-
(machine clattering)
-
- [Azikiwe] Hi,
-
thanks for stopping by my
name's Azikiwe Mohammed.
-
And we're here at my studio in Jersey city
-
at Mana Contemporary.
-
(upbeat jaunty music)
-
I'm trying to think
what I have to take out.
-
that would be fun.
-
Let's see.
-
(bags rustling)
-
Oh, police piggy bank right.
-
Check it out.
-
(coins clatter)
-
Tight.
-
This is a fun one.
-
"May your house be warm,
-
your friends be many,
-
and your sausages long."
-
Then look, I just happened
to have one sitting here.
-
This is one of mine.
-
Those are the names of four
different black beaches
-
across the US.
-
So it's research.
-
All this stuff is useful for in here
-
while I'm making things.
-
(sewing machine whirrs)
-
My job isn't the capital "A" art person.
-
The word artist feels a little funky,
-
kind of like something
-
emanates from you
-
from your, you know, cult of genius,
-
behold, right?
-
That's the whole, get outta here.
-
Doesn't make any sense.
-
(machine whirrs)
-
I'm not very good at precious things.
-
So I don't use that word "artist,"
-
I suppose I would self describe
-
as a guy who makes stuff.
-
Builder, I say a lot.
-
I build a pretty wide variety of objects.
-
Gold jewelry, paintings,
-
neon sculpture, furniture
-
photography, puppets,
-
clothing, tapestries, embroidery work.
-
Trying to use what I know
best as a touchstone.
-
There are some things
-
that are clearly very specific to
-
black people and black homes.
-
In general, wood is a
less expensive material.
-
So you'll find it in a lot of
lower moneyed people's homes.
-
Warm colors to come home to,
-
are the opposite of being
yelled at by a manager
-
Tones that live in spaces
-
that I know have said yes to me.
-
(machine engine rumbles)
-
When I'm making spaces,
it needs to be inviting.
-
- Hi. Hello.
-
If you're interested
-
we're having painting
classes here, outside today.
-
So just hop over to the tent,
you have to say hi, and we'll
-
we'll give you some stuff.
-
Thank you very much.
-
- [Woman's Voice] Can you paint anything?
-
- Yeah, you can paint anything.
-
This is meant to be a
starting place for you.
-
- [Woman's Voice] Okay.
-
- But if this starting place
-
ends you up somewhere
else, that's also fine.
-
The only rule is that you
get to say yes to you.
-
- The thing that I hope
to make most frequently
-
is something that covers
some form of a need
-
for someone.
-
I'm not sure what kind
of sandwich this one is.
-
I think meatloaf sandwich, right?
-
Ever had one of those?
-
It's not a great bottle of wine, right?
-
But it works.
-
One of the things that's a bonus
-
of the art space is you can turn one thing
-
into another thing pretty easily.
-
So I make fake food and then I can sell it
-
and then turn that into real
food that I can give to people.
-
(trolley rattles)
-
(coins clatter)
-
(bag ruffles)
-
- [Man's Voice] Thank you, thank you
-
- [Azikiwe] You're welcome.
-
One way to say yes to a need
that we all have is food stuff.
-
You know, you gotta, you gotta eat.
-
- You're welcome.
-
- Every other week
-
we distribute approximately
140 bags of food
-
Each bag a solid three to five meals
-
- Best salad ever.
-
- You're welcome.
-
- Make things less shitty for whoever.
-
That feels like the only thing
-
that humans are supposed to do.
-
Home for me is in
Tribeca, lower Manhattan.
-
I've lived there my whole life.
-
A lot of people talk
about lofts and artists.
-
I didn't know any of those people.
-
No, my dad is a working photographer
-
in addition to school photographer.
-
The relationship that I had to the arts
-
was workers.
-
It's a job like any other,
-
people that live here, that work here
-
those people are normally
left out of the story
-
of what New York is, right?
-
Like who are the people
-
as part of the 42nd
street cleanup authority.
-
So trying to figure out how you can add
-
some of those humans
-
back into this space.
-
So the idea was a souvenir shop.
-
Generally in black and brown neighborhoods
-
is always jewelry, liquor,
pizza, thrift store.
-
You can sort of start piecing together,
-
both who's buying what
in the neighborhood,
-
what people are interested in.
-
So it's all of the things
-
that are normally in those spaces.
-
Just slightly different
-
speaking to a New York
that I know very well.
-
- [Announcer] ♪ Big Apple
Gifts And Souvenirs ♪
-
- [Azikiwe] Welcome to Big
Apple Gifts And Souvenirs
-
protecting you from the rain.
-
Stay warm and stay cool at the same time
-
Big Apple Gifts And Souvenirs.
-
It's a souvenir shop.
-
Yeah. Here, come on in.
-
Yeah, so trying to have objects
-
that include a lot of the
other people that live here
-
work here, that are from here.
-
If tourists are going to
be coming to that space
-
to find objects and say this
is what New York looks like,
-
I think it's a missed opportunity
-
to not have some people that
look like us in that suitcase.
-
When you can hand somebody
back an object that is them
-
that has their stories inside of it
-
and that they can hand to somebody else,
-
there's not a lot of information
that needs to be exchanged
-
cause the object is
doing the heavy lifting.
-
- It's a starting place.
-
Not a, not a, not a destination.
-
- [Man's Voice] Yeah. Wow.
-
(paper rustles)
-
- [Azikiwe] The role of an artist
-
is still in service of whomever.
-
This should be something
that you're able to take
-
or something that we can share together.
-
And myself as a maker of objects,
-
this seems to be useful to
humans, to whatever degree.
-
So as long as it's useful
then I'll keep doing this job.