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The IT Crowd - The Last Byte (2013 Special)

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    Subtitles by MemoryOnSmells
    http://UKsubtitles.ru.
    Resynced by Oldskool for www.addic7ed.com
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    Who owns the Infinity Gauntlet?
    Thanos.
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    What was Thor's father's name? Odin.
    Sorry, Moss, I've really got to go.
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    Awww, just a few more,
    just a few more...
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    No, no, I'm sorry, you've done
    more than enough.
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    OK, all right, baby, see you later.
    Bye-bye. Wow! Right?
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    That's an impressive knowledge
    of the Marvel universe. I know.
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    Well, you've done it.
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    You've finally found a woman
    I can do business with.
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    Yeah, no, don't say
    things like that.
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    I'm sorry, I'm just
    so excited for us. No...
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    If you don't go in all the way,
    it doesn't really count.
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    Hey, red! Stand back, stand back,
    this one's mine.
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    I'm going to do everything for you,
    really nice.
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    Stand back, stand back,
    she's all mine.
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    It's tight. You're so strong.
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    It's bubbling over.
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    It's on the house... for you.
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    Oh, my God! You inspire me. Have a
    great day. I will... and you.
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    Thank you. Ciao.
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    Moss, have you seen the video
    of the baby speaking French?
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    It went viral at 10:30, Roy,
    of course I've seen it.
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    I must have been in the toilet.
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    Ah, Jen, exciting news,
    I've just uploaded the second
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    episode of my board games
    review show.
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    Care to have a look?
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    That was fast.
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    Seems like only yesterday that we had
    to sit through the last one.
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    It was three months ago, Jen.
    Really?
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    It feels like it just happened.
    Roy, did you hear that?
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    Moss has done his board game review
    show again. I'm not watching that.
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    I'm not watching that again.
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    Jesus Christ, we don't have
    to watch it, do we?
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    We only sat through the
    first one the other day.
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    It was three months ago. My God!
    Wow, it feels like it just ended.
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    It was so boring! It was like being
    insane, it was so insanely boring!
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    Roy's not a fan
    but you said you liked it.
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    Where did you get your coffee?
    A new place. Any good? Really good.
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    You specifically said, and I quote,
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    "You must show me the next one,
    Moss." Did I?
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    Did I really? My God!
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    Oh, if you'll excuse me,
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    that'll be my lady love
    from the seventh floor.
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    That's going well? Oh, yeah!
    He's cock-a-hoop over this Sheila.
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    OK, so that'll be over soon, then.
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    Hey, I'll have you know that Alice
    is nuts about me.
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    She thinks that I'm emotionally
    artistic. Well, what does that mean?
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    Erm, she said that emotionally
    I was on the artistic spectrum.
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    I think it means that I'm creative
    about my feelings, you know,
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    more in tune with her wants
    and needs than most men.
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    Oh, she's rung out...
    That keeps happening.
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    All right, if I'd said I'd watch it,
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    then I suppose that's what
    I'm going to have to do.
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    That's the spirit, Jen.
    Come on, let's get it over with.
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    Now, keep an open mind.
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    I know the first show was a bit
    "bare boned" but I think you'll
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    really enjoy my new episode,
    or "webisode", if you prefer.
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    I don't prefer that, no-one does.
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    Come on, come on, sooner it starts,
    sooner it's over.
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    Game board.
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    Game... game... game...
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    Game... Board.
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    Game... Board.
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    Game... Board.
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    Board... board... board... board...
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    Hello and welcome to Games Board.
    Today on the show, we have...
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    So, guys... I've been playing...
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    What's coming up on the show...
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    ..guys? I've...
    I've been playing Ports of Essen.
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    A strategic trading game,
    where each player takes
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    the role of a Danish fishing port
    merchant in the 16th century.
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    And for a change of pace, I've been
    looking at the expansion to
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    Textile Merchant, Norfolk Edition.
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    Two games by Reiner Kiniksi?
    Hold on to your hat,
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    it's going to be a bumpy...
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    Let's talk about components.
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    Shouldn't we do rules
    before components?
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    It won't make any sense
    if we do it before the rules.
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    Don't forget to cut this
    conversation.
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    What? Well,
    don't let the actual programme...
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    How long is this? Even hearing it is
    bad. I need to stop hearing it.
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    Sorry, Moss, I can't do it, it's
    unbearable. Where are you going?
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    I'm jealous of your coffee.
    You literally can't watch it?
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    I literally can't watch it.
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    So what can we do to make it better?
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    Well, I don't want to say anything
    that might hurt your feelings.
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    It's all right, I can take it, Jen.
    I'm a big boy.
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    Well, as I say, it's slow,
    it's so slow.
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    OK, good, it is a bit slow,
    we can work on that.
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    And I guess the other thing is
    that it's terrible.
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    It's slow and terrible.
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    If a friend asked me to describe it,
    I'd say it's a slow,
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    terrible thing on the internet, that
    I could only watch for a minute.
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    Is this helpful?
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    So helpful! God! Slow, terrible,
    could only watch it for a minute.
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    Wow, a lot to get our teeth
    stuck into there.
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    OK, well, let's see if I can
    help you with anything else.
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    Erm, none of you are any
    good in front of a camera.
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    None of us, yeah... You've got
    really annoying voices.
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    The voices are a pain, yes.
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    And I guess that's because you
    haven't got any confidence.
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    No confidence. I mean, if there's
    one thing you need, it's confidence.
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    It is confidence. Absolutely.
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    Well, Jen, I can only thank you,
    once again... And another thing...
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    I'm not listening any more!
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    Douglas, you're encourageable.
    I'm encourageable?
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    You're Raymond Peterfellow,
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    owner of the finest lap-dancing
    establishments in So-ho,
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    if anyone's encourageable it's you,
    you perfumed porno vampire.
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    Perfumed porno vampire, I like that.
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    So you're thinking of having 500 of
    these travelling across London?
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    That's what I said. Sexy and classy.
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    And that's difficult to pull off.
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    This will get people talking,
    all right.
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    Consider me one happy shareholder.
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    Right. Oh, big party coming up on
    Thursday night, if you're up for it?
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    Damn, I'm supposed to be doing
    Secret Millionaire.
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    BLEEP it, I'll cancel.
    I'll tell my assistant.
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    Hi, Joan. Jen. I'm not your
    assistant, Mr Reynholm.
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    I want you to cancel
    Secret Millionaire for me.
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    I'm not your assistant,
    wouldn't know who to call.
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    Just say anything, work your usual
    magic. Not your assistant.
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    I am not your...
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    Oh, I'm sorry, I thought
    this was the toilet.
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    Didn't this used to be toilets?
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    Yes, I moved my office here to be
    closer to the ladies toilets.
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    Must get someone to take
    that sign down.
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    What's wrong with you, Ross?
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    Small mocha, please.
    Small mocha, please. Okey-dokey.
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    Or medium...
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    Yeah, you know what? I've changed
    my mind, I think I'll have a medium.
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    So, you don't want a small one?
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    Small's fine, small is just as good,
    so I'll... just...
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    Yes, that is what I'll have, I'll
    have a small mocha, my little man.
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    My good man.
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    OK, coming up.
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    Got it?
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    OK.
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    Fuck's sake.
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    Thank you for the virgin
    gin and tonic.
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    I suppose you could just call
    it tonic. Yes.
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    So, Ross, how goes it in
    the world of computers?
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    Or PC world, if you will?
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    We're all very happy,
    thank you, Mr Reynholm.
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    Very happy indeed. Forget this "we"
    malarky, I'm talking to you, Ross.
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    Are you happy? Very happy,
    thank you, Mr Reynholm.
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    Look, I'm not your boss.
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    We're just a couple of guys,
    a couple of guys,
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    shooting this shit,
    now tell me the truth.
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    Well, I suppose, sometimes I do
    feel I lack a little confidence.
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    I know, it's silly.
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    No, I've just realised what
    a funny voice you have.
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    Now, Ross, I'm going to
    tell you something.
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    Confidence is a confidence trick.
    Look at me, what do you see?
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    A man who inherited his father's
    successful business.
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    Wasn't that successful.
    It was pretty successful.
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    A lot more successful than it is
    now, that's for sure.
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    All right, all right,
    just say the right thing.
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    Say the thing I want you to say.
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    Say, "A confident man", say "A
    confident man". A confident man.
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    I wasn't always this way. There was
    a time when I was just like you.
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    But then I discovered the secret.
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    And, Ross, I'm going to tell you
    what that secret is
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    but you must keep it to yourself.
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    I will take my ears to the grave.
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    Two words. Women's slacks.
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    I'm sorry?
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    Women's slacks.
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    Women's slacks? Yes.
    I'm wearing women's slacks.
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    You're wearing women's slacks? Yes.
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    That's nothing like what I thought
    you were going to say. Is it not?
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    It is not.
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    I thought you were going to give me
    a book recommendation, or something.
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    Book recommendation? I can't read.
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    No, I don't know what it is,
    but women's slacks give me
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    the confidence I need to survive
    in a tough business world.
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    They're lighter, airier and less
    constricted than men's trousers
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    and I'm pretty sure it doesn't
    make me a transvestite.
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    Look at that shit, look at it.
    I can't... How am I supposed to...
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    It looks like he milked a cow over
    it. You're so fussy about coffee.
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    It's very annoying. It's ruined.
    He ruined my coffee.
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    Don't just chuck it like that.
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    That fellow shouldn't be allowed to
    be a barista. Why not?
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    Because he's too small, Jen. He's
    clearly too small to be a barista.
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    What? You're being a bit of
    a small person racist, Roy.
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    A small person racist?
    That's not a thing.
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    You can't have tiny baristas, Jen.
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    For God's sake,
    the man works with steam.
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    I'm going
    to have to have a word with him.
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    Have a word with him?
    That's right. About his height?
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    I think he'd appreciate
    the feedback. About his height?
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    That's not what people do, Roy.
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    Well, I'm not people, Jen,
    and I think that's a good thing.
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    I'm not afraid to cut through
    the bullshit.
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    I bet this is exactly what Alison
    was talking about. Autistic.
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    She said, "Autistic."
    That's what happened.
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    No, I don't think so. There is no
    artistic spectrum.
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    But she's so...
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    Did she say it during an argument,
    by any chance?
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    She did say it during a...
    She did say it...
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    You know what was weird, was
    we were having quite a big argument
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    and then suddenly, out of nowhere,
    she paid me that lovely compliment.
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    Hey, baby.
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    Oh, oh, good, good, yes.
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    Sure, yeah, I'd love to.
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    Yes, OK, well I'll see you there.
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    What? Why? No.
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    Hello? Alice?
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    That was weird. What? OK,
    so, what the hell is that?
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    So she tells me that her grandfather
    died, she wants me to go to the
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    funeral. I say that I'd be
    delighted, and then she hangs on me.
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    Her grandfather's funeral? Yeah.
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    That's what you were just talking
    about just there. That's right.
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    You sounded like you were being
    invited to Glastonbury.
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    Oh, funerals are sad. You did not
    sound sad.
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    I wasn't concentrating.
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    Emotionally artistic? You're
    emotionally colour-blind,
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    that's what you are.
    Maybe I am emotional colour-blind.
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    I was about to confront that
    little man. I know.
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    I was going to give him shit about
    his height.
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    Glad you realise now how
    inappropriate that would've been.
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    I'll just leave him a note.
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    I'm here on purpose. Oh, yes.
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    I'm interested in women's slacks.
    I see.
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    I'd like... Sorry. Hot ear.
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    I'd like to buy a pair
    of women's slacks.
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    For me, not for a woman.
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    Oh, yes,
    well, that shouldn't be a problem.
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    I'm not trying to look like a woman.
    I understand.
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    I'm not a confident man.
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    Quite. Well, let's see what we can
    do for you.
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    I don't know about this.
    Oh, just ask them, Jen.
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    Me and Juan, we have a thing.
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    I don't want another splashy-splashy
    coffee from the teeny-tiny
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    coffee man. Poor woman.
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    No, no, no, don't give her money.
    You're not supposed to do that.
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    I'm actually a person,
    Roy, with human feelings.
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    I'm sorry, I thought you were...
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    I don't know what to do.
    Here's £5. Do you want £5?
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    I don't know if you want money. I'm
    sorry, I'm sorry.
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    I'm sorry, I'm sorry. What happened?
    Never mind, just go.
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    What do you think? I think...
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    you just sold a brother some slacks.
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    Help, help, get off me!
    Let go. You're a bully.
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    Need to save that old woman,
    but I have no confidence.
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    Hey!
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    Thank you.
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    Hey, come, come, no queue for you.
    Come on.
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    Hello, Juan. I'm with her.
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    It must be my birthday. I get to see
    you twice so quick. Back again.
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    Same as usual, please.
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    Could I ask you a huge favour
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    and ask you to make Roy's
    coffee for him, too?
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    I've been going on and on about you.
    And I like what I heard.
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    Would that be OK?
    Would you mind?
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    Of course, anything for you, my
    sweet. OK.
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    Slippery fingers.
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    It's all right. It's not all right.
    Look, it looks like me with a beard.
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    I don't want this. It's horrible.
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    Oh, my God! I didn't mean to.
    I don't hate you.
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    None of this is on purpose.
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    What can I do?
    Let me give you some money.
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    Here's £10. Oh, my God!
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    I'm not with her.
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    Oi! Oi! Did you write this comment?
    What? No.
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    You've got a problem with
    smaller people?
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    I don't have a problem with small
    people, OK? I don't.
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    I just don't want you
    making my coffee.
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    Because you're bad at it.
    You're bad at making coffee.
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    You're too small. You're too
    small to make good coffee.
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    You know what? Up yours. No!
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    Little man, watch out!
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    It's being called
    the viral video of the year.
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    A woman throws her coffee
    onto a tramp
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    and then a man has an argument
    with a small barista.
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    You're just too small.
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    The barista goes to cross the road
    and is hit by a van with breasts.
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    The woman who's been dubbed by
    various online commentators
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    as Coffee Tramp Toss Bitch
    has not been identified,
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    while the man known as
    Small Person Racist was also...
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    Small people are not a race.
    This isn't Game Of Thrones.
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    They're actually calling me
    a bitch on the news.
  • 20:53 - 20:56
    What the hell happened there?
    How did you find out it was us?
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    It's all here in the weekly
    surveillance report.
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    What's going on, Joan?
    I expect better from my assistant.
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    I'm not your assistant.
    My name isn't Joan.
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    What's your beef with the homeless?
    I don't have any homeless beef.
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    Ah, so it's women you hate.
    Well, that I can understand.
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    Whoa, whoa, you record our
    e-mails and tape our phone calls?
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    All right, dry your eyes, Bono.
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    If you've nothing to hide,
    you've nothing to fear.
  • 21:22 - 21:26
    It wasn't my fault Mr Renholm.
    I would never throw coffee over
  • 21:26 - 21:27
    a homeless woman.
  • 21:27 - 21:30
    I would never abuse a small person,
  • 21:30 - 21:34
    certainly not enough to make a van
    with tits hit him.
  • 21:35 - 21:39
    Although, I suppose I sort of did.
    I sort of did my one, too.
  • 21:39 - 21:42
    It's frustrating that we did
    both of our things. Yes, it is.
  • 21:42 - 21:44
    All right, spare me.
  • 21:44 - 21:48
    I was young once, but if this gets
    out, this could deeply damage
  • 21:48 - 21:52
    Renholm Industry's ability to make
    that product that we make.
  • 21:52 - 21:54
    What do you want us
    to do, Mr Renholm?
  • 21:54 - 21:58
    Don't do anything. Stay
    out of trouble and remember:
  • 21:58 - 22:02
    There are places lower than
    the basement.
  • 22:10 - 22:13
    Stop worrying, Jen. Nobody can
    make us out in that video.
  • 22:13 - 22:16
    It's just like early footage of
    happy slapping. Just relax.
  • 22:16 - 22:18
    I can't relax. It's all
    right for you. I have plans.
  • 22:18 - 22:22
    I want to get up there. I will not
    be a social piranha. A what, now?
  • 22:24 - 22:28
    Jen, take a look at this. What is it?
    It's the new-look game board.
  • 22:28 - 22:32
    200,000 views?
    I know. It's a bit different.
  • 22:35 - 22:37
    Check it out. Game board.
    Shut the fridge. It's...
  • 22:37 - 22:41
    Game board.
    BLEEP game board.
  • 22:44 - 22:48
    Say what?
  • 22:50 - 22:53
    Wow!
    You all seem different somehow. Yes.
  • 22:53 - 22:57
    We're all wearing women's trousers.
  • 22:57 - 22:59
    Oh. Right.
  • 22:59 - 23:02
    Hey, what's going on? Let's get the
    game board.
  • 23:02 - 23:04
    He is... Newton Sinclair.
  • 23:04 - 23:07
    This guy is... Roger Booth.
  • 23:07 - 23:11
    And I guess I'm still Maurice Moss.
  • 23:11 - 23:13
    Are you wearing your trousers now?
  • 23:13 - 23:17
    I couldn't wear them all the time,
    Jen - I'd have a heart attack.
  • 23:17 - 23:21
    No, they're safely locked
    away in my fortress of solitude.
  • 23:21 - 23:24
    It's funny - when I wear them,
    I'm a dynamo.
  • 23:24 - 23:27
    A young Leonard Kravitz,
    people hanging off my every word.
  • 23:27 - 23:31
    And then as soon as I take them off,
    I'm just back to being the same...
  • 23:31 - 23:35
    She's gone, hasn't she? She's gone.
    She went quite a while ago. Yeah.
  • 23:35 - 23:39
    Oh, Michael Buble's here.
    No, no, it's a funeral, Moss.
  • 23:39 - 23:42
    I have to go to this
    funeral for Alice's grandfather
  • 23:42 - 23:44
    and I'm not looking forward to it.
  • 23:44 - 23:47
    Funerals are pain in the crack.
  • 23:47 - 23:50
    Even in the best of circumstances,
    they're no picnic,
  • 23:50 - 23:54
    but now I've got Alice on my arse,
    like the emotion police.
  • 23:54 - 23:58
    I'm going to have to look
    convincingly sad
  • 23:58 - 24:02
    for the majority of the day.
  • 24:02 - 24:06
    She's not going to expect me to cry,
    is she? No. What if she does?
  • 24:07 - 24:09
    I can't cry on cue. What do I do
    then?
  • 24:09 - 24:13
    Do what I do when I need to cry.
    Use a mild pepper-spray solution.
  • 24:15 - 24:17
    Now that makes sense. See?
  • 24:17 - 24:20
    That makes more sense than
    having to feel something.
  • 24:20 - 24:21
    Do you have any of that stuff here?
  • 24:21 - 24:24
    Why do you think
    we have a mini-fridge?
  • 24:24 - 24:28
    Good evening.
  • 24:28 - 24:30
    You've got quite a lot of it.
  • 24:30 - 24:32
    I suppose I have made
    quite a lot of it.
  • 24:32 - 24:36
    And what's in here? Just Tabasco,
    wasabi and a bit of tear gas.
  • 24:39 - 24:43
    Those sound like bad things to put
    in your eyes. It's extremely mild.
  • 24:43 - 24:47
    It's mainly water. OK, I'll take it
    as a last resort. As a last resort?
  • 24:47 - 24:50
    In case I find myself out
    of my emotional death. There you go.
  • 24:50 - 24:54
    All right. Thanks, Moss.
    Bye. Bye.
  • 24:57 - 24:59
    Oh, don't forget to add the water.
  • 25:12 - 25:14
    Oh, poor Pip Pop.
  • 25:14 - 25:16
    Sorry, what?
  • 25:16 - 25:18
    Pip Pop...
  • 25:18 - 25:22
    We always called him Pip Pop
    because he was so short.
  • 25:23 - 25:27
    All of my family on that side
    are really short.
  • 25:27 - 25:31
    Is that right?
  • 25:35 - 25:37
    Oh...
  • 25:37 - 25:38
    Oh, Alice.
  • 25:38 - 25:42
    Shh...
  • 25:50 - 25:51
    Oh!
  • 25:51 - 25:53
    Roy, are you all right? Holy...!
  • 25:53 - 25:55
    Yeah, it just really hurts.
  • 25:55 - 25:56
    Oh, darling.
  • 25:56 - 26:00
    Oh, it hurts. I know. I know.
  • 26:03 - 26:07
    Oh...
  • 26:11 - 26:15
    Oh, Christ,
    why is this happening?
  • 26:16 - 26:20
    'Will we ever find out
    just who this person was?
  • 26:20 - 26:23
    'Unfortunately, with current
    technology we can't depixelate
  • 26:23 - 26:25
    'the picture, so it's very unlikely
    we'll ever find out
  • 26:25 - 26:29
    'the identity of
    this dreadful ginger cow.'
  • 26:33 - 26:37
    Oh, are you still crying?
    I don't seem to be able to stop.
  • 26:39 - 26:42
    One of the pallbearers wasn't able
    to make it. Oh...
  • 26:42 - 26:45
    Look, I know this is a bit weird.
  • 26:45 - 26:47
    Do you mind stepping in?
  • 26:47 - 26:51
    I'm happy to. I mean, I'm certainly
    happy to. Yeah, that's fine.
  • 26:51 - 26:53
    That's fine.
  • 26:53 - 26:57
    Hi, thanks so much for helping us
    out. No problem.
  • 26:57 - 26:58
    Hey!
  • 26:58 - 27:01
    Hello. Oh, there's another one.
  • 27:01 - 27:04
    Hi. Have you seen the
    pallbearers? Yeah.
  • 27:04 - 27:08
    So you guys and me, we are going to
    carry the coffin together? Yes.
  • 27:10 - 27:14
    We are going to put the casket
    on our collective shoulders
  • 27:14 - 27:17
    and walk in a straight line with it?
  • 27:17 - 27:19
    No, it didn't go well, Jen.
    It didn't go well at all.
  • 27:19 - 27:22
    I mean, thanks for asking,
    but no, it wasn't a success.
  • 27:22 - 27:25
    It wasn't a successful funeral
    for me.
  • 27:25 - 27:28
    It didn't have the required
    gravitas.
  • 27:28 - 27:30
    Gravitas? No, no.
  • 27:30 - 27:34
    It wasn't very dignified.
    It wasn't dignified at all, Jen.
  • 27:35 - 27:39
    If I had to pick a word to describe
    Pip Pop's final journey
  • 27:39 - 27:43
    to the grave, it would be "funny".
  • 27:43 - 27:47
    It was so funny, Jen.
    Of course, I tried not to laugh
  • 27:47 - 27:49
    and I tried to put
    other things in my head,
  • 27:49 - 27:52
    but every step that we took
    was a fresh reminder
  • 27:52 - 27:56
    of just how funny
    the whole thing was!
  • 27:56 - 28:00
    You didn't laugh, did you?
    I laughed my hole off.
  • 28:01 - 28:04
    I can't believe
    she's still with you.
  • 28:04 - 28:06
    I suppose, but, I mean, I'm hanging
    on by a thread, Jen.
  • 28:06 - 28:10
    I think I'll just get through it
    as long as nothing else bad happens.
  • 28:15 - 28:19
    There's the phone now.
  • 28:19 - 28:23
    'The new footage has led
    to the pair being identified,
  • 28:23 - 28:27
    'Jen Barber and Roy Trenneman, both
    employees at Reynholm Industries.'
  • 28:28 - 28:29
    What the hell were you thinking?
  • 28:29 - 28:32
    I told you to keep a low profile
  • 28:32 - 28:36
    and you do it again!
  • 28:36 - 28:38
    No, no, no, no, no, it's new
    footage, Mr Reynholm.
  • 28:38 - 28:40
    Bum your excuses!
  • 28:40 - 28:43
    Reynholm Industries has
    a reputation to uphold.
  • 28:43 - 28:47
    We're not News International,
    for Christ's sake!
  • 28:47 - 28:50
    I'm going to have to do Secret
    "Pissing" Millionaire now
  • 28:50 - 28:52
    just to undo your damage!
  • 28:52 - 28:55
    And I'm missing out
    on a massive party!
  • 28:55 - 28:59
    You're no longer my assistant.
  • 28:59 - 29:03
    I'm furious.
  • 29:03 - 29:04
    And I'll tell you something else,
  • 29:04 - 29:08
    when I return from the estate,
    it's...
  • 29:08 - 29:12
    ..for you.
  • 29:15 - 29:16
    Oh...
  • 29:17 - 29:19
    Oh!
  • 29:19 - 29:22
    Hello, hey, baby.
  • 29:22 - 29:24
    Oh, yeah, of course.
  • 29:24 - 29:25
    No, absolutely.
  • 29:25 - 29:29
    All right, OK. Bye-bye.
  • 29:29 - 29:33
    She left you? She did. Yeah.
  • 29:35 - 29:38
    As the identities
    of Coffee Toss Tramp Bitch
  • 29:38 - 29:41
    and Small Person Racist
    are finally revealed,
  • 29:41 - 29:43
    we at Channel 4 News ask,
  • 29:43 - 29:47
    "What the hell
    is wrong with people?"
  • 29:54 - 29:56
    I've got a lot of new
    followers on Chitter.
  • 29:56 - 29:58
    Loads more followers, yeah.
  • 29:58 - 29:59
    They're all very abusive.
  • 29:59 - 30:01
    They wish we were dead.
  • 30:01 - 30:03
    Wait.
  • 30:03 - 30:05
    What? Chitter.
  • 30:05 - 30:09
    We can use Chitter
    to explain ourselves.
  • 30:09 - 30:11
    Yeah.
  • 30:11 - 30:14
    Chitter is the perfect place to
    explain a complex situation.
  • 30:14 - 30:15
    I know that.
  • 30:15 - 30:18
    "I didn't mean to throw
    coffee on that woman.
  • 30:18 - 30:19
    "I didn't know she was there.
  • 30:19 - 30:22
    "I went back to try and find her
    but..."
  • 30:22 - 30:26
    Oh... Too many characters.
    Too many characters.
  • 30:26 - 30:27
    Got it.
  • 30:27 - 30:29
    "Hate the homeless.
  • 30:29 - 30:32
    "And I suppose I hate women, too?
  • 30:32 - 30:35
    "LOL."
  • 30:35 - 30:36
    Send.
  • 30:36 - 30:39
    Whoa. You didn't just send
    that, did you? Yes.
  • 30:39 - 30:40
    That didn't sound so good.
  • 30:40 - 30:43
    People get the sense of it,
    that's the thing about Chitter.
  • 30:43 - 30:46
    It's best if you're conversational
    and off-the-cuff.
  • 30:46 - 30:47
    Here it is.
  • 30:47 - 30:51
    Oh... You didn't put a question
    mark after the first sentence.
  • 30:51 - 30:53
    You don't need to
    use proper grammar on Chitter.
  • 30:53 - 30:56
    What you've Chitted here, Jen,
    is,
  • 30:56 - 31:00
    "Hate the homeless and I suppose
    I hate women, too. LOL."
  • 31:02 - 31:06
    Phew, I'm glad all that's over.
  • 32:12 - 32:14
    You're too small,
    you're just too small!
  • 32:14 - 32:18
    You're too small,
    too small, too small...
  • 32:18 - 32:22
    'Which then leads to him
    being hit by a van with tits.'
  • 32:32 - 32:35
    And now Anonymous are after us.
  • 32:35 - 32:37
    Well, that's just ideal.
  • 32:37 - 32:41
    Oh, a bunch of nerds sitting
    at their computer, what can they do?
  • 32:41 - 32:45
    We pissed off the Internet, Jen.
    The Internet is coming to get us!
  • 32:46 - 32:50
    Well, let's get IT
    before IT gets us.
  • 32:50 - 32:53
    What are you...?
  • 32:53 - 32:56
    Oh, I don't want Anonymous after me.
  • 32:56 - 32:58
    I am inanonymous...
  • 32:58 - 33:01
    I think.
  • 33:01 - 33:05
    Let's hide it.
  • 33:05 - 33:06
    What?
  • 33:06 - 33:09
    The Internet.
  • 33:09 - 33:13
    Oh...
  • 33:13 - 33:17
    Because we told you
    that was the Internet?
  • 33:17 - 33:19
    Yes.
  • 33:19 - 33:23
    We never told you
    it wasn't the Internet?
  • 33:23 - 33:25
    No.
  • 33:25 - 33:28
    Well, the thing is, Jen...
  • 33:28 - 33:31
    that's not the Internet.
  • 33:31 - 33:35
    What's Jen doing with the Internet?
  • 33:35 - 33:39
    We're not doing that. Oh...
  • 33:39 - 33:42
    Cricket!
  • 33:42 - 33:44
    Right, don't be scared, yeah.
  • 33:44 - 33:46
    We're all friends here.
  • 33:46 - 33:50
    Tell Dougie your story?
    OK, but who is he again?
  • 33:50 - 33:53
    I'm just your average social worker.
  • 33:53 - 33:56
    Yes, just in the area
    having a look around.
  • 33:56 - 33:59
    Please just pretend I'm not here.
  • 33:59 - 34:01
    Do you ever have anyone come round
    and help you and stuff?
  • 34:01 - 34:04
    Granddad, sometimes.
    He's hardly around.
  • 34:04 - 34:07
    What about your dad?
    He's never around, either...
  • 34:07 - 34:10
    Sorry, my friend, I need to stop you
    there. I must take this.
  • 34:10 - 34:12
    Reynholm...
  • 34:12 - 34:15
    What? Well, increase the bid.
  • 34:15 - 34:17
    I don't care what I said
    the ceiling was.
  • 34:17 - 34:21
    I want that artwork by Madonna.
  • 34:21 - 34:25
    Now, 22 million is the minimum
    but I'm happy to go to 50.
  • 34:25 - 34:29
    In fact, make 50 the new minimum.
    Yes, yes.
  • 34:29 - 34:32
    I can't talk right now.
  • 34:32 - 34:36
    I'm doing Secret Millionaire.
  • 34:37 - 34:38
    That's very sad.
  • 34:38 - 34:42
    Do you want to shut up,
    we're filming Secret Millionaire.
  • 34:42 - 34:45
    Check your privilege.
  • 34:45 - 34:47
    How am I finding it so far?
  • 34:47 - 34:50
    To be honest with you, it's not as
    god-awful as I thought it would be.
  • 34:50 - 34:54
    People have been terribly nice.
    They're actually quite clean.
  • 34:54 - 34:56
    I have been invited
    to a party this evening.
  • 34:56 - 35:00
    The last party I ever went to was
    when Elton John's dog had a baby.
  • 35:06 - 35:08
    I tell a lie. The last party I went
    to was when
  • 35:08 - 35:10
    Conrad Black got arrested.
  • 35:10 - 35:12
    Conrad Black, who's that?
  • 35:12 - 35:15
    Oh, no-one, just an old friend.
    Let's get in there.
  • 35:15 - 35:19
    Yeah, sure.
  • 35:23 - 35:26
    So I thought with Game Board's
    increased viewership,
  • 35:26 - 35:29
    perhaps it would be a good place
    to put my side of the story and
  • 35:29 - 35:33
    show the world I'm not the monster
    I'm currently supposed to be.
  • 35:33 - 35:35
    Boo! Boo!
  • 35:35 - 35:36
    Don't boo, please.
  • 35:36 - 35:40
    That is a horrible T-shirt.
  • 35:40 - 35:44
    So the question everyone is asking,
    Jen Barber, do you hate women?
  • 35:44 - 35:46
    Oh...
  • 35:46 - 35:48
    Thank you, Jen Barber.
  • 35:48 - 35:52
    Coming up, what was it like to be
    a 14th-century grain merchant?
  • 35:52 - 35:55
    Wait, I don't know if that was
    clear. Sorry, it's these trousers.
  • 35:55 - 35:59
    They make me want to move
    onto the next item. It's better
    broadcasting and the slacks know it!
  • 36:00 - 36:04
    Coming up. Will you stop saying,
    "Coming up". Next... I don't know
    if they got my point!
  • 36:05 - 36:07
    Oh, gosh!
  • 36:07 - 36:09
    Oh!
  • 36:09 - 36:10
    Oh, gosh.
  • 36:10 - 36:13
    Richmond, do you work here or not?
  • 36:13 - 36:16
    I don't get paid,
    but I like to come in.
  • 36:16 - 36:20
    So that Goth thing didn't work out?
  • 36:20 - 36:22
    Does it look like it worked out?
  • 36:22 - 36:24
    Anyway, how have you guys been?
  • 36:24 - 36:27
    Everyone thinks I'm a misogynist.
  • 36:27 - 36:30
    Roy lost his girlfriend because
    he's emotionally colour-blind
  • 36:30 - 36:33
    and Moss is wearing trousers
    that make him good at telly.
  • 36:33 - 36:35
    Any gossip?
  • 36:35 - 36:37
    What's going on with you?
  • 36:37 - 36:41
    Oh, you know, keeping busy,
    voice-over work mainly.
  • 36:41 - 36:43
    Really, how did that happen?
  • 36:43 - 36:47
    Someone just noticed
    I had a beautiful voice.
  • 36:51 - 36:52
    Oh, Richmond.
  • 36:52 - 36:54
    Things aren't going well at all.
  • 36:54 - 36:56
    Just get in there.
  • 36:56 - 36:58
    It's just not the same
    when you guys aren't together.
  • 36:58 - 37:02
    Anyway, if you want me,
    you know where I am.
  • 37:03 - 37:05
    I don't, though, Richmond.
  • 37:05 - 37:09
    Don't... lurk!
  • 37:09 - 37:10
    Where did he go?
  • 37:10 - 37:14
    Where did who go?
  • 37:17 - 37:20
    Does it ever seem to you that
    the things that happen to us
  • 37:20 - 37:22
    are sort of...
  • 37:22 - 37:24
    strange?
  • 37:24 - 37:26
    How so, Roy?
  • 37:26 - 37:28
    Well...
  • 37:28 - 37:31
    remember when I had to pretend
    to be disabled
  • 37:31 - 37:34
    and I ended up in Manchester?
  • 37:34 - 37:37
    That wasn't a normal thing
    to happen, was it?
  • 37:37 - 37:41
    Or when you ended up spending
    the night in that arcade machine.
  • 37:41 - 37:44
    That was odd.
  • 37:44 - 37:47
    I suppose those were unusual events.
  • 37:47 - 37:48
    And this is strange.
  • 37:48 - 37:51
    What's happening to us
    right now is strange, isn't it?
  • 37:51 - 37:54
    Well, at least,
    it'll all be over soon.
  • 37:54 - 37:58
    Douglas is bound to fire us
    when he gets back.
  • 37:58 - 37:59
    Come on, guys, this isn't us.
  • 37:59 - 38:01
    Are we just going to sit here
    and take it?
  • 38:01 - 38:04
    What do we normally do
    when we get into a scrape?
  • 38:04 - 38:06
    We normally make things worse
    and worse and then it ends.
  • 38:06 - 38:09
    No, we don't. We stick together.
    That doesn't sound like us.
  • 38:09 - 38:12
    OK, enough... Come on, who are we?
  • 38:12 - 38:14
    Who are we? I want to hear
    you say it!
  • 38:14 - 38:16
    We're the IT... We're the IT...
    ..Department.
  • 38:16 - 38:19
    You're goddamn right we are!
  • 38:19 - 38:22
    Are you wearing women's slacks?
    Yes, I am.
  • 38:22 - 38:23
    This is exactly what
    I'm talking about.
  • 38:27 - 38:29
    Let's get into a car
    and cruise around.
  • 38:29 - 38:33
    How to get into a car?
    Smash a window. Great idea.
  • 38:35 - 38:38
    That's the one.
  • 38:38 - 38:42
    I'm such an idiot.
    I've got a robot hand.
  • 38:45 - 38:49
    Hang on a second. This is MY car.
  • 39:10 - 39:13
    Oh, shit. Wow-wow-wow.
    It's all right, everyone, be cool.
  • 39:13 - 39:17
    I'll handle this. Take that.
  • 39:29 - 39:33
    It's all right, Officer, I'm doing
    Secret Millionaire.
  • 39:35 - 39:39
    Come on, come on, come on, people.
    What's going on?
  • 39:39 - 39:40
    Come on, come on, come on, people.
  • 39:40 - 39:43
    How long has he been wearing the
    trousers? He won't take them off.
  • 39:43 - 39:45
    OK, come on, come on, come on...
  • 39:45 - 39:48
    What's going on, what's going on?
    We don't know what's happening.
  • 39:48 - 39:50
    OK, come on. To every problem,
    there's a solution.
  • 39:50 - 39:52
    What's our problem here?
    What's our problem?
  • 39:52 - 39:56
    Everyone thinks I'm a cow who
    hates women. You're a cow.
  • 39:57 - 40:01
    Terrible cow. Women, OK.
    Roy, hurt me.
  • 40:01 - 40:04
    Erm, the woman I love thinks that
    I hate small people.
  • 40:04 - 40:07
    Small people, thank you, Roy.
  • 40:07 - 40:10
    I'm probably going to die alone
    in front of computer pornography?
  • 40:10 - 40:14
    I'll just draw a sad face.
  • 40:17 - 40:21
    OK, so what do women and
    small people both like?
  • 40:23 - 40:27
    What do they both like? Chairs.
    Films. I really don't know.
  • 40:29 - 40:32
    I'll tell you. It's just they seem
    like very different groups.
  • 40:32 - 40:36
    Very different groups.
    Not being attacked.
  • 40:40 - 40:43
    They both love not being attacked.
  • 40:43 - 40:47
    Well, I can't speak for small people,
    obviously, but as a woman,
  • 40:48 - 40:51
    I certainly like not being attacked.
    Where are you going with this, Moss?
  • 40:51 - 40:54
    I'll tell you exactly where I'm
    going with this, Roy.
  • 40:54 - 40:57
    I'm saying that we use this brief
    window, while Douglas is away,
  • 40:57 - 41:00
    to produce a pepper-spray
    solution for small women,
  • 41:00 - 41:03
    using that stuff I gave Roy earlier.
  • 41:03 - 41:04
    That sounds really weird.
  • 41:04 - 41:08
    Jen Barber, not a hater of women
    but their defender, their champion.
  • 41:09 - 41:11
    I love it now.
  • 41:11 - 41:13
    And I can do a massive presentation.
  • 41:13 - 41:17
    A self-defence pepper spray for
    small women suits my purposes also.
  • 41:19 - 41:23
    It will show Alice that I care and,
    as a woman with small relatives,
  • 41:23 - 41:26
    she's sure to come to Jen's
    presentation.
  • 41:26 - 41:30
    You know, when I first stocked that
    mini-fridge with pepper-spray solution,
  • 41:30 - 41:34
    I thought I'd made too much... but
    only now do I realise
  • 41:35 - 41:39
    that I'd made exactly the right
    amount for our current purposes.
  • 41:41 - 41:44
    It almost seems like it's
    too good an idea.
  • 41:44 - 41:48
    You see what we can do when we work
    together? With my business acumen...
  • 41:48 - 41:52
    My scientific know-how...
    And I'm also here...
  • 41:54 - 41:58
    We can do anything! Yes! Yes!
  • 41:58 - 42:02
    I need a trouser break.
  • 42:09 - 42:11
    You coming, Roy?
  • 42:11 - 42:13
    I can't seem to get the wording
    of this speech to Alice right.
  • 42:13 - 42:15
    You're doing a speech?
  • 42:15 - 42:18
    Yeah, I need to show her that I'm
    not emotionally colour-blind.
  • 42:18 - 42:22
    I'm actually a very sensitive human
    man, and she needs to know that.
  • 42:22 - 42:26
    Oooh, what's a more romantic word
    for "knockers"?
  • 42:26 - 42:29
    A MORE romantic word?
  • 42:29 - 42:33
    Come on, guys. Let's protect women!
    I'll meet you up there. Good luck.
  • 42:33 - 42:35
    Thanks.
  • 42:35 - 42:39
    Eartha Kitts!
  • 42:39 - 42:40
    Right, is everything ready?
  • 42:40 - 42:42
    Yeah, well, I've got the posters up
  • 42:42 - 42:45
    and I've put gift bags with pepper
    spray beside each chair.
  • 42:45 - 42:48
    Now, I think it was a master stroke
    to put the spray in these
  • 42:48 - 42:49
    elegant bottles.
  • 42:49 - 42:52
    Why not look stylish
    while you defend yourself?
  • 42:52 - 42:54
    Something's bothering me, though.
  • 42:54 - 42:58
    Are we missing something that's very
    obviously wrong with this idea?
  • 42:58 - 43:02
    I really don't think so. Oh, look,
    here comes everyone.
  • 43:04 - 43:08
    Hello, and welcome to this
    very special
  • 43:08 - 43:12
    presentation for women by a woman, me
    a woman, who loves women.
  • 43:13 - 43:17
    By your seats you'll find a gift bag,
    and in that gift bag
  • 43:17 - 43:19
    you'll find our very
    exciting new product.
  • 43:19 - 43:22
    No, don't do that.
  • 43:24 - 43:27
    No, you're not supposed to...
  • 43:27 - 43:31
    Yes! I have some things
    I have to say to you!
  • 43:31 - 43:34
    No, I need to go.
    No, you are going nowhere.
  • 43:34 - 43:38
    Now, I know in the past that you
    have accused me
  • 43:38 - 43:40
    of being emotionally colour-blind.
  • 43:42 - 43:46
    Shut up and listen. But now I've
    changed - my sight is perfect.
  • 43:47 - 43:49
    Now I know what was wrong
    with the idea.
  • 43:49 - 43:53
    With your sweet lips and, of
    course, your lovely bangers,
  • 43:54 - 43:56
    I know you're the one for me.
  • 43:56 - 43:58
    I'm in terrible pain.
  • 43:58 - 44:02
    Me, too, Alice, me, too, but that
    ends now. It ends now.
  • 44:10 - 44:13
    That could not have gone better.
  • 44:13 - 44:16
    Oh, no, Roy, that didn't go
    well at all.
  • 44:16 - 44:20
    Oh, right, because we're going to
    lose our jobs.
  • 44:20 - 44:23
    Argh!
  • 44:23 - 44:24
    Mr Reynholm...
  • 44:24 - 44:28
    So, that's the thing. I gave the boy
    the can of lager,
  • 44:28 - 44:30
    so technically I'm guilty of
    corrupting a minor.
  • 44:30 - 44:33
    So it's the reason why
    I bought the tramp uniform
  • 44:33 - 44:36
    and I've had to make myself scarce.
  • 44:36 - 44:40
    So, you need somewhere to hide out?
    Yeah, somewhere off-piste.
  • 44:40 - 44:43
    Somewhere where no-one will find you.
    Bottom of the world.
  • 44:43 - 44:46
    You can use our office
    if you'd like. Whoo.
  • 44:46 - 44:48
    Well, I'll need someone to take
    care of business upstairs.
  • 44:48 - 44:50
    We're not doing anything.
  • 44:50 - 44:51
    Well, this is perfect.
  • 44:51 - 44:55
    My wonderful assistant, Joan,
    and her two friends, Ross.
  • 44:55 - 44:59
    I'm going to go and piss around
    on the internet
  • 44:59 - 45:01
    but actually I'll need some food.
  • 45:01 - 45:05
    I've already eaten one of
    the toys in here.
  • 45:06 - 45:10
    Did he just say what I think he
    said? I wasn't really listening.
  • 45:11 - 45:15
    Is this... Is what's happening good
    now? Is this good?
  • 45:17 - 45:19
    Yes, it's a very good outcome.
    Oh, my God!
  • 45:19 - 45:21
    I think we've come out on top,
    I can't believe it.
  • 45:21 - 45:23
    We've come out on top.
  • 45:23 - 45:25
    'Jen Barber.'
  • 45:25 - 45:28
    Oh, I forgot about you.
    Oh, God, that's impressive.
  • 45:28 - 45:32
    They're actually watching us.
    Hey, mate, am I an anonymous?
  • 45:33 - 45:36
    Silence, you person wasters.
  • 45:36 - 45:39
    Greetings, Jen Barber.
    This is your sentence.
  • 45:39 - 45:43
    You've been found guilty of the most
    appalling lack of basic human
  • 45:43 - 45:44
    kindness and decency.
  • 45:46 - 45:48
    Come in.
  • 45:48 - 45:52
    Shush, you. Peter, what are you
    doing in there? Shut up!
  • 45:53 - 45:56
    You've been there for hours.
    I'm doing something. Go away!
  • 45:56 - 46:00
    Peter, your mum and I are worried
    about you. Get out.
  • 46:00 - 46:04
    You need to get off this computer.
    Who is this? Are these your friends?
  • 46:06 - 46:09
    I'm sorry. Peter can't play any
    more. He's coming outside.
  • 46:09 - 46:11
    'You said I could stay
    here as long as I wanted.'
  • 46:11 - 46:13
    We said that you had to come out.
  • 46:17 - 46:20
    '..do my homework...
  • 46:20 - 46:24
    'I've done my homework...
  • 46:24 - 46:26
    'I know my rights...'
  • 46:30 - 46:33
    This internet's not working.
    I can't connect.
  • 46:33 - 46:36
    Just try turning it off
    and on again.
  • 46:36 - 46:40
    Thanks, Ross.
  • 46:59 - 47:01
    Reynholm Industries is changing.
  • 47:01 - 47:05
    New opportunities, new faces,
    a new direction.
  • 47:05 - 47:08
    A better workplace environment.
  • 47:08 - 47:12
    Exciting new products.
  • 47:12 - 47:16
    An inclusive hiring policy...
    I am sounding happy?
  • 47:16 - 47:19
    Can you be a little bit more...
    Yeah, this is me being happy.
  • 47:19 - 47:22
    Just be a bit more, I don't know...
    I'm being upbeat.
  • 47:22 - 47:26
    No, I just want you to speak...
    Ah, forget it, let's just stop.
  • 47:26 - 47:34
    Subtitles by MemoryOnSmells
    http://UKsubtitles.ru.
Title:
The IT Crowd - The Last Byte (2013 Special)
Description:

Last episode of The IT Crowd, aired 27th September 2013

Starring Richard Ayoade, Chris O'Dowd, Katherine Parkinson and Matt Berry

'The Internet Is Coming'...

more » « less
Video Language:
English, British
Duration:
47:33

English subtitles

Revisions