The Adventures of Brannigan Smith: 1.01 - Pilot Various Artists | Format: MP3 ... http://www.amazon.com/gp/product/B007RXT8E2/ref=cmswrtwalp_W.FQpb18JHSD2 via @amazon and unless you forgot, E.L. James is doing book signings in NYC. for Fifty Shades of Grey Exclusive Party. By E.L. James  http://amzn.to/JG68qK Author also doing book signings this week in New Jersey and New York City Author E.L. James. Have you heard her on Ryan Seacrest show? http://www.youtube.com/watch?v=MuHV8O9OqBA and they're saying Ryan is really into this http://bit.ly/KY02T2 ...  author E.L. James. [5/8/12 11:36:24 PM] Sam botta: http://www.youtube.com/watch?v=MN-1Kwmdtzc http://www.linkedin.com/profile/view?id=24786263&pid=11877014&authType=name&authToken=W42V&trk=pbmap twitter and youtube [5/10/12 3:09:22 PM] Sam botta: E.L. James has invited Becca Battoe, "Fifty Shades of Grey"  Audiobook Narrator to her book signing Ryan Seacrest: http://www.youtube.com/watch?v=MuHV8O9OqBA Becca is honored. PART VI SAM BOTTA'S INSPIRATIONAL QUOTES: Roger Williams, the most inspired Composer, Pianist with a beautiful heart and intelligence so vast yet so humble he spoke through the life altering melodies that will forever inspire, encourage, comfort and surprise as his works are embedded even through every radio hit currently in Ryan Seacrest's AT40, the songs Rick Dees plays daily and the ongoing countdowns of Casey KASEM, ... Every musician, whether aware or oblivious, has been influenced by the Great Man Roger Williams. You will be missed. If you failed to purchase his music, find Jacque HEEBNER, and buy it as you'll know what you should have heard long ago to reduce psychological stress. QUOTES of Sam Botta that's like Bah-Dah Bing Bah-dah boom, get it live it! Bee-atch! • Roger Williams, the most inspired Composer, Pianist with a beautiful heart and intelligence so vast yet so humble. • He spoke through the life altering melodies that will forever inspire, encourage, comfort and surprise as his works are embedded. • Every musician, whether aware or oblivious, has been influenced by the Great Man Roger Williams. -------------------------------------------------------------------- Al Davis and pteve Jobs: "we need a marketing campaign that reflects what we do" which led to the famous "1984" Super Bowl ad that aired once and is used at Universities as the example of effective advertising (though the Professors were teaching how to work within a box)... Lest you forget, University "geniuses" - Steve Jobs dropped out of college to learn a la carte (I stayed and graduated, but ...my learning occurred from those that actually accomplished visions without a tenured Professor job). A la carte is key to a healthier eating lifestyle, and key to real and effective learning, not the sick menu forced by University which steals time and resources that could be spent on real learning. The "1984" ad will be played on the future technologies that are the YouTube of the future, which may actually be connected seamlessly with your brain, which was not Steve's intention, but the tapestry sisal davis and Steve Jobs both played in 1984 Super Bowl ... Al owned the. L A Raiders that played that game and Steve Jobs had that ad that launched my first Apple machine ... Been writing today and returning following the flying chariots and floating green sign ahead ... Happiness is a choice... So is Love.... brand "Steve Jobs" you are talking about. Let him always be an example to you of "the rich" instead of demonizing those that began at less than zero and through relentless focus on the vision they slowed down enough to see. I, Sam Botta, know that you, too have vision but you let your repetitive "good" life be all you will do because your friends all do as you do, and everything in all entertainment and media that babysits you makes you feel the mediocre life is just fine. Therefore, you're never challenged to slow down. No one supports the life-saving choice to ignore the protectors of the mundane. No one reaches you about basic economics which is why you work for the tool called paper money and investments in 401k's into corporations you do not control, then you complain about these companies customer service team members and wonder why your paper money "assets" are losing, and eventually you see that working the job for security and stability was a way to always hide your fear of failing at the vision that is solely yours which could change the whole world. So continue in your daily life which IS a set of unhealthy habits others believe is just right for you. Or, open yourself to ( www.livefearless.com ) Live Fearless! Be open to the new habits that will let you see the vivid vision of your path and purpose that for us driven dreamers, is so clear. So either be convinced that going your path will lead to lifetime love and bliss, or remember that after tens of thousands of interviews, I see it: At the end of life in this body, the mundane life where you resent your partner and feel pleasure from work that makes very little difference... Most people at the end say they regret not taking risks of the heart. I can show you how to find that vision that IS your path and purpose, but your closest friends will not be accepting of the new habits or your soon to find joy and happiness. It's up to you, but in the end, what will you regret not doing that is in the vision inside of you? ~Sam Botta @ Dog Park QUOTES: • Happiness is a choice... So is Love.... • Through relentless focus on the vision they slowed down enough to see. • I, Sam Botta, know that you, too have vision but you let your repetitive "good" life be all you will do because your friends all do as you do. • Everything in all entertainment and media that babysits you makes you feel the mediocre life. • Never challenged to slow down. • No one supports the life-saving choice to ignore the protectors of the mundane. • No one reaches you about basic economics which is why you work for the tool called paper money and investments. • Working the job for security and stability was a way to always hide your fear of failing at the vision that is solely yours. • Continue in your daily life which is a set of unhealthy habits others believe is just right for you. • Be open to the new habits that will let you see the vivid vision of your path and purpose that for us driven dreamers. • Be convinced that going your path will lead to lifetime love and bliss. • At the end of life in this body, the mundane life where you resent your partner and feel pleasure from work that makes very little difference. • Most people at the end say they regret not taking risks of the heart. • In the end, what will you regret not doing that is in the vision inside of you. ------------------------------------------------------------------------- Inspiration Point, Newport Beach, Yesterday, Moon Shines Running Toward The Sunset. In the moments of heightened stress, it's the joy of living out your path and purpose, run with strength, never lose hope, learn who you are not based on the definitions of the unavoidable magazine covers in line at the store with the red target logo, the signs along the path, the books you read, what you hear, wha...t you see, be the inspiration that points beginning on this Columbus Day, chart your course to the New-Port, Run Like Eagles, Glow like The Celebrating Day of the Butterfly, then slow down, and walk, finding your music, being the dreaming child, catching the vision, raising it to the sky, here's your rope, pull, I'll catch you in the place where the inventors live, when innovation is organically changing you, and lives live know how to love and be loved. Do what excites you, forgetting what they say, it lives in your heart, you've always known, smell the ocean breeze, and feel the exhilaration of the white splash caps of the waves that cover you in pure bliss, rose from the water and sprint and rake flight, because this day celebrates exploration of the new and discovering life change which leads to living life with more than all aspects of functional health, the purpose, the light surrounds you and you see the whole picture... A blonde that carries you to a soaring state, smiling, and they are inspired to be where you know they can, see it as you cut the vast sky, your reflection commanding joyful awe in the realization that he, she is closer than believed and the why of it all becomes embedded thoughts you know, living out the gravity and distance that affects with the true positive, revealing how the reality skewed by reproduce message engineering fades the lack from the limited thinking forced on the greatest intelligence but on this sunset the glow from behind, from inside is the force beyond anti-gravity, beyond digital, it's the real you and the non artificial flight becomes your path. QUOTES • In the moments of heightened stress, it's the joy of living out your path and purpose, run with strength. • Run with strength, never lose hope, learn who you are. • Slow down, and walk, finding your music, being the dreaming child. • Live know how to love and be loved. • Do what excites you, forgetting what they say. • Celebrates exploration of the new and discovering life change which leads to living life. • Your reflection commanding joyful awe in the realization. • Living out the gravity and distance that affects with the true positive, revealing how the reality skewed. • The glow from behind, from inside is the force beyond anti-gravity. • Beyond digital, it's the real you and the non artificial flight becomes your path. Year Bliss Proving that Lifetime Love isn't the stuff of one movie: Love Is a Daily Choice, just like Happiness Is a Daily Choice; do what Excites You, as This IS 'Who You Are" ... Stop Saying You Know Who You Are because you haven't defined Who You Are. I can show you how to know, but you may not like the path of knowing. Risks of the heart not taken are the stuff of your regrets. KnowNo I, Sam Botta, Know How to Love and Be Loved because of my Family, including my Grandparents ~70 more regrets, (? proofreader) consider the butterfly feeling you remember in your stomach ... That's where what excites you lives, find me and I'll show you how we did it. (photo taken October 9, 2011 at Inspiration Point, Newport Beach, CA with Canon 5D Mark II on Automatic Setting, no editing except cropping, no photoshop, 100% real. Clothing is "Oyster BM" provided by Hugo Boss LiveFearless, I Love You, Sam Botta Absolutely Real. NO photoshop, no editing, that's with one of the Canon 5D Mark II cameras that actually got quite sandy last Sunday when the shotthat was taken at Inspiration Point, Newport Beach. Sun had just gone below the horizon, and this camera, on automatic setting, it just does stuff even with the wrong lens for this kind of shot ... the lens is made for super-closeups, hence the reason why the background looks like it's not real... Real men wear pink... and Hugo Boss Inspiration Point ... Newport Beach ... Yesterday ... Moon Shines Running Toward the Sunset. In the moments of heightened stress, it's the joy of living out your path and purpose; run with strength, never lose hope, learn who you are not based on the definitions of the unavoidable magazine covers in line at the store with the red target logo, the signs along the path, the books you read, what you hear, what you see ... be the inspiration that points toward beginning on this Columbus Day. Chart your course to the New-Port, Run Like Eagles, and Glow Like The Celebrating Day of the Butterfly, then slow down, and walk, finding your music, being the dreaming child, catching the vision, raising it to the sky ... here's your rope, pull, I'll catch you in the place where the inventors live, when innovation is organically changing you, and lives like you know how to love and be loved. Do what excites you, forgetting what they say, it lives in your heart as you've always known, smell the ocean breeze, and feel the exhilaration of the white splash caps of the waves that cover you in pure bliss, rising from the water and sprinting and taking flight, because this day celebrates exploration of the new and discovering life-change that leads to living life with more than all aspects of functional health, the purpose, the light surrounds you and you see the whole picture... A blonde that carries you to a soaring state, smiling, and they are inspired to be where you know they can be, see it as you cut the vast sky, your reflection commanding joyful awe in the realization that he, she, is closer than you believed and the why of it all becomes embedded thoughts you know, living out the gravity and distance that affects with the true positive, revealing how the reality skewed by reproduce message engineering fades the lack from the limited thinking forced on the greatest intelligence, but on this sunset the glow from behind, from inside is the force beyond anti-gravity, beyond digital; it's the real you and the nonartificial flight becomes your path. www.LiveFearless.com s a m b o t t a YouTube CENSORSHIP CLEAN, POSITIVE content producer? YouTube Bans top Videos (that I own 100%) from my Channel, Allows Same Videos on Explicit Channels. YouTube has allowed many others to steal my videos (100% owned by me, including the music which I had composed for the series!) This particular video, my 2,000,000 unique views, 20-second interview clip with Roger Moore stating that his marriage is stable because of how his wife has a beautiful heart... The POSITIVE, CLEAN video had 2,000,000 views. I own the content 100%, including the music that I paid an actual composer to write and perform for this series. YouTube removed it from my CLEAN channel, yet is now allowing OTHER channels that have EXPLICIT content in common... They STOLE that video to use it for their own gain. They are committing "infringement"? They REFUSE to BAN those DIRTY channels that STOLE my VIDEO!!! Those DIRTY channels, interestingly, contain SOFT PORN and/or EXPLICIT words that are SILENT/DELETED on the radio mix of songs from the http://www.at40.com/ (CHR) Top 40 chart, as played on the most influential music radio station in the world (KIIS-FM Los Angeles, CA) and through "American Top 40 with Ryan Seacrest", or "AT40", the No. 1 countdown show in the U.S. which can be heard on more than 500 radio stations worldwide, including markets such as New York, Los Angeles, Chicago, Washington, D.C., Singapore, Toronto, Vancouver, Montreal, Tokyo, Kuala Lumpur, Dubai, Beijing. YouTube censors channels like mine that NEVER utilize explicit content, while allowing MY VIDEOS they BANNED to be viewed on YouTube channels with EXPLICIT content that's not deemed appropriate for popular radio airplay on the entire world's most listened to music radio stations. To demonstrate the clean vs. explicit set of words in action yourself, please take the time to listen to the radio version of a song that is topping the charts now (a song which, as a composer, I'm AMAZED at its intricate design with obsessive attention to musical detail in its sound, engineering, melodies, writing, use of digital technologies to appeal to the human mind and heart! I'm a fan of this "sound," so I am NOT AGAINST the MUSIC, but for a demonstration, please compare the two versions of the same song... CLEAN http://amzn.to/o2zxum EXPLICIT http://amzn.to/nUwogy It's the amazing composition "Lighters" by Bad Meets Evil w/ Eminem, Royce Da 5'9 Bruno Mars and a long list of credited and noncredited genius talents that should be recognized for their near perfect artistic intelligence on this song. In the CLEAN version, please notice how many words are missing or silenced over instrumental music. YouTube Video channels that USE these WORDS are ALLOWED to STEAL and USE my videos which had more than 1,000,000 UNIQUE views. CENSORSHIP of CLEAN CONTENT that I OWN which has NOTHING to do with WRESTLING ... YouTube states:
We have received copyright complaint(s) regarding material you posted, as follows:

from World Wrestling Entertainment, Inc. about Roger Moore "I Married A Beautiful Woman" James Bond tells Sam Botta sambotta (account name)
Video ID: AYanc6FJZRI ***************It appears that the lesson from YouTube is: If your channel promotes the POSITIVE and CLEAN instead of EXPLICIT, your most-viewed videos will be banned from your on the basis of false complaints, then the same videos will be allowed by EXPLICIT YouTube Channels 2,000,000 YouTube views and is the WWE acting jealous of skinny me? Huh??? World Wrestling Entertainment, Inc. I have respected you and your right to act in whatever manner you have chosen, yet you, WWE issued a copyright complaint about my 20-second interview clip with Roger Moore, freezing my YouTube account. This SHORT clip has NOTHING to do with Wrestling... Roger Moore (James Bond) is talking about his happy marriage, and contractually, the red carpet interviews is something I have FULL RIGHTS to. Further, in regards to accusing about the music... I paid a composer to create and play it for the purposes of this series! There is NOTHING infringing on anyone's copyright. I am 150 POUNDS! Why would you bully me? Bothered that my video hits 2,000,000 views? Why? You have more than 10,000,000 views. How many others will you shut down? Al Davis and Steve Jobs: "we need a marketing campaign that reflects what we do," which led to the famous "1984" Super Bowl ad that aired once and is used at universities as the example of effective advertising (though the professors were teaching how to work within a box)... Lest you forget, university "geniuses" - Steve Jobs dropped out of college to learn a la carte (I stayed and graduated, but my learning occurred from those that actually accomplished visions without a tenured professor job). A la carte is key to a healthier eating lifestyle, and key to real and effective learning, not the sick menu forced by university which steals time and resources that could be spent on real learning. The "1984" ad will be played on the future technologies that are the YouTube of the future, which may actually be connected seamlessly with your brain, which was not Steve's intention, but the tapestry sisal Davis and Steve Jobs both played in 1984 Super Bowl ... Al owned the. L A Raiders that played that game and Steve Jobs had that ad that launched my first Apple machine ... Been writing today and returning following the flying chariots and floating green sign ahead ... Happiness is a choice... So is Love.... brand "Steve Jobs" you are talking about. Let him always be an example to you of "the rich," instead of demonizing those that began at less than zero and through relentless focus on the vision they slowed down enough to see. I, Sam Botta, know that you, too, have visions, but you let your repetitive "good" life be all you will do because your friends all do as you do, and everything in all entertainment and media that babysits you makes you feel the mediocre life is just fine. Therefore, you're never challenged to slow down. No one supports the life-saving choice to ignore the protectors of the mundane. No one teaches you about basic economics, which is why you work for the tool called paper money and investments in 401k's into corporations you do not control, and then you complain about these company's customer service team members and wonder why your paper money "assets" are losing, and eventually you see that working the job for security and stability was a way to always hide your fear of failing at the vision that is solely yours which could change the whole world. So continue in your daily life which IS a set of unhealthy habits others believe is just right for you. Or, open yourself to ( www.livefearless.com ) Live Fearless! Be open to the new habits that will let you see the vivid vision of your path and purpose that for we driven dreamers, is so clear. So either be convinced that going your path will lead to a lifetime of love and bliss, or remember that after tens of thousands of interviews, I see it: At the end of life in this body, the mundane life where you resent your partner and feel pleasure from work that makes very little difference... Most people at the end say they regret not taking risks of the heart. I can show you how to find that vision that IS your path and purpose, but your closest friends will not be accepting of the new habits or your soon-to-be-found joy and happiness. It's up to you, but in the end, what will you regret by not doing that is in the vision inside of you? ~Sam Botta @ Dog Park Steve Jobs: "we need a marketing campaign that reflects what we do," which led to the famous "1984" Super Bowl ad that aired once and is used at universities as the example of effective advertising (though the professors were teaching how to work within a box)... Lest you forget, university "geniuses" - Steve Jobs dropped out of college to learn a la carte (I stayed and graduated, but my learning occurred from those that actually accomplished visions without a tenured professor job). A la carte is key to a healthier eating lifestyle, and key to real and effective learning, not the sick menu forced by university which steals time and resources that could be spent on real learning. The "1984" ad will be played on the future technologies that are the YouTube of the future, which may actually be connected seamlessly with your brain, which was not Steve's intention, but the tapestry of simple beauty he saw is what drove him to reach every major goal he set. I saw firsthand in his last years what kind of man was this brand "Steve Jobs" you are talking about. Let him always be an example to you of "the rich" instead of demonizing those that began at less than zero and, through relentless focus on the vision, they slowed down enough to see. I, Sam Botta, know that you, too, have vision, but you let your repetitive "good" life be all you will do because your friends all do as you do, and everything in all entertainment and media that babysits you makes you feel the mediocre life is just fine. Therefore, you're never challenged to slow down. No one supports the life-saving choice to ignore the protectors of the mundane. No one teaches you about basic economics, which is why you work for the tool called paper money and investments in 401k's into corporations you do not control, then you complain about these company's customer service team members and wonder why your paper money "assets" are losing, and eventually you see that working the job for security and stability was a way to always hide your fear of failing at the vision that is solely yours which could change the whole world. So continue in your daily life which IS a set of unhealthy habits others believe is just right for you. Or, open yourself to ( www.livefearless.com ) Live Fearless! Be open to the new habits that will let you see the vivid vision of your path and purpose that for we driven dreamers, is so clear. So either be convinced that going your path will lead to a lifetime of love and bliss, or remember that after tens of thousands of interviews, I see it: At the end of life in this body, the mundane life where you resent your partner and feel pleasure from work that makes very little difference... Most people at the end say they regret not taking risks of the heart. I can show you how to find that vision that IS your path and purpose, but your closest friends will not be accepting of the new habits or your soon-to-be-found joy and happiness. It's up to you, but in the end, what will you regret by not doing what is in the vision inside of you? ~Sam Botta Audrey Smith SAM BOTTA I'll try to be more clear than clear. Since Ryan Seacrest covered my stuff I provided, I'll attach this set of words I placed on FB today: Ryan Seacrest today on the topic of what I wrote to you on 10/08/2011 "your closest friends will not be accepting of the new habits or your soon to find joy and happiness." and "I, Sam Botta, know that you, too have vision but you let your repetitive "good" life be all you will do because your friends all do as you do, and everything in all entertainment and media that babysits you makes you feel the mediocre life is just fine. Therefore, you're never challenged to slow down. No one supports the life-saving choice to ignore the protectors of the mundane." On 10/13/2011, I wrote "those that you are there for need you to listen and to help attract people to them. They hear your advice and do nothing. Why would they do nothing? Because You've advised, but you always didn't want to say no. So you have them - you compromised for them, and they only respect you for what you can give them and nothing is reciprocated but they would be there if you were stranded, wouldn't they?" What if you meet a better man than her man, what if you seem happier than she is... If you heard "On Air with Ryan Seacrest" this morning (or today if in any of the more than 500 other markets it airs in), you'll hear the reactions from listeners and the staff. You don't have to feel guilty for pointing out the obvious: Friends might not want you to be more happy than they are... So DO YOUR PATH AND PURPOSE regardless of what they say. They are the same they were three years ago and guess what 'spot' they will be in three years from now? Your purpose is not to stand still as they will. Do what you know you are supposed to do, and they will see your example... and, hopefully, they will inspired to change. If not, they are unable to take risks of the heart... Regardless, it is unselfish of you to move forward without their negative influence. It is selfish to surround yourself with those that stop you from making a real difference in the world utilizing your unique gifts and talents, mastered through developing new habits. Surround you with those that are learning, in constant evolution, with clear visible results... Those that Live Fearless as you will. ~ Sam Botta SUPPORTING UNDERWRITERS Exchanging IDEAS That MATTER THE ASPEN IDEAS FESTIVAL June 27 - July 3, 2012 "In all our lives, truly, our conviction about things changes as time goes on. The landscape shifts as you climb up a hill— the view changes." —Tobias Wolfe, author, Aspen Ideas Festival 2010 Ideas, pure and simple, can be inspirational. They can plant seeds where none existed. They can morph an existing thought into quite another. They can introduce us to worlds of thinking we have never considered, thought about, imagined. At a time when so much needs to re-worked, re-thought, re-solved, the opportunity to spend time and listen to those with conviction and inspiration is unique and exciting. This year at Aspen Ideas Festival we will ask a number of questions of leading thinkers and experts who tackle them on a daily basis: Where do our values come from? Is democracy doing its job? Are we the best generation of parents, or the worst? How can we fix the economy—we have a number of CEO's addressing issues of the utmost importance to our economic recovery. We will be dazzled by the next generation of leaders who are unveiling innovations for the future that we can use today. Join us to listen, discuss, connect, and act. Through the week of this event, we welcome as many members of the public as our generous host venues can accommodate and our various news and web communities can support. We look forward to conversations that spill out onto the streets of Aspen, the communities of the Roaring Fork Valley—and with the help of the Internet, print, and broadcast press—well beyond. FESTIVAL PUBLIC EVENTS AT A GLANCE WEDNESDAY, JUNE 27 7:30 PM Can We Afford to be Healthy? BELLY UP 8:00 PM Rivers of Ice: Vanishing Glaciers of the Greater Himalaya
DOERR-HOSIER CENTER 8:00 PM City of Life and Death Film Screening and Discussion PAEPCKE AUDITORIUM 8:30 PM Can We Solve the Debt Crisis? HOTEL JEROME BALLROOM THURSDAY, JUNE 28 7:45 AM Where is Knowledge? LIMELIGHT HOTEL 7:45 AM Our Moral Imagination HOTEL JEROME BALLROOM 12:00 PM White House Burning: The Founding Fathers, Our National Debt, and Why It Matters to You LIMELIGHT HOTEL 12:00 PM (doors close at 11:45) "Talk of the Nation" LIVE HOTEL JEROME BALLROOM 5:00 PM Head Games: Can Football Be Saved From Itself? American Man Film Screening and Discussion PAEPCKE AUDITORIUM 5:30 PM Speaker Salon: Telling a Good Story LIMELIGHT HOTEL 7:30 PM Hearts, Minds, and the 2012 Election BELLY UP 7:30 PM What's a Legacy Worth? DOERR-HOSIER CENTER 8:00 PM Finding North Film Screening and Discussion PAEPCKE AUDITORIUM 8:30 PM Entrepreneurship 2012 HOTEL JEROME BALLROOM FRIDAY, JUNE 29 7:45 AM The Real Romney LIMELIGHT HOTEL 7:45 AM The Kinect Effect and Beyond: Evolving the Interface Between Mankind and Machines HOTEL JEROME BALLROOM 12:00 PM (doors close at 11:45) BBC World Service's "The Forum:" America's Role in the World
HOTEL JEROME BALLROOM 12:00 PM Best Practices in Sustaining a Legacy of Values Across Generations
LIMELIGHT HOTEL 2:30 PM (doors close at 2:15) "Marketplace" LIVE BELLY UP 5:30 PM Speaker Salon: Can We Design Our Way Out of Poverty?
LIMELIGHT HOTEL 5:30 PM Fair Play and Illusion Racial Myths from Obama and Immigrants to College Athletes HOTEL JEROME ANTLER BAR 7:30 PM In Conversation: Moby BELLY UP 8:00 PM Detropia Film Screening and Discussion PAEPCKE AUDITORIUM 8:00 PM Is Lying OK? DOERR-HOSIER CENTER 9:00 PM What Does it Take to Be President? HOTEL JEROME BALLROOM SATURDAY, JUNE 30 7:45 AM An Accidental Sportswriter: A Memoir LIMELIGHT HOTEL 7:45 AM The Art and Sciences of Human Inventiveness HOTEL JEROME BALLROOM 12:00 PM Six Degrees of Separation: How do our Connections Improve our Lives? HOTEL JEROME BALLROOM 12:00 PM Making Cities Sing LIMELIGHT HOTEL 2:00 PM - 5:00 PM Afternoon of Conversation BENEDICT MUSIC TENT 7:30 PM America the Post-Superpower BELLY UP 8:00 PM In the Zone: What does Peak Performance Require?
HOTEL JEROME BALLROOM 8:00 PM Last Train Home Film Screening and Discussion PAEPCKE AUDITORIUM 10:00 PM In Conversation with Stanley Tucci HOTEL JEROME BALLROOM SUNDAY, JULY 1 7:45 AM The Tiger Mother Tells All HOTEL JEROME BALLROOM 7:45 AM Need, Speed, and Greed LIMELIGHT HOTEL 12:00 PM All In: The Education of General David Petraeus LIMELIGHT HOTEL 12:00 PM (doors close at 11:45) BBC World Service's "The Forum": How is Technology Changing the Way We Live Our Lives HOTEL JEROME BALLROOM 5:30 PM Speaker Salon: Coming Home: Supporting America's New Generation of Veterans HOTEL JEROME ANTLER BAR 5:30 PM So Rich, So Poor LIMELIGHT HOTEL 7:00 PM Intelligence Squared U.S. Debate: No Fracking Way
Aspen District Theatre SUNDAY, JULY 1 CONT. 7:30 PM Media and the Election BELLY UP 8:00 PM Joe Papp in Five Acts Film Screening and Discussion PAEPCKE AUDITORIUM 8:30 PM Theatre of Politics: Morals & Rhetoric HOTEL JEROME BALLROOM MONDAY, JULY 2 7:45 AM Talking Back to Facebook LIMELIGHT HOTEL 7:45 AM How Economics Helps Us Understand and Improve Modern Family Life
HOTEL JEROME BALLROOM 12:00 PM Vital Voices: The Power of Women Leading Change Around the World
HOTEL JEROME BALLROOM 12:00 PM Making Good, Finding Meaning, Money & Community in a Changing World LIMELIGHT HOTEL 5:30 PM Speaker Salon: Attached: The New Science of Adult Attachment and How it Can Help you Find and Keep Love
HOTEL JEROME ANTLER BAR 5:30 PM Wired for War: The Robotics Revolution and Conflict in the 21st Century
LIMELIGHT HOTEL 7:30 PM Steve Jobs's Design Genius BELLY UP 8:00 PM Chasing Ice Film Screening and Discussion PAEPCKE AUDITORIUM 8:30 PM How to Land Your Kid in Therapy: Overparenting and Its Perils HOTEL JEROME BALLROOM TUESDAY, JULY 3 7:45 AM It's Not Your Grandfather's Army HOTEL JEROME BALLROOM 7:45 AM The Impeachment of Abraham Lincoln LIMELIGHT HOTEL Tickets for the individual public events will go on sale June 20 through Aspen Show Tickets at the Wheeler in person, online at www.aspenshowtix.com, or by calling 970.920.5770. In person and online orders are encouraged. There is an additional $4 will-call fee per event for orders placed by phone or online. DUE TO DEMAND, INDIVIDUALS ARE LIMITED TO PURCHASING 2 TICKETS PER EVENT. FOR MORE INFORMATION ABOUT SPEAKERS visit www.aspenideas.org public EVENTS The following programs are open to the public, starting at $20 per event. Space is limited, and the schedule is subject to change; please check the pages of The Aspen Times and listen to KAJX (91.5 FM) daily June 27-July 3. For more information on the Aspen Ideas Festival, visit aspen. Tickets are available starting June 20, through the Wheeler Opera House box office in person and at (970) 920-5770, and www.aspenshowtix.com.
For biographical information on individual speakers, visit aspenideas.org. DUE TO DEMAND INDIVIDUALS ARE LIMITED TO PURCHASING 2 TICKETS PER EVENT. EVENING EXCHANGES AMERICA Can We Afford to Be Healthy? BELLY UP, 7:30 PM $20
On the expected eve of one of the more contentious and anticipated Supreme Court decisions, observers share perspectives on Obamacare and its future.
Joe Klein, David Leonhardt, others TBA
MODERATOR Suzanne Malveaux OUR PLANET Rivers of Ice: Vanishing Glaciers of the Greater Himalaya DOERR-HOSIER CENTER, MCNULTY ROOM 8:00 PM $20
The Himalaya are home to the world's most magnificent peaks and thousands of high-altitude glaciers. These important glaciers supply crucial seasonal flows to rivers across Asia, yet many are disappearing at an increasing rate. "Rivers of Ice" presents recent photographs by mountaineer and photographer David Breashears of the world's least studied glaciers alongside archival photographs taken over the past century by the world's greatest alpine photographers. The comparison starkly reveals the alarming loss of ice during the intervening years. Joe Klein, David Leonhardt, others TBA MODERATOR Suzanne Malveaux US-CHINA City of Life and Death: A Film and Discussion PAEPCKE AUDITORIUM, 8:00 PM $20 The Himalaya are home to the world's most magnificent peaks and thousands of high-altitude glaciers. These important glaciers supply crucial seasonal flows to rivers across Asia, yet many are disappearing at an increasing rate. "Rivers of Ice" presents recent photographs by mountaineer and photographer David Breashears of the world's least studied glaciers alongside archival photographs taken over the past century by the world's greatest alpine photographers. The comparison starkly reveals the alarming loss of ice during the intervening years. Language: Chinese with English subtitles Filmmaker Lu Chuan INTERVIEWER Melissa Chiu ECONOMY Can We Solve the Debt Crisis? HOTEL JEROME BALLROOM, 8:30 PM $20 Simon Johnson
INTERVIEWER Kai Ryssdal BREAKFAST SESSIONS TECHNOLOGY Where is Knowledge? LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast at 7:15)
We live in an age of information that is growing exponentially. Knowledge is no longer in our heads—it is in the "cloud," on networks. How will we tap into "knowledge" and wisdom as we move forward through the internet age? Internet philosopher David Weinberger, author of Too Big to Know: Rethinking Knowledge Now That the Facts Aren't the Facts, Experts Are Everywhere, and the Smartest Person in the Room Is the Room, shows how business, science, education, and the government are learning to use networked knowledge to understand the world and how it works— and work smarter.
David Weinberger
INTERVIEWER John Seely Brown VALUES Our Moral Imagination HOTEL JEROME BALLROOM, 7:45 AM $35 (includes breakfast at 7:15) In our current market society, where everything and everyone is potentially a commodity, we
need to develop our moral imaginations. We can do this through active engagement with the arts and humanities, which opens the way for us to explore our values and speak across our cultural divides. A moral imagination enables us to develop empathy, an enlarged sense of community and a consideration for the other. Dean Jane Shaw, The Grace Cathedral of San Francisco LUNCH SESSIONS ECONOMY White House Burning: The Founding Fathers, Our National Debt, and Why It Matters to You
LIMELIGHT HOTEL, 12:00 PM $45 (includes lunch at 11:30)
America is mired in debt—more than $30,000 for every man, woman, and child. Bitter fighting over deficits, taxes, and spending bedevils Washington, even as partisan gridlock has brought the government to the brink of default. Yet the more politicians on both sides of the aisle rant and the citizenry fumes, the more things seem to remain the same. Sinon Johnson MODERATOR David Leonhardt "Talk of the Nation" LIVE HOTEL JEROME BALLROOM, 12:00 PM $45 (includes lunch at 11:00) Doors Open 11:00 AM for lunch. Live taping 12:00 PM -- 2:00pm
NPR's popular midday news-talk show is broadcasting live from the Aspen Ideas Festival. Hour 1: Exporting Democracy Robert Kagan
INTERVIEWER Neal Conan
Ender: What Do We Believe And Why? Mark Penn
INTERVIEWER Neal Conan
Hour 2: Making Work Work
Ben Waber, Shankar Vendantam INTERVIEWER Neal Conan
Ender: The Stories Behind Photographs Moby
INTERVIEWER Neal Cohen SPEAKER SALON US-CHINA Telling a Good Story LIMELIGHT HOTEL, 5:30 PM $20
How are Chinese and American journalists balancing activism and information in the pursuit of the next story? And what is journalism's role in society? Journalists share perspectives from opposite sides of the globe.
James Fallows, Hu Shuli, Liu Xin
MODERATOR Orville Schell SPECIAL EVENT Head Games: Can Football Be Saved From Itself? Screening of American Man Followed by a Discussion PAEPCKE AUDITORIUM, 5:00 PM $20 Football is America's most popular game, underwritten by communities and schools everywhere. But even NFL veterans are now starting to steer their children into alternate sports to save them from lasting injuries. Our panel considers the latest research on concussions, and cutting-edge ideas designed to manage the violence. The documentary American Man by Jon Frankel, featuring former NFL player Kevin Turner, will be screened before the discussion. Dan Garza, Chris Nowinski, Kevin Turner MODERATOR Tom Farrey EVENING SESSIONS AMERICA Hearts, Minds, and the 2012 Election BELLY UP, 7:30 PM $20
What is the American public's mood this election season? Will people vote? A look at the social, economic, and cultural issues that will help decide the 2012 election, from faith and race to reproductive rights and the role of women.
E.J. Dionne, Joe Klein, Debra Lee, Mark Penn, Mark Preston
MODERATOR Ron Brownstein underwritten by Southern Company SPORTS What's a Legacy Worth? Leaving an Impact off the Field and After the Bell DOERR-HOSIER CENTER, MCNULTY ROOM, 7:30 PM $20
In this evening discussion, a panel will explore impact and legacy through the lens of three individuals who achieve initial success through athletics, sports, or physical achievements.
David Breashears, Jim Brown, Michelle Kwan
MODERATOR Chris Heilmann underwritten by U.S. Trust THURSDAY, JUNE 28 CONTINUED THURSDAY, JUNE 28 CONTINUED FRIDAY, JUNE 29 CONTINUED AMERICA Finding North: A Film and Discussion PAEPCKE AUDITORIUM, 8:00 PM $20 Hunger poses serious economic, social, and cultural implications for our nation. Forty-nine million people in the US—one in four children—don't know where their next meal is coming from. Finding North examines this issue through the lens of three people who are struggling with food insecurity. Their stories are interwoven with insights from experts, ordinary citizens and teachers, and activists. Is it possible to make healthy food available and affordable for all?
Dan Glickman, Kristi Jacobson
MODERATOR Corby Kummer ECONOMY Entrepreneurship 2012 HOTEL JEROME BALLROOM, 8:30 PM $20 Beth Brooke and others TBA SPEAKER SALON OUR PLANET Can We Design Our Way Out of Poverty? LIMELIGHT HOTEL, 5:30 PM $20
In 2011 IDEO, the world-renowned design and innovation company, launched IDEO.org, a non- profit committed to the eradication of poverty by applying design-based methods to challenges in areas such as health, sanitation, education, and agriculture. IDEO.org's mission is to foster and spread the design in the social sector by making all projects open and sharable. Join IDEO CEO Tim Brown and IDEO.org Executive Director Jocelyn Wyatt to discuss learnings and insights about how design thinking is driving new possibilities in philanthropy and social innovation. Tim Brown, Jocelyn Wyatt AMERICA Fair Play and Illusion: Racial Myths From Obama and Immigrants to College Athletes? ANTLER BAR, HOTEL JEROME BALLROOM, 5:30 PM $20
How two separate careers have followed issues of race and justice into many areas where they are commonly avoided, including college sports.
Taylor Branch
INTERVIEWER Anna Deavere Smith EVENING SESSIONS ARTS In Conversation: Moby BELLY UP ASPEN, 7:30 PM $20
An acclaimed musician, DJ, and photographer, Moby is also known for his interest in architecture. Moby has sold more than 20 million albums.
Moby INTERVIEWER Tim Brown ECONOMY Detropia: A Film and Discussion PAEPCKE AUDITORIUM, 8:00 PM $20 Detroit was the birthplace of the middle class, an industrial utopia where anyone who worked hard enough could experience the "American dream." Today, Detroit is on the brink of bankruptcy. In the past 10 years this Midwestern icon has lost 25 percent of its population and 50 percent
of its manufacturing jobs. City officials are in the midst of the most dramatic "downsizing" of
an American city ever seen—demolishing thousands of homes, reconsolidating massive tracts
of excess land, cutting basic services and encouraging Detroiters in marginal neighborhoods
to move. Detroiters who have stuck with the city are at the breaking point. Artists and curious outsiders flock to the city in search of inspiration and opportunity. Racial tension, globalization, lack of innovation and greed has led to a moment of truth for Detroit. How the Motor City reboots itself will set the example for countless other post-industrial cities with similar fates. And today the entire country is watching to see if this storied metropolis has the courage, creativity and grit to reinvent itself—instead of implode.
Heidi Ewing, Rachel Grady
MODERATOR Charlie Firestone VALUES Is Lying OK? DOERR-HOSIER CENTER, MCNULTY ROOM, 8:00 PM $20
NPR On-Stage presents: "A Fish Tale." NPR is usually in the business of seeking the truth, but for "A Fish Tale," NPR's science correspondents go out in search of a lie. They find one—a classic big fish story invented by two little boys in Wisconsin—and examine it from various angles to explain the science behind human deception. NPR's Jon Hamilton, Alix Spiegel, and Shankar Vedantam normally cover neuroscience, individual psychology, and social behavior, respectively, but in "A Fish Tale," they artfully weave their three beats together to give a fuller understanding of the very human urge to lie. During the show they argue amongst themselves, play fascinating clips from interviews with scientists and with liars, and use the powerful art of storytelling to make the latest scientific research entertaining and accessible. Jon Hamilton, Alix Spiegel, Shankar Vedantam AMERICA What Does It Take to Be President? BREAKFAST SESSIONS AMERICA The Real Romney LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast at 7:15) Michael Kranish turns his investigative eye on Romney's personal life, his bond with his wife and how they handled her diagnosis with multiple sclerosis, and his difficult years as a Mormon missionary in France, where a fatal car crash had a profound effect on his path. The book also illuminates Romney's privileged upbringing in Bloomfield Hills, Michigan; his rejection of the 1960s protest culture; and his close but complicated relationship with his father. Michael Kranish INTERVIEWER Mark Preston TECHNOLOGY The Kinect Effect and Beyond: Evolving the Interface Between Mankind and Machines HOTEL JEROME BALLROOM, 7:45 AM 7:15) $35 (includes breakfast at With each turn in the evolution of interactive entertainment has come new capabilities, new ways to delight consumers by translating complex technologies into the simplest and most intuitive experiences. On some level, the video game industry has been the forerunner in bringing new cutting-edge technology to the masses, on-boarding consumers with the latest technologies, tools and experiences. Kinect started as a controller free gaming device, but has gone far beyond its origins to begin to redefine consumer experiences across industries like education, healthcare and retail. We are also seeing a whole new ecosystem of connected smart glass devices like your phones, tablets, and PCs becoming more intelligent and interactive with your TV. This session will cover some of today's key trends and the latest technologies that will reshape the future of content, interactivity and social entertainment. Mark Whitten LUNCH SESSIONS TECHNOLOGY underwritten by esa BBC World Service's "The Forum": America's Role in the World HOTEL JEROME BALLROOM, 12:00 PM $45 (includes lunch at 11:30) David Brooks, Anne-Marie Slaughter, Richard Haass
MODERATOR Bridget Kendall ECONOMY Best Practices in Sustaining a Legacy of Values Across Generations LIMELIGHT HOTEL, 12:00PM $45 (includes lunch at 11:30)
What kind of world do we want to create, protect, and leave behind? We transfer wealth as we can but importantly, what we really want our children to understand is our values. Chris Heilmann SPECIAL EVENT APM's "Marketplace" LIVE! BELLY UP ASPEN, 2:30 PM-4:00 PM (doors closed at 2:15 PM) $20
Ever wonder what goes on behind the scenes at the number one rated business program in the HOTEL JEROME BALLROOM, 9:00 PM $20
What are the qualities it takes to be a successful president in the modern era? David Gergen, Joe Klein, George Mitchell, Andrea Mitchell MODERATOR Ron Brownstein United States? Well, here's your chance to see economic news in action, to be part of the action as Marketplace goes on-air. Marketplace's Kai Ryssdal hosts a live show at the Aspen Ideas Festival, in front of an audience. Get a taste of Marketplace's irreverent and insightful coverage of the money, business, and economic news that influences your life. And stay for a Q&A with Marketplace. Heidi Moore, David Breashers, Tory Burch MODERATOR Kai Ryssdal underwritten by DLA Piper SUNDAY, JULY 1 SATURDAY, JUNE 30 BREAKFAST SESSIONS SPORTS An Accidental Sportswriter: A Memoir LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast at 7:15)
A longtime sports columnist for The New York Times interweaves stories from his life and the events he covered to explore the relationships between the games we play and the lives we lead
Robert Lipsyte
INTERVIEWER John Walsh SCIENCE The Art and Science of Human Inventiveness HOTEL JEROME BALLROOM, 7:45 AM $35 (includes breakfast at 7:15) A New York Times best-selling author takes a revelatory look at the new science of creativity. Shattering the myth of muses, higher powers, even creative "types," he will discuss how creativity is not a single gift possessed by the lucky few. It's a variety of distinct thought processes that we can all learn to use more effectively. Jonah Lehrer
INTERVIEWER John Seely Brown LUNCH SESSIONS ECONOMY Six Degrees of Separation: How Do Our Connections Improve our Lives? HOTEL JEROME BALLROOM, 12:00 PM $45 (includes lunch at 11:30) Our networks—personal and professional relationships, club memberships, faith communities, among others—help us to get jobs, advance our careers, and build economic mobility. How
does "who we know" help us move up the economic ladder, and what can be done—socially, economically, and politically—to strengthen social capital as a key ingredient to breaking the grip of poverty?
Anne Mosle, Robert D. Putnam, Mario Small
MODERATOR David Leonhardt Making Cities Sing LIMELIGHT HOTEL, 12:00 PM $35 (includes lunch at 11:30)
In urban centers around the country, local governments are looking to attract emerging industries and the next generation of entrepreneurs. At the same time, there is an increasing synergy between cities, philanthropies, and arts organizations looking for ways to promote an environment hospitable to a creative economy. How have the arts and policymakers collaborated? What are the initiatives that can make our cities sing?
Rocco Landesman, Dennis Scholl, Darren Walker
MODERATOR Richard Florida EVENING SESSIONS AMERICA America the Post-Superpower BELLY UP, 7:30 PM $20
If we no longer have a monopoly on economic, political, and cultural leadership, can the US find a role for itself in a world with multiple power players? Expert media figures share their perspectives. Steve Inskeep, Andrea Mitchell, Dina Temple-Raston, Bret Stephens, Vijay Vaitheeswaran
MODERATOR Steve Clemons BREAKFAST SESSIONS THE CHILD The Tiger Mother Tells All HOTEL JEROME BALLROOM, 7:45 AM $35 (includes breakfast at 7:15) The Yale professor, author, and outspoken mom talks about her life and family and explains her take on child-rearing—and why the firestorm around her 2011 book Battle Hymn of the Tiger Mother took her by surprise.
Amy Chua
INTERVIEWER Lori Gottlieb SPORTS In the Zone: What does Peak Performance Require? HOTEL JEROME BALLROOM, 8:00 PM $20
What does it mean to perform at the top of your game physically and mentally? A top fitness expert, Paralympic athlete, and research scientist discuss.
Bob Harper, Bonnie St. John, Gregory Yep
MODERATOR Jon Frankel US-CHINA Last Train Home: A Film and Discussion PAEPCKE AUDITORIUM, 8:00 PM $20 Every spring, China's cities are plunged into chaos as 130 million migrant workers journey to their home villages for New Year's holiday. Last Train Home documents the mass exodus, which is the world's largest human migration- an epic spectacle that reveals a country tragically caught between its rural past and industrial future. (Language: Chinese with English subtitles) Filmmaker Fan Lixin INTERVIEWER James Fallows ARTS In Conversation with Stanley Tucci HOTEL JEROME BALLROOM, 10:00 PM $20 Stanley Tucci
INTERVIEWER Jeffrey Goldberg The book's subtitle is the best description for this talk: How the New Rules of Innovation Can Transform Businesses, Propel Nations to Greatness, and Tame the World's Most Wicked Problems. The author will discuss his insightful assessment of the changing global economy, complete with recommendations for how companies can thrive in a perpetually disruptive environment Vijay Vaitheeswaran LUNCH SESSIONS WAR & PEACE All In: The Education of General David Petraeus LIMELIGHT HOTEL, 12:00 PM $45 (includes lunch at 11:30)
"This is the best book yet on General David Petraeus, written by a remarkable former Army officer who spent months on the ground in Afghanistan herself. Paula Broadwell captures his basic tenets of counterinsurgency and basic approach to leadership— as well as Petraeus's personal qualities and character— in a highly readable and pithy fashion. No one gives a truer picture of the war,
or of the finest general of this era and one of the greatest in modern American history." --Michael O'Hanlon, Senior Fellow, the Brookings Institution
Paula Broadwell
INTERVIEWER Michael O'Hanlon TECHNOLOGY BBC World Service's "The Forum": How is Technology Changing the Way We Live Our Lives
HOTEL JEROME BALLROOM, 12:00 PM (doors close at 11:45 PM) $45 (includes lunch at 11:30) Joichi Ito, Julie Taymor, Michael Gallagher Moderator: Bridget Kendall SPEAKER SALON WAR & PEACE Coming Home: Supporting America's New Generation of Veterans ANTLER BAR, HOTEL JEROME BALLROOM, 5:30 PM $20
As our nation approaches its Independence Day, the single group of individuals deserving our greatest gratitude are our veterans. Paul Rieckhoff's organization, Afghanistan Veterans of America (IAVA), is America's first and largest organization for Iraq and Afghanistan veterans. A nonpartisan nonprofit founded in 2004 with over 200,000 members in all 50 states, IAVA's mission is to improve the lives of Iraq and Afghanistan veterans and their families when they come home.
A nationally recognized authority on the wars in Iraq, Afghanistan and a broad range of issues affecting troops, veterans, and their families, Rieckhoff has appeared on hundreds of television and radio programs, and now, for the first time, as an Ideas Festival speaker.
Paul Rieckhoff AMERICA So Rich, So Poor: Why It's So Hard to End Poverty in America LIMELIGHT HOTEL, 5:30 PM $20
If the nation's gross national income—over $14 trillion—were divided evenly across the entire US population, every household could call itself middle class. Yet the income-level disparity in this country is now wider than at any point since the Great Depression. In 2010 the average salary for CEOs on the S&P 500 was over $1 million—climbing to over $11 million when all forms
of compensation are accounted for—while the current median household income for African Americans is just over $32,000. How can some be so rich, while others are so poor
Peter Edelman
INTERVIEWER Michele Norris EVENING SESSIONS SPECIAL EVENT "Intelligence Squared U.S." Debate: NO FRACKING WAY: The Natural Gas Boom is Doing More Harm Than Good ASPEN DISTRICT THEATER, 7:00 PM $20
Can natural gas be part of a clean energy solution, or is it a dangerous roadblock to a fossil-free future? This will be a lively, Oxford-style debate taped for broadcast. IQ2US provides a forum for intelligent discussion, grounded in facts and informed by reasoned analysis; to transcend the toxically emotional and the reflexively ideological; and to encourage recognition that the opposing side has intellectually respectable views. For the Motion: Deborah Goldberg, Katherine Hudson Against for the Motion: Joe Nocera, Susan Tierney MODERATOR John Donvan ECONOMY Need, Speed, and Greed LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast at 7:15) underwritten by PepsiCo SUNDAY, JULY 1 CONTINUED MONDAY, JULY 2 CONTINUED AMERICA Media and the Election BELLY UP, 7:30 PM $20
Mike Allen, Charlie Cook, Frank Luntz MODERATOR Gwen Ifill ARTS Joe Papp in Five Acts: A Film and Discussion PAEPCKE AUDITORIUM, 8:00 PM $20 This documentary tells the story of New York's indomitable, streetwise champion of the arts, Joe Papp — founder of the Public Theater and free Shakespeare in the Park—who introduced interracial casting to the American stage and nurtured an entire generation of artists, along with their works, from Hair to A Chorus Line.
Tracie Holder
MODERATOR Oscar Eustis ARTS Theater of Politics: Morals & Rhetoric HOTEL JEROME BALLROOM: 8:30 PM $20 $20
In this presidential election year, we take a look at the oratory of politics and theater. Joined by Damian Woetzel and other Aspen Ideas speakers, and drawing on famous (and infamous) speeches from real life and literature, Michael Sandel leads an exchange on the moral implications of rhetoric in our society.
Michael Sandel, Damian Woetzel
MODERATOR Kurt Andersen SPEAKER SALON VALUES Attached: The New Science of Adult Attachment and How it Can Help you Find and Keep Love
ANTLER BAR, HOTEL JEROME BALLROOM, 5:30 $20
We rely on science to tell us everything from what to eat to when and how long to exercise, but what about relationships? Is there a scientific explanation for why some people seem to navigate relationships effortlessly, while others struggle? According to psychiatrist and neuroscientist Dr. Amir Levine and Rachel Heller, the answer is a resounding "yes." Amir Levine INTERVIEWER Sue Goodwin WAR & PEACE Wired for War: The Robotics Revolution and Conflict in the 21st Century LIMELIGHT HOTEL, 5:30 PM $20
An amazing revolution is taking place in the labs and on the battlefield, starting to change not just how wars are fought but also rippling out upon the politics, economics, laws, and ethics
that surround war itself. In the last few years, unmanned, remotely operated, and other robotic systems have moved from the realm of science fiction into playing a central role in American military operations and foreign policy. But systems like the Predator drone of today are only the start, and the US is only one of many new users. What are the key issues and challenges that the dawn of the robotic revolution presents? What will happen next in this strange new world of war and technology? And what does it mean, not just for future battlefields, but also for our societies treat war itself? Peter W. Singer EVENING SESSIONS TECHNOLOGY Steve Jobs's Design Genius BELLY UP, 7:30 PM $20
Belly Up, 7:30 PM $20
Walter Isaacson, acclaimed biographer of Apple's founder, discusses Jobs' brilliant ability to match creativity with technology within a highly disciplined framework of simple, yet elegant design.
Walter Isaacson
INTERVIEWER Kurt Andersen CANCELED BREAKFAST SESSIONS THE CHILD Talking Back to Facebook LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast at 7:15)
Should you ban violent video games? When should kids be allowed to use Facebook? Should preteens have cell phones? Does the Internet give kids ADHD? The founder of Common Sense Media discusses his new book, which offers insights and essential tools to help filter content, preserve good relationships with children, and make common -sense, value-driven judgments for kids of all ages.
James P. Steyer
INTERVIEWER Scott Stossel THE CHILD How Economics Helps Us Understand and Improve Modern Family Life HOTEL JEROME BALLROOM, 7:45 AM $45 (includes breakfast at 7:15) Economic forces shaping family life have undone many of the benefits of traditional marriage. In the wake of this change, a new type of marriage has emerged: one shaped by shared experiences and passions, in which partners are equals sharing the roles of parent and breadwinner. In this session, two economists who are colleagues and coauthors as well as partners and coparents explore how economics can help us understand the deeper forces responsible for these changes in family life and how you can use the principles of economics to help make better decisions in the domestic domain. Betsey Stevenson, Justin Wolfers MODERATOR David Leonhardt LUNCH SESSIONS DEMOCRACY Vital Voices: The Power of Women Leading Change Around the World HOTEL JEROME BALLROOM, 12:00 PM $45 (includes lunch at 11:30) Four global leaders discuss emerging leadership models led by women and how these models are redefining the concept of power. Will these women reshape our world?
Kah Walla, Laura Alonso, Amira Yahyaoui
MODERATOR Alyse Nelson underwritten by Thomson Reuters OUR PLANET Making Good, Finding Meaning, Money & Community in a Changing World LIMELIGHT HOTEL, 12:00 PM $45
As we emerge from the recession, a generation is searching for practical ways to succeed financially while also making positive changes in the world. From energy to food to education, Making Good outlines how to do this. These opportunities are not just for entrepreneurs and Fortune 500 companies: Making Good outlines step by step how anyone can achieve financial autonomy, capitalize on global changes to infrastructure, and learn from everyday success stories—providing the skills and insight this generation needs to succeed. Billy Parish underwritten by Booz Allen Hamilton OUR PLANET Chasing Ice: A Film and Discussion PAEPCKE AUDITORIUM, 8:00 PM $20 In the spring of 2005, internationally renowned environmental photographer James Balog headed to the Arctic on a tricky assignment: to capture images to help tell the story of the Earth's changing climate. Within months, he conceived the boldest expedition of his life: the Extreme Ice Survey. With a band of young adventurers in tow, Balog began deploying revolutionary time-lapse cameras across the Arctic to capture a multi-year record of the world's changing glaciers
James Balog THE CHILD How to Land Your Kid in Therapy: Overparenting and Its Perils HOTEL JEROME BALLROOM, 8:30 PM $20
By trying to provide the perfectly happy childhood, a generation of parents may be making it harder for their kids to actually grow up. Learn how our preoccupation with choice, self-esteem, and happiness may be yielding a generation marked by entitlement, materialism, narcissism, and an inability to face the challenges of adult life.
Lori Gottlieb, Madeline Levine, Polly Young-Eisendrath, MODERATOR Katie Couric BREAKFAST SESSIONS WAR & PEACE It's Not Your Grandfather's Army: The History and Future of America's Armed Forces HOTEL JEROME BALLROOM, 7:45 AM $35 (includes breakfast at 7:15) The All-Volunteer Force that came into being in 1973 is now nearly four decades old. Changes
in demography, cultural values, and technology—not to mention changes in the missions it has taken up—have transformed the force almost beyond recognition. Who fights today, why, and how? And how does the nature of the force shape national security strategies? David Kennedy WAR & PEACE The Impeachment of Abraham Lincoln LIMELIGHT HOTEL, 7:45 AM $35 (includes breakfast at 7:15)
This year—and next—marks the 150th anniversary of Lincoln's assumption of extraordinary war powers, powers that presidents ever since have cited and replicated in response to threats to the national interest. Join author Stephen Carter for a timely discussion on his latest novel, which is a daring reimagining of one of the most tumultuous moments in our nation's past. This vivid piece of historical fiction captures the emotional tenor of post-Civil War America, and explores the always contentious question of the nature of presidential authority.
Stephen L. Carter
INTERVIEWER Elisa New TUESDAY, JULY 3 An Afternoon of Conversation SATURDAY, JUNE 30, 2:00PM -- 5:00PM [ DOORS OPEN AT 1:30PM ] $75
Benedict Music Tent The God Particle
Brian Greene, Rolf-Dieter Heuer INTERVIEWER Michele Norris Stanley A. McChrystal on Leadership INTERVIEWER Bob Schieffer In Conversation with Ehud Barak INTERVIEWER Thomas L. Friedman Why the States are Laboratories for Economic Reform Mitch Daniels
INTERVIEWER Charlie Rose In Conversation with Valerie Jarrett INTERVIEWER Gwen Ifill In Conversation with Pervez Musharraf INTERVIEWER David Bradley In Conversation with Lawrence H. Summers INTERVIEWER Gillian Tett EHUD BARAK Minister of Defense, Israel DAVID BRADLEY Chairman,
Atlantic Media Company MITCH DANIELS Governor (R), State of
Indiana; Former Director,
Office of Management and Budget THOMAS L. FRIEDMAN Foreign Affairs Columnist, The New York Times BRIAN GREENE Professor of Mathematics and Physics, Columbia University; Author, The Elegant Universe ROLF-DIETER HEUER Director-General, CERN, European Organization for Nuclear Research GWEN IFILL Moderator and Managing Editor, "Washington Week," Senior Correspondent "The PBS NewsHour," PBS News VALERIE JARRETT Senior Advisor to the President, The White House STANLEY A. MCCHRYSTAL Retired General, US Army; Co-Founder/Partner, McChrystal Group PERVEZ MUSHARRAF Former President, Pakistan MICHELE NORRIS Host, "All Things Considered," NPR CHARLIE ROSE Executive Editor and Anchor, "Charlie Rose," PBS; Anchor, "CBS This Morning" BOB SCHIEFFER Moderator, "Face The Nation," Chief Washington Correspondent, CBS News LAWRENCE H. SUMMERS Charles W. Eliot University Professor, Kennedy School of Government, Harvard University; Former Secretary, US Department of Treasury; Former Director National Economic Council, Obama Administration GILLIAN TETT US Managing Editor, Financial Times SHOWS COMING TO ASPEN NEXT WEEK 8,)U0010fc00*3691 FOR MORE INFORMATION ABOUT SPEAKERS PLEASE VISIT AspenIdeas.org JUNE 25 NPR: "Talk of the Nation" LIVE
PAEPCKE AUDITORIUM 12:00 PM (DOORS CLOSE 11:45 AM) $20
PANELISTS George Divoky, Craig Allen, Jon Foley, E.O. Wilson, Sylvia Earle, Stewart Brand, Richard Harris MODERATOR Neal Conan JUNE 26 NPR: "Talk of the Nation" LIVE
PAEPCKE AUDITORIUM 12:00 PM (DOORS CLOSE 11:45 AM) $20
PANELISTS Sandra Postel, Colum McCann, Firoozeh Dumas, Assaf Gavron, Reza Aslan, Luis Alberto Urrea MODERATOR Neal Conan JUNE 28 NPR: "Talk of the Nation" LIVE
HOTEL JEROME BALLROOM 12:00 PM (DOORS CLOSE 11:45 AM) $45 (includes lunch) PANELISTS Robert Kagan, Mark Penn, Ben Waber, Shankar Vendatam, Moby
MODERATOR Neal Conan JUNE 29 BBC World Service's "The Forum": America's Role in the World
HOTEL JEROME BALLROOM 12:00 PM (DOORS CLOSE AT 11:45 AM) $55 (includes lunch) PANELISTS David Brooks, Richard Haass, Anne-Marie Slaughter
MODERATOR Bridget Kendall JUNE 29 APM: "Marketplace" LIVE
BELLY UP ASPEN 2:30 PM (DOORS CLOSE AT 2:15 PM) $20 PANELISTS David Breashears, Tory Burch, Heidi Moore, Additional Guests TBA MODERATOR Kai Ryssdal JULY 1 BBC World Service's "The Forum": How is Technology Changing the Way we Live Our Lives? HOTEL JEROME BALLROOM 12:00 PM (DOORS CLOSE AT 11:45 AM) $55 (includes lunch) PANELISTS Michael Gallagher, Joichi Ito, Julie Taymor
MODERATOR Bridget Kendall JULY 1 Intelligence Squared U.S. Debate: NO FRACKING WAY: The Natural Gas Boom is Doing More Harm than Good ASPEN DISTRICT THEATER 7:00 PM $20
FOR THE MOTION Deborah Goldberg, Katherine Hudson AGAINST THE MOTION Joe Nocera, Susan Tierney
MODERATOR John Donvan To purchase tickets and more information on programs visit www.aspenshowtix.com On the Big Screen at PAEPCKE
night of the Festival to guests and members of the public. The Aspen Ideas Festival is proud to present unique, inspiring, and deeply thought-provoking and even downright hilarious films each City of Life and Death JUNE 27 8:00 PM PAEPCKE AUDITORIUM $20
On December 9, 1937, the Imperial Japanese Army laid siege to the Chinese capital of Nanking, beginning a reign of terror that killed as many as 300,000 civilians. Director Lu Chuan based the film on the recorded witness testimony from the real-life survivors of the massacre, meticulously recreating the infamous reign of terror. The first big-budget fiction film by the Chinese to deal with this seminal event, City of Life and Death paints an epic portrait of wartime conflict, filled with an ensemble of conflicted characters caught in the crossfire, including Chinese officer Lu (Liu Ye), who leads his men in a hopeless, defiant resistance effort; the German businessman, John Rabe (John Paisley), who establishes a safety zone in an attempt to protect civilians; and Japanese soldier Kadokawa (Hideo Nakaizumi), who struggles to live with his conscience in a city where executions are commonplace. Language: Chinese, English subtitles
PANELIST Lu Chuan MODERATOR Melissa Chiu American Man JUNE 28 5:00 PM PAEPCKE AUDITORIUM $20
Kevin Turner is a gentle but broken man of 42, a football superstar forced to reflect on the price he paid for his glory years. Doctors told him in May 2010 that his once elite body was withering, consumed by ALS, a fatal disease. And scientists began to believe at about the same time that the concussions of contact sports were to blame for many traumas of the brain. So Turner was left to wonder whether in worshiping football, and preaching its glory to his kids, he had prayed to a false god. In the decade since he retired, he lost his job, his money, his marriage, and even, he thinks, his mind. But he refused simply to fade away. With a final and painful burst of ambition, he invested his tarnished reputation in a charitable enterprise that would sound the alarm about concussive sports and teach a football-loving nation to protect its sons and future generations. Facing death, Turner thinks he still has time to fashion a proud legacy.
PANELISTS Daniel Garza, Chris Nowinski, Kevin Turner MODERATOR Tom Farrey Finding North JUNE 28 8:00 PM PAEPCKE AUDITORIUM $20
Forty-nine million people in the US—one in four children—don't know where their next meal is coming from. Finding North examines this issue through the lens of three people who are struggling with food insecurity: Barbie, a single Philadelphia mother who grew up in poverty and is trying to provide a better life for her two kids; Rosie, a Colorado second-grader who often has to depend on friends and neighbors
to feed her and has trouble concentrating in school; and Tremonica, a Mississippi second-grader whose asthma and health issues are exacerbated by the largely empty calories her hardworking mother can afford. Their stories are interwoven with insights from experts including sociologist Janet Poppendieck, author Raj Patel, and nutrition policy leader Marion Nestle; ordinary citizens like Pastor Bob Wilson and teachers Leslie Nichols and Odessa Cherry; and activists such as Witness to Hunger's Mariana Chilton, Top Chef's Tom Colicchio and Oscar- winning actor Jeff Bridges.
PANELISTS Kristi Jacobson, Dan Glickman MODERATOR Corby Kummer Detropia JUNE 29 8:00 PM PAEPCKE AUDITORIUM $20
Detroit was the birthplace of the middle class, an industrial utopia where anyone who worked hard enough could experience the American dream. Today, Detroit is on the brink of bankruptcy. In the past 10 years this Midwestern icon has lost 25 percent of its population and 50 percent of its manufacturing jobs. City officials are in the midst of the most dramatic "downsizing" of an American city ever seen--demolishing thousands of homes, reconsolidating massive tracts of excess land, cutting basic services and encouraging Detroiters in marginal neighborhoods to move. Detroiters who have stuck with the city are at the breaking point. Artists and curious outsiders flock to the city in search of inspiration and opportunity. Racial tension, globalization, lack of innovation, and greed has led to a moment of truth for Detroit. How the Motor City reboots itself will set the example for countless other post-industrial cities with similar fates. And today the entire country is watching to see if this storied metropolis has the courage, creativity, and grit to reinvent itself—instead of implode.
PANELISTS Heidi Ewing, Rachel Grady MODERATOR Charlie Firestone Last Train Home JUNE 30 8:00 PM PAEPCKE AUDITORIUM $20
Every spring, China's cities are plunged into chaos as 130 million migrant workers journey to their home villages for the New Year's holiday. This mass exodus is the world's largest human migration—an epic spectacle that reveals a country tragically caught between its rural past and industrial future. Working over several years in classic verité style Chinese-Canadian filmmaker Fan Lixin (with the producers of the award-winning hit documentary Up the Yangtze) travels with a couple who have embarked on this annual trek for almost two decades. Like so many of China's rural poor, Zhang Changhua and Chen Suqin left behind their two infant children for grueling factory jobs. Their daughter Qin—now a restless and rebellious teenager—both bitterly resents their absence and longs for her own freedom away from school, much
to the utter devastation of her parents. Emotionally engaging and starkly beautiful, Last Train Home's intimate observation of one fractured family sheds light on the human cost of China's ascendance as an economic superpower. Language: Chinese, English subtitles
PANELIST Fan Lixin MODERATOR James Fallows Joe Papp in Five Acts JULY 1 8:00 PM PAEPCKE AUDITORIUM $20 Joe Papp in Five Acts is the story of New York's indomitable, streetwise champion of the arts—founder of the Public Theater and free Shakespeare in the Park—who introduced interracial casting to the American stage and nurtured an entire generation of artists, along with their works, from Hair to A Chorus Line. In his eyes, great art was for everyone, not just a privileged few. "We have public libraries," he would argue, "Why not public theaters?" He was convinced that both women and minorities, denied power elsewhere in society, could develop it on the stage. Papp's great accomplishments and his own tumultuous personal history is told by the artists he helped create—and sometimes tried to destroy—a Who's Who of stage and screen including Meryl Streep, Christopher Walken, Martin Sheen, Kevin Kline, James Earl Jones, Olympia Dukakis, and Larry Kramer, among others. A presentation of "NEW VIEWS: Documentaries & Dialog," PANELIST Tracie Holder MODERATOR Oskar Eustis co-presented by The Aspen Institute and AspenFILM Chasing Ice JULY 2 8:00 PM PAEPCKE AUDITORIUM $20
In the spring of 2005, internationally renowned environmental photographer James Balog headed to the Arctic on a tricky assignment: to capture images to help tell the story of the Earth's changing climate. Even with a scientific upbringing, Balog had been a skeptic about climate change and the veracity of computer models. But that first trip north opened his eyes to the biggest story in human history and sparked a challenge within him that would put his career and his very well-being at risk. Within months, he conceived the boldest expedition of his life: the Extreme Ice Survey. With a band of young adventurers in tow, Balog began deploying revolutionary time-lapse cameras across the brutal Arctic to capture a multi-year record of the world's changing glaciers. Battling untested technology in subzero conditions, Balog comes face to face with his own mortality. His hauntingly beautiful videos compress years into seconds and capture ancient mountains
of ice in motion as they disappear at a breathtaking rate. Chasing Ice depicts a photographer trying to deliver evidence and hope to our carbon-powered planet.
PANELIST James Balog WhatRunsWhere.com is an incredible tool. It allows anyone to use massive amounts of data in minutes to supercharge their media buys or create new ones. In the following sections, we'll outline some of the  best ways to use WhatRunsWhere.com to turn a media buy from a failure (or even just good) to great. This will result in a higher ROI for yourself or clients and be a staple of your media buying process  moving forwards. Let's dive in! USING WHATRUNSWHERE TO SUPERCHARGE YOUR MEDIA BUYS  With so much data available through WhatRunsWhere the big question is where to start. This all depends, are you starting a new campaign or using it to optimize and improve something existing?  Also, how much do you know about your actual client or campaign? What type of media buying are you going to be doing? All of these are valid questions. We're going to run through a lot of different  scenarios that will encompass the most common scenarios and how to make more money from them. Scenario 1: I Know My Competitors If you already know who your competitors are you can easily use WhatRunsWhere to take advantage of all the money and time they've spent already doing your work for you. By looking up a competitor you  can see all the ads they used, where they bought the ads through and where they actually had these banners show up. Using this information you can create profiles about what parts of ads are working,  what types of websites are working and who you should try buying inventory through. You can use this information to start your own campaign or boost the performance of an existing media buying  campaign. To do this, we'll use the "By Advertiser" tab in WhatRunsWhere. By entering in the landing page URL of  the advertiser you're looking for, you can quickly find all the places they bought ads, the domains they owned, the actual serving mechanism they used and what text and banner ads they're using. Below is  a screenshot of the "By Advertiser" tab. Let's break down what we've actually seen here and how we can use that. The first thing we should  look at is the traffic sources tab. This will tell us all the domains the landing page has been seen on, what country it was seen in, the traffic source they're buying through, how long it's been running and a  measure of how many times it's been seen (Example shown below). There is also the suggested placements tab (example shown below). This tab suggests other placements that advertise (or you) may want to advertise based on an affinity score to the types of  websites they're already advertising on. This proprietary actionable insight allows WhatRunsWhere.com to suggest other places to expand a media buying campaign to that not even  your competitors may have thought of! What we can take away from this information are the type of websites we want to test advertising on and the demographics our competitors are going after in the sites they advertise on (you can research  this site by site by using free tools like Alexa.com and Quantcast.com). By spotting trends in the ad networks and site types, we can figure out what type of website we should be buying on without  spending a dime. By applying this information to websites across the web will allow us to build or supplement a media buying campaign by using information that results in the product having a high chance of success for you. Just ripping off the results is not a recommended strategy. Taking what you  seen and improving on it will always yield a better result. The other very important information tab here are the ads tabs (example seen below). By analyzing the  ads found by the advertiser you can quickly spot trends within in the ads. By pulling out important words or themes you can create your own ads that incorporate information your competition has already spent  a fair amount of money testing and working on. Hint, you can filter by Ad Strength to see the ads we think are doing best for your competitors. The end result is a campaign that has a lot less risk and a much higher chance of success. Remember, you can repeat this across as many competitors as you want. The more information you gather and  incorporate the more tried and tested data is being used. Revised 8/17/12 Academy of Television Arts & Sciences 64th Primetime Emmy Award Nominations Outstanding Comedy Series The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television Chuck Lorre, Executive Producer Bill Prady, Executive Producer Steven Molaro, Executive Producer Dave Goetsch, Co-Executive Producer Eric Kaplan, Co-Executive Producer Jim Reynolds, Co-Executive Producer Steve Holland, Supervising Producer Peter Chakos, Supervising Producer Maria Ferrari, Producer Faye Oshima Belyeu, Produced By Curb Your Enthusiasm • HBO • HBO Entertainment Larry David, Executive Producer Jeff Garlin, Executive Producer Gavin Polone, Executive Producer Alec Berg, Executive Producer David Mandel, Executive Producer Jeff Schaffer, Executive Producer Larry Charles, Executive Producer Tim Gibbons, Executive Producer Erin O'Malley, Executive Producer Laura Streicher, Producer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Lena Dunham, Executive Producer Judd Apatow, Executive Producer Jenni Konner, Executive Producer Ilene S. Landress, Co-Executive Producer Bruce Eric Kaplan, Co-Executive Producer Modern Family • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Steven Levitan, Executive Producer Christopher Lloyd, Executive Producer Danny Zuker, Executive Producer Dan O'Shannon, Executive Producer Bill Wrubel, Executive Producer Paul Corrigan, Executive Producer Brad Walsh, Executive Producer Jeff Morton, Co-Executive Producer Jeffery Richman, Co-Executive Producer Abraham Higginbotham, Co-Executive Producer Cindy Chupack, Co-Executive Producer Chris Smirnoff, Producer 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Lorne Michaels, Executive Producer Tina Fey, Executive Producer Robert Carlock, Executive Producer Marci Klein, Executive Producer David Miner, Executive Producer Jeff Richmond, Executive Producer John Riggi, Executive Producer Ron Weiner, Co-Executive Producer Matt Hubbard, Co-Executive Producer Kay Cannon, Supervising Producer Vali Chandrasekaran, Supervising Producer Josh Siegal, Supervising Producer Dylan Morgan, Supervising Producer Luke Del Tredici, Supervising Producer Jerry Kupfer, Producer Alec Baldwin, Producer Irene Burns, Producer Veep • HBO • Dundee Productions in association with HBO Entertainment Armando Iannucci, Executive Producer Christopher Godsick, Executive Producer Frank Rich, Executive Producer Simon Blackwell, Co-Executive Producer Tony Roche, Co-Executive Producer Julia Louis-Dreyfus, Producer Stephanie Laing, Producer By Outstanding Lead Actress In A Comedy Series Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Lena Dunham as Hannah Horvath Mike & Molly • CBS • Bonanza Productions, Inc. in association with Chuck Lorre Productions, Inc. and Warner Bros. Television Melissa McCarthy as Molly Flynn New Girl • FOX • Chernin Entertainment in association with Twentieth Century Fox Television Zooey Deschanel as Jess Day Nurse Jackie • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber, A Caryn Mandabach Production Edie Falco as Jackie Peyton Parks And Recreation • NBC • Deedle-Dee Productions, Fremulon, 3 Arts and Universal Television Amy Poehler as Leslie Knope 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Tina Fey as Liz Lemon Veep • HBO • Dundee Productions in association with HBO Entertainment Julia Louis-Dreyfus as Selina Meyer Outstanding Lead Actor In A Comedy Series The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television Jim Parsons as Sheldon Cooper Curb Your Enthusiasm • HBO • HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Commercial Films, Refugee Productions, Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Louie • FX Networks • Pig Newton, Inc. in association with FX Productions Louis C.K. as Louie 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Alec Baldwin as Jack Donaghy Two And A Half Men • CBS • Chuck Lorre Productions Inc., The Tannenbaum Company in association with Warner Bros. Television Jon Cryer as Alan Harper Outstanding Supporting Actress In A Comedy Series The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television Mayim Bialik as Amy Farrah Fowler Desperate Housewives • ABC • ABC Studios Kathryn Joosten as Karen McCluskey Modern Family • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Julie Bowen as Claire Dunphy Modern Family • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Sofia Vergara as Gloria Delgado-Pritchett Nurse Jackie • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber, A Caryn Mandabach Production Merritt Wever as Zoey Barkow Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway Video Kristen Wiig as various characters Outstanding Supporting Actor In A Comedy Series Modern Family • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Ed O'Neill as Jay Pritchett Modern Family • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Jesse Tyler Ferguson as Mitchell Pritchett Modern Family • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Ty Burrell as Phil Dunphy Modern Family • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Eric Stonestreet as Cameron Tucker New Girl • FOX • Chernin Entertainment in association with Twentieth Century Fox Television Max Greenfield as Schmidt Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway Video Bill Hader as various characters Outstanding Guest Actress In A Comedy Series Glee • FOX • Ryan Murphy Productions in association with Twentieth Century Fox Television Dot-Marie Jones as Coach Shannon Beiste Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway Video Maya Rudolph, Host Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway Video Melissa McCarthy, Host 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Elizabeth Banks as Avery Jessup 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Margaret Cho as Kim Jong-il Two And A Half Men • CBS • Chuck Lorre Productions Inc., The Tannenbaum Company in association with Warner Bros. Television Kathy Bates as Charlie Harper Outstanding Guest Actor In A Comedy Series Curb Your Enthusiasm • HBO • HBO Entertainment Michael J. Fox as Himself Modern Family • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Greg Kinnear as Tad Nurse Jackie • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber, A Caryn Mandabach Production Bobby Cannavale as Dr. Mike Cruz Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway Video Jimmy Fallon, Host 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Will Arnett as Devon Banks 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Jon Hamm as Abner and David Brinkley Outstanding Directing For A Comedy Series Curb Your Enthusiasm • Palestinian Chicken • HBO • HBO Entertainment Robert B. Weide, Director Girls • She Did • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Lena Dunham, Director Louie • Duckling • FX Networks • Pig Newton, Inc. in association with FX Productions Louis C.K., Director Modern Family • Virgin Territory • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Jason Winer, Director Modern Family • Baby On Board • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Steven Levitan, Director New Girl • Pilot • FOX • Chernin Entertainment in association with Twentieth Century Fox Television Jake Kasdan, Director Outstanding Writing for a Comedy Series Community • Remedial Chaos Theory • NBC • A Krasnoff Foster Entertainment, Harmonious Claptrap, Russo Brothers production, Universal Television production in association with Sony Pictures Television Chris McKenna, Written by Girls • Pilot • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Lena Dunham, Written by Louie • Pregnant • FX Networks • Pig Newton, Inc. in association with FX Productions Louis C.K., Written by Parks And Recreation • The Debate • NBC • Deedle-Dee Productions, Fremulon, 3 Arts and Universal Television Amy Poehler, Written by Parks And Recreation • Win, Lose, Or Draw • NBC • Deedle-Dee Productions, Fremulon, 3 Arts and Universal Television Michael Schur, Written by Outstanding Drama Series Boardwalk Empire • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Terence Winter, Executive Producer Martin Scorsese, Executive Producer Mark Wahlberg, Executive Producer Stephen Levinson, Executive Producer Tim Van Patten, Executive Producer Eugene Kelly, Co-Executive Producer Howard Korder, Co-Executive Producer Rick Yorn, Producer Joe Iberti, Producer Breaking Bad • AMC • Sony Pictures Television Vince Gilligan, Executive Producer Mark Johnson, Executive Producer Michelle MacLaren, Executive Producer Melissa Bernstein, Co-Executive Producer Sam Catlin, Co-Executive Producer Peter Gould, Supervising Producer George Mastras, Supervising Producer Tom Schnauz, Supervising Producer Moira Walley-Beckett, Producer Bryan Cranston, Producer Diane Mercer, Producer Stewart A. Lyons, Produced By Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Gareth Neame, Executive Producer Julian Fellowes, Executive Producer Rebecca Eaton, Executive Producer Liz Trubridge, Producer Game Of Thrones • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment David Benioff, Executive Producer D.B. Weiss, Executive Producer Frank Doelger, Executive Producer Carolyn Strauss, Executive Producer George R.R. Martin, Co-Executive Producer Vanessa Taylor, Co-Executive Producer Alan Taylor, Co-Executive Producer Guymon Casady, Co-Executive Producer Vince Gerardis, Co-Executive Producer Bernadette Caulfield, Producer by Homeland • Showtime • Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21 Alex Gansa, Executive Producer Howard Gordon, Executive Producer Michael Cuesta, Executive Producer Gideon Raff, Executive Producer Avi Nir, Executive Producer Ran Tellem, Executive Producer Chip Johannessen, Co-Executive Producer Alexander Cary, Co-Executive Producer Michael Klick, Produced By Mad Men • AMC • Lionsgate Television Matthew Weiner, Executive Producer Scott Hornbacher, Executive Producer Andre Jacquemetton, Executive Producer Maria Jacquemetton, Executive Producer Victor Levin, Co-Executive Producer Jon Hamm, Producer Blake McCormick, Producer Outstanding Lead Actress In A Drama Series Damages • DirecTV • Sony Pictures Television, FX Productions and KZK Productions Glenn Close as Patty Hewes Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Michelle Dockery as Lady Mary Crawley The Good Wife • CBS • CBS Television Studios in association with Scott Free Productions and King Size Productions Julianna Margulies as Alicia Florrick Harry's Law • NBC • Bonanza Productions in association with David E. Kelley Productions and Warner Bros. Television Kathy Bates as Harriet Korn Homeland • Showtime • Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21 Claire Danes as Carrie Mathison Mad Men • AMC • Lionsgate Television Elisabeth Moss as Peggy Olson Outstanding Lead Actor In A Drama Series Boardwalk Empire • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Steve Buscemi as Nucky Thompson Breaking Bad • AMC • Sony Pictures Television Bryan Cranston as Walter White Dexter • Showtime • Showtime Presents, John Goldwyn Productions, The Colleton Company, Devilina Productions Michael C. Hall as Dexter Morgan Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Hugh Bonneville as Robert, Earl of Grantham Homeland • Showtime • Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21 Damian Lewis as Nicholas Brody Mad Men • AMC • Lionsgate Television Jon Hamm as Don Draper Outstanding Supporting Actress In A Drama Series Breaking Bad • AMC • Sony Pictures Television Anna Gunn as Skyler White Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Maggie Smith as Violet, Dowager Countess of Grantham Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Joanne Froggatt as Anna The Good Wife • CBS • CBS Television Studios in association with Scott Free Productions and King Size Productions Archie Panjabi as Kalinda Sharma The Good Wife • CBS • CBS Television Studios in association with Scott Free Productions and King Size Productions Christine Baranski as Diane Lockhart Mad Men • AMC • Lionsgate Television Christina Hendricks as Joan Holloway Harris Outstanding Supporting Actor In A Drama Series Breaking Bad • AMC • Sony Pictures Television Aaron Paul as Jesse Pinkman Breaking Bad • AMC • Sony Pictures Television Giancarlo Esposito as Gustavo 'Gus' Fring Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Brendan Coyle as John Bates Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Jim Carter as Mr. Carson Game Of Thrones • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Peter Dinklage as Tyrion Lannister Mad Men • AMC • Lionsgate Television Jared Harris as Lane Pryce Outstanding Guest Actress In A Drama Series The Good Wife • CBS • CBS Television Studios in association with Scott Free Productions and King Size Productions Martha Plimpton as Patti Nyholm Grey's Anatomy • ABC • ABC Studios Loretta Devine as Adele Webber Harry's Law • NBC • Bonanza Productions in association with David E. Kelley Productions and Warner Bros. Television Jean Smart as D.A. Roseanna Remmick Mad Men • AMC • Lionsgate Television Julia Ormond as Marie Calvet Shameless • Showtime • Showtime Presents, John Wells Productions, Warner Bros. Television Joan Cusack as Sheila Jackson Smash • NBC • Universal Television in association with DreamWorks Television and Madwoman in the Attic Uma Thurman as Rebecca Duvall Outstanding Guest Actor In A Drama Series Breaking Bad • AMC • Sony Pictures Television Mark Margolis as Tio Salamanca The Good Wife • CBS • CBS Television Studios in association with Scott Free Productions and King Size Productions Dylan Baker as Colin Sweeney The Good Wife • CBS • CBS Television Studios in association with Scott Free Productions and King Size Productions Michael J. Fox as Louis Canning Justified • FX Networks • Sony Pictures Television Jeremy Davies as Dickie Bennett Mad Men • AMC • Lionsgate Television Ben Feldman as Michael Ginsberg Parenthood • NBC • Imagine Television and Universal Television Jason Ritter as Mark Cyr Outstanding Directing For A Drama Series Boardwalk Empire • To The Lost • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Tim Van Patten, Director Breaking Bad • Face Off • AMC • Sony Pictures Television Vince Gilligan, Director Downton Abbey • Episode 7 • PBS • A Carnival / Masterpiece Co-Production Brian Percival, Director Homeland • Pilot • Showtime • Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21 Michael Cuesta, Director Mad Men • The Other Woman • AMC • Lionsgate Television Phil Abraham, Director Outstanding Writing for a Drama Series Downton Abbey • Episode 7 • PBS • A Carnival / Masterpiece Co-Production Julian Fellowes, Written by Homeland • Pilot • Showtime • Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21 Alex Gansa, Written by Howard Gordon, Written by Gideon Raff, Written by Mad Men • The Other Woman • AMC • Lionsgate Television Semi Chellas, Written by Matthew Weiner, Written by Mad Men • Commissions And Fees • AMC • Lionsgate Television Andre Jacquemetton, Written by Maria Jacquemetton, Written by Mad Men • Far Away Places • AMC • Lionsgate Television Matthew Weiner, Written by Semi Chellas, Written by Outstanding Miniseries or Movie American Horror Story • FX Networks • Twentieth Century Fox Television Ryan Murphy, Executive Producer Brad Falchuk, Executive Producer Dante Di Loreto, Executive Producer Bradley Buecker, Co-Executive Producer Alexis Martin Woodall, Producer Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Tom Hanks, Executive Producer Gary Goetzman, Executive Producer Jay Roach, Executive Producer Danny Strong, Co-Executive Producer Steven Shareshian, Co-Executive Producer Amy Sayres, Produced By Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Leslie Greif, Executive Producer Nancy Dubuc, Executive Producer for History Dirk Hoogstra, Executive Producer for History Barry Berg, Supervising Producer Kevin Costner, Producer By Darrell Fetty, Producer By Herb Nanas, Producer By Vlad Paunescu, Producer Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Peter Kaufman, Executive Producer Trish Hofmann, Executive Producer James Gandolfini, Executive Producer Alexandra Ryan, Executive Producer Barbara Turner, Executive Producer Nancy Sanders, Co-Executive Producer Mark Armstrong, Co-Executive Producer Luther • BBC America • A BBC and BBC America Co-Production Phillippa Giles, Executive Producer Katie Swinden, Producer Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Beryl Vertue, Executive Producer Steven Moffat, Executive Producer Mark Gatiss, Executive Producer Rebecca Eaton, Executive Producer for Masterpiece Bethan Jones, Executive Producer for BBC Sue Vertue, Produced By Outstanding Lead Actress In A Miniseries Or A Movie American Horror Story • FX Networks • Twentieth Century Fox Television Connie Britton as Vivien Harmon Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Julianne Moore as Sarah Palin Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Nicole Kidman as Martha Gellhorn Missing • ABC • ABC Studios Ashley Judd as Rebecca Winstone The Song Of Lunch (Masterpiece) • PBS • A BBC / Masterpiece Co-Production Emma Thompson as She Outstanding Lead Actor In A Miniseries Or A Movie Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Woody Harrelson as Steve Schmidt Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Kevin Costner as 'Devil' Anse Hatfield Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Bill Paxton as Randall McCoy Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Clive Owen as Ernest Hemingway Luther • BBC America • A BBC and BBC America Co-Production Idris Elba as John Luther Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Benedict Cumberbatch as Sherlock Holmes Outstanding Supporting Actress in a Miniseries or A Movie American Horror Story • FX Networks • Twentieth Century Fox Television Frances Conroy as Moira American Horror Story • FX Networks • Twentieth Century Fox Television Jessica Lange as Constance Langdon Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Sarah Paulson as Nicolle Wallace Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Mare Winningham as Sally McCoy Page Eight (Masterpiece) • PBS • A Heyday Films / Runaway Fridge TV / Carnival / Masterpiece co-production in association with NBC Universal for BBC Judy Davis as Jill Tankard Outstanding Supporting Actor In A Miniseries Or A Movie American Horror Story • FX Networks • Twentieth Century Fox Television Denis O'Hare as Larry Harvey Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Ed Harris as John McCain Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Tom Berenger as Jim Vance Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films David Strathairn as John Dos Passos Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Martin Freeman as Dr. John Watson Outstanding Directing For A Miniseries, Movie Or A Dramatic Special Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Jay Roach, Director Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Kevin Reynolds, Director Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Philip Kaufman, Director Luther • BBC America • A BBC and BBC America Co-Production Sam Miller, Director Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Paul McGuigan, Director Outstanding Writing for a Miniseries, Movie or a Dramatic Special Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Danny Strong, Written by Hatfields & McCoys • Part 2 • HISTORY • Thinkfactory Media in association with History Ted Mann, Story and Teleplay by Ronald Parker, Teleplay by Bill Kerby, Story by The Hour • BBC America • A Kudos Film and Television / BBC America Co-Production Abi Morgan, Written by Luther • BBC America • A BBC and BBC America Co-Production Neil Cross, Written by Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Steven Moffat, Written by Outstanding Variety Series The Colbert Report • Comedy Central • Hello Doggie, Inc. with Busboy Productions and Spartina Productions Stephen Colbert, Executive Producer/Host Jon Stewart, Executive Producer Tom Purcell, Executive Producer Meredith Bennett, Co-Executive Producer Rich Dahm, Co-Executive Producer Tanya Michnevich Bracco, Supervising Producer Emily Lazar, Supervising Producer Barry Julien, Supervising Producer Paul Dinello, Supervising Producer Matt Lappin, Supervising Producer The Daily Show With Jon Stewart • Comedy Central • Central Productions, LLC Jon Stewart, Executive Producer/Host Rory Albanese, Executive Producer Kahane Cooperman, Co-Executive Producer Steve Bodow, Co-Executive Producer Jennifer Flanz, Co-Executive Producer Adam Lowitt, Co-Executive Producer Jim Margolis, Co-Executive Producer Pamela DePace, Supervising Producer Hillary Kun, Supervising Producer Timothy Greenberg, Supervising Producer Stuart Miller, Supervising Producer Jill Katz, Producer Jimmy Kimmel Live • ABC • ABC Studios in association with Jackhole Industries, Inc. Jimmy Kimmel, Executive Producer/Host Jill Leiderman, Executive Producer Doug DeLuca, Co-Executive Producer Jason Schrift, Co-Executive Producer Erin Irwin, Co-Executive Producer Jennifer Sharron, Producer Ken Crosby, Producer David Craig, Producer By Late Night With Jimmy Fallon • NBC • Universal Television and Broadway Video Lorne Michaels, Executive Producer Hillary Hunn, Supervising Producer Jamie Granet Bederman, Supervising Producer Katie Hockmeyer, Supervising Producer Gavin Purcell, Producer Michael Shoemaker, Produced By Jimmy Fallon, Host Real Time With Bill Maher • HBO • Bill Maher Productions and Brad Grey Television in association with HBO Entertainment Bill Maher, Executive Producer/Host Scott Carter, Executive Producer Sheila Griffiths, Executive Producer Brad Grey, Executive Producer Marc Gurvitz, Executive Producer Billy Martin, Executive Producer Dean E. Johnsen, Co-Executive Producer Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway Video Lorne Michaels, Executive Producer Ken Aymong, Supervising Producer Steve Higgins, Produced By Erik Kenward, Producer John Mulaney, Producer Outstanding Variety Special Betty White's 90th Birthday: A Tribute To America's Golden Girl • NBC • Brad Lachman Productions and Universal Television Brad Lachman, Executive Producer Jon Macks, Executive Producer Steve Ridgeway, Executive Producer Bill Bracken, Producer Kathy Griffin: Tired Hooker • Bravo • Rickmill Productions Kathy Griffin, Executive Producer Kimber Rickabaugh, Executive Producer Paul Miller, Executive Producer Andrew Cohen, Executive Producer Jenn Levy, Executive Producer The Kennedy Center Honors • CBS • A George Stevens, Jr. Presentation for The John F. Kennedy Center for the Performing Arts George Stevens, Jr., Producer Michael M. Stevens, Producer Mel Brooks And Dick Cavett Together Again • HBO • Brooksfilms in association with HBO Entertainment Andrea Grossman, Executive Producer Steve Haberman, Produced By Rudy De Luca, Produced By Mel Brooks, Performer Dick Cavett, Performer Tony Bennett: Duets II (Great Performances) • PBS • A Production of RPM TV Productions, Inc. Danny Bennett, Executive Producer David Horn, Executive Producer for Great Performances Jennifer Lebeau, Produced By Tony Bennett, Principal Performer Outstanding Special Class Programs 84th Annual Academy Awards • ABC • Academy of Motion Picture Arts and Sciences Brian Grazer, Produced By Don Mischer, Produced By Michael B. Seligman, Supervising Producer Billy Crystal, Host The 69th Annual Golden Globe Awards • NBC • Dick Clark Productions, Inc. in association with the Hollywood Foreign Press Association Barry Adelman, Executive Producer Orly Adelson, Executive Producer Ricky Gervais, Host The 54th Annual Grammy Awards • CBS • AEG Ehrlich Ventures, LLC and John Cossette Productions, Inc. Kenneth Ehrlich, Executive Producer LL Cool J, Host Herbie Hancock, Gustavo Dudamel And The LA Phil Celebrate Gershwin (Great Performances) • PBS • A production of THIRTEEN in association with WNET, BFMI, WDR in cooperation with ARTE, Los Angeles Philharmonic Association and C Major David Horn, Executive Producer for Great Performances Bill O'Donnell, Series Producer Bernhard Fleischer, Producer John Walker, Producer Louis C.K. Live At The Beacon Theatre • FX Networks • Pig Newton, Inc. in association with FX Productions Louis C.K., Executive Producer Dave Becky, Executive Producer M. Blair Breard, Producer 65th Annual Tony Awards • CBS • White Cherry Entertainment in association with Tony Award Productions Ricky Kirshner, Executive Producer Glenn Weiss, Executive Producer Neil Patrick Harris, Producer/Host Outstanding Special Class - Short-format Live-Action Entertainment Programs Childrens Hospital • Cartoon Network • The Corddry Company, Abominable Pictures and Studio 2.0 in association with Warner Bros. Television Rob Corddry, Executive Producer Jonathan Stern, Executive Producer David Wain, Executive Producer Keith Crofford, Executive Producer Nick Weidenfeld, Executive Producer Rich Rosenthal, Co-Executive Producer The Daily Show Correspondents Explain • thedailyshow.com • Comedy Central Digital Media Steve Grimes, Executive Producer Rachel Maceiras, Supervising Producer Judi Stroh, Producer Nick Poppy, Producer Parks And Recreation: April And Andy's Road Trip • nbc.com • NBC.com | Universal Television Morgan Sackett, Producer Michael Schur, Producer 30 Rock: The Webisodes • nbc.com • NBC.com | Universal Television Eric Gurian, Producer Clint Koltveit, Producer William Sell, Producer Web Therapy • lstudio.com • An Is or Isn't Entertainment production in association with Intelligent Life Productions for LStudio Dan Bucatinsky, Executive Producer Lisa Kudrow, Executive Producer Diane Charles, Executive Producer Ron Qurashi, Executive Producer Jodi Binstock, Co-Executive Producer David Codron, Co-Executive Producer Outstanding Directing For A Variety Series The Colbert Report • Episode 7121A • Comedy Central • Hello Doggie, Inc. with Busboy Productions and Spartina Productions James Hoskinson, Director The Daily Show With Jon Stewart • Episode 17087 • Comedy Central • Central Productions, LLC Chuck O'Neil, Director Late Show With David Letterman • Episode 3602 • CBS • Worldwide Pants Incorporated Jerry Foley, Director Portlandia • One Moore Episode • IFC • Broadway Video in association with IFC Jonathan Krisel, Director Saturday Night Live • Host: Mick Jagger • NBC • SNL Studios in association with Universal Television and Broadway Video Don Roy King, Director Outstanding Directing For A Variety Special 84th Annual Academy Awards • ABC • Academy of Motion Picture Arts and Sciences Don Mischer, Director The 54th Annual Grammy Awards • CBS • AEG Ehrlich Ventures, LLC and John Cossette Productions, Inc. Louis J. Horvitz, Director Louis C.K. Live At The Beacon Theatre • FX Networks • Pig Newton, Inc. in association with FX Productions Louis C.K., Director New York City Ballet George Balanchine's The Nutcracker (Live From Lincoln Center) • PBS • Lincoln Center for the Performing Arts, Inc. Alan Skog, Director 65th Annual Tony Awards • CBS • White Cherry Entertainment in association with Tony Award Productions Glenn Weiss, Director Outstanding Writing For A Variety Series The Colbert Report • Comedy Central • Hello Doggie, Inc. with Busboy Productions and Spartina Productions Barry Julien, Head Writer Stephen Colbert, Writer Tom Purcell, Writer Richard Dahm, Writer Michael Brumm, Writer Rob Dubbin, Writer Opus Moreschi, Writer Peter Gwinn, Writer Jay Katsir, Writer Frank Lesser, Writer Glenn Eichler, Writer Meredith Scardino, Writer Max Werner, Writer Eric Drysdale, Writer Scott Sherman, Writer Dan Guterman, Writer Paul Dinello, Writer The Daily Show With Jon Stewart • Comedy Central • Central Productions, LLC Tim Carvell, Head Writer Rory Albanese, Writer Kevin Bleyer, Writer Rich Blomquist, Writer Steve Bodow, Writer Wyatt Cenac, Writer Hallie Haglund, Writer JR Havlan, Writer Elliott Kalan, Writer Dan McCoy, Writer Jo Miller, Writer John Oliver, Writer Zhubin Parang, Writer Daniel Radosh, Writer Jason Ross, Writer Jon Stewart, Writer Portlandia • IFC • Broadway Video in association with IFC Fred Armisen, Writer Carrie Brownstein, Writer Jonathan Krisel, Writer Karey Dornetto, Writer Real Time With Bill Maher • HBO • Bill Maher Productions and Brad Grey Television in association with HBO Entertainment Adam Felber, Writer Matt Gunn, Writer Brian Jacobsmeyer, Writer Jay Jaroch, Writer Chris Kelly, Writer Mike Larsen, Writer Bill Maher, Writer Billy Martin, Writer Scott Carter, Writer Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway Video James Anderson, Writer Alex Baze, Writer Jessica Conrad, Writer James Downey, Writer Shelly Gossman, Writer Steve Higgins, Writer Zach Kanin, Writer Chris Kelly, Writer Colin Jost, Writer Erik Kenward, Writer Rob Klein, Writer Seth Meyers, Writer Lorne Michaels, Writer John Mulaney, Writer Christine Nangle, Writer Michael Patrick O'Brien, Writer Paula Pell, Writer Marika Sawyer, Writer Sarah Schneider, Writer Pete Schultz, Writer John Solomon, Writer Kent Sublette, Writer Bryan Tucker, Writer Emily Spivey, Additional Sketch By Outstanding Writing For A Variety Special 84th Annual Academy Awards • ABC • Academy of Motion Picture Arts and Sciences Jon Macks, Written by Dave Boone, Written by Carol Leifer, Written by Tim Carvell, Special Material Written by Jeff Cesario, Special Material Written by Billy Crystal, Special Material Written by Ed Driscoll, Special Material Written by Billy Martin, Special Material Written by Ben Schwartz, Special Material Written by Marc Shaiman, Special Material Written by Eric Stangel, Special Material Written by Justin Stangel, Special Material Written by David Steinberg, Special Material Written by Mason Steinberg, Special Material Written by Colleen Werthmann, Special Material Written by Betty White's 90th Birthday: A Tribute To America's Golden Girl • NBC • Brad Lachman Productions and Universal Television Jon Macks, Written by Steve Ridgeway, Written by Mason Steinberg, Written by Brad Lachman, Written by The Kennedy Center Honors • CBS • A George Stevens, Jr. Presentation for The John F. Kennedy Center for the Performing Arts George Stevens, Written by Michael M. Stevens, Written by Sara Lukinson, Written by Lewis Friedman, Written by Louis C.K. Live At The Beacon Theatre • FX Networks • Pig Newton, Inc. in association with FX Productions Louis C.K., Written by 65th Annual Tony Awards • CBS • White Cherry Entertainment in association with Tony Award Productions Dave Boone, Written by Paul Greenberg, Special Material by Outstanding Animated Program American Dad! • Hot Water • FOX • Fox Television Animation Seth MacFarlane, Executive Producer Mike Barker, Executive Producer Matt Weitzman, Executive Producer Rick Wiener, Executive Producer Kenny Schwartz, Executive Producer Nahnatchka Khan, Executive Producer Jonathan Fener, Co-Executive Producer Brian Boyle, Co-Executive Producer Murray Miller, Co-Executive Producer/Writer Judah Miller, Co-Executive Producer/Writer Erik Sommers, Supervising Producer Kara Vallow, Producer Laura McCreary, Producer Erik Durbin, Producer Diana Ritchey, Animation Producer Chris Bennett, Director Ron Hughart, Supervising Director Brent Woods, Supervising Director Ralph Fernan, Assistant Director David Bastian, Timing Supervisor Bill Buchanan, Timing Supervisor Bob's Burgers • BurgerBoss • FOX • BentoBox Entertainment Loren Bouchard, Executive Producer Jim Dauterive, Executive Producer Kit Boss, Co-Executive Producer Dan Fybel, Supervising Producer Rich Rinaldi, Supervising Producer Mark McJimsey, Animation Executive Producer/Supervising Producer Jon Schroeder, Producer Joel Kuwahara, Animation Executive Producer Scott Greenberg, Animation Executive Producer Malisa Caroselli, Animation Producer Janelle Momary-Neely, Animation Producer Scott Jacobson, Written by Jennifer Coyle, Directed by Randy Ludensky, Animation Timing Supervisor Futurama • The Tip Of The Zoidberg • Comedy Central • The Curiosity Company in association with 20th Century Fox Television Matt Groening, Executive Producer David X. Cohen, Executive Producer Ken Keeler, Executive Producer/Writer Patric M. Verrone, Co-Executive Producer Josh Weinstein, Co-Executive Producer Eric Horsted, Co-Executive Producer Michael Rowe, Co-Executive Producer Dan Vebber, Co-Executive Producer Lee Supercinski, Produced by Claudia Katz, Produced by Gregg Vanzo, Animation Executive Producer Peter Avanzino, Supervising Director Raymie Muzquiz, Directed by Aldin Baroza, Assistant Director Scott Vanzo, Director of Computer Graphics The Penguins Of Madagascar: The Return Of The Revenge Of Dr. Blowhole • Nickelodeon • Nickelodeon and DreamWorks Animation Bob Schooley, Executive Producer/Written by Mark McCorkle, Executive Producer/Written by Bret Haaland, Co-Executive Producer Nick Filippi, Supervising Producer Chris Neuhahn, Supervising Producer Ant Ward, Supervising Producer Andrew Huebner, Produced by David Knott, Supervising Director Shaun Cashman, Animation Director Steve Loter, Animation Director Christo Stamboliev, Animation Director The Simpsons • Holidays Of Future Passed • FOX • Gracie Films in association with 20th Century Fox Television James L. Brooks, Executive Producer Matt Groening, Executive Producer Al Jean, Executive Producer Matt Selman, Executive Producer John Frink, Executive Producer Kevin Curran, Co-Executive Producer J. Stewart Burns, Co-Executive Producer/Written by Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Marc Wilmore, Co-Executive Producer Joel H. Cohen, Co-Executive Producer Rob Lazebnik, Co-Executive Producer Matt Warburton, Co-Executive Producer Jeff Westbrook, Co-Executive Producer (writer slot) Brian Kelley, Co-Executive Producer (writer slot) Larina Adamson, Supervising Producer Tom Klein, Animation Producer Mike B. Anderson, Supervising Director Rob Oliver, Directed by Richard Manginsay, Assistant Director Sam Im, Lead Animation Timer Outstanding Short-format Animated Program Adventure Time • Too Young • Cartoon Network • Cartoon Network Studios Brian A. Miller, Executive Producer Jennifer Pelphrey, Executive Producer Curtis Lelash, Executive Producer Rob Sorcher, Executive Producer Pendleton Ward, Executive Producer/Story by Fred Seibert, Executive Producer Kevin Kolde, Supervising Producer Kelly Crews, Producer Tom Herpich, Written by Jesse Moynihan, Written by Mark Banker, Story by Patrick McHale, Story by Kent Osborne, Story by Larry Leichliter, Director/Supervising Director Dong Kun Won, Overseas Director Don Judge, Sheet Timer Michel Lyman, Sheet Timer Disney Phineas And Ferb • The Doonkelberry Imperative • Disney Channel • Disney Channel Dan Povenmire, Executive Producer Jeff "Swampy" Marsh, Executive Producer Martin Olson, Story by Bernie Petterson, Written by Mike Diederich, Written by Jay Lender, Directed by Sue Perrotto, Assistant Director Herb Moore, Supervising Timing Director Barbara Dourmashkin-Case, Timing Director Eddy Houchins, Timing Director Mitch Rochon, Timing Director Theresa Wiseman, Timing Director MAD • Kitchen Nightmare Before Christmas / How I Met Your Mummy • Cartoon Network • Warner Bros. Animation Sam Register, Executive Producer Kevin Shinick, Producer/Written by Mark Marek, Producer Aaron Blitzstein, Written by Marly Halpern-Graser, Written by Steve Borst, Written by Greg White, Written by Aaron Horvath, Director Regular Show • Eggscellent • Cartoon Network • Cartoon Network Studios Brian A. Miller, Executive Producer Jennifer Pelphrey, Executive Producer Curtis Lelash, Executive Producer Rob Sorcher, Executive Producer JG Quintel, Executive Producer/Written by Mike Roth, Supervising Producer/Writer Janet Dimon, Producer Matt Price, Writer Jack Thomas, Writer John Infantino, Supervising Director/Writer Robert Alvarez, Animation Director Robot Chicken • Fight Club Paradise • Cartoon Network • Stoopid Monkey, Shadow Machine, Williams Street Seth Green, Executive Producer/Written by Matthew Senreich, Executive Producer/Written by Keith Crofford, Executive Producer Mike Lazzo, Executive Producer Doug Goldstein, Co-Executive Producer/Head Writer Tom Root, Co-Executive Producer/Head Writer Alex Bulkley, Producer Corey Campodoncio, Producer Ollie Green, Producer Jordan Allen-Dutton, Written by Matthew Beans, Written by Mike Fasolo, Written by Zeb Wells, Written by Erik Weiner, Written by Chris McKay, Directed by Savelen Forrest, Animation Director Outstanding Voice-Over Performance Desperate Housewives • Give Me The Blame / Finishing The Hat • ABC • ABC Studios Brenda Strong as Mary-Alice Young Disney Phineas And Ferb: Across The 2nd Dimension • Disney Channel • Disney Channel Dan Povenmire as Doctor Doofenshmirtz Disney Prep & Landing: Naughty Vs. Nice • ABC • Walt Disney Animation Studios Rob Riggle as Noel Futurama • The Silence Of The Clamps • Comedy Central • The Curiosity Company in association with 20th Century Fox Television Maurice LaMarche as Clamps, Donbot, Hyperchicken, Calculon, Hedonismbot, Morbo The Looney Tunes Show • Double Date • Cartoon Network • Warner Bros. Animation Kristen Wiig as Lola The Simpsons • Moe Goes From Rags To Riches • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Moe Szyslak, Duffman, Mexican Duffman, Carl, Comic Book Guy, Chief Wiggum Outstanding Children's Program Degrassi • TeenNick • Epitome Pictures in association with Nickelodeon Linda Schuyler, Executive Producer Stephen Stohn, Executive Producer Brendon Yorke, Executive Producer Sarah Glinski, Co-Executive Producer Stephanie Williams, Supervising Producer Stefan Brogren, Series Producer David Lowe, Producer Good Luck Charlie • Disney Channel • It's a Laugh Productions Dan Staley, Executive Producer Drew Vaupen, Executive Producer Phil Baker, Executive Producer Christopher Vane, Co-Executive Producer Erika Kaestle, Co-Executive Producer Patrick McCarthy, Co-Executive Producer Pixie Wespiser, Produced By iCarly • Nickelodeon • Nickelodeon and Schneider's Bakery Dan Schneider, Executive Producer Robin Weiner, Co-Executive Producer Joe Catania, Supervising Producer Jake Farrow, Producer Matt Fleckenstein, Producer Bruce Rand Berman, Produced By Victorious • Nickelodeon • Nickelodeon and Schneider's Bakery Dan Schneider, Executive Producer Warren Bell, Co-Executive Producer Robin Weiner, Co-Executive Producer Joe Catania, Supervising Producer Bruce Rand Berman, Produced By Matt Fleckenstein, Producer Wizards Of Waverly Place • Disney Channel • It's a Laugh Productions Ben Montanio, Executive Producer Vince Cheung, Executive Producer Todd J. Greenwald, Executive Producer Gigi McCreery, Co-Executive Producer Perry Rein, Co-Executive Producers Richard Goodman, Supervising Producer Greg A. Hampson, Produced By Outstanding Children's Nonfiction, Reality or Reality-Competition Program It Gets Better • MTV • An MTV Production in association with Snackaholic Productions, Logo, Savage Media, Hypomania Content, and Octagon Entertainment Christy Spitzer, Executive Producer Shannon Fitzgerald, Executive Producer John Ferriter, Executive Producer Brian Pines, Executive Producer Dan Savage, Executive Producer Ted Skillman, Executive Producer Belisa Balaban, Executive Producer Sesame Street: Growing Hope Against Hunger • PBS • Sesame Workshop Carol-lynn Parente, Executive Producer Melissa Dino, Supervising Producer Mason Rather, Senior Producer Kevin Clash, Producer The Weight Of The Nation For Kids: The Great Cafeteria Takeover • HBO • HBO Documentary Films and the Institute of Medicine with Mackerel Sky Films, in association with the Centers for Disease Control and Prevention and the National Institutes of Health, and in partnership with the Michael & Susan Dell Foundation and Kaiser Permanente Sheila Nevins, Executive Producer John Hoffman, Executive Producer Shari Cookson, Produced By Nick Doob, Produced By Outstanding Reality Program Antiques Roadshow • PBS • WGBH Boston Marsha Bemko, Executive Producer Sam Farrell, Supervising Producer Jamie Oliver's Food Revolution • ABC • Ryan Seacrest Productions and Fresh One Productions Ryan Seacrest, Executive Producer Jamie Oliver, Executive Producer Craig Armstrong, Executive Producer Adam Sher, Executive Producer Roy Ackerman, Executive Producer Charles Wachter, Co-Executive Producer Zoe Collins, Co-Executive Producer Jason Henry, Co-Executive Producer Robert Norris, Producer MythBusters • Discovery Channel • Beyond Productions Pty. Ltd. for the Discovery Channel Jamie Hyneman, Executive Producer Adam Savage, Executive Producer Dan Tapster, Executive Producer Tracy Rudolph, Executive Producer John Luscombe, Executive Producer Alice Dallow, Produced by Lauren Williams, Produced by Shark Tank • ABC • Sony Pictures Television Mark Burnett, Executive Producer Clay Newbill, Executive Producer Phil Gurin, Executive Producer Yun Lingner, Co-Executive Producer Brien Meagher, Co-Executive Producer David Eilenberg, Co-Executive Producer Jim Roush, Co-Executive Producer Rhett Bachner, Supervising Producer Bill Gaudsmith, Supervising Producer Becky Blitz, Senior Producer Undercover Boss • CBS • Studio Lambert Eli Holzman, Executive Producer Stephen Lambert, Executive Producer Chris Carlson, Executive Producer Scott Cooper, Co-Executive Producer Sandi Johnson, Co-Executive Producer Rachelle Mendez, Supervising Producer Lety Quintanar, Supervising Producer Rebekah Fry, Supervising Producer Who Do You Think You Are? • NBC • Is or Isn't Entertainment, Shed Media US, Wall to Wall Media Ltd. Alex Graham, Executive Producer Jennifer O'Connell, Executive Producer Lisa Kudrow, Executive Producer Dan Bucatinsky, Executive Producer Al Edgington, Executive Producer Lisa Bohacek, Supervising Producer Kate Richter Green, Supervising Producer Chuck LaBella, Producer Outstanding Reality-Competition Program The Amazing Race • CBS • World Race Productions Inc. Bertram van Munster, Executive Producer Elise Doganieri, Executive Producer Jerry Bruckheimer, Executive Producer Jonathan Littman, Executive Producer Mark Vertullo, Executive Producer Dan Coffie, Co-Executive Producer Giselle Parets, Co-Executive Producer Phil Keoghan, Co-Executive Producer Michael Norton, Supervising Producer Matt Schmidt, Supervising Producer Patrick Cariaga, Supervising Producer Michael Miller, Supervising Producer Darren Bunkley, Senior Producer Chad Baron, Senior Producer Neil Jahss, Senior Producer Dancing With The Stars • ABC • BBC Worldwide Productions Conrad Green, Executive Producer Joe Sungkur, Co-Executive Producer Ashley Edens-Shaffer, Co-Executive Producer Kim Kilbey, Supervising Producer Tara West, Senior Producer Renana Barkan, Senior Producer Daniel Martin, Senior Producer Deena Katz, Senior Producer Joshua Firosz, Senior Producer John Birkitt, Producer Marcy Walton, Producer Jonty Nash, Producer Project Runway • Lifetime • The Weinstein Company, Bunim-Murray Productions and Full Picture in association with Lifetime Television Heidi Klum, Executive Producer Harvey Weinstein, Executive Producer Bob Weinstein, Executive Producer Meryl Poster, Executive Producer Jonathan Murray, Executive Producer Sara Rea, Executive Producer Jane Cha Cutler, Executive Producer Desiree Gruber, Executive Producer Rob Sharenow, Executive Producer Gena McCarthy, Executive Producer David Hillman, Executive Producer Barbara Schneeweiss, Executive Producer Colleen Sands, Co-Executive Producer Gil Goldschein, Co-Executive Producer Lisa Fletcher, Supervising Producer Tim Gunn, Producer So You Think You Can Dance • FOX • Dick Clark Productions, Inc. in association with 19 Entertainment Barry Adelman, Executive Producer Simon Fuller, Executive Producer Nigel Lythgoe, Executive Producer James Breen, Co-Executive Producer Jeff Thacker, Co-Executive Producer Zoe Brown, Senior Supervising Producer Mike Yurchuk, Co-Supervising Producer Dan Sacks, Co-Supervising Producer Adam Cooper, Senior Producer Mike Deffina, Senior Producer Colleen Wagner, Senior Producer Hope Wilson, Senior Producer Top Chef • Bravo • Magical Elves Dan Cutforth, Executive Producer Jane Lipsitz, Executive Producer Nan Strait, Executive Producer Casey Kriley, Executive Producer Andrew Cohen, Executive Producer Dave Serwatka, Executive Producer Erica Ross, Co-Executive Producer Sue Kolinsky, Co-Executive Producer Tom Colicchio, Co-Executive Producer Christian Homlish, Supervising Producer Wade Sheeler, Supervising Producer Kevin Kearney, Supervising Producer Doneen Arquines, Supervising Producer Chris Gallivan, Senior Producer The Voice • NBC • One Three Inc. (a Hearst/Mark Burnett company), Talpa Media USA, Inc. and Warner Horizon Television John de Mol, Executive Producer Mark Burnett, Executive Producer Audrey Morrissey, Executive Producer Stijn Bakkers, Executive Producer Lee Metzger, Executive Producer Chad Hines, Co-Executive Producer Jim Roush, Co-Executive Producer Amanda Zucker, Co-Executive Producer Nicolle Yaron, Supervising Producer Mike Yurchuk, Supervising Producer Dean Houser, Supervising Producer Joni Day, Producer Teddy Valenti, Producer May Johnson, Producer David Offenheiser, Producer Carson Daly, Producer Outstanding Host For A Reality Or Reality-Competition Program The Amazing Race • CBS • World Race Productions Inc. Phil Keoghan, Host American Idol • FOX • FremantleMedia North America with 19 Entertainment Ryan Seacrest, Host Betty White's Off Their Rockers • NBC • Kinetic Content Productions in association with NBC Universal Betty White, Host Dancing With The Stars • ABC • BBC Worldwide Productions Tom Bergeron, Host So You Think You Can Dance • FOX • Dick Clark Productions, Inc. in association with 19 Entertainment Cat Deeley, Host Outstanding Nonfiction Series American Masters • PBS • A Production of B Plus Productions, LLC in association with Thirteen's American Masters for WNET Susan Lacy, Executive Producer for American Masters Robert Weide, Producer Erik Gordon, Executive Producer Andrew Karsch, Executive Producer Michael Peyser, Executive Producer Brett Ratner, Executive Producer Fisher Stevens, Executive Producer Anthony Bourdain: No Reservations • Travel Channel • Zero Point Zero Production, Inc. Chris Collins, Executive Producer Lydia Tenaglia, Executive Producer Anthony Bourdain, Executive Producer Sandra Zweig, Executive Producer Stone Roberts, Executive Producer Tom Vitale, Producer Frozen Planet • Discovery Channel • A BBC / Discovery Channel / Antena 3 Television S.A. / ZDF / Skai / Open University Co-Production in association with Discovery Canada Alastair Fothergill, Executive Producer Susan Winslow, Executive Producer Vanessa Berlowitz, Series Producer Inside The Actors Studio • Bravo • In The Moment Productions James Lipton, Executive Producer Frances Berwick, Executive Producer Christian Barcellos, Executive Producer Shawn Tesser, Producer Jeff Wurtz, Producer The Weight Of The Nation • HBO • HBO Documentary Films and the Institute of Medicine, in association with the Centers for Disease Control and Prevention and the National Institutes of Health, and in partnership with the Michael & Susan Dell Foundation and Kaiser Permanente Sheila Nevins, Executive Producer John Hoffman, Executive Producer/Produced By Dan Chaykin, Producer Sarah Teale, Producer Outstanding Nonfiction Special Bobby Fischer Against The World • HBO • Moxie Firecracker in association with HBO Documentary Films Sheila Nevins, Executive Producer Dan Cogan, Executive Producer Liz Garbus, Produced By Stanley Buchthal, Produced By Rory Kennedy, Produced By Matthew Justus, Produced By Nancy Abraham, Senior Producer George Harrison: Living In The Material World • HBO • Grove Street Pictures, Spitfire Pictures, and Sikelia Productions in association with HBO Documentary Films Margaret Bodde, Executive Producer Emma Tillinger Koskoff, Executive Producer For Sikelia Productions Blair Foster, Supervising Producer Olivia Harrison, Produced By Nigel Sinclair, Produced By Martin Scorsese, Produced By Gloria: In Her Own Words • HBO • Kunhardt McGee Productions in association with HBO Documentary Films Dyllan McGee, Executive Producer Jacqueline Glover, Supervising Producer Peter Kunhardt, Produced By Sheila Nevins, Produced By Paul Simon's Graceland Journey: Under African Skies • A&E • A&E IndieFilms in association with Sony Music Entertainment's Legacy Recordings and @Radical.Media Molly Thompson, Executive Producer David McKillop, Executive Producer Robert Debitetto, Executive Producer Eddie Simon, Executive Producer Jon Kamen, Producer Justin Wilkes, Producer Joe Berlinger, Producer 6 Days To Air: The Making Of South Park • Comedy Central • Presented by Comedy Central Arthur Bradford, Executive Producer Jennifer Ollman, Supervising Producer Outstanding Special Class - Short-format Nonfiction Programs Bravo's Top Chef: Last Chance Kitchen • bravotv.com • Bravo Media and Magical Elves David Serwatka, Produced By Dan Cutforth, Produced By Jane Lipsitz, Produced By Lisa Hsia, Produced By Aimee Viles, Produced By DGA Moments In Time • dga.org • The Stevens Company Michael M. Stevens, Produced By Jay Leno's Garage • jaylenosgarage.com • NBC.com | JayLenosGarage.com Jay Leno, Executive Producer Helga Pollock, Producer Robert Angelo, Producer Thank A Vet • HISTORY • Insomnia TV Kathleen Williams, Executive Producer Jaimie DeFina, Senior Producer Andrea Allen, Producer Glenn Schubert, Producer Eric Berger, Producer 30 Rock: Ask Tina • nbc.com • NBC.com | Universal Television Tina Fey, Producer Eric Gurian, Producer Nick Bernardone, Producer Clint Koltveit, Producer William Sell, Producer Exceptional Merit In Documentary Filmmaking The Amish (American Experience) • PBS • A Sarah Colt Productions film for American Experience produced for WGBH Boston Mark Samels, Executive Producer Sharon Grimberg, Senior Producer Callie T. Wiser, Produced by David Belton, Produced by Have You Heard From Johannesburg (Independent Lens) • PBS • A Clarity Films production Connie Field, Producer Lois Vossen, Series Senior Producer Sally Jo Fifer, Executive Producer Paradise Lost 3: Purgatory • HBO • @Radical.Media Productions in association with HBO Documentary Films Sheila Nevins, Executive Producer Joe Berlinger, Produced By Jonathan Silberberg, Producer Nancy Abraham, Senior Producer Outstanding Directing For Nonfiction Programming The Amazing Race • Let Them Drink Their Haterade (Lake Manyara, Tanzania) • CBS • World Race Productions Inc. Bertram van Munster, Director American Masters • Woody Allen: A Documentary • PBS • A Production of B Plus Productions, LLC in association with Thirteen's American Masters for WNET Robert B. Weide, Director George Harrison: Living In The Material World • HBO • Grove Street Pictures, Spitfire Pictures, and Sikelia Productions in association with HBO Documentary Films Martin Scorsese, Director Paradise Lost 3: Purgatory • HBO • @Radical.Media Productions in association with HBO Documentary Films Joe Berlinger, Director Bruce Sinofsky, Director Project Runway • Finale (Part 2) • Lifetime • The Weinstein Company, Bunim-Murray Productions and Full Picture in association with Lifetime Television Craig Spirko, Director Outstanding Writing For Nonfiction Programming American Experience • Clinton • PBS • An Ark Media Film in association with American Experience for WGBH Boston Barak Goodman, Written by American Masters • Johnny Carson: King Of Late Night • PBS • A Co-Production of Thirteen's American Masters for WNET and Peter Jones Productions, Inc. Peter Jones, Written by Anthony Bourdain: No Reservations • Cuba • Travel Channel • Zero Point Zero Production, Inc. Anthony Bourdain, Written by Prohibition • A Nation Of Hypocrites • PBS • Florentine Films Geoffrey C. Ward, Written by Sesame Street: Growing Hope Against Hunger • PBS • Sesame Workshop Christine Ferraro, Written by Outstanding Art Direction For A Multi-Camera Series Hell's Kitchen • Episode 915 • Episode 916 • FOX • ITV Studios America in association with A. Smith & Co. John Janavs, Production Designer Robert Frye, Art Director Heidi Miller, Set Decorator How I Met Your Mother • Now We're Even • The Magician's Code, Part One • The Magician's Code, Part Two • CBS • 20th Century Fox Television Stephan G. Olson, Production Designer Susan Eschelbach, Set Decorator Mike & Molly • Goin' Fishin' • Valentine's Piggyback • The Wedding • CBS • Bonanza Productions, Inc. in association with Chuck Lorre Productions, Inc. and Warner Bros. Television John S. Shaffner, Production Designer Lynda Burbank, Set Decorator 30 Rock • Live From Studio 6H • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Teresa Masterpierro, Production Designer Keith Ian Raywood, Production Designer Peter Baran, Art Director Jennifer Greenberg, Set Decorator 2 Broke Girls • And The Rich People Problems • And The Reality Check • And The Pop Up Sale • CBS • Bonanza Productions, Inc. in association with MPK Productions and Warner Bros. Television Glenda Rovello, Production Designer Amy Feldman, Set Decorator Outstanding Art Direction For A Single-Camera Series Boardwalk Empire • Peg Of Old • Battle Of The Century • To The Lost • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Bill Groom, Production Designer Adam Scher, Art Director Carol Silverman, Set Decorator Downton Abbey • Episode 4 • Episode 7 • PBS • A Carnival / Masterpiece Co-Production Donal Woods, Production Designer Charmian Adams, Art Director Judy Farr, Set Decorator Game Of Thrones • Garden Of Bones • The Ghost Of Harrenhal • A Man Without Honor • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Gemma Jackson, Production Designer Frank Walsh, Art Director Tina Jones, Set Decorator Justified • Cut Ties • Loose Ends • Measures • FX Networks • Sony Pictures Television Dave Blass, Production Designer Oana Bogdan, Art Director Shauna Aronson, Set Decorator Mad Men • At The Cod Fish Ball • AMC • Lionsgate Television Dan Bishop, Production Designer Christopher L. Brown, Art Director Claudette Didul, Set Decorator Outstanding Art Direction For A Miniseries Or Movie American Horror Story • Open House (Part 7) • FX Networks • Twentieth Century Fox Television Mark Worthington, Production Designer Edward L. Rubin, Art Director Ellen Brill, Set Decorator American Horror Story • Part 1 • FX Networks • Twentieth Century Fox Television Beth Rubino, Production Designer Charles M. Lagola, Art Director Ellen Brill, Set Decorator Great Expectations (Masterpiece) • PBS • A BBC Productions / Masterpiece Co-Production David Roger, Production Designer Paul Ghirardani, Art Director Jo Kornstein, Set Decorator Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Derek Hill, Production Designer Servan Porupca, Art Director John Vertrees, Art Director Sally Black, Set Decorator Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Geoffrey Kirkland, Production Designer Nanci Noblett Starr, Art Director Jim Erickson, Set Decorator Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Arwel Wyn Jones, Production Designer Dafydd Shurmer, Art Director Joelle Rumbelow, Set Decorator Outstanding Art Direction For Variety Or Nonfiction Programming 84th Annual Academy Awards • ABC • Academy of Motion Picture Arts and Sciences John Myhre, Production Designer Joe Celli, Art Director The 54th Annual Grammy Awards • CBS • AEG Ehrlich Ventures, LLC and John Cossette Productions, Inc. Brian Stonestreet, Production Designer Alana Billingsley, Art Director Matt Steinbrenner, Art Director Saturday Night Live • Host: Jimmy Fallon • Host: Melissa McCarthy • Host: Mick Jagger • NBC • SNL Studios in association with Universal Television and Broadway Video Eugene Lee, Production Designer Akira Yoshimura, Production Designer Keith Ian Raywood, Production Designer N. Joseph DeTullio, Production Designer 65th Annual Tony Awards • CBS • White Cherry Entertainment in association with Tony Award Productions Steve Bass, Production Designer Seth Easter, Art Director The Voice • Blind Auditions (Part 2) • Battle Rounds (Part 1) • Live Shows (Part 4) • NBC • One Three Inc. (a Hearst/Mark Burnett company), Talpa Media USA, Inc. and Warner Horizon Television Anton Goss, Production Designer James Connelly, Production Designer Zeya Maurer, Art Director Outstanding Casting For A Comedy Series The Big C • Showtime • Showtime Presents, Sony Pictures Television, Perkins Street Productions, Farm Kid, Original Film Bernard Telsey, CSA, Casting By Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Jennifer Euston, CSA, Casting By Modern Family • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Jeff Greenberg, CSA, Casting By New Girl • FOX • Chernin Entertainment in association with Twentieth Century Fox Television Seth Yanklewitz, CSA, Casting By Juel Bestrop, CSA, Casting By Anya Colloff, CSA, Casting By Michael Nicolo, CSA, Casting By Nurse Jackie • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber, A Caryn Mandabach Production Julie Tucker, CSA, Casting By Ross Meyerson, CSA, Casting By Veep • HBO • Dundee Productions in association with HBO Entertainment Allison Jones, Casting By Pat Moran, CSA, Casting By Jennifer Euston, CSA, Casting By Outstanding Casting For A Drama Series Boardwalk Empire • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Meredith Tucker, Casting By Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Jill Trevellick CDG, Casting By Game Of Thrones • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Nina Gold, CSA, Casting By Robert Sterne, Casting By The Good Wife • CBS • CBS Television Studios in association with Scott Free Productions and King Size Productions Mark Saks, CSA, Casting By Homeland • Showtime • Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21 Junie Lowry Johnson, CSA, Casting By Libby Goldstein, CSA, Casting By Judy Henderson, CSA, Casting By Craig Fincannon, CSA, Casting By Lisa Mae Fincannon, CSA, Casting By Mad Men • AMC • Lionsgate Television Laura Schiff, CSA, Casting By Carrie Audino, CSA, Casting By Outstanding Casting For A Miniseries, Movie Or A Special American Horror Story • FX Networks • Twentieth Century Fox Television Robert Ulrich, CSA, Casting By Eric Dawson, CSA, Casting By Five • Lifetime • Sony Pictures Television, Echo Films, Chestnut Ridge Productions and Freestyle Picture Company Randi Hiller, CSA, Casting By Tamara-Lee Notcutt, CSA, Casting By Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films David Rubin, CSA, Casting By Richard Hicks, CSA, Casting By Pat Moran, CSA, Casting By Kathleen Chopin, CSA, Casting By Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Fern Champion, CSA, Casting By Amy Hubbard, CSA, Casting By Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Kate Rhodes James, CDG, Casting By Outstanding Choreography Dancing With The Stars • Routine: Without You • ABC • BBC Worldwide Productions Travis Wall, Choreographer Teddy Forance, Choreographer Nick Lazzarini, Choreographer Smash • Routines: National Pastime / Let's Be Bad / Never Met A Wolf • NBC • Universal Television in association with DreamWorks Television and Madwoman in the Attic Joshua Bergasse, Choreographer So You Think You Can Dance • Routines: In This Shirt / Turning Tables / Heart Asks For Pleasure First • FOX • Dick Clark Productions, Inc. in association with 19 Entertainment Stacey Tookey, Choreographer So You Think You Can Dance • Routines: Misty Blue / Velocity • FOX • Dick Clark Productions, Inc. in association with 19 Entertainment Christopher Scott, Choreographer So You Think You Can Dance • Routines: Whatever Lola Wants / Please Mr. Jailor / Where Do I Begin • FOX • Dick Clark Productions, Inc. in association with 19 Entertainment Spencer Liff, Choreographer Outstanding Cinematography For A Multi-Camera Series How I Met Your Mother • 46 Minutes • CBS • 20th Century Fox Television Chris La Fountaine, Director of Photography Mike & Molly • Victoria Can't Drive • CBS • Bonanza Productions, Inc. in association with Chuck Lorre Productions, Inc. and Warner Bros. Television Gary Baum, Director of Photography Pair Of Kings • The Evil King (Part 2) • Disney XD • It's a Laugh Productions in association with Disney Studios John Simmons, ASC, Director of Photography Two And A Half Men • Sips, Sonnets, And Sodomy • CBS • Chuck Lorre Productions Inc., The Tannenbaum Company in association with Warner Bros. Television Steven V. Silver, ASC, Director of Photography 2 Broke Girls • Pilot • CBS • Bonanza Productions, Inc. in association with MPK Productions and Warner Bros. Television Gary Baum, Director of Photography Outstanding Cinematography For A Single-Camera Series Boardwalk Empire • 21 • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Jonathan Freeman, Director of Photography Breaking Bad • Face Off • AMC • Sony Pictures Television Michael Slovis, Director of Photography Glee • Asian F • FOX • Ryan Murphy Productions in association with Twentieth Century Fox Television Michael Goi, ASC, Director of Photography Mad Men • The Phantom • AMC • Lionsgate Television Christopher Manley, ASC, Director of Photography Pan Am • Pilot • ABC • Jack Orman Productions, Out of the Blue Entertainment and Shoe Money Productions in association with Sony Pictures Television John Lindley, Director of Photography Outstanding Cinematography For A Miniseries Or Movie Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Jim Denault, ASC, Director of Photography Great Expectations (Masterpiece) • Part 2 • PBS • A BBC Productions / Masterpiece Co-Production Florian Hoffmeister, Director of Photography Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Rogier Stoffers, ASC, NSC, Director of Photography Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Fabian Wagner, Director of Photography Treasure Island • Part 1 • Syfy • A Parallel Films Production for MNG Films in association with RHI Entertainment Ulf Brantas, Director of Photography Outstanding Cinematography For Nonfiction Programming Anthony Bourdain: No Reservations • Mozambique • Travel Channel • Zero Point Zero Production, Inc Zach Zamboni, Director of Photography Todd Liebler, Director of Photography Frozen Planet • Ends Of The Earth • Discovery Channel • A BBC / Discovery Channel / Antena 3 Television S.A. / ZDF / Skai / Open University Co-Production in association with Discovery Canada Cinematography Team George Harrison: Living In The Material World • HBO • Grove Street Pictures, Spitfire Pictures, and Sikelia Productions in association with HBO Documentary Films Cinematography Team Prohibition • A Nation Of Drunkards • PBS • Florentine Films Buddy Squires, Cinematography Whale Wars • Race To Save Lives • Animal Planet • The Lizard Trading Company, LLC Cinematography Team Outstanding Cinematography For Reality Programming The Amazing Race • Let Them Drink Their Haterade (Lake Manyara, Tanzania) • CBS • World Race Productions Inc. Cinematography Team Deadliest Catch • I Don't Wanna Die • Discovery Channel • Original Productions, LLC for Discovery Communications Cinematography Team Project Runway • The Finale Challenge • Lifetime • The Weinstein Company, Bunim-Murray Productions and Full Picture in association with Lifetime Television Gus Dominguez, Director of Photography Survivor • Running The Show • CBS • SEG, Inc. Cinematography Team Top Chef • Fit For An Evil Queen • Bravo • Magical Elves Ari Boles, Director of Photography Outstanding Commercial The Bark Side • Volkswagen Deutsch LA, Ad Agency Caviar Films, Production Company Best Job • Procter & Gamble Corporate Brand Wieden + Kennedy, Ad Agency Anonymous Content, Production Company Color Changes Everything • Target: Spring Apparel, Home + Beauty Products Wieden + Kennedy New York, Ad Agency Smuggler, Production Company The Dog Strikes Back • Volkswagen Deutsch LA, Ad Agency Park Pictures, Production Company It's Halftime In America • Chrysler Brand Wieden + Kennedy, Ad Agency Chelsea, Production Company Outstanding Costumes For A Series Boardwalk Empire • 21 • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment John Dunn, Costume Designer Lisa Padovani, Co-Costume Designer Maria Zamansky, Assistant Costume Designer The Borgias • The Confession • Showtime • Showtime Presents, In association with Take 5 Productions and Octagon Films Gabriella Pescucci, Costume Designer Uliva Pizzetti, Costume Supervisor Downton Abbey • Episode 1 • PBS • A Carnival / Masterpiece Co-Production Susannah Buxton, Costume Designer Game Of Thrones • The Prince Of Winterfell • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Michele Clapton, Costume Designer Alexander Fordham, Assistant Costume Designer Chloe Aubry, Assistant Costume Designer Once Upon A Time • Hat Trick • ABC • ABC Studios Eduardo Castro, Costume Designer Monique McRae, Assistant Costume Designer Outstanding Costumes For A Miniseries, Movie Or A Special American Horror Story • Halloween, Part 1 • FX Networks • Twentieth Century Fox Television Chrisi Karvonides, Costume Designer Conan Castro, Costume Supervisor Great Expectations (Masterpiece) • Part 2 • PBS • A BBC Productions / Masterpiece Co-Production Annie Symons, Costume Designer Yvonne Duckett, Costume Supervisor Hatfields & McCoys • Part 1 • HISTORY • Thinkfactory Media in association with History Karri Hutchinson, Costume Designer Adina Bucur, Costume Supervisor Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Ruth Myers, Costume Designer William McPhail, Costume Supervisor Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Sarah Arthur, Costume Designer Ceri Walford, Costume Supervisor Treasure Island • Part 1 • Syfy • A Parallel Films Production for MNG Films in association with RHI Entertainment Lorna Marie Mugan, Costume Designer Rhona McGuirke, Costume Supervisor Outstanding Single-Camera Picture Editing For A Drama Series Breaking Bad • End Times • AMC • Sony Pictures Television Kelley Dixon, Edited by Breaking Bad • Face Off • AMC • Sony Pictures Television Skip MacDonald, Edited by Downton Abbey • Episode 7 • PBS • A Carnival / Masterpiece Co-Production John Wilson A.C.E., Editor Homeland • Pilot • Showtime • Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21 Jordan Goldman, Edited by David Latham, Edited by Mad Men • Far Away Places • AMC • Lionsgate Television Christopher Gay, Edited by Outstanding Single-Camera Picture Editing For A Comedy Series Curb Your Enthusiasm • Palestinian Chicken • HBO • HBO Entertainment Steven A. Rasch, A.C.E., Editor Modern Family • Leap Day • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Ryan Case, Editor Modern Family • Election Day • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Steven A. Rasch, A.C.E., Edited by 30 Rock • The Tuxedo Begins • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Ken Eluto, A.C.E., Editor 30 Rock • Leap Day • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Meg Reticker, Edited by Outstanding Multi-Camera Picture Editing For A Comedy Series The Big Bang Theory • The Countdown Reflection • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television Peter John Chakos, Editor Hot In Cleveland • God And Football • TV Land • Hudson Street Productions Mark Alan Dashnaw, Edited by How I Met Your Mother • Trilogy Time • CBS • 20th Century Fox Television Sue Federman, Edited by Two And A Half Men • Why We Gave Up Women • CBS • Chuck Lorre Productions Inc., The Tannenbaum Company in association with Warner Bros. Television Joseph Bella, Edited by 2 Broke Girls • And The Kosher Cupcakes • CBS • Bonanza Productions, Inc. in association with MPK Productions and Warner Bros. Television Darryl Bates, A.C.E., Editor Outstanding Single-Camera Picture Editing For A Miniseries Or A Movie American Horror Story • Birth • FX Networks • Twentieth Century Fox Television Fabienne Bouville, Editor Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Lucia Zucchetti, A.C.E., Editor Hatfields & McCoys • Part 2 • HISTORY • Thinkfactory Media in association with History Don Cassidy, Editor Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Walter Murch, A.C.E., Editor Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Charlie Phillips, Editor Outstanding Picture Editing For Short-Form Segments And Variety Specials 84th Annual Academy Awards • Opening Film • ABC • Academy of Motion Picture Arts and Sciences Kabir Akhtar, Editor The Colbert Report • Stephen Colbert Occupies Wall Street (Episode 8013) • Comedy Central • Hello Doggie, Inc. with Busboy Productions and Spartina Productions Andrew Matheson, Editor The Daily Show With Jon Stewart • A Love Supreme - Profanity & Nudity On TV (Episode 17051) • Comedy Central • Central Productions, LLC Eric Davies, Editor Extreme Makeover: Home Edition - Rise And Honor A Veterans Day Special • ABC • Endemol USA Matt Deitrich, Supervising Editor Josh Young, Supervising Editor Ken Yankee, Editor Jacob Parsons, Editor Jennifer Nelson, Editor Anita Hadulla, Editor Tim Leavitt, Editor Louis C.K. Live At The Beacon Theatre • FX Networks • Pig Newton, Inc. in association with FX Productions Louis C.K., Edited By 2012 Rock And Roll Hall Of Fame Induction Ceremony • HBO • Playtone, Tenth Planet Productions and the Rock and Roll Hall of Fame Foundation in association with HBO Entertainment Bill DeRonde, Editor Chris Lovett, Editor Mark Stepp, Editor Pi Ware, Editor John Zimmer, Editor Ben Folts, Editor Outstanding Picture Editing For Nonfiction Programming American Masters • Johnny Carson: King Of Late Night • PBS • A Co-Production of Thirteen's American Masters for WNET and Peter Jones Productions, Inc. Mark Catalena, Editor Anthony Bourdain: No Reservations • U.S. Desert • Travel Channel • Zero Point Zero Production, Inc Nick Brigden, Editor Beyond Scared Straight • Oakland County, MI • A&E • Arnold Shapiro Productions for A&E Network Rob Goubeaux, A.C.E., Editor Heather Abell, Editor Mark S. Andrew, A.C.E., Editor Paul J. Coyne, A.C.E., Editor Frozen Planet • Ends Of The Earth • Discovery Channel • A BBC / Discovery Channel / Antena 3 Television S.A. / ZDF / Skai / Open University Co-Production in association with Discovery Canada Andy Netley, Editor Sharon Gillooly, Editor George Harrison: Living In The Material World • HBO • Grove Street Pictures, Spitfire Pictures, and Sikelia Productions in association with HBO Documentary Films David Tedeschi, Edited By Outstanding Picture Editing For Reality Programming The Amazing Race • Let Them Drink Their Haterade (Lake Manyara, Tanzania) • CBS • World Race Productions Inc. Eric Goldfarb, Editor Julian Gomez, Editor Andrew Kozar, Editor Paul C. Nielsen, Editor Michael Bolanowski, Editor Jennifer Nelson, Editor Jacob Parsons, Editor Rich Remis, Editor Deadliest Catch • I Don't Wanna Die • Discovery Channel • Original Productions, LLC for Discovery Communications Josh Earl, A.C.E., Supervising Editor Alex Durham, Editor Project Runway • My Pet Project • Lifetime • The Weinstein Company, Bunim-Murray Productions and Full Picture in association with Lifetime Television Lisa P. Trulli, Editor Eileen Finkelstein, Editor Molly Shock, Editor Emily Hsuan, Editor Masayoshi Matsuda, Editor Survivor • Cult-Like • CBS • SEG, Inc. James M. Smith, Supervising Editor Stephen R. Frederick, Editor Tim Atzinger, Editor Evan Mediuch, Editor James Ciccarello, Editor Eric Gardner, Editor David S. Armstrong, Editor Top Chef • Fit For An Evil Queen • Bravo • Magical Elves Tony Rivard, Editor Chris Colombel, Editor Jeannie Gilgenberg, Editor Hans Van Riet, Editor Tony Fisher, Editor Kent Bassett, Editor Matt Reynolds, Editor Outstanding Hairstyling For A Single-Camera Series Boardwalk Empire • Two Boats And A Lifeguard • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Francesca Paris, Department Head Hairstylist Christine Cantrell, Key Hairstylist The Borgias • The Confession • Showtime • Showtime Presents, In association with Take 5 Productions and Octagon Films Stefano Ceccarelli, Department Head Hairstylist Tahira Herold, Personal Hairstylist Claudia Catini, Hairstylist Sevlene Roddy, Hairstylist Downton Abbey • Episode 1 • PBS • A Carnival / Masterpiece Co-Production Anne "Nosh" Oldham, Department Head Hairstylist Christine Greenwood, Key Hairstylist Game Of Thrones • The Old Gods And The New • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Kevin Alexander, Department Head Hairstylist Candice Banks, Hairstylist Rosalia Culora, Hairstylist Gary Machin, Hairstylist Mad Men • The Phantom • AMC • Lionsgate Television Theraesa Rivers, Department Head Hairstylist Lucia Mace, Key Hairstylist Arturo Rojas, Additional Hairstylist Maria Sandoval, Additional Hairstylist David Blair, Additional Hairstylist Outstanding Hairstyling For A Multi-Camera Series Or Special Dancing With The Stars • Episode 1407 • ABC • BBC Worldwide Productions Mary Guerrero, Department Head Hairstylist Kimi Messina, Key Hairstylist Jennifer Guerrero-Mazursky, Hairstylist Rachel Dowling, Hairstylist Cynthia Romo, Hairstylist Sean Smith, Hairstylist Saturday Night Live • Host: Zooey Deschanel • NBC • SNL Studios in association with Universal Television and Broadway Video Bettie O. Rogers, Department Head Hairstylist Jodi Mancuso, Key Hairstylist Inga Thrasher, Hairstylist Jennifer Stauffer, Hairstylist Cara Hannah Sullivan, Hairstylist Christal Schanes, Hairstylist Victorious • April Fools Blank • Nickelodeon • Nickelodeon and Schneider's Bakery Cyndra C. Dunn Keitel, Department Head Hairstylist Monica Lisa Sabedra, Key Hairstylist Terrie Velazquez Owen, Additional Hairstylist Shawn Finch, Personal Hairstylist The Voice • Episode 210A • NBC • One Three Inc. (a Hearst/Mark Burnett company), Talpa Media USA, Inc. and Warner Horizon Television Shawn Finch, Department Head Hairstylist Jerilynn Stephens, Additional Hairstylist Cindy Costello, Additional Hairstylist Cheryl Marks, Additional Hairstylist Renee Dipinto Ferruggia, Additional Hairstylist Samantha Wen, Additional Hairstylist Outstanding Hairstyling For A Miniseries Or A Movie American Horror Story • FX Networks • Twentieth Century Fox Television Monte C. Haught, Department Head Hairstylist Samantha Wade, Key Hairstylist Melanie Verkins, Hairstylist Natalie Driscoll, Hairstylist Michelle Ceglia, Hairstylist Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Girorgio Gregorini, Department Head Hairstylist Peter Nicastro, Key Hairstylist Gabriele Gregorini, Hairstylist Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Yvette Rivas, Department Head Hairstylist Frances Mathias, Personal Hairstylist Outstanding Creative Achievement In Interactive Media -- Enhancement To A Television Program Or Series Bravo's Top Chef: Last Chance Kitchen • bravotv.com • Bravo Media and Magical Elves NBC Universal Bravo Media Magical Elves Game Of Thrones Season Two -- Enhanced Digital Experience • HBO • HBO Entertainment HBO The Team Coco Sync App • TBS • Team Coco Digital in association with Conaco, LLC & Turner Broadcasting System John Wooden, Producer Aaron Bleyaert, Producer Conan O'Brien, Producer Timothy Campbell, Producer Outstanding Creative Achievement In Interactive Media—Original Interactive Television Programming Dirty Work • rides.tv • Fourth Wall Studios Fourth Wall Studios Rides TV Psych HashTag Killer • USA • USA Network in association with Universal Cable Productions & Social Samba USA Network Universal Cable Productions Social Samba 30 Ninjas What's Trending With Shira Lazar • whatstrending.com • Disrupt/Group Damon Berger, Executive Producer Shira Lazar, Executive Producer Outstanding Lighting Design/Lighting Direction For A Variety Series American Idol • Finale • FOX • A 19 Production in association with Fremantle Media Kieran Healy, Lighting Designer Joshua Hutchings, Lighting Director Matthew McAdam, Lighting Director George Harvey, Lighting Director Dancing With The Stars • Episode 1307 • ABC • BBC Worldwide Productions Simon Miles, Lighting Designer Matthew Cotter, Lighting Director Suzanne Sotelo, Lighting Director Saturday Night Live • Host: Jimmy Fallon • NBC • SNL Studios in association with Universal Television and Broadway Video Phil Hymes, Lighting Designer Geoff Amoral, Lighting Director Rick McGuinness, Lighting Director So You Think You Can Dance • Season 8 Finale • FOX • Dick Clark Productions, Inc. in association with 19 Entertainment Robert Barnhart, Lighting Designer Matt Firestone, Lighting Director Pete Radice, Lighting Director Patrick Boozer, Lighting Director The Voice • Live Shows (Part 1) • NBC • One Three Inc. (a Hearst/Mark Burnett company), Talpa Media USA, Inc. and Warner Horizon Television Oscar Dominguez, Lighting Designer Daniel K. Boland, Lighting Director Outstanding Lighting Design/Lighting Direction For A Variety Special 84th Annual Academy Awards • ABC • Academy of Motion Picture Arts and Sciences Robert A. Dickinson, Lighting Designer Robert Barnhart, Lighting Designer Jon Kusner, Lighting Director Andy O'Reilly, Lighting Director Andrea Bocelli Live In Central Park (Great Performances) • PBS • A Production of Sugar s.r.l. and THIRTEEN for WNET Robert Barnhart, Lighting Designer Ted Wells, Lighting Director Matt Firestone, Lighting Director Harry Sangmeister, Lighting Director The 54th Annual Grammy Awards • CBS • AEG Ehrlich Ventures, LLC and John Cossette Productions, Inc. Robert A. Dickinson, Lighting Designer Jon Kusner, Lighting Director Travis Hagenbuch, Lighting Director Andy O'Reilly, Lighting Director Super Bowl XLVI Halftime Show Starring Madonna • NBC • NFL Network Al Gurdon, Lighting Designer Robert Barnhart, Lighting Director David Grill, Lighting Director Michael Owen, Lighting Director Victoria's Secret Fashion Show 2011 • CBS • Done and Dusted Productions Jon Kusner, Lighting Designer Matt Firestone, Lighting Designer Harry Sangmeister, Lighting Director Nick Collier, Lighting Director Outstanding Main Title Design American Horror Story • FX Networks • Twentieth Century Fox Television Kyle Cooper, Title Designer Juan Ruiz Anchia, Director of Photography Gabriel Diaz, Editor Ryan Murphy, Designer Great Expectations (Masterpiece) • PBS • A BBC Productions / Masterpiece Co-Production Nic Benns, Title Designer Rodi Kaya, 3D Atrist Tom Bromwich, Titles Producer Magic City • Starz • Starz Entertainment, LLC Ahmet Ahmet, Designer/Creative DIrector Michelle Dougherty, Designer/Creative Designer Kathy Kelehan, Producer/Creative Lead Danielle White, Editor New Girl • FOX • Chernin Entertainment in association with Twentieth Century Fox Television Conn Reilly, Producer Veva Burns, Art Director John Priday, Creative Director Strike Back • Cinemax • Left Bank Pictures in association with British Sky Broadcasting and Cinemax Nic Benns, Creatie Director/Designer/Animator Miki Kato, Art Director Joe Lea, Compositor/Editor Outstanding Makeup For A Single-Camera Series (Non-Prosthetic) Boardwalk Empire • Georgia Peaches • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Michele Paris, Department Head Makeup Artist Mary Aaron, Key Makeup Artist Steven Lawrence, Key Makeup Artist Game Of Thrones • The Old Gods And The New • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Paul Engelen, Department Head Makeup Artist Melissa Lackersteen, Makeup Artist Glee • Yes/No • FOX • Ryan Murphy Productions in association with Twentieth Century Fox Television Kelley Mitchell, Department Head Makeup Artist Jennifer Greenberg, Key Makeup Artist Melissa Buell, Additional Makeup Artist Tym Shutchai Buacharern, Additional Makeup Artist Paula Jane Hamilton, Additional Makeup Artist Darla Albright, Additional Makeup Artist Mad Men • Christmas Waltz • AMC • Lionsgate Television Lana Horochowski, Department Head Makeup Artist Ron Pipes, Key Makeup Artist Ken Niederbaumer, Makeup Artist Keith Sayer, Makeup Artist The Middle • The Play • ABC • A Blackie and Blondie Production in association with Warner Bros. Television Tyson Fountaine, Department Head Makeup Artist Heather Cummings, Key Makeup Artist Michelle Daurio, Makeup Artist Tifanie White, Makeup Artist Brian Kinney, Makeup Artist Elizabeth Dahl, Makeup Artist Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic) Dancing With The Stars • Episode 1307 • ABC • BBC Worldwide Productions Zena Shteysel, Department Head Makeup Artist Angela Moos, Key Makeup Artist Patti Ramsey Bortoli, Makeup Artist Barbara Fonte, Makeup Artist Sarah Woolf, Makeup Artist Nadege Schoenfeld, Makeup Artist Hot In Cleveland • Bridezelka • TV Land • Hudson Street Productions Lori Benson, Co-Department Head Makeup Artist Lisa Ashley, Co-Department Head Makeup Artist Deborah Huss Humphries, Key Makeup Artist How I Met Your Mother • Trilogy Time • CBS • 20th Century Fox Television Jennifer Turchi Nigh, Department Head Makeup Artist Megan Moore Grimes, Key Makeup Artist Kevin Haney, Makeup Artist Saturday Night Live • Host: Katy Perry • NBC • SNL Studios in association with Universal Television and Broadway Video Louie Zakarian, Department Head Makeup Artist Josh Turi, Makeup Artist Amy Tagliamonti, Makeup Artist Daniela Zivkovic, Makeup Artist Tom Denier, Jr., Makeup Artist Victorious • April Fools Blank • Nickelodeon • Nickelodeon and Schneider's Bakery Michael Johnston, Department Head Makeup Artist Patti Brand-Reese, Key Makeup Artist Melanie Mills, Makeup Artist Nadege Schoenfeld, Makeup Artist Lusine Galadjian, Personal Makeup Artist Outstanding Makeup For A Miniseries Or A Movie (Non-Prosthetic) American Horror Story • FX Networks • Twentieth Century Fox Television Eryn Krueger Mekash, Department Head Makeup Artist Kim Ayers, Key Makeup Artist Silvina Knight, Makeup Artist D. Garen Tolkin, Personal Makeup Artist Hatfields & McCoys • HISTORY • Thinkfactory Media in association with History Mario Michisanti, Department Head Makeup Artist Francesca Tampieri, Makeup Artist Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Gretchen Davis, Department Head Makeup Artist Kyra Panchenko, Personal Makeup Artist Paul Pattison, Personal Makeup Artist Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special American Horror Story • FX Networks • Twentieth Century Fox Television Eryn Krueger Mekash, Department Head Makeup Artist Hiroshi Yada, Makeup Effects Artist Michael Mekash, Makeup Effects Artist Christopher Nelson, Makeup Effects Artist Kim Ayers, Makeup Effects Artist Christien Tinsley, Prosthetic Designer Jason Hamer, Prosthetic Designer Boardwalk Empire • The Age Of Reason • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Michele Paris, Department Head Makeup Artist, Prosthetic Designer Craig Lindberg, Special Makeup Effects Artist Jeremy Selenfriend, Special Makeup Effects Artist Mike Marino, Special Makeup Effects Artist David Presto, Special Makeup Effects Artist Michael Fontaine, Special Makeup Effects Artist Game Of Thrones • Valar Morghulis • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Paul Engelen, Department Head Makeup Artist, Prosthetic Designer Conor O'Sullivan, Prosthetic Designer, Makeup Effects Artist Rob Trenton, Special Makeup Effects Artist Once Upon A Time • Dreamy • ABC • ABC Studios Toby Lindala, Special Makeup Effects Department Head Sarah Graham, Department Head Makeup Artist The Walking Dead • What Lies Ahead • AMC • AMC Studios Greg Nicotero, Special Makeup Effects Department Head Jake Garber, Special Makeup Effects Artist Andy Schoneberg, Special Makeup Effects Artist Kevin Wasner, Special Makeup Effects Artist Gino Crognale, Special Makeup Effects Artist Carey Jonse, Special Makeup Effects Artist Garrett Immel, Prosthetic Designer Outstanding Music Composition For A Series (Original Dramatic Score) The Borgias • The Confession • Showtime • Showtime Presents, In association with Take 5 Productions and Octagon Films Trevor Morris, Music by Downton Abbey • Episode 6 • PBS • A Carnival / Masterpiece Co-Production John Lunn, Music by Pan Am • Pilot • ABC • Jack Orman Productions, Out of the Blue Entertainment and Shoe Money Productions in association with Sony Pictures Television Blake Neely, Music by Smash • Publicity • NBC • Universal Television in association with DreamWorks Television and Madwoman in the Attic Marc Shaiman, Original Music by Chris Bacon, Score by 30 Rock • The Tuxedo Begins • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Jeff Richmond, Music by Outstanding Music Composition For A Miniseries, Movie Or A Special (Original Dramatic Score) Disney Prep & Landing: Naughty Vs. Nice • ABC • Walt Disney Animation Studios Michael Giacchino, Composer Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films Theodore Shapiro, Music by Hatfields & McCoys • Part 1 • HISTORY • Thinkfactory Media in association with History John Debney, Music by Tony Morales, Music by Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Javier Navarrete, Composer Missing • The Hard Drive • ABC • ABC Studios Robert Duncan, Music by Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece David Arnold, Music Michael Price, Music Outstanding Music Direction Christmas In Washington • TNT • New Liberty Productions and The Stevens Co Ian Fraser, Musical Director Country Music (In Performance At The White House) • PBS • WETA Washington, DC and Bounce, an AEG Company Steven A. Gibson, Music Director The Kennedy Center Honors • CBS • A George Stevens, Jr. Presentation for The John F. Kennedy Center for the Performing Arts Rob Berman, Music Director Rob Mathes, Music Director Michael Feinstein: The Sinatra Legacy • PBS • Bounce, an AEG Company Bill Elliott, Music Director Seth MacFarlane: Swingin' In Concert • EPIX • AEG Live Joel McNeely, Musical Director & Arranger The Thomashefskys: Music And Memories Of A Life In The Yiddish Theater (Great Performances) • PBS • A production of the Thomashefsky Film Project LLC and Thirteen for WNET Michael Tilson Thomas, Music Director Outstanding Original Music And Lyrics The Heart Of Christmas • Song Title: The Heart Of Christmas • GMC • My Three Sons Films, God & Country Entertainment in association with GMC Matthew West, Music & Lyrics by Raising Hope • Prodigy / Song Title: Welcome Back To Hope • FOX • Twentieth Century Fox Television Matthew W. Thompson, Music & Lyrics by Saturday Night Live • Host: Jason Segel / Song Title: I Can't Believe I'm Hosting • NBC • SNL Studios in association with Universal Television and Broadway Video Eli Brueggemann, Music by Seth Meyers, Lyrics by John Mulaney, Lyrics by Smash • Pilot / Song Title: Let Me Be Your Star • NBC • Universal Television in association with DreamWorks Television and Madwoman in the Attic Marc Shaiman, Music & Lyrics by Scott Wittman, Music & Lyrics by 65th Annual Tony Awards • Song Title: It's Not Just For Gays Anymore • CBS • White Cherry Entertainment in association with Tony Award Productions Adam Schlesinger, Music by David Javerbaum, Lyrics by Outstanding Original Main Title Theme Music Great Expectations (Masterpiece) • PBS • A BBC Productions / Masterpiece Co-Production Martin Phipps, Composer Hell On Wheels • AMC • Entertainment One Television in association with Endemol USA and Nomadic Pictures Gustavo Santaolalla, Theme by Homeland • Showtime • Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21 Sean Callery, Music by Page Eight (Masterpiece) • PBS • A Heyday Films / Runaway Fridge TV / Carnival / Masterpiece co-production in association with NBC Universal for BBC Paul Englishby, Music by Touch • FOX • Chernin Entertainment in association with Twentieth Century Fox Television Lisa Coleman, Theme by Wendy Melvoin, Theme by Outstanding Sound Editing For A Series Boardwalk Empire • Gimcrack And Bunkum • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Fred Rosenberg, Supervising Sound Editor Jeffery Stern, Dialogue Editor Ruy Garcia, Sound Effects Editor Annette Kudrak, Music Editor Steve Visscher, Foley Editor Igor Nikolic, Sound Editor Reuben Simon, Sound Editor Roland Vajs, Sound Editor Marko Costanzo, Foley Artist George Lara, Foley Artist Breaking Bad • Face Off • AMC • Sony Pictures Television Nick Forshager, Supervising Sound Editor Jason Tregoe Newman, Music Editor Kathryn Madsen, ADR Supervisor Mark Cookson, Sound Effects Editor Cormac Funge, Sound Effects Editor Jane Boegel, Dialogue Editor Jeff Cranford, Sound Editor Dominique Tabach Decaudain, Foley Artist Gregg Barbanell, Foley Artist CSI: Miami • Blown Away • CBS • Jerry Bruckheimer Production with CBS Studios Timothy I. Kimmel, Supervising Sound Editor Brad Katona, Sound Effects Editor Ruth Adelman, ADR Editor Todd Niesen, Dialogue Editor Skye Lewin, Music Editor Joseph Sabella, Foley Artist James Bailey, Foley Artist Game Of Thrones • Blackwater • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Peter Brown, Supervising Sound Editor/Sound Design Kira Roessler, Dialogue/ADR Supervising Sound Editor Tim Hands, ADR Editor/Co-Supervisor of ADR Paul Aulicino, M.P.S.E., Foley Editor/Supervising Foley Editor Stephen P. Robinson, Sound Effects Editor Vanessa Lapato, Dialogue Editor Brett Voss, Foley Editor James Moriana, Foley Artist Jeffrey Wilhoit, Foley Artist David Klotz, Music Editor The Walking Dead • Beside The Dying Fire • AMC • AMC Studios Jerry Ross, Supervising Sound Editor Lou Thomas, Dialogue ADR Editor Tim Farrell, Sound Effects Editor Phil Barrie, Sound Effects Editor Michael Baber, Music Editor David Lee Fein, Foley Artist Hilda Hodges, Foley Artist Outstanding Sound Editing For A Miniseries, Movie Or A Special American Horror Story • Piggy, Piggy • FX Networks • Twentieth Century Fox Television Gary Megregian, Supervising Sound Editor David Klotz, Music Editor Steve M. Stuhr, Dialogue Editor Jason Krane, Dialogue Editor Jason Lezama, Dialogue Editor Timothy Cleveland, Sound Effects Editor Bruce Tanis, Sound Effects Editor Simon Coke, Foley Editor Zane Bruce, Foley Artist Jeff Gunn, Foley Artist Lance Wiseman, Dialogue Editor Hatfields & McCoys • Part 1 • HISTORY • Thinkfactory Media in association with History Tom Bjelic, Supervising Sound Editor John Laing, Supervising Sound Editor John Douglas Smith, Sound Editor Mark Dejczak, Sound Editor Michael Mancuso, Sound Editor Dermain Finlayson, Sound Editor Kevin Banks, Music Editor Darrell Hall, Music Editor Alex Bulick, Sound Editor Nathan Robitaille, Sound Editor Dan Kiener, Sound Editor Emilie Boucek, Sound Editor Steve Baine, Foley Artist Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Douglas Murray, Supervising Sound Editor Peter Horner, Sound Designer Kim Foscato, Dialogue Editor Steve Boeddeker, FX Sound Editor Casey Langfelder, FX Sound Editor Andrea Gard, FX Sound Editor Pat Jackson, FX Sound Editor Daniel Laurie, ADR Editor Goro Koyama, Foley Artist Andy Malcolm, Foley Artist Joanie Diener, Music Editor The River • Doctor Emmet Cole • ABC • ABC Studios Paula Fairfield, Supervising Sound Editor/Designer Jill Purdy, Dialogue Editor Carla Murray, Sound Editor Peter Austin, ADR Editor Jon Mete, Sound Effects Editor Shelley Roden, Foley Artist Gregg Barbanell, Foley Artist Gordon Fordyce, Music Editor Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Jeremy Child, Sound Effects Editor Doug Sinclair, Supervising Sound Editor Outstanding Sound Editing For Nonfiction Programming (Single Or Multi-Camera) The Amazing Race • Let Them Drink Their Haterade (Lake Manyara, Tanzania) • CBS • World Race Productions Inc. Eric Goldfarb, Sound Editor Julian Gomez, Sound Editor Andrew Kozar, Sound Editor Paul C. Nielsen, Sound Editor Jacob Parsons, Sound Editor Rich Remis, Sound Editor Jennifer Nelson, Sound Editor Michael Bolanowski, Sound Editor Bryan Parker, Sound Editor Graham Barclay, Sound Editor Frozen Planet • Ends Of The Earth • Discovery Channel • A BBC / Discovery Channel / Antena 3 Television S.A. / ZDF / Skai / Open University Co-Production in association with Discovery Canada Kate Hopkins, Dubbing Editor Tim Owens, Sound Editor Paul Fisher, Sound Editor George Harrison: Living In The Material World • HBO • Grove Street Pictures, Spitfire Pictures, and Sikelia Productions in association with HBO Documentary Films Philip Stockton, Supervising Sound Editor Al Zaleski, Sound Effects Editor Jennifer Dunnington, Music Editor Paul Simon's Graceland Journey: Under African Skies • A&E • Sony Music Entertainment's Legacy Recordings and @Radical.Media Chris Davis, Sound Effects Editor Eric Milano, Dialogue Editor Andy Smith, Music Editor Joshua L. Pearson, Dialogue/Music Editor Prohibition • A Nation Of Hypocrites • PBS • Florentine Films Dan Korintus, Dialogue Editor Marlena Grzaslewicz, Dialogue Editor Ira Spiegel, Sound Effects Editor Dave Mast, Sound Effects Editor Erik Ewers, Sound Effects Editor Jacob Ribicoff, Music Editor Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour) Breaking Bad • Face Off • AMC • Sony Pictures Television Darryl L. Frank, Production Mixer Jeff Perkins, Re-Recording Mixer Eric Justen, Re-Recording Mixer Downton Abbey • Episode 1 • PBS • A Carnival / Masterpiece Co-Production Nigel Heath, Re-Recording Mixer Alex Fielding, Re-Recording Mixer Oliver Brierley, ADR Mixer Keith Partridge, Foley Mixer Chris Ashworth, Production Mixer Game Of Thrones • Blackwater • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Matthew Waters, Re-Recording Mixer Onnalee Blank, CAS, Re-Recording Mixer Ronan Hill, CAS, Production Mixer Mervyn Moore, Production Mixer Homeland • Marine One • Showtime • Showtime Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21 Larry Long, Production Sound Mixer Nello Torri, Re-Recording Mixer Alan Decker, Re-Recording Mixer Larold Rebhun, Scoring Mixer Person Of Interest • Pilot • CBS • Bonanza Productions, Inc. in association with Bad Robot Productions and Warner Bros. Television Frank Morrone, Re-Recording Mixer Scott Weber, Re-Recording Mixer Keith Rogers, Re-Recording Mixer Noah Timan, Production Mixer Outstanding Sound Mixing For A Miniseries Or A Movie American Horror Story • Piggy, Piggy • FX Networks • Twentieth Century Fox Television Sean Rush, Production Sound Mixer Joe Earle, Dialogue/Music Re-Recording Mixer Doug Andham, Sound Effects Re-Recording Mixer Game Change • HBO • Playtone and Everyman Pictures in association with HBO Films David MacMillan, Production Mixer Leslie Shatz, Re-Recording Mixer Gabriel J. Serrano, Re-Recording Mixer Hatfields & McCoys • Part 1 • HISTORY • Thinkfactory Media in association with History Stanomir Dragos, Production Mixer Christian Cooke, Re-Recording Mixer Brad Zoern, Re-Recording Mixer Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Nelson Stoll, CAS, AES, Sound Mixer Lora Hirschberg, Re-Recording Mixer Peter Horner, Re-Recording Mixer Douglas Murray, Re-Recording Mixer Sherlock: A Scandal In Belgravia (Masterpiece) • PBS • Hartswood West for BBC / Cymru Wales in co-production with Masterpiece Howard Bargroff, Dubbing Mixer John Mooney, Production Mixer Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation Entourage • The End • HBO • Leverage and Closest to the Hole Productions in association with HBO Entertainment Tom Stasinis, Production Mixer Dennis Kirk, Re-Recording Mixer Todd Orr, Re-Recording Mixer Modern Family • Dude Ranch • ABC • Levitan-Lloyd Productions in association with Twentieth Century Fox Television Stephen A. Tibbo, Production Sound Mixer Dean Okrand, Re-Recording Mixer Brian R. Harman, Re-Recording Mixer Nurse Jackie • Handle Your Scandal • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber, A Caryn Mandabach Production Jan McLaughlin, CAS, Production Sound Mixer Peter Waggoner, Re-Recording Mixer Parks And Recreation • End Of The World • NBC • Deedle-Dee Productions, Fremulon, 3 Arts and Universal Television John Cook, Re-Recording Mixer Peter Nusbaum, Re-Recording Mixer Steve Morantz, Production Mixer 30 Rock • Live From Studio 6H • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Robert Palladino, Audio Martin Brumbach, Music Editor Josiah Gluck, Music Mixer William Taylor, Sound Effects Outstanding Sound Mixing For A Variety Series Or Special 84th Annual Academy Awards • ABC • Academy of Motion Picture Arts and Sciences Paul Sandweiss, Audio Director Tommy Vicari, Orchestra Mixer Pablo Munguia, Protools Kristian Pedregon, Show Post Audio ACM Presents: Lionel Richie And Friends -- In Concert • CBS • Dick Clark Productions, Inc. in association with the Academy of Country Music Paul Sandweiss, Post Production Mixer Biff Dawes, Music Mixer J. Mark King, Production Mixer Dirk Vanoucek, Re-Recording Mixer Steven Anderson, House Production Mixer  Marc Repp, Music Mixer Chip Matthews, Re-Recording Mixer  Christian Schrader, Audience Supplemental Mixer  Jeff Peterson, House Music Mixer Jason Spence, Stage Monitor Mixer  Jeffrey R. Fecteau, Playback Mixer American Idol • 1144 • FOX • FremantleMedia North America with 19 Entertainment Ed Greene, Audio Mixer Brian Riordan, Packages Mixer Ryan Young, Packages Mixer Conner Moore, Packages Mixer Randy Faustino, Music Mixer Michael Parker, Monitor Mixer Christian Schrader, Audience Sweetener Gary Long, Playback Music Mixer Patrick Baltzell, PA Mixer The 54th Annual Grammy Awards • CBS • AEG Ehrlich Ventures, LLC and John Cossette Productions, Inc. Thomas Holmes, Broadcast Production Mixer John Harris, Broadcast Music Mixer Eric Schilling, Broadcast Music Mixer Paul Sandweiss, Package Mixer Eric Johnston, Playback Mixer Mikael Stewart, House Production Mixer Ron Reaves, House Music Mixer Tom Pesa, Stage Mixer Michael Parker, Stage Mixer Pablo Munguia, Playback Mixer Bob Lamasney, Audience Supplemental Mixer Outstanding Sound Mixing For Nonfiction Programming The Amazing Race • Let Them Drink Their Haterade (Lake Manyara, Tanzania) • CBS • World Race Productions Inc. Jim Ursulak, Lead Audio Dean Gaveau, C.A.S., Audio Jerry Chabane, Audio Troy Smith, Re-Recording Mixer Deadliest Catch • I Don't Wanna Die • Discovery Channel • Original Productions, LLC for Discovery Communications Bob Bronow, Sound Design/Re-Recording Mixer Frozen Planet • Ends Of The Earth • Discovery Channel • A BBC / Discovery Channel / Antena 3 Television S.A. / ZDF / Skai / Open University Co-Production in association with Discovery Canada Graham Wild, Dubbing Mixer Archie Moore, Sound Mixer George Harrison: Living In The Material World • HBO • Grove Street Pictures, Spitfire Pictures, and Sikelia Productions in association with HBO Documentary Films Tom Fleischman, C.A.S., Re-Recording Mixer Bob Chefalas, Additional Re-Recording Mixer Paul Simon's Graceland Journey: Under African Skies • A&E • Sony Music Entertainment's Legacy Recordings and @Radical.Media Tom Paul, Sound Mixer Outstanding Special Visual Effects Falling Skies • Live And Learn / The Armory • TNT • DreamWorks Television Andrew Orloff, Creative Director Curt Miller, Visual Effects Supervisor Roberto Biagi, Visual Effects Supervisor Sean Tompkins, Lead Visual Effects Producer Barbara Genicoff, Lead Visual Effects Producer Jake Bergman, Lead Mech Animator Scott Fritts, Lead Skitter Animator Renaud Talon, Lead Visual Effects Compositor Michael Kirylo, CGI Lead Game Of Thrones • Valar Morghulis • HBO • Bighead, Littlehead, Generator Productions, Television 360, and Grok Television in association with HBO Entertainment Rainer Gombos, Lead Visual Effects Supervisor Juri Stanossek, Visual Effects Supervisor Sven Martin, Animation Lead Steve Kullback, Lead Visual Effects Producer Jan Fiedler, Visual Effects Producer Chris Stenner, Lead Animator Tobias Mannewitz, Visual Effects Concept Artist Thilo Ewers, Environment Lead Adam Chazen, Visual Effects Coordinator Inside The Human Body • Episode 1 • TLC • Jellyfish Pictures Phil Dobree, Visual Effects Creative Director Sophie Orde, Visual Effects Producer Dan Upton, CG Lead Matt Chandler, CG Lead Chris Roswwarne, Concept Artist Grant White, Animation Jonas Ussing, Animation Paul Herbert, Lighting Nick Ward, Compositing Once Upon A Time • The Stranger • ABC • ABC Studios Andrew Orloff, Visual Effects Supervisor Laura Jones, Visual Effects Producer Phil Jones, Special Effects Coordinator Jake Bergman, Animation Lead Nathan Matsuda, Compositing Supervisor Dale Fay, On Set Supervisor Dayna Mauer, Compositor Kevin Struckman, On Set Zeus Supervisor Sallyanne Massimini, CG Lead Pan Am • Pilot • ABC • Jack Orman Productions, Out of the Blue Entertainment and Shoe Money Productions in association with Sony Pictures Television Matt Robken, Visual Effects Producer Christopher D. Martin, Visual Effects Supervisor Sam Nicholson, Visual Effects Supervisor Diego Galtieri, Senior 2D Artist Daniel Kumiega, Senior 3D Artist Michael Cook, Lead 3D Artist William L. Arance, Senior Model Builder Martin Hilke, Senior 2D Artist Anthony Ocampo, Senior 3D Artist The Walking Dead • Beside The Dying Fire • AMC • AMC Studios Victor Scalise, VFX Supervisor Jason Sperling, VFX Supervisor Darrell Pritchett, Special FX Supervisor Eddie Bonin, VFX Producer Valeri Pfahning, Lead 2D Artist Spence Fuller, 2D Artist Martin Hilke, 2D Artist Michael Cook, Lead 3D Artist Jon Rosenthal, 3D Artist Outstanding Special Visual Effects In A Supporting Role Boardwalk Empire • Georgia Peaches • HBO • Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment Dave Taritero, VFX Supervisor Robert Stromberg, VFX Designer Richard Friedlander, VFX Producer Eran Dinur, VFX Supervisor David W. Reynolds, Compositing Supervisor Matthew Conner, Digital Matte Painter Austin Meyers, Digital Compositor Jonathan Dorfman, 3D Artist Steve Kirshoff, Special Effects Supervisor Bones • The Twist In The Twister • FOX • Twentieth Century Fox Television Christian Cardona, Visual Effects Supervisor Andy Simonson, Visual Effects Producer Buddy Gheen, Compositor Beau Janzen, 3D Artist Ulysses Argetta, Compositor Heather Fetter, Compositor The Borgias • The Choice • Showtime • Showtime Presents, In association with Take 5 Productions and Octagon Films Doug Campbell, Visual Effects Supervisor Bill Halliday, Visual Effects Producer Luke Groves, Visual Effects Technical Producer Kirk Brillon, Compositing Supervisor Steve Ramone Gordon, Compositing Lead Jim Maxwell, Matte Painter Supervisor Irit Hod, CG Lighting Lead Tim Sibley, FX Supervisor Adam Jewett, Visual Effects Production Manager Breaking Bad • Face Off • AMC • Sony Pictures Television William Powloski, Visual Effects Supervisor-Producer Greg Nicotero, Special Makeup Effects Designer Bruce Branit, CGI Supervisor Werner Hahnlein, Special Effects Coordinator Steve Fong, Senior Compositor Sean Joseph, CG Artist Matthew Perin, Lead Compositor Hemingway & Gellhorn • HBO • Attaboy Films and A Walrus & Associates in association with HBO Films Chris Morley, Visual Effects Supervisor Kip Larsen, Visual Effects Producer Nathan Abbot, Compositing Supervisor Chris Paizis, Matchmove Supervisor Touch • Pilot • FOX • Chernin Entertainment in association with 20th Century Fox Television Tony Pirzadeh, VFX Producer Mark Spatny, VFX Supervisor Nicole Zabala, VFX Coordinator Christopher D. Martin, Lead Digital Compositor Kristin Johnson, Lead Matte-Painter Whitman Lindstrom, Matte Painter Diego Galtieri, Digital Compositor Meliza Fermin, Digital Compositor Anthony Ocampo, 3D Artist Outstanding Stunt Coordination American Horror Story • FX Networks • Twentieth Century Fox Television Tim Davison, Stunt Coordinator Criminal Minds • The Bittersweet Science • CBS • ABC Studios in association with CBS Paramount Television Network Tom Elliott, Stunt Coordinator Grimm • The Woman In Black • NBC • Universal Television and Hazy Mills Matt Taylor, Stunt Coordinator Hawaii Five-0 • Kame'e • CBS • Eye Productions Inc. Jeff David Cadiente, Stunt Coordinator NCIS: Los Angeles • Blye K • CBS • CBS Television Studios Troy James Brown, Stunt Coordinator Southland • Wednesday • TNT • John Wells Productions in association with Warner Bros. Television Peewee Piemonte, Stunt Coordinator Outstanding Technical Direction, Camerawork, Video Control For A Series The Big Bang Theory • The Countdown Reflection • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television John Pierre Dechene, Camera James L. Hitchcock, Camera Richard Price, Camera Brian (Army) Armstrong, Camera Ray Gonzales, Camera John D. O'Brien, Video Control Dancing With The Stars • Episode 1410A • ABC • BBC Worldwide Productions Charles Ciup, Technical Director Adam Margolis, Camera Easter Xua, Camera Larry Heider, Camera Dave Levisohn, Camera Bert Atkinson, Camera Brian Reason, Camera Damien Tuffereau, Camera Hector Ramirez, Camera Mike Malone, Camera Bettina Levesque, Camera Ron Lehman, Camera Rob Palmer, Camera Seth Saint Vincent, Camera Chuck Reilly, Video Control Late Show With David Letterman • Episode 3602 • CBS • Worldwide Pants Incorporated Timothy W. Kennedy, Technical Director David Dorsett, Camera Jack Young, Camera Karin-Lucie Grzella, Camera Al Cialino, Camera John Curtin, Camera George Rothweiler, Camera Dan Flaherty, Camera Fred Shimizu, Camera John Hannel, Camera Daniel Campbell, Camera Steven Kaufman, Camera William White, Video Control Saturday Night Live • Host: Mick Jagger • NBC • SNL Studios in association with Universal Television and Broadway Video Steven Cimino, Technical Director John Pinto, Camera Paul J. Cangialosi, Camera Len Wechsler, Camera Barry Frischer, Camera Eric A. Eisenstein, Camera Susan Noll, Video Control Frank Grisanti, Video Control 30 Rock • Live From Studio 6H (West Coast Version) • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Steven Cimino, Technical Director Barry Frischer, Camera John Pinto, Camera Charlie Huntley, Camera Tim Quigley, Camera Eric A. Eisenstein, Camera Richard B. Fox, Camera Marc Bloomgarden, Camera Gerard Sava, Camera Jeffrey Dutemple, Camera Susan Noll, Video Control Frank Grisanti, Video Control Outstanding Technical Direction, Camerawork, Video Control For A Miniseries, Movie Or A Special 84th Annual Academy Awards • ABC • Academy of Motion Picture Arts and Sciences John B. Field, Technical Director John Pritchett, Technical Director Rick Edwards, Technical Director Dave Levisohn, Camera Lyn Noland, Camera John Repczynski, Camera Marc Hunter, Camera Larry Heider, Camera Dave Eastwood, Camera Hector Ramirez, Camera Ted Ashton, Camera Charlie Huntley, Camera John Burdick, Camera Easter Xua, Camera Rob Palmer, Camera Mark Whitman, Camera Kris Wilson, Camera Danny Bonilla, Camera Jofre Rosero, Camera Rob Balton, Camera Dave Plakos, Camera Steve Martyniuk, Camera Shaun Harkins, Camera Danny Webb, Camera Mark Sanford, Video Control Terrance Ho, Video Control Guy Jones, Video Control The 54th Annual Grammy Awards • CBS • AEG Ehrlich Ventures, LLC and John Cossette Productions, Inc. John B. Field, Technical Director Eric Becker, Technical Director Kenneth Shapiro, Technical Director Ted Ashton, Camera Danny Bonilla, Camera Manny Bonilla, Camera Dave Eastwood, Camera Randy Gomez, Camera Dean Hall, Camera Larry Heider, Camera Marc Hunter, Camera Dave Levisohn, Camera Steve Martyniuk, Camera Rob Palmer, Camera David Plakos, Camera Hector Ramirez, Camera Brian Reason, Camera John Repczynski, Camera Kris Wilson, Camera Easter Xua, Camera Keith Winikoff, Video Control Guy Jones, Video Control The Kennedy Center Honors • CBS • A George Stevens, Jr. Presentation for the John F. Kennedy Center for the Performing Arts John B. Field, Technical Director John Burdick, Camera Helene Haviland, Camera Marc Hunter, Camera Charlie Huntley, Camera Lyn Noland, Camera Darryl Player, Camera Danny Bonilla, Camera Bill Philbin, Camera Hector Ramirez, Camera Chris Tafuri, Camera Pat Gleason, Camera Mark Whitman, Camera Paul Ranieri, Video Control Susan Noll, Video Control Memphis (Great Performances) • PBS • Broadway Worldwide, Inc. Steven Cimino, Technical Director Paul J. Cangialosi, Camera John Pinto, Camera Chuck Goslin, Camera Barry Frischer, Camera Jeff Latonero, Camera Len Wechsler, Camera Susan Noll, Video Control J.M. Hurley, Video Control E.T.- katty Perry [Kanye West] I got a dirty mind I got filthy ways I'm tryna Bath my Ape in your Milky Way I'm a legend, I'm irreverent I be reverand I be so fa-a-ar up, we don't give a f-f-f-f-ck Welcome to the danger zone Step into the fantasy You are not invited to the otherside of sanity They calling me an alien A big headed astronaut Maybe it's because your boy Yeezy get ass a lot [Katy Perry] You're so hypnotizing Could you be the devil Could you be an angel Your touch magnetizing Feels like I am floating Leaves my body glowing They say be afraid You're not like the others Futuristic lover Different DNA They don't understand you Your from a whole other world A different dimension You open my eyes And I'm ready to go Lead me into the light [Chorus] Kiss me, ki-ki-kiss me Infect me with your love and Fill me with your poison Take me, ta-ta-take me Wanna be a victim Ready for abduction Boy, you're an alien Your touch are foreign It's supernatural Extraterrestrial Your so supersonic Wanna feel your powers Stun me with your lasers Your kiss is cosmic Every move is magic Your from a whole other world A different dimension You open my eyes And I'm ready to go Lead me into the light [Chorus] Kiss me, ki-ki-kiss me Infect me with your love and Fill me with your poison Take me, ta-ta-take me Wanna be a victim Ready for abduction Boy, you're an alien Your touch are foreign It's supernatural Extraterrestrial There is this transcendental On another level Boy, you're my lucky star I wanna walk on your wave length And be there when you vibrate For you I'll risk it all All [Kanye West] I know a bar out in Mars Where they driving spaceships instead of cars Cop a Prada spacesuit about the stars Getting stupid ass straight out the jar Pockets on Shrek, Rockets on deck Tell me what's next, alien sex I'ma disrobe you, than I'mma probe you See I abducted you, so I tell ya what to do I tell ya what to do, what to do, what to do [Chorus] Kiss me, ki-ki-kiss me Infect me with your love and Fill me with your poison Take me, ta-ta-take me Wanna be a victim Ready for abduction Boy, you're an alien Your touch are foreign It's supernatural Extraterrestrial Extraterrestrial Extraterrestrial Boy, you're an alien Your touch are foreign It's supernatural Extraterrestrial Just Can't Get Enough- Black Eyed Peas Boy I think about it every night and day I'm addicted wanna jump inside your love I wouldn't wanna have it any other way I'm addicted and I just can't get enough I just can't get enough I just can't get enough I just can't get enough I just can't get enough Honey got a sexy on steamin She givin hotness a new meanin Perfection mama you gleamin Inception you got a brother dreamin dreamin oh baby I'm beamin I'm tryna holler at you, I'm screamin Let me love you down this evenin Love me, love me you know you are my demon Girl we could form a team and I could be the king you could be the queen and My mind's dirty and it don't need cleanin I love you long time so you know the meanin Oh baby I can't come down so please come help me out You got me feelin high and I can't step off the cloud And I just can't get enough Boy I think about it every night and day I'm addicted wanna jump inside your love I wouldn't wanna have it any other way I'm addicted and I just can't get enough I just can't get enough I just can't get enough I just can't get enough I just can't get enough Honey got me runnin like I'm Flo Jo Signs her name on my heart with an X-O [ From : http://www.elyrics.net/read/b/black-eyed-peas-lyrics/just-can_t-get-enough-lyrics.html ] Love's so sweet got me vexed oh I wanna wish it right back like presto, yes Meantime I wait for the next time She come around 'fore I toast to the best time We lol back and forth on the text line She got me fishin for her love I confess I'm Somethin bout her smile and that combo Got me high and I ain't comin down yo My heart's pumpin out louder than electro She got me feelin like Mr. Roboto Oh baby I can't come down so please come help me out You got me feelin high and I can't step off the cloud And I just can't get enough Boy I think about it every night and day I'm addicted wanna jump inside your love I wouldn't wanna have it any other way I'm addicted and I just can't get enough *This is mega switch up* I just can't Not Sunk in your bed rock Caught Up in your love shock Knocked Out by your cold shot I'm stuck in your head like Can't get out won't when Makin me feign, give it to me I want it all, know what I mean Your love is a dose of ecstasy Addicted I can't get Away from You Afflicted I need it I'm missin I want your lovin right next to me And I can't Erase ya out of my memory Rolling In The Deep- Adele There's a fire starting in my heart Reaching a fever pitch, and it's bringing me out the dark Finally I can see you crystal clear Go ahead and sell me out and I'll lay your shit bare See how I'll leave with every piece of you Don't underestimate the things that I will do There's a fire starting in my heart Reaching a fever pitch And it's bringing me out the dark The scars of your love remind me of us They keep me thinking that we almost had it all The scars of your love, they leave me breathless I can't help feeling We could have had it all Rolling in the deep (Tears are gonna fall, rolling in the deep) You had my heart inside of your hand (You're gonna wish you never had met me) And you played it to the beat (Tears are gonna fall, rolling in the deep) Baby, I have no story to be told But I've heard one of you And I'm gonna make your head burn Think of me in the depths of your despair Making a home down there As mine sure won't be shared The scars of your love remind me of us They keep me thinking that we almost had it all The scars of your love, they leave me breathless I can't help feeling We could have had it all Rolling in the deep (Tears are gonna fall, rolling in the deep) You had my heart inside of your hand (You're gonna wish you never had met me) And you played it to the beat (Tears are gonna fall, rolling in the deep) We could have had it all Rolling in the deep You had my heart inside of your hand But you played it with a beating Throw your soul through every open door Count your blessings to find what you look for Turn my sorrow into treasured gold You pay me back in kind and reap just what you sow (You're gonna wish you never had met me) We could have had it all (Tears are gonna fall, rolling in the deep) We could have had it all (You're gonna wish you never had met me) It all, it all, it all (Tears are gonna fall, rolling in the deep) We could have had it all (You're gonna wish you never had met me) Rolling in the deep (Tears are gonna fall, rolling in the deep) You had my heart inside of your hand (You're gonna wish you never had met me) And you played it to the beat (Tears are gonna fall, rolling in the deep) You could have had it all (You're gonna wish you never had met me) Rolling in the deep (Tears are gonna fall, rolling in the deep) You had my heart inside of your hand (You're gonna wish you never had met me) But you played it You played it You played it You played it to the beat. Till The Word Ends-Britney Spears [Britney Spears - Verse 1] This Kitten Got Your Tong Tied In Knots I See Spit It Out Cuz Im Dying For Company I Notice That You Got It You Notice That I Want It You Know That I Can Take It To The Next Level Ba-by! If You Want This Good Bitch Sicker Than The Remix Baby Let Me Blow Your Mind Tonight [Chorus] I Can't Take It Take It Take No More Never Felt Like Felt Like This Before C'mon Get Me Get Me On The Floor DJ What You What You Waitin' For... WOAH OH OH OH OH OH WOAH OH OH OH... [Verse 2] Watch Me Move When I Loose When I Loose It Hard Get You Off With The Touch Dancing In The Dark You Notice What I'm Wearin' I'm Noticin' You Starin' You Know That I Can Take It To The Next Level Ba-by Harder Than The A-list Next One On My Hit List Baby Let Me Blow Your Mind Tonight! [Chorus] I Can't Take It Take It Take No More Never Felt Like Felt Like This Before C'mon Get Me Get Me On The Floor DJ What You What You Waitin' For... WOAH OH OH OH OH OH WOAH OH OH OH.. [Bridge] See The Sunlight We Ain't Stoppin' Keep On Dancing Till The World Ends If You Feel It Let It Happen Keep On Dancing Till The World Ends Keep On Dancing Till The World Ends Keep On Dancing Till The World Ends WOAH OH OH OH OH OH WOAH OH OH OH... See The Sunlight We Ain't Stoppin' Keep On Dancing Till The World Ends If You Feel It Let It Happen Keep On Dancing Till The World Ends On the Floor feat. Pitbull-Jennifer Lopez VERSE 1: If you go hard you gotta get on the floor If you're a party freak then step on the floor If your an animal then tear up the floor Break a sweat on the floor Yeah we work on the floor Don't stop keep it moving Put your drinks up Pick your body up and drop it on the floor Let the rhythm change your world on the floor You know we're running sh*t tonight on the floor Brazil Morocco London to Ibiza Straight to LA, New York Vegas to Africa CHORUS: Dance the night away Live your life ,and stay young on the floor Dance the night away Grab somebody drink a little more Lalalalalalalalalalalalalala Tonight we gon' be it on the floor Lalalalalalalalalalalalalala Tonight we gon' be it on the floor VERSE 2: I know you got it clap your hands on the floor And keep on rockin', rock it up on the floor If you're a criminal kill it on the floor Steal it quick on the floor, on the floor Don't stop keep it moving Put your drinks up Its getting ill it's getting sick on the floor We never quit, we never rest on the floor If I ain't wrong we'll probably die on the floor Brazil Morocco London to Ibiza Straight to LA, New York Vegas to Africa CHORUS: Dance the night away Live your life, and stay young on the floor Dance the night way Grab somebody drink a little more Lalalalalalalalalalalalalala tonight we gon' be it on the floor Lalalalalalalalalalalalalala tonight we gon' be it on the floor PITBULL VERSE: Lalalalalalalalalalalalalala tonight we gon' be it on the floor Lalalalalalalalalalalalalala tonight we gon' be it on the floor Lalalalalalalalalalalalalala tonight we gon' be it on the floor. Lazy song- Bruno Marz Today I don't feel like doing anything I just wanna lay in my bed Don't feel like picking up my phone So leave a message at the tone 'Cause today I swear I'm not doing anything I'm gonna kick my feet up Then stare at the fan Turn the TV on, throw my hand in my pants Nobody's gonna tell me I can't I'll be lounging on the couch, Just chillin' in my snuggie Click to MTV, so they can teach me how to dougie 'Cause in my castle I'm the freaking man Oh, oh Yes I said it I said it I said it 'cause I can Today I don't feel like doing anything I just wanna lay in my bed Don't feel like picking up my phone So leave a message at the tone 'Cause today I swear I'm not doing anything Nothing at all Tomorrow I'll wake up, do some P90X Meet a really nice girl, have some really nice sex And she's gonna scream out: 'This is Great' (Oh my god, this is great) Yeah I might mess around, get my college degree I bet my old man will be so proud of me But sorry pops, you'll just have to wait Oh, oh Yes I said it I said it I said it 'cause I can Today I don't feel like doing anything I just wanna lay in my bed Don't feel like picking up my phone So leave a message at the tone 'Cause today I swear I'm not doing anything No, I ain't gonna comb my hair 'Cause I ain't going anywhere No, no, no, no, no, no, no, no, no, oh I'll just strut in my birthday suit And let everything hang loose Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah-eah Oh Today I don't feel like doing anything I just wanna lay in my bed Don't feel like picking up my phone So leave a message at the tone 'Cause today I swear I'm not doing anything Nothing at all Nothing at all Nothing at all  Written In the Stars (feat. Eric Turner)- Tinie Tempah [Eric Turner] Oh written in the stars A million miles away A message to the main Ooooh Seasons come and go But I will never change And I'm on my way! [Tinie Tempah - Verse 1] Lets go! Yeah You're listening now They say they aint heard nothing like this in a while Thats why they play my song on so many different dials Cause i got more fuckin' hits than a disciplined child When they see me everybody brrrrrap, brrrrrraps Man I'm like a young gun fully black Barrack I cried tear drops over the massive attack I only make hits like I work with a racket and bat Look at my jacket and hat So damn berserk So down to earth I'm bringing gravity back Adopted by the major I want my family back People work hard just to get all their salary taxed Look I'm just a writer from the ghetto like Malory blackman Where the hell's all the sanity at, damn I used to be the kid that no one cared about Thats why you have to keep screaming til they hear you out Oh, written in the stars A million miles away A message to the main Ooooh Seasons come and go But I will never change And I'm on my way! Oh, oh, oh, oh (OH!) x4 [Tinie Tempah - Verse 2] Yeah, I needed a change When we ate we never tipped because we needed the change I needed a break For a sec I even gave up believing and praying I even done the legal stuff and was leaded astray They say money is the route to the evilist ways But have you ever been so hungry it keeps you awake? Mate, now my hunger would leave them amazed Great, it feels like a long time coming, fam Since the day I thought of that cunning plan One day I had a dream I tried to chase it But I wasn't going nowhere, running man! I knew that maybe someday I would understand Trying to turn a tenner to a hundred grand Everyone's a kid that no-one cares about You just gotta keep screaming until they hear you out Oh, written in the stars A million miles away A message to the main Ooooh Seasons come and go But I will never change And I'm on my way! Oh, oh, oh, oh (OH!) x5 (Keep singing!) Oh, oh oh oh (OH!) (Eric Turner!) Oh, oh, oh,oh (OH!) Lets go! Oh, written in the stars A million miles away A message to the main Ooooh Seasons come and go But I will never change And I'm on my way!! Blow-Ke$ha Hahahahahahahahaha Dance Back door cracked We don't need a key We get in for free No VIP sleaze Drink that Kool-Aid Follow my lead Now you're one of us You're coming with me It's time to kill the lights And shut the DJ down (This place about to) Tonight were taking over No one's getting out This place about to blow Blow This place about to blow Blow This place about to blow Blow This place about to blow Blow This place about to Now what (What) We're taking control We get what we want We do what you don't Dirt and glitter Cover the floor We're pretty and sick We're young and we're bored (Ha) It's time to lose your mind And let the crazy out (This place about to) Tonight we're taking names 'Cause we don't mess around This place about to blow Blow This place about to blow Blow This place about to blow Blow This place about to blow Blow This place about to (Blow) Go, go, go, go insane Go insane Throw some glitter Make it rain on him Let me see them Hanes Let me, let me see them Hanes Go insane Go insane Throw some glitter Make it rain on him Let me see them Hanes Let me, let me see them Hanes (C'mon) We are taking, over (Blow) Get used to it, over (Blow) This place about to blow Blow This place about to blow Blow (Oh) This place about to blow (Oh) Blow This place about to blow Blow This place about to S&M-Rihanna Na-na-na, come on Na-na-na, come on Na-na-na, na-na come on Na-na-na, come on, come on Come on, Na-na-na-na come on Na-na-na, come on Na-na-na, na-na, come on Na-na-na, come on, come on Come on, Na-na-na-na Feels so good being bad There's no way I'm turning back Now the pain is for pleasure, 'cause nothing can measure Love is great, love is fine Out the box, out of line The affliction of the feeling leaves me wanting more. [Chorus] 'Cause I may be bad, but I'm perfectly good at it Sex in the air, I don't care, I love the smell of it Sticks and stones may break my bones, But chains and whips excite me. Na-na-na come on, come on Come on, I like it, like it Come on, come on, come on I like it, like it (Na-na-na) come on Come on, I like it, like it Come on, come on, come on I like it, like it. [J. Cole] Hey, you know they say pain is pleasure Turn this up when you play this shit One time for my latest girl You can be one of my greatest hits Tired of rapping 'bout chains and whips Do you like to get chained and whipped Do you like rough sex, hit em like I'm upset Do they get your panties wet Let, let, lets go, you rocking with Cole, it's the best flow With the game on lock while them lamo's watch I'm on fire, they are not I kick down the door, they all knock Bitch I'm a boss, they on a clock You used to be a good girl, don't matter Since you got bad, you only got badder [Chorus] 'Cause I may be bad, but I'm perfectly good at it Sex in the air, I don't care, I love the smell of it Sticks and stones may break my bones, But chains and whips excite me. Na-na-na come on, come on Come on, I like it, like it Come on, come on, come on I like it, like it (Na-na-na) come on Come on, I like it, like it Come on, come on, come on I like it, like it. S, S, S & M, M, M S, S, S & M, M, M Oh, I love the feeling you bring to me Oh, you turn me on It's exactly what I've been yearning for Give it to me strong And meet me in my boudoir Give my body some AHH, AHH, AHHHH, I like it, like it [Chorus 2x] Na-na-na come on, come on Come on, I like it, like it Come on, come on, come on I like it, like it (Na-na-na) come on Come on, I like it, like it Come on, come on, come on I like it, like it. S, S, S & M, M, M S, S, S & M, M, M S, S, S & M, M, M S, S, S & M, M, M Jeremih ft 50 Cent -- Down On Me Lyrics [50 cent] She want it I can tell she want it want me to push up on it fore she know when I'm all on it we get the party going liquor flowing this is fire 50 and Jeremih number 1 there's nothing higher (won't you go and) get it get it (I see you baby) work it work it, work it, work it (won't you, just put it down) get it get it work it work it break it break it down... [Jeremih] Ok she headed to the dancefloor and she slowly start to poppin it something like my wrist piece everybody got to watching it girl you got that secret treasure, i'm gon' put a lock on it don't care what they say I would be stupid to be not on it (Ms. Vicky) heard you go that sticky lets go and take 9 shots we'll just call it fifty and I'm gon lick it lick it lick it till her hicky have her River running keep you running til you empty (bang bang bang bang) Oh you look so sweet what you work in Ballys look at your pysique girl you are a beauty well I am a beast they must have been trippin to let me off a leash [Jeremih Chorus] I love the way you grind with that booty on me shorty you a dime why you looking lonely we'll buy another round and it's all on me as long as I'm around put it down on me just put it down on me put it down on me down down on me put it down on me don't throw it off the mound show me how its gon be girl all I really want is you down on me put it down on me [50 cent] Systems thumping party jumping shorty she's a perfect 10 she rock her hips than roll her hips than drop it down like it's nothing she shaped just like an hour glass she see how fast an hour passed time flies when I'm on that ass but I won't put our sh-t on blast work it like a pro pro pro sit and watch it go go go do her thing all on the floor she bounce it fast and shake it slow so sexual incredible she beautiful she edible I got her I won't let her go I aint seen nothing better yo look at how she twurk it the way she work it make me wanna hit it hit it heaven when I'm in it in it if I do not fit, I'm gonna make it girl you can take it don't stop get it get it [Chorus] [Jeremih] Say you independant get it from your momma tell me if you with it do you really wanna wanna baby when you see me you know I be on it can you keep it up put it all up on me (repeated) [Chorus] [End] Pitbull -- Give Me Everything (Tonight) Lyrics tonight i will love love you tonight give me everything tonight for all we know we might not get tomorrow lets do it tonight i will love love you tonight give me everything tonight for all we know we might not get tomorrow lets do it tonight lets do it tonight grab somebody sexy tell 'em hey give me everything tonight give me everything tonight give me everything tonight give me everything tonight excuse me but i might drink a little bit more than i should tonight and i might take you home with me if i could tonight and i think you should let me cause i look good tonight and we might not get tomorrow tonight i will love love you tonight give me everything tonight for all we know we might not get tomorrow lets do it tonight i will love love you tonight give me everything tonight for all we know we might not get tomorrow lets do it tonight lets do it tonight grab somebody sexy tell 'em hey give me everything tonight give me everything tonight give me everything tonight give me everything tonight excuse me but i might drink a little bit more than i should tonight and i might take you home with me if i could tonight and i think you should let me cause i look good tonight and we might not get tomorrow For The First Time- The Script She's all laid up in bed with a broken heart While i'm drinking jack all alone in my local bar And we don't know how we got into this mad situation Only doing things out of frustration Trying to make it work but man these times are hard She needs me now but I can't seem to find a time I've got a new job now in the unemployment line And we don't know how we got into this mess it's a gods test Someone help us cause we're doing our best Trying to make it work but man these times are hard But we're gonna start by drinking old cheap bottles of wine Sit talking up all night Saying things we haven't for a while, a while yeah We're smiling but we're close to tearsEven after all these years We just now got the feeling that we're meeting For the first time She's in line at the door with her head held high While I just lost my job but didn't lose my flight But we both know how we're gonna make it work when it hurts When you pick yourself up you get kicked in the dirt Trying to make it work but man these times are hard But we're gonna start by drinking old cheap bottles of wine Sit talking up all night Saying things we haven't for a while, a while yeah We're smiling but we're close to tears Even after all these years We just now got the feeling that we're meeting For the first time Drinking old cheap bottles of wine Saying things we haven't for a while, a while yeah We're smiling but we're close to tears Even after all these yearsWe just now got the feeling that we're meeting For the first timeFor the first time Oh, for the first time Yeah, for the first time Oh these times are hard Yeah they're making us crazy Don't give up on me baby Oh these times are hard Yeah they're making us crazy Don't give up on me baby Oh these times are hard Yeah they're making us crazy Don't give up on me baby Oh these times are hard Yeah they're making us crazy Don't give up on me baby Price Tag-Jesse J. ft. BOB Okay, Coconut man, Moon Heads and Pea You ready Seems like everybody's got a price, I wonder how they sleep at night. When the sale comes first, And the truth comes second, Just stop, for a minute and Smile Why is everybody so serious Acting so damn mysterious Got your shades on your eyes And your heels so high That you can't even have a good time Everybody look to their left (yeah) Everybody look to their right (ha) Can you feel that (yeah) We're paying with love tonight It's not about the money, money, money We don't need your money, money, money We just wanna make the world dance, Forget about the Price Tag Ain't about the (uh) Cha-Chang Cha-Chang. Aint about the (yeah) Ba-Blang Ba-Blang Wanna make the world dance, Forget about the Price Tag. Okay! We need to take it back in time, When music made us all unite And it wasn't low blows and video hoes, Am I the only one getting tired Why is everybody so obsessed Money can't buy us happiness Can we all slow down and enjoy right now Guarantee we'll be feeling Alright. Everybody look to their left (yeah) Everybody look to their right (ha) Can you feel that (yeah) We're paying with love tonight It's not about the money, money, money We don't need your money, money, money We just wanna make the world dance, Forget about the Price Tag Ain't about the (uh) Cha-Chang Cha-Chang. Aint about the (yeah) Ba-Blang Ba-Blang Wanna make the world dance, Forget about the Price Tag. [B.o.B] Yeah yeah Well, keep the price tag And take the cash back Just give me six strings and a half stACK. And you can keep the cars Leave me the garage And all I.. Yes all I need are keys and guitars And its with in 30 seconds I'm leaving to Mars Yeah we leaping across these undefeatable odds Its like this man, you can't put a price on the life We do this for the love so we fight and sacrifice everynight So we aint gon stumble and fall never Waiting to see this in the sign of defeat uh uh So we gon keep everyone moving their feet So bring back the beat and then everyone sing It's not about the money, money, money We don't need your money, money, money We just wanna make the world dance, Forget about the Price Tag Ain't about the (uh) Cha-Chang Cha-Chang. Aint about the (yeah) Ba-Blang Ba-Blang Wanna make the world dance, Forget about the Price Tag. It's not about the money, money, money We don't need your money, money, money We just wanna make the world dance, Forget about the Price Tag Ain't about the (uh) Cha-Chang Cha-Chang. Aint about the (yeah) Ba-Blang Ba-Blang Wanna make the world dance, Forget about the Price Tag. [Jessie J -Outro] Yeah, yeah Oo-oooh Forget about the price tag. Cee Lo Green -- Forget You I see you driving 'round town With the girl i love and i'm like, Fuck you! Oo, oo, ooo I guess the change in my pocket Wasn't enough i'm like, Fuck you! And fuck her too! I said, if i was richer, i'd still be with ya Ha, now ain't that some shit? (ain't that some shit?) And although there's pain in my chest I still wish you the best with a... Fuck you! Oo, oo, ooo Yeah i'm sorry, i can't afford a ferrari, But that don't mean i can't get you there. I guess he's an xbox and i'm more atari, But the way you play your game ain't fair. I pity the fool that falls in love with you (oh shit she's a gold digger) Well (just thought you should know nigga) Ooooooh I've got some news for you Yeah go run and tell your little boyfriend Now i know, that i had to borrow, Beg and steal and lie and cheat. Trying to keep ya, trying to please ya. 'Cause being in love with you ass ain't cheap. I pity the fool that falls in love with you (oh shit she's a gold digger) Well (just thought you should know nigga) Ooooooh I've got some news for you Yeah go run and tell your little boyfriend Now baby, baby, baby, why d'you wanna wanna hurt me so bad? (so bad, so bad, so bad) I tried to tell my mamma but she told me "this is one for your dad" (your dad, your dad, your dad) Uh! Whhhy? Uh! Whhhy? Uh! Whhhy lady? Oh! I love you oh! I still love you. Oooh! The Show Goes On-Lupe Flasco LA-SER Alright, already the show goes on Alright, till the morning we dream so long Anybody ever wonder, when they would see the sun up Just remember when you come up The show goes on! Alright, already the show goes on Alright, till the morning we dream so long Anybody ever wonder, when they would see the sun up Just remember when you come up The show goes on! [Lupe Fiasco Verse 1] Have you ever had the feeling that you was being had Don't that sh-t make you mad They treat you like a slave, with chains all on your soul, And put whips up on your back, They be lying through they teeth Hope you slip up off your path I don't switch up I just laugh Put my kicks up on they desk Unaffected by they threats than get busy on they ass See that's how that Chi-Town made me That's how my daddy raised me That glittering may not be gold, don't let no body play me If you are my homeboy, you never have to pay me Go on and put your hands up, when times are hard you stand up L-U-P the man, cause a brand that the fans trust So even if they ban us they'll never slow my plans up! Alright, already the show goes on Alright, till the morning we dream so long Anybody ever wonder, when they would see the sun up Just remember when you come up The show goes on! Alright, already the show goes on Alright, till the morning we dream so long Anybody ever wonder, when they would see the sun up Just remember when you come up The show goes on! [Lupe Fiasco Verse 2] One in the air for the people that ain't here Two in the air for the father that's there Three in the air for the kids in the ghetto Four for the kids who don't wanna be there None for the n-ggas trying to hold them back Five in the air for the teacher not scared to tell those kids thats living in the ghetto that the n-ggas holdin back that the World is theirs! Yeah yeah, the World is yours, I was once that little boy Terrified of the World Now I'm on a World tour I will give up everything, even start a world war For these ghettos girls and boys im rapping round' the World for! Africa to New York, Haiti then I detour, Oakland out to Auckland Gaza Strip to Detroit, say hip-hop only destroy Tell em' look at me, boy! I hope your son don't have a gun and that would be a D-boy Alright, already the show goes on Alright, till the morning we dream so long Anybody ever wonder, when they would see the sun up Just remember when you come up The show goes on! Alright, already the show goes on Alright, till the morning we dream so long Anybody ever wonder, when they would see the sun up Just remember when you come up The show goes on! [Lupe Fiasco Verse 3] So no matter what you been through No matter what you into No matter what you see when you look outside your window Brown grass or green grass Picket fence or barbed wire Never ever put them down You just lift your arms higher Raise em till' your arms tired Let em' know you're their That you struggling and survivin' that you gonna persevere Yeah, ain't no body leavin, no body goin' home Even if they turn the lights out the show is goin' on! Alright, already the show goes on Alright, till the morning we dream so long Anybody ever wonder, when they would see the sun up Just remember when you come up The show goes on! Alright, already the show goes on Alright, till the morning we dream so long Anybody ever wonder, when they would see the sun up Just remember when you come up The show goes on! Perfect- Pink Made a wrong turn Once or twice Dug my way out Blood and fire Bad decisions That's alright Welcome to my silly life Mistreated, misplaced, missundaztood Miss "no way it's all good" It didn't slow me down Mistaken Always second guessing Underestimated Look, I'm still around... Pretty, pretty please Don't you ever, ever feel Like your less than Fuckin' perfect Pretty, pretty please If you ever, ever feel Like your nothing You're fuckin' perfect to me You're so mean When you talk About yourself You are wrong Change the voices In your head Make them like you Instead So complicated Look how big you'll make it Filled with so much hatred Such a tired game It's enough I've done all I can think of Chased down all my demons See you same Pretty, pretty please Don't you ever, ever feel Like your less than Fuckin' perfect Pretty, pretty please If you ever, ever feel Like your nothing You're fuckin' perfect to me The world stares while I swallow the fear The only thing I should be drinking is an ice cold beer So cool in lying and I tried tried But we try too hard, it's a waste of my time Done looking for the critics, cuz they're everywhere They don't like my genes, they don't get my hair Stringe ourselves and we do it all the time Why do we do that? Why do I do that? Why do I do that? Ooh, pretty pretty pretty, Pretty pretty please don't you ever ever feel Like you're less then, fuckin' perfect Pretty pretty please if you ever ever feel Like you're nothing you're fuckin' perfect, to me You're perfect You're perfect Pretty, pretty please don't you ever ever feel like you're less then, fucking perfect Pretty, pretty please if you ever ever feel like you're nothing you're fucking perfect to me Backseat ft. The Cataracs & Dev-New Boyz Don't say a word, just tell me ..let me see, Girl you got something special, something special for me, It's way too many substance in the VIP, Girl I got my car ..tell me, do you want to kick it in the back seat, Chorus: I want to keep inside you, back seat I can be a back seat driver, back seat, I want to keep inside you, I can be a back seat driver. You see them girls with .. they got this party poppin' This say no country club we brought to get this party rockin' You got girl that's with the .. get on top let me see you .., You're .. here we .., you jump in my .. ...she just try to ..confortly...right up in ..., I'm damn girl, damn girl, you're f*cking with the men girl, Damn girl, damn girl, you're f*cking with the men girl, Bridge: Don't say a word, just tell me ..let me see, Girl you got something special, something special for me, It's way too many substance in the VIP, Girl I got my car ..tell me, do you want to kick it in the back seat, Chorus: I want to keep inside you, back seat I can be a back seat driver, back seat, I want to keep inside you, I can be a back seat driver. Yeah, hey girl, what's up, the ladies dancing get you up, girl, I notice you're been catching your friends is freaky .., You got .. you say you're shy ..playin it so fun yes, I say don't try me baby, I'll make you hot .., Missing like fish ..dancing... Oh you are a good girl, it's good, I play pretend to I heard you have a baby, you wanna know .. [Bridge:] [Chorus:] I've met a super girl in the .., I've met a super girl in the .., I've met a super girl in the .., I've met a super girl in the .., They came with you ... I've met a super girl in the .., I've met a super girl in the .., I've met a super girl in the .., I've met a super girl in the .., They came with you ... Who says- Selena Gomez [Selena Gomez - Verse 1] I wouldn't wanna be anybody else. You made me insecure Told me I wasn't good enough But who are you to judge When you're a diamond in the rough I'm sure you got some things You'd like to change about yourself But when it comes to me I wouldn't want to be anybody else Na na na Na na na I'm no beauty queen I'm just beautiful me Na na na Na na na You've got every right To a beautiful life C'mon [Chorus] Who says Who says you're not perfect Who says you're not worth it Who says you're the only one that's hurting Trust me That's the price of beauty Who says you're not pretty Who says you're not beautiful Who says [Selena Gomez - Verse 2] It's such a funny thing How nothing's funny when it's you You tell 'em what you mean But they keep whiting out the truth It's like a work of art That never gets to see the light Keep you beneath the stars Won't let you touch the sky Na na na Na na na I'm no beauty queen I'm just beautiful me Na na na Na na na You've got every right To a beautiful life C'mon [Chorus] Who says Who says you're not perfect Who says you're not worth it Who says you're the only one that's hurting Trust me That's the price of beauty Who says you're not pretty Who says you're not beautiful [Bridge] Who says Who says you're not start potential Who says you're not presidential Who says you can't be in movies Listen to me, listen to me Who says you don't pass the test Who says you can't be the best Who said, who said Won't you tell me who said that Yeah, oh [Chorus] Who says Who says you're not perfect Who says you're not worth it Who says you're the only one that's hurting Trust me That's the price of beauty Who says you're not pretty Who says you're not beautiful More-Usher Watch me as I dance under the spotlight-  Listen to the people screaming out more and more,  'Coz I create the feeling that keep 'em coming back,  Yeah, I create the feeling that keep 'em coming back,  So captivating when I get it on the floor. Know y'all been patiently waiting, I know you need me, I can feel it, I'm a beast, I'm an animal, I'm that monster in the mirror, The headliner, finisher, I'm the closer, winner.  Best when under pressure with second's left I show up. [CHORUS x2]  If you really want more, scream it out louder, Get it on the floor, bring out the fire,  And light it up, take it up higher, Gonna push it to the limit, give it more. Get up both your hands, I'm in the zone, tight!  Put 'em in the air, if you want more (and) more,  Cos I can't wait to feel it. I go hard, can't stop,  But if I stop then just know that imma bring it back,  Never quittin' on believin' that. Know y'all been patiently waiting, I know you need me, I can feel it, I'm a beast, I'm an animal, I'm that monster in the mirror, The headliner, finisher, I'm the closer, winner. Best when under pressure with second's left I show up. [CHORUS x2]  If you really want more, scream it out louder, Get it on the floor, bring out the fire,  And light it up, take it up higher, Gonna push it to the limit, give it more. (Vocal segment x2)  Whoa oh oh oh whoa oh (above x3)  Push it to the limit, give it more! [CHORUS x2]  If you really want more, scream it out louder, Get it on the floor, bring out the fire,  And light it up, take it up higher, Gonna push it to the limit, give it more. [VOCAL SEGMENTx2]  Whoa oh oh oh whoa oh (above x3)  Gonna push it to the limit, give it more. Roll UP- Wiz Khalifa I roll up I roll up I roll up Shawty I roll up I roll up I roll up I roll up [Wiz Khalifa - Verse 1] Its your anniversy is'nt it And your man aint acting right So you packin' your Domiar luggage up callin' my cell phone, try and catch a flight You know one thing straight, I'll be there girl whenever you call me When you at home thats your man, soon as you land you say thats all me But shit aint all g with him no more, you aint entertained Since I meet you a couple months ago you aint been the same Not sayin I'm the richest man alive but I'm in the game As long as you keep it 100 Imma spend this change, [Chorus] Whenever you need me Whenever want me, You know you can call me, I'll be there shortly Don't care what your friends say, cause they dont know me I can be your best friend, and you be my homie I aint gonna flex, I'm not gonna front You know if I ball, then we all gonna stunt Send her my way, she aint gotta hold up Whenever you call baby I roll up, I roll up, I roll up Whenever you call baby I roll up, I roll up, I roll up Whenever you call baby I roll up [Wiz Khalifa - Verse 2] I try to stay out your business But on the real you're so obvious And if you keep fitting me in your plans and f-ckin up, your mans gonna catch onto us That white sand surrouding us He be handcuffing, he should work for them officers If you rolling I got a spot where I can put you on this medical, and send you home doctored up You wanna ride with me cause you say that he boring Wake up you rollin' weed, cooking eggs in the morning Aint scared to spend this money I'll make more of it First you was in the sky now you say you in orbit [Chorus] No matter where I am No matter where you are I'll be there when its over baby Cause I was there from the start No matter if I'm near Don't matter if your far All you do is pick the phone up lady And I'll be there when you call [outro] Whenever you need me Whenever want me, You know you can call me, I'll be there shortly Don't care what your friends say, cause they dont know me I can be your best friend, and you be my homie I aint gonna flex, I'm not gonna front You know if I ball, then we all gonna stunt Send her my way, she aint gotta hold up Whenever you call baby I roll up Whenever you need me Whenever want me, You know you can call me, I'll be there shortly Don't care what your friends say, cause they dont know me I can be your best friend, and you be my homie I aint gonna flex, I'm not gonna front You know if I ball, then we all gonna stunt Send her my way, she aint gotta hold up Whenever you call baby I roll up, I roll up, I roll up Whenever you call baby I roll up, I roll up, I roll up Whenever you call baby I roll up I roll up, I roll up Whenever you call baby I roll up Tonight, tonight- Red Chelle Rae It's been a really really messed up week Seven days of torture, seven days of bitter And my girlfriend went and cheated on me She's a California dime but it's time for me to quit her La la la, whatever, la la la, it doesn't matter, la la la, oh well, la la la We're going at it tonight tonight There's a party on the rooftop top of the world Tonight tonight and were dancing on the edge of the Hollywood sign I don't know if I'll make it but watch how good I'll fake it Its all right, all right, tonight, tonight I woke up with a strange tattoo Not sure how I got it, not a dollar in my pocket  And it kinda looks just like you Mixed with Zach Galifianakis La la la, whatever, la la la, it doesn't matter, la la la, oh well, la la la We're going at it tonight tonight There's a party on the rooftop top of the world Tonight tonight and were dancing on the edge of the Hollywood sign I don't know if I'll make it but watch how good I'll fake it Its all right, all right, tonight, tonight You got me singing like Woah, come on, ohh, it doesn't matter, woah, everybody now, ohh Just don't stop let's keep the beat pumpin' Keep the beat up, lets drop the beat down It's my party dance if I want to We can get crazy let it all out Just don't stop let's keep the beat pumpin' Keep the beat up, lets drop the beat down It's my party dance if I want to We can get crazy let it all out Its you and me and were runnin this town And its me and you and were shakin the ground And ain't nobody gonna tell us to go cause this is our show Everybody Woah, come on, ohh, all you animals Woah, let me hear you now, ohh Tonight tonight there's a party on the rooftop top of the world Tonight tonight and were dancing on the edge of the Hollywood sign I don't know if I'll make it but watch how good I'll fake it Its all right, all right, tonight, tonight Its all right, all right, tonight, tonight Yeah its all right, all right, tonight, tonight Just singing like Woah, come on, ohh, all you party people Woah, all you singletons, ohh, even the white kids Just don't stop lets keep the beat pumpin' Keep the beat up, lets drop the beat down Its my party dance if I want to We can get crazy let it all out Just don't stop lets keep the beat pumpin' Keep the beat up, lets drop the beat down Its my party dance if I want to We can get crazy let it all out Born This Way- Lady GaGa Intro: It doesn't matter if you love him, or capital H-I-M Just put your paws up 'Cause you were born this way, baby Verse: My mama told me when I was young We are all born superstars She rolled my hair and put my lipstick on In the glass of her boudoir "There's nothin wrong with lovin who you are" She said, "'cause he made you perfect, babe" "So hold your head up girl and you'll go far, Listen to me when I say" Chorus: I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track baby I was born this way Don't hide yourself in regret Just love yourself and you're set I'm on the right track baby I was born this way Post-chorus: Ooo there ain't no other way Baby I was born this way Baby I was born this way (Born this way) Ooo there ain't no other way Baby, I was born this way Right track baby I was born this way Don't be a drag - just be a queen Don't be a drag - just be a queen Don't be a drag - just be a queen Don't be! Verse: Give yourself prudence And love your friends Subway kid, rejoice your truth In the religion of the insecure I must be myself, respect my youth A different lover is not a sin Believe capital H-I-M (hey hey hey) I love my life I love this record and Mi amore vole fe yah (love needs faith) Repeat chorus + post-chorus Bridge: Don't be a drag, just be a queen Whether you're broke or evergreen You're black, white, beige, chola descent You're lebanese, you're orient Whether life's disabilities Left you outcast, bullied, or teased Rejoice and love yourself today 'Cause baby you were born this way No matter gay, straight, or bi, Lesbian, transgendered life I'm on the right track baby I was born to survive No matter black, white or beige Chola or orient made I'm on the right track baby I was born to be brave Repeat chorus + post-chorus Outro/refrain: I was born this way hey! I was born this way hey! I'm on the right track baby I was born this way hey! I was born this way hey! I was born this way hey! I'm on the right track baby I was born this way hey! Good Life- OneRepublic Woke up in London yesterday Found myself in the city near Piccadilly  Don't really know how I got here I got some pictures on my phone New names and numbers that I don't know  Address to places like Abbey Road Day turns to night, night turns to whatever we want We're young enough to say Oh this has gotta be the good life  This has gotta be the good life This could really be a good life, good life Say oh, got this feeling that you can't fight  Like this city is on fire tonight This could really be a good life  A good, good life To my friends in New York, I say hello  My friends in L.A. they don't know Where I've been for the past few years or so Paris to China to Col-or-ado Sometimes there's airplanes I can' t jump out Sometimes there's stuff that don't work now  We are god of stories but please tell me-e-e-e What there is to complain about When you're happy like a fool  Let it take you over When everything is out  You gotta take it in Hopelessly  I feel like there might be something that I'll miss  Hopelessly I feel like the window closes oh so quick  Hopelessly I'm taking a mental picture of you now  'Cuz hopelessly The hope is we have so much to feel good about Enrique Iglesias ft Ludacris -- Tonight I know you want me I made it obvious that I want you too So put it on me Let's remove the space between me and you Now rock your body (oooh) Damn I like the way that you move So give it to me (oooo oooh) Cause I already know what you wanna do Here's the situation Been to every nation Nobody's ever made me feel the way that you do You know my motivation Given my reputation Please excuse I don't mean to be rude But tonight I'm f-cking you Oh you know That tonight I'm f-cking you Oh you know That tonight I'm f-cking you You're so damn pretty if I had a type than baby it'd be you I know your ready if I never lied, than baby you'd be the truth Here's the situation Been to every nation Nobody's ever made me feel the way that you do You know my motivation Given my reputation Please excuse I don't mean to be rude But tonight I'm f-cking you Oh you know That tonight I'm f-cking you Oh you know That tonight I'm f-cking you [Ludacris] LUDA.. Tonight I'm gonna do Everything that I want with you Everythin that u need Everything that u want I wanna honey I wanna stunt with you From the window To the wall Gonna give u, my all Winter n summertime When I get you on the springs Imma make you fall You got that body That make me wanna get on the boat Just to see you dance And I love the way you shake that ass Turn around and let me see them pants You stuck with me I'm stuck with you Lets find something to do (Please) excuse me I dont mean to be rude [Enrique Iglesias] But tonight I'm f-cking you Oh you know That tonight I'm f-cking you Oh you know That tonight I'm f-cking you [End] Hello- Martin Solveig could stick around and get along with you  Hello oh-oh-oh-oh It doesn't really mean that I'm into you  Hello oh-oh-oh-oh You're alright but I'm here darling to enjoy the party Don't get too excited cause that's all you'll get from me Hey Yeah I think you're cute but really you should know I just came to say hello  Hello Hello  Hello oh oh oh oh! I'm not the kinda girl who'd get messed up with you Hello ho-ho-ho-ho I'ma let you try to convince me too Hello oh oh oh oh It's alright I'm getting dizzy just enjoy the party It's OK with me if you don't have that much to say Hey Kinda like this thing but there's something you should know I just came to say  Hello Hey I could stick around and get along with you  Hello oh oh oh oh It doesn't really mean that I'm into you  Hello oh oh oh oh (you're alright but I'm here darling to enjoy the party) (you're alright but I'm here darling to enjoy the party) (you're alright but I'm here darling to enjoy the party) Find More lyrics at www.sweetslyrics.com  (you're alright but I'm here darling to enjoy the party) (you're alright but I'm here darling to enjoy the party) (you're alright but I'm here darling to enjoy the party) (you're alright but I'm here darling to enjoy the party) (you're alright but I'm here darling to enjoy the party) (you're alright but I'm here darling to enjoy the party) (you're alright but I'm here darling to enjoy the party) (you're alright but I'm here darling to enjoy the party) Hey I just came to say hello  Hello Hello  Hello oh-oh-oh-oh I'm not the kinda girl who'd get messed up with you Hello *oh-oh-oh-oh I'ma let you try to convince me to Hello ho-ho-ho-ho It's alright I'm getting dizzy just enjoy the partyyyy It's OK with me if you don't have that much to say Hey  Kinda like this thing but there's something you should know  I just came to say hey ho Hey . Edge Of Glory- Lady GaGa There ain't no reason you and me should be alone Tonight, yeah, baby! (Tonight, yeah, baby!) And I got a reason that you're who should take me home tonight (Tonight) I need a man that thinks it's right when it's so wrong Tonight, yeah, baby! (Tonight, yeah, baby!) Right on the limits where we know we both belong tonight [Bridge:] It's hard to feel the rush, to brush the dangerous I'm gonna run right to, to the edge with you Where we can both fall far in love [Chorus:] I'm on the edge of glory, and I'm hanging on a moment of truth Out on the edge of glory, and I'm hanging on a moment with you I'm on the edge, the edge, the edge, the edge, the edge, the edge, the edge, I'm on the edge of glory, and I'm hanging on a moment with you I'm on the edge with you. Another shot before we kiss the other side Tonight, yeah, baby! (Tonight, yeah, baby!) I'm on the edge of something final we call life tonight (Alright! Alright!) Put on your shades, 'cause I'll be dancing in the flames Tonight, yeah, baby! (Tonight, yeah, baby!) It isn't hell if everybody knows my name tonight (Alright! Alright!) [Bridge:] It's hard to feel the rush, to brush the dangerous I'm gonna run right to, to the edge with you Where we can both fall far in love [Chorus:] I'm on the edge of glory, and I'm hanging on a moment of truth Out on the edge of glory, and I'm hanging on a moment with you I'm on the edge, the edge, the edge, the edge, the edge, the edge, the edge, I'm on the edge of glory, and I'm hanging on a moment with you I'm on the edge with you. I'm on the edge with you I'm on the edge with you (You, you, you...) [Solo saxophone] [Chorus:] I'm on the edge of glory, and I'm hanging on a moment of truth I'm on the edge of glory, and I'm hanging on a moment with you I'm on the edge, the edge, the edge, the edge, the edge, the edge, the edge, I'm on the edge of glory, and I'm hanging on a moment with you I'm on the edge with you (with you, with you, with you, with you, with you)  Mike Posner ft Lil Wayne -- Bow Chicka Wow Wow [Mike Posner] Once I throw on this, once I throw on this Its over girl Once I throw on this, once I throw on this Its over girl. I hear you knock knock knock baby come on up I hope you got got got something in yo' cup Cause I'm three shots deep and I aint tryna sleep Get your redbull on cause I'm ready You've been playin hard to get with me all night We both know exactly what you want right Don't tell me what you won't do Tell me what you gon' do, whatchu gon' do Once I throw on this bowchickawowwow Whatchu gonna say You act like you gon leave But I know that you gon' stay Break it down dicky downdown Girl dont even play Once I set the mood right I'ma make sound like I'ma make you sound like Are you tryna make me late wait wait till the second date But I cant cant cant even comtemplate Waiting one more minute lemme jump in it I brought you flowers and a teddy You've been playin hard to get with me all night We both know exactly what you want right Don't tell me what you won't do Tell me what you gon' do whatchu gon' do Once I throw on this bow chicka wow wow Whatchu gonna say You act like you gon leave But I know that you gon' stay Break it down dicky downdown Girl dont even play Once I set the mood right Ima make you sound like Yeah I can make you sound like [Lil Wayne] I gotta leather couch and a black mic and we all alone what it sound like the night was dead we found life I know I talk shit but it sound right you say you can't but that's affair gotta give something something's gotta give I bet you love it I went to bed Now we went up ... cigarattes Now I aint even gotta say shit To make you feel alive girl you know you like that Owohowohowowoh Say I aint even gotta say shit To make you feel alive girl you know you like that Owohowohowowoh Once I throw on this bowchickawowwow Whatchu gonna say You act like you gon leave But I know that you gon' stay Break it down dicky downdown Girl dont even play Once I set the mood right I'ma make you sound like Yeah Ima ima make ya Once I throw on this, once I throw on this Its over girl Once I throw on this,once I throw on this Its over girl. LMFAO -- Party Rock Anthem PART ROCK YEA Wooo!!!! LETS GO!! Party rock is in the house tonight Everybody just have a good time And we gonna make you lose your mind Everybody just have a good time [X2] We just wanna see yaa! Shake That ! In the club party rock look up on your girl She on my jock non stop when we in the spot Booty move away like she on the block What the track I gots to know Top jeans tatto cause I'm rock and roll Half black half white diamino Gane the money out the door Yoooo!! I'm runnin through these hoes like drano I got that devilish flow rock and roll no halo We party rock yea! that's the crew that I'm reppin On the rise to the top no led in our zeppelin Hey!!! Party rock is in the house tonight Everybody just have a good time And we gonna make you lose your mind Everybody just have a good time [X2] We just wanna see yaa! Everyday I'm shuffelin Shuffelin shuffelin Step up fast and be the first girl to make me throw this cash We get money don't be mad now stop hatein is bad One more shot for us Another round Please fill up my cup Don't mess around We just wanna see You shake it now Now you wanna be Your naked now Get up get down put your hands up to the sound [X3] Put your hands up to the sound [X2] Get up [X9] Put your hands up to the sound To the sound Put your hands up !!!!! Party rock is in the house tonight Everybody just have a good time And we gonna make you lose your mind Everybody just have a good good good time Ohhhhh!!Ohhhhhh!!!Ohhhhhh!!!Ohhh! Pitbull Feat. T-Pain -- Hey Baby (Drop It To The Floor) So listen up Let her go, lalala Baby girl wanna play, let her go Said let her go, lalala Baby girl wanna play, let her go Said let her go, lalala Baby girl wanna play, let her go Said let her go, lalala Baby girl wanna play, let her go Got it Pain? Hey baby girl what you doing tonight? I wanna see what you got in store (hey, hey baby) You're giving it your all when you're dancing on me I want to see if you can give me some more (hey, hey baby) You can be my girl, I can be your man And we can pump this jam however you want (hey, hey baby) Pump it from the side, pump it upside down Or we can pump it from the back and the front (hey, hey baby) Oooh baby, baby lalalalala Oooh baby, baby lalalalala Oooh baby, baby lalalalala Oooh baby, baby lalalalala Ooh drop it to the floor Make me wanna say hey baby Yeah, you can shake some more Make me wanna say hey baby Ooh you got it cause you Make me wanna say hey baby Ooh don't stop it I want you tonight I'm a?? Self paid, self-made millionaire I used to play around the world Now I'm around the world getting paid Girl problems, no problems Don't hate the game that won't solve it I want to get with you mami Now let me see where the Lord?? Pitbull Feat. T-Pain Hey Baby (Drop It To The Floor) Lyricshttp://www.hotnewsonglyrics.com/pitbull-feat-t-pain-hey-baby-drop-it-to-the-floor-lyrics.html Hey baby girl what you doing tonight? I wanna see what you got in store (hey, hey baby) You're giving it your all when you're dancing on me I want to see if you can give me some more (hey, hey baby) You can be my girl, I can be your man And we can pump this jam however you want (hey, hey baby) Pump it from the side, pump it upside down Or we can pump it from the back and the front (hey, hey baby) Oooh baby, baby lalalalala Oooh baby, baby lalalalala Oooh baby, baby lalalalala Oooh baby, baby lalalalala Ooh drop it to the floor Make me wanna say hey baby Yeah, you can shake some more Make me wanna say hey baby Ooh you got it cause you Make me wanna say hey baby Ooh don't stop it I want you tonight Make money, make money This chicka right here gotta eat baby Scared money don't make money That's how it goes in the street baby But enough with the the nonsense Baby girl take a shot to clear your conscience Not a goon or a God, I'm a monster Cause I hit all baddest woman in the world, gangsta Oooh baby, baby lalalalala Oooh baby, baby lalalalala Oooh baby, baby lalalalala Oooh baby, baby lalalalala Ooh drop it to the floor Make me wanna say hey baby Yeah, you can shake some more Make me wanna say hey baby Ooh you got it cause you Make me wanna say hey baby Ooh don't stop it I want you tonight The Story Of Us- Taylor Swift I used to think one day we'd tell the story of us How we met and the sparks flew instantly People would say, "they're the lucky ones" I used to know my place was a spot next to you Now I'm searching the room for an empty seat 'Cause lately I don't even know what page you're on Oh, a simple complication Miscommunications lead to fall out So many things that I wish you knew So many walls up I can't break through Now I'm standing alone In a crowded room And we're not speaking And I'm dying to know Is it killing you Like it's killing me? I don't know what to say Since a twist of fate When it all broke down And the story of us Looks a lot like a tragedy now Next chapter How'd we end up this way? See me nervously pulling at my clothes And trying to look busy And you're doing your best to avoid me I'm starting to think one day I'll tell the story of us How I was losing my mind when I saw you here But you held your pride like you should have held me Oh, we're scared to see the ending Why are we pretending this is nothing? I'd tell you I miss you but I don't know how I've never heard silence quite this loud Now I'm standing alone In a crowded room And we're not speaking And I'm dying to know Is it killing you Like it's killing me? I don't know what to say Since a twist of fate When it all broke down And the story of us Looks a lot like a tragedy now This is looking like a contest Of who can act like they care less But I liked it better when you were on my side The battle's in your hands now But I would lay my armor down If you'd say you'd rather love than fight So many things that you wish I knew But the story of us might be ending soon Now I'm standing alone In a crowded room And we're not speaking And I'm dying to know Is it killing you Like it's killing me? I don't know what to say Since a twist of fate When it all broke down And the story of us Looks a lot like a tragedy now, now, now And we're not speaking And I'm dying to know Is it killing you Like it's killing me? I don't know what to say Since a twist of fate 'cause we're going down And the story of us Looks a lot like a tragedy now Grenade- Bruno Marz Easy come, easy go That's just how you live, oh Take, take, take it all, But you never give Should of known you was trouble from the first kiss, Why were they open? Gave you all I had And you tossed it in the trash You tossed it in the trash, you did To give me all your love is all I ever asked, Cause what you don't understand is I'd catch a grenade for ya (yeah, yeah, yeah) Throw my hand on a blade for ya (yeah, yeah, yeah) I'd jump in front of a train for ya (yeah, yeah , yeah) You know I'd do anything for ya (yeah, yeah, yeah) Oh, oh I would go through all this pain, Take a bullet straight through my brain, Yes, I would die for ya baby; But you won't do the same No, no, no, no Black, black, black and blue beat me till I'm numb Tell the devil I said "hey" when you get back to where you're from Mad woman, bad woman, That's just what you are, yeah, You'll smile in my face then rip the breaks out my car Gave you all I had And you tossed it in the trash You tossed it in the trash, yes you did To give me all your love is all I ever asked Cause what you don't understand is I'd catch a grenade for ya (yeah, yeah, yeah) Throw my hand on a blade for ya (yeah, yeah, yeah) I'd jump in front of a train for ya (yeah, yeah , yeah) You know I'd do anything for ya (yeah, yeah, yeah) Oh, oh I would go through all this pain, Take a bullet straight through my brain, Yes, I would die for ya baby; But you won't do the same If my body was on fire, ooh You' d watch me burn down in flames You said you loved me you're a liar Cause you never, ever, ever did baby... But darling I'll still catch a grenade for ya Throw my hand on a blade for ya (yeah, yeah, yeah) I'd jump in front of a train for ya (yeah, yeah , yeah) You know I'd do anything for ya (yeah, yeah, yeah) Oh, oh I would go through all this pain, Take a bullet straight through my brain, Yes, I would die for ya baby; But you won't do the same. No, you won't do the same, You wouldn't do the same, Ooh, you'll never do the same, No, no, no, no Dr. Dre - I Need A Doctor Ft. Eminem & Skylar Grey  Im about to lose my mind you've been gone for so long I'm running out of time I need a doctor call me a doctor I need a doctor, doctor to bring me back to life [Eminem] I told the World one day I would pay it back say it on tape, and lay it, record it so that one day I could play it back but I don't even know if I believe it when I'm saying that ya'll starting to creep in, everyday its so grey and black hope, I just need a ray of that cause no one see's my vision when I play it for 'em they just say its wack they don't know what dope is and I don't know if I was awake or asleep when I wrote this, all I know is you came to me when I was at my lowest you picked me up, breeding life in me I owe my life to you before the life of me, I dont see why you dont see like I do but it just dawned on me you lost a son see this light in you, it's dark. let me turn on the lights and brighten me and enlighten you I dont think you realise what you mean to me not the slightest clue cause me and you were like a crew I was like your sidekick you gon either wanna fight me when I get off this f-cking mic or you gon hug me but I'm not an option, theres nothing else I can do cause... [Chorus ] Im about to lose my mind you've been gone for so long I'm running out of time I need a doctor call me a doctor I need a doctor, doctor to bring me back to life [Eminem] It hurts when I see you struggle you come to me with ideas you say there just pieces so I'm puzzled cause the shit i hear is crazy but your either getting lazy or you don't believe in you no more seems like your own opinions, not one you can form cant make a decision you keep questioning yourself second guessing and its almost like your begging for my help like I'm your leader your susposed to f-cking be my mentor I can endure no more, I demand you remember who you are it was YOU, who believed in me when everyone was telling you dont sign me everyone at the f-cking label, lets tell the truth you risked your career for me I know it as well as you nobody wanted to f-ck with the white boy Dre, I'm crying in this booth you saved my life, now maybe its my turn to save yours but I can never repay you, what you did for me is way more but I aint giving up faith and you aint giving up on me get up Dre, I'm dying, I need you, come back for f-ck's sake [Chorus] Im about to lose my mind you've been gone for so long I'm running out of time I need a doctor call me a doctor I need a doctor, doctor to bring me back to life bring me back to life bring me back to life (I need a doctor, doctor to bring me back to life) [Dr Dre] It literally feels like a lifetime ago but I still remember the shit like it was just yesterday though you walked in, yellow jump suit whole room, cracked jokes once you got inside the booth, told you, like smoke went through friends, some of them I put on but they just left, they said they was riding to the death but where the f-ck are they now now that I need them, I dont see none of them all I see is Slim f-ck all you fair-weather friends all I need is him f-cking backstabbers when the chips were down you just laughed at us now you bout to feel the f-cking wrath of aftermath, faggots you gon see us in our lab jackets and ask us where the f-ck we been? you can kiss my indecisive ass crack maggots and the crackers ass little crack a jack beat making wack math, backwards producers, Im back bastards one more CD and then I'm packing up my bags and as I'm leaving I'll guarantee they scream Dre don't leave us like that man cause... [Chorus] Im about to lose my mind you've been gone for so long I'm running out of time I need a doctor call me a doctor I need a doctor, doctor to bring me back to life Dynamite- Taio Cruz I throw my hands up in the air sometimes Saying AYO! Gotta let go! I wanna celebrate and live my life Saying AYO! Baby, let's go! I came to dance, dance, dance, dance I hit the floor 'Cause that's my, plans, plans, plans, plans I'm wearing all my favorite Brands, brands, brands, brands Give me space for both my hands, hands, hands, hands Ye, ye Cause it goes on and on and on And it goes on and on and on Yeah! I throw my hands up in the air sometimes Saying AYO! Gotta let go! I wanna celebrate and live my life Saying AYO! Baby, let's go! 'Cause we gon' rock this club We gon' go all night We gon' light it up  Like it's dynamite! 'Cause I told you once Now I told you twice We gon' light it up Like it's dynamite! I came to move, move, move, move Get out the way me and my crew, crew, crew, crew I'm in the club so I'm gonna do, do, do, do Just what the fuck, came here to do, do, do, do Ye, ye Cause it goes on and on and on And it goes on and on and on Yeah! I throw my hands up in the air sometimes Saying AYO! Gotta let go! I wanna celebrate and live my life Saying AYO! Baby, let's go! 'Cause we gon' rock this club http://www.elyricsworld.com/dynamitelyricstaio_cruz.html We gon' go all night We gon' light it up Like it's dynamite! 'Cause I told you once Now I told you twice We gon' light it up Like it's dynamite! I'm gonna take it all like, I'm gonna be the last one standing, I'm alone and all I I'm gonna be the last one landing 'Cause I, I, I Believe it And I, I, I I just want it all, I just want it all I'm gonna put my hands in the air Hands in the air Put your hands in the air I throw my hands up in the air sometimes Saying AYO! Gotta let go! I wanna celebrate and live my life Saying AYO! Baby, let's go! 'Cause we gon' rock this club We gon' go all night We gon' light it up Like it's dynamite! 'Cause I told you once Now I told you twice We gon' light it up Like it's dynamite! What the Hell-Avril Lavigne You say that I'm messing with your head (yeah, yeah, yeah, yeah) All 'cause I was making out with your friend (yeah, yeah, yeah, yeah) Love hurts, whether it's right or wrong (yeah, yeah, yeah, yeah) I can't stop 'cause I'm having too much fun (yeah, yeah, yeah, yeah) You're on your knees, beggin' please 'stay with me' But honestly, I just need to be a little crazy All my life I've been good but now, I'm thinking 'What the hell' All I want is to mess around, and I don't really care about If you love me, if you hate me, you can't save me, baby, baby All my life I've been good but now, whoa 'What the hell' What, What, What, What the hell So what if I go out on a million dates (yeah, yeah, yeah, yeah) You never call or listen to me anyway (yeah, yeah, yeah, yeah) I'd rather rage than sit around and wait all day (yeah, yeah, yeah, yeah) Don't get me wrong, I just need some time to play (yeah) You're on your knees, beggin' please 'stay with me' But honestly, I just need to be a little crazy All my life I've been good but now, I'm thinking 'What the hell' All I want is to mess around, and I don't really care about If you love me, if you hate me, you can't save me, baby, baby All my life I've been good but now, whoa 'What the hell' La la la la la la la la, whoa, whoa La la la la la la la la, whoa, whoa You say that I'm messing with your head Boy, I like messing in your bed Yeah, I am messing with your head When I'm messing with you in bed All my life I've been good but now, I'm thinking what the hell (what the hell) All I want is to mess around and I don't really care about (I don't care about) All my life I've been good but now, I'm thinking what the hell All I want is to mess around and I don't really care about. (if you love me) If you love me (no), if you hate me (no) You can't save me, baby, baby (if you love me) All my life I've been good but now, whoa, what the hell La la, La la la la la la, La la, La la la la la la la Coming Home ft. Skylar Grey- Diddy-dirty money [Hook: Skylar Grey] I'm coming home I'm coming home Tell the world I'm coming home Let the rain wash away, all the pain of yesterday I know my kingdom awaits and they've forgiven my mistakes I'm coming home I'm coming home Tell the world I'm coming [Intro: Diddy] I'm back where I belong (yeah) I never felt so strong (I'm back baby) I feel like there's nothing I can't try And if you feel me put your hands highhh (put your hands high) If you ever lost a light before, this one's for you And you, the dreams are for you [Verse 1] I hear "The Tears of a Clown" I hate that song I always feel like they're talking to me, when it comes on Another day, another dawn Another Keisha, nice to meet ya Get the math, I'm gone What am I supposed to do when the club lights come on? It's easy to be Puff but it's harder to be Sean What if my twins ask why I ain't marry their mom (why? damn!) How do I respond? What if my son stares with a face like my own And says he wants to be like me when he's grown? Shit! But I ain't finished growing Another night, the inevitable prolongs Anothey day, another dawn Just tell Keisha and Teresa I'll be better in the morn' Another lie that I carry on I need to get back to the place where I belong [Hook: Dirty Money] I'm coming home I'm coming home Tell the world I'm coming home Let the rain wash away, all the pain of yesterday I know my kingdom awaits and they've forgiven my mistakes I'm coming home I'm coming home Tell the world I'm coming [Verse 2] "A house is Not a Home," I hate this song Is a house really a home when your loved ones is gone? And niggas got the nerve to blame you for it And you know you would have took the bullet if you saw it But you felt it and still feel it And money can't make up for it or conceal it But you deal with it and you keep ballin' Pour out some liquor, play ball and we keep ballin' Baby, we've been living a sin cause we've been really in love But when we've been living as friends So you've been a guest in your own home It's time to make your house your home Pick up your phone, come on [Hook: Dirty Money] I'm coming home I'm coming home Tell the world I'm coming home Let the rain wash away, all the pain of yesterday I know my kingdom awaits and they've forgiven my mistakes I'm coming home I'm coming home Tell the world I'm coming [Verse 3] "Ain't No Stopping Us Now," I love that song Whenever it comes on, it makes me feel strong I thought I told y'all that we won't stop Til we back cruising through Harlem, Viso blocks It's what made me, saved me, drove me crazy Drove me away then embraced me Forgave me for all of my shortcomings Welcome to my homecoming Yeah, it's been a long time coming Lot of fights, lot of scars, lot of bottles Lot of cars, lot of ups, lot of downs Made it back, lost my dog (I miss you BIG) And here I stand, a better man (a better man) (don't stop) Thank you lord (thank you lord) Judas- Lady GaGa Oh, oh, oh, oh, oh, oh I'm in love with Judas, Judas Oh, oh, oh, oh, oh, oh I'm in love with Judas, Judas Judas, Juda-ah-ah Judas, Juda-ah-ah Judas, Juda-ah-ah Judas, Gaga Judas, Juda-ah-ah Judas, Juda-ah-ah Judas, Juda-ah-ah Judas, Gaga When he comes to me, I am ready I'll wash his feet with my hair if he needs Forgive him when his tongue lies through his brain Even after three times, he betrays me Oh-oh, oh-oh-oh, oh-oh, oh-oh-oh I'll bring him down, bring him down, down Oh-oh, oh-oh-oh, oh-oh, oh-oh-oh A king with no crown, king with no crown I'm just a holy fool, oh baby he's so cruel But I'm still in love with Judas, baby I'm just a holy fool, oh baby he's so cruel But I'm still in love with Judas, baby Oh, oh, oh, oh, oh, oh I'm in love with Judas, Judas Oh, oh, oh, oh, oh, oh I'm in love with Judas, Judas Judas, Juda-ah-ah Judas, Juda-ah-ah Judas, Juda-ah-ah Judas, Gaga I couldn't love a man so purely Even prophets forgave his crooked way I've learned love is like a brick, you can Build a house or sink a dead body Oh-oh, oh-oh-oh, oh-oh, oh-oh-oh I'll bring him down, bring him down, down Oh-oh, oh-oh-oh, oh-oh, oh-oh-oh A king with no crown, king with no crown I'm just a holy fool, oh baby he's so cruel But I'm still in love with Judas, baby I'm just a holy fool, oh baby he's so cruel But I'm still in love with Judas, baby Oh, oh, oh, oh, oh, oh I'm in love with Judas, Judas Oh, oh, oh, oh, oh, oh I'm in love with Judas, Judas Ew In the most Biblical sense I am beyond repentance Fame hooker Prostitute wench Vomits her mind But in the cultural sense I just speak in future tense Judas kiss me if offenced Or wear an ear condom next time I wanna love you But something's pulling me away from you Jesus is my virtue Judas is the demon I cling to I cling to I'm just a holy fool, oh baby he's so cruel But I'm still in love with Judas, baby I'm just a holy fool, oh baby he's so cruel But I'm still in love with Judas, baby Oh, oh, oh, oh, oh, oh I'm in love with Judas, Judas Oh, oh, oh, oh, oh, oh I'm in love with Judas, Judas Judas, Juda-ah-ah Judas, Juda-ah-ah Judas, Juda-ah-ah Judas, Gaga Raise Your Glass- Pink Right right, turn off the lights, We're gonna lose our minds tonight, What's the deal, yo? I love when it's all too much, 5am turn the radio up Where's the rock and roll? Party Crasher, Penny Snatcher, Call me up if you want gangsta Don't be fancy, just get dancey Why so serious? So raise your glass if you are wrong, In all the right ways, All my underdogs, We will never be never be anything but loud And nitty gritty dirty little freaks Won't you come on and come on and raise your glass, Just come on and come on and raise your glass Slam slam, oh hot damn What part of party don't you understand, Wish you'd just freak out (freak out already) Can't stop, coming in hot, I should be locked up right on the spot It's so on right now (so fuckin on right now) Party Crasher, Penny Snatcher, Call me up if you want gangsta Don't be fancy, just get dancey Why so serious? So raise your glass if you are wrong, In all the right ways, All my underdogs, We will never be never be anything but loud And nitty gritty dirty little freaks Won't you come on and come on and raise your glass, Just come on and come on and raise your glass Won't you come on and come on and raise your glass, Just come on and come on and raise your glass (oh shit my glass is empty, that sucks) So if you're too school for cool, And you're treated like a fool, You can choose to let it go We can always, we can always, Party on our own (so raise your) So raise your glass if you are wrong, In all the right ways, All my underdogs, We will never be never be anything but loud And nitty gritty, dirty little freaks So raise your glass if you are wrong, In all the right ways, All my underdogs, We will never be never be anything but loud And nitty gritty, dirty little freaks Won't you come on and come on and raise your glass, Just come on and come on and raise your glass Won't you come on and come on and raise your glass,(for me) Just come on and come on and raise your glass (for me) _ Big Time Rush -- Boyfriend Lyrics (ft. Snoop Dogg) Your boy-boy-b-b-b-b-b-boyfriend Your boy-boy-b-b-b-b-b-boyfriend Your boy-boy-b-b-b-b-b-boy You need a boyfriend and I can be that Holla at me Hit me on my video chat And let me reach out to you and give you feedback It's gonna be us till the end so please believe that Yeah the world is all ours and the sky's the limit And you can be my boo and everything that goes with it I can lift you off your feet like a flight attendant Imma send this car for ya, is you ridin' in it? Have you ever had the feeling you're drawn to someone? [Yeahh] And there isn't anything they could of said or done And everyday I see you on your own And I can't believe that you're alone But I overheard your girls and this is what they said Looking for a looking for that your looking for a boyfriend I see that, give me time you know I'm gonna be there don't be scared to come put your trust in the to and a in of it you i ago is rep up for state th are show with on http tone like have be my as we farm com will so by but was from statefarmsucks this what your or if do september us people just at out s about our more their one me has love toneitup who can them get an see weeks am know how been www all when that he d no day workout days it's here new would some there good ed pm also youtube his week don't because months blog time california women make her think god video then link want please farmsucks jesus she had thanks off were did these too now videos right i'm many most why go over than on me Can't you see all I really want to be is your boyfriend Can't fight that let me down you know I'm coming right back I don't care at all what you done before all I really want is to be your Your boy boy b-b-b-b-b-boy friend Your boy boy b-b-b-b-b-boy friend Your boy boy b-b-b-b-b-boy friend Your boy boy b-b-b-b-b-boy friend Let me take a little moment to find the right words [to find the right words] so when I kick it you it ain't something that you've heard [something that you've heard] I don't know what kind of guy that you prefer But I know I gotta put myself for worse See I think got the kind of love that you deserve and I heard that That you're looking for a boyfriend I see that, give me time you know I'm gonna be there Don't be scared to come put your trust in me Can't you see all I really want to be is your boyfriend? Can't fight that let me down you know I'm coming right back I don't care at all what you done before all I really want is to be your Your boy b-b-b-b-b-boy friend Your boy boy b-b-b-b-b-boy friend Your boy boy b-b-b-b-b-boy friend Your boy boy b-b-b-b-b-boy If you tell me where, I'm waiting here Everyday like slum dog millionaire Bigger then the Twilight love affair I'll be here girl I swear So we should down the ride Or do I gotta slide I know you need a boyfriend And I can be the guy I help you open up even if you're shy She might be the one I see it in her eyes I see it in her swag She be on the fly Gucci bag Chanel purse I need her in my life I'm the one for her And she's the one for I This could be paradise if we do it right Looking for looking for looking for a boyfriend I see that, give me time you know I'm gonna be there Don't be scared to come put your trust in me Can't you see all I really want to be is your boyfriend? Can't fight that let me down you know I'm coming right back I don't care at all what you done before all I really want is to be your Your boy boy b-b-b-b-b-boy friend Your boy boy b-b-b-b-b-boy friend Your boy boy b-b-b-b-b-boy friend All I really want is to be your Look At Me Now- Chris Brown ft. lil Wayne [Chris Brown] Yellow model chick yellow bottle sipping yellow Lamborghini yellow top missing yeah yeah that sh-t look like a toupee I get what you get in 10 years, in two days ladies love me I'm on my cool J if you get what I get what would you say she wax it all off, Mr Miyagi and them suicide doors, Hari Kari [Hook] Look at me now, look at me now oh, I'm getting paper look at me now oh, look at me now yeah, fresh than a muthaf-cker lil n-gga bigger than gorilla cause I'm killing every n-gga that try to be on my sh-t better cuff your chick if you with her I can get her and she accidentally slip fall on my dick ooops, I said on my dick I aint really mean to say on my d-ck but since we talking about my dick all of you haters say hi to it I'm Done [Busta Rhymes] Ayo Breezy let me show you how to keep the dice rolling when your doing that thing over there, homie lets go cause I feel like I'm running and I'm feeling like I gotta get away, get away, get away better know that I don't and I won't ever stop cause you know I gotta win everyday day, goooo see they don't really wanna pop me just know that you never flop me and I know that I can be a little cocky, nooo you aint never gonna stop me everytime I come a n-gga gotta set it then I got it going then I get it, than I blow, than I shudder any little thing that he be doing cause it doesnt matter cause I'm gonna dadadadada then I'm gonna murder every thing and anything a badaboom a badabing I gotta do a lot of things, and make it clearer to a couple n-ggas that I'm always winning and I gotta get it again and again and again and I be doing it to death and now I move a little foul a n-gga better call a ref, everybody know my style and everybody know I'm the the baddest when I come to doing this and Im banging on my chest and I bang in the east and I bang in the west and I come to give you more and I never give you less you will hear it in the street or you can read it in the press do you really wanna know whats next, lets go see the way we on, we be all up in the race and you know we gotta go, don't try to keep up with the pace we struggling and hustling and sending in and getting in and always gotta take it to another place gotta taste it and I gotta grab it and I gotta cut all throught his traffic just to be at the top of the throne better know I gotta have it [Hook] Look at me now, look at me now oh, I'm getting paper look at me now oh, look at me now yeah, fresh than a muthaf-cker okay, okay, is that right im fresher then a muthaf-cker [Lil Wayne] Man f-ck these bitch ass n-ggas how yall doin? I'm Lil Tunechi, I'm a nuisance, I go stupid, I go dumb like the 3 stooges I dont eat sushi, I'm the shit, no I'm pollution, no substitution got a bitch that play in movies in my jacuzzi, p-ssy juicy I never gave a f-ck about a hater got money on my radar dress like a skater, got a big house, came with a elevator you n-ggas aint eatin, f-ck it, tell a waiter Marley said shoot em, and I said ok, if you wanted bullshit then I'm like olay, I dont care what you say, so don't even speak your girlfriend a freak like Cirque Du Soleil that's word to my flag, and my flag red I'm out of my head, bitch I'm outta my mind from the bottom I climb you aint hotter at mine, nope, not on my time and I'm not even trying whats poppin Slime? nothin five, and if they trippin f-ck em five I aint got no time to shuck and jive, these n-ggas as sweet as pumpkin pie Ciroc and sprite on a private flight bitch I'm enticing, guiding light, and my pockets white and my diamonds white and my mommas nice and my daddy's dead you faggots scared cause I'm too wild, been here for a while I was like f-ck trial I puts it down I'm so young money if you got eyes look at me now bitch [Hook] Look at me now, look at me now oh, I'm getting paper look at me now oh, look at me now yeah, fresh than a muthaf-cke Say Hello To Goodbye Lyrics Hey there stranger, how you bin' Feels like i'm standing on the outside looking in at the mess we left behind And it's a long way to fall I gave you everything I had I gave it all And then my heart was on the line I can't hate you any longer I know i'm going to miss you I'll forget it and let it go. Say hello to goodbye, cuse its gone forever No more try, you and I Not now, not ever And i'll get by without you I'm not going back again I'm not going to lie to you Cause, that was there and only then. Say hello to goodbye Say hello.. And this is how it has to be Cause' its a deadly combination, you and me You know its undeniable Even though we tried it all We brought the worst out in each other I recall We can't act it anymore What doesn't kill you It makes you stronger And though i'm going to miss you I'll forget it and let you go Say hello to good-bye Its gone forever No more try, you and I Not now, not ever And i'll get by without you I'm not going back again I'm not going to lie to you Cause, that was there and only then. Say hello to goodbye Say hello.. And even though the tears will dry I can't completely disconnect Couldn't make the compromise  Didn't have a safety net Say hello to goodbye heeey ya ya Say hello, goodbye Say hello to good-bye Its gone forever No more try, you and I Not now, not ever And i'll get by without you I'm not going back again I'm not going to lie to you Cause, that was there and only then. Say hello, to goodbye Say hello, to goodbye Say hello, hello To good bye Scenario 2: I Know What Websites I Want To Buy Media On  If you know what websites you want do a direct buy on (or buying site specific inventory on through an exchange or demand side platform (DSP)), you can quickly find out how to best advertise on that  website as well as maximize your ROI on the placement using WhatRunsWhere.com. By using our placement search you can quickly find out who is advertising on the website you're  interested in, what ads they're using, who's serving that inventory and what type of inventory is available. There's an example of the placement search ("By Publisher") box below:  The "By Publisher" tab quickly tells you everyone who's been advertising on that website in your predefined timeframe and what percentage of that websites inventory we see them taking. You can sort  by the percentage to find the most popular advertisers. By seeing what types of advertisers are doing well there you can figure out how to best craft your message or what you promote on that website  (Example below). The top text and/or banner ads tabs will show the most popular ads on that website. You can filter them by Ad Strength to quickly find out what we think is doing best on that website. By spotting trends  between the ads that are doing best you can figure out how to incorporate these into your advertisements. By doing this, your ads will perform better off the bat and will result in a higher ROI and  a better media buy (Example below). You can also view the traffic sources tab to see who is serving that inventory. This is useful if you want to buy the website placement indirectly or you don't know how to get ads onto a website. You can also  view the ad types to figure out what type of inventory you need to advertise on the website. By using this data you can figure out what should work best on any website and better plan and  execute more specific media buying campaigns or boost existing campaigns with new sites or better targeted and optimized ads. Scenario 3: I Only Know My Niche, Not My Competitors  If you only know the niche or general space you want to buy in, don't worry. WhatRunsWhere provides a great research function, our keyword search. To use this, go to "By Keyword". You can then type in a  keyword and have relevant ads that relate to that keyword returned to you (example below). WhatRunsWhere scans ad copy, url content and landing page copy to find relevant keywords.  Searching, "diet" for example will show keywords that have the word diet throughout the ad copy, url and landing page. Looking over niche ads (example below) can give you valuable insight to what advertisers are doing  within that niche that works. You can easily spot trends between ads. If most ads use a similar call to action or theme, you may want to think about testing that within your actual advertising campaigns  copy. Click on an ad will pull up stats about that exact ad (example below), including where that ad has been  seen. By clicking on ads that interest you, you can build lists of types of sites to advertise on and quickly build or supplement a media buy campaign on the fly in a matter of minutes.  Using this information is the same as the advertiser search. You spot what sites and themes the advertisers have in common and then use this to better understand where you should be buying and  use their previous testing to limit your campaigns risk and boost your or your clients ROI. Scenario 4: I Want To Start A New Media Buy and Don't Know Where To Start If you want to start a brand new media buy but don't know where to start then top "Top Ads" tab is for  you. This feature allows you to quickly search by ad size, country, ad network and time frame and see the top ads running per your search parameters (example below). You can look at what is currently doing well on that network and figure out trends here as well (see the  recurring spot trends theme?). If you see a certain type of ad or a certain style of creative doing really well on a network, it may be worth something that you should test in your own campaigns or creatives.   Clicking on any of these ads also pulls up the same profile as in the keyword search, allowing you to drill down and find out exactly where the ad is running SUPER CHARGING MY MEDIA BUY With this wealth of options and the insight you can gain from it, your media campaigns can be quickly  created, optimized and improved upon on the fly. By spotting common trends about what is actually happening in the part of the media buying world you're interested in, you can leverage what others  have already spent money doing to make your campaigns better. We look forward to hearing back from you about how you've implemented these strategies and what it's meant for your media buying. Have  fun!  Link to page to Widget to aStore Share Earnings Summary What's New Discussion Boards Settings b---.html Think Like WATCH FILM TRAILERS @ aspenideas.org the to you a and of i in is that ago are it this for not your men be have comment women with as show all if on but like do what so just reply she or by years her about they me think more femitheistreborn would my people don't no was who we because can from days will you're know week an how it's i'm has world get one juicygirl there day hours out up at some when only months why see make their than being way even video were well good right want most them darthjader feminist woman views any then say really man should male feminism that's now which been too also these videos something lol many much he time things go need off population - very going can't our other never said thing better had am here girlwriteswhat work could nothing every us does female its did actually believe she's those over fucking point take comments wrong human playlist saying come gender still doesn't such where little same shit someone year ever own life oh creative yourself into thought stupid war