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Jane Eyre 1983 Episode 11 Reunion Spanish Subtitles

  • 0:38 - 0:40
    You're going on a journey?
  • 0:40 - 0:42
    So suddenly, Jane?
  • 0:43 - 0:44
    Without warning?
  • 0:46 - 0:48
    Oh, forgive me, my dears.
  • 0:48 - 0:50
    I'm called away suddenly.
  • 0:50 - 0:52
    I shall be away about
    4 days, perhaps more.
  • 0:54 - 0:56
    But you're coming back to us.
  • 0:57 - 0:59
    Why, you're taking almost nothing.
  • 1:00 - 1:01
    You're going alone?
  • 1:01 - 1:04
    Yes. It is to see or hear news
  • 1:04 - 1:07
    of a friend about whom I have
    been uneasy for some time.
  • 1:09 - 1:12
    Oh, Jane, you look very pale.
  • 1:12 - 1:14
    Are you sure you feel
    well enough to travel?
  • 1:14 - 1:16
    Nothing ails me but anxiety of mind,
  • 1:17 - 1:19
    which I hope my journey will dispel.
  • 1:20 - 1:22
    Oh, Diana, I cannot tell
    you any more of the matter...
  • 1:22 - 1:24
    not now.
  • 1:24 - 1:26
    I'm sorry. Forgive me.
  • 1:26 - 1:28
    This is your home, Jane.
  • 1:29 - 1:31
    You're free to come
    and go as you please.
  • 1:31 - 1:33
    To go and come back, you mean.
  • 1:34 - 1:36
    Oh, Jane, come back to us soon.
  • 1:37 - 1:39
    Please?
  • 2:01 - 2:03
    My master might be
    abroad for all I knew.
  • 2:03 - 2:05
    And if he were at Thornfield Hall
  • 2:05 - 2:06
    with his poor lunatic wife,
  • 2:06 - 2:09
    I dared not seek his
    presence or speak to him.
  • 2:09 - 2:11
    I decided to ask at the inn.
  • 2:11 - 2:14
    They would be able to tell
    me all I sought to know.
  • 2:33 - 2:34
    Good day to you, ma'am.
  • 2:34 - 2:36
    I see you get down from the coach.
  • 2:36 - 2:37
    Do you wish for a room?
  • 2:37 - 2:39
    Yes. No.
  • 2:39 - 2:42
    How far is Thornfield Hall from here?
  • 2:42 - 2:44
    Oh, just 2 miles across
    the fields yonder.
  • 2:44 - 2:46
    I'm going there soon in the chaise,
  • 2:46 - 2:47
    if you'd like me to take you.
  • 2:48 - 2:50
    Thank you. I must go immediately.
  • 2:50 - 2:52
    Please, could you look after my box?
  • 2:52 - 2:53
    Yes, ma'am.
  • 2:53 - 2:54
    Thank you.
  • 4:12 - 4:13
    Is anybody there?
  • 4:13 - 4:16
    Ma'am?
    Is that the lady from the coach?
  • 4:16 - 4:18
    I am here. What has happened?
    What are you doing here?
  • 4:18 - 4:20
    You was in such a rare state, ma'am.
  • 4:20 - 4:22
    I... I was worried about you.
  • 4:22 - 4:23
    I was coming this way,
  • 4:23 - 4:26
    so I thought I'd take a
    look at the poor old hall.
  • 4:26 - 4:30
    I thought you might like me
    to take you back to the inn.
  • 4:30 - 4:32
    Aye, it is sad, ma'am, isn't it?
  • 4:32 - 4:35
    I used to live here once, as butler.
  • 4:35 - 4:37
    Not in my time. You're a stranger to me.
  • 4:37 - 4:39
    And you to me, miss.
  • 4:39 - 4:41
    No, it was in the late
    mr. Rochester's time.
  • 4:41 - 4:43
    The late? Is he dead?
  • 4:43 - 4:45
    I mean the present
    mr. Rochester's father.
  • 4:46 - 4:48
    You must have been away
    from these parts, ma'am,
  • 4:48 - 4:50
    or you would have heard
    what happened last autumn.
  • 4:50 - 4:53
    Oh, it was a dreadful calamity, ma'am.
  • 4:53 - 4:56
    Everything gone. Everything burned.
  • 4:56 - 4:58
    Before the engines could
    arrive from Millcote,
  • 4:58 - 5:00
    the whole building
    was one mass of flames.
  • 5:01 - 5:03
    I witnessed it meself.
  • 5:05 - 5:07
    Is it known how it started?
  • 5:07 - 5:09
    Oh, they guessed, ma'am, they guessed.
  • 5:09 - 5:12
    And the servants had a tale to tell.
  • 5:12 - 5:15
    You are perhaps not aware,
    ma'am, that there was a lady,
  • 5:15 - 5:17
    a lunatic, kept in the house.
  • 5:17 - 5:19
    I have heard something of it.
  • 5:20 - 5:23
    Well, a very queer thing
    happened a year since.
  • 5:23 - 5:25
    A very queer thing.
  • 5:25 - 5:28
    This lady, ma'am, turned out
    to be mr. Rochester's wife,
  • 5:28 - 5:31
    and there was a young lady,
    a governess at the hall,
  • 5:31 - 5:33
    that mr. Edward fell in love with...
  • 5:33 - 5:36
    Never mind that. Please
    tell me about the fire.
  • 5:36 - 5:37
    Very well, ma'am.
  • 5:37 - 5:40
    Well, it seems that upstairs
    in the lunatic's room,
  • 5:40 - 5:42
    while her keeper was asleep...
  • 6:17 - 6:20
    Sir! Sir!
  • 6:25 - 6:26
    I hate you!
  • 6:26 - 6:28
    I hate you!
  • 6:33 - 6:37
    And the next minute she
    lay smashed on the pavement.
  • 6:37 - 6:40
    As dead as the stones on
    which her brains and blood lay.
  • 6:40 - 6:42
    It was frightful.
  • 6:42 - 6:44
    Oh, good God.
  • 6:46 - 6:48
    Were any other lives lost?
  • 6:49 - 6:51
    No, ma'am, but perhaps it would
    have been better if there had.
  • 6:51 - 6:52
    What do you mean?
  • 6:52 - 6:54
    Well, poor mr. Edward.
  • 6:54 - 6:57
    Some said it was a judgment for
    trying to marry that poor girl.
  • 6:57 - 6:58
    You said he was alive.
  • 6:58 - 7:01
    Aye, if you can call it alive.
  • 7:01 - 7:03
    He's stone blind.
  • 7:03 - 7:04
    Blind?
  • 7:04 - 7:07
    Well, after mrs. Rochester
    died, he was coming down,
  • 7:07 - 7:10
    but there was a crash, and
    he was taken out of the ruins.
  • 7:10 - 7:12
    He was only just alive.
  • 7:12 - 7:14
    Mr. Carter had to amputate
  • 7:14 - 7:16
    one hand, and one eye was lost,
  • 7:16 - 7:18
    and the other so badly inflamed
  • 7:18 - 7:20
    that mr. Rochester cannot see.
  • 7:20 - 7:21
    He's a blind cripple.
  • 7:21 - 7:23
    Where is he now?
  • 7:23 - 7:26
    With old John and his wife, at Ferndean,
  • 7:26 - 7:28
    a house he has, some 30 miles off.
  • 7:28 - 7:30
    He's very broken down, they say.
  • 7:30 - 7:32
    You came in your chaise?
  • 7:32 - 7:33
    Yes, ma'am.
  • 7:33 - 7:35
    Please take me to Ferndean.
    I will pay you well.
  • 7:35 - 7:37
    - At once, please, at once.
    - Yes, ma'am.
  • 8:21 - 8:24
    But he won't let folk help him. Ever.
  • 8:36 - 8:37
    Maria, how are you?
  • 8:38 - 8:40
    And John, how are you?
  • 8:42 - 8:45
    Not a word of welcome
    from either of you?
  • 8:46 - 8:48
    I'm not a ghost,
  • 8:48 - 8:49
    Miss Eyre.
  • 8:49 - 8:51
    Is it really you, miss,
  • 8:51 - 8:54
    come to this lonely
    place at this late hour?
  • 8:54 - 8:56
    It is secluded, isn't it?
  • 8:58 - 9:00
    He wishes to live away
    from the world, miss.
  • 9:03 - 9:05
    It took me hours in a chaise.
  • 9:05 - 9:07
    I have come from Thornfield.
  • 9:07 - 9:09
    I know what happened there.
  • 9:09 - 9:11
    Aye. Terrible it was.
  • 9:11 - 9:13
    I've sent the chaise away.
  • 9:13 - 9:14
    I'm sure you can find
    me a room for the night.
  • 9:14 - 9:17
    There's none but that
    dusty old room upstairs.
  • 9:17 - 9:20
    You can get up there with a
    broom, John, and light a fire.
  • 9:20 - 9:22
    And I can make sure that miss Eyre
  • 9:22 - 9:25
    has dry sheets and a
    warm bed for the night.
  • 9:27 - 9:28
    That's master.
  • 9:28 - 9:30
    When you go in to your master,
  • 9:31 - 9:33
    tell him there is someone
    who wishes to see him,
  • 9:33 - 9:35
    but do not give him my name.
  • 9:39 - 9:41
    I don't think he'll see you, miss.
  • 9:41 - 9:43
    He refuses everybody.
  • 9:46 - 9:49
    John, I left my box under
    the tree by the gate.
  • 9:49 - 9:51
    Could you fetch it for me, please?
  • 9:51 - 9:53
    It begins to grow dark,
    and take it to my room.
  • 9:55 - 9:57
    Aye. You haven't forgotten who does
  • 9:57 - 9:59
    the fetching and carrying, I see, miss.
  • 9:59 - 10:01
    Thank you, John.
  • 10:11 - 10:13
    You're to send in
    your name and business.
  • 10:15 - 10:17
    Is this what he rang for?
  • 10:17 - 10:20
    Aye. He always has candles brought
  • 10:20 - 10:22
    in at dark, though he's blind.
  • 10:23 - 10:24
    I will take it in to him.
  • 10:24 - 10:27
    Oh, Lord, what will he say to me?
  • 10:28 - 10:31
    It's the room at the end
    of the corridor, miss.
  • 10:46 - 10:48
    Give me the water, Maria.
  • 11:12 - 11:13
    What's the matter?
  • 11:15 - 11:16
    Down, Pilot.
  • 11:36 - 11:38
    This is you, Maria, is it not?
  • 11:39 - 11:40
    Maria's in the kitchen.
  • 11:42 - 11:43
    Who is this?
  • 11:45 - 11:47
    Who is this? Who speaks?
  • 11:47 - 11:49
    Will you take some more water, sir?
  • 11:49 - 11:50
    I spilt half of what was in the glass.
  • 11:50 - 11:51
    Who is it?
  • 11:53 - 11:54
    What is it?
  • 11:54 - 11:56
    Pilot knows me.
  • 11:57 - 11:58
    John and Maria know I'm here.
  • 11:58 - 12:00
    I arrived only this evening.
  • 12:00 - 12:02
    Great God.
  • 12:02 - 12:05
    What delusion has come over me?
  • 12:05 - 12:08
    What sweet madness has seized me?
  • 12:08 - 12:10
    No delusion, no madness.
  • 12:11 - 12:12
    Let me touch you.
  • 12:14 - 12:16
    Her very fingers.
  • 12:17 - 12:19
    Her small, slight fingers.
  • 12:19 - 12:21
    Is it you, Jane? What is it?
  • 12:22 - 12:24
    This is her shape.
  • 12:24 - 12:26
    And this her voice.
  • 12:26 - 12:28
    She is all here. Her heart, too.
  • 12:30 - 12:31
    Jane Eyre.
  • 12:34 - 12:36
    Jane Eyre.
  • 12:36 - 12:39
    I'm come back to you.
  • 12:40 - 12:42
    Such dreams I've had at night
  • 12:42 - 12:45
    when I've clasped her
    to my heart as I do now,
  • 12:45 - 12:46
    and kissed her.
  • 12:57 - 12:59
    And felt that she loved me.
  • 13:00 - 13:03
    And trusted she would never leave me.
  • 13:04 - 13:07
    Which I never will do from this day.
  • 13:08 - 13:10
    Never?
  • 13:11 - 13:14
    But I always woke and
    found it an empty mockery.
  • 13:16 - 13:19
    My gentle, sweet dream...
  • 13:22 - 13:24
    you will fly, too.
  • 13:36 - 13:38
    Does this feel like a mockery?
  • 13:38 - 13:40
    Do you call this a dream?
  • 13:40 - 13:42
    It is you, is it, Jane?
  • 13:44 - 13:45
    You are come back to me, then?
  • 13:45 - 13:46
    I am.
  • 13:46 - 13:48
    You don't lie dead in some ditch?
  • 13:50 - 13:53
    You're not a despised
    outcast among strangers?
  • 13:53 - 13:55
    I'm an independent woman now.
  • 13:55 - 13:58
    An uncle in Madeira died
    and left me 5,000 pounds.
  • 13:58 - 14:00
    What, Janet?
  • 14:01 - 14:03
    You're an independent woman?
  • 14:04 - 14:06
    A rich woman?
  • 14:09 - 14:11
    A free... woman?
  • 14:12 - 14:13
    Quite rich.
  • 14:14 - 14:16
    Enough to build a house close
  • 14:16 - 14:18
    by where you can come
    and sit in my parlor
  • 14:18 - 14:20
    when you need company of an evening.
  • 14:20 - 14:22
    Ah, you're rich, Jane.
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    You have now no doubt friends
    who will not suffer you
  • 14:26 - 14:29
    to devote yourself to
    a lame, blind wreck.
  • 14:29 - 14:32
    I am my own mistress, sir.
  • 14:34 - 14:36
    And you will stay?
  • 14:39 - 14:41
    Certainly.
  • 14:42 - 14:43
    I will be your neighbor,
  • 14:44 - 14:47
    your nurse, your housekeeper.
  • 14:47 - 14:51
    I find you lonely. I
    will be your companion.
  • 14:51 - 14:54
    I will read to you, walk with you,
  • 14:54 - 14:56
    sit with you, wait on you,
  • 14:56 - 14:58
    be eyes and hand to you.
  • 14:58 - 15:01
    You will not be left desolate by me.
  • 15:01 - 15:03
    This is pity, not love.
  • 15:03 - 15:05
    No.
  • 15:05 - 15:06
    - Leave me.
    - No.
  • 15:06 - 15:08
    Leave me!
  • 15:11 - 15:13
    I beg you.
  • 15:26 - 15:28
    He was ever that way.
  • 15:28 - 15:30
    I remember the time mrs. Fairfax...
  • 15:41 - 15:42
    Maria.
  • 15:46 - 15:47
    Maria!
  • 15:47 - 15:48
    Yes, sir?
  • 15:50 - 15:52
    Our visitor cannot
    have left. Where is she?
  • 15:52 - 15:53
    Oh, she...
  • 15:54 - 15:56
    she's somewhere in the house, sir.
  • 15:56 - 15:58
    Well, find her. Bring her to me.
  • 15:58 - 15:59
    Yes, sir.
  • 16:01 - 16:02
    I'm here, sir.
  • 16:02 - 16:04
    Still here.
  • 16:08 - 16:09
    Jane...
  • 16:11 - 16:12
    you must not go.
  • 16:14 - 16:17
    I've touched you, felt you, heard you.
  • 16:21 - 16:22
    I cannot give up these joys.
  • 16:25 - 16:28
    Would they think I'm
    selfish, but no matter.
  • 16:30 - 16:33
    Very well, sir, it's settled.
  • 16:33 - 16:34
    Yes,
  • 16:35 - 16:37
    but you understand one thing by staying,
  • 16:38 - 16:39
    and I understand another.
  • 16:43 - 16:44
    What do you see as
    my understanding, sir?
  • 16:44 - 16:48
    You mean to wait on me
    like a kind little nurse.
  • 16:50 - 16:51
    You were ever kind.
  • 16:54 - 16:58
    I suppose I must now entertain
    fatherly feelings for you.
  • 17:01 - 17:02
    Don't you think so?
  • 17:06 - 17:07
    Come, tell me.
  • 17:08 - 17:10
    I shall think, sir, what you like.
  • 17:12 - 17:14
    But you cannot always
    be my nurse, Janet.
  • 17:16 - 17:18
    You're young.
  • 17:18 - 17:20
    You must marry some day.
  • 17:21 - 17:24
    I don't care about being married.
    -You should care!
  • 17:26 - 17:27
    If I were what I once was,
  • 17:27 - 17:29
    I would try to make you care.
  • 17:33 - 17:35
    It is time someone undertook
    to rehumanize you, sir.
  • 17:35 - 17:37
    Do you have a pocket comb about you?
  • 17:40 - 17:41
    What for?
  • 17:41 - 17:42
    Come, give it to me.
  • 17:57 - 17:59
    There, it is better.
  • 17:59 - 18:02
    Your shaggy black mane is very alarming.
  • 18:02 - 18:03
    And this?
  • 18:07 - 18:08
    It is a pity to see it.
  • 18:11 - 18:12
    And a pity to see your eyes
  • 18:14 - 18:16
    and the scar on your forehead.
  • 18:21 - 18:22
    Do you take supper, sir?
  • 18:22 - 18:24
    I don't want any supper.
  • 18:24 - 18:26
    I never take supper.
  • 18:26 - 18:28
    Well, you shall have some tonight.
  • 18:28 - 18:30
    You're hungry, I'm sure.
  • 18:53 - 18:55
    There. That's better.
  • 18:57 - 18:59
    Can you tell when there's a good fire?
  • 18:59 - 19:01
    With the right eye. I can see a glow.
  • 19:03 - 19:04
    Can you see the candles?
  • 19:07 - 19:08
    Very dimly.
  • 19:08 - 19:10
    Each is a luminous blur.
  • 19:12 - 19:13
    Can you see me?
  • 19:17 - 19:19
    No, my fairy.
  • 19:21 - 19:23
    But I can hear you and touch you.
  • 19:26 - 19:29
    Jane, I thought you'd be revolted by me.
  • 19:30 - 19:31
    Did you?
  • 19:32 - 19:33
    Am I hideous, Jane?
  • 19:34 - 19:37
    Yes, sir. You always were, you know.
  • 19:43 - 19:45
    Well... the wickedness hasn't been taken
  • 19:45 - 19:46
    out of you, wherever you've sojourned.
  • 19:47 - 19:50
    I have been with far
    better people than you, sir,
  • 19:50 - 19:52
    quite more refined and exalted.
  • 19:52 - 19:54
    Well, who the deuce have you been with?
  • 19:54 - 19:55
    You will not get it out of me tonight.
  • 19:55 - 19:57
    You are far too tired.
    I will tell you tomorrow.
  • 19:57 - 19:59
    You wicked changeling.
  • 20:00 - 20:04
    Fairy-born,
    yet human-bred.
  • 20:06 - 20:07
    Now I'm going to leave you.
  • 20:08 - 20:09
    I've been traveling these last 3 days,
  • 20:09 - 20:11
    and I, too, am tired.
  • 20:12 - 20:13
    Good night, sir.
  • 20:13 - 20:14
    Jane...
  • 20:15 - 20:17
    were there only ladies
    where you've been?
  • 20:19 - 20:20
    Good night, sir.
  • 20:54 - 20:56
    This St. John Rivers, then...
  • 20:57 - 20:58
    he's your cousin?
  • 20:58 - 21:00
    Yes, sir.
  • 21:01 - 21:03
    Did you like him, Jane?
  • 21:04 - 21:05
    St. John is a very good man.
  • 21:05 - 21:07
    I could not help but like him.
  • 21:08 - 21:10
    Is he an able man?
  • 21:10 - 21:12
    Truly able, sir.
  • 21:13 - 21:15
    A thoroughly educated man?
  • 21:17 - 21:21
    St. John is an accomplished
    and profound scholar, sir.
  • 21:22 - 21:24
    His manners, I think you said...
  • 21:24 - 21:26
    they were not to your taste.
  • 21:26 - 21:27
    Priggish and parsonic.
  • 21:29 - 21:31
    I never mentioned his manners,
  • 21:32 - 21:35
    but they are polished,
    calm, and gentleman-like.
  • 21:39 - 21:41
    His, uh...
  • 21:42 - 21:45
    appearance. I forget how
    you described his appearance.
  • 21:48 - 21:49
    Uh, a raw curate,
  • 21:49 - 21:52
    half-strangled in a
    white neckcloth, hmm?
  • 21:53 - 21:55
    St. John dresses well.
  • 21:57 - 21:58
    He is a very handsome man.
  • 21:59 - 22:02
    Tall, blonde, blue eyed
  • 22:04 - 22:06
    and with a grecian profile.
  • 22:07 - 22:08
    Damn him.
  • 22:13 - 22:14
    Did you like him, Jane?
  • 22:15 - 22:16
    Oh, yes, I liked him, sir.
  • 22:16 - 22:17
    But you've asked me that before.
  • 22:22 - 22:23
    Perhaps you would rather not sit
  • 22:23 - 22:25
    beside me any longer, miss Eyre.
  • 22:26 - 22:28
    Why not, mr. Rochester?
  • 22:28 - 22:29
    The contrast between a
  • 22:31 - 22:34
    tall, graceful, fair-haired Apollo
  • 22:34 - 22:37
    and a Vulcan, black,
    broad-shouldered and...
  • 22:39 - 22:41
    and blind into the bargain.
  • 22:41 - 22:43
    I never thought of it before,
  • 22:44 - 22:45
    but you are rather Vulcan-like.
  • 22:52 - 22:54
    This man, Rivers...
    he wanted to marry you?
  • 22:56 - 22:58
    You need not be jealous.
  • 22:59 - 23:00
    I only wanted to provoke you.
  • 23:01 - 23:02
    I thought anger would
    be better than grief.
  • 23:03 - 23:05
    I'm not foolish, Jane.
  • 23:07 - 23:08
    You formed a new tie.
  • 23:10 - 23:11
    With whom?
  • 23:11 - 23:12
    This man Rivers...
  • 23:14 - 23:16
    St. John Rivers.
  • 23:20 - 23:21
    He's young, he's handsome.
  • 23:21 - 23:22
    He wants to marry you.
  • 23:24 - 23:25
    He will.
  • 23:26 - 23:28
    He does not love me.
  • 23:30 - 23:31
    I do not love him.
  • 23:33 - 23:35
    You of all people should
    know what that means.
  • 23:40 - 23:41
    Jane...
  • 23:43 - 23:46
    4 days ago, last monday,
  • 23:48 - 23:50
    a singular mood came over me.
  • 23:51 - 23:54
    One in which grief replaced frenzy.
  • 23:55 - 23:57
    I was sitting in my
    room by the open window,
  • 24:00 - 24:02
    broke involuntarily from my lips
  • 24:02 - 24:05
    there the words, "Jane..."
  • 24:08 - 24:10
    "Jane, Jane, Jane."
  • 24:13 - 24:14
    You spoke the words aloud?
  • 24:14 - 24:16
    I did.
  • 24:17 - 24:18
    You'll think me mad.
  • 24:20 - 24:21
    For a voice, I cannot
    tell whence it came,
  • 24:21 - 24:23
    but I know whose it was replied.
  • 24:25 - 24:26
    It said...
  • 24:28 - 24:32
    "I'm coming. Wait for me."
  • 24:37 - 24:39
    A few moments after
    there came upon the wind
  • 24:39 - 24:43
    the words "Where are you?"
  • 24:47 - 24:50
    Jane, I don't want a nurse or a friend.
  • 24:51 - 24:52
    I want a wife.
  • 24:54 - 24:55
    Do you, sir?
  • 24:55 - 24:56
    Yes.
  • 24:58 - 25:00
    Is it news to you?
  • 25:02 - 25:03
    No.
  • 25:05 - 25:06
    Is it unwelcome news?
  • 25:10 - 25:12
    That depends on circumstances, sir.
  • 25:14 - 25:15
    On your choice.
  • 25:19 - 25:20
    Which you shall make for me.
  • 25:22 - 25:24
    I will abide by your decision.
  • 25:28 - 25:30
    I leave the choice to you.
  • 25:33 - 25:34
    Choose then, sir...
  • 25:37 - 25:38
    her who loves you best.
  • 25:40 - 25:43
    I will at least choose her I love best.
  • 25:47 - 25:48
    Jane...
  • 25:51 - 25:52
    will you marry me?
  • 25:54 - 25:55
    Yes, sir.
  • 25:55 - 25:58
    A blind man, whom you'll have
    to lead about by the hand?
  • 25:59 - 26:00
    Yes, sir.
  • 26:00 - 26:03
    A crippled man, nearly
    20 years older than you,
  • 26:03 - 26:05
    who you'll have to wait on?
  • 26:07 - 26:09
    Yes, sir.
  • 26:15 - 26:17
    Truly, Jane?
  • 26:19 - 26:21
    Most truly, sir.
  • 26:26 - 26:27
    I have now been married 10 years.
  • 26:27 - 26:30
    Within 2 years, Edward
    recovered the sight of one eye,
  • 26:30 - 26:32
    just before our first child was born.
  • 26:34 - 26:35
    I now know what it is to live
  • 26:35 - 26:38
    for and with what I love best on earth.
  • 26:39 - 26:42
    I am my husband's life
    as fully as he is mine.
  • 26:42 - 26:44
    We are bone of each other's bone
  • 26:44 - 26:46
    and flesh of each other's flesh.
Title:
Jane Eyre 1983 Episode 11 Reunion Spanish Subtitles
Description:

"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"

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Video Language:
English, British
Team:
Film & TV
Duration:
27:57

English, British subtitles

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