand "Steve

Jobs" you are talking about. Let him always
be an example to you of "the rich," instead

of demonizing those that began at less than
zero and through relentless focus on the vision

they slowed down enough to see. I, Sam Botta,
know that you, too, have visions, but you

let your repetitive "good" life be all you
will do because your friends all do as you

do, and everything in all entertainment and
media that babysits you makes you feel the

mediocre life is just fine. Therefore, you're
never challenged to slow down. No one supports

the life-saving choice to ignore the protectors
of the mundane. No one teaches you about basic

economics, which is why you work for the tool
called paper money and investments in 401k's

into corporations you do not control, and
then you complain about these company's

customer service team members and wonder why
your paper money "assets" are losing, and

eventually you see that working the job for
security and stability was a way to always

hide your fear of failing at the vision that
is solely yours which could change the whole

world. So continue in your daily life which
IS a set of unhealthy habits others believe

is just right for you. Or, open yourself to
( www.livefearless.com ) Live Fearless! Be

open to the new habits that will let you see
the vivid vision of your path and purpose

that for we driven dreamers, is so clear.
So either be convinced that going your path

will lead to a lifetime of love and bliss,
or remember that after tens of thousands of

interviews, I see it: At the end of life in
this body, the mundane life where you resent

your partner and feel pleasure from work that
makes very little difference... Most people

at the end say they regret not taking risks
of the heart. I can show you how to find that

vision that IS your path and purpose, but
your closest friends will not be accepting

of the new habits or your soon-to-be-found
joy and happiness. It's up to you, but in

the end, what will you regret by not doing
that is in the vision inside of you? ~Sam

Botta @ Dog Park
Steve Jobs: "we need a marketing campaign

that reflects what we do," which led to the
famous "1984" Super Bowl ad that aired once

and is used at universities as the example
of effective advertising (though the professors

were teaching how to work within a box)...
Lest you forget, university "geniuses" - Steve

Jobs dropped out of college to learn a la
carte (I stayed and graduated, but my learning

occurred from those that actually accomplished
visions without a tenured professor job).

A la carte is key to a healthier eating lifestyle,
and key to real and effective learning, not

the sick menu forced by university which steals
time and resources that could be spent on

real learning. The "1984" ad will be played
on the future technologies that are the YouTube

of the future, which may actually be connected
seamlessly with your brain, which was not

Steve's intention, but the tapestry of simple
beauty he saw is what drove him to reach every

major goal he set. I saw firsthand in his
last years what kind of man was this brand

"Steve Jobs" you are talking about. Let him
always be an example to you of "the rich"

instead of demonizing those that began at
less than zero and, through relentless focus

on the vision, they slowed down enough to
see. I, Sam Botta, know that you, too, have

vision, but you let your repetitive "good"
life be all you will do because your friends

all do as you do, and everything in all entertainment
and media that babysits you makes you feel

the mediocre life is just fine. Therefore,
you're never challenged to slow down. No one

supports the life-saving choice to ignore
the protectors of the mundane. No one teaches

you about basic economics, which is why you
work for the tool called paper money and investments

in 401k's into corporations you do not control,
then you complain about these company's

customer service team members and wonder why
your paper money "assets" are losing, and

eventually you see that working the job for
security and stability was a way to always

hide your fear of failing at the vision that
is solely yours which could change the whole

world. So continue in your daily life which
IS a set of unhealthy habits others believe

is just right for you. Or, open yourself to
( www.livefearless.com ) Live Fearless! Be

open to the new habits that will let you see
the vivid vision of your path and purpose

that for we driven dreamers, is so clear.
So either be convinced that going your path

will lead to a lifetime of love and bliss,
or remember that after tens of thousands of

interviews, I see it: At the end of life in
this body, the mundane life where you resent

your partner and feel pleasure from work that
makes very little difference... Most people

at the end say they regret not taking risks
of the heart. I can show you how to find that

vision that IS your path and purpose, but
your closest friends will not be accepting

of the new habits or your soon-to-be-found
joy and happiness. It's up to you, but in

the end, what will you regret by not doing
what is in the vision inside of you? ~Sam

Botta

Audrey Smith SAM BOTTA
I'll try to be more clear than clear. Since

Ryan Seacrest covered my stuff I provided,
I'll attach this set of words I placed on

FB today:
Ryan Seacrest today on the topic of what I

wrote to you on 10/08/2011 "your closest friends
will not be accepting of the new habits or

your soon to find joy and happiness." and
"I, Sam Botta, know that you, too have vision

but you let your repetitive "good" life be
all you will do because your friends all do

as you do, and everything in all entertainment
and media that babysits you makes you feel

the mediocre life is just fine. Therefore,
you're never challenged to slow down. No one

supports the life-saving choice to ignore
the protectors of the mundane." On 10/13/2011,

I wrote "those that you are there for need
you to listen and to help attract people to

them. They hear your advice and do nothing.
Why would they do nothing? Because You've

advised, but you always didn't want to say
no. So you have them - you compromised for

them, and they only respect you for what you
can give them and nothing is reciprocated

but they would be there if you were stranded,
wouldn't they?" What if you meet a better

man than her man, what if you seem happier
than she is... If you heard "On Air with Ryan

Seacrest" this morning (or today if in any
of the more than 500 other markets it airs

in), you'll hear the reactions from listeners
and the staff. You don't have to feel guilty

for pointing out the obvious: Friends might
not want you to be more happy than they are...

So DO YOUR PATH AND PURPOSE regardless of
what they say. They are the same they were

three years ago and guess what 'spot' they
will be in three years from now? Your purpose

is not to stand still as they will. Do what
you know you are supposed to do, and they

will see your example... and, hopefully, they
will inspired to change. If not, they are

unable to take risks of the heart... Regardless,
it is unselfish of you to move forward without

their negative influence. It is selfish to
surround yourself with those that stop you

from making a real difference in the world
utilizing your unique gifts and talents, mastered

through developing new habits. Surround you
with those that are learning, in constant

evolution, with clear visible results... Those
that Live Fearless as you will. ~ Sam Botta

SUPPORTING UNDERWRITERS

Exchanging IDEAS That MATTER THE ASPEN IDEAS
FESTIVAL June 27 - July 3, 2012

"In all our lives, truly, our conviction
about things changes as time goes on. The

landscape shifts as you climb up a hill—
the view changes." —Tobias Wolfe, author,

Aspen Ideas Festival 2010
Ideas, pure and simple, can be inspirational.

They can plant seeds where none existed. They
can morph an existing thought into quite another.

They can introduce us to worlds of thinking
we have never considered, thought about, imagined.

At a time when so much needs to re-worked,
re-thought, re-solved, the opportunity to

spend time and listen to those with conviction
and inspiration is unique and exciting. This

year at Aspen Ideas Festival we will ask a
number of questions of leading thinkers and

experts who
tackle them on a daily basis: Where do our

values come from? Is democracy doing its job?
Are we the best generation of parents, or

the worst? How can we fix the economy—we
have a number of CEO's addressing issues

of the utmost importance to our economic recovery.
We will be dazzled by the next generation

of leaders who are unveiling innovations for
the future that we can use today. Join us

to listen, discuss, connect, and act. Through
the week of this event, we welcome as many

members of the public as our generous host
venues can accommodate and our various news

and web communities can support. We look forward
to conversations that spill out onto the streets

of Aspen, the communities of the Roaring Fork
Valley—and with the help of the Internet,

print, and broadcast press—well beyond.

FESTIVAL PUBLIC EVENTS AT A GLANCE

WEDNESDAY, JUNE 27
7:30 PM

Can We Afford to be Healthy?
BELLY UP

8:00 PM
Rivers of Ice: Vanishing Glaciers of the Greater

Himalaya
DOERR-HOSIER CENTER
8:00 PM

City of Life and Death
Film Screening and Discussion

PAEPCKE AUDITORIUM
8:30 PM

Can We Solve the Debt Crisis?
HOTEL JEROME BALLROOM

THURSDAY, JUNE 28
7:45 AM

Where is Knowledge?
LIMELIGHT HOTEL

7:45 AM
Our Moral Imagination

HOTEL JEROME BALLROOM
12:00 PM

White House Burning: The Founding Fathers,
Our National Debt, and Why It Matters to You

LIMELIGHT HOTEL
12:00 PM (doors close at 11:45)

"Talk of the Nation" LIVE
HOTEL JEROME BALLROOM

5:00 PM
Head Games: Can Football Be Saved From Itself?

American Man
Film Screening and Discussion

PAEPCKE AUDITORIUM
5:30 PM

Speaker Salon: Telling a Good Story
LIMELIGHT HOTEL

7:30 PM
Hearts, Minds, and the 2012 Election

BELLY UP
7:30 PM

What's a Legacy Worth?
DOERR-HOSIER CENTER

8:00 PM
Finding North

Film Screening and Discussion
PAEPCKE AUDITORIUM

8:30 PM
Entrepreneurship 2012

HOTEL JEROME BALLROOM
FRIDAY, JUNE 29

7:45 AM
The Real Romney

LIMELIGHT HOTEL
7:45 AM

The Kinect Effect and Beyond: Evolving the
Interface Between Mankind and Machines HOTEL

JEROME BALLROOM
12:00 PM (doors close at 11:45)

BBC World Service's "The Forum:" America's
Role in the World
HOTEL JEROME BALLROOM

12:00 PM
Best Practices in Sustaining a Legacy of Values

Across Generations
LIMELIGHT HOTEL
2:30 PM (doors close at 2:15)

"Marketplace" LIVE
BELLY UP

5:30 PM
Speaker Salon: Can We Design Our Way Out of

Poverty?
LIMELIGHT HOTEL
5:30 PM

Fair Play and Illusion Racial Myths from Obama
and Immigrants to College Athletes HOTEL JEROME

ANTLER BAR
7:30 PM

In Conversation: Moby
BELLY UP

8:00 PM
Detropia

Film Screening and Discussion
PAEPCKE AUDITORIUM

8:00 PM
Is Lying OK?

DOERR-HOSIER CENTER
9:00 PM

What Does it Take to Be President?
HOTEL JEROME BALLROOM

SATURDAY, JUNE 30
7:45 AM

An Accidental Sportswriter: A Memoir
LIMELIGHT HOTEL

7:45 AM
The Art and Sciences of Human Inventiveness

HOTEL JEROME BALLROOM
12:00 PM

Six Degrees of Separation: How do our Connections
Improve our Lives? HOTEL JEROME BALLROOM

12:00 PM
Making Cities Sing

LIMELIGHT HOTEL
2:00 PM - 5:00 PM

Afternoon of Conversation
BENEDICT MUSIC TENT

7:30 PM
America the Post-Superpower

BELLY UP
8:00 PM

In the Zone: What does Peak Performance Require?
HOTEL
JEROME BALLROOM

8:00 PM
Last Train Home

Film Screening and Discussion
PAEPCKE AUDITORIUM

10:00 PM
In Conversation with Stanley Tucci

HOTEL JEROME BALLROOM
SUNDAY, JULY 1

7:45 AM
The Tiger Mother Tells All

HOTEL JEROME BALLROOM
7:45 AM

Need, Speed, and Greed
LIMELIGHT HOTEL

12:00 PM
All In: The Education of General David Petraeus

LIMELIGHT HOTEL
12:00 PM (doors close at 11:45)

BBC World Service's "The Forum": How
is Technology Changing the Way We Live Our

Lives HOTEL JEROME BALLROOM
5:30 PM

Speaker Salon: Coming Home: Supporting America's
New Generation of Veterans HOTEL JEROME ANTLER

BAR
5:30 PM

So Rich, So Poor
LIMELIGHT HOTEL

7:00 PM
Intelligence Squared U.S. Debate: No Fracking

Way
Aspen District Theatre
SUNDAY, JULY 1 CONT.

7:30 PM
Media and the Election

BELLY UP
8:00 PM

Joe Papp in Five Acts
Film Screening and Discussion

PAEPCKE AUDITORIUM
8:30 PM

Theatre of Politics: Morals & Rhetoric
HOTEL JEROME BALLROOM

MONDAY, JULY 2
7:45 AM

Talking Back to Facebook
LIMELIGHT HOTEL

7:45 AM
How Economics Helps Us Understand and Improve

Modern Family Life
HOTEL JEROME BALLROOM
12:00 PM

Vital Voices: The Power of Women Leading Change
Around the World
HOTEL JEROME BALLROOM

12:00 PM
Making Good, Finding Meaning, Money & Community

in a Changing World LIMELIGHT HOTEL
5:30 PM

Speaker Salon: Attached: The New Science of
Adult Attachment and How it Can Help you Find

and Keep Love
HOTEL JEROME ANTLER BAR
5:30 PM

Wired for War: The Robotics Revolution and
Conflict in the 21st Century
LIMELIGHT HOTEL

7:30 PM
Steve Jobs's Design Genius

BELLY UP
8:00 PM

Chasing Ice
Film Screening and Discussion

PAEPCKE AUDITORIUM
8:30 PM

How to Land Your Kid in Therapy: Overparenting
and Its Perils HOTEL JEROME BALLROOM

TUESDAY, JULY 3
7:45 AM

It's Not Your Grandfather's Army
HOTEL JEROME BALLROOM

7:45 AM
The Impeachment of Abraham Lincoln

LIMELIGHT HOTEL

Tickets for the individual public events will
go on sale June 20 through Aspen Show Tickets

at the Wheeler in person, online at www.aspenshowtix.com,
or by calling 970.920.5770.

In person and online orders are encouraged.
There is an additional $4 will-call fee per

event for orders placed by phone or online.
DUE TO DEMAND, INDIVIDUALS ARE LIMITED TO

PURCHASING 2 TICKETS PER EVENT.

FOR MORE INFORMATION ABOUT SPEAKERS visit
www.aspenideas.org

public EVENTS
The following programs are open to the public,

starting at $20 per event. Space is limited,
and the schedule is subject to change; please

check the pages of The Aspen Times and listen
to KAJX (91.5 FM) daily June 27-July 3. For

more information on the Aspen Ideas Festival,
visit aspen. Tickets are available starting

June 20, through the Wheeler Opera House box
office in person and at [phone], and

www.aspenshowtix.com.
For biographical information
on individual speakers, visit aspenideas.org.

DUE TO DEMAND INDIVIDUALS ARE LIMITED TO PURCHASING
2 TICKETS PER EVENT.

EVENING EXCHANGES
AMERICA

Can We Afford to Be Healthy?
BELLY UP, 7:30 PM $20
On the expected eve

of one of the more contentious and anticipated
Supreme Court decisions, observers share perspectives

on Obamacare and its future.
Joe Klein,
David Leonhardt, others TBA
MODERATOR Suzanne

Malveaux
OUR PLANET

Rivers of Ice: Vanishing Glaciers of the Greater
Himalaya

DOERR-HOSIER CENTER, MCNULTY ROOM 8:00 PM
$20
The Himalaya are home to the world's

most magnificent peaks and thousands of high-altitude
glaciers. These important glaciers supply

crucial seasonal flows to rivers across Asia,
yet many are disappearing at an increasing

rate. "Rivers of Ice" presents recent
photographs by mountaineer and photographer

David Breashears of the world's least studied
glaciers alongside archival photographs taken

over the past century by the world's greatest
alpine photographers. The comparison starkly

reveals the alarming loss of ice during the
intervening years.

Joe Klein, David Leonhardt, others TBA MODERATOR
Suzanne Malveaux

US-CHINA
City of Life and Death: A Film and Discussion

PAEPCKE AUDITORIUM, 8:00 PM $20
The Himalaya are home to the world's most

magnificent peaks and thousands of high-altitude
glaciers. These important glaciers supply

crucial seasonal flows to rivers across Asia,
yet many are disappearing at an increasing

rate. "Rivers of Ice" presents recent
photographs by mountaineer and photographer

David Breashears of the world's least studied
glaciers alongside archival photographs taken

over the past century by the world's greatest
alpine photographers. The comparison starkly

reveals the alarming loss of ice during the
intervening years.

Language: Chinese with English subtitles
Filmmaker Lu Chuan INTERVIEWER Melissa Chiu

ECONOMY
Can We Solve the Debt Crisis?

HOTEL JEROME BALLROOM, 8:30 PM $20 Simon Johnson
INTERVIEWER
Kai Ryssdal

BREAKFAST SESSIONS
TECHNOLOGY

Where is Knowledge?
LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast

at 7:15)
We live in an age of information
that is growing exponentially. Knowledge is

no longer in our heads—it is in the "cloud,"
on networks. How will we tap into "knowledge"

and wisdom as we move forward through the
internet age? Internet philosopher David Weinberger,

author of Too Big to Know: Rethinking Knowledge
Now That the Facts Aren't the Facts, Experts

Are Everywhere, and the Smartest Person in
the Room Is the Room, shows how business,

science, education, and the government are
learning to use networked knowledge to understand

the world and how it works— and work smarter.
David
Weinberger
INTERVIEWER John Seely Brown

VALUES
Our Moral Imagination

HOTEL JEROME BALLROOM, 7:45 AM $35 (includes
breakfast at 7:15) In our current market society,

where everything and everyone is potentially
a commodity, we
need to develop our moral

imaginations. We can do this through active
engagement with the arts and humanities, which

opens the way for us to explore our values
and speak across our cultural divides. A moral

imagination enables us to develop empathy,
an enlarged sense of community and a consideration

for the other.
Dean Jane Shaw, The Grace Cathedral of San

Francisco
LUNCH SESSIONS

ECONOMY
White House Burning: The Founding Fathers,

Our National Debt, and Why It Matters to You
LIMELIGHT
HOTEL, 12:00 PM $45 (includes lunch at 11:30)
America

is mired in debt—more than $30,000 for every
man, woman, and child. Bitter fighting over

deficits, taxes, and spending bedevils Washington,
even as partisan gridlock has brought the

government to the brink of default. Yet the
more politicians on both sides of the aisle

rant and the citizenry fumes, the more things
seem to remain the same.

Sinon Johnson MODERATOR David Leonhardt
"Talk of the Nation" LIVE

HOTEL JEROME BALLROOM, 12:00 PM $45 (includes
lunch at 11:00) Doors Open 11:00 AM for lunch.

Live taping 12:00 PM -- 2:00pm
NPR's
popular midday news-talk show is broadcasting

live from the Aspen Ideas Festival. Hour 1:
Exporting Democracy

Robert Kagan
INTERVIEWER Neal Conan
Ender:
What Do We Believe And Why? Mark Penn
INTERVIEWER

Neal Conan
Hour 2: Making Work Work
Ben
Waber, Shankar Vendantam INTERVIEWER Neal

Conan
Ender: The Stories Behind Photographs
Moby
INTERVIEWER Neal Cohen

SPEAKER SALON
US-CHINA

Telling a Good Story
LIMELIGHT HOTEL, 5:30 PM $20
How are Chinese

and American journalists balancing activism
and information in the pursuit of the

next story? And what is journalism's role
in society? Journalists share perspectives

from opposite sides of the globe.
James
Fallows, Hu Shuli, Liu Xin
MODERATOR Orville

Schell
SPECIAL EVENT

Head Games: Can Football Be Saved From Itself?
Screening of American Man Followed by a Discussion

PAEPCKE AUDITORIUM, 5:00 PM $20
Football is America's most popular game,

underwritten by communities and schools everywhere.
But even NFL veterans are now starting to

steer their children into alternate sports
to save them from lasting injuries. Our panel

considers the latest research on concussions,
and cutting-edge ideas designed to manage

the violence. The documentary American Man
by Jon Frankel, featuring former NFL player

Kevin Turner, will be screened before the
discussion.

Dan Garza, Chris Nowinski, Kevin Turner MODERATOR
Tom Farrey

EVENING SESSIONS
AMERICA

Hearts, Minds, and the 2012 Election
BELLY UP, 7:30 PM $20
What is the American

public's mood this election season? Will
people vote? A look at the social,

economic, and cultural issues that will help
decide the 2012 election, from faith and race

to reproductive rights and the role of women.
E.J.
Dionne, Joe Klein, Debra Lee, Mark Penn, Mark

Preston
MODERATOR Ron Brownstein underwritten
by Southern Company

SPORTS
What's a Legacy Worth? Leaving an Impact

off the Field and After the Bell
DOERR-HOSIER CENTER, MCNULTY ROOM, 7:30 PM

$20
In this evening discussion, a panel
will explore impact and legacy through the

lens of three individuals who achieve initial
success through athletics, sports, or physical

achievements.
David Breashears, Jim Brown,
Michelle Kwan
MODERATOR Chris Heilmann underwritten

by U.S. Trust

THURSDAY, JUNE 28 CONTINUED

THURSDAY, JUNE 28 CONTINUED
FRIDAY, JUNE 29 CONTINUED

AMERICA
Finding North: A Film and Discussion PAEPCKE

AUDITORIUM, 8:00 PM $20
Hunger poses serious economic, social, and

cultural implications for our nation. Forty-nine
million people in the US—one in four children—don't

know where their next meal is coming from.
Finding North examines this issue through

the lens of three people who are struggling
with food insecurity. Their stories are interwoven

with insights from experts, ordinary citizens
and teachers, and activists. Is it possible

to make healthy food available and affordable
for all?
Dan Glickman, Kristi Jacobson
MODERATOR

Corby Kummer
ECONOMY

Entrepreneurship 2012
HOTEL JEROME BALLROOM, 8:30 PM $20 Beth Brooke

and others TBA
SPEAKER SALON

OUR PLANET
Can We Design Our Way Out of Poverty?

LIMELIGHT HOTEL, 5:30 PM $20
In 2011 IDEO,
the world-renowned design and innovation company,

launched IDEO.org, a non-
profit committed to the eradication of poverty

by applying design-based methods to challenges
in areas such as health, sanitation, education,

and agriculture. IDEO.org's mission is to
foster and spread the design in the social

sector by making all projects open and sharable.
Join IDEO CEO Tim Brown and IDEO.org Executive

Director Jocelyn Wyatt to discuss learnings
and insights about how design thinking is

driving new possibilities in philanthropy
and social innovation.

Tim Brown, Jocelyn Wyatt
AMERICA

Fair Play and Illusion: Racial Myths From
Obama and Immigrants to College Athletes?

ANTLER BAR, HOTEL JEROME BALLROOM, 5:30 PM
$20
How two separate careers have followed

issues of race and justice into many areas
where they are commonly avoided, including

college sports.
Taylor Branch
INTERVIEWER
Anna Deavere Smith

EVENING SESSIONS
ARTS

In Conversation: Moby
BELLY UP ASPEN, 7:30 PM $20
An acclaimed

musician, DJ, and photographer, Moby is also
known for his interest in architecture. Moby

has sold more than 20 million albums.
Moby
INTERVIEWER Tim Brown

ECONOMY
Detropia: A Film and Discussion PAEPCKE AUDITORIUM,

8:00 PM $20
Detroit was the birthplace of the middle class,

an industrial utopia where anyone who worked
hard enough could experience the "American

dream." Today, Detroit is on the brink of
bankruptcy. In the past 10 years this Midwestern

icon has lost 25 percent of its population
and 50 percent
of its manufacturing jobs.

City officials are in the midst of the most
dramatic "downsizing" of
an American

city ever seen—demolishing thousands of
homes, reconsolidating massive tracts
of

excess land, cutting basic services and encouraging
Detroiters in marginal neighborhoods
to

move. Detroiters who have stuck with the city
are at the breaking point. Artists and curious

outsiders flock to the city in search of inspiration
and opportunity. Racial tension, globalization,

lack of innovation and greed has led to a
moment of truth for Detroit. How the Motor

City reboots itself will set the example for
countless other post-industrial cities with

similar fates. And today the entire country
is watching to see if this storied metropolis

has the courage, creativity and grit to reinvent
itself—instead of implode.
Heidi Ewing,

Rachel Grady
MODERATOR Charlie Firestone
VALUES

Is Lying OK?
DOERR-HOSIER CENTER, MCNULTY ROOM, 8:00 PM

$20
NPR On-Stage presents: "A Fish Tale."
NPR is usually in the business of seeking

the truth, but for "A Fish Tale," NPR's
science correspondents go out in search of

a lie. They find one—a classic big fish
story invented by two little boys in Wisconsin—and

examine it from various angles to explain
the science behind human deception. NPR's

Jon Hamilton, Alix Spiegel, and Shankar Vedantam
normally cover neuroscience, individual psychology,

and social behavior, respectively, but in
"A Fish Tale," they artfully weave their

three beats together to give a fuller understanding
of the very human urge to lie. During the

show they argue amongst themselves, play fascinating
clips from interviews with scientists and

with liars, and use the powerful art of storytelling
to make the latest scientific research entertaining

and accessible.
Jon Hamilton, Alix Spiegel, Shankar Vedantam

AMERICA
What Does It Take to Be President?

BREAKFAST SESSIONS
AMERICA

The Real Romney
LIMELIGHT HOTEL, 7:45 AM

$35 (includes breakfast at 7:15)

Michael Kranish turns his investigative eye
on Romney's personal life, his bond with

his wife and how they handled her diagnosis
with multiple sclerosis, and his difficult

years as a Mormon missionary in France, where
a fatal car crash had a profound effect on

his path. The book also illuminates Romney's
privileged upbringing in Bloomfield Hills,

Michigan; his rejection of the 1960s protest
culture; and his close but complicated relationship

with his father.
Michael Kranish INTERVIEWER Mark Preston

The Kinect Effect and Beyond: Evolving the
Interface Between Mankind and Machines

TECHNOLOGY

HOTEL JEROME BALLROOM, 7:45 AM
7:15)

$35 (includes breakfast at
With each turn in the evolution of interactive

entertainment has come new capabilities, new
ways to delight consumers by translating complex

technologies into the simplest and most intuitive
experiences. On some level, the video game

industry has been the forerunner in bringing
new cutting-edge technology to the masses,

on-boarding consumers with the latest technologies,
tools and experiences. Kinect started as a

controller free gaming device, but has gone
far beyond its origins to begin to redefine

consumer experiences across industries like
education, healthcare and retail. We are also

seeing a whole new ecosystem of connected
smart glass devices like your phones, tablets,

and PCs becoming more intelligent and interactive
with your TV. This session

will cover some of today's key trends and
the latest technologies that will reshape

the future of content, interactivity and social
entertainment.

Mark Whitten
LUNCH SESSIONS

BBC World Service's "The Forum": America's
Role in the World

TECHNOLOGY
underwritten by esa

HOTEL JEROME BALLROOM, 12:00 PM $45 (includes
lunch at 11:30) David Brooks, Anne-Marie Slaughter,

Richard Haass
MODERATOR Bridget Kendall
ECONOMY

Best Practices in Sustaining a Legacy of Values
Across Generations

LIMELIGHT HOTEL, 12:00PM $45 (includes lunch
at 11:30)
What kind of world do we want

to create, protect, and leave behind? We transfer
wealth as we can but importantly, what we

really want our children to understand is
our values.

Chris Heilmann
SPECIAL EVENT

APM's "Marketplace" LIVE!
BELLY UP ASPEN, 2:30 PM-4:00 PM (doors closed

at 2:15 PM) $20
Ever wonder what goes on
behind the scenes at the number one rated

business program in the
HOTEL JEROME BALLROOM, 9:00 PM $20
What

are the qualities it takes to be a successful
president in the modern era? David Gergen,

Joe Klein, George Mitchell, Andrea Mitchell
MODERATOR Ron Brownstein

United States? Well, here's your chance
to see economic news in action, to be part

of the action as Marketplace goes on-air.
Marketplace's Kai Ryssdal hosts a live show

at the Aspen Ideas Festival, in front of an
audience. Get a taste of Marketplace's irreverent

and insightful coverage of the money, business,
and economic news that influences your life.

And stay for a Q&A with Marketplace.
Heidi Moore, David Breashers, Tory Burch MODERATOR

Kai Ryssdal
underwritten by DLA Piper

SUNDAY, JULY 1
SATURDAY, JUNE 30

BREAKFAST SESSIONS
SPORTS

An Accidental Sportswriter: A Memoir
LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast

at 7:15)
A longtime sports columnist for
The New York Times interweaves stories from

his life and the events he covered to explore
the relationships between the games we play

and the lives we lead
Robert Lipsyte
INTERVIEWER
John Walsh

SCIENCE
The Art and Science of Human Inventiveness

HOTEL JEROME BALLROOM, 7:45 AM $35 (includes
breakfast at 7:15) A New York Times best-selling

author takes a revelatory look at the new
science of creativity. Shattering the myth

of muses, higher powers, even creative "types,"
he will discuss how creativity is not a single

gift possessed by the lucky few. It's a
variety of distinct thought processes that

we can all learn to use more effectively.
Jonah Lehrer
INTERVIEWER John Seely Brown

LUNCH SESSIONS
ECONOMY

Six Degrees of Separation: How Do Our Connections
Improve our Lives?

HOTEL JEROME BALLROOM, 12:00 PM $45 (includes
lunch at 11:30) Our networks—personal and

professional relationships, club memberships,
faith communities,

among others—help us to get jobs, advance
our careers, and build economic mobility.

How
does "who we know" help us move
up the economic ladder, and what can be done—socially,

economically, and politically—to strengthen
social capital as a key ingredient to breaking

the grip of poverty?
Anne Mosle, Robert
D. Putnam, Mario Small
MODERATOR David Leonhardt

Making Cities Sing
LIMELIGHT HOTEL, 12:00 PM $35 (includes lunch

at 11:30)
In urban centers around the country,
local governments are looking to attract emerging

industries
and the next generation of entrepreneurs.

At the same time, there is an increasing synergy
between cities, philanthropies, and arts organizations

looking for ways to promote an environment
hospitable to a creative economy. How have

the arts and policymakers collaborated? What
are the initiatives that can make our cities

sing?
Rocco Landesman, Dennis Scholl, Darren
Walker
MODERATOR Richard Florida

EVENING SESSIONS
AMERICA

America the Post-Superpower
BELLY UP, 7:30 PM $20
If we no longer have

a monopoly on economic, political, and cultural
leadership, can the US find a role for itself

in a world with multiple power players? Expert
media figures share their perspectives. Steve

Inskeep, Andrea Mitchell, Dina Temple-Raston,
Bret Stephens, Vijay Vaitheeswaran
MODERATOR

Steve Clemons
BREAKFAST SESSIONS

THE CHILD
The Tiger Mother Tells All

HOTEL JEROME BALLROOM, 7:45 AM $35 (includes
breakfast at 7:15) The Yale professor, author,

and outspoken mom talks about her life and
family and explains her

take on child-rearing—and why the firestorm
around her 2011 book Battle Hymn of the Tiger

Mother took her by surprise.
Amy Chua
INTERVIEWER
Lori Gottlieb

SPORTS
In the Zone: What does Peak Performance Require?

HOTEL JEROME BALLROOM, 8:00 PM $20
What
does it mean to perform at the top of your

game physically and mentally? A top fitness
expert, Paralympic athlete, and research scientist

discuss.
Bob Harper, Bonnie St. John, Gregory
Yep
MODERATOR Jon Frankel

US-CHINA
Last Train Home: A Film and Discussion PAEPCKE

AUDITORIUM, 8:00 PM $20
Every spring, China's cities are plunged

into chaos as 130 million migrant workers
journey to their home villages for New Year's

holiday. Last Train Home documents the mass
exodus, which is the world's largest human

migration- an epic spectacle that reveals
a country tragically caught between its rural

past and industrial future. (Language: Chinese
with English subtitles)

Filmmaker Fan Lixin INTERVIEWER James Fallows
ARTS

In Conversation with Stanley Tucci
HOTEL JEROME BALLROOM, 10:00 PM $20

Stanley Tucci
INTERVIEWER Jeffrey Goldberg
The book's subtitle is the best description

for this talk: How the New Rules of Innovation
Can Transform Businesses, Propel Nations to

Greatness, and Tame the World's Most Wicked
Problems. The author will discuss his insightful

assessment of the changing global economy,
complete with recommendations for how companies

can thrive in a perpetually disruptive environment
Vijay Vaitheeswaran

LUNCH SESSIONS
WAR & PEACE

All In: The Education of General David Petraeus
LIMELIGHT HOTEL, 12:00 PM $45 (includes lunch

at 11:30)
"This is the best book yet on
General David Petraeus, written by a remarkable

former Army officer who spent months on the
ground in Afghanistan herself. Paula Broadwell

captures his basic tenets of counterinsurgency
and basic approach to leadership— as well

as Petraeus's personal qualities and character—
in a highly readable and pithy fashion. No

one gives a truer picture of the war,
or
of the finest general of this era and one

of the greatest in modern American history."
--Michael O'Hanlon, Senior Fellow, the

Brookings Institution
Paula Broadwell
INTERVIEWER
Michael O'Hanlon

TECHNOLOGY
BBC World Service's "The Forum": How

is Technology Changing the Way We Live Our
Lives
HOTEL JEROME BALLROOM, 12:00 PM (doors

close at 11:45 PM) $45 (includes lunch at
11:30)

Joichi Ito, Julie Taymor, Michael Gallagher
Moderator: Bridget Kendall

SPEAKER SALON
WAR & PEACE

Coming Home: Supporting America's New Generation
of Veterans

ANTLER BAR, HOTEL JEROME BALLROOM, 5:30 PM
$20
As our nation approaches its Independence

Day, the single group of individuals deserving
our greatest gratitude are our veterans. Paul

Rieckhoff's organization, Afghanistan Veterans
of America (IAVA), is America's first and

largest organization for Iraq and Afghanistan
veterans. A nonpartisan nonprofit founded

in 2004 with over 200,000 members in all 50
states, IAVA's mission is to improve the

lives of Iraq and Afghanistan veterans and
their families when they come home.
A nationally

recognized authority on the wars in Iraq,
Afghanistan and a broad range of issues affecting

troops, veterans, and their families, Rieckhoff
has appeared on hundreds of television and

radio programs, and now, for the first time,
as an Ideas Festival speaker.
Paul Rieckhoff

AMERICA
So Rich, So Poor: Why It's So Hard to End

Poverty in America
LIMELIGHT HOTEL, 5:30 PM $20
If the nation's

gross national income—over $14 trillion—were
divided evenly across the entire US population,

every household could call itself middle class.
Yet the income-level disparity in this country

is now wider than at any point since the Great
Depression. In 2010 the average salary for

CEOs on the S&P 500 was over $1 million—climbing
to over $11 million when all forms
of compensation

are accounted for—while the current median
household income for African Americans is

just over $32,000. How can some be so rich,
while others are so poor
Peter Edelman
INTERVIEWER

Michele Norris
EVENING SESSIONS

SPECIAL EVENT
"Intelligence Squared U.S." Debate: NO

FRACKING WAY: The Natural Gas Boom is Doing
More Harm Than Good

ASPEN DISTRICT THEATER, 7:00 PM $20
Can
natural gas be part of a clean energy solution,

or is it a dangerous roadblock to a fossil-free
future? This will be a lively, Oxford-style

debate taped for broadcast. IQ2US provides
a forum for intelligent discussion, grounded

in facts and informed by reasoned analysis;
to transcend the toxically emotional and the

reflexively ideological; and to encourage
recognition that the opposing side has intellectually

respectable views.
For the Motion: Deborah Goldberg, Katherine

Hudson Against for the Motion: Joe Nocera,
Susan Tierney MODERATOR John Donvan

ECONOMY
Need, Speed, and Greed

LIMELIGHT HOTEL, 7:45 AM
$35 (includes breakfast at 7:15)

underwritten by PepsiCo

SUNDAY, JULY 1 CONTINUED
MONDAY, JULY 2 CONTINUED

AMERICA
Media and the Election

BELLY UP, 7:30 PM $20
Mike Allen, Charlie
Cook, Frank Luntz MODERATOR Gwen Ifill

ARTS
Joe Papp in Five Acts: A Film and Discussion

PAEPCKE AUDITORIUM, 8:00 PM $20
This documentary tells the story of New York's

indomitable, streetwise champion of the arts,
Joe Papp — founder of the Public Theater

and free Shakespeare in the Park—who introduced
interracial casting to the American stage

and nurtured an entire generation of artists,
along with their works, from Hair to A Chorus

Line.
Tracie Holder
MODERATOR Oscar Eustis
ARTS

Theater of Politics: Morals & Rhetoric
HOTEL JEROME BALLROOM: 8:30 PM $20 $20
In

this presidential election year, we take a
look at the oratory of politics and theater.

Joined by Damian Woetzel and other Aspen Ideas
speakers, and drawing on famous (and infamous)

speeches from real life and literature, Michael
Sandel leads an exchange on the moral implications

of rhetoric in our society.
Michael Sandel,
Damian Woetzel
MODERATOR Kurt Andersen

SPEAKER SALON
VALUES

Attached: The New Science of Adult Attachment
and How it Can Help you Find and Keep Love
ANTLER

BAR, HOTEL JEROME BALLROOM, 5:30 $20
We
rely on science to tell us everything from

what to eat to when and how long to exercise,
but what about relationships? Is there a scientific

explanation for why some people seem to navigate
relationships effortlessly, while others struggle?

According to psychiatrist and neuroscientist
Dr. Amir Levine and Rachel Heller, the answer

is a resounding "yes."
Amir Levine INTERVIEWER Sue Goodwin

WAR & PEACE
Wired for War: The Robotics Revolution and

Conflict in the 21st Century
LIMELIGHT HOTEL, 5:30 PM $20
An amazing

revolution is taking place in the labs and
on the battlefield, starting to change not

just how wars are fought but also rippling
out upon the politics, economics, laws, and

ethics
that surround war itself. In the
last few years, unmanned, remotely operated,

and other robotic systems have moved from
the realm of science fiction into playing

a central role in American military operations
and foreign policy. But systems like the Predator

drone of today are only the start, and the
US is only one of many new users. What are

the key issues and challenges that the dawn
of the robotic revolution presents? What will

happen next in this strange new world of war
and technology? And what does it mean, not

just for future battlefields, but also for
our societies treat war itself?

Peter W. Singer
EVENING SESSIONS

TECHNOLOGY
Steve Jobs's Design Genius

BELLY UP, 7:30 PM $20
Belly Up, 7:30 PM
$20
Walter Isaacson, acclaimed biographer

of Apple's founder, discusses Jobs' brilliant
ability to match creativity with technology

within a highly disciplined framework of simple,
yet elegant design.
Walter Isaacson
INTERVIEWER

Kurt Andersen

CANCELED

BREAKFAST SESSIONS
THE CHILD

Talking Back to Facebook
LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast

at 7:15)
Should you ban violent video games?
When should kids be allowed to use Facebook?

Should preteens have cell phones? Does the
Internet give kids ADHD? The founder of Common

Sense Media discusses his new book, which
offers insights and essential tools to help

filter content, preserve good relationships
with children, and make common -sense, value-driven

judgments for kids of all ages.
James P.
Steyer
INTERVIEWER Scott Stossel

THE CHILD
How Economics Helps Us Understand and Improve

Modern Family Life
HOTEL JEROME BALLROOM, 7:45 AM $45 (includes

breakfast at 7:15) Economic forces shaping
family life have undone many of the benefits

of traditional marriage. In the wake of this
change, a new type of marriage has emerged:

one shaped by shared experiences and passions,
in which partners are equals sharing the roles

of parent and breadwinner. In this session,
two economists who are colleagues and coauthors

as well as partners and coparents explore
how economics can help us understand the deeper

forces responsible for these changes in family
life and how you can use the principles of

economics to help make better decisions in
the domestic domain.

Betsey Stevenson, Justin Wolfers MODERATOR
David Leonhardt

LUNCH SESSIONS
DEMOCRACY

Vital Voices: The Power of Women Leading Change
Around the World

HOTEL JEROME BALLROOM, 12:00 PM $45 (includes
lunch at 11:30) Four global leaders discuss

emerging leadership models led by women and
how these models are redefining the concept

of power. Will these women reshape our world?
Kah
Walla, Laura Alonso, Amira Yahyaoui
MODERATOR

Alyse Nelson underwritten by Thomson Reuters
OUR PLANET

Making Good, Finding Meaning, Money & Community
in a Changing World

LIMELIGHT HOTEL, 12:00 PM $45
As we emerge
from the recession, a generation is searching

for practical ways to succeed financially
while also making positive changes in the

world. From energy to food to education, Making
Good outlines how to do this. These opportunities

are not just for entrepreneurs and Fortune
500 companies: Making Good outlines step by

step how anyone can achieve financial autonomy,
capitalize on global changes to infrastructure,

and learn from everyday success stories—providing
the skills and insight this generation needs

underwritten by Booz Allen Hamilton

to succeed.
Billy Parish

OUR PLANET
Chasing Ice: A Film and Discussion

PAEPCKE AUDITORIUM, 8:00 PM
$20

In the spring of 2005, internationally renowned
environmental photographer James Balog headed

to the Arctic on a tricky assignment: to capture
images to help tell the story of the Earth's

changing climate. Within months, he conceived
the boldest expedition of his life: the Extreme

Ice Survey. With a band of young adventurers
in tow, Balog began deploying revolutionary

time-lapse cameras across the Arctic to capture
a multi-year record of the world's changing

glaciers
James Balog
THE CHILD

How to Land Your Kid in Therapy: Overparenting
and Its Perils

HOTEL JEROME BALLROOM, 8:30 PM $20
By trying
to provide the perfectly happy childhood,

a generation of parents may be making it
harder for their kids to actually grow up.

Learn how our preoccupation with choice, self-esteem,
and happiness may be yielding a generation

marked by entitlement, materialism, narcissism,
and an inability to face the challenges of

adult life.
Lori Gottlieb, Madeline Levine,
Polly Young-Eisendrath,

MODERATOR Katie Couric
BREAKFAST SESSIONS

WAR & PEACE
It's Not Your Grandfather's Army: The

History and Future of America's Armed Forces
HOTEL JEROME BALLROOM, 7:45 AM $35 (includes

breakfast at 7:15) The All-Volunteer Force
that came into being in 1973 is now nearly

four decades old. Changes
in demography,
cultural values, and technology—not to mention

changes in the missions it has taken up—have
transformed the force almost beyond recognition.

Who fights today, why, and how? And how does
the nature of the force shape national security

strategies?
David Kennedy

WAR & PEACE
The Impeachment of Abraham Lincoln

LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast
at 7:15)
This year—and next—marks the

150th anniversary of Lincoln's assumption
of extraordinary war powers, powers that presidents

ever since have cited and replicated in response
to threats to the national interest. Join

author Stephen Carter for a timely discussion
on his latest novel, which is a daring reimagining

of one of the most tumultuous moments in our
nation's past. This vivid piece of historical

fiction captures the emotional tenor of post-Civil
War America, and explores the always contentious

question of the nature of presidential authority.
Stephen
L. Carter
INTERVIEWER Elisa New

TUESDAY, JULY 3

An Afternoon of Conversation
SATURDAY, JUNE 30, 2:00PM -- 5:00PM [ DOORS

OPEN AT 1:30PM ] $75
Benedict Music Tent

The God Particle
Brian Greene, Rolf-Dieter
Heuer INTERVIEWER Michele Norris

Stanley A. McChrystal on Leadership INTERVIEWER
Bob Schieffer

In Conversation with Ehud Barak INTERVIEWER
Thomas L. Friedman

Why the States are Laboratories
for Economic Reform Mitch Daniels
INTERVIEWER

Charlie Rose
In Conversation with Valerie Jarrett INTERVIEWER

Gwen Ifill
In Conversation with Pervez Musharraf INTERVIEWER

David Bradley
In Conversation with Lawrence H. Summers

INTERVIEWER Gillian Tett
EHUD BARAK

Minister of Defense, Israel
DAVID BRADLEY

Chairman,
Atlantic Media Company
MITCH DANIELS

Governor (R), State of
Indiana; Former Director,
Office
of Management and Budget

THOMAS L. FRIEDMAN
Foreign Affairs Columnist,

The New York Times
BRIAN GREENE

Professor of Mathematics and Physics, Columbia
University; Author, The Elegant Universe

ROLF-DIETER HEUER
Director-General, CERN, European Organization

for Nuclear Research
GWEN IFILL

Moderator and Managing Editor, "Washington
Week," Senior Correspondent "The PBS NewsHour,"

PBS News
VALERIE JARRETT

Senior Advisor to the President, The White
House

STANLEY A. MCCHRYSTAL
Retired General, US Army; Co-Founder/Partner,

McChrystal Group
PERVEZ MUSHARRAF

Former President, Pakistan
MICHELE NORRIS

Host, "All Things Considered," NPR
CHARLIE ROSE

Executive Editor and Anchor, "Charlie Rose,"
PBS; Anchor, "CBS This Morning"

BOB SCHIEFFER
Moderator, "Face The Nation," Chief Washington

Correspondent, CBS News
LAWRENCE H. SUMMERS

Charles W. Eliot University Professor, Kennedy
School of Government, Harvard University;

Former Secretary, US Department
of Treasury; Former Director National Economic

Council, Obama Administration
GILLIAN TETT

US Managing Editor,
Financial Times

SHOWS COMING TO ASPEN NEXT WEEK

8,)U0010fc00*3691
FOR MORE INFORMATION ABOUT SPEAKERS PLEASE

VISIT AspenIdeas.org
JUNE 25 NPR: "Talk of the Nation" LIVE
PAEPCKE

AUDITORIUM 12:00 PM (DOORS CLOSE 11:45 AM)
$20
PANELISTS George Divoky, Craig Allen,

Jon Foley, E.O. Wilson, Sylvia Earle, Stewart
Brand, Richard Harris MODERATOR Neal Conan

JUNE 26 NPR: "Talk of the Nation" LIVE
PAEPCKE
AUDITORIUM 12:00 PM (DOORS CLOSE 11:45 AM)

$20
PANELISTS Sandra Postel, Colum McCann,
Firoozeh Dumas, Assaf Gavron, Reza Aslan,

Luis Alberto Urrea MODERATOR Neal Conan
JUNE 28 NPR: "Talk of the Nation" LIVE
HOTEL

JEROME BALLROOM 12:00 PM (DOORS CLOSE 11:45
AM) $45 (includes lunch) PANELISTS Robert

Kagan, Mark Penn, Ben Waber, Shankar Vendatam,
Moby
MODERATOR Neal Conan

JUNE 29 BBC World Service's "The Forum":
America's Role in the World
HOTEL JEROME

BALLROOM 12:00 PM (DOORS CLOSE AT 11:45 AM)
$55 (includes lunch) PANELISTS David Brooks,

Richard Haass, Anne-Marie Slaughter
MODERATOR
Bridget Kendall

JUNE 29 APM: "Marketplace" LIVE
BELLY
UP ASPEN 2:30 PM (DOORS CLOSE AT 2:15 PM)

$20 PANELISTS David Breashears, Tory Burch,
Heidi Moore, Additional Guests TBA MODERATOR

Kai Ryssdal
JULY 1 BBC World Service's "The Forum":

How is Technology Changing the Way we Live
Our Lives? HOTEL JEROME BALLROOM 12:00 PM

(DOORS CLOSE AT 11:45 AM) $55 (includes lunch)
PANELISTS Michael Gallagher, Joichi Ito, Julie

Taymor
MODERATOR Bridget Kendall
JULY 1 Intelligence Squared U.S. Debate: NO

FRACKING WAY: The Natural Gas Boom is Doing
More Harm than Good ASPEN DISTRICT THEATER

7:00 PM $20
FOR THE MOTION Deborah Goldberg,
Katherine Hudson AGAINST THE MOTION Joe Nocera,

Susan Tierney
MODERATOR John Donvan

To purchase tickets and more information on
programs visit

www.aspenshowtix.com

On the Big Screen at PAEPCKE
night of the
Festival to guests and members of the public.

The Aspen Ideas Festival is proud to present
unique, inspiring, and deeply thought-provoking

and even downright hilarious films each
City of Life and Death JUNE 27 8:00 PM PAEPCKE

AUDITORIUM $20
On December 9, 1937, the
Imperial Japanese Army laid siege to the Chinese

capital of Nanking, beginning a reign of terror
that killed as many as 300,000 civilians.

Director Lu Chuan based the film on the recorded
witness testimony from the real-life survivors

of the massacre, meticulously recreating the
infamous reign of terror. The first big-budget

fiction film by the Chinese to deal with this
seminal event, City of Life and Death paints

an epic portrait of wartime conflict, filled
with an ensemble of conflicted characters

caught in the crossfire, including Chinese
officer Lu (Liu Ye), who leads his men in

a hopeless, defiant resistance effort; the
German businessman, John Rabe (John Paisley),

who establishes a safety zone in an attempt
to protect civilians; and Japanese soldier

Kadokawa (Hideo Nakaizumi), who struggles
to live with his conscience in a city where

executions are commonplace. Language: Chinese,
English subtitles
PANELIST Lu Chuan MODERATOR

Melissa Chiu
American Man JUNE 28 5:00 PM PAEPCKE AUDITORIUM

$20
Kevin Turner is a gentle but broken
man of 42, a football superstar forced to

reflect on the price he paid for his glory
years. Doctors told him in May 2010 that his

once elite body was withering, consumed by
ALS, a fatal disease. And scientists began

to believe at about the same time that the
concussions of contact sports were to blame

for many traumas of the brain. So Turner was
left to wonder whether in worshiping football,

and preaching its glory to his kids, he had
prayed to a false god. In the decade since

he retired, he lost his job, his money, his
marriage, and even, he thinks, his mind. But

he refused simply to fade away. With a final
and painful burst of ambition, he invested

his tarnished reputation in a charitable enterprise
that would sound the alarm about concussive

sports and teach a football-loving nation
to protect its sons and future generations.

Facing death, Turner thinks he still has time
to fashion a proud legacy.
PANELISTS Daniel

Garza, Chris Nowinski, Kevin Turner MODERATOR
Tom Farrey

Finding North JUNE 28 8:00 PM PAEPCKE AUDITORIUM
$20
Forty-nine million people in the US—one

in four children—don't know where their
next meal is coming from. Finding North examines

this issue through the lens of three people
who are struggling with food insecurity: Barbie,

a single Philadelphia mother who grew up in
poverty and is trying to provide a better

life for her two kids; Rosie, a Colorado second-grader
who often has to depend on friends and neighbors
to

feed her and has trouble concentrating in
school; and Tremonica, a Mississippi second-grader

whose asthma and health issues are exacerbated
by the largely empty calories her hardworking

mother can afford. Their stories are interwoven
with insights from experts including sociologist

Janet Poppendieck, author Raj Patel, and nutrition
policy leader Marion Nestle; ordinary citizens

like Pastor Bob Wilson and teachers Leslie
Nichols and Odessa Cherry; and activists such

as Witness to Hunger's Mariana Chilton,
Top Chef's Tom Colicchio and Oscar- winning

actor Jeff Bridges.
PANELISTS Kristi Jacobson,
Dan Glickman MODERATOR Corby Kummer

Detropia JUNE 29 8:00 PM PAEPCKE AUDITORIUM
$20
Detroit was the birthplace of the middle

class, an industrial utopia where anyone who
worked hard enough could experience the American

dream. Today, Detroit is on the brink of bankruptcy.
In the past 10 years this Midwestern icon

has lost 25 percent of its population and
50 percent of its manufacturing jobs. City

officials are in the midst of the most dramatic
"downsizing" of an American city ever

seen--demolishing thousands of homes, reconsolidating
massive tracts of excess land, cutting basic

services and encouraging Detroiters in marginal
neighborhoods to move. Detroiters who have

stuck with the city are at the breaking point.
Artists and curious outsiders flock to the

city in search of inspiration and opportunity.
Racial tension, globalization, lack of innovation,

and greed has led to a moment of truth for
Detroit. How the Motor City reboots itself

will set the example for countless other post-industrial
cities with similar fates. And today the entire

country is watching to see if this storied
metropolis has the courage, creativity, and

grit to reinvent itself—instead of implode.
PANELISTS
Heidi Ewing, Rachel Grady MODERATOR Charlie

Firestone
Last Train Home JUNE 30 8:00 PM PAEPCKE AUDITORIUM

$20
Every spring, China's cities are plunged
into chaos as 130 million migrant workers

journey to their home villages for the New
Year's holiday. This mass exodus is the

world's largest human migration—an epic
spectacle that reveals a country tragically

caught between its rural past and industrial
future. Working over several years in classic

verité style Chinese-Canadian filmmaker Fan
Lixin (with the producers of the award-winning

hit documentary Up the Yangtze) travels with
a couple who have embarked on this annual

trek for almost two decades. Like so many
of China's rural poor, Zhang Changhua and

Chen Suqin left behind their two infant children
for grueling factory jobs. Their daughter

Qin—now a restless and rebellious teenager—both
bitterly resents their absence and longs for

her own freedom away from school, much
to
the utter devastation of her parents. Emotionally

engaging and starkly beautiful, Last Train
Home's intimate observation of one fractured

family sheds light on the human cost of China's
ascendance as an economic superpower. Language:

Chinese, English subtitles
PANELIST Fan
Lixin MODERATOR James Fallows

Joe Papp in Five Acts JULY 1 8:00 PM PAEPCKE
AUDITORIUM $20

Joe Papp in Five Acts is the story of New
York's indomitable, streetwise champion

of the arts—founder of the Public Theater
and free

Shakespeare in the Park—who introduced interracial
casting to the American stage and nurtured

an entire generation of artists, along with
their works, from Hair to A Chorus Line. In

his eyes, great art was for everyone, not
just a privileged few. "We have public libraries,"

he would
argue, "Why not public theaters?" He was

convinced that both women and minorities,
denied power elsewhere in society, could develop

it on
the stage. Papp's great accomplishments

and his own tumultuous personal history is
told by the artists he helped create—and

sometimes
tried to destroy—a Who's Who of stage

and screen including Meryl Streep, Christopher
Walken, Martin Sheen, Kevin Kline, James Earl

Jones,
Olympia Dukakis, and Larry Kramer, among others.

A presentation of "NEW VIEWS: Documentaries
& Dialog,"

PANELIST Tracie Holder MODERATOR Oskar Eustis
co-presented by The Aspen Institute and AspenFILM

Chasing Ice JULY 2 8:00 PM PAEPCKE AUDITORIUM
$20
In the spring of 2005, internationally

renowned environmental photographer James
Balog headed to the Arctic on a tricky assignment:

to capture images to help tell the story of
the Earth's changing climate. Even with

a scientific upbringing, Balog had been a
skeptic about climate change and the veracity

of computer models. But that first trip north
opened his eyes to the biggest story in human

history and sparked a challenge within him
that would put his career and his very well-being

at risk. Within months, he conceived the boldest
expedition of his life: the Extreme Ice Survey.

With a band of young adventurers in tow, Balog
began deploying revolutionary time-lapse cameras

across the brutal Arctic to capture a multi-year
record of the world's changing glaciers.

Battling untested technology in subzero conditions,
Balog comes face to face with his own mortality.

His hauntingly beautiful videos compress years
into seconds and capture ancient mountains
of

ice in motion as they disappear at a breathtaking
rate. Chasing Ice depicts a photographer trying

to deliver evidence and hope to our carbon-powered
planet.
PANELIST James Balog

WhatRunsWhere.com is an incredible tool. It allows anyone to use massive amounts of data in minutes

to supercharge their media buys or create new ones. In the following sections, we'll outline some of the 
best ways to use WhatRunsWhere.com to turn a media buy from a failure (or even just good) to great.

This will result in a higher ROI for yourself or clients and be a staple of your media buying process 
moving forwards. Let's dive in!

USING WHATRUNSWHERE TO SUPERCHARGE YOUR MEDIA BUYS 
With so much data available through WhatRunsWhere the big question is where to start. This all

depends, are you starting a new campaign or using it to optimize and improve something existing? 
Also, how much do you know about your actual client or campaign? What type of media buying are you

going to be doing? All of these are valid questions. We're going to run through a lot of different 
scenarios that will encompass the most common scenarios and how to make more money from them.

Scenario 1: I Know My Competitors

If you already know who your competitors are you can easily use WhatRunsWhere to take advantage

of all the money and time they've spent already doing your work for you. By looking up a competitor you 
can see all the ads they used, where they bought the ads through and where they actually had these

banners show up. Using this information you can create profiles about what parts of ads are working, 
what types of websites are working and who you should try buying inventory through. You can use this

information to start your own campaign or boost the performance of an existing media buying 
campaign.

To do this, we'll use the "By Advertiser" tab in WhatRunsWhere. By entering in the landing page URL of 
the advertiser you're looking for, you can quickly find all the places they bought ads, the domains they

owned, the actual serving mechanism they used and what text and banner ads they're using. Below is 
a screenshot of the "By Advertiser" tab.

Let's break down what we've actually seen here and how we can use that. The first thing we should 
look at is the traffic sources tab. This will tell us all the domains the landing page has been seen on,

what country it was seen in, the traffic source they're buying through, how long it's been running and a 
measure of how many times it's been seen (Example shown below).

There is also the suggested placements tab (example shown below). This tab suggests other

placements that advertise (or you) may want to advertise based on an affinity score to the types of 
websites they're already advertising on. This proprietary actionable insight allows

WhatRunsWhere.com to suggest other places to expand a media buying campaign to that not even 
your competitors may have thought of!

What we can take away from this information are the type of websites we want to test advertising on

and the demographics our competitors are going after in the sites they advertise on (you can research 
this site by site by using free tools like Alexa.com and Quantcast.com). By spotting trends in the ad

networks and site types, we can figure out what type of website we should be buying on without 
spending a dime. By applying this information to websites across the web will allow us to build or

supplement a media buying campaign by using information that results in the product having a high

chance of success for you. Just ripping off the results is not a recommended strategy. Taking what you 
seen and improving on it will always yield a better result.

The other very important information tab here are the ads tabs (example seen below). By analyzing the 
ads found by the advertiser you can quickly spot trends within in the ads. By pulling out important words

or themes you can create your own ads that incorporate information your competition has already spent 
a fair amount of money testing and working on. Hint, you can filter by Ad Strength to see the ads we

you can repeat this across as many competitors as you want. The more information you gather and 
incorporate the more tried and tested data is being used.

think are doing best for your competitors.

The end result is a campaign that has a lot less risk and a much higher chance of success. Remember,

Revised 8/17/12

Academy of Television Arts & Sciences
64th Primetime Emmy Award Nominations

Outstanding Comedy Series
The Big Bang Theory • CBS • Chuck Lorre

Productions, Inc. in association with Warner
Bros. Television

Chuck Lorre, Executive Producer
Bill Prady, Executive Producer

Steven Molaro, Executive Producer
Dave Goetsch, Co-Executive Producer

Eric Kaplan, Co-Executive Producer
Jim Reynolds, Co-Executive Producer

Steve Holland, Supervising Producer
Peter Chakos, Supervising Producer

Maria Ferrari, Producer
Faye Oshima Belyeu, Produced By

Curb Your Enthusiasm • HBO • HBO Entertainment
Larry David, Executive Producer

Jeff Garlin, Executive Producer
Gavin Polone, Executive Producer

Alec Berg, Executive Producer
David Mandel, Executive Producer

Jeff Schaffer, Executive Producer
Larry Charles, Executive Producer

Tim Gibbons, Executive Producer
Erin O'Malley, Executive Producer

Laura Streicher, Producer

Girls • HBO • Apatow Productions and I
am Jenni Konner Productions in association

with HBO Entertainment
Lena Dunham, Executive Producer

Judd Apatow, Executive Producer
Jenni Konner, Executive Producer

Ilene S. Landress, Co-Executive Producer
Bruce Eric Kaplan, Co-Executive Producer

Modern Family • ABC • Levitan-Lloyd Productions
in association with Twentieth Century Fox

Television
Steven Levitan, Executive Producer

Christopher Lloyd, Executive Producer
Danny Zuker, Executive Producer

Dan O'Shannon, Executive Producer
Bill Wrubel, Executive Producer

Paul Corrigan, Executive Producer
Brad Walsh, Executive Producer

Jeff Morton, Co-Executive Producer
Jeffery Richman, Co-Executive Producer

Abraham Higginbotham, Co-Executive Producer
Cindy Chupack, Co-Executive Producer

Chris Smirnoff, Producer

30 Rock • NBC • Broadway Video, Little
Stranger, Inc. in association with Universal

Television
Lorne Michaels, Executive Producer

Tina Fey, Executive Producer
Robert Carlock, Executive Producer

Marci Klein, Executive Producer
David Miner, Executive Producer

Jeff Richmond, Executive Producer
John Riggi, Executive Producer

Ron Weiner, Co-Executive Producer
Matt Hubbard, Co-Executive Producer

Kay Cannon, Supervising Producer
Vali Chandrasekaran, Supervising Producer

Josh Siegal, Supervising Producer
Dylan Morgan, Supervising Producer

Luke Del Tredici, Supervising Producer
Jerry Kupfer, Producer

Alec Baldwin, Producer
Irene Burns, Producer

Veep • HBO • Dundee Productions in association
with HBO Entertainment

Armando Iannucci, Executive Producer
Christopher Godsick, Executive Producer

Frank Rich, Executive Producer
Simon Blackwell, Co-Executive Producer

Tony Roche, Co-Executive Producer
Julia Louis-Dreyfus, Producer

Stephanie Laing, Producer By

Outstanding Lead Actress In A Comedy Series
Girls • HBO • Apatow Productions and I

am Jenni Konner Productions in association
with HBO Entertainment

Lena Dunham as Hannah Horvath

Mike & Molly • CBS • Bonanza Productions,
Inc. in association with Chuck Lorre Productions,

Inc. and Warner Bros. Television
Melissa McCarthy as Molly Flynn

New Girl • FOX • Chernin Entertainment
in association with Twentieth Century Fox

Television
Zooey Deschanel as Jess Day

Nurse Jackie • Showtime • Showtime Presents,
Lionsgate Television, Jackson Group Entertainment,

Madison Grain Elevator, Inc. & Delong Lumber,
A Caryn Mandabach Production

Edie Falco as Jackie Peyton

Parks And Recreation • NBC • Deedle-Dee
Productions, Fremulon, 3 Arts and Universal

Television
Amy Poehler as Leslie Knope

30 Rock • NBC • Broadway Video, Little
Stranger, Inc. in association with Universal

Television
Tina Fey as Liz Lemon

Veep • HBO • Dundee Productions in association
with HBO Entertainment

Julia Louis-Dreyfus as Selina Meyer

Outstanding Lead Actor In A Comedy Series
The Big Bang Theory • CBS • Chuck Lorre

Productions, Inc. in association with Warner
Bros. Television

Jim Parsons as Sheldon Cooper

Curb Your Enthusiasm • HBO • HBO Entertainment
Larry David as Himself

House Of Lies • Showtime • Showtime Presents,
Crescendo Productions, Totally Commercial

Films, Refugee Productions, Matthew Carnahan
Circus Products

Don Cheadle as Marty Kaan

Louie • FX Networks • Pig Newton, Inc.
in association with FX Productions

Louis C.K. as Louie

30 Rock • NBC • Broadway Video, Little
Stranger, Inc. in association with Universal

Television
Alec Baldwin as Jack Donaghy

Two And A Half Men • CBS • Chuck Lorre
Productions Inc., The Tannenbaum Company in

association with Warner Bros. Television
Jon Cryer as Alan Harper

Outstanding Supporting Actress In A Comedy
Series

The Big Bang Theory • CBS • Chuck Lorre
Productions, Inc. in association with Warner

Bros. Television
Mayim Bialik as Amy Farrah Fowler

Desperate Housewives • ABC • ABC Studios
Kathryn Joosten as Karen McCluskey

Modern Family • ABC • Levitan-Lloyd Productions
in association with Twentieth Century Fox

Television
Julie Bowen as Claire Dunphy

Modern Family • ABC • Levitan-Lloyd Productions
in association with Twentieth Century Fox

Television
Sofia Vergara as Gloria Delgado-Pritchett

Nurse Jackie • Showtime • Showtime Presents,
Lionsgate Television, Jackson Group Entertainment,

Madison Grain Elevator, Inc. & Delong Lumber,
A Caryn Mandabach Production

Merritt Wever as Zoey Barkow

Saturday Night Live • NBC • SNL Studios
in association with Universal Television and

Broadway Video
Kristen Wiig as various characters

Outstanding Supporting Actor In A Comedy Series
Modern Family • ABC • Levitan-Lloyd Productions

in association with Twentieth Century Fox
Television

Ed O'Neill as Jay Pritchett

Modern Family • ABC • Levitan-Lloyd Productions
in association with Twentieth Century Fox

Television
Jesse Tyler Ferguson as Mitchell Pritchett

Modern Family • ABC • Levitan-Lloyd Productions
in association with Twentieth Century Fox

Television
Ty Burrell as Phil Dunphy

Modern Family • ABC • Levitan-Lloyd Productions
in association with Twentieth Century Fox

Television
Eric Stonestreet as Cameron Tucker

New Girl • FOX • Chernin Entertainment
in association with Twentieth Century Fox

Television
Max Greenfield as Schmidt

Saturday Night Live • NBC • SNL Studios
in association with Universal Television and

Broadway Video
Bill Hader as various characters

Outstanding Guest Actress In A Comedy Series
Glee • FOX • Ryan Murphy Productions in

association with Twentieth Century Fox Television
Dot-Marie Jones as Coach Shannon Beiste

Saturday Night Live • NBC • SNL Studios
in association with Universal Television and

Broadway Video
Maya Rudolph, Host

Saturday Night Live • NBC • SNL Studios
in association with Universal Television and

Broadway Video
Melissa McCarthy, Host

30 Rock • NBC • Broadway Video, Little
Stranger, Inc. in association with Universal

Television
Elizabeth Banks as Avery Jessup

30 Rock • NBC • Broadway Video, Little
Stranger, Inc. in association with Universal

Television
Margaret Cho as Kim Jong-il

Two And A Half Men • CBS • Chuck Lorre
Productions Inc., The Tannenbaum Company in

association with Warner Bros. Television
Kathy Bates as Charlie Harper

Outstanding Guest Actor In A Comedy Series
Curb Your Enthusiasm • HBO • HBO Entertainment

Michael J. Fox as Himself

Modern Family • ABC • Levitan-Lloyd Productions
in association with Twentieth Century Fox

Television
Greg Kinnear as Tad

Nurse Jackie • Showtime • Showtime Presents,
Lionsgate Television, Jackson Group Entertainment,

Madison Grain Elevator, Inc. & Delong Lumber,
A Caryn Mandabach Production

Bobby Cannavale as Dr. Mike Cruz

Saturday Night Live • NBC • SNL Studios
in association with Universal Television and

Broadway Video
Jimmy Fallon, Host

30 Rock • NBC • Broadway Video, Little
Stranger, Inc. in association with Universal

Television
Will Arnett as Devon Banks

30 Rock • NBC • Broadway Video, Little
Stranger, Inc. in association with Universal

Television
Jon Hamm as Abner and David Brinkley

Outstanding Directing For A Comedy Series
Curb Your Enthusiasm • Palestinian Chicken

• HBO • HBO Entertainment
Robert B. Weide, Director

Girls • She Did • HBO • Apatow Productions
and I am Jenni Konner Productions in association

with HBO Entertainment
Lena Dunham, Director

Louie • Duckling • FX Networks • Pig
Newton, Inc. in association with FX

Productions
Louis C.K., Director

Modern Family • Virgin Territory • ABC
• Levitan-Lloyd Productions in association

with Twentieth Century Fox Television
Jason Winer, Director

Modern Family • Baby On Board • ABC • Levitan-Lloyd
Productions in association with Twentieth

Century Fox Television
Steven Levitan, Director

New Girl • Pilot • FOX • Chernin Entertainment
in association with Twentieth

Century Fox Television
Jake Kasdan, Director

Outstanding Writing for a Comedy Series
Community • Remedial Chaos Theory • NBC

• A Krasnoff Foster Entertainment, Harmonious
Claptrap, Russo Brothers production, Universal

Television production in association with
Sony Pictures Television

Chris McKenna, Written by

Girls • Pilot • HBO • Apatow Productions
and I am Jenni Konner Productions in association

with HBO Entertainment
Lena Dunham, Written by

Louie • Pregnant • FX Networks • Pig
Newton, Inc. in association with FX

Productions
Louis C.K., Written by

Parks And Recreation • The Debate • NBC
• Deedle-Dee Productions, Fremulon, 3 Arts

and Universal Television
Amy Poehler, Written by

Parks And Recreation • Win, Lose, Or Draw
• NBC • Deedle-Dee Productions, Fremulon,

3 Arts and Universal Television
Michael Schur, Written by

Outstanding Drama Series
Boardwalk Empire • HBO • Leverage, Closest

to the Hole Productions, Sikelia Productions
and Cold Front Productions in association

with HBO Entertainment
Terence Winter, Executive Producer

Martin Scorsese, Executive Producer
Mark Wahlberg, Executive Producer

Stephen Levinson, Executive Producer
Tim Van Patten, Executive Producer

Eugene Kelly, Co-Executive Producer
Howard Korder, Co-Executive Producer

Rick Yorn, Producer
Joe Iberti, Producer

Breaking Bad • AMC • Sony Pictures Television
Vince Gilligan, Executive Producer

Mark Johnson, Executive Producer
Michelle MacLaren, Executive Producer

Melissa Bernstein, Co-Executive Producer
Sam Catlin, Co-Executive Producer

Peter Gould, Supervising Producer
George Mastras, Supervising Producer

Tom Schnauz, Supervising Producer
Moira Walley-Beckett, Producer

Bryan Cranston, Producer
Diane Mercer, Producer

Stewart A. Lyons, Produced By

Downton Abbey • PBS • A Carnival / Masterpiece
Co-Production

Gareth Neame, Executive Producer
Julian Fellowes, Executive Producer

Rebecca Eaton, Executive Producer
Liz Trubridge, Producer

Game Of Thrones • HBO • Bighead, Littlehead,
Generator Productions,

Television 360, and Grok Television in association
with HBO Entertainment

David Benioff, Executive Producer
D.B. Weiss, Executive Producer

Frank Doelger, Executive Producer
Carolyn Strauss, Executive Producer

George R.R. Martin, Co-Executive Producer
Vanessa Taylor, Co-Executive Producer

Alan Taylor, Co-Executive Producer
Guymon Casady, Co-Executive Producer

Vince Gerardis, Co-Executive Producer
Bernadette Caulfield, Producer by

Homeland • Showtime • Showtime Presents,
Teakwood Lane Productions, Cherry Pie Productions,

Keshet, Fox 21
Alex Gansa, Executive Producer

Howard Gordon, Executive Producer
Michael Cuesta, Executive Producer

Gideon Raff, Executive Producer
Avi Nir, Executive Producer

Ran Tellem, Executive Producer
Chip Johannessen, Co-Executive Producer

Alexander Cary, Co-Executive Producer
Michael Klick, Produced By

Mad Men • AMC • Lionsgate Television
Matthew Weiner, Executive Producer

Scott Hornbacher, Executive Producer
Andre Jacquemetton, Executive Producer

Maria Jacquemetton, Executive Producer
Victor Levin, Co-Executive Producer

Jon Hamm, Producer
Blake McCormick, Producer

Outstanding Lead Actress In A Drama Series
Damages • DirecTV • Sony Pictures Television,

FX Productions and KZK
Productions

Glenn Close as Patty Hewes

Downton Abbey • PBS • A Carnival / Masterpiece
Co-Production

Michelle Dockery as Lady Mary Crawley

The Good Wife • CBS • CBS Television Studios
in association with Scott Free Productions

and King Size Productions
Julianna Margulies as Alicia Florrick

Harry's Law • NBC • Bonanza Productions
in association with David E. Kelley Productions

and Warner Bros. Television
Kathy Bates as Harriet Korn

Homeland • Showtime • Showtime Presents,
Teakwood Lane Productions, Cherry Pie Productions,

Keshet, Fox 21
Claire Danes as Carrie Mathison

Mad Men • AMC • Lionsgate Television
Elisabeth Moss as Peggy Olson

Outstanding Lead Actor In A Drama Series
Boardwalk Empire • HBO • Leverage, Closest

to the Hole Productions, Sikelia Productions
and Cold Front Productions in association

with HBO Entertainment
Steve Buscemi as Nucky Thompson

Breaking Bad • AMC • Sony Pictures Television
Bryan Cranston as Walter White

Dexter • Showtime • Showtime Presents,
John Goldwyn Productions, The Colleton Company,

Devilina Productions
Michael C. Hall as Dexter Morgan

Downton Abbey • PBS • A Carnival / Masterpiece
Co-Production

Hugh Bonneville as Robert, Earl of Grantham

Homeland • Showtime • Showtime Presents,
Teakwood Lane Productions, Cherry Pie Productions,

Keshet, Fox 21
Damian Lewis as Nicholas Brody

Mad Men • AMC • Lionsgate Television
Jon Hamm as Don Draper

Outstanding Supporting Actress In A Drama
Series

Breaking Bad • AMC • Sony Pictures Television
Anna Gunn as Skyler White

Downton Abbey • PBS • A Carnival / Masterpiece
Co-Production

Maggie Smith as Violet, Dowager Countess of
Grantham

Downton Abbey • PBS • A Carnival / Masterpiece
Co-Production

Joanne Froggatt as Anna

The Good Wife • CBS • CBS Television Studios
in association with Scott Free Productions

and King Size Productions
Archie Panjabi as Kalinda Sharma

The Good Wife • CBS • CBS Television Studios
in association with Scott Free Productions

and King Size Productions
Christine Baranski as Diane Lockhart

Mad Men • AMC • Lionsgate Television
Christina Hendricks as Joan Holloway Harris

Outstanding Supporting Actor In A Drama Series
Breaking Bad • AMC • Sony Pictures Television

Aaron Paul as Jesse Pinkman

Breaking Bad • AMC • Sony Pictures Television
Giancarlo Esposito as Gustavo 'Gus' Fring

Downton Abbey • PBS • A Carnival / Masterpiece
Co-Production

Brendan Coyle as John Bates

Downton Abbey • PBS • A Carnival / Masterpiece
Co-Production

Jim Carter as Mr. Carson

Game Of Thrones • HBO • Bighead, Littlehead,
Generator Productions,

Television 360, and Grok Television in association
with HBO Entertainment

Peter Dinklage as Tyrion Lannister

Mad Men • AMC • Lionsgate Television
Jared Harris as Lane Pryce

Outstanding Guest Actress In A Drama Series
The Good Wife • CBS • CBS Television Studios

in association with Scott Free Productions
and King Size Productions

Martha Plimpton as Patti Nyholm

Grey's Anatomy • ABC • ABC Studios
Loretta Devine as Adele Webber

Harry's Law • NBC • Bonanza Productions
in association with David E. Kelley Productions

and Warner Bros. Television
Jean Smart as D.A. Roseanna Remmick

Mad Men • AMC • Lionsgate Television
Julia Ormond as Marie Calvet

Shameless • Showtime • Showtime Presents,
John Wells Productions, Warner Bros. Television

Joan Cusack as Sheila Jackson
Smash • NBC • Universal Television in

association with DreamWorks Television and
Madwoman in the Attic

Uma Thurman as Rebecca Duvall

Outstanding Guest Actor In A Drama Series
Breaking Bad • AMC • Sony Pictures Television

Mark Margolis as Tio Salamanca

The Good Wife • CBS • CBS Television Studios
in association with Scott Free Productions

and King Size Productions
Dylan Baker as Colin Sweeney

The Good Wife • CBS • CBS Television Studios
in association with Scott Free Productions

and King Size Productions
Michael J. Fox as Louis Canning

Justified • FX Networks • Sony Pictures
Television

Jeremy Davies as Dickie Bennett

Mad Men • AMC • Lionsgate Television
Ben Feldman as Michael Ginsberg

Parenthood • NBC • Imagine Television
and Universal Television

Jason Ritter as Mark Cyr

Outstanding Directing For A Drama Series
Boardwalk Empire • To The Lost • HBO • Leverage,

Closest to the Hole Productions, Sikelia Productions
and Cold Front Productions in association

with HBO Entertainment
Tim Van Patten, Director

Breaking Bad • Face Off • AMC • Sony
Pictures Television

Vince Gilligan, Director

Downton Abbey • Episode 7 • PBS • A
Carnival / Masterpiece Co-Production

Brian Percival, Director

Homeland • Pilot • Showtime • Showtime
Presents, Teakwood Lane Productions, Cherry

Pie Productions, Keshet, Fox 21
Michael Cuesta, Director

Mad Men • The Other Woman • AMC • Lionsgate
Television

Phil Abraham, Director

Outstanding Writing for a Drama Series
Downton Abbey • Episode 7 • PBS • A

Carnival / Masterpiece Co-Production
Julian Fellowes, Written by

Homeland • Pilot • Showtime • Showtime
Presents, Teakwood Lane Productions, Cherry

Pie Productions, Keshet, Fox 21
Alex Gansa, Written by

Howard Gordon, Written by
Gideon Raff, Written by

Mad Men • The Other Woman • AMC • Lionsgate
Television

Semi Chellas, Written by
Matthew Weiner, Written by

Mad Men • Commissions And Fees • AMC • Lionsgate
Television

Andre Jacquemetton, Written by
Maria Jacquemetton, Written by

Mad Men • Far Away Places • AMC • Lionsgate
Television

Matthew Weiner, Written by
Semi Chellas, Written by

Outstanding Miniseries or Movie
American Horror Story • FX Networks • Twentieth

Century Fox Television
Ryan Murphy, Executive Producer

Brad Falchuk, Executive Producer
Dante Di Loreto, Executive Producer

Bradley Buecker, Co-Executive Producer
Alexis Martin Woodall, Producer

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Tom Hanks, Executive Producer
Gary Goetzman, Executive Producer

Jay Roach, Executive Producer
Danny Strong, Co-Executive Producer

Steven Shareshian, Co-Executive Producer
Amy Sayres, Produced By

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with

History
Leslie Greif, Executive Producer

Nancy Dubuc, Executive Producer for History
Dirk Hoogstra, Executive Producer for History

Barry Berg, Supervising Producer
Kevin Costner, Producer By

Darrell Fetty, Producer By
Herb Nanas, Producer By

Vlad Paunescu, Producer

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Peter Kaufman, Executive Producer

Trish Hofmann, Executive Producer
James Gandolfini, Executive Producer

Alexandra Ryan, Executive Producer
Barbara Turner, Executive Producer

Nancy Sanders, Co-Executive Producer
Mark Armstrong, Co-Executive Producer

Luther • BBC America • A BBC and BBC America
Co-Production

Phillippa Giles, Executive Producer
Katie Swinden, Producer

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Beryl Vertue, Executive Producer

Steven Moffat, Executive Producer
Mark Gatiss, Executive Producer

Rebecca Eaton, Executive Producer for Masterpiece
Bethan Jones, Executive Producer for BBC

Sue Vertue, Produced By

Outstanding Lead Actress In A Miniseries Or
A Movie

American Horror Story • FX Networks • Twentieth
Century Fox Television

Connie Britton as Vivien Harmon

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Julianne Moore as Sarah Palin

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Nicole Kidman as Martha Gellhorn

Missing • ABC • ABC Studios
Ashley Judd as Rebecca Winstone

The Song Of Lunch (Masterpiece) • PBS • A
BBC / Masterpiece Co-Production

Emma Thompson as She

Outstanding Lead Actor In A Miniseries Or
A Movie

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Woody Harrelson as Steve Schmidt

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with

History
Kevin Costner as 'Devil' Anse Hatfield

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with

History
Bill Paxton as Randall McCoy

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Clive Owen as Ernest Hemingway

Luther • BBC America • A BBC and BBC America
Co-Production

Idris Elba as John Luther

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Benedict Cumberbatch as Sherlock Holmes

Outstanding Supporting Actress in a Miniseries
or A Movie

American Horror Story • FX Networks • Twentieth
Century Fox Television

Frances Conroy as Moira

American Horror Story • FX Networks • Twentieth
Century Fox Television

Jessica Lange as Constance Langdon

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Sarah Paulson as Nicolle Wallace

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with

History
Mare Winningham as Sally McCoy

Page Eight (Masterpiece) • PBS • A Heyday
Films / Runaway Fridge TV / Carnival / Masterpiece

co-production in association with NBC Universal
for BBC

Judy Davis as Jill Tankard

Outstanding Supporting Actor In A Miniseries
Or A Movie

American Horror Story • FX Networks • Twentieth
Century Fox Television

Denis O'Hare as Larry Harvey

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Ed Harris as John McCain

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with

History
Tom Berenger as Jim Vance

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
David Strathairn as John Dos Passos

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Martin Freeman as Dr. John Watson

Outstanding Directing For A Miniseries, Movie
Or A Dramatic Special

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Jay Roach, Director

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with

History
Kevin Reynolds, Director

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Philip Kaufman, Director

Luther • BBC America • A BBC and BBC America
Co-Production

Sam Miller, Director

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Paul McGuigan, Director

Outstanding Writing for a Miniseries, Movie
or a Dramatic Special

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Danny Strong, Written by

Hatfields & McCoys • Part 2 • HISTORY
• Thinkfactory Media in association with

History
Ted Mann, Story and Teleplay by

Ronald Parker, Teleplay by
Bill Kerby, Story by

The Hour • BBC America • A Kudos Film
and Television / BBC America Co-Production

Abi Morgan, Written by

Luther • BBC America • A BBC and BBC America
Co-Production

Neil Cross, Written by

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Steven Moffat, Written by

Outstanding Variety Series
The Colbert Report • Comedy Central • Hello

Doggie, Inc. with Busboy Productions and Spartina
Productions

Stephen Colbert, Executive Producer/Host
Jon Stewart, Executive Producer

Tom Purcell, Executive Producer
Meredith Bennett, Co-Executive Producer

Rich Dahm, Co-Executive Producer
Tanya Michnevich Bracco, Supervising Producer

Emily Lazar, Supervising Producer
Barry Julien, Supervising Producer

Paul Dinello, Supervising Producer
Matt Lappin, Supervising Producer

The Daily Show With Jon Stewart • Comedy
Central • Central Productions, LLC

Jon Stewart, Executive Producer/Host
Rory Albanese, Executive Producer

Kahane Cooperman, Co-Executive Producer
Steve Bodow, Co-Executive Producer

Jennifer Flanz, Co-Executive Producer
Adam Lowitt, Co-Executive Producer

Jim Margolis, Co-Executive Producer
Pamela DePace, Supervising Producer

Hillary Kun, Supervising Producer
Timothy Greenberg, Supervising Producer

Stuart Miller, Supervising Producer
Jill Katz, Producer

Jimmy Kimmel Live • ABC • ABC Studios
in association with Jackhole Industries, Inc.

Jimmy Kimmel, Executive Producer/Host
Jill Leiderman, Executive Producer

Doug DeLuca, Co-Executive Producer
Jason Schrift, Co-Executive Producer

Erin Irwin, Co-Executive Producer
Jennifer Sharron, Producer

Ken Crosby, Producer
David Craig, Producer By

Late Night With Jimmy Fallon • NBC • Universal
Television and Broadway Video

Lorne Michaels, Executive Producer
Hillary Hunn, Supervising Producer

Jamie Granet Bederman, Supervising Producer
Katie Hockmeyer, Supervising Producer

Gavin Purcell, Producer
Michael Shoemaker, Produced By

Jimmy Fallon, Host

Real Time With Bill Maher • HBO • Bill
Maher Productions and Brad Grey Television

in association with HBO Entertainment
Bill Maher, Executive Producer/Host

Scott Carter, Executive Producer
Sheila Griffiths, Executive Producer

Brad Grey, Executive Producer
Marc Gurvitz, Executive Producer

Billy Martin, Executive Producer
Dean E. Johnsen, Co-Executive Producer

Saturday Night Live • NBC • SNL Studios
in association with Universal Television and

Broadway Video
Lorne Michaels, Executive Producer

Ken Aymong, Supervising Producer
Steve Higgins, Produced By

Erik Kenward, Producer
John Mulaney, Producer

Outstanding Variety Special
Betty White's 90th Birthday: A Tribute To

America's Golden Girl • NBC • Brad Lachman
Productions and Universal Television

Brad Lachman, Executive Producer
Jon Macks, Executive Producer

Steve Ridgeway, Executive Producer
Bill Bracken, Producer

Kathy Griffin: Tired Hooker • Bravo • Rickmill
Productions

Kathy Griffin, Executive Producer
Kimber Rickabaugh, Executive Producer

Paul Miller, Executive Producer
Andrew Cohen, Executive Producer

Jenn Levy, Executive Producer
The Kennedy Center Honors • CBS • A George

Stevens, Jr. Presentation for The John F.
Kennedy Center for the Performing Arts

George Stevens, Jr., Producer
Michael M. Stevens, Producer

Mel Brooks And Dick Cavett Together Again
• HBO • Brooksfilms in association with

HBO Entertainment
Andrea Grossman, Executive Producer

Steve Haberman, Produced By
Rudy De Luca, Produced By

Mel Brooks, Performer
Dick Cavett, Performer

Tony Bennett: Duets II (Great Performances)
• PBS • A Production of RPM TV Productions,

Inc.
Danny Bennett, Executive Producer

David Horn, Executive Producer for Great Performances
Jennifer Lebeau, Produced By

Tony Bennett, Principal Performer

Outstanding Special Class Programs
84th Annual Academy Awards • ABC • Academy

of Motion Picture Arts and Sciences
Brian Grazer, Produced By

Don Mischer, Produced By
Michael B. Seligman, Supervising Producer

Billy Crystal, Host

The 69th Annual Golden Globe Awards • NBC
• Dick Clark Productions, Inc. in association

with the Hollywood Foreign Press Association
Barry Adelman, Executive Producer

Orly Adelson, Executive Producer
Ricky Gervais, Host

The 54th Annual Grammy Awards • CBS • AEG
Ehrlich Ventures, LLC and John Cossette Productions,

Inc.
Kenneth Ehrlich, Executive Producer

LL Cool J, Host

Herbie Hancock, Gustavo Dudamel And The LA
Phil Celebrate Gershwin (Great Performances)

• PBS • A production of THIRTEEN in association
with WNET, BFMI, WDR in cooperation with ARTE,

Los Angeles
Philharmonic Association and C Major

David Horn, Executive Producer for Great Performances
Bill O'Donnell, Series Producer

Bernhard Fleischer, Producer
John Walker, Producer

Louis C.K. Live At The Beacon Theatre • FX
Networks • Pig Newton, Inc. in association

with FX Productions
Louis C.K., Executive Producer

Dave Becky, Executive Producer
M. Blair Breard, Producer

65th Annual Tony Awards • CBS • White
Cherry Entertainment in association with Tony

Award Productions
Ricky Kirshner, Executive Producer

Glenn Weiss, Executive Producer
Neil Patrick Harris, Producer/Host

Outstanding Special Class - Short-format Live-Action
Entertainment Programs

Childrens Hospital • Cartoon Network • The
Corddry Company, Abominable Pictures and Studio

2.0 in association with Warner Bros. Television
Rob Corddry, Executive Producer

Jonathan Stern, Executive Producer
David Wain, Executive Producer

Keith Crofford, Executive Producer
Nick Weidenfeld, Executive Producer

Rich Rosenthal, Co-Executive Producer

The Daily Show Correspondents Explain • thedailyshow.com
• Comedy Central Digital Media

Steve Grimes, Executive Producer
Rachel Maceiras, Supervising Producer

Judi Stroh, Producer
Nick Poppy, Producer

Parks And Recreation: April And Andy's Road
Trip • nbc.com • NBC.com | Universal Television

Morgan Sackett, Producer
Michael Schur, Producer

30 Rock: The Webisodes • nbc.com • NBC.com
| Universal Television

Eric Gurian, Producer
Clint Koltveit, Producer

William Sell, Producer

Web Therapy • lstudio.com • An Is or Isn't
Entertainment production in association with

Intelligent Life Productions for LStudio
Dan Bucatinsky, Executive Producer

Lisa Kudrow, Executive Producer
Diane Charles, Executive Producer

Ron Qurashi, Executive Producer
Jodi Binstock, Co-Executive Producer

David Codron, Co-Executive Producer
Outstanding Directing For A Variety Series

The Colbert Report • Episode 7121A • Comedy
Central • Hello Doggie, Inc. with Busboy

Productions and Spartina Productions
James Hoskinson, Director

The Daily Show With Jon Stewart • Episode
17087 • Comedy Central • Central Productions,

LLC
Chuck O'Neil, Director

Late Show With David Letterman • Episode
3602 • CBS • Worldwide Pants Incorporated

Jerry Foley, Director

Portlandia • One Moore Episode • IFC • Broadway
Video in association with IFC

Jonathan Krisel, Director

Saturday Night Live • Host: Mick Jagger
• NBC • SNL Studios in association with

Universal Television and Broadway Video
Don Roy King, Director

Outstanding Directing For A Variety Special
84th Annual Academy Awards • ABC • Academy

of Motion Picture Arts and Sciences
Don Mischer, Director

The 54th Annual Grammy Awards • CBS • AEG
Ehrlich Ventures, LLC and John Cossette Productions,

Inc.
Louis J. Horvitz, Director

Louis C.K. Live At The Beacon Theatre • FX
Networks • Pig Newton, Inc. in association

with FX Productions
Louis C.K., Director

New York City Ballet George Balanchine's The
Nutcracker (Live From Lincoln Center) • PBS

• Lincoln Center for the Performing Arts,
Inc.

Alan Skog, Director

65th Annual Tony Awards • CBS • White
Cherry Entertainment in association with Tony

Award Productions
Glenn Weiss, Director

Outstanding Writing For A Variety Series
The Colbert Report • Comedy Central • Hello

Doggie, Inc. with Busboy Productions and Spartina
Productions

Barry Julien, Head Writer
Stephen Colbert, Writer

Tom Purcell, Writer
Richard Dahm, Writer

Michael Brumm, Writer
Rob Dubbin, Writer

Opus Moreschi, Writer
Peter Gwinn, Writer

Jay Katsir, Writer
Frank Lesser, Writer

Glenn Eichler, Writer
Meredith Scardino, Writer

Max Werner, Writer
Eric Drysdale, Writer

Scott Sherman, Writer
Dan Guterman, Writer

Paul Dinello, Writer

The Daily Show With Jon Stewart • Comedy
Central • Central Productions, LLC

Tim Carvell, Head Writer
Rory Albanese, Writer

Kevin Bleyer, Writer
Rich Blomquist, Writer

Steve Bodow, Writer
Wyatt Cenac, Writer

Hallie Haglund, Writer
JR Havlan, Writer

Elliott Kalan, Writer
Dan McCoy, Writer

Jo Miller, Writer
John Oliver, Writer

Zhubin Parang, Writer
Daniel Radosh, Writer

Jason Ross, Writer
Jon Stewart, Writer

Portlandia • IFC • Broadway Video in association
with IFC

Fred Armisen, Writer
Carrie Brownstein, Writer

Jonathan Krisel, Writer
Karey Dornetto, Writer

Real Time With Bill Maher • HBO • Bill
Maher Productions and Brad Grey Television

in association with HBO Entertainment
Adam Felber, Writer

Matt Gunn, Writer
Brian Jacobsmeyer, Writer

Jay Jaroch, Writer
Chris Kelly, Writer

Mike Larsen, Writer
Bill Maher, Writer

Billy Martin, Writer
Scott Carter, Writer

Saturday Night Live • NBC • SNL Studios
in association with Universal Television and

Broadway Video
James Anderson, Writer

Alex Baze, Writer
Jessica Conrad, Writer

James Downey, Writer
Shelly Gossman, Writer

Steve Higgins, Writer
Zach Kanin, Writer

Chris Kelly, Writer
Colin Jost, Writer

Erik Kenward, Writer
Rob Klein, Writer

Seth Meyers, Writer
Lorne Michaels, Writer

John Mulaney, Writer
Christine Nangle, Writer

Michael Patrick O'Brien, Writer
Paula Pell, Writer

Marika Sawyer, Writer
Sarah Schneider, Writer

Pete Schultz, Writer
John Solomon, Writer

Kent Sublette, Writer
Bryan Tucker, Writer

Emily Spivey, Additional Sketch By

Outstanding Writing For A Variety Special
84th Annual Academy Awards • ABC • Academy

of Motion Picture Arts and Sciences
Jon Macks, Written by

Dave Boone, Written by
Carol Leifer, Written by

Tim Carvell, Special Material Written by
Jeff Cesario, Special Material Written by

Billy Crystal, Special Material Written by
Ed Driscoll, Special Material Written by

Billy Martin, Special Material Written by
Ben Schwartz, Special Material Written by

Marc Shaiman, Special Material Written by
Eric Stangel, Special Material Written by

Justin Stangel, Special Material Written by
David Steinberg, Special Material Written

by
Mason Steinberg, Special Material Written

by
Colleen Werthmann, Special Material Written

by

Betty White's 90th Birthday: A Tribute To
America's Golden Girl • NBC • Brad Lachman

Productions and Universal Television
Jon Macks, Written by

Steve Ridgeway, Written by
Mason Steinberg, Written by

Brad Lachman, Written by

The Kennedy Center Honors • CBS • A George
Stevens, Jr. Presentation for The John F.

Kennedy Center for the Performing Arts
George Stevens, Written by

Michael M. Stevens, Written by
Sara Lukinson, Written by

Lewis Friedman, Written by

Louis C.K. Live At The Beacon Theatre • FX
Networks • Pig Newton, Inc. in association

with FX Productions
Louis C.K., Written by

65th Annual Tony Awards • CBS • White
Cherry Entertainment in association with Tony

Award Productions
Dave Boone, Written by

Paul Greenberg, Special Material by

Outstanding Animated Program
American Dad! • Hot Water • FOX • Fox

Television Animation
Seth MacFarlane, Executive Producer

Mike Barker, Executive Producer
Matt Weitzman, Executive Producer

Rick Wiener, Executive Producer
Kenny Schwartz, Executive Producer

Nahnatchka Khan, Executive Producer
Jonathan Fener, Co-Executive Producer

Brian Boyle, Co-Executive Producer
Murray Miller, Co-Executive Producer/Writer

Judah Miller, Co-Executive Producer/Writer
Erik Sommers, Supervising Producer

Kara Vallow, Producer
Laura McCreary, Producer

Erik Durbin, Producer
Diana Ritchey, Animation Producer

Chris Bennett, Director
Ron Hughart, Supervising Director

Brent Woods, Supervising Director
Ralph Fernan, Assistant Director

David Bastian, Timing Supervisor
Bill Buchanan, Timing Supervisor

Bob's Burgers • BurgerBoss • FOX • BentoBox
Entertainment

Loren Bouchard, Executive Producer
Jim Dauterive, Executive Producer

Kit Boss, Co-Executive Producer
Dan Fybel, Supervising Producer

Rich Rinaldi, Supervising Producer
Mark McJimsey, Animation Executive Producer/Supervising

Producer
Jon Schroeder, Producer

Joel Kuwahara, Animation Executive Producer
Scott Greenberg, Animation Executive Producer

Malisa Caroselli, Animation Producer
Janelle Momary-Neely, Animation Producer

Scott Jacobson, Written by
Jennifer Coyle, Directed by

Randy Ludensky, Animation Timing Supervisor

Futurama • The Tip Of The Zoidberg • Comedy
Central • The Curiosity Company in association

with 20th Century Fox Television
Matt Groening, Executive Producer

David X. Cohen, Executive Producer
Ken Keeler, Executive Producer/Writer

Patric M. Verrone, Co-Executive Producer
Josh Weinstein, Co-Executive Producer

Eric Horsted, Co-Executive Producer
Michael Rowe, Co-Executive Producer

Dan Vebber, Co-Executive Producer
Lee Supercinski, Produced by

Claudia Katz, Produced by
Gregg Vanzo, Animation Executive Producer

Peter Avanzino, Supervising Director
Raymie Muzquiz, Directed by

Aldin Baroza, Assistant Director
Scott Vanzo, Director of Computer Graphics

The Penguins Of Madagascar: The Return Of
The Revenge Of Dr. Blowhole • Nickelodeon

• Nickelodeon and DreamWorks Animation
Bob Schooley, Executive Producer/Written by

Mark McCorkle, Executive Producer/Written
by

Bret Haaland, Co-Executive Producer
Nick Filippi, Supervising Producer

Chris Neuhahn, Supervising Producer
Ant Ward, Supervising Producer

Andrew Huebner, Produced by
David Knott, Supervising Director

Shaun Cashman, Animation Director
Steve Loter, Animation Director

Christo Stamboliev, Animation Director

The Simpsons • Holidays Of Future Passed
• FOX • Gracie Films in association with

20th Century Fox Television
James L. Brooks, Executive Producer

Matt Groening, Executive Producer
Al Jean, Executive Producer

Matt Selman, Executive Producer
John Frink, Executive Producer

Kevin Curran, Co-Executive Producer
J. Stewart Burns, Co-Executive Producer/Written

by
Michael Price, Co-Executive Producer

Bill Odenkirk, Co-Executive Producer
Marc Wilmore, Co-Executive Producer

Joel H. Cohen, Co-Executive Producer
Rob Lazebnik, Co-Executive Producer

Matt Warburton, Co-Executive Producer
Jeff Westbrook, Co-Executive Producer (writer

slot)
Brian Kelley, Co-Executive Producer (writer

slot)
Larina Adamson, Supervising Producer

Tom Klein, Animation Producer
Mike B. Anderson, Supervising Director

Rob Oliver, Directed by
Richard Manginsay, Assistant Director

Sam Im, Lead Animation Timer

Outstanding Short-format Animated Program
Adventure Time • Too Young • Cartoon Network

• Cartoon Network Studios
Brian A. Miller, Executive Producer

Jennifer Pelphrey, Executive Producer
Curtis Lelash, Executive Producer

Rob Sorcher, Executive Producer
Pendleton Ward, Executive Producer/Story by

Fred Seibert, Executive Producer
Kevin Kolde, Supervising Producer

Kelly Crews, Producer
Tom Herpich, Written by

Jesse Moynihan, Written by
Mark Banker, Story by

Patrick McHale, Story by
Kent Osborne, Story by

Larry Leichliter, Director/Supervising Director
Dong Kun Won, Overseas Director

Don Judge, Sheet Timer
Michel Lyman, Sheet Timer

Disney Phineas And Ferb • The Doonkelberry
Imperative • Disney Channel • Disney Channel

Dan Povenmire, Executive Producer
Jeff "Swampy" Marsh, Executive Producer

Martin Olson, Story by
Bernie Petterson, Written by

Mike Diederich, Written by
Jay Lender, Directed by

Sue Perrotto, Assistant Director
Herb Moore, Supervising Timing Director

Barbara Dourmashkin-Case, Timing Director
Eddy Houchins, Timing Director

Mitch Rochon, Timing Director
Theresa Wiseman, Timing Director

MAD • Kitchen Nightmare Before Christmas
/ How I Met Your Mummy • Cartoon Network

• Warner Bros. Animation
Sam Register, Executive Producer

Kevin Shinick, Producer/Written by
Mark Marek, Producer

Aaron Blitzstein, Written by
Marly Halpern-Graser, Written by

Steve Borst, Written by
Greg White, Written by

Aaron Horvath, Director

Regular Show • Eggscellent • Cartoon Network
• Cartoon Network Studios

Brian A. Miller, Executive Producer
Jennifer Pelphrey, Executive Producer

Curtis Lelash, Executive Producer
Rob Sorcher, Executive Producer

JG Quintel, Executive Producer/Written by
Mike Roth, Supervising Producer/Writer

Janet Dimon, Producer
Matt Price, Writer

Jack Thomas, Writer
John Infantino, Supervising Director/Writer

Robert Alvarez, Animation Director

Robot Chicken • Fight Club Paradise • Cartoon
Network • Stoopid Monkey, Shadow Machine,

Williams Street
Seth Green, Executive Producer/Written by

Matthew Senreich, Executive Producer/Written
by

Keith Crofford, Executive Producer
Mike Lazzo, Executive Producer

Doug Goldstein, Co-Executive Producer/Head
Writer

Tom Root, Co-Executive Producer/Head Writer
Alex Bulkley, Producer

Corey Campodoncio, Producer
Ollie Green, Producer

Jordan Allen-Dutton, Written by
Matthew Beans, Written by

Mike Fasolo, Written by
Zeb Wells, Written by

Erik Weiner, Written by
Chris McKay, Directed by

Savelen Forrest, Animation Director

Outstanding Voice-Over Performance
Desperate Housewives • Give Me The Blame

/ Finishing The Hat • ABC • ABC Studios
Brenda Strong as Mary-Alice Young

Disney Phineas And Ferb: Across The 2nd Dimension
• Disney Channel • Disney Channel

Dan Povenmire as Doctor Doofenshmirtz

Disney Prep & Landing: Naughty Vs. Nice • ABC
• Walt Disney Animation Studios

Rob Riggle as Noel

Futurama • The Silence Of The Clamps • Comedy
Central • The Curiosity Company in association

with 20th Century Fox Television
Maurice LaMarche as Clamps, Donbot, Hyperchicken,

Calculon, Hedonismbot, Morbo

The Looney Tunes Show • Double Date • Cartoon
Network • Warner Bros. Animation

Kristen Wiig as Lola

The Simpsons • Moe Goes From Rags To Riches
• FOX • Gracie Films in association with

20th Century Fox Television
Hank Azaria as Moe Szyslak, Duffman, Mexican

Duffman, Carl, Comic Book Guy, Chief Wiggum

Outstanding Children's Program
Degrassi • TeenNick • Epitome Pictures

in association with Nickelodeon
Linda Schuyler, Executive Producer

Stephen Stohn, Executive Producer
Brendon Yorke, Executive Producer

Sarah Glinski, Co-Executive Producer
Stephanie Williams, Supervising Producer

Stefan Brogren, Series Producer
David Lowe, Producer

Good Luck Charlie • Disney Channel • It's
a Laugh Productions

Dan Staley, Executive Producer
Drew Vaupen, Executive Producer

Phil Baker, Executive Producer
Christopher Vane, Co-Executive Producer

Erika Kaestle, Co-Executive Producer
Patrick McCarthy, Co-Executive Producer

Pixie Wespiser, Produced By

iCarly • Nickelodeon • Nickelodeon and
Schneider's Bakery

Dan Schneider, Executive Producer
Robin Weiner, Co-Executive Producer

Joe Catania, Supervising Producer
Jake Farrow, Producer

Matt Fleckenstein, Producer
Bruce Rand Berman, Produced By

Victorious • Nickelodeon • Nickelodeon
and Schneider's Bakery

Dan Schneider, Executive Producer
Warren Bell, Co-Executive Producer

Robin Weiner, Co-Executive Producer
Joe Catania, Supervising Producer

Bruce Rand Berman, Produced By
Matt Fleckenstein, Producer

Wizards Of Waverly Place • Disney Channel
• It's a Laugh Productions

Ben Montanio, Executive Producer
Vince Cheung, Executive Producer

Todd J. Greenwald, Executive Producer
Gigi McCreery, Co-Executive Producer

Perry Rein, Co-Executive Producers
Richard Goodman, Supervising Producer

Greg A. Hampson, Produced By

Outstanding Children's Nonfiction, Reality
or Reality-Competition Program

It Gets Better • MTV • An MTV Production
in association with Snackaholic Productions,

Logo, Savage Media, Hypomania Content, and
Octagon Entertainment

Christy Spitzer, Executive Producer
Shannon Fitzgerald, Executive Producer

John Ferriter, Executive Producer
Brian Pines, Executive Producer

Dan Savage, Executive Producer
Ted Skillman, Executive Producer

Belisa Balaban, Executive Producer

Sesame Street: Growing Hope Against Hunger
• PBS • Sesame Workshop

Carol-lynn Parente, Executive Producer
Melissa Dino, Supervising Producer

Mason Rather, Senior Producer
Kevin Clash, Producer

The Weight Of The Nation For Kids: The Great
Cafeteria Takeover • HBO • HBO Documentary

Films and the Institute of Medicine with Mackerel
Sky Films, in association with the Centers

for Disease Control and Prevention and the
National Institutes of Health, and in partnership

with the Michael & Susan Dell Foundation and
Kaiser Permanente

Sheila Nevins, Executive Producer
John Hoffman, Executive Producer

Shari Cookson, Produced By
Nick Doob, Produced By

Outstanding Reality Program
Antiques Roadshow • PBS • WGBH Boston

Marsha Bemko, Executive Producer
Sam Farrell, Supervising Producer

Jamie Oliver's Food Revolution • ABC • Ryan
Seacrest Productions and Fresh One Productions

Ryan Seacrest, Executive Producer
Jamie Oliver, Executive Producer

Craig Armstrong, Executive Producer
Adam Sher, Executive Producer

Roy Ackerman, Executive Producer
Charles Wachter, Co-Executive Producer

Zoe Collins, Co-Executive Producer
Jason Henry, Co-Executive Producer

Robert Norris, Producer

MythBusters • Discovery Channel • Beyond
Productions Pty. Ltd. for the Discovery Channel

Jamie Hyneman, Executive Producer
Adam Savage, Executive Producer

Dan Tapster, Executive Producer
Tracy Rudolph, Executive Producer

John Luscombe, Executive Producer
Alice Dallow, Produced by

Lauren Williams, Produced by

Shark Tank • ABC • Sony Pictures Television
Mark Burnett, Executive Producer

Clay Newbill, Executive Producer
Phil Gurin, Executive Producer

Yun Lingner, Co-Executive Producer
Brien Meagher, Co-Executive Producer

David Eilenberg, Co-Executive Producer
Jim Roush, Co-Executive Producer

Rhett Bachner, Supervising Producer
Bill Gaudsmith, Supervising Producer

Becky Blitz, Senior Producer

Undercover Boss • CBS • Studio Lambert
Eli Holzman, Executive Producer

Stephen Lambert, Executive Producer
Chris Carlson, Executive Producer

Scott Cooper, Co-Executive Producer
Sandi Johnson, Co-Executive Producer

Rachelle Mendez, Supervising Producer
Lety Quintanar, Supervising Producer

Rebekah Fry, Supervising Producer

Who Do You Think You Are? • NBC • Is or
Isn't Entertainment, Shed Media US, Wall to

Wall Media Ltd.
Alex Graham, Executive Producer

Jennifer O'Connell, Executive Producer
Lisa Kudrow, Executive Producer

Dan Bucatinsky, Executive Producer
Al Edgington, Executive Producer

Lisa Bohacek, Supervising Producer
Kate Richter Green, Supervising Producer

Chuck LaBella, Producer

Outstanding Reality-Competition Program
The Amazing Race • CBS • World Race Productions

Inc.
Bertram van Munster, Executive Producer

Elise Doganieri, Executive Producer
Jerry Bruckheimer, Executive Producer

Jonathan Littman, Executive Producer
Mark Vertullo, Executive Producer

Dan Coffie, Co-Executive Producer
Giselle Parets, Co-Executive Producer

Phil Keoghan, Co-Executive Producer
Michael Norton, Supervising Producer

Matt Schmidt, Supervising Producer
Patrick Cariaga, Supervising Producer

Michael Miller, Supervising Producer
Darren Bunkley, Senior Producer

Chad Baron, Senior Producer
Neil Jahss, Senior Producer

Dancing With The Stars • ABC • BBC Worldwide
Productions

Conrad Green, Executive Producer
Joe Sungkur, Co-Executive Producer

Ashley Edens-Shaffer, Co-Executive Producer
Kim Kilbey, Supervising Producer

Tara West, Senior Producer
Renana Barkan, Senior Producer

Daniel Martin, Senior Producer
Deena Katz, Senior Producer

Joshua Firosz, Senior Producer
John Birkitt, Producer

Marcy Walton, Producer
Jonty Nash, Producer

Project Runway • Lifetime • The Weinstein
Company, Bunim-Murray Productions and Full

Picture in association with Lifetime Television
Heidi Klum, Executive Producer

Harvey Weinstein, Executive Producer
Bob Weinstein, Executive Producer

Meryl Poster, Executive Producer
Jonathan Murray, Executive Producer

Sara Rea, Executive Producer
Jane Cha Cutler, Executive Producer

Desiree Gruber, Executive Producer
Rob Sharenow, Executive Producer

Gena McCarthy, Executive Producer
David Hillman, Executive Producer

Barbara Schneeweiss, Executive Producer
Colleen Sands, Co-Executive Producer

Gil Goldschein, Co-Executive Producer
Lisa Fletcher, Supervising Producer

Tim Gunn, Producer

So You Think You Can Dance • FOX • Dick
Clark Productions, Inc. in association with

19 Entertainment
Barry Adelman, Executive Producer

Simon Fuller, Executive Producer
Nigel Lythgoe, Executive Producer

James Breen, Co-Executive Producer
Jeff Thacker, Co-Executive Producer

Zoe Brown, Senior Supervising Producer
Mike Yurchuk, Co-Supervising Producer

Dan Sacks, Co-Supervising Producer
Adam Cooper, Senior Producer

Mike Deffina, Senior Producer
Colleen Wagner, Senior Producer

Hope Wilson, Senior Producer
Top Chef • Bravo • Magical Elves

Dan Cutforth, Executive Producer
Jane Lipsitz, Executive Producer

Nan Strait, Executive Producer
Casey Kriley, Executive Producer

Andrew Cohen, Executive Producer
Dave Serwatka, Executive Producer

Erica Ross, Co-Executive Producer
Sue Kolinsky, Co-Executive Producer

Tom Colicchio, Co-Executive Producer
Christian Homlish, Supervising Producer

Wade Sheeler, Supervising Producer
Kevin Kearney, Supervising Producer

Doneen Arquines, Supervising Producer
Chris Gallivan, Senior Producer

The Voice • NBC • One Three Inc. (a Hearst/Mark
Burnett company), Talpa Media USA, Inc. and

Warner Horizon Television
John de Mol, Executive Producer

Mark Burnett, Executive Producer
Audrey Morrissey, Executive Producer

Stijn Bakkers, Executive Producer
Lee Metzger, Executive Producer

Chad Hines, Co-Executive Producer
Jim Roush, Co-Executive Producer

Amanda Zucker, Co-Executive Producer
Nicolle Yaron, Supervising Producer

Mike Yurchuk, Supervising Producer
Dean Houser, Supervising Producer

Joni Day, Producer
Teddy Valenti, Producer

May Johnson, Producer
David Offenheiser, Producer

Carson Daly, Producer

Outstanding Host For A Reality Or Reality-Competition
Program

The Amazing Race • CBS • World Race Productions
Inc.

Phil Keoghan, Host

American Idol • FOX • FremantleMedia North
America with 19 Entertainment

Ryan Seacrest, Host

Betty White's Off Their Rockers • NBC
• Kinetic Content Productions in association

with NBC Universal
Betty White, Host

Dancing With The Stars • ABC • BBC Worldwide
Productions

Tom Bergeron, Host
So You Think You Can Dance • FOX • Dick

Clark Productions, Inc. in association with
19 Entertainment

Cat Deeley, Host

Outstanding Nonfiction Series
American Masters • PBS • A Production

of B Plus Productions, LLC in association
with Thirteen's American Masters for WNET

Susan Lacy, Executive Producer for American
Masters

Robert Weide, Producer
Erik Gordon, Executive Producer

Andrew Karsch, Executive Producer
Michael Peyser, Executive Producer

Brett Ratner, Executive Producer
Fisher Stevens, Executive Producer

Anthony Bourdain: No Reservations • Travel
Channel • Zero Point Zero Production, Inc.

Chris Collins, Executive Producer
Lydia Tenaglia, Executive Producer

Anthony Bourdain, Executive Producer
Sandra Zweig, Executive Producer

Stone Roberts, Executive Producer
Tom Vitale, Producer

Frozen Planet • Discovery Channel • A
BBC / Discovery Channel / Antena 3 Television

S.A. / ZDF / Skai / Open University Co-Production
in association with Discovery Canada

Alastair Fothergill, Executive Producer
Susan Winslow, Executive Producer

Vanessa Berlowitz, Series Producer

Inside The Actors Studio • Bravo • In
The Moment Productions

James Lipton, Executive Producer
Frances Berwick, Executive Producer

Christian Barcellos, Executive Producer
Shawn Tesser, Producer

Jeff Wurtz, Producer

The Weight Of The Nation • HBO • HBO Documentary
Films and the Institute of Medicine, in association

with the Centers for Disease Control and Prevention
and the National Institutes of Health, and

in partnership with the Michael & Susan Dell
Foundation and Kaiser Permanente

Sheila Nevins, Executive Producer
John Hoffman, Executive Producer/Produced

By
Dan Chaykin, Producer

Sarah Teale, Producer

Outstanding Nonfiction Special
Bobby Fischer Against The World • HBO • Moxie

Firecracker in association with HBO Documentary
Films

Sheila Nevins, Executive Producer
Dan Cogan, Executive Producer

Liz Garbus, Produced By
Stanley Buchthal, Produced By

Rory Kennedy, Produced By
Matthew Justus, Produced By

Nancy Abraham, Senior Producer

George Harrison: Living In The Material World
• HBO • Grove Street Pictures, Spitfire

Pictures, and Sikelia Productions in association
with HBO Documentary Films

Margaret Bodde, Executive Producer
Emma Tillinger Koskoff, Executive Producer

For Sikelia Productions
Blair Foster, Supervising Producer

Olivia Harrison, Produced By
Nigel Sinclair, Produced By

Martin Scorsese, Produced By

Gloria: In Her Own Words • HBO • Kunhardt
McGee Productions in association with HBO

Documentary Films
Dyllan McGee, Executive Producer

Jacqueline Glover, Supervising Producer
Peter Kunhardt, Produced By

Sheila Nevins, Produced By

Paul Simon's Graceland Journey: Under African
Skies • A&E • A&E IndieFilms in association

with Sony Music Entertainment's Legacy Recordings
and @Radical.Media

Molly Thompson, Executive Producer
David McKillop, Executive Producer

Robert Debitetto, Executive Producer
Eddie Simon, Executive Producer

Jon Kamen, Producer
Justin Wilkes, Producer

Joe Berlinger, Producer

6 Days To Air: The Making Of South Park • Comedy
Central • Presented by Comedy Central

Arthur Bradford, Executive Producer
Jennifer Ollman, Supervising Producer

Outstanding Special Class - Short-format Nonfiction
Programs

Bravo's Top Chef: Last Chance Kitchen • bravotv.com
• Bravo Media and Magical Elves

David Serwatka, Produced By
Dan Cutforth, Produced By

Jane Lipsitz, Produced By
Lisa Hsia, Produced By

Aimee Viles, Produced By

DGA Moments In Time • dga.org • The Stevens
Company

Michael M. Stevens, Produced By

Jay Leno's Garage • jaylenosgarage.com • NBC.com
| JayLenosGarage.com

Jay Leno, Executive Producer
Helga Pollock, Producer

Robert Angelo, Producer

Thank A Vet • HISTORY • Insomnia TV
Kathleen Williams, Executive Producer

Jaimie DeFina, Senior Producer
Andrea Allen, Producer

Glenn Schubert, Producer
Eric Berger, Producer

30 Rock: Ask Tina • nbc.com • NBC.com
| Universal Television

Tina Fey, Producer
Eric Gurian, Producer

Nick Bernardone, Producer
Clint Koltveit, Producer

William Sell, Producer

Exceptional Merit In Documentary Filmmaking
The Amish (American Experience) • PBS • A

Sarah Colt Productions film for American Experience
produced for WGBH Boston

Mark Samels, Executive Producer
Sharon Grimberg, Senior Producer

Callie T. Wiser, Produced by
David Belton, Produced by

Have You Heard From Johannesburg (Independent
Lens) • PBS • A Clarity Films production

Connie Field, Producer
Lois Vossen, Series Senior Producer

Sally Jo Fifer, Executive Producer

Paradise Lost 3: Purgatory • HBO • @Radical.Media
Productions in association with HBO Documentary

Films
Sheila Nevins, Executive Producer

Joe Berlinger, Produced By
Jonathan Silberberg, Producer

Nancy Abraham, Senior Producer

Outstanding Directing For Nonfiction Programming
The Amazing Race • Let Them Drink Their

Haterade (Lake Manyara, Tanzania) • CBS
• World Race Productions Inc.

Bertram van Munster, Director

American Masters • Woody Allen: A Documentary
• PBS • A Production of B Plus Productions,

LLC in association with Thirteen's American
Masters for WNET

Robert B. Weide, Director

George Harrison: Living In The Material World
• HBO • Grove Street Pictures, Spitfire

Pictures, and Sikelia Productions in association
with HBO Documentary Films

Martin Scorsese, Director

Paradise Lost 3: Purgatory • HBO • @Radical.Media
Productions in association with HBO Documentary

Films
Joe Berlinger, Director

Bruce Sinofsky, Director

Project Runway • Finale (Part 2) • Lifetime
• The Weinstein Company, Bunim-Murray Productions

and Full Picture in association with Lifetime
Television

Craig Spirko, Director

Outstanding Writing For Nonfiction Programming
American Experience • Clinton • PBS • An

Ark Media Film in association with American
Experience for WGBH Boston

Barak Goodman, Written by

American Masters • Johnny Carson: King Of
Late Night • PBS • A Co-Production of

Thirteen's American Masters for WNET and Peter
Jones Productions, Inc.

Peter Jones, Written by

Anthony Bourdain: No Reservations • Cuba
• Travel Channel • Zero Point Zero Production,

Inc.
Anthony Bourdain, Written by

Prohibition • A Nation Of Hypocrites • PBS
• Florentine Films

Geoffrey C. Ward, Written by

Sesame Street: Growing Hope Against Hunger
• PBS • Sesame Workshop

Christine Ferraro, Written by

Outstanding Art Direction For A Multi-Camera
Series

Hell's Kitchen • Episode 915 • Episode
916 • FOX • ITV Studios America in association

with A. Smith & Co.
John Janavs, Production Designer

Robert Frye, Art Director
Heidi Miller, Set Decorator

How I Met Your Mother • Now We're Even • The
Magician's Code, Part One • The Magician's

Code, Part Two • CBS • 20th Century Fox
Television

Stephan G. Olson, Production Designer
Susan Eschelbach, Set Decorator

Mike & Molly • Goin' Fishin' • Valentine's
Piggyback • The Wedding • CBS • Bonanza

Productions, Inc. in association with Chuck
Lorre Productions, Inc. and Warner Bros. Television

John S. Shaffner, Production Designer
Lynda Burbank, Set Decorator

30 Rock • Live From Studio 6H • NBC • Broadway
Video, Little Stranger, Inc. in association

with Universal Television
Teresa Masterpierro, Production Designer

Keith Ian Raywood, Production Designer
Peter Baran, Art Director

Jennifer Greenberg, Set Decorator

2 Broke Girls • And The Rich People Problems
• And The Reality Check • And The Pop

Up Sale • CBS • Bonanza Productions, Inc.
in association with MPK Productions and Warner

Bros. Television
Glenda Rovello, Production Designer

Amy Feldman, Set Decorator

Outstanding Art Direction For A Single-Camera
Series

Boardwalk Empire • Peg Of Old • Battle
Of The Century • To The Lost • HBO • Leverage,

Closest to the Hole Productions, Sikelia Productions
and Cold Front Productions in association

with HBO Entertainment
Bill Groom, Production Designer

Adam Scher, Art Director
Carol Silverman, Set Decorator

Downton Abbey • Episode 4 • Episode 7
• PBS • A Carnival / Masterpiece

Co-Production
Donal Woods, Production Designer

Charmian Adams, Art Director
Judy Farr, Set Decorator

Game Of Thrones • Garden Of Bones • The
Ghost Of Harrenhal • A Man Without Honor

• HBO • Bighead, Littlehead, Generator
Productions, Television 360, and Grok Television

in association with HBO Entertainment
Gemma Jackson, Production Designer

Frank Walsh, Art Director
Tina Jones, Set Decorator

Justified • Cut Ties • Loose Ends • Measures
• FX Networks • Sony Pictures Television

Dave Blass, Production Designer
Oana Bogdan, Art Director

Shauna Aronson, Set Decorator

Mad Men • At The Cod Fish Ball • AMC • Lionsgate
Television

Dan Bishop, Production Designer
Christopher L. Brown, Art Director

Claudette Didul, Set Decorator

Outstanding Art Direction For A Miniseries
Or Movie

American Horror Story • Open House (Part
7) • FX Networks • Twentieth Century Fox

Television
Mark Worthington, Production Designer

Edward L. Rubin, Art Director
Ellen Brill, Set Decorator

American Horror Story • Part 1 • FX Networks
• Twentieth Century Fox

Television
Beth Rubino, Production Designer

Charles M. Lagola, Art Director
Ellen Brill, Set Decorator

Great Expectations (Masterpiece) • PBS • A
BBC Productions / Masterpiece

Co-Production
David Roger, Production Designer

Paul Ghirardani, Art Director
Jo Kornstein, Set Decorator

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with

History
Derek Hill, Production Designer

Servan Porupca, Art Director
John Vertrees, Art Director

Sally Black, Set Decorator
Hemingway & Gellhorn • HBO • Attaboy Films

and A Walrus & Associates in
association with HBO Films

Geoffrey Kirkland, Production Designer
Nanci Noblett Starr, Art Director

Jim Erickson, Set Decorator

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Arwel Wyn Jones, Production Designer

Dafydd Shurmer, Art Director
Joelle Rumbelow, Set Decorator

Outstanding Art Direction For Variety Or Nonfiction
Programming

84th Annual Academy Awards • ABC • Academy
of Motion Picture Arts and Sciences

John Myhre, Production Designer
Joe Celli, Art Director

The 54th Annual Grammy Awards • CBS • AEG
Ehrlich Ventures, LLC and John Cossette Productions,

Inc.
Brian Stonestreet, Production Designer

Alana Billingsley, Art Director
Matt Steinbrenner, Art Director

Saturday Night Live • Host: Jimmy Fallon
• Host: Melissa McCarthy • Host: Mick

Jagger • NBC • SNL Studios in association
with Universal Television and Broadway Video

Eugene Lee, Production Designer
Akira Yoshimura, Production Designer

Keith Ian Raywood, Production Designer
N. Joseph DeTullio, Production Designer

65th Annual Tony Awards • CBS • White
Cherry Entertainment in association with Tony

Award Productions
Steve Bass, Production Designer

Seth Easter, Art Director

The Voice • Blind Auditions (Part 2) • Battle
Rounds (Part 1) • Live Shows (Part 4) • NBC

• One Three Inc. (a Hearst/Mark Burnett
company), Talpa Media USA, Inc. and Warner

Horizon Television
Anton Goss, Production Designer

James Connelly, Production Designer
Zeya Maurer, Art Director

Outstanding Casting For A Comedy Series
The Big C • Showtime • Showtime Presents,

Sony Pictures Television, Perkins Street Productions,
Farm Kid, Original Film

Bernard Telsey, CSA, Casting By

Girls • HBO • Apatow Productions and I
am Jenni Konner Productions in association

with HBO Entertainment
Jennifer Euston, CSA, Casting By

Modern Family • ABC • Levitan-Lloyd Productions
in association with Twentieth Century Fox

Television
Jeff Greenberg, CSA, Casting By

New Girl • FOX • Chernin Entertainment
in association with Twentieth Century Fox

Television
Seth Yanklewitz, CSA, Casting By

Juel Bestrop, CSA, Casting By
Anya Colloff, CSA, Casting By

Michael Nicolo, CSA, Casting By

Nurse Jackie • Showtime • Showtime Presents,
Lionsgate Television, Jackson Group Entertainment,

Madison Grain Elevator, Inc. & Delong Lumber,
A Caryn Mandabach Production

Julie Tucker, CSA, Casting By
Ross Meyerson, CSA, Casting By

Veep • HBO • Dundee Productions in association
with HBO Entertainment

Allison Jones, Casting By
Pat Moran, CSA, Casting By

Jennifer Euston, CSA, Casting By

Outstanding Casting For A Drama Series
Boardwalk Empire • HBO • Leverage, Closest

to the Hole Productions, Sikelia Productions
and Cold Front Productions in association

with HBO Entertainment
Meredith Tucker, Casting By

Downton Abbey • PBS • A Carnival / Masterpiece
Co-Production

Jill Trevellick CDG, Casting By

Game Of Thrones • HBO • Bighead, Littlehead,
Generator Productions,

Television 360, and Grok Television in association
with HBO Entertainment

Nina Gold, CSA, Casting By
Robert Sterne, Casting By

The Good Wife • CBS • CBS Television Studios
in association with Scott Free Productions

and King Size Productions
Mark Saks, CSA, Casting By

Homeland • Showtime • Showtime Presents,
Teakwood Lane Productions, Cherry Pie Productions,

Keshet, Fox 21
Junie Lowry Johnson, CSA, Casting By

Libby Goldstein, CSA, Casting By
Judy Henderson, CSA, Casting By

Craig Fincannon, CSA, Casting By
Lisa Mae Fincannon, CSA, Casting By

Mad Men • AMC • Lionsgate Television
Laura Schiff, CSA, Casting By

Carrie Audino, CSA, Casting By

Outstanding Casting For A Miniseries, Movie
Or A Special

American Horror Story • FX Networks • Twentieth
Century Fox Television

Robert Ulrich, CSA, Casting By
Eric Dawson, CSA, Casting By

Five • Lifetime • Sony Pictures Television,
Echo Films, Chestnut Ridge Productions and

Freestyle Picture Company
Randi Hiller, CSA, Casting By

Tamara-Lee Notcutt, CSA, Casting By

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

David Rubin, CSA, Casting By
Richard Hicks, CSA, Casting By

Pat Moran, CSA, Casting By
Kathleen Chopin, CSA, Casting By

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with

History
Fern Champion, CSA, Casting By

Amy Hubbard, CSA, Casting By

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Kate Rhodes James, CDG, Casting By

Outstanding Choreography
Dancing With The Stars • Routine: Without

You • ABC • BBC Worldwide Productions
Travis Wall, Choreographer

Teddy Forance, Choreographer
Nick Lazzarini, Choreographer

Smash • Routines: National Pastime / Let's
Be Bad / Never Met A Wolf • NBC • Universal

Television in association with DreamWorks
Television and Madwoman in the Attic

Joshua Bergasse, Choreographer

So You Think You Can Dance • Routines: In
This Shirt / Turning Tables / Heart Asks For

Pleasure First • FOX • Dick Clark Productions,
Inc. in association with 19 Entertainment

Stacey Tookey, Choreographer

So You Think You Can Dance • Routines: Misty
Blue / Velocity • FOX • Dick Clark Productions,

Inc. in association with 19 Entertainment
Christopher Scott, Choreographer

So You Think You Can Dance • Routines: Whatever
Lola Wants / Please Mr. Jailor / Where Do

I Begin • FOX • Dick Clark Productions,
Inc. in association with 19 Entertainment

Spencer Liff, Choreographer

Outstanding Cinematography For A Multi-Camera
Series

How I Met Your Mother • 46 Minutes • CBS
• 20th Century Fox Television

Chris La Fountaine, Director of Photography

Mike & Molly • Victoria Can't Drive • CBS
• Bonanza Productions, Inc. in association

with Chuck Lorre Productions, Inc. and Warner
Bros. Television

Gary Baum, Director of Photography

Pair Of Kings • The Evil King (Part 2) • Disney
XD • It's a Laugh Productions in association

with Disney Studios
John Simmons, ASC, Director of Photography

Two And A Half Men • Sips, Sonnets, And
Sodomy • CBS • Chuck Lorre Productions

Inc., The Tannenbaum Company in association
with Warner Bros. Television

Steven V. Silver, ASC, Director of Photography

2 Broke Girls • Pilot • CBS • Bonanza
Productions, Inc. in association with MPK

Productions and Warner Bros. Television
Gary Baum, Director of Photography

Outstanding Cinematography For A Single-Camera
Series

Boardwalk Empire • 21 • HBO • Leverage,
Closest to the Hole Productions, Sikelia Productions

and Cold Front Productions in association
with HBO Entertainment

Jonathan Freeman, Director of Photography

Breaking Bad • Face Off • AMC • Sony
Pictures Television

Michael Slovis, Director of Photography

Glee • Asian F • FOX • Ryan Murphy Productions
in association with Twentieth Century Fox

Television
Michael Goi, ASC, Director of Photography

Mad Men • The Phantom • AMC • Lionsgate
Television

Christopher Manley, ASC, Director of Photography

Pan Am • Pilot • ABC • Jack Orman Productions,
Out of the Blue Entertainment and Shoe Money

Productions in association with Sony Pictures
Television

John Lindley, Director of Photography

Outstanding Cinematography For A Miniseries
Or Movie

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Jim Denault, ASC, Director of Photography

Great Expectations (Masterpiece) • Part
2 • PBS • A BBC Productions / Masterpiece

Co-Production
Florian Hoffmeister, Director of Photography

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Rogier Stoffers, ASC, NSC, Director of Photography

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Fabian Wagner, Director of Photography

Treasure Island • Part 1 • Syfy • A
Parallel Films Production for MNG Films in

association with RHI Entertainment
Ulf Brantas, Director of Photography

Outstanding Cinematography For Nonfiction
Programming

Anthony Bourdain: No Reservations • Mozambique
• Travel Channel • Zero Point Zero Production,

Inc
Zach Zamboni, Director of Photography

Todd Liebler, Director of Photography

Frozen Planet • Ends Of The Earth • Discovery
Channel • A BBC / Discovery

Channel / Antena 3 Television S.A. / ZDF / Skai
/ Open University Co-Production in association

with Discovery Canada
Cinematography Team

George Harrison: Living In The Material World
• HBO • Grove Street Pictures, Spitfire

Pictures, and Sikelia Productions in association
with HBO Documentary Films

Cinematography Team

Prohibition • A Nation Of Drunkards • PBS
• Florentine Films

Buddy Squires, Cinematography

Whale Wars • Race To Save Lives • Animal
Planet • The Lizard Trading Company, LLC

Cinematography Team

Outstanding Cinematography For Reality Programming
The Amazing Race • Let Them Drink Their

Haterade (Lake Manyara, Tanzania) • CBS
• World Race Productions Inc.

Cinematography Team

Deadliest Catch • I Don't Wanna Die • Discovery
Channel • Original Productions, LLC for

Discovery Communications
Cinematography Team

Project Runway • The Finale Challenge • Lifetime
• The Weinstein Company,

Bunim-Murray Productions and Full Picture
in association with Lifetime Television

Gus Dominguez, Director of Photography

Survivor • Running The Show • CBS • SEG,
Inc.

Cinematography Team

Top Chef • Fit For An Evil Queen • Bravo
• Magical Elves

Ari Boles, Director of Photography

Outstanding Commercial
The Bark Side • Volkswagen

Deutsch LA, Ad Agency
Caviar Films, Production Company

Best Job • Procter & Gamble Corporate Brand
Wieden + Kennedy, Ad Agency

Anonymous Content, Production Company

Color Changes Everything • Target: Spring
Apparel, Home + Beauty Products

Wieden + Kennedy New York, Ad Agency
Smuggler, Production Company

The Dog Strikes Back • Volkswagen
Deutsch LA, Ad Agency

Park Pictures, Production Company

It's Halftime In America • Chrysler Brand
Wieden + Kennedy, Ad Agency

Chelsea, Production Company

Outstanding Costumes For A Series
Boardwalk Empire • 21 • HBO • Leverage,

Closest to the Hole Productions, Sikelia Productions
and Cold Front Productions in association

with HBO Entertainment
John Dunn, Costume Designer

Lisa Padovani, Co-Costume Designer
Maria Zamansky, Assistant Costume Designer

The Borgias • The Confession • Showtime
• Showtime Presents, In association with

Take 5 Productions and Octagon Films
Gabriella Pescucci, Costume Designer

Uliva Pizzetti, Costume Supervisor

Downton Abbey • Episode 1 • PBS • A
Carnival / Masterpiece Co-Production

Susannah Buxton, Costume Designer

Game Of Thrones • The Prince Of Winterfell
• HBO • Bighead, Littlehead, Generator

Productions, Television 360, and Grok Television
in association with HBO Entertainment

Michele Clapton, Costume Designer
Alexander Fordham, Assistant Costume Designer

Chloe Aubry, Assistant Costume Designer

Once Upon A Time • Hat Trick • ABC • ABC
Studios

Eduardo Castro, Costume Designer
Monique McRae, Assistant Costume Designer

Outstanding Costumes For A Miniseries, Movie
Or A Special

American Horror Story • Halloween, Part
1 • FX Networks • Twentieth Century Fox

Television
Chrisi Karvonides, Costume Designer

Conan Castro, Costume Supervisor

Great Expectations (Masterpiece) • Part
2 • PBS • A BBC Productions / Masterpiece

Co-Production
Annie Symons, Costume Designer

Yvonne Duckett, Costume Supervisor

Hatfields & McCoys • Part 1 • HISTORY
• Thinkfactory Media in association with

History
Karri Hutchinson, Costume Designer

Adina Bucur, Costume Supervisor

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Ruth Myers, Costume Designer

William McPhail, Costume Supervisor

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Sarah Arthur, Costume Designer

Ceri Walford, Costume Supervisor

Treasure Island • Part 1 • Syfy • A
Parallel Films Production for MNG Films in

association with RHI Entertainment
Lorna Marie Mugan, Costume Designer

Rhona McGuirke, Costume Supervisor

Outstanding Single-Camera Picture Editing
For A Drama Series

Breaking Bad • End Times • AMC • Sony
Pictures Television

Kelley Dixon, Edited by

Breaking Bad • Face Off • AMC • Sony
Pictures Television

Skip MacDonald, Edited by

Downton Abbey • Episode 7 • PBS • A
Carnival / Masterpiece Co-Production

John Wilson A.C.E., Editor

Homeland • Pilot • Showtime • Showtime
Presents, Teakwood Lane Productions, Cherry

Pie Productions, Keshet, Fox 21
Jordan Goldman, Edited by

David Latham, Edited by

Mad Men • Far Away Places • AMC • Lionsgate
Television

Christopher Gay, Edited by

Outstanding Single-Camera Picture Editing
For A Comedy Series

Curb Your Enthusiasm • Palestinian Chicken
• HBO • HBO Entertainment

Steven A. Rasch, A.C.E., Editor

Modern Family • Leap Day • ABC • Levitan-Lloyd
Productions in association

with Twentieth Century Fox Television
Ryan Case, Editor

Modern Family • Election Day • ABC • Levitan-Lloyd
Productions in association with Twentieth

Century Fox Television
Steven A. Rasch, A.C.E., Edited by

30 Rock • The Tuxedo Begins • NBC • Broadway
Video, Little Stranger, Inc. in association

with Universal Television
Ken Eluto, A.C.E., Editor

30 Rock • Leap Day • NBC • Broadway
Video, Little Stranger, Inc. in association

with Universal Television
Meg Reticker, Edited by

Outstanding Multi-Camera Picture Editing For
A Comedy Series

The Big Bang Theory • The Countdown Reflection
• CBS • Chuck Lorre Productions, Inc.

in association with Warner Bros. Television
Peter John Chakos, Editor

Hot In Cleveland • God And Football • TV
Land • Hudson Street Productions

Mark Alan Dashnaw, Edited by

How I Met Your Mother • Trilogy Time • CBS
• 20th Century Fox Television

Sue Federman, Edited by

Two And A Half Men • Why We Gave Up Women
• CBS • Chuck Lorre Productions Inc.,

The Tannenbaum Company in association with
Warner Bros. Television

2 Broke Girls • And The Kosher Cupcakes
• CBS • Bonanza Productions, Inc. in association

Joseph Bella, Edited by

with MPK Productions and Warner Bros. Television
Darryl Bates, A.C.E., Editor

Outstanding Single-Camera Picture Editing
For A Miniseries Or A Movie

American Horror Story • Birth • FX Networks
• Twentieth Century Fox

Television
Fabienne Bouville, Editor

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Lucia Zucchetti, A.C.E., Editor

Hatfields & McCoys • Part 2 • HISTORY
• Thinkfactory Media in association with

History
Don Cassidy, Editor

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Walter Murch, A.C.E., Editor

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Charlie Phillips, Editor

Outstanding Picture Editing For Short-Form
Segments And Variety Specials

84th Annual Academy Awards • Opening Film
• ABC • Academy of Motion Picture Arts

and Sciences
Kabir Akhtar, Editor

The Colbert Report • Stephen Colbert Occupies
Wall Street (Episode 8013) •

Comedy Central • Hello Doggie, Inc. with
Busboy Productions and Spartina

Productions
Andrew Matheson, Editor

The Daily Show With Jon Stewart • A Love
Supreme - Profanity & Nudity On TV (Episode

17051) • Comedy Central • Central Productions,
LLC

Extreme Makeover: Home Edition - Rise And
Honor A Veterans Day Special • ABC • Endemol

Eric Davies, Editor

USA
Matt Deitrich, Supervising Editor

Josh Young, Supervising Editor
Ken Yankee, Editor

Jacob Parsons, Editor
Jennifer Nelson, Editor

Anita Hadulla, Editor
Tim Leavitt, Editor

Louis C.K. Live At The Beacon Theatre • FX
Networks • Pig Newton, Inc. in association

with FX Productions
Louis C.K., Edited By

2012 Rock And Roll Hall Of Fame Induction
Ceremony • HBO • Playtone, Tenth Planet

Productions and the Rock and Roll Hall of
Fame Foundation in association with HBO Entertainment

Bill DeRonde, Editor
Chris Lovett, Editor

Mark Stepp, Editor
Pi Ware, Editor

John Zimmer, Editor
Ben Folts, Editor

Outstanding Picture Editing For Nonfiction
Programming

American Masters • Johnny Carson: King Of
Late Night • PBS • A Co-Production of

Thirteen's American Masters for WNET and Peter
Jones Productions, Inc.

Mark Catalena, Editor

Anthony Bourdain: No Reservations • U.S.
Desert • Travel Channel • Zero Point Zero

Production, Inc
Nick Brigden, Editor

Beyond Scared Straight • Oakland County,
MI • A&E • Arnold Shapiro Productions

for A&E Network
Rob Goubeaux, A.C.E., Editor

Heather Abell, Editor
Mark S. Andrew, A.C.E., Editor

Paul J. Coyne, A.C.E., Editor

Frozen Planet • Ends Of The Earth • Discovery
Channel • A BBC / Discovery

Channel / Antena 3 Television S.A. / ZDF / Skai
/ Open University Co-Production in association

with Discovery Canada
Andy Netley, Editor

Sharon Gillooly, Editor

George Harrison: Living In The Material World
• HBO • Grove Street Pictures, Spitfire

Pictures, and Sikelia Productions in association
with HBO Documentary Films

David Tedeschi, Edited By

Outstanding Picture Editing For Reality Programming
The Amazing Race • Let Them Drink Their

Haterade (Lake Manyara, Tanzania) • CBS
• World Race Productions Inc.

Eric Goldfarb, Editor
Julian Gomez, Editor

Andrew Kozar, Editor
Paul C. Nielsen, Editor

Michael Bolanowski, Editor
Jennifer Nelson, Editor

Jacob Parsons, Editor
Rich Remis, Editor

Deadliest Catch • I Don't Wanna Die • Discovery
Channel • Original Productions, LLC for

Discovery Communications
Josh Earl, A.C.E., Supervising Editor

Alex Durham, Editor

Project Runway • My Pet Project • Lifetime
• The Weinstein Company, Bunim-Murray Productions

and Full Picture in association with Lifetime
Television

Lisa P. Trulli, Editor
Eileen Finkelstein, Editor

Molly Shock, Editor
Emily Hsuan, Editor

Masayoshi Matsuda, Editor

Survivor • Cult-Like • CBS • SEG, Inc.
James M. Smith, Supervising Editor

Stephen R. Frederick, Editor
Tim Atzinger, Editor

Evan Mediuch, Editor
James Ciccarello, Editor

Eric Gardner, Editor
David S. Armstrong, Editor

Top Chef • Fit For An Evil Queen • Bravo
• Magical Elves

Tony Rivard, Editor
Chris Colombel, Editor

Jeannie Gilgenberg, Editor
Hans Van Riet, Editor

Tony Fisher, Editor
Kent Bassett, Editor

Matt Reynolds, Editor

Outstanding Hairstyling For A Single-Camera
Series

Boardwalk Empire • Two Boats And A Lifeguard
• HBO • Leverage, Closest to the Hole

Productions, Sikelia Productions and Cold
Front Productions in association with HBO

Entertainment
Francesca Paris, Department Head Hairstylist

Christine Cantrell, Key Hairstylist

The Borgias • The Confession • Showtime
• Showtime Presents, In association with

Take 5 Productions and Octagon Films
Stefano Ceccarelli, Department Head Hairstylist

Tahira Herold, Personal Hairstylist
Claudia Catini, Hairstylist

Sevlene Roddy, Hairstylist

Downton Abbey • Episode 1 • PBS • A
Carnival / Masterpiece Co-Production

Anne "Nosh" Oldham, Department Head Hairstylist
Christine Greenwood, Key Hairstylist

Game Of Thrones • The Old Gods And The New
• HBO • Bighead, Littlehead, Generator

Productions, Television 360, and Grok Television
in association with HBO Entertainment

Kevin Alexander, Department Head Hairstylist
Candice Banks, Hairstylist

Rosalia Culora, Hairstylist
Gary Machin, Hairstylist

Mad Men • The Phantom • AMC • Lionsgate
Television

Theraesa Rivers, Department Head Hairstylist
Lucia Mace, Key Hairstylist

Arturo Rojas, Additional Hairstylist
Maria Sandoval, Additional Hairstylist

David Blair, Additional Hairstylist

Outstanding Hairstyling For A Multi-Camera
Series Or Special

Dancing With The Stars • Episode 1407 • ABC
• BBC Worldwide Productions

Mary Guerrero, Department Head Hairstylist
Kimi Messina, Key Hairstylist

Jennifer Guerrero-Mazursky, Hairstylist
Rachel Dowling, Hairstylist

Cynthia Romo, Hairstylist
Sean Smith, Hairstylist

Saturday Night Live • Host: Zooey Deschanel
• NBC • SNL Studios in association with

Universal Television and Broadway Video
Bettie O. Rogers, Department Head Hairstylist

Jodi Mancuso, Key Hairstylist
Inga Thrasher, Hairstylist

Jennifer Stauffer, Hairstylist
Cara Hannah Sullivan, Hairstylist

Christal Schanes, Hairstylist

Victorious • April Fools Blank • Nickelodeon
• Nickelodeon and Schneider's Bakery

Cyndra C. Dunn Keitel, Department Head Hairstylist
Monica Lisa Sabedra, Key Hairstylist

Terrie Velazquez Owen, Additional Hairstylist
Shawn Finch, Personal Hairstylist

The Voice • Episode 210A • NBC • One
Three Inc. (a Hearst/Mark Burnett company),

Talpa Media USA, Inc. and Warner Horizon Television
Shawn Finch, Department Head Hairstylist

Jerilynn Stephens, Additional Hairstylist
Cindy Costello, Additional Hairstylist

Cheryl Marks, Additional Hairstylist
Renee Dipinto Ferruggia, Additional Hairstylist

Samantha Wen, Additional Hairstylist

Outstanding Hairstyling For A Miniseries Or
A Movie

American Horror Story • FX Networks • Twentieth
Century Fox Television

Monte C. Haught, Department Head Hairstylist
Samantha Wade, Key Hairstylist

Melanie Verkins, Hairstylist
Natalie Driscoll, Hairstylist

Michelle Ceglia, Hairstylist

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with History

Girorgio Gregorini, Department Head Hairstylist
Peter Nicastro, Key Hairstylist

Gabriele Gregorini, Hairstylist

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Yvette Rivas, Department Head Hairstylist

Frances Mathias, Personal Hairstylist

Outstanding Creative Achievement In Interactive
Media -- Enhancement To A Television Program

Or Series
Bravo's Top Chef: Last Chance Kitchen • bravotv.com

• Bravo Media and Magical Elves
NBC Universal

Bravo Media
Magical Elves

Game Of Thrones Season Two -- Enhanced Digital
Experience • HBO • HBO

Entertainment
HBO

The Team Coco Sync App • TBS • Team Coco
Digital in association with Conaco, LLC & Turner

Broadcasting System
John Wooden, Producer

Aaron Bleyaert, Producer
Conan O'Brien, Producer

Timothy Campbell, Producer

Outstanding Creative Achievement In Interactive
Media—Original

Interactive Television Programming
Dirty Work • rides.tv • Fourth Wall Studios

Fourth Wall Studios
Rides TV

Psych HashTag Killer • USA • USA Network
in association with Universal Cable Productions

& Social Samba
USA Network

Universal Cable Productions
Social Samba

What's Trending With Shira Lazar • whatstrending.com
• Disrupt/Group

30 Ninjas

Damon Berger, Executive Producer
Shira Lazar, Executive Producer

Outstanding Lighting Design/Lighting Direction
For A Variety Series

American Idol • Finale • FOX • A 19
Production in association with Fremantle Media

Kieran Healy, Lighting Designer
Joshua Hutchings, Lighting Director

Matthew McAdam, Lighting Director
George Harvey, Lighting Director

Dancing With The Stars • Episode 1307 • ABC
• BBC Worldwide Productions

Simon Miles, Lighting Designer
Matthew Cotter, Lighting Director

Suzanne Sotelo, Lighting Director

Saturday Night Live • Host: Jimmy Fallon
• NBC • SNL Studios in association with

Universal Television and Broadway Video
Phil Hymes, Lighting Designer

Geoff Amoral, Lighting Director
Rick McGuinness, Lighting Director

So You Think You Can Dance • Season 8 Finale
• FOX • Dick Clark Productions, Inc. in

association with 19 Entertainment
Robert Barnhart, Lighting Designer

Matt Firestone, Lighting Director
Pete Radice, Lighting Director

Patrick Boozer, Lighting Director

The Voice • Live Shows (Part 1) • NBC
• One Three Inc. (a Hearst/Mark Burnett

company), Talpa Media USA, Inc. and Warner
Horizon Television

Oscar Dominguez, Lighting Designer
Daniel K. Boland, Lighting Director

Outstanding Lighting Design/Lighting Direction
For A Variety Special

84th Annual Academy Awards • ABC • Academy
of Motion Picture Arts and Sciences

Robert A. Dickinson, Lighting Designer
Robert Barnhart, Lighting Designer

Jon Kusner, Lighting Director
Andy O'Reilly, Lighting Director

Andrea Bocelli Live In Central Park (Great
Performances) • PBS • A Production of

Sugar s.r.l. and THIRTEEN for WNET
Robert Barnhart, Lighting Designer

Ted Wells, Lighting Director
Matt Firestone, Lighting Director

Harry Sangmeister, Lighting Director

The 54th Annual Grammy Awards • CBS • AEG
Ehrlich Ventures, LLC and John Cossette Productions,

Inc.
Robert A. Dickinson, Lighting Designer

Jon Kusner, Lighting Director
Travis Hagenbuch, Lighting Director

Andy O'Reilly, Lighting Director

Super Bowl XLVI Halftime Show Starring Madonna
• NBC • NFL Network

Al Gurdon, Lighting Designer
Robert Barnhart, Lighting Director

David Grill, Lighting Director
Michael Owen, Lighting Director

Victoria's Secret Fashion Show 2011 • CBS
• Done and Dusted Productions

Jon Kusner, Lighting Designer
Matt Firestone, Lighting Designer

Harry Sangmeister, Lighting Director
Nick Collier, Lighting Director

Outstanding Main Title Design
American Horror Story • FX Networks • Twentieth

Century Fox Television
Kyle Cooper, Title Designer

Juan Ruiz Anchia, Director of Photography
Gabriel Diaz, Editor

Ryan Murphy, Designer

Great Expectations (Masterpiece) • PBS • A
BBC Productions / Masterpiece

Co-Production
Nic Benns, Title Designer

Rodi Kaya, 3D Atrist
Tom Bromwich, Titles Producer

Magic City • Starz • Starz Entertainment,
LLC

Ahmet Ahmet, Designer/Creative DIrector
Michelle Dougherty, Designer/Creative Designer

Kathy Kelehan, Producer/Creative Lead
Danielle White, Editor

New Girl • FOX • Chernin Entertainment
in association with Twentieth Century Fox

Television
Conn Reilly, Producer

Veva Burns, Art Director
John Priday, Creative Director

Strike Back • Cinemax • Left Bank Pictures
in association with British Sky Broadcasting

and Cinemax
Nic Benns, Creatie Director/Designer/Animator

Miki Kato, Art Director
Joe Lea, Compositor/Editor

Outstanding Makeup For A Single-Camera Series
(Non-Prosthetic)

Boardwalk Empire • Georgia Peaches • HBO
• Leverage, Closest to the Hole Productions,

Sikelia Productions and Cold Front Productions
in association with HBO Entertainment

Michele Paris, Department Head Makeup Artist
Mary Aaron, Key Makeup Artist

Steven Lawrence, Key Makeup Artist

Game Of Thrones • The Old Gods And The New
• HBO • Bighead, Littlehead, Generator

Productions, Television 360, and Grok Television
in association with HBO Entertainment

Paul Engelen, Department Head Makeup Artist
Melissa Lackersteen, Makeup Artist

Glee • Yes/No • FOX • Ryan Murphy Productions
in association with Twentieth Century Fox

Television
Kelley Mitchell, Department Head Makeup Artist

Jennifer Greenberg, Key Makeup Artist
Melissa Buell, Additional Makeup Artist

Tym Shutchai Buacharern, Additional Makeup
Artist

Paula Jane Hamilton, Additional Makeup Artist
Darla Albright, Additional Makeup Artist

Mad Men • Christmas Waltz • AMC • Lionsgate
Television

Lana Horochowski, Department Head Makeup Artist
Ron Pipes, Key Makeup Artist

Ken Niederbaumer, Makeup Artist
Keith Sayer, Makeup Artist

The Middle • The Play • ABC • A Blackie
and Blondie Production in association with

Warner Bros. Television
Tyson Fountaine, Department Head Makeup Artist

Heather Cummings, Key Makeup Artist
Michelle Daurio, Makeup Artist

Tifanie White, Makeup Artist
Brian Kinney, Makeup Artist

Elizabeth Dahl, Makeup Artist

Outstanding Makeup For A Multi-Camera Series
Or Special

(Non-Prosthetic)
Dancing With The Stars • Episode 1307 • ABC

• BBC Worldwide Productions
Zena Shteysel, Department Head Makeup Artist

Angela Moos, Key Makeup Artist
Patti Ramsey Bortoli, Makeup Artist

Barbara Fonte, Makeup Artist
Sarah Woolf, Makeup Artist

Nadege Schoenfeld, Makeup Artist

Hot In Cleveland • Bridezelka • TV Land
• Hudson Street Productions

Lori Benson, Co-Department Head Makeup Artist
Lisa Ashley, Co-Department Head Makeup Artist

How I Met Your Mother • Trilogy Time • CBS
• 20th Century Fox Television

Deborah Huss Humphries, Key Makeup Artist

Jennifer Turchi Nigh, Department Head Makeup
Artist

Megan Moore Grimes, Key Makeup Artist
Kevin Haney, Makeup Artist

Saturday Night Live • Host: Katy Perry • NBC
• SNL Studios in association with Universal

Television and Broadway Video
Louie Zakarian, Department Head Makeup Artist

Josh Turi, Makeup Artist
Amy Tagliamonti, Makeup Artist

Daniela Zivkovic, Makeup Artist
Tom Denier, Jr., Makeup Artist

Victorious • April Fools Blank • Nickelodeon
• Nickelodeon and Schneider's Bakery

Michael Johnston, Department Head Makeup Artist
Patti Brand-Reese, Key Makeup Artist

Melanie Mills, Makeup Artist
Nadege Schoenfeld, Makeup Artist

Lusine Galadjian, Personal Makeup Artist

Outstanding Makeup For A Miniseries Or A Movie
(Non-Prosthetic)

American Horror Story • FX Networks • Twentieth
Century Fox Television

Eryn Krueger Mekash, Department Head Makeup
Artist

Kim Ayers, Key Makeup Artist
Silvina Knight, Makeup Artist

D. Garen Tolkin, Personal Makeup Artist

Hatfields & McCoys • HISTORY • Thinkfactory
Media in association with

History
Mario Michisanti, Department Head Makeup Artist

Francesca Tampieri, Makeup Artist

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Gretchen Davis, Department Head Makeup Artist

Kyra Panchenko, Personal Makeup Artist
Paul Pattison, Personal Makeup Artist

Outstanding Prosthetic Makeup For A Series,
Miniseries, Movie Or A Special

American Horror Story • FX Networks • Twentieth
Century Fox Television

Eryn Krueger Mekash, Department Head Makeup
Artist

Hiroshi Yada, Makeup Effects Artist
Michael Mekash, Makeup Effects Artist

Christopher Nelson, Makeup Effects Artist
Kim Ayers, Makeup Effects Artist

Christien Tinsley, Prosthetic Designer
Jason Hamer, Prosthetic Designer

Boardwalk Empire • The Age Of Reason • HBO
• Leverage, Closest to the Hole Productions,

Sikelia Productions and Cold Front Productions
in association with HBO Entertainment

Michele Paris, Department Head Makeup Artist,
Prosthetic Designer

Craig Lindberg, Special Makeup Effects Artist
Jeremy Selenfriend, Special Makeup Effects

Artist
Mike Marino, Special Makeup Effects Artist

David Presto, Special Makeup Effects Artist
Michael Fontaine, Special Makeup Effects Artist

Game Of Thrones • Valar Morghulis • HBO
• Bighead, Littlehead, Generator Productions,

Television 360, and Grok Television in association
with HBO Entertainment

Paul Engelen, Department Head Makeup Artist,
Prosthetic Designer

Conor O'Sullivan, Prosthetic Designer, Makeup
Effects Artist

Rob Trenton, Special Makeup Effects Artist

Once Upon A Time • Dreamy • ABC • ABC
Studios

Toby Lindala, Special Makeup Effects Department
Head

Sarah Graham, Department Head Makeup Artist

The Walking Dead • What Lies Ahead • AMC
• AMC Studios

Greg Nicotero, Special Makeup Effects Department
Head

Jake Garber, Special Makeup Effects Artist
Andy Schoneberg, Special Makeup Effects Artist

Kevin Wasner, Special Makeup Effects Artist
Gino Crognale, Special Makeup Effects Artist

Carey Jonse, Special Makeup Effects Artist
Garrett Immel, Prosthetic Designer

Outstanding Music Composition For A Series
(Original Dramatic Score)

The Borgias • The Confession • Showtime
• Showtime Presents, In association with

Take 5 Productions and Octagon Films
Trevor Morris, Music by

Downton Abbey • Episode 6 • PBS • A
Carnival / Masterpiece Co-Production

John Lunn, Music by

Pan Am • Pilot • ABC • Jack Orman Productions,
Out of the Blue Entertainment and Shoe Money

Productions in association with Sony Pictures
Television

Blake Neely, Music by

Smash • Publicity • NBC • Universal
Television in association with DreamWorks

Television and Madwoman in the Attic
Marc Shaiman, Original Music by

Chris Bacon, Score by

30 Rock • The Tuxedo Begins • NBC • Broadway
Video, Little Stranger, Inc. in association

with Universal Television
Jeff Richmond, Music by

Outstanding Music Composition For A Miniseries,
Movie Or A Special

(Original Dramatic Score)
Disney Prep & Landing: Naughty Vs. Nice • ABC

• Walt Disney Animation Studios
Michael Giacchino, Composer

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Theodore Shapiro, Music by

Hatfields & McCoys • Part 1 • HISTORY
• Thinkfactory Media in association with

History
John Debney, Music by

Tony Morales, Music by

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Javier Navarrete, Composer

Missing • The Hard Drive • ABC • ABC
Studios

Robert Duncan, Music by

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
David Arnold, Music

Michael Price, Music

Outstanding Music Direction
Christmas In Washington • TNT • New Liberty

Productions and The Stevens Co
Ian Fraser, Musical Director

Country Music (In Performance At The White
House) • PBS • WETA Washington, DC and

Bounce, an AEG Company
Steven A. Gibson, Music Director

The Kennedy Center Honors • CBS • A George
Stevens, Jr. Presentation for The John F.

Kennedy Center for the Performing Arts
Rob Berman, Music Director

Rob Mathes, Music Director

Michael Feinstein: The Sinatra Legacy • PBS
• Bounce, an AEG Company

Bill Elliott, Music Director

Seth MacFarlane: Swingin' In Concert • EPIX
• AEG Live

Joel McNeely, Musical Director & Arranger

The Thomashefskys: Music And Memories Of A
Life In The Yiddish Theater (Great Performances)

• PBS • A production of the Thomashefsky
Film Project LLC and Thirteen for WNET

Raising Hope • Prodigy / Song Title: Welcome
Back To Hope • FOX • Twentieth Century

Michael Tilson Thomas, Music Director

Outstanding Original Music And Lyrics
The Heart Of Christmas • Song Title: The

Heart Of Christmas • GMC • My Three Sons
Films, God & Country Entertainment in association

with GMC
Matthew West, Music & Lyrics by

Fox Television
Matthew W. Thompson, Music & Lyrics by

Saturday Night Live • Host: Jason Segel
/ Song Title: I Can't Believe I'm Hosting

• NBC • SNL Studios in association with
Universal Television and Broadway Video

Eli Brueggemann, Music by
Seth Meyers, Lyrics by

John Mulaney, Lyrics by

Smash • Pilot / Song Title: Let Me Be Your
Star • NBC • Universal Television in association

with DreamWorks Television and Madwoman in
the Attic

Marc Shaiman, Music & Lyrics by
Scott Wittman, Music & Lyrics by

65th Annual Tony Awards • Song Title: It's
Not Just For Gays Anymore • CBS • White

Cherry Entertainment in association with Tony
Award Productions

BBC Productions / Masterpiece
Co-Production

Adam Schlesinger, Music by
David Javerbaum, Lyrics by

Outstanding Original Main Title Theme Music
Great Expectations (Masterpiece) • PBS • A

Martin Phipps, Composer

Hell On Wheels • AMC • Entertainment One
Television in association with Endemol USA

and Nomadic Pictures
Gustavo Santaolalla, Theme by

Homeland • Showtime • Showtime Presents,
Teakwood Lane Productions, Cherry Pie Productions,

Keshet, Fox 21
Sean Callery, Music by

Page Eight (Masterpiece) • PBS • A Heyday
Films / Runaway Fridge TV / Carnival / Masterpiece

co-production in association with NBC Universal
for BBC

Paul Englishby, Music by

Touch • FOX • Chernin Entertainment in
association with Twentieth Century Fox Television

Lisa Coleman, Theme by
Wendy Melvoin, Theme by

Outstanding Sound Editing For A Series
Boardwalk Empire • Gimcrack And Bunkum • HBO

• Leverage, Closest to the Hole Productions,
Sikelia Productions and Cold Front Productions

in association with HBO Entertainment
Fred Rosenberg, Supervising Sound Editor

Jeffery Stern, Dialogue Editor
Ruy Garcia, Sound Effects Editor

Igor Nikolic, Sound Editor
Reuben Simon, Sound Editor

Roland Vajs, Sound Editor
Marko Costanzo, Foley Artist

George Lara, Foley Artist

Breaking Bad • Face Off • AMC • Sony
Pictures Television

Nick Forshager, Supervising Sound Editor
Jason Tregoe Newman, Music Editor

Kathryn Madsen, ADR Supervisor
Mark Cookson, Sound Effects Editor

Annette Kudrak, Music Editor
Steve Visscher, Foley Editor

Cormac Funge, Sound Effects Editor
Jane Boegel, Dialogue Editor

Jeff Cranford, Sound Editor
Dominique Tabach Decaudain, Foley Artist

James Bailey, Foley Artist

CSI: Miami • Blown Away • CBS • Jerry
Bruckheimer Production with CBS Studios

Timothy I. Kimmel, Supervising Sound Editor
Brad Katona, Sound Effects Editor

Ruth Adelman, ADR Editor
Todd Niesen, Dialogue Editor

Skye Lewin, Music Editor
Joseph Sabella, Foley Artist

Game Of Thrones • Blackwater • HBO • Bighead,
Littlehead, Generator Productions, Television

Gregg Barbanell, Foley Artist

Tim Hands, ADR Editor/Co-Supervisor of ADR
Paul Aulicino, M.P.S.E., Foley Editor/Supervising

360, and Grok Television in association with
HBO Entertainment

Peter Brown, Supervising Sound Editor/Sound
Design

Kira Roessler, Dialogue/ADR Supervising Sound
Editor

Foley Editor
Stephen P. Robinson, Sound Effects Editor

Vanessa Lapato, Dialogue Editor
Brett Voss, Foley Editor

James Moriana, Foley Artist
Jeffrey Wilhoit, Foley Artist

Michael Baber, Music Editor
David Lee Fein, Foley Artist

Jason Lezama, Dialogue Editor
Timothy Cleveland, Sound Effects Editor

David Klotz, Music Editor

The Walking Dead • Beside The Dying Fire
• AMC • AMC Studios

Jerry Ross, Supervising Sound Editor
Lou Thomas, Dialogue ADR Editor

Tim Farrell, Sound Effects Editor
Phil Barrie, Sound Effects Editor

Hilda Hodges, Foley Artist

Outstanding Sound Editing For A Miniseries,
Movie Or A Special

American Horror Story • Piggy, Piggy • FX
Networks • Twentieth Century Fox Television

Gary Megregian, Supervising Sound Editor
David Klotz, Music Editor

Steve M. Stuhr, Dialogue Editor
Jason Krane, Dialogue Editor

Bruce Tanis, Sound Effects Editor
Simon Coke, Foley Editor

Zane Bruce, Foley Artist
Jeff Gunn, Foley Artist

Lance Wiseman, Dialogue Editor

Hatfields & McCoys • Part 1 • HISTORY
• Thinkfactory Media in association with

John Laing, Supervising Sound Editor
John Douglas Smith, Sound Editor

Mark Dejczak, Sound Editor
Michael Mancuso, Sound Editor

Dermain Finlayson, Sound Editor
Kevin Banks, Music Editor

Darrell Hall, Music Editor
Alex Bulick, Sound Editor

Nathan Robitaille, Sound Editor
Dan Kiener, Sound Editor

Emilie Boucek, Sound Editor
Steve Baine, Foley Artist

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Douglas Murray, Supervising Sound Editor

Peter Horner, Sound Designer
Kim Foscato, Dialogue Editor

Steve Boeddeker, FX Sound Editor
Casey Langfelder, FX Sound Editor

Andrea Gard, FX Sound Editor
Pat Jackson, FX Sound Editor

Daniel Laurie, ADR Editor
Goro Koyama, Foley Artist

Andy Malcolm, Foley Artist
Joanie Diener, Music Editor

The River • Doctor Emmet Cole • ABC • ABC
Studios

History
Tom Bjelic, Supervising Sound Editor

Paula Fairfield, Supervising Sound Editor/Designer
Jill Purdy, Dialogue Editor

Carla Murray, Sound Editor
Peter Austin, ADR Editor

Jon Mete, Sound Effects Editor
Shelley Roden, Foley Artist

Gregg Barbanell, Foley Artist
Gordon Fordyce, Music Editor

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Jeremy Child, Sound Effects Editor

Doug Sinclair, Supervising Sound Editor

Outstanding Sound Editing For Nonfiction Programming
(Single Or Multi-Camera)

The Amazing Race • Let Them Drink Their
Haterade (Lake Manyara, Tanzania) • CBS

• World Race Productions Inc.
Eric Goldfarb, Sound Editor

Julian Gomez, Sound Editor
Andrew Kozar, Sound Editor

Paul C. Nielsen, Sound Editor
Jacob Parsons, Sound Editor

Rich Remis, Sound Editor
Jennifer Nelson, Sound Editor

Michael Bolanowski, Sound Editor
Bryan Parker, Sound Editor

Graham Barclay, Sound Editor

Frozen Planet • Ends Of The Earth • Discovery
Channel • A BBC / Discovery

Channel / Antena 3 Television S.A. / ZDF / Skai
/ Open University Co-Production in association

with Discovery Canada
Kate Hopkins, Dubbing Editor

Tim Owens, Sound Editor
Paul Fisher, Sound Editor

George Harrison: Living In The Material World
• HBO • Grove Street Pictures, Spitfire

Jennifer Dunnington, Music Editor

Pictures, and Sikelia Productions in association
with HBO Documentary Films

Philip Stockton, Supervising Sound Editor
Al Zaleski, Sound Effects Editor

Paul Simon's Graceland Journey: Under African
Skies • A&E • Sony Music

Entertainment's Legacy Recordings and @Radical.Media
Chris Davis, Sound Effects Editor

Eric Milano, Dialogue Editor
Andy Smith, Music Editor

Joshua L. Pearson, Dialogue/Music Editor

Prohibition • A Nation Of Hypocrites • PBS
• Florentine Films

Dan Korintus, Dialogue Editor
Marlena Grzaslewicz, Dialogue Editor

Ira Spiegel, Sound Effects Editor
Dave Mast, Sound Effects Editor

Erik Ewers, Sound Effects Editor
Jacob Ribicoff, Music Editor

Outstanding Sound Mixing For A Comedy Or Drama
Series

(One Hour)
Breaking Bad • Face Off • AMC • Sony

Pictures Television
Darryl L. Frank, Production Mixer

Jeff Perkins, Re-Recording Mixer
Eric Justen, Re-Recording Mixer

Downton Abbey • Episode 1 • PBS • A
Carnival / Masterpiece Co-Production

Oliver Brierley, ADR Mixer
Keith Partridge, Foley Mixer

Chris Ashworth, Production Mixer

Game Of Thrones • Blackwater • HBO • Bighead,
Littlehead, Generator Productions, Television

Nigel Heath, Re-Recording Mixer
Alex Fielding, Re-Recording Mixer

Homeland • Marine One • Showtime • Showtime
Presents, Teakwood Lane

360, and Grok Television in association with
HBO Entertainment

Matthew Waters, Re-Recording Mixer
Onnalee Blank, CAS, Re-Recording Mixer

Ronan Hill, CAS, Production Mixer
Mervyn Moore, Production Mixer

Productions, Cherry Pie Productions, Keshet,
Fox 21

Larry Long, Production Sound Mixer
Nello Torri, Re-Recording Mixer

Alan Decker, Re-Recording Mixer
Larold Rebhun, Scoring Mixer

Person Of Interest • Pilot • CBS • Bonanza
Productions, Inc. in association with Bad

Robot Productions and Warner Bros. Television
Frank Morrone, Re-Recording Mixer

Scott Weber, Re-Recording Mixer
Keith Rogers, Re-Recording Mixer

Sean Rush, Production Sound Mixer
Joe Earle, Dialogue/Music Re-Recording Mixer

Noah Timan, Production Mixer

Outstanding Sound Mixing For A Miniseries
Or A Movie

American Horror Story • Piggy, Piggy • FX
Networks • Twentieth Century Fox Television

Doug Andham, Sound Effects Re-Recording Mixer

Game Change • HBO • Playtone and Everyman
Pictures in association with HBO Films

Gabriel J. Serrano, Re-Recording Mixer

Hatfields & McCoys • Part 1 • HISTORY
• Thinkfactory Media in association with

David MacMillan, Production Mixer
Leslie Shatz, Re-Recording Mixer

History
Stanomir Dragos, Production Mixer

Christian Cooke, Re-Recording Mixer
Brad Zoern, Re-Recording Mixer

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Nelson Stoll, CAS, AES, Sound Mixer

Lora Hirschberg, Re-Recording Mixer
Peter Horner, Re-Recording Mixer

Sherlock: A Scandal In Belgravia (Masterpiece)
• PBS • Hartswood West for

BBC / Cymru Wales in co-production with Masterpiece
Howard Bargroff, Dubbing Mixer

John Mooney, Production Mixer

Outstanding Sound Mixing For A Comedy Or Drama
Series (Half-Hour) And Animation

Entourage • The End • HBO • Leverage
and Closest to the Hole Productions in association

Douglas Murray, Re-Recording Mixer

Peter Nusbaum, Re-Recording Mixer
Steve Morantz, Production Mixer

with HBO Entertainment
Tom Stasinis, Production Mixer

Dennis Kirk, Re-Recording Mixer
Todd Orr, Re-Recording Mixer

Modern Family • Dude Ranch • ABC • Levitan-Lloyd
Productions in association with Twentieth

Century Fox Television
Stephen A. Tibbo, Production Sound Mixer

Dean Okrand, Re-Recording Mixer
Brian R. Harman, Re-Recording Mixer

Nurse Jackie • Handle Your Scandal • Showtime
• Showtime Presents, Lionsgate Television,

Jackson Group Entertainment, Madison Grain
Elevator, Inc. & Delong Lumber, A Caryn Mandabach

Production
Jan McLaughlin, CAS, Production Sound Mixer

Peter Waggoner, Re-Recording Mixer

Parks And Recreation • End Of The World
• NBC • Deedle-Dee Productions, Fremulon,

3 Arts and Universal Television
John Cook, Re-Recording Mixer

30 Rock • Live From Studio 6H • NBC • Broadway
Video, Little Stranger, Inc. in association

with Universal Television
Robert Palladino, Audio

Martin Brumbach, Music Editor
Josiah Gluck, Music Mixer

Conner Moore, Packages Mixer
Randy Faustino, Music Mixer

William Taylor, Sound Effects

Outstanding Sound Mixing For A Variety Series
Or Special

84th Annual Academy Awards • ABC • Academy
of Motion Picture Arts and Sciences

Paul Sandweiss, Audio Director
Tommy Vicari, Orchestra Mixer

Pablo Munguia, Protools
Kristian Pedregon, Show Post Audio

ACM Presents: Lionel Richie And Friends -- In
Concert • CBS • Dick Clark Productions,

Inc. in association with the Academy of Country
Music

J. Mark King, Production Mixer
Dirk Vanoucek, Re-Recording Mixer

Steven Anderson, House Production Mixer 
Marc Repp, Music Mixer

Chip Matthews, Re-Recording Mixer 
Christian Schrader, Audience Supplemental

Mixer 
Jeff Peterson, House Music Mixer

Jason Spence, Stage Monitor Mixer 
Jeffrey R. Fecteau, Playback Mixer

American Idol • 1144 • FOX • FremantleMedia
North America with 19

Entertainment
Ed Greene, Audio Mixer

Brian Riordan, Packages Mixer
Ryan Young, Packages Mixer

Michael Parker, Monitor Mixer
Christian Schrader, Audience Sweetener

Paul Sandweiss, Post Production Mixer
Biff Dawes, Music Mixer

Gary Long, Playback Music Mixer
Patrick Baltzell, PA Mixer

The 54th Annual Grammy Awards • CBS • AEG
Ehrlich Ventures, LLC and John Cossette Productions,

Inc.
Thomas Holmes, Broadcast Production Mixer

John Harris, Broadcast Music Mixer
Eric Schilling, Broadcast Music Mixer

Mikael Stewart, House Production Mixer
Ron Reaves, House Music Mixer

Tom Pesa, Stage Mixer
Michael Parker, Stage Mixer

Pablo Munguia, Playback Mixer
Bob Lamasney, Audience Supplemental Mixer

Outstanding Sound Mixing For Nonfiction Programming
The Amazing Race • Let Them Drink Their

Haterade (Lake Manyara, Tanzania) • CBS
• World Race Productions Inc.

Jim Ursulak, Lead Audio
Dean Gaveau, C.A.S., Audio

Jerry Chabane, Audio
Troy Smith, Re-Recording Mixer

Deadliest Catch • I Don't Wanna Die • Discovery
Channel • Original Productions, LLC for

Discovery Communications
Bob Bronow, Sound Design/Re-Recording Mixer

Frozen Planet • Ends Of The Earth • Discovery
Channel • A BBC / Discovery

Channel / Antena 3 Television S.A. / ZDF / Skai
/ Open University Co-Production in association

with Discovery Canada
Graham Wild, Dubbing Mixer

Archie Moore, Sound Mixer

George Harrison: Living In The Material World
• HBO • Grove Street Pictures, Spitfire

Pictures, and Sikelia Productions in association
with HBO Documentary Films

Tom Fleischman, C.A.S., Re-Recording Mixer
Bob Chefalas, Additional Re-Recording Mixer

Paul Simon's Graceland Journey: Under African
Skies • A&E • Sony Music

Entertainment's Legacy Recordings and @Radical.Media
Tom Paul, Sound Mixer

Outstanding Special Visual Effects
Falling Skies • Live And Learn / The Armory

• TNT • DreamWorks Television
Andrew Orloff, Creative Director

Curt Miller, Visual Effects Supervisor
Roberto Biagi, Visual Effects Supervisor

Sean Tompkins, Lead Visual Effects Producer
Barbara Genicoff, Lead Visual Effects Producer

Jake Bergman, Lead Mech Animator
Scott Fritts, Lead Skitter Animator

Renaud Talon, Lead Visual Effects Compositor
Michael Kirylo, CGI Lead

Game Of Thrones • Valar Morghulis • HBO
• Bighead, Littlehead, Generator Productions,

Television 360, and Grok Television in association
with HBO Entertainment

Rainer Gombos, Lead Visual Effects Supervisor
Juri Stanossek, Visual Effects Supervisor

Sven Martin, Animation Lead
Steve Kullback, Lead Visual Effects Producer

Jan Fiedler, Visual Effects Producer
Chris Stenner, Lead Animator

Tobias Mannewitz, Visual Effects Concept Artist
Thilo Ewers, Environment Lead

Adam Chazen, Visual Effects Coordinator

Inside The Human Body • Episode 1 • TLC
• Jellyfish Pictures

Phil Dobree, Visual Effects Creative Director
Sophie Orde, Visual Effects Producer

Dan Upton, CG Lead
Matt Chandler, CG Lead

Chris Roswwarne, Concept Artist
Grant White, Animation

Jonas Ussing, Animation
Paul Herbert, Lighting

Nick Ward, Compositing

Once Upon A Time • The Stranger • ABC
• ABC Studios

Andrew Orloff, Visual Effects Supervisor
Laura Jones, Visual Effects Producer

Phil Jones, Special Effects Coordinator
Jake Bergman, Animation Lead

Nathan Matsuda, Compositing Supervisor
Dale Fay, On Set Supervisor

Dayna Mauer, Compositor
Kevin Struckman, On Set Zeus Supervisor

Sallyanne Massimini, CG Lead

Pan Am • Pilot • ABC • Jack Orman Productions,
Out of the Blue Entertainment and Shoe Money

Productions in association with Sony Pictures
Television

Matt Robken, Visual Effects Producer
Christopher D. Martin, Visual Effects Supervisor

Sam Nicholson, Visual Effects Supervisor
Diego Galtieri, Senior 2D Artist

Daniel Kumiega, Senior 3D Artist
Michael Cook, Lead 3D Artist

William L. Arance, Senior Model Builder
Martin Hilke, Senior 2D Artist

Anthony Ocampo, Senior 3D Artist

The Walking Dead • Beside The Dying Fire
• AMC • AMC Studios

Victor Scalise, VFX Supervisor
Jason Sperling, VFX Supervisor

Darrell Pritchett, Special FX Supervisor
Eddie Bonin, VFX Producer

Valeri Pfahning, Lead 2D Artist
Spence Fuller, 2D Artist

Martin Hilke, 2D Artist
Michael Cook, Lead 3D Artist

Jon Rosenthal, 3D Artist

Outstanding Special Visual Effects In A Supporting
Role

Boardwalk Empire • Georgia Peaches • HBO
• Leverage, Closest to the Hole Productions,

Sikelia Productions and Cold Front Productions
in association with HBO Entertainment

Dave Taritero, VFX Supervisor
Robert Stromberg, VFX Designer

Richard Friedlander, VFX Producer
Eran Dinur, VFX Supervisor

David W. Reynolds, Compositing Supervisor
Matthew Conner, Digital Matte Painter

Austin Meyers, Digital Compositor
Jonathan Dorfman, 3D Artist

Steve Kirshoff, Special Effects Supervisor

Bones • The Twist In The Twister • FOX
•

Twentieth Century Fox Television
Christian Cardona, Visual Effects Supervisor

Andy Simonson, Visual Effects Producer
Buddy Gheen, Compositor

Beau Janzen, 3D Artist
Ulysses Argetta, Compositor

Heather Fetter, Compositor

The Borgias • The Choice • Showtime • Showtime
Presents, In association with Take 5 Productions

and Octagon Films
Doug Campbell, Visual Effects Supervisor

Bill Halliday, Visual Effects Producer
Luke Groves, Visual Effects Technical Producer

Kirk Brillon, Compositing Supervisor
Steve Ramone Gordon, Compositing Lead

Jim Maxwell, Matte Painter Supervisor
Irit Hod, CG Lighting Lead

Tim Sibley, FX Supervisor
Adam Jewett, Visual Effects Production Manager

Breaking Bad • Face Off • AMC • Sony
Pictures Television

William Powloski, Visual Effects
Supervisor-Producer

Greg Nicotero, Special Makeup Effects Designer
Bruce Branit, CGI Supervisor

Werner Hahnlein, Special Effects Coordinator
Steve Fong, Senior Compositor

Sean Joseph, CG Artist
Matthew Perin, Lead Compositor

Hemingway & Gellhorn • HBO • Attaboy Films
and A Walrus & Associates in

association with HBO Films
Chris Morley, Visual Effects Supervisor

Kip Larsen, Visual Effects Producer
Nathan Abbot, Compositing Supervisor

Chris Paizis, Matchmove Supervisor

Touch • Pilot • FOX • Chernin Entertainment
in association with 20th Century Fox Television

Tony Pirzadeh, VFX Producer
Mark Spatny, VFX Supervisor

Nicole Zabala, VFX Coordinator
Christopher D. Martin, Lead Digital Compositor

Kristin Johnson, Lead Matte-Painter
Whitman Lindstrom, Matte Painter

Diego Galtieri, Digital Compositor
Meliza Fermin, Digital Compositor

Anthony Ocampo, 3D Artist

Outstanding Stunt Coordination
American Horror Story • FX Networks • Twentieth

Century Fox Television
Tim Davison, Stunt Coordinator

Criminal Minds • The Bittersweet Science
• CBS • ABC Studios in association with

CBS Paramount Television Network
Tom Elliott, Stunt Coordinator

Grimm • The Woman In Black • NBC • Universal
Television and Hazy Mills

Matt Taylor, Stunt Coordinator

Hawaii Five-0 • Kame'e • CBS • Eye Productions
Inc.

Jeff David Cadiente, Stunt Coordinator

NCIS: Los Angeles • Blye K • CBS • CBS
Television Studios

Troy James Brown, Stunt Coordinator

Southland • Wednesday • TNT • John Wells
Productions in association with Warner Bros.

Television
Peewee Piemonte, Stunt Coordinator

Outstanding Technical Direction, Camerawork,
Video Control For A Series

The Big Bang Theory • The Countdown Reflection
• CBS • Chuck Lorre Productions, Inc.

in association with Warner Bros. Television
John Pierre Dechene, Camera

James L. Hitchcock, Camera
Richard Price, Camera

Brian (Army) Armstrong, Camera
Ray Gonzales, Camera

John D. O'Brien, Video Control

Dancing With The Stars • Episode 1410A • ABC
• BBC Worldwide Productions

Charles Ciup, Technical Director
Adam Margolis, Camera

Easter Xua, Camera
Larry Heider, Camera

Dave Levisohn, Camera
Bert Atkinson, Camera

Brian Reason, Camera
Damien Tuffereau, Camera

Hector Ramirez, Camera
Mike Malone, Camera

Bettina Levesque, Camera
Ron Lehman, Camera

Rob Palmer, Camera
Seth Saint Vincent, Camera

Chuck Reilly, Video Control

Late Show With David Letterman • Episode
3602 • CBS • Worldwide Pants Incorporated

Timothy W. Kennedy, Technical Director
David Dorsett, Camera

Jack Young, Camera
Karin-Lucie Grzella, Camera

Al Cialino, Camera
John Curtin, Camera

George Rothweiler, Camera
Dan Flaherty, Camera

Fred Shimizu, Camera
John Hannel, Camera

Daniel Campbell, Camera
Steven Kaufman, Camera

William White, Video Control

Saturday Night Live • Host: Mick Jagger
• NBC • SNL Studios in association with

Universal Television and Broadway Video
Steven Cimino, Technical Director

John Pinto, Camera
Paul J. Cangialosi, Camera

Len Wechsler, Camera
Barry Frischer, Camera

Eric A. Eisenstein, Camera
Susan Noll, Video Control

Frank Grisanti, Video Control

30 Rock • Live From Studio 6H (West Coast
Version) • NBC • Broadway Video, Little

Stranger, Inc. in association with Universal
Television

Steven Cimino, Technical Director
Barry Frischer, Camera

John Pinto, Camera
Charlie Huntley, Camera

Tim Quigley, Camera
Eric A. Eisenstein, Camera

Richard B. Fox, Camera
Marc Bloomgarden, Camera

Gerard Sava, Camera
Jeffrey Dutemple, Camera

Susan Noll, Video Control
Frank Grisanti, Video Control

Outstanding Technical Direction, Camerawork,
Video Control For A Miniseries, Movie Or A

Special
84th Annual Academy Awards • ABC • Academy

of Motion Picture Arts and Sciences
John B. Field, Technical Director

John Pritchett, Technical Director
Rick Edwards, Technical Director

Dave Levisohn, Camera
Lyn Noland, Camera

John Repczynski, Camera
Marc Hunter, Camera

Larry Heider, Camera
Dave Eastwood, Camera

Hector Ramirez, Camera
Ted Ashton, Camera

Charlie Huntley, Camera
John Burdick, Camera

Easter Xua, Camera
Rob Palmer, Camera

Mark Whitman, Camera
Kris Wilson, Camera

Danny Bonilla, Camera
Jofre Rosero, Camera

Rob Balton, Camera
Dave Plakos, Camera

Steve Martyniuk, Camera
Shaun Harkins, Camera

Danny Webb, Camera
Mark Sanford, Video Control

Terrance Ho, Video Control
Guy Jones, Video Control

The 54th Annual Grammy Awards • CBS • AEG
Ehrlich Ventures, LLC and John Cossette Productions,

Inc.
John B. Field, Technical Director

Eric Becker, Technical Director
Kenneth Shapiro, Technical Director

Ted Ashton, Camera
Danny Bonilla, Camera

Manny Bonilla, Camera
Dave Eastwood, Camera

Randy Gomez, Camera
Dean Hall, Camera

Larry Heider, Camera
Marc Hunter, Camera

Dave Levisohn, Camera
Steve Martyniuk, Camera

Rob Palmer, Camera
David Plakos, Camera

Hector Ramirez, Camera
Brian Reason, Camera

John Repczynski, Camera
Kris Wilson, Camera

Easter Xua, Camera
Keith Winikoff, Video Control

Guy Jones, Video Control

The Kennedy Center Honors • CBS • A George
Stevens, Jr. Presentation for the John F.

Kennedy Center for the Performing Arts
John B. Field, Technical Director

John Burdick, Camera
Helene Haviland, Camera

Marc Hunter, Camera
Charlie Huntley, Camera

Lyn Noland, Camera
Darryl Player, Camera

Danny Bonilla, Camera
Bill Philbin, Camera

Hector Ramirez, Camera
Chris Tafuri, Camera

Pat Gleason, Camera
Mark Whitman, Camera

Paul Ranieri, Video Control
Susan Noll, Video Control

Memphis (Great Performances) • PBS • Broadway
Worldwide, Inc.

Steven Cimino, Technical Director
Paul J. Cangialosi, Camera

John Pinto, Camera
Chuck Goslin, Camera

Barry Frischer, Camera
Jeff Latonero, Camera

Len Wechsler, Camera
Susan Noll, Video Control

J.M. Hurley, Video Control

E.T.- katty Perry
[Kanye West]

I got a dirty mind
I got filthy ways

I'm tryna Bath my Ape in your Milky Way
I'm a legend, I'm irreverent

I be reverand
I be so fa-a-ar up, we don't give a f-f-f-f-ck

Welcome to the danger zone
Step into the fantasy

You are not invited to the otherside of sanity
They calling me an alien

A big headed astronaut
Maybe it's because your boy Yeezy get ass

a lot

[Katy Perry]
You're so hypnotizing

Could you be the devil
Could you be an angel

Your touch magnetizing
Feels like I am floating

Leaves my body glowing

They say be afraid
You're not like the others

Futuristic lover
Different DNA

They don't understand you

Your from a whole other world
A different dimension

You open my eyes
And I'm ready to go

Lead me into the light

[Chorus]
Kiss me, ki-ki-kiss me

Infect me with your love and
Fill me with your poison

Take me, ta-ta-take me
Wanna be a victim

Ready for abduction

Boy, you're an alien
Your touch are foreign

It's supernatural
Extraterrestrial

Your so supersonic
Wanna feel your powers

Stun me with your lasers
Your kiss is cosmic

Every move is magic

Your from a whole other world
A different dimension

You open my eyes

And I'm ready to go
Lead me into the light

[Chorus]
Kiss me, ki-ki-kiss me

Infect me with your love and
Fill me with your poison

Take me, ta-ta-take me
Wanna be a victim

Ready for abduction

Boy, you're an alien
Your touch are foreign

It's supernatural
Extraterrestrial

There is this transcendental
On another level

Boy, you're my lucky star

I wanna walk on your wave length
And be there when you vibrate

For you I'll risk it all
All

[Kanye West]
I know a bar out in Mars

Where they driving spaceships instead of cars
Cop a Prada spacesuit about the stars

Getting stupid ass straight out the jar
Pockets on Shrek, Rockets on deck

Tell me what's next, alien sex
I'ma disrobe you, than I'mma probe you

See I abducted you, so I tell ya what to do
I tell ya what to do, what to do, what to

do

[Chorus]
Kiss me, ki-ki-kiss me

Infect me with your love and
Fill me with your poison

Take me, ta-ta-take me
Wanna be a victim

Ready for abduction

Boy, you're an alien
Your touch are foreign

It's supernatural
Extraterrestrial

Extraterrestrial
Extraterrestrial

Boy, you're an alien
Your touch are foreign

It's supernatural
Extraterrestrial

Just Can't Get Enough- Black Eyed Peas

Boy I think about it every night and day
I'm addicted wanna jump inside your love

I wouldn't wanna have it any other way
I'm addicted and I just can't get enough

I just can't get enough
I just can't get enough

I just can't get enough
I just can't get enough

Honey got a sexy on steamin
She givin hotness a new meanin

Perfection mama you gleamin
Inception you got a brother dreamin dreamin

oh baby I'm beamin
I'm tryna holler at you, I'm screamin

Let me love you down this evenin
Love me, love me you know you are my demon

Girl we could form a team and
I could be the king you could be the queen

and
My mind's dirty and it don't need cleanin

I love you long time so you know the meanin

Oh baby I can't come down so please come help
me out

You got me feelin high and I can't step off
the cloud

And I just can't get enough

Boy I think about it every night and day
I'm addicted wanna jump inside your love

I wouldn't wanna have it any other way
I'm addicted and I just can't get enough

I just can't get enough
I just can't get enough

I just can't get enough
I just can't get enough

Honey got me runnin like I'm Flo Jo
Signs her name on my heart with an X-O

[ From : http://www.elyrics.net/read/b/black-eyed-peas-lyrics/just-can_t-get-enough-lyrics.html
]

Love's so sweet got me vexed oh
I wanna wish it right back like presto, yes

Meantime I wait for the next time
She come around 'fore I toast to the best

time
We lol back and forth on the text line

She got me fishin for her love I confess I'm

Somethin bout her smile and that combo
Got me high and I ain't comin down yo

My heart's pumpin out louder than electro
She got me feelin like Mr. Roboto

Oh baby I can't come down so please come help
me out

You got me feelin high and I can't step off
the cloud

And I just can't get enough

Boy I think about it every night and day
I'm addicted wanna jump inside your love

I wouldn't wanna have it any other way
I'm addicted and I just can't get enough

*This is mega switch up*

I just can't

Not
Sunk in your bed rock

Caught
Up in your love shock

Knocked
Out by your cold shot

I'm stuck in your head like

Can't get out won't when
Makin me feign, give it to me

I want it all, know what I mean
Your love is a dose of ecstasy

Addicted
I can't get

Away from
You

Afflicted
I need it

I'm missin
I want your lovin right next to me

And I can't
Erase ya out of my memory

Rolling In The Deep- Adele

There's a fire starting in my heart
Reaching a fever pitch, and it's bringing

me out the dark
Finally I can see you crystal clear

Go ahead and sell me out and I'll lay your
shit bare

See how I'll leave with every piece of you
Don't underestimate the things that I will

do

There's a fire starting in my heart
Reaching a fever pitch

And it's bringing me out the dark

The scars of your love remind me of us
They keep me thinking that we almost had it

all
The scars of your love, they leave me breathless

I can't help feeling
We could have had it all

Rolling in the deep
(Tears are gonna fall, rolling in the deep)

You had my heart inside of your hand
(You're gonna wish you never had met me)

And you played it to the beat
(Tears are gonna fall, rolling in the deep)

Baby, I have no story to be told
But I've heard one of you

And I'm gonna make your head burn
Think of me in the depths of your despair

Making a home down there
As mine sure won't be shared

The scars of your love remind me of us
They keep me thinking that we almost had it

all
The scars of your love, they leave me breathless

I can't help feeling
We could have had it all

Rolling in the deep
(Tears are gonna fall, rolling in the deep)

You had my heart inside of your hand
(You're gonna wish you never had met me)

And you played it to the beat
(Tears are gonna fall, rolling in the deep)

We could have had it all
Rolling in the deep

You had my heart inside of your hand
But you played it with a beating

Throw your soul through every open door
Count your blessings to find what you look

for
Turn my sorrow into treasured gold

You pay me back in kind and reap just what
you sow

(You're gonna wish you never had met me)
We could have had it all

(Tears are gonna fall, rolling in the deep)
We could have had it all

(You're gonna wish you never had met me)
It all, it all, it all

(Tears are gonna fall, rolling in the deep)

We could have had it all
(You're gonna wish you never had met me)

Rolling in the deep
(Tears are gonna fall, rolling in the deep)

You had my heart inside of your hand
(You're gonna wish you never had met me)

And you played it to the beat
(Tears are gonna fall, rolling in the deep)

You could have had it all
(You're gonna wish you never had met me)

Rolling in the deep
(Tears are gonna fall, rolling in the deep)

You had my heart inside of your hand
(You're gonna wish you never had met me)

But you played it
You played it

You played it
You played it to the beat.

Till The Word Ends-Britney Spears
[Britney Spears - Verse 1]

This Kitten Got Your Tong Tied In Knots I
See

Spit It Out Cuz Im Dying For Company
I Notice That You Got It

You Notice That I Want It
You Know That I Can Take It To The Next Level

Ba-by!
If You Want This Good Bitch

Sicker Than The Remix
Baby Let Me Blow Your Mind Tonight

[Chorus]

I Can't Take It Take It Take No More
Never Felt Like Felt Like This Before

C'mon Get Me Get Me On The Floor
DJ What You What You Waitin' For...

WOAH OH OH OH OH OH WOAH OH OH OH...

[Verse 2]

Watch Me Move When I Loose When I Loose It
Hard

Get You Off With The Touch Dancing In The
Dark

You Notice What I'm Wearin'
I'm Noticin' You Starin'

You Know That I Can Take It To The Next Level
Ba-by

Harder Than The A-list
Next One On My Hit List

Baby Let Me Blow Your Mind Tonight!

[Chorus]

I Can't Take It Take It Take No More
Never Felt Like Felt Like This Before

C'mon Get Me Get Me On The Floor
DJ What You What You Waitin' For...

WOAH OH OH OH OH OH WOAH OH OH OH..

[Bridge]

See The Sunlight
We Ain't Stoppin'

Keep On Dancing Till The World Ends
If You Feel It Let It Happen

Keep On Dancing Till The World Ends
Keep On Dancing Till The World Ends

Keep On Dancing Till The World Ends

WOAH OH OH OH OH OH WOAH OH OH OH...

See The Sunlight
We Ain't Stoppin'

Keep On Dancing Till The World Ends
If You Feel It Let It Happen

Keep On Dancing Till The World Ends
On the Floor feat. Pitbull-Jennifer Lopez

VERSE 1:

If you go hard you gotta get on the floor
If you're a party freak then step on the

floor
If your an animal then tear up the floor

Break a sweat on the floor
Yeah we work on the floor

Don't stop keep it moving
Put your drinks up

Pick your body up and drop it on the floor
Let the rhythm change your world on the floor

You know we're running sh*t tonight on the
floor

Brazil Morocco
London to Ibiza

Straight to LA, New York
Vegas to Africa

CHORUS:

Dance the night away
Live your life ,and stay young on the floor

Dance the night away
Grab somebody drink a little more

Lalalalalalalalalalalalalala
Tonight we gon' be it on the floor

Lalalalalalalalalalalalalala

Tonight we gon' be it on the floor

VERSE 2:

I know you got it clap your hands on the floor
And keep on rockin', rock it up on the floor

If you're a criminal kill it on the floor
Steal it quick on the floor, on the floor

Don't stop keep it moving
Put your drinks up

Its getting ill it's getting sick on the
floor

We never quit, we never rest on the floor
If I ain't wrong we'll probably die on

the floor

Brazil Morocco
London to Ibiza

Straight to LA, New York
Vegas to Africa

CHORUS:

Dance the night away
Live your life, and stay young on the floor

Dance the night way
Grab somebody drink a little more

Lalalalalalalalalalalalalala
tonight we gon' be it on the floor

Lalalalalalalalalalalalalala
tonight we gon' be it on the floor

PITBULL VERSE:

Lalalalalalalalalalalalalala
tonight we gon' be it on the floor

Lalalalalalalalalalalalalala
tonight we gon' be it on the floor

Lalalalalalalalalalalalalala
tonight we gon' be it on the floor.

Lazy song- Bruno Marz
Today I don't feel like doing anything

I just wanna lay in my bed
Don't feel like picking up my phone

So leave a message at the tone
'Cause today I swear I'm not doing anything

I'm gonna kick my feet up
Then stare at the fan

Turn the TV on, throw my hand in my pants
Nobody's gonna tell me I can't

I'll be lounging on the couch,
Just chillin' in my snuggie

Click to MTV, so they can teach me how to
dougie

'Cause in my castle I'm the freaking man
Oh, oh

Yes I said it
I said it

I said it 'cause I can

Today I don't feel like doing anything
I just wanna lay in my bed

Don't feel like picking up my phone
So leave a message at the tone

'Cause today I swear I'm not doing anything
Nothing at all

Tomorrow I'll wake up, do some P90X
Meet a really nice girl, have some really

nice sex
And she's gonna scream out: 'This is Great'

(Oh my god, this is great)
Yeah

I might mess around, get my college degree
I bet my old man will be so proud of me

But sorry pops, you'll just have to wait
Oh, oh

Yes I said it
I said it

I said it 'cause I can

Today I don't feel like doing anything
I just wanna lay in my bed

Don't feel like picking up my phone
So leave a message at the tone

'Cause today I swear I'm not doing anything

No, I ain't gonna comb my hair
'Cause I ain't going anywhere

No, no, no, no, no, no, no, no, no, oh

I'll just strut in my birthday suit
And let everything hang loose

Yeah, yeah, yeah, yeah, yeah, yeah, yeah,
yeah, yeah-eah

Oh
Today I don't feel like doing anything

I just wanna lay in my bed
Don't feel like picking up my phone

So leave a message at the tone
'Cause today I swear I'm not doing anything

Nothing at all
Nothing at all

Nothing at all 
Written In the Stars (feat. Eric Turner)-

Tinie Tempah

[Eric Turner]
Oh written in the stars

A million miles away
A message to the main

Ooooh
Seasons come and go

But I will never change
And I'm on my way!

[Tinie Tempah - Verse 1]
Lets go!

Yeah
You're listening now

They say they aint heard nothing like this
in a while

Thats why they play my song on so many different
dials

Cause i got more fuckin' hits than a disciplined
child

When they see me everybody brrrrrap, brrrrrraps
Man I'm like a young gun fully black Barrack

I cried tear drops over the massive attack
I only make hits like I work with a racket

and bat
Look at my jacket and hat

So damn berserk
So down to earth

I'm bringing gravity back
Adopted by the major I want my family back

People work hard just to get all their salary
taxed

Look I'm just a writer from the ghetto like
Malory blackman

Where the hell's all the sanity at, damn
I used to be the kid that no one cared about

Thats why you have to keep screaming til they
hear you out

Oh, written in the stars
A million miles away

A message to the main
Ooooh

Seasons come and go
But I will never change

And I'm on my way!

Oh, oh, oh, oh (OH!) x4

[Tinie Tempah - Verse 2]
Yeah, I needed a change

When we ate we never tipped because we needed
the change

I needed a break
For a sec I even gave up believing and praying

I even done the legal stuff and was leaded
astray

They say money is the route to the evilist
ways

But have you ever been so hungry it keeps
you awake?

Mate, now my hunger would leave them amazed
Great, it feels like a long time coming, fam

Since the day I thought of that cunning plan
One day I had a dream I tried to chase it

But I wasn't going nowhere, running man!
I knew that maybe someday I would understand

Trying to turn a tenner to a hundred grand
Everyone's a kid that no-one cares about

You just gotta keep screaming until they hear
you out

Oh, written in the stars
A million miles away

A message to the main
Ooooh

Seasons come and go
But I will never change

And I'm on my way!

Oh, oh, oh, oh (OH!) x5

(Keep singing!)

Oh, oh oh oh (OH!)

(Eric Turner!)

Oh, oh, oh,oh (OH!)

Lets go!

Oh, written in the stars
A million miles away

A message to the main
Ooooh

Seasons come and go
But I will never change

And I'm on my way!!

Blow-Ke$ha

Hahahahahahahahaha
Dance

Back door cracked
We don't need a key

We get in for free
No VIP sleaze

Drink that Kool-Aid
Follow my lead

Now you're one of us
You're coming with me

It's time to kill the lights
And shut the DJ down

(This place about to)
Tonight were taking over

No one's getting out

This place about to blow
Blow

This place about to blow
Blow

This place about to blow
Blow

This place about to blow
Blow

This place about to

Now what (What)
We're taking control

We get what we want
We do what you don't

Dirt and glitter
Cover the floor

We're pretty and sick
We're young and we're bored (Ha)

It's time to lose your mind
And let the crazy out

(This place about to)
Tonight we're taking names

'Cause we don't mess around

This place about to blow
Blow

This place about to blow
Blow

This place about to blow
Blow

This place about to blow
Blow

This place about to

(Blow)

Go, go, go, go insane
Go insane

Throw some glitter
Make it rain on him

Let me see them Hanes
Let me, let me see them Hanes

Go insane
Go insane

Throw some glitter
Make it rain on him

Let me see them Hanes
Let me, let me see them Hanes (C'mon)

We are taking, over (Blow)
Get used to it, over (Blow)

This place about to blow
Blow

This place about to blow
Blow (Oh)

This place about to blow (Oh)
Blow

This place about to blow
Blow

This place about to

S&M-Rihanna

Na-na-na, come on
Na-na-na, come on

Na-na-na, na-na come on
Na-na-na, come on, come on

Come on, Na-na-na-na come on
Na-na-na, come on

Na-na-na, na-na, come on
Na-na-na, come on, come on

Come on, Na-na-na-na

Feels so good being bad
There's no way I'm turning back

Now the pain is for pleasure, 'cause nothing
can measure

Love is great, love is fine
Out the box, out of line

The affliction of the feeling leaves me wanting
more.

[Chorus]
'Cause I may be bad, but I'm perfectly

good at it
Sex in the air, I don't care, I love the

smell of it
Sticks and stones may break my bones,

But chains and whips excite me.

Na-na-na come on, come on
Come on, I like it, like it

Come on, come on, come on
I like it, like it (Na-na-na) come on

Come on, I like it, like it
Come on, come on, come on

I like it, like it.

[J. Cole]
Hey, you know they say pain is pleasure

Turn this up when you play this shit
One time for my latest girl

You can be one of my greatest hits
Tired of rapping 'bout chains and whips

Do you like to get chained and whipped
Do you like rough sex, hit em like I'm upset

Do they get your panties wet
Let, let, lets go, you rocking with Cole,

it's the best flow
With the game on lock while them lamo's

watch
I'm on fire, they are not

I kick down the door, they all knock
Bitch I'm a boss, they on a clock

You used to be a good girl, don't matter
Since you got bad, you only got badder

[Chorus]
'Cause I may be bad, but I'm perfectly

good at it
Sex in the air, I don't care, I love the

smell of it
Sticks and stones may break my bones,

But chains and whips excite me.

Na-na-na come on, come on
Come on, I like it, like it

Come on, come on, come on
I like it, like it (Na-na-na) come on

Come on, I like it, like it
Come on, come on, come on

I like it, like it.

S, S, S & M, M, M
S, S, S & M, M, M

Oh, I love the feeling you bring to me
Oh, you turn me on

It's exactly what I've been yearning for
Give it to me strong

And meet me in my boudoir
Give my body some AHH, AHH, AHHHH,

I like it, like it

[Chorus 2x]

Na-na-na come on, come on
Come on, I like it, like it

Come on, come on, come on
I like it, like it (Na-na-na) come on

Come on, I like it, like it
Come on, come on, come on

I like it, like it.

S, S, S & M, M, M
S, S, S & M, M, M

S, S, S & M, M, M
S, S, S & M, M, M

Jeremih ft 50 Cent -- Down On Me Lyrics
[50 cent]

She want it I can tell she want it
want me to push up on it

fore she know when I'm all on it
we get the party going liquor flowing this

is fire
50 and Jeremih number 1 there's nothing

higher
(won't you go and)

get it get it (I see you baby)
work it work it, work it, work it

(won't you, just put it down)
get it get it

work it work it
break it break it down...

[Jeremih]
Ok she headed to the dancefloor and she slowly

start to poppin it
something like my wrist piece everybody got

to watching it
girl you got that secret treasure, i'm gon'

put a lock on it
don't care what they say I would be stupid

to be not on it (Ms. Vicky)
heard you go that sticky

lets go and take 9 shots we'll just call
it fifty

and I'm gon lick it lick it lick it
till her hicky have her River running

keep you running til you empty
(bang bang bang bang)

Oh you look so sweet
what you work in Ballys

look at your pysique
girl you are a beauty well I am a beast

they must have been trippin to let me off
a leash

[Jeremih Chorus]
I love the way you grind with that booty on

me
shorty you a dime why you looking lonely

we'll buy another round and it's all on
me

as long as I'm around put it down on me
just put it down on me

put it down on me
down down on me

put it down on me
don't throw it off the mound

show me how its gon be
girl all I really want is you down on me

put it down on me
[50 cent]

Systems thumping party jumping
shorty she's a perfect 10

she rock her hips than roll her hips
than drop it down like it's nothing

she shaped just like an hour glass
she see how fast an hour passed

time flies when I'm on that ass
but I won't put our sh-t on blast

work it like a pro pro pro
sit and watch it go go go

do her thing all on the floor
she bounce it fast and shake it slow

so sexual incredible
she beautiful she edible

I got her I won't let her go
I aint seen nothing better yo

look at how she twurk it
the way she work it

make me wanna hit it hit it
heaven when I'm in it in it

if I do not fit, I'm gonna make it
girl you can take it

don't stop get it get it
[Chorus]

[Jeremih]
Say you independant

get it from your momma
tell me if you with it

do you really wanna wanna
baby when you see me

you know I be on it
can you keep it up

put it all up on me
(repeated)

[Chorus]
[End]

Pitbull -- Give Me Everything (Tonight) Lyrics

tonight i will love love you tonight
give me everything tonight

for all we know we might not get tomorrow
lets do it tonight

i will love love you tonight
give me everything tonight

for all we know we might not get tomorrow
lets do it tonight

lets do it tonight
grab somebody sexy tell 'em hey

give me everything tonight
give me everything tonight

give me everything tonight
give me everything tonight

excuse me
but i might drink a little bit more than i

should tonight
and i might take you home with me if i could tonight

and i think you should let me cause i look
good tonight

and we might not get tomorrow
tonight i will love love you tonight

give me everything tonight
for all we know we might not get tomorrow

lets do it tonight
i will love love you tonight

give me everything tonight
for all we know we might not get tomorrow

lets do it tonight
lets do it tonight

grab somebody sexy tell 'em hey
give me everything tonight

give me everything tonight
give me everything tonight

give me everything tonight
excuse me

but i might drink a little bit more than i
should tonight

and i might take you home with me if i could tonight
and i think you should let me cause i look

good tonight
and we might not get tomorrow

For The First Time- The Script
She's all laid up in bed with a broken heart

While i'm drinking jack all alone in my local
bar

And we don't know how we got into this mad
situation

Only doing things out of frustration
Trying to make it work but man these times

are hard

She needs me now but I can't seem to find
a time

I've got a new job now in the unemployment
line

And we don't know how we got into this mess
it's a gods test

Someone help us cause we're doing our best

Trying to make it work but man these times
are hard

But we're gonna start by drinking old cheap
bottles of wine

Sit talking up all night
Saying things we haven't for a while, a while

yeah
We're smiling but we're close to tearsEven

after all these years
We just now got the feeling that we're meeting

For the first time

She's in line at the door with her head held
high

While I just lost my job but didn't lose my
flight

But we both know how we're gonna make it work
when it hurts

When you pick yourself up you get kicked in
the dirt

Trying to make it work but man these times
are hard

But we're gonna start by drinking old cheap
bottles of wine

Sit talking up all night
Saying things we haven't for a while, a while

yeah

We're smiling but we're close to tears
Even after all these years

We just now got the feeling that we're meeting
For the first time

Drinking old cheap bottles of wine
Saying things we haven't for a while, a while

yeah
We're smiling but we're close to tears

Even after all these yearsWe just now got
the feeling that we're meeting

For the first timeFor the first time
Oh, for the first time

Yeah, for the first time

Oh these times are hard
Yeah they're making us crazy

Don't give up on me baby

Oh these times are hard
Yeah they're making us crazy

Don't give up on me baby

Oh these times are hard
Yeah they're making us crazy

Don't give up on me baby

Oh these times are hard
Yeah they're making us crazy

Don't give up on me baby
Price Tag-Jesse J. ft. BOB

Okay, Coconut man, Moon Heads and Pea
You ready

Seems like everybody's got a price,
I wonder how they sleep at night.

When the sale comes first,
And the truth comes second,

Just stop, for a minute and
Smile

Why is everybody so serious
Acting so damn mysterious

Got your shades on your eyes
And your heels so high

That you can't even have a good time
Everybody look to their left (yeah)

Everybody look to their right (ha)
Can you feel that (yeah)

We're paying with love tonight
It's not about the money, money, money

We don't need your money, money, money
We just wanna make the world dance,

Forget about the Price Tag
Ain't about the (uh) Cha-Chang Cha-Chang.

Aint about the (yeah) Ba-Blang Ba-Blang
Wanna make the world dance,

Forget about the Price Tag.
Okay!

We need to take it back in time,
When music made us all unite

And it wasn't low blows and video hoes,
Am I the only one getting tired

Why is everybody so obsessed
Money can't buy us happiness

Can we all slow down and enjoy right now
Guarantee we'll be feeling Alright.

Everybody look to their left (yeah)
Everybody look to their right (ha)

Can you feel that (yeah)
We're paying with love tonight

It's not about the money, money, money
We don't need your money, money, money

We just wanna make the world dance,
Forget about the Price Tag

Ain't about the (uh) Cha-Chang Cha-Chang.
Aint about the (yeah) Ba-Blang Ba-Blang

Wanna make the world dance,
Forget about the Price Tag.

[B.o.B]
Yeah yeah

Well, keep the price tag
And take the cash back

Just give me six strings and a half stACK.
And you can keep the cars

Leave me the garage
And all I..

Yes all I need are keys and guitars
And its with in 30 seconds I'm leaving to

Mars
Yeah we leaping across these undefeatable

odds
Its like this man, you can't put a price

on the life
We do this for the love so we fight and sacrifice

everynight
So we aint gon stumble and fall never

Waiting to see this in the sign of defeat
uh uh

So we gon keep everyone moving their feet
So bring back the beat and then everyone sing

It's not about the money, money, money
We don't need your money, money, money

We just wanna make the world dance,
Forget about the Price Tag

Ain't about the (uh) Cha-Chang Cha-Chang.
Aint about the (yeah) Ba-Blang Ba-Blang

Wanna make the world dance,
Forget about the Price Tag.

It's not about the money, money, money
We don't need your money, money, money

We just wanna make the world dance,
Forget about the Price Tag

Ain't about the (uh) Cha-Chang Cha-Chang.
Aint about the (yeah) Ba-Blang Ba-Blang

Wanna make the world dance,
Forget about the Price Tag.

[Jessie J -Outro]
Yeah, yeah

Oo-oooh
Forget about the price tag.

Cee Lo Green -- Forget You

I see you driving 'round town
With the girl i love and i'm like,

Fuck you!
Oo, oo, ooo

I guess the change in my pocket
Wasn't enough i'm like,

Fuck you!
And fuck her too!

I said, if i was richer, i'd still be with
ya

Ha, now ain't that some shit? (ain't that
some shit?)

And although there's pain in my chest
I still wish you the best with a...

Fuck you!
Oo, oo, ooo

Yeah i'm sorry, i can't afford a ferrari,
But that don't mean i can't get you there.

I guess he's an xbox and i'm more atari,
But the way you play your game ain't fair.

I pity the fool that falls in love with
you

(oh shit she's a gold digger)
Well

(just thought you should know nigga)
Ooooooh

I've got some news for you
Yeah go run and tell your little boyfriend

Now i know, that i had to borrow,
Beg and steal and lie and cheat.

Trying to keep ya, trying to please ya.
'Cause being in love with you ass ain't

cheap.
I pity the fool that falls in love with

you
(oh shit she's a gold digger)

Well
(just thought you should know nigga)

Ooooooh
I've got some news for you

Yeah go run and tell your little boyfriend
Now baby, baby, baby, why d'you wanna

wanna hurt me so bad?
(so bad, so bad, so bad)

I tried to tell my mamma but she told me
"this is one for your dad"

(your dad, your dad, your dad)
Uh! Whhhy? Uh! Whhhy? Uh!

Whhhy lady? Oh! I love you oh!
I still love you. Oooh!

The Show Goes On-Lupe Flasco

LA-SER

Alright, already the show goes on
Alright, till the morning we dream so long

Anybody ever wonder, when they would see the
sun up

Just remember when you come up
The show goes on!

Alright, already the show goes on
Alright, till the morning we dream so long

Anybody ever wonder, when they would see the
sun up

Just remember when you come up
The show goes on!

[Lupe Fiasco Verse 1]
Have you ever had the feeling that you was

being had
Don't that sh-t make you mad

They treat you like a slave, with chains all
on your soul,

And put whips up on your back,
They be lying through they teeth

Hope you slip up off your path
I don't switch up I just laugh

Put my kicks up on they desk
Unaffected by they threats than get busy on

they ass
See that's how that Chi-Town made me

That's how my daddy raised me
That glittering may not be gold, don't let

no body play me
If you are my homeboy, you never have to pay

me
Go on and put your hands up, when times are

hard you stand up
L-U-P the man, cause a brand that the fans

trust
So even if they ban us they'll never slow

my plans up!

Alright, already the show goes on
Alright, till the morning we dream so long

Anybody ever wonder, when they would see the
sun up

Just remember when you come up
The show goes on!

Alright, already the show goes on
Alright, till the morning we dream so long

Anybody ever wonder, when they would see the
sun up

Just remember when you come up
The show goes on!

[Lupe Fiasco Verse 2]
One in the air for the people that ain't

here
Two in the air for the father that's there

Three in the air for the kids in the ghetto
Four for the kids who don't wanna be there

None for the n-ggas trying to hold them back
Five in the air for the teacher not scared

to tell those kids thats living in the ghetto
that the n-ggas holdin back that the World

is theirs!
Yeah yeah, the World is yours, I was once

that little boy
Terrified of the World

Now I'm on a World tour
I will give up everything, even start a world

war
For these ghettos girls and boys im rapping

round' the World for!
Africa to New York, Haiti then I detour, Oakland

out to Auckland
Gaza Strip to Detroit, say hip-hop only destroy

Tell em' look at me, boy!
I hope your son don't have a gun and that

would be a D-boy

Alright, already the show goes on
Alright, till the morning we dream so long

Anybody ever wonder, when they would see the
sun up

Just remember when you come up
The show goes on!

Alright, already the show goes on
Alright, till the morning we dream so long

Anybody ever wonder, when they would see the
sun up

Just remember when you come up
The show goes on!

[Lupe Fiasco Verse 3]
So no matter what you been through

No matter what you into
No matter what you see when you look outside

your window
Brown grass or green grass

Picket fence or barbed wire
Never ever put them down

You just lift your arms higher
Raise em till' your arms tired

Let em' know you're their
That you struggling and survivin' that you

gonna persevere
Yeah, ain't no body leavin, no body goin'

home
Even if they turn the lights out the show

is goin' on!

Alright, already the show goes on
Alright, till the morning we dream so long

Anybody ever wonder, when they would see the
sun up

Just remember when you come up
The show goes on!

Alright, already the show goes on
Alright, till the morning we dream so long

Anybody ever wonder, when they would see the
sun up

Just remember when you come up
The show goes on!

Perfect- Pink

Made a wrong turn
Once or twice

Dug my way out
Blood and fire

Bad decisions
That's alright

Welcome to my silly life
Mistreated, misplaced, missundaztood

Miss "no way it's all good"
It didn't slow me down

Mistaken
Always second guessing

Underestimated
Look, I'm still around...

Pretty, pretty please
Don't you ever, ever feel

Like your less than
Fuckin' perfect

Pretty, pretty please
If you ever, ever feel

Like your nothing
You're fuckin' perfect to me

You're so mean
When you talk

About yourself
You are wrong

Change the voices
In your head

Make them like you
Instead

So complicated
Look how big you'll make it

Filled with so much hatred

Such a tired game
It's enough

I've done all I can think of
Chased down all my demons

See you same

Pretty, pretty please
Don't you ever, ever feel

Like your less than
Fuckin' perfect

Pretty, pretty please
If you ever, ever feel

Like your nothing

You're fuckin' perfect to me
The world stares while I swallow the fear

The only thing I should be drinking is an
ice cold beer

So cool in lying and I tried tried
But we try too hard, it's a waste of my time

Done looking for the critics, cuz they're
everywhere

They don't like my genes, they don't get my
hair

Stringe ourselves and we do it all the time
Why do we do that?

Why do I do that?
Why do I do that?

Ooh, pretty pretty pretty,
Pretty pretty please don't you ever ever feel

Like you're less then, fuckin' perfect
Pretty pretty please if you ever ever feel

Like you're nothing you're fuckin' perfect,
to me

You're perfect
You're perfect

Pretty, pretty please don't you ever ever
feel like you're less then, fucking perfect

Pretty, pretty please if you ever ever feel
like you're nothing you're fucking perfect

to me
Backseat ft. The Cataracs & Dev-New Boyz

Don't say a word, just tell me ..let me
see,

Girl you got something special, something special
for me,

It's way too many substance in the VIP,
Girl I got my car ..tell me, do you want to

kick it in the back seat,
Chorus:

I want to keep inside you, back seat
I can be a back seat driver, back seat,

I want to keep inside you,
I can be a back seat driver.

You see them girls with .. they got this party
poppin'

This say no country club we brought to get
this party rockin'

You got girl that's with the .. get on top
let me see you ..,

You're .. here we .., you jump in my ..
...she just try to ..confortly...right up

in ...,
I'm damn girl, damn girl, you're f*cking

with the men girl,
Damn girl, damn girl, you're f*cking with

the men girl,

Bridge:
Don't say a word, just tell me ..let me

see,
Girl you got something special, something special

for me,
It's way too many substance in the VIP,

Girl I got my car ..tell me, do you want to
kick it in the back seat,

Chorus:
I want to keep inside you, back seat

I can be a back seat driver, back seat,
I want to keep inside you,

I can be a back seat driver.

Yeah, hey girl, what's up, the ladies dancing
get you up, girl,

I notice you're been catching your friends is
freaky ..,

You got .. you say you're shy
..playin it so fun yes,

I say don't try me baby, I'll make you
hot ..,

Missing like fish ..dancing...
Oh you are a good girl, it's good, I play

pretend to
I heard you have a baby, you wanna know ..

[Bridge:]
[Chorus:]

I've met a super girl in the .., I've
met a super girl in the ..,

I've met a super girl in the .., I've
met a super girl in the ..,

They came with you ...
I've met a super girl in the .., I've

met a super girl in the ..,
I've met a super girl in the .., I've

met a super girl in the ..,
They came with you ...

Who says- Selena Gomez

[Selena Gomez - Verse 1]
I wouldn't wanna be anybody else.

You made me insecure
Told me I wasn't good enough

But who are you to judge
When you're a diamond in the rough

I'm sure you got some things
You'd like to change about yourself

But when it comes to me
I wouldn't want to be anybody else

Na na na
Na na na

I'm no beauty queen
I'm just beautiful me

Na na na
Na na na

You've got every right
To a beautiful life

C'mon

[Chorus]
Who says

Who says you're not perfect
Who says you're not worth it

Who says you're the only one that's hurting
Trust me

That's the price of beauty
Who says you're not pretty

Who says you're not beautiful
Who says

[Selena Gomez - Verse 2]
It's such a funny thing

How nothing's funny when it's you
You tell 'em what you mean

But they keep whiting out the truth
It's like a work of art

That never gets to see the light
Keep you beneath the stars

Won't let you touch the sky

Na na na
Na na na

I'm no beauty queen
I'm just beautiful me

Na na na
Na na na

You've got every right
To a beautiful life

C'mon

[Chorus]
Who says

Who says you're not perfect
Who says you're not worth it

Who says you're the only one that's hurting
Trust me

That's the price of beauty
Who says you're not pretty

Who says you're not beautiful

[Bridge]
Who says

Who says you're not start potential
Who says you're not presidential

Who says you can't be in movies
Listen to me, listen to me

Who says you don't pass the test
Who says you can't be the best

Who said, who said
Won't you tell me who said that

Yeah, oh

[Chorus]
Who says

Who says you're not perfect
Who says you're not worth it

Who says you're the only one that's hurting
Trust me

That's the price of beauty
Who says you're not pretty

Who says you're not beautiful
More-Usher

Watch me as I dance under the spotlight- 
Listen to the people screaming out more and

more, 
'Coz I create the feeling that keep 'em coming

back, 
Yeah, I create the feeling that keep 'em coming

back, 
So captivating when I get it on the floor.

Know y'all been patiently waiting, I know
you need me, I can feel it,

I'm a beast, I'm an animal, I'm that monster
in the mirror,

The headliner, finisher, I'm the closer, winner. 
Best when under pressure with second's left

I show up.

[CHORUS x2] 
If you really want more, scream it out louder,

Get it on the floor, bring out the fire, 
And light it up, take it up higher,

Gonna push it to the limit, give it more.

Get up both your hands, I'm in the zone, tight! 
Put 'em in the air, if you want more (and)

more, 
Cos I can't wait to feel it.

I go hard, can't stop, 
But if I stop then just know that imma bring

it back, 
Never quittin' on believin' that.

Know y'all been patiently waiting, I know
you need me, I can feel it,

I'm a beast, I'm an animal, I'm that monster
in the mirror,

The headliner, finisher, I'm the closer, winner.

Best when under pressure with second's left
I show up.

[CHORUS x2] 
If you really want more, scream it out louder,

Get it on the floor, bring out the fire, 
And light it up, take it up higher,

Gonna push it to the limit, give it more.

(Vocal segment x2) 
Whoa oh oh oh whoa oh

(above x3) 
Push it to the limit, give it more!

[CHORUS x2] 
If you really want more, scream it out louder,

Get it on the floor, bring out the fire, 
And light it up, take it up higher,

Gonna push it to the limit, give it more.

[VOCAL SEGMENTx2] 
Whoa oh oh oh whoa oh

(above x3) 
Gonna push it to the limit, give it more.

Roll UP- Wiz Khalifa

I roll up
I roll up

I roll up
Shawty I roll up

I roll up
I roll up

I roll up

[Wiz Khalifa - Verse 1]
Its your anniversy is'nt it

And your man aint acting right
So you packin' your Domiar luggage up callin'

my cell phone, try and catch a flight
You know one thing straight, I'll be there

girl whenever you call me
When you at home thats your man, soon as you

land you say thats all me
But shit aint all g with him no more, you

aint entertained
Since I meet you a couple months ago you aint

been the same
Not sayin I'm the richest man alive but

I'm in the game
As long as you keep it 100 Imma spend this

change,

[Chorus]
Whenever you need me

Whenever want me,
You know you can call me, I'll be there

shortly
Don't care what your friends say, cause

they dont know me
I can be your best friend, and you be my homie

I aint gonna flex, I'm not gonna front
You know if I ball, then we all gonna stunt

Send her my way, she aint gotta hold up
Whenever you call baby I roll up, I roll up,

I roll up
Whenever you call baby I roll up, I roll up,

I roll up
Whenever you call baby I roll up

[Wiz Khalifa - Verse 2]
I try to stay out your business

But on the real you're so obvious
And if you keep fitting me in your plans and

f-ckin up, your mans gonna catch onto us
That white sand surrouding us

He be handcuffing, he should work for them
officers

If you rolling I got a spot where I can put
you on this medical, and send you home doctored

up
You wanna ride with me cause you say that

he boring
Wake up you rollin' weed, cooking eggs in

the morning
Aint scared to spend this money I'll make

more of it
First you was in the sky now you say you in

orbit

[Chorus]

No matter where I am
No matter where you are

I'll be there when its over baby
Cause I was there from the start

No matter if I'm near
Don't matter if your far

All you do is pick the phone up lady
And I'll be there when you call

[outro]
Whenever you need me

Whenever want me,
You know you can call me, I'll be there

shortly
Don't care what your friends say, cause

they dont know me
I can be your best friend, and you be my homie

I aint gonna flex, I'm not gonna front
You know if I ball, then we all gonna stunt

Send her my way, she aint gotta hold up
Whenever you call baby I roll up

Whenever you need me
Whenever want me,

You know you can call me, I'll be there
shortly

Don't care what your friends say, cause
they dont know me

I can be your best friend, and you be my homie
I aint gonna flex, I'm not gonna front

You know if I ball, then we all gonna stunt
Send her my way, she aint gotta hold up

Whenever you call baby I roll up, I roll up,
I roll up

Whenever you call baby I roll up, I roll up,
I roll up

Whenever you call baby I roll up

I roll up, I roll up
Whenever you call baby I roll up

Tonight, tonight- Red Chelle Rae

It's been a really really messed up week
Seven days of torture, seven days of bitter

And my girlfriend went and cheated on me
She's a California dime but it's time

for me to quit her

La la la, whatever, la la la, it doesn't
matter, la la la, oh well, la la la

We're going at it tonight tonight
There's a party on the rooftop top of the

world
Tonight tonight and were dancing on the edge

of the Hollywood sign
I don't know if I'll make it but watch

how good I'll fake it
Its all right, all right, tonight, tonight

I woke up with a strange tattoo
Not sure how I got it, not a dollar in my

pocket 
And it kinda looks just like you

Mixed with Zach Galifianakis

La la la, whatever, la la la, it doesn't
matter, la la la, oh well, la la la

We're going at it tonight tonight
There's a party on the rooftop top of the

world
Tonight tonight and were dancing on the edge

of the Hollywood sign
I don't know if I'll make it but watch

how good I'll fake it
Its all right, all right, tonight, tonight

You got me singing like
Woah, come on, ohh, it doesn't matter, woah,

everybody now, ohh

Just don't stop let's keep the beat pumpin'
Keep the beat up, lets drop the beat down

It's my party dance if I want to
We can get crazy let it all out

Just don't stop let's keep the beat pumpin'
Keep the beat up, lets drop the beat down

It's my party dance if I want to
We can get crazy let it all out

Its you and me and were runnin this town
And its me and you and were shakin the ground

And ain't nobody gonna tell us to go cause
this is our show

Everybody
Woah, come on, ohh, all you animals

Woah, let me hear you now, ohh

Tonight tonight there's a party on the rooftop
top of the world

Tonight tonight and were dancing on the edge
of the Hollywood sign

I don't know if I'll make it but watch
how good I'll fake it

Its all right, all right, tonight, tonight
Its all right, all right, tonight, tonight

Yeah its all right, all right, tonight, tonight

Just singing like
Woah, come on, ohh, all you party people

Woah, all you singletons, ohh, even the white
kids

Just don't stop lets keep the beat pumpin'
Keep the beat up, lets drop the beat down

Its my party dance if I want to
We can get crazy let it all out

Just don't stop lets keep the beat pumpin'
Keep the beat up, lets drop the beat down

Its my party dance if I want to
We can get crazy let it all out

Born This Way- Lady GaGa

Intro:
It doesn't matter if you love him, or capital

H-I-M
Just put your paws up

'Cause you were born this way, baby

Verse:
My mama told me when I was young

We are all born superstars
She rolled my hair and put my lipstick on

In the glass of her boudoir
"There's nothin wrong with lovin who you are"

She said, "'cause he made you perfect, babe"
"So hold your head up girl and you'll go far,

Listen to me when I say"

Chorus:
I'm beautiful in my way

'Cause God makes no mistakes
I'm on the right track baby

I was born this way
Don't hide yourself in regret

Just love yourself and you're set
I'm on the right track baby

I was born this way

Post-chorus:
Ooo there ain't no other way

Baby I was born this way
Baby I was born this way

(Born this way)
Ooo there ain't no other way

Baby, I was born this way
Right track baby

I was born this way

Don't be a drag - just be a queen
Don't be a drag - just be a queen

Don't be a drag - just be a queen
Don't be!

Verse:
Give yourself prudence

And love your friends
Subway kid, rejoice your truth

In the religion of the insecure
I must be myself, respect my youth

A different lover is not a sin
Believe capital H-I-M (hey hey hey)

I love my life I love this record and
Mi amore vole fe yah (love needs faith)

Repeat chorus + post-chorus

Bridge:
Don't be a drag, just be a queen

Whether you're broke or evergreen
You're black, white, beige, chola descent

You're lebanese, you're orient
Whether life's disabilities

Left you outcast, bullied, or teased
Rejoice and love yourself today

'Cause baby you were born this way
No matter gay, straight, or bi,

Lesbian, transgendered life
I'm on the right track baby

I was born to survive
No matter black, white or beige

Chola or orient made
I'm on the right track baby

I was born to be brave

Repeat chorus + post-chorus

Outro/refrain:
I was born this way hey!

I was born this way hey!
I'm on the right track baby

I was born this way hey!

I was born this way hey!
I was born this way hey!

I'm on the right track baby
I was born this way hey!

Good Life- OneRepublic
Woke up in London yesterday

Found myself in the city near Piccadilly 
Don't really know how I got here

I got some pictures on my phone

New names and numbers that I don't know 
Address to places like Abbey Road

Day turns to night, night turns to whatever
we want

We're young enough to say

Oh this has gotta be the good life 
This has gotta be the good life

This could really be a good life, good life

Say oh, got this feeling that you can't fight 
Like this city is on fire tonight

This could really be a good life 
A good, good life

To my friends in New York, I say hello 
My friends in L.A. they don't know

Where I've been for the past few years or
so

Paris to China to Col-or-ado

Sometimes there's airplanes I can' t jump
out

Sometimes there's stuff that don't work now 
We are god of stories but please tell me-e-e-e

What there is to complain about

When you're happy like a fool 
Let it take you over

When everything is out 
You gotta take it in

Hopelessly 
I feel like there might be something that

I'll miss 
Hopelessly

I feel like the window closes oh so quick 
Hopelessly

I'm taking a mental picture of you now 
'Cuz hopelessly

The hope is we have so much to feel good about
Enrique Iglesias ft Ludacris -- Tonight

I know you want me
I made it obvious that I want you too

So put it on me
Let's remove the space between me and you

Now rock your body (oooh)
Damn I like the way that you move

So give it to me (oooo oooh)
Cause I already know what you wanna do

Here's the situation
Been to every nation

Nobody's ever made me feel the way that
you do

You know my motivation
Given my reputation

Please excuse I don't mean to be rude
But tonight I'm f-cking you

Oh you know
That tonight I'm f-cking you

Oh you know
That tonight I'm f-cking you

You're so damn pretty
if I had a type than baby it'd be you

I know your ready
if I never lied, than baby you'd be the

truth
Here's the situation

Been to every nation
Nobody's ever made me feel the way that

you do
You know my motivation

Given my reputation
Please excuse I don't mean to be rude

But tonight I'm f-cking you
Oh you know

That tonight I'm f-cking you
Oh you know

That tonight I'm f-cking you
[Ludacris]

LUDA..
Tonight I'm gonna do

Everything that I want with you
Everythin that u need

Everything that u want I wanna honey
I wanna stunt with you

From the window
To the wall

Gonna give u, my all
Winter n summertime

When I get you on the springs
Imma make you fall

You got that body
That make me wanna get on the boat

Just to see you dance
And I love the way you shake that ass

Turn around and let me see them pants
You stuck with me

I'm stuck with you
Lets find something to do

(Please) excuse me
I dont mean to be rude

[Enrique Iglesias]
But tonight I'm f-cking you

Oh you know
That tonight I'm f-cking you

Oh you know
That tonight I'm f-cking you

[End]
Hello- Martin Solveig

could stick around and get along with you 
Hello oh-oh-oh-oh

It doesn't really mean that I'm into you 
Hello oh-oh-oh-oh

You're alright but I'm here darling to enjoy
the party

Don't get too excited cause that's all you'll
get from me

Hey

Yeah I think you're cute but really you should
know

I just came to say hello 
Hello

Hello 
Hello oh oh oh oh!

I'm not the kinda girl who'd get messed up
with you

Hello ho-ho-ho-ho
I'ma let you try to convince me too

Hello oh oh oh oh

It's alright I'm getting dizzy just enjoy
the party

It's OK with me if you don't have that much
to say

Hey

Kinda like this thing but there's something
you should know

I just came to say 
Hello

Hey

I could stick around and get along with you 
Hello oh oh oh oh

It doesn't really mean that I'm into you 
Hello oh oh oh oh

(you're alright but I'm here darling to enjoy
the party)

(you're alright but I'm here darling to enjoy
the party)

(you're alright but I'm here darling to enjoy
the party)

Find More lyrics at www.sweetslyrics.com 
(you're alright but I'm here darling to enjoy

the party)
(you're alright but I'm here darling to enjoy

the party)
(you're alright but I'm here darling to enjoy

the party)
(you're alright but I'm here darling to enjoy

the party)
(you're alright but I'm here darling to enjoy

the party)
(you're alright but I'm here darling to enjoy

the party)
(you're alright but I'm here darling to enjoy

the party)
(you're alright but I'm here darling to enjoy

the party)

Hey

I just came to say hello 
Hello

Hello 
Hello oh-oh-oh-oh

I'm not the kinda girl who'd get messed up
with you

Hello *oh-oh-oh-oh
I'ma let you try to convince me to

Hello ho-ho-ho-ho

It's alright I'm getting dizzy just enjoy
the partyyyy

It's OK with me if you don't have that much
to say

Hey 
Kinda like this thing but there's something

you should know 
I just came to say hey ho

Hey .
Edge Of Glory- Lady GaGa

There ain't no reason you and me should be
alone

Tonight, yeah, baby! (Tonight, yeah, baby!)
And I got a reason that you're who should

take me home tonight (Tonight)
I need a man that thinks it's right when it's

so wrong
Tonight, yeah, baby! (Tonight, yeah, baby!)

Right on the limits where we know we both
belong tonight

[Bridge:]
It's hard to feel the rush, to brush the dangerous

I'm gonna run right to, to the edge with you
Where we can both fall far in love

[Chorus:]
I'm on the edge of glory, and I'm hanging

on a moment of truth
Out on the edge of glory, and I'm hanging

on a moment with you
I'm on the edge, the edge, the edge, the edge,

the edge, the edge, the edge,
I'm on the edge of glory, and I'm hanging

on a moment with you
I'm on the edge with you.

Another shot before we kiss the other side
Tonight, yeah, baby! (Tonight, yeah, baby!)

I'm on the edge of something final we call
life tonight

(Alright! Alright!)
Put on your shades, 'cause I'll be dancing

in the flames
Tonight, yeah, baby! (Tonight, yeah, baby!)

It isn't hell if everybody knows my name tonight
(Alright! Alright!)

[Bridge:]
It's hard to feel the rush, to brush the dangerous

I'm gonna run right to, to the edge with you
Where we can both fall far in love

[Chorus:]
I'm on the edge of glory, and I'm hanging

on a moment of truth
Out on the edge of glory, and I'm hanging

on a moment with you
I'm on the edge, the edge, the edge, the edge,

the edge, the edge, the edge,
I'm on the edge of glory, and I'm hanging

on a moment with you
I'm on the edge with you.

I'm on the edge with you
I'm on the edge with you

(You, you, you...)

[Solo saxophone]

[Chorus:]
I'm on the edge of glory, and I'm hanging

on a moment of truth
I'm on the edge of glory, and I'm hanging

on a moment with you
I'm on the edge, the edge, the edge, the edge,

the edge, the edge, the edge,
I'm on the edge of glory, and I'm hanging

on a moment with you
I'm on the edge with you (with you, with you,

with you, with you, with you) 
Mike Posner ft Lil Wayne -- Bow Chicka Wow

Wow
[Mike Posner]

Once I throw on this, once I throw on this
Its over girl

Once I throw on this, once I throw on this
Its over girl.

I hear you knock knock knock baby come on
up

I hope you got got got something in yo'
cup

Cause I'm three shots deep and I aint tryna
sleep

Get your redbull on cause I'm ready
You've been playin hard to get with me all

night
We both know exactly what you want right

Don't tell me what you won't do
Tell me what you gon' do, whatchu gon'

do
Once I throw on this bowchickawowwow

Whatchu gonna say
You act like you gon leave

But I know that you gon' stay
Break it down dicky downdown

Girl dont even play
Once I set the mood right I'ma make sound

like
I'ma make you sound like

Are you tryna make me late wait wait till
the second date

But I cant cant cant even comtemplate
Waiting one more minute lemme jump in it

I brought you flowers and a teddy
You've been playin hard to get with me all

night
We both know exactly what you want right

Don't tell me what you won't do
Tell me what you gon' do whatchu gon'

do
Once I throw on this bow chicka wow wow

Whatchu gonna say
You act like you gon leave

But I know that you gon' stay
Break it down dicky downdown

Girl dont even play
Once I set the mood right Ima make you sound

like
Yeah I can make you sound like

[Lil Wayne]
I gotta leather couch

and a black mic
and we all alone

what it sound like
the night was dead

we found life
I know I talk shit

but it sound right
you say you can't

but that's affair
gotta give something

something's gotta give
I bet you love it

I went to bed
Now we went up ... cigarattes

Now I aint even gotta say shit
To make you feel alive girl you know you like

that
Owohowohowowoh

Say I aint even gotta say shit
To make you feel alive girl you know you like

that
Owohowohowowoh

Once I throw on this bowchickawowwow
Whatchu gonna say

You act like you gon leave
But I know that you gon' stay

Break it down dicky downdown
Girl dont even play

Once I set the mood right I'ma make you
sound like

Yeah Ima ima make ya
Once I throw on this, once I throw on this

Its over girl
Once I throw on this,once I throw on this

Its over girl.
LMFAO -- Party Rock Anthem

PART ROCK
YEA

Wooo!!!!
LETS GO!!

Party rock is in the house tonight
Everybody just have a good time

And we gonna make you lose your mind
Everybody just have a good time [X2]

We just wanna see yaa!
Shake That !

In the club party rock look up on your girl
She on my jock non stop when we in the spot

Booty move away like she on the block
What the track I gots to know

Top jeans tatto cause I'm rock and roll
Half black half white diamino

Gane the money out the door
Yoooo!!

I'm runnin through these hoes like drano
I got that devilish flow rock and roll no

halo
We party rock yea! that's the crew that

I'm reppin
On the rise to the top no led in our zeppelin

Hey!!!
Party rock is in the house tonight

Everybody just have a good time
And we gonna make you lose your mind

Everybody just have a good time [X2]
We just wanna see yaa!

Everyday I'm shuffelin
Shuffelin shuffelin

Step up fast and be the first girl to make
me throw this cash

We get money don't be mad now stop hatein
is bad

One more shot for us
Another round

Please fill up my cup
Don't mess around

We just wanna see
You shake it now

Now you wanna be
Your naked now

Get up get down put your hands up to the
sound [X3]

Put your hands up to the sound [X2]
Get up [X9]

Put your hands up to the sound
To the sound

Put your hands up !!!!!
Party rock is in the house tonight

Everybody just have a good time
And we gonna make you lose your mind

Everybody just have a good good good time
Ohhhhh!!Ohhhhhh!!!Ohhhhhh!!!Ohhh!

Pitbull Feat. T-Pain -- Hey Baby (Drop
It To The Floor)

So listen up
Let her go, lalala

Baby girl wanna play, let her go
Said let her go, lalala

Baby girl wanna play, let her go
Said let her go, lalala

Baby girl wanna play, let her go
Said let her go, lalala

Baby girl wanna play, let her go
Got it Pain?

Hey baby girl what you doing tonight?
I wanna see what you got in store (hey, hey

baby)
You're giving it your all when you're

dancing on me
I want to see if you can give me some more

(hey, hey baby)
You can be my girl, I can be your man

And we can pump this jam however you want
(hey, hey baby)

Pump it from the side, pump it upside down
Or we can pump it from the back and the front

(hey, hey baby)
Oooh baby, baby lalalalala

Oooh baby, baby lalalalala
Oooh baby, baby lalalalala

Oooh baby, baby lalalalala
Ooh drop it to the floor

Make me wanna say hey baby
Yeah, you can shake some more

Make me wanna say hey baby
Ooh you got it cause you

Make me wanna say hey baby
Ooh don't stop it

I want you tonight
I'm a??

Self paid, self-made millionaire
I used to play around the world

Now I'm around the world getting paid
Girl problems, no problems

Don't hate the game that won't solve it
I want to get with you mami

Now let me see where the Lord??
Pitbull Feat. T-Pain Hey Baby (Drop It To

The Floor) Lyricshttp://www.hotnewsonglyrics.com/pitbull-feat-t-pain-hey-baby-drop-it-to-the-floor-lyrics.html
Hey baby girl what you doing tonight?

I wanna see what you got in store (hey, hey
baby)

You're giving it your all when you're
dancing on me

I want to see if you can give me some more
(hey, hey baby)

You can be my girl, I can be your man
And we can pump this jam however you want

(hey, hey baby)
Pump it from the side, pump it upside down

Or we can pump it from the back and the front
(hey, hey baby)

Oooh baby, baby lalalalala
Oooh baby, baby lalalalala

Oooh baby, baby lalalalala
Oooh baby, baby lalalalala

Ooh drop it to the floor
Make me wanna say hey baby

Yeah, you can shake some more
Make me wanna say hey baby

Ooh you got it cause you
Make me wanna say hey baby

Ooh don't stop it
I want you tonight

Make money, make money
This chicka right here gotta eat baby

Scared money don't make money
That's how it goes in the street baby

But enough with the the nonsense
Baby girl take a shot to clear your conscience

Not a goon or a God, I'm a monster
Cause I hit all baddest woman in the world,

gangsta
Oooh baby, baby lalalalala

Oooh baby, baby lalalalala
Oooh baby, baby lalalalala

Oooh baby, baby lalalalala
Ooh drop it to the floor

Make me wanna say hey baby
Yeah, you can shake some more

Make me wanna say hey baby
Ooh you got it cause you

Make me wanna say hey baby
Ooh don't stop it

I want you tonight
The Story Of Us- Taylor Swift

I used to think one day we'd tell the story
of us

How we met and the sparks flew instantly
People would say, "they're the lucky ones"

I used to know my place was a spot next to
you

Now I'm searching the room for an empty seat
'Cause lately I don't even know what page

you're on
Oh, a simple complication

Miscommunications lead to fall out
So many things that I wish you knew

So many walls up I can't break through

Now I'm standing alone
In a crowded room

And we're not speaking
And I'm dying to know

Is it killing you
Like it's killing me?

I don't know what to say
Since a twist of fate

When it all broke down
And the story of us

Looks a lot like a tragedy now
Next chapter

How'd we end up this way?
See me nervously pulling at my clothes

And trying to look busy
And you're doing your best to avoid me

I'm starting to think one day I'll tell the
story of us

How I was losing my mind when I saw you here
But you held your pride like you should have

held me
Oh, we're scared to see the ending

Why are we pretending this is nothing?
I'd tell you I miss you but I don't know how

I've never heard silence quite this loud

Now I'm standing alone
In a crowded room

And we're not speaking
And I'm dying to know

Is it killing you
Like it's killing me?

I don't know what to say
Since a twist of fate

When it all broke down
And the story of us

Looks a lot like a tragedy now

This is looking like a contest
Of who can act like they care less

But I liked it better when you were on my
side

The battle's in your hands now
But I would lay my armor down

If you'd say you'd rather love than fight
So many things that you wish I knew

But the story of us might be ending soon

Now I'm standing alone
In a crowded room

And we're not speaking
And I'm dying to know

Is it killing you
Like it's killing me?

I don't know what to say
Since a twist of fate

When it all broke down
And the story of us

Looks a lot like a tragedy now, now, now
And we're not speaking

And I'm dying to know
Is it killing you

Like it's killing me?
I don't know what to say

Since a twist of fate
'cause we're going down

And the story of us
Looks a lot like a tragedy now

Grenade- Bruno Marz
Easy come, easy go

That's just how you live, oh
Take, take, take it all,

But you never give
Should of known you was trouble from the first

kiss,
Why were they open?

Gave you all I had
And you tossed it in the trash

You tossed it in the trash, you did
To give me all your love is all I ever asked,

Cause what you don't understand is
I'd catch a grenade for ya (yeah, yeah,

yeah)
Throw my hand on a blade for ya (yeah, yeah,

yeah)
I'd jump in front of a train for ya (yeah,

yeah , yeah)
You know I'd do anything for ya (yeah, yeah,

yeah)
Oh, oh

I would go through all this pain,
Take a bullet straight through my brain,

Yes, I would die for ya baby;
But you won't do the same

No, no, no, no
Black, black, black and blue beat me till

I'm numb
Tell the devil I said "hey" when you get

back to where you're from
Mad woman, bad woman,

That's just what you are, yeah,
You'll smile in my face then rip the breaks

out my car
Gave you all I had

And you tossed it in the trash

You tossed it in the trash, yes you did
To give me all your love is all I ever asked

Cause what you don't understand is
I'd catch a grenade for ya (yeah, yeah,

yeah)
Throw my hand on a blade for ya (yeah, yeah,

yeah)
I'd jump in front of a train for ya (yeah,

yeah , yeah)
You know I'd do anything for ya (yeah, yeah,

yeah)
Oh, oh

I would go through all this pain,
Take a bullet straight through my brain,

Yes, I would die for ya baby;
But you won't do the same

If my body was on fire, ooh
You' d watch me burn down in flames

You said you loved me you're a liar
Cause you never, ever, ever did baby...

But darling I'll still catch a grenade for
ya

Throw my hand on a blade for ya (yeah, yeah,
yeah)

I'd jump in front of a train for ya (yeah,
yeah , yeah)

You know I'd do anything for ya (yeah, yeah,
yeah)

Oh, oh
I would go through all this pain,

Take a bullet straight through my brain,
Yes, I would die for ya baby;

But you won't do the same.
No, you won't do the same,

You wouldn't do the same,
Ooh, you'll never do the same,

No, no, no, no
Dr. Dre - I Need A Doctor Ft. Eminem & Skylar

Grey 
Im about to lose my mind

you've been gone for so long
I'm running out of time

I need a doctor
call me a doctor

I need a doctor, doctor
to bring me back to life

[Eminem]
I told the World one day I would pay it back

say it on tape, and lay it, record it
so that one day I could play it back

but I don't even know if I believe it when
I'm saying that

ya'll starting to creep in, everyday its so
grey and black

hope, I just need a ray of that
cause no one see's my vision when I play it

for 'em
they just say its wack

they don't know what dope is
and I don't know if I was awake or asleep

when I wrote this,
all I know is you came to me when I was at

my lowest
you picked me up, breeding life in me

I owe my life to you
before the life of me, I dont see why you

dont see like I do
but it just dawned on me you lost a son

see this light in you, it's dark.
let me turn on the lights and brighten me

and enlighten you
I dont think you realise what you mean to

me
not the slightest clue

cause me and you were like a crew
I was like your sidekick

you gon either wanna fight me when I get off
this f-cking mic

or you gon hug me
but I'm not an option, theres nothing else

I can do cause...

[Chorus ]
Im about to lose my mind

you've been gone for so long
I'm running out of time

I need a doctor
call me a doctor

I need a doctor, doctor
to bring me back to life

[Eminem]
It hurts when I see you struggle

you come to me with ideas
you say there just pieces so I'm puzzled

cause the shit i hear is crazy
but your either getting lazy or you don't

believe in you no more
seems like your own opinions, not one you

can form
cant make a decision you keep questioning

yourself
second guessing and its almost like your begging

for my help
like I'm your leader

your susposed to f-cking be my mentor
I can endure no more,

I demand you remember who you are
it was YOU, who believed in me

when everyone was telling you dont sign
me

everyone at the f-cking label, lets tell the
truth

you risked your career for me
I know it as well as you

nobody wanted to f-ck with the white boy
Dre, I'm crying in this booth

you saved my life, now maybe its my turn to
save yours

but I can never repay you, what you did for
me is way more

but I aint giving up faith and you aint giving
up on me

get up Dre, I'm dying, I need you, come back
for f-ck's sake

[Chorus]
Im about to lose my mind

you've been gone for so long
I'm running out of time

I need a doctor
call me a doctor

I need a doctor, doctor
to bring me back to life

bring me back to life
bring me back to life

(I need a doctor, doctor
to bring me back to life)

[Dr Dre]
It literally feels like a lifetime ago

but I still remember the shit like it was
just yesterday though

you walked in, yellow jump suit
whole room, cracked jokes

once you got inside the booth, told you, like
smoke

went through friends, some of them I put on
but they just left, they said they was riding

to the death
but where the f-ck are they now

now that I need them, I dont see none of them
all I see is Slim

f-ck all you fair-weather friends
all I need is him

f-cking backstabbers
when the chips were down you just laughed

at us
now you bout to feel the f-cking wrath of

aftermath, faggots
you gon see us in our lab jackets and ask

us where the f-ck we been?
you can kiss my indecisive ass crack maggots and

the crackers ass
little crack a jack beat making wack math,

backwards producers, Im back bastards
one more CD and then I'm packing up my bags

and as I'm leaving
I'll guarantee they scream Dre don't leave

us like that man cause...

[Chorus]
Im about to lose my mind

you've been gone for so long
I'm running out of time

I need a doctor
call me a doctor

I need a doctor, doctor
to bring me back to life

Dynamite- Taio Cruz
I throw my hands up in the air sometimes

Saying AYO!
Gotta let go!

I wanna celebrate and live my life
Saying AYO!

Baby, let's go!

I came to dance, dance, dance, dance
I hit the floor

'Cause that's my, plans, plans, plans, plans
I'm wearing all my favorite

Brands, brands, brands, brands
Give me space for both my hands, hands, hands,

hands
Ye, ye

Cause it goes on and on and on
And it goes on and on and on

Yeah!

I throw my hands up in the air sometimes
Saying AYO!

Gotta let go!
I wanna celebrate and live my life

Saying AYO!
Baby, let's go!

'Cause we gon' rock this club
We gon' go all night

We gon' light it up 
Like it's dynamite!

'Cause I told you once
Now I told you twice

We gon' light it up
Like it's dynamite!

I came to move, move, move, move
Get out the way me and my crew, crew, crew,

crew
I'm in the club so I'm gonna do, do, do, do

Just what the fuck, came here to do, do, do,
do

Ye, ye

Cause it goes on and on and on
And it goes on and on and on

Yeah!

I throw my hands up in the air sometimes
Saying AYO!

Gotta let go!
I wanna celebrate and live my life

Saying AYO!
Baby, let's go!

'Cause we gon' rock this club
http://www.elyricsworld.com/dynamitelyricstaio_cruz.html

We gon' go all night
We gon' light it up

Like it's dynamite!
'Cause I told you once

Now I told you twice
We gon' light it up

Like it's dynamite!

I'm gonna take it all like,
I'm gonna be the last one standing,

I'm alone and all I
I'm gonna be the last one landing

'Cause I, I, I Believe it
And I, I, I

I just want it all, I just want it all
I'm gonna put my hands in the air

Hands in the air
Put your hands in the air

I throw my hands up in the air sometimes
Saying AYO!

Gotta let go!
I wanna celebrate and live my life

Saying AYO!
Baby, let's go!

'Cause we gon' rock this club
We gon' go all night

We gon' light it up
Like it's dynamite!

'Cause I told you once
Now I told you twice

We gon' light it up
Like it's dynamite!

What the Hell-Avril Lavigne
You say that I'm messing with your head

(yeah, yeah, yeah, yeah)
All 'cause I was making out with your friend

(yeah, yeah, yeah, yeah)
Love hurts, whether it's right or wrong

(yeah, yeah, yeah, yeah)
I can't stop 'cause I'm having too much fun

(yeah, yeah, yeah, yeah)

You're on your knees,
beggin' please

'stay with me'
But honestly,

I just need to be a little crazy

All my life I've been good but now,
I'm thinking 'What the hell'

All I want is to mess around,
and I don't really care about

If you love me, if you hate me,
you can't save me, baby, baby

All my life I've been good but now,
whoa 'What the hell'

What,
What,

What,
What the hell

So what if I go out on a million dates
(yeah, yeah, yeah, yeah)

You never call or listen to me anyway
(yeah, yeah, yeah, yeah)

I'd rather rage than sit around and wait all
day

(yeah, yeah, yeah, yeah)
Don't get me wrong,

I just need some time to play (yeah)

You're on your knees,
beggin' please

'stay with me'
But honestly,

I just need to be a little crazy

All my life I've been good but now,
I'm thinking 'What the hell'

All I want is to mess around,
and I don't really care about

If you love me, if you hate me,
you can't save me, baby, baby

All my life I've been good but now,
whoa 'What the hell'

La la la la la la la la, whoa, whoa
La la la la la la la la, whoa, whoa

You say that I'm messing with your head
Boy, I like messing in your bed

Yeah, I am messing with your head
When I'm messing with you in bed

All my life I've been good but now,
I'm thinking what the hell (what the hell)

All I want is to mess around and I don't really
care about (I don't care about)

All my life I've been good but now, I'm thinking
what the hell

All I want is to mess around and I don't really
care about. (if you love me)

If you love me (no), if you hate me (no)
You can't save me, baby, baby (if you love

me)
All my life I've been good but now, whoa,

what the hell

La la, La la la la la la, La la, La la la
la la la la

Coming Home ft. Skylar Grey- Diddy-dirty money
[Hook: Skylar Grey]

I'm coming home
I'm coming home

Tell the world I'm coming home
Let the rain wash away, all the pain of yesterday

I know my kingdom awaits and they've forgiven
my mistakes

I'm coming home
I'm coming home

Tell the world I'm coming

[Intro: Diddy]
I'm back where I belong (yeah)

I never felt so strong (I'm back baby)
I feel like there's nothing I can't try

And if you feel me put your hands highhh (put
your hands high)

If you ever lost a light before, this one's
for you

And you, the dreams are for you

[Verse 1]
I hear "The Tears of a Clown"

I hate that song
I always feel like they're talking to me,

when it comes on
Another day, another dawn

Another Keisha, nice to meet ya
Get the math, I'm gone

What am I supposed to do when the club lights
come on?

It's easy to be Puff but it's harder to be
Sean

What if my twins ask why I ain't marry their
mom (why? damn!)

How do I respond?
What if my son stares with a face like my

own
And says he wants to be like me when he's

grown?
Shit! But I ain't finished growing

Another night, the inevitable prolongs
Anothey day, another dawn

Just tell Keisha and Teresa I'll be better
in the morn'

Another lie that I carry on
I need to get back to the place where I belong

[Hook: Dirty Money]
I'm coming home

I'm coming home
Tell the world I'm coming home

Let the rain wash away, all the pain of yesterday
I know my kingdom awaits and they've forgiven

my mistakes
I'm coming home

I'm coming home
Tell the world I'm coming

[Verse 2]
"A house is Not a Home," I hate this song

Is a house really a home when your loved ones
is gone?

And niggas got the nerve to blame you for
it

And you know you would have took the bullet
if you saw it

But you felt it and still feel it
And money can't make up for it or conceal

it
But you deal with it and you keep ballin'

Pour out some liquor, play ball and we keep
ballin'

Baby, we've been living a sin cause we've
been really in love

But when we've been living as friends
So you've been a guest in your own home

It's time to make your house your home
Pick up your phone, come on

[Hook: Dirty Money]
I'm coming home

I'm coming home
Tell the world I'm coming home

Let the rain wash away, all the pain of yesterday
I know my kingdom awaits and they've forgiven

my mistakes
I'm coming home

I'm coming home
Tell the world I'm coming

[Verse 3]
"Ain't No Stopping Us Now," I love that song

Whenever it comes on, it makes me feel strong
I thought I told y'all that we won't stop

Til we back cruising through Harlem, Viso
blocks

It's what made me, saved me, drove me crazy
Drove me away then embraced me

Forgave me for all of my shortcomings
Welcome to my homecoming

Yeah, it's been a long time coming
Lot of fights, lot of scars, lot of bottles

Lot of cars, lot of ups, lot of downs
Made it back, lost my dog (I miss you BIG)

And here I stand, a better man (a better man)
(don't stop)

Thank you lord (thank you lord)
Judas- Lady GaGa

Oh, oh, oh, oh, oh, oh
I'm in love with Judas, Judas

Oh, oh, oh, oh, oh, oh
I'm in love with Judas, Judas

Judas, Juda-ah-ah
Judas, Juda-ah-ah

Judas, Juda-ah-ah
Judas, Gaga

Judas, Juda-ah-ah
Judas, Juda-ah-ah

Judas, Juda-ah-ah
Judas, Gaga

When he comes to me, I am ready
I'll wash his feet with my hair if he needs

Forgive him when his tongue lies through his
brain

Even after three times, he betrays me

Oh-oh, oh-oh-oh, oh-oh, oh-oh-oh
I'll bring him down, bring him down, down

Oh-oh, oh-oh-oh, oh-oh, oh-oh-oh
A king with no crown, king with no crown

I'm just a holy fool, oh baby he's so cruel
But I'm still in love with Judas, baby

I'm just a holy fool, oh baby he's so cruel
But I'm still in love with Judas, baby

Oh, oh, oh, oh, oh, oh
I'm in love with Judas, Judas

Oh, oh, oh, oh, oh, oh
I'm in love with Judas, Judas

Judas, Juda-ah-ah
Judas, Juda-ah-ah

Judas, Juda-ah-ah
Judas, Gaga

I couldn't love a man so purely
Even prophets forgave his crooked way

I've learned love is like a brick, you can
Build a house or sink a dead body

Oh-oh, oh-oh-oh, oh-oh, oh-oh-oh
I'll bring him down, bring him down, down

Oh-oh, oh-oh-oh, oh-oh, oh-oh-oh
A king with no crown, king with no crown

I'm just a holy fool, oh baby he's so cruel
But I'm still in love with Judas, baby

I'm just a holy fool, oh baby he's so cruel
But I'm still in love with Judas, baby

Oh, oh, oh, oh, oh, oh
I'm in love with Judas, Judas

Oh, oh, oh, oh, oh, oh
I'm in love with Judas, Judas

Ew

In the most Biblical sense
I am beyond repentance

Fame hooker
Prostitute wench

Vomits her mind
But in the cultural sense

I just speak in future tense
Judas kiss me if offenced

Or wear an ear condom next time

I wanna love you
But something's pulling me away from you

Jesus is my virtue
Judas is the demon I cling to

I cling to

I'm just a holy fool, oh baby he's so cruel
But I'm still in love with Judas, baby

I'm just a holy fool, oh baby he's so cruel
But I'm still in love with Judas, baby

Oh, oh, oh, oh, oh, oh
I'm in love with Judas, Judas

Oh, oh, oh, oh, oh, oh
I'm in love with Judas, Judas

Judas, Juda-ah-ah
Judas, Juda-ah-ah

Judas, Juda-ah-ah
Judas, Gaga

Raise Your Glass- Pink
Right right, turn off the lights,

We're gonna lose our minds tonight,
What's the deal, yo?

I love when it's all too much,
5am turn the radio up

Where's the rock and roll?

Party Crasher,
Penny Snatcher,

Call me up if you want gangsta
Don't be fancy, just get dancey

Why so serious?

So raise your glass if you are wrong,
In all the right ways,

All my underdogs,
We will never be never be anything but loud

And nitty gritty dirty little freaks
Won't you come on and come on and raise your

glass,
Just come on and come on and raise your glass

Slam slam, oh hot damn
What part of party don't you understand,

Wish you'd just freak out (freak out already)
Can't stop, coming in hot,

I should be locked up right on the spot
It's so on right now (so fuckin on right now)

Party Crasher,
Penny Snatcher,

Call me up if you want gangsta
Don't be fancy, just get dancey

Why so serious?

So raise your glass if you are wrong,
In all the right ways,

All my underdogs,
We will never be never be anything but loud

And nitty gritty dirty little freaks
Won't you come on and come on and raise your

glass,
Just come on and come on and raise your glass

Won't you come on and come on and raise your
glass,

Just come on and come on and raise your glass

(oh shit my glass is empty, that sucks)

So if you're too school for cool,
And you're treated like a fool,

You can choose to let it go
We can always, we can always,

Party on our own

(so raise your) So raise your glass if you
are wrong,

In all the right ways,
All my underdogs,

We will never be never be anything but loud
And nitty gritty, dirty little freaks

So raise your glass if you are wrong,
In all the right ways,

All my underdogs,
We will never be never be anything but loud

And nitty gritty, dirty little freaks
Won't you come on and come on and raise your

glass,
Just come on and come on and raise your glass

Won't you come on and come on and raise your
glass,(for me)

Just come on and come on and raise your glass
(for me)

_
Big Time Rush -- Boyfriend Lyrics (ft. Snoop

Dogg)
Your boy-boy-b-b-b-b-b-boyfriend

Your boy-boy-b-b-b-b-b-boyfriend
Your boy-boy-b-b-b-b-b-boy

You need a boyfriend and I can be that
Holla at me

Hit me on my video chat
And let me reach out to you and give you feedback

It's gonna be us till the end so please
believe that

Yeah the world is all ours and the sky's
the limit

And you can be my boo and everything that
goes with it

I can lift you off your feet like a flight
attendant

Imma send this car for ya, is you ridin'
in it?

Have you ever had the feeling you're drawn
to someone?

[Yeahh]
And there isn't anything they could of said

or done
And everyday I see you on your own

And I can't believe that you're alone
But I overheard your girls and this is what

they said
Looking for a looking for that your looking

for a boyfriend
I see that, give me time you know I'm gonna

be there
don't be scared to come put your trust in
the to and a in of it you i ago is rep up for state th are show with on http tone like have be my as we farm com will so by but was from statefarmsucks this what your or if do september us people just at out s about our more their one me has love toneitup who can them get an see weeks am know how been www all when that he d no day workout days it's here new would some there good ed pm also youtube his week don't because months blog time california women make her think god video then link want please farmsucks jesus she had thanks off were did these too now videos right i'm many most why go over than on

me
Can't you see all I really want to be is

your boyfriend
Can't fight that let me down you know I'm

coming right back
I don't care at all what you done before

all I really want is to be your
Your boy boy b-b-b-b-b-boy friend

Your boy boy b-b-b-b-b-boy friend
Your boy boy b-b-b-b-b-boy friend

Your boy boy b-b-b-b-b-boy friend
Let me take a little moment to find the right

words
[to find the right words]

so when I kick it you it ain't something
that you've heard

[something that you've heard]
I don't know what kind of guy that you prefer

But I know I gotta put myself for worse
See I think got the kind of love that you

deserve and I heard that
That you're looking for a boyfriend

I see that, give me time you know I'm gonna
be there

Don't be scared to come put your trust in
me

Can't you see all I really want to be is
your boyfriend?

Can't fight that let me down you know I'm
coming right back

I don't care at all what you done before
all I really want is to be your

Your boy b-b-b-b-b-boy friend
Your boy boy b-b-b-b-b-boy friend

Your boy boy b-b-b-b-b-boy friend
Your boy boy b-b-b-b-b-boy

If you tell me where, I'm waiting here
Everyday like slum dog millionaire

Bigger then the Twilight love affair
I'll be here girl I swear

So we should down the ride
Or do I gotta slide

I know you need a boyfriend
And I can be the guy

I help you open up even if you're shy
She might be the one

I see it in her eyes
I see it in her swag

She be on the fly
Gucci bag

Chanel purse
I need her in my life

I'm the one for her
And she's the one for I

This could be paradise if we do it right
Looking for looking for looking for a boyfriend

I see that, give me time you know I'm gonna
be there

Don't be scared to come put your trust in
me

Can't you see all I really want to be is
your boyfriend?

Can't fight that let me down you know I'm
coming right back

I don't care at all what you done before
all I really want is to be your

Your boy boy b-b-b-b-b-boy friend
Your boy boy b-b-b-b-b-boy friend

Your boy boy b-b-b-b-b-boy friend
All I really want is to be your

Look At Me Now- Chris Brown ft. lil Wayne
[Chris Brown]

Yellow model chick
yellow bottle sipping

yellow Lamborghini
yellow top missing

yeah yeah
that sh-t look like a toupee

I get what you get in 10 years, in two days
ladies love me

I'm on my cool J
if you get what I get what would you say

she wax it all off, Mr Miyagi
and them suicide doors, Hari Kari

[Hook]
Look at me now, look at me now

oh, I'm getting paper
look at me now

oh, look at me now
yeah, fresh than a muthaf-cker

lil n-gga bigger than gorilla
cause I'm killing every n-gga that

try to be on my sh-t
better cuff your chick if you with her

I can get her
and she accidentally slip fall on my dick

ooops, I said on my dick
I aint really mean to say on my d-ck

but since we talking about my dick
all of you haters say hi to it

I'm Done

[Busta Rhymes]
Ayo Breezy

let me show you how to keep the dice rolling
when your doing that thing over there, homie

lets go
cause I feel like I'm running

and I'm feeling like I gotta get away, get
away, get away

better know that I don't and I won't ever
stop cause

you know I gotta win everyday day, goooo
see they don't really wanna pop me

just know that you never flop me
and I know that I can be a little cocky, nooo

you aint never gonna stop me
everytime I come a n-gga gotta set it then

I got it going
then I get it, than I blow, than I shudder

any little thing
that he be doing cause it doesnt matter cause

I'm gonna dadadadada
then I'm gonna murder every thing and anything

a badaboom a badabing
I gotta do a lot of things, and make it clearer

to a couple n-ggas
that I'm always winning and I gotta get

it again and again and again
and I be doing it to death and now I move

a little foul
a n-gga better call a ref, everybody know

my style
and everybody know I'm the the baddest

when I come to doing this and Im banging on
my chest

and I bang in the east and I bang in the west
and I come to give you more and I never give

you less
you will hear it in the street or you can

read it in the press
do you really wanna know whats next, lets

go
see the way we on, we be all up in the race

and you know
we gotta go, don't try to keep up with the

pace
we struggling and hustling and sending in

and getting in
and always gotta take it to another place

gotta taste it and I gotta grab it
and I gotta cut all throught his traffic

just to be at the top of the throne
better know I gotta have it

[Hook]
Look at me now, look at me now

oh, I'm getting paper
look at me now

oh, look at me now
yeah, fresh than a muthaf-cker

okay, okay,
is that right

im fresher then a muthaf-cker

[Lil Wayne]
Man f-ck these bitch ass n-ggas how yall doin?

I'm Lil Tunechi, I'm a nuisance, I go
stupid, I go dumb like the 3 stooges

I dont eat sushi, I'm the shit, no I'm
pollution, no substitution

got a bitch that play in movies in my jacuzzi,
p-ssy juicy

I never gave a f-ck about a hater got money
on my radar

dress like a skater, got a big house, came
with a elevator

you n-ggas aint eatin, f-ck it, tell a waiter
Marley said shoot em, and I said ok,

if you wanted bullshit then I'm like olay,
I dont care what you say, so don't even

speak
your girlfriend a freak like Cirque Du Soleil

that's word to my flag, and my flag red
I'm out of my head, bitch I'm outta my

mind from the bottom I climb
you aint hotter at mine, nope, not on my time

and I'm not even trying
whats poppin Slime? nothin five, and if they

trippin f-ck em five
I aint got no time to shuck and jive, these

n-ggas as sweet as pumpkin pie
Ciroc and sprite on a private flight

bitch I'm enticing, guiding light, and my
pockets white and my diamonds white

and my mommas nice and my daddy's dead
you faggots scared cause I'm too wild, been

here for a while
I was like f-ck trial I puts it down

I'm so young money if you got eyes look
at me now bitch

[Hook]
Look at me now, look at me now

oh, I'm getting paper
look at me now

oh, look at me now
yeah, fresh than a muthaf-cke

Say Hello To Goodbye Lyrics

Hey there stranger, how you bin'
Feels like i'm standing on the outside looking

in
at the mess we left behind

And it's a long way to fall
I gave you everything I had

I gave it all
And then my heart was on the line

I can't hate you
any longer

I know i'm going to miss you
I'll forget it and let it go.

Say hello to goodbye, cuse its gone forever
No more try, you and I

Not now, not ever
And i'll get by without you

I'm not going back again
I'm not going to lie to you

Cause, that was there and only then.

Say hello to goodbye
Say hello..

And this is how it has to be
Cause' its a deadly combination, you and me

You know its undeniable
Even though we tried it all

We brought the worst out in each other
I recall

We can't act it anymore

What doesn't kill you
It makes you stronger

And though i'm going to miss you
I'll forget it and let you go

Say hello to good-bye
Its gone forever

No more try, you and I
Not now, not ever

And i'll get by without you
I'm not going back again

I'm not going to lie to you
Cause, that was there and only then.

Say hello to goodbye
Say hello..

And even though the tears will dry
I can't completely disconnect

Couldn't make the compromise 
Didn't have a safety net

Say hello to goodbye
heeey ya ya

Say hello, goodbye

Say hello to good-bye
Its gone forever

No more try, you and I
Not now, not ever

And i'll get by without you
I'm not going back again

I'm not going to lie to you
Cause, that was there and only then.

Say hello, to goodbye
Say hello, to goodbye

Say hello, hello
To good bye

Scenario 2: I Know What Websites I Want To Buy Media On 
If you know what websites you want do a direct buy on (or buying site specific inventory on through an

exchange or demand side platform (DSP)), you can quickly find out how to best advertise on that 
website as well as maximize your ROI on the placement using WhatRunsWhere.com.

By using our placement search you can quickly find out who is advertising on the website you're 
interested in, what ads they're using, who's serving that inventory and what type of inventory is

available. There's an example of the placement search ("By Publisher") box below: 
The "By Publisher" tab quickly tells you everyone who's been advertising on that website in your

predefined timeframe and what percentage of that websites inventory we see them taking. You can sort 
by the percentage to find the most popular advertisers. By seeing what types of advertisers are doing

well there you can figure out how to best craft your message or what you promote on that website 
(Example below).

The top text and/or banner ads tabs will show the most popular ads on that website. You can filter them

by Ad Strength to quickly find out what we think is doing best on that website. By spotting trends 
between the ads that are doing best you can figure out how to incorporate these into your

advertisements. By doing this, your ads will perform better off the bat and will result in a higher ROI and 
a better media buy (Example below).

You can also view the traffic sources tab to see who is serving that inventory. This is useful if you want

to buy the website placement indirectly or you don't know how to get ads onto a website. You can also 
view the ad types to figure out what type of inventory you need to advertise on the website.

By using this data you can figure out what should work best on any website and better plan and 
execute more specific media buying campaigns or boost existing campaigns with new sites or better

targeted and optimized ads.

Scenario 3: I Only Know My Niche, Not My Competitors 
If you only know the niche or general space you want to buy in, don't worry. WhatRunsWhere provides

a great research function, our keyword search. To use this, go to "By Keyword". You can then type in a 
keyword and have relevant ads that relate to that keyword returned to you (example below).

WhatRunsWhere scans ad copy, url content and landing page copy to find relevant keywords. 
Searching, "diet" for example will show keywords that have the word diet throughout the ad copy, url

and landing page.

Looking over niche ads (example below) can give you valuable insight to what advertisers are doing 
within that niche that works. You can easily spot trends between ads. If most ads use a similar call to

action or theme, you may want to think about testing that within your actual advertising campaigns 
copy.

Click on an ad will pull up stats about that exact ad (example below), including where that ad has been 
seen. By clicking on ads that interest you, you can build lists of types of sites to advertise on and

quickly build or supplement a media buy campaign on the fly in a matter of minutes. 
Using this information is the same as the advertiser search. You spot what sites and themes the

advertisers have in common and then use this to better understand where you should be buying and 
use their previous testing to limit your campaigns risk and boost your or your clients ROI.

Scenario 4: I Want To Start A New Media Buy and Don't Know Where To Start

If you want to start a brand new media buy but don't know where to start then top "Top Ads" tab is for 
you. This feature allows you to quickly search by ad size, country, ad network and time frame and see

the top ads running per your search parameters (example below).

You can look at what is currently doing well on that network and figure out trends here as well (see the 
recurring spot trends theme?). If you see a certain type of ad or a certain style of creative doing really

well on a network, it may be worth something that you should test in your own campaigns or creatives.  
Clicking on any of these ads also pulls up the same profile as in the keyword search, allowing you to

drill down and find out exactly where the ad is running

SUPER CHARGING MY MEDIA BUY

With this wealth of options and the insight you can gain from it, your media campaigns can be quickly 
created, optimized and improved upon on the fly. By spotting common trends about what is actually

happening in the part of the media buying world you're interested in, you can leverage what others 
have already spent money doing to make your campaigns better. We look forward to hearing back from

you about how you've implemented these strategies and what it's meant for your media buying. Have 
fun! 
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Paul Sandweiss, Package Mixer
Eric Johnston, Playback Mixer