Return to Video

【HEY-SMITH×SCANDAL】フェスの裏でNGなしトーク

  • 0:00 - 0:02
    Translation & Subtitles: thoseguiltyeyes | scandal-heaven.com
    -Thank you!
    -What should we talk about?
  • 0:02 - 0:04
    -Today...
    -Is it okay to leave it up to you?
  • 0:04 - 0:08
    Is it? But I'm really nervous and feel like I won't be able to talk well.
  • 0:08 - 0:12
    We just filmed a collaboration video for Igari's channel.
  • 0:12 - 0:14
    -Wait, we're filming already?!
    -Yes.
  • 0:14 - 0:16
    We are?! You should tell me!
    (I messed up)
  • 0:16 - 0:20
    -I start my videos in a casual way.
    -We've really started?
    -Yes.
  • 0:20 - 0:22
    For my video,
  • 0:22 - 0:27
    -I thought of some things I'd like to ask you, Igari,
    -Okay.
  • 0:28 - 0:31
    -so I'd like to have a conversation with you.
    -Ah, got it.
  • 0:31 - 0:34
    -We've really started filming?!
    -We have!
  • 0:34 - 0:35
    Today's video will be a lavish one.
  • 0:35 - 0:39
    This is the first time I'm doing a proper collaboration on my channel.
  • 0:39 - 0:41
    -Thank you very much.
    -One with someone with their own channel.
  • 0:41 - 0:44
    I'm very sorry that I'm the first one.
    (He's awesome)
  • 0:44 - 0:46
    Thank you very much! I'm sure everyone will be happy.
  • 0:47 - 0:50
    -This is Igari from HEY-SMITH.
    -Thanks for having me.
  • 0:50 - 0:53
    -This is so casual...
    -Good job on your set!
  • 0:53 - 0:56
    -We often play [festivals] on the same day.
    -Yeah, we do.
  • 0:56 - 0:58
    -Is it okay if we start things off?
    -Yes.
  • 0:58 - 1:01
    -Is it okay to do a no-holds-barred discussion?
    -That's sudden...but yes.
  • 1:02 - 1:05
    -The first questions will be regular ones.
    -Then the last ones...
  • 1:05 - 1:07
    It's totally fine.
    (I'm really scheming here)
  • 1:07 - 1:11
    These are things that I haven't had a chance to ask you.
  • 1:11 - 1:14
    What was your first impression of SCANDAL?
  • 1:16 - 1:19
    -Is it really okay to be honest?
    -Yes, it is.
  • 1:19 - 1:22
    My actual first impression...
  • 1:22 - 1:26
    -was that you guys were a little risqué.
    -Seriously?!
  • 1:26 - 1:28
    -Is that so?
    -Yeah.
  • 1:28 - 1:30
    When did that impression change?
  • 1:31 - 1:33
    Let's see...
  • 1:33 - 1:36
    -When you appeared on M STATION...
    -Ah, when we were still wearing school uniforms?
  • 1:36 - 1:37
    I think so.
  • 1:37 - 1:41
    At that time, I thought, "Ah, they're adorable."
  • 1:42 - 1:43
    Eh, really?
  • 1:43 - 1:49
    I first thought that you guys were really adorable ladies performing as a band,
  • 1:50 - 1:53
    so my first impression was that you guys were a little risqué. Sorry about that.
  • 1:53 - 1:56
    -That's honestly what I thought.
    -Yeah, I did tell you to be honest.
  • 1:56 - 2:01
    Now that we know each other better, what image do you have of us now?
  • 2:01 - 2:07
    Rather than really cute ladies performing as a band,
  • 2:07 - 2:11
    I now see you as ladies who are in a band that are really cute.
  • 2:12 - 2:14
    Like...
  • 2:15 - 2:20
    We get to talk to each other backstage at festivals.
  • 2:20 - 2:23
    You come up to talk to us a lot,
  • 2:23 - 2:27
    and I really think there are very few musicians who are like that.
  • 2:27 - 2:31
    -Ah, really?
    -Since the four of us [in SCANDAL] are often all together,
  • 2:31 - 2:35
    I think there are times when seems hard to talk to us.
  • 2:35 - 2:39
    Despite that, we've gotten very buddy-buddy with you.
  • 2:39 - 2:41
    It really makes me happy.
  • 2:41 - 2:47
    Originally I had met MAMI when [our friends] would go out to drink.
  • 2:47 - 2:48
    Ah, that's right.
  • 2:48 - 2:53
    -You've gone out to eat with MAMI many times.
    -Yeah, a bunch of us do that and go out to drink.
  • 2:53 - 2:56
    MAMI doesn't drink that much.
  • 2:56 - 2:59
    She doesn't do that well with it.
  • 2:59 - 3:03
    Not sure how well she takes it.
    (I've never seen her like that, but I totally imagine it)
  • 3:03 - 3:07
    She's always been resolute.
  • 3:08 - 3:10
    It was 3 am,
  • 3:10 - 3:12
    and when I asked her, "Will you be okay tomorrow?"
  • 3:12 - 3:14
    "Don't you have to get up early?"
  • 3:14 - 3:16
    She was like, "Well, I'm playing at Budokan tomorrow."
  • 3:16 - 3:19
    I was like, "What?! Budokan?!"
  • 3:19 - 3:21
    -Wow.
    -"Tomorrow?!"
  • 3:22 - 3:25
    I was like, "You're drinking at this time when you're playing Budokan tomorrow?!"
  • 3:25 - 3:29
    I asked her that,
  • 3:30 - 3:35
    and she was like, "I've practiced to death, so I'll totally be fine no matter how much I drink."
  • 3:35 - 3:38
    -She really said that?!
    -She did.
    (This was a story from 10 years ago,)
  • 3:38 - 3:41
    That made me go, "Wow, that's so cool!"
    (and she's since aged out of that phase)
  • 3:41 - 3:44
    I thought she was a really cool person.
  • 3:44 - 3:48
    That's when I started to see SCANDAL as a proper band,
  • 3:48 - 3:54
    and it made me go, "Wow, their performances are really intense."
  • 3:55 - 4:00
    Then I wanted to start talking to you guys, and so did.
  • 4:01 - 4:06
    Hearing from a musician that you're cool makes you happy in a special way.
  • 4:07 - 4:11
    There was a time when we weren't invited to festivals at all,
  • 4:12 - 4:18
    and for a long time we felt like the four of us were all alone.
  • 4:18 - 4:22
    -Really?
    -Yeah, so [you talking to us] made us really happy,
  • 4:22 - 4:24
    and we felt like we were being included.
  • 4:24 - 4:28
    I think everyone thinks this,
  • 4:28 - 4:35
    but [the band scene] is said to be a male-dominated one with not many places for women.
  • 4:35 - 4:37
    They can't really get there.
  • 4:38 - 4:40
    Most people think that.
  • 4:40 - 4:43
    For me, when you guys were playing at DEAD POP FESTiVAL,
  • 4:43 - 4:47
    [Kenta] Koie from Crossfaith and I went to see your set.
  • 4:47 - 4:50
    Crossfaith and SCANDAL play completely opposite types of music.
  • 4:50 - 4:52
    So we walked over.
  • 4:52 - 4:56
    I had a drink in my hand,
  • 4:56 - 5:00
    and I got so hyped up by SCANDAL that I did this with my drink,
  • 5:00 - 5:03
    and it got all over me.
    (So cute)
  • 5:03 - 5:06
    -Ah, that did happen.
    -I was going "Ahh!" by myself.
  • 5:07 - 5:09
    You guys were really great.
  • 5:09 - 5:10
    That makes me happy!
  • 5:10 - 5:14
    -I don't think we've talked about stuff like that.
    -That's definitely true.
  • 5:14 - 5:19
    -It's kind of hard to talk to you guys.
    -That's true.
  • 5:19 - 5:23
    Particularly, I'm told by many people that it's hard to start a convo with me.
  • 5:23 - 5:24
    -Ah, really?
    -Yes.
  • 5:24 - 5:27
    I don't really go out drinking.
  • 5:27 - 5:33
    I'm nervous to do things that I'm not used to.
  • 5:33 - 5:37
    You know, Kansai dialect [like yours] really makes me feel at ease.
  • 5:38 - 5:42
    -I'm happy to hear that.
    -I have a really easy time talking with you.
  • 5:42 - 5:43
    That makes me really happy.
  • 5:45 - 5:46
    (Shy)
  • 5:46 - 5:47
    What?
  • 5:47 - 5:50
    This is kind of similar to what we're talking about.
  • 5:50 - 5:54
    What kind of person do you picture me as?
  • 5:54 - 5:56
    (Asking him mercilessly about impressions)
  • 5:56 - 5:58
    Let's see...
    (Igari's in a fix)
  • 5:59 - 6:00
    Like...
  • 6:00 - 6:03
    -Is it okay if this stings?
    -Yeah. Ah. I'm about to be hurt.
  • 6:03 - 6:07
    -You seem very prideful.
    -Ah, I'm told that a lot!
  • 6:07 - 6:09
    Why is that?
  • 6:10 - 6:12
    Rather than prideful,
  • 6:12 - 6:15
    you have this presence to you.
  • 6:15 - 6:17
    -Do people tell you that?
    -They do.
  • 6:17 - 6:21
    The four of you are close and are often together,
  • 6:21 - 6:23
    but RINA, you alone...
  • 6:23 - 6:24
    -Have an ambiance?
    -Yeah.
  • 6:24 - 6:27
    -It's kind of different.
    -People tell me that all the time.
  • 6:27 - 6:31
    -I really do think it's true, in a sense.
    -Oh, really?
  • 6:31 - 6:34
    Like, for women,
  • 6:34 - 6:40
    it's kind of bad to say, but those in bands are kind of looked down on.
  • 6:40 - 6:45
    For times like those, it's best for them to definitely keep being a band.
  • 6:45 - 6:48
    That's kind of RINA-like.
  • 6:48 - 6:50
    Ah, I see.
  • 6:51 - 6:52
    I see.
  • 6:52 - 6:56
    There was a time like that for us.
  • 6:57 - 7:03
    More than being like "Let's appear at festivals so as not to lose out to the guys in bands,"
  • 7:03 - 7:10
    we really felt that we wanted to be a band that showed we were women.
  • 7:10 - 7:16
    -We really wanted to be like that.
    -I see.
  • 7:17 - 7:22
    Now, we've kind of mellowed out a bit and have improved.
  • 7:22 - 7:26
    But yeah, there were many times when we were going towards an odd point.
  • 7:26 - 7:29
    But it wasn't odd at all.
  • 7:29 - 7:34
    Like, I think that rigidness was a positive.
  • 7:35 - 7:37
    Like, you guys had an aura to you.
    (So nice)
  • 7:37 - 7:41
    That was a good direction.
  • 7:41 - 7:43
    That was more risqué.
  • 7:43 - 7:47
    -That's how it's connected?
    -Sorry for saying that.
  • 7:47 - 7:49
    -I mean that as a compliment.
    -Thanks so much.
  • 7:49 - 7:59
    I get the impression that you have a lot of friends in bands.
  • 7:59 - 8:03
    You're someone with a very sociable personality,
  • 8:03 - 8:07
    but was there ever a time when you felt like you didn't belong?
  • 8:07 - 8:11
    -Ah, at first, totally.
    -Is that so?
  • 8:11 - 8:13
    No matter where we were.
  • 8:13 - 8:17
    For example, we had only come out with one or two CDs,
  • 8:17 - 8:21
    and when we appeared at a festival with a bunch of different artists,
  • 8:21 - 8:23
    we of course felt like we didn't belong.
  • 8:23 - 8:25
    I really felt that.
  • 8:25 - 8:31
    Then the feeling of wanting it to feel more homely grew stronger for me.
  • 8:31 - 8:34
    When I went try and go talk to people...
  • 8:34 - 8:35
    Like, there'd be Ken of Hi-STANDARD,
  • 8:35 - 8:37
    TOSHI-LOW of BRAHMAN,
  • 8:37 - 8:39
    and Hosomi of ELLEGARDEN.
  • 8:39 - 8:42
    The three of them were talking to each other.
  • 8:42 - 8:47
    -It was pretty hard to go up and talk to them.
    -Totally true.
  • 8:47 - 8:57
    But I decided from the start to go talk to the people who look the hardest to talk to.
  • 8:57 - 8:58
    Ah, that's commendable.
  • 8:58 - 9:06
    So I'd be the first one to jump into things where it looked difficult to mix in to.
  • 9:08 - 9:10
    Then they would remember me.
  • 9:10 - 9:14
    -It was that kind of repetition.
    -I see.
  • 9:15 - 9:19
    With bands, and also when we just go out to drink,
  • 9:19 - 9:22
    I sit next to the person who looks like they're feeling down.
  • 9:24 - 9:28
    I do my best to make sure things go well.
  • 9:29 - 9:32
    -You do it so that they don't feel alone.
    -Yeah.
  • 9:32 - 9:35
    That's why you sat next to me.
  • 9:37 - 9:39
    Do you have a drummer group?
  • 9:41 - 9:44
    -Friends I can talk about the drums with?
    -Yeah.
  • 9:44 - 9:46
    There's Yuna of CHAI,
  • 9:46 - 9:50
    and as for guys, there's KOUHEI of 04 Limited Sazabys.
  • 9:50 - 9:54
    -I'm really close with them.
    -Ah, really?
  • 9:55 - 9:58
    I think KOUHEI would shoot his shot with you.
  • 9:58 - 9:59
    No, not at all!
  • 10:00 - 10:03
    We both can't drink alcohol.
  • 10:03 - 10:04
    We drink tea.
    (Tea friends👶🍵)
  • 10:04 - 10:06
    -That's true.
    -Yeah.
  • 10:06 - 10:08
    We've also played joint concerts together.
  • 10:08 - 10:10
    How do you write songs?
  • 10:10 - 10:13
    I write songs by myself.
  • 10:13 - 10:15
    -You accumulate songs as they come to you?
    -That's right.
  • 10:16 - 10:21
    Also, when I'm not able to write, I go to one of the southern islands.
  • 10:21 - 10:23
    I play my guitar on the beach.
  • 10:23 - 10:27
    -Does that help solve your writer's block?
    -It does help quite a bit.
  • 10:29 - 10:33
    -For us, we all write songs as well as do main vocals.
    -That's amazing.
  • 10:33 - 10:37
    We're all able to write songs as we like,
  • 10:37 - 10:40
    but we're really bad when we "have to" write songs.
  • 10:41 - 10:44
    -That's kind of a problem for us.
    -I see.
  • 10:44 - 10:47
    -Like... Is it okay to talk about this?
    -Of course.
  • 10:47 - 10:50
    How do you write drum parts?
  • 10:51 - 10:54
    I do it little by little on my computer.
  • 10:55 - 10:59
    But I typically write lyrics for our songs.
  • 10:59 - 11:03
    I write a bunch of lyrics and the other members will add music.
  • 11:03 - 11:06
    -You write lyrics?
    -I really do love writing lyrics.
  • 11:06 - 11:08
    -You do?
    -I love it a lot.
  • 11:08 - 11:11
    When I listen to music, the first thing I want to do is read the lyrics.
  • 11:11 - 11:15
    I really like seeing what words the person used.
  • 11:15 - 11:17
    Ah, is that right? That's interesting!
  • 11:17 - 11:18
    That's what I do.
  • 11:18 - 11:23
    To be honest, I can't really hear the lyrics when I listen to Japanese songs.
  • 11:23 - 11:25
    I'm listening to the melody instead.
  • 11:26 - 11:30
    -So I don't really do [what you do].
    -I totally understand that.
  • 11:30 - 11:35
    -I really do enjoy listening to words in music.
    -Ah, that's so interesting.
  • 11:35 - 11:37
    When I'm watching concerts,
  • 11:37 - 11:39
    I of course look at the band members,
  • 11:39 - 11:41
    but the MCs are what I look forward to the most.
  • 11:41 - 11:43
    -Seriously?
    -Yes.
  • 11:43 - 11:46
    I'm like, "What will this person talk about?"
  • 11:46 - 11:49
    -Are there people who do that?
    -Maybe not.
  • 11:49 - 11:51
    I really look forward to the MCs.
  • 11:51 - 11:55
    -That's probably because you value words.
    -That's true.
  • 11:55 - 11:58
    Also, you can really see what kind of person they are.
  • 11:58 - 12:04
    When it hits me like, "Ah, this person made it, so the song turned out like this,"
  • 12:04 - 12:07
    it makes me realize how much fun music is.
  • 12:09 - 12:10
    Is that so?
  • 12:10 - 12:13
    That's something I've never considered.
  • 12:14 - 12:19
    Aside from lyrics, when the rhythm or the tempo is nice
  • 12:19 - 12:23
    and it completes the song, I have a lot of respect for those kinds of musicians.
  • 12:23 - 12:25
    I'm not too good at that myself.
  • 12:25 - 12:28
    Things you can't do, huh. I see.
  • 12:28 - 12:32
    -This is kind of a sensitive topic.
    -Sensitive?
  • 12:32 - 12:35
    Are there times when you think you're unable to continue being in a band?
  • 12:35 - 12:37
    -There totally are.
    -There are, huh?
  • 12:37 - 12:38
    There will be those in the future, too.
  • 12:39 - 12:41
    You guys have been together for as long as us. 10...
  • 12:41 - 12:43
    -About 15 years [since 2006].
    -Right.
  • 12:43 - 12:46
    -We're also in our 16th year--
    -Our seniors!
  • 12:46 - 12:48
    -No, this year will be our 16th.
    -Ah, I see.
  • 12:48 - 12:51
    We've been doing this for the same amount of time.
  • 12:51 - 12:54
    What makes you think that way during those times?
  • 12:55 - 12:58
    The biggest one was...
  • 12:59 - 13:02
    when our former bassist/vocalist and our trumpet player left the band.
  • 13:02 - 13:05
    So I think it was during that time.
  • 13:05 - 13:08
    The bassist/vocalist was our main vocalist.
  • 13:08 - 13:11
    I sang as well, but he sang more.
  • 13:11 - 13:15
    When they left, we thought maybe we should disband peacefully.
  • 13:16 - 13:18
    We didn't plan to continue on.
  • 13:18 - 13:22
    That was the hardest time for us,
  • 13:22 - 13:27
    but a lot of people told us to try holding out.
  • 13:27 - 13:32
    We were like, "We'll try it, but if it doesn't work out then let's break up."
  • 13:32 - 13:34
    We were careful then.
  • 13:35 - 13:43
    At first, our audience numbers dwindled due to the bassist/vocalist leaving.
  • 13:43 - 13:46
    That was tough.
  • 13:47 - 13:49
    Wow.
  • 13:49 - 14:00
    I think it's really amazing when a band continues on despite changing out members.
  • 14:00 - 14:04
    -I think that would be impossible for us.
    -True.
  • 14:04 - 14:09
    It probably wouldn't be that we'd go on hiatus or someone leaves the band.
  • 14:10 - 14:13
    We'd be like, "Let's stop being a band."
  • 14:15 - 14:18
    That's also impressive.
  • 14:18 - 14:22
    But you know... This is also a sensitive topic,
  • 14:22 - 14:27
    but you guys are women, and there are some forms of happiness for women.
  • 14:27 - 14:34
    And like, you never know if a time will come when you'll all want to break up,
  • 14:34 - 14:41
    and then maybe all want to try being a band again, which is fine.
  • 14:41 - 14:45
    And maybe one by one you'll wonder what you'll do about your band activities.
  • 14:45 - 14:49
    -Wouldn't that difficult?
    -I think it would be.
  • 14:49 - 14:53
    Is it okay to choose your own happiness as a woman,
  • 14:53 - 14:59
    or, like what you said before about how it's "The four of us or nothing,"
  • 14:59 - 15:01
    Will you have any disputes then?
  • 15:01 - 15:05
    -We really never have any disputes.
    -You don't?
  • 15:05 - 15:10
    If someone wants to get married, or have kids, or finds a partner,
  • 15:10 - 15:13
    we're all totally on board with things like that.
  • 15:14 - 15:21
    We all think that getting married isn't the only peak of happiness.
  • 15:22 - 15:27
    Each of us all have relationships at times...
  • 15:27 - 15:29
    Ah, you guys have relationships like normal?
  • 15:29 - 15:31
    -Is it okay to say that?
    -Yeah, it's fine.
  • 15:31 - 15:33
    -It is?
    -Totally.
  • 15:34 - 15:40
    -I don't think it's good to ask too much about it.
    -I think that too.
  • 15:40 - 15:45
    But we just want to be normal—or natural.
  • 15:45 - 15:46
    That's great.
  • 15:47 - 15:49
    That's wonderful. You guys are totally bandsmen.
  • 15:50 - 15:53
    We won't know unless it happens.
  • 15:54 - 15:58
    I think that if we were to stop once,
  • 15:58 - 16:04
    I don't know if I'll be at the same level as when we left off.
  • 16:04 - 16:09
    -So that's why I want to do as much as I can.
    -I see.
  • 16:10 - 16:12
    -That's passionate.
    -It is.
  • 16:12 - 16:14
    It's very passionate.
  • 16:14 - 16:18
    -I really love that kind of mindset.
    -Ah, really? I'm glad.
  • 16:19 - 16:21
    When you first started your YouTube channel,
  • 16:21 - 16:27
    you talked about that it'd be nice to have the band side of things get more exciting with what you're putting out.
  • 16:27 - 16:29
    I thought that was awesome.
  • 16:29 - 16:42
    I've always thought that doing things ultimately all for the band was impressive.
  • 16:42 - 16:45
    How would you ultimately want things to be [for your band]?
  • 16:45 - 16:54
    We don't try to put out one popular album after another.
  • 16:54 - 16:59
    Our genre has the impression of everyone being strong-willed,
  • 16:59 - 17:03
    and crafting our own kind of scene or culture.
  • 17:03 - 17:05
    There's no real meaning in a band suddenly getting popular
  • 17:05 - 17:10
    and then playing a show at Tokyo Dome.
  • 17:10 - 17:15
    Elevating things like street culture all in one go...
  • 17:15 - 17:20
    Like skateboards, tattoos, fashion...
  • 17:20 - 17:25
    That street culture... it's like...
  • 17:25 - 17:27
    No, I shouldn't put it that way.
  • 17:27 - 17:28
    Like...
  • 17:28 - 17:29
    Well, let's go with it.
  • 17:29 - 17:34
    This set-up is what rock is. What pop is.
  • 17:34 - 17:38
    And street culture is the victor over that.
  • 17:38 - 17:41
    -That's what my ideal [band scene] is.
    -I see.
  • 17:41 - 17:46
    I do like pop music, and I also have a lot of idols I support,
  • 17:46 - 17:50
    but I want street culture to be more awesome than any of those.
  • 17:51 - 17:53
    That's my ideal.
  • 17:53 - 17:55
    Do you have any?
  • 17:55 - 17:56
    I wonder...
  • 17:56 - 18:01
    But I do hope to leave behind this idea of
  • 18:01 - 18:08
    "This is one way that an all-girl band can continue on."
  • 18:08 - 18:11
    There are many guys in the band scene,
  • 18:11 - 18:13
    but women can totally enjoy it as well.
  • 18:14 - 18:15
    Wear clothes that get you pumped up,
  • 18:15 - 18:17
    do your hair and makeup,
  • 18:17 - 18:19
    use words that you like to use.
  • 18:19 - 18:25
    You can have a cool and flexible vibe while being in the spotlight.
  • 18:25 - 18:28
    -I hope to leave behind that kind of stance.
    -I see.
  • 18:28 - 18:33
    I think more people of all kinds would join.
  • 18:33 - 18:36
    You're expressing that with all your strength.
  • 18:36 - 18:39
    Yes, I still want to do this with all of my strength.
  • 18:40 - 18:42
    -I think you're totally doing it.
    -I'm happy to hear that.
  • 18:43 - 18:48
    I think there are many people who started bands after learning about SCANDAL.
  • 18:49 - 18:50
    That makes me really happy.
  • 18:50 - 18:54
    I have a lot of respect for what you're doing.
  • 18:55 - 18:57
    Thank you so much for a great conversation!
  • 18:58 - 19:01
    -Is this okay for your viewers?
    -This was so awesome!
  • 19:01 - 19:05
    -I'm basically not cutting out anything.
    -But we did talk a lot.
  • 19:05 - 19:08
    -I'm happy I got to ask you about a lot of things.
    -Same here.
  • 19:08 - 19:11
    -Thank you so much for doing this after your set.
    -Really, thank you so much.
  • 19:11 - 19:14
    -If we get another chance...
    -Let's make another chance.
  • 19:14 - 19:15
    Yes, let's!
  • 19:15 - 19:17
    -Thank you so much!
    -Thank you so much!
  • 19:17 - 19:21
    We filmed a really crazy video for Igari's channel,
  • 19:21 - 19:23
    so please check it out if you'd like!
  • 19:23 - 19:24
    My heart was pounding.
  • 19:25 - 19:27
    -Thank you so much!
    -Thank you so much!
Title:
【HEY-SMITH×SCANDAL】フェスの裏でNGなしトーク
Description:

more » « less
Video Language:
Japanese
Duration:
19:28

English subtitles

Revisions