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An insight from DeafSpace | Robert Sirvage | TEDxGallaudet

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    Hello.
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    Welcome to all,
    welcome here to Gallaudet.
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    I'm delighted to be here
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    and very excited
    from the presentations this morning,
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    but I have to say they made me
    more than a little nervous.
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    And you know, one of the things
    that's very nerve wracking about this
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    is when the nerves hit you,
    you feel it mostly in your back.
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    You sometimes have to shake it off.
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    That's perfect.
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    That tension that I'm holding in my back
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    is right in line with my topic.
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    I'm talking about DeafSpace
    and insights gained
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    from an understanding
    of DeafSpace and from dorsality.
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    From the time of Stokoe,
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    we started learning about
    deaf experience and deaf language
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    and the visual nature of our language,
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    and many research findings
    have come forth from that.
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    But what I propose is that we advance this
    further, to the next level.
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    So we are examining not just
    the sighted, visual experience we have
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    but also the dorsal experience.
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    The experience of the world behind us
    where we cannot see.
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    If you see the image
    on the screen before you,
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    you see birds all lined up on a wire,
    all perfectly equidistant from each other?
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    This image, actually, has something to do
    with how we innately measure ourselves,
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    so birds on this wire are all lined up
    about three inches from each other.
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    But, in taking this objective measure
    from our point of view, we're attributing
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    something to the birds
    that isn't innate to them.
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    Inches are not a measure
    that's innate to them.
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    They are measuring using
    their given bodies and given experiences.
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    I want to share two stories
    from my childhood
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    that come to bear on this.
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    The other picture that you see
    is the farmhouse that I was raised on,
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    and the view from my dinner table.
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    Looking out my window, I could see
    my father at work all around the farm.
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    And there was a laneway, a driveway,
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    just across the wooded area
    behind the barn that I couldn't see.
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    There were trees blocking the way,
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    though there was a telephone line
    that did peek just above the trees.
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    My mom who is hearing,
    would, from time to time, tell me,
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    "Hey, we've got a visitor
    coming down the road.
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    Go put on a clean shirt."
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    I would be surprised,
    and not knowing the visitor was coming,
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    and see them sure enough
    a few minutes later coming.
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    One day, I warned my mom.
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    Hey, we've got visitors coming.
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    She couldn't hear any visitors coming.
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    She walked to the window,
    and sure enough here came the visitor.
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    I knew that, because I saw
    the birds lined up on the wire.
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    And the visual cue I had was all the birds
    taking flight at once from that wire.
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    I knew that was because someone
    was coming down the road I couldn't see.
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    At 7-years-old, I knew
    this simply from observation,
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    I knew innately how to infer
    what was happening.
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    I had a number of cues,
    but these cues weren't really visual.
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    They come from a dorsal experience
    I have as a deaf person.
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    Dorsality.
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    Let's back up for a moment.
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    And look at the meaning
    of the word "dorsal."
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    The dorsal fin of a shark.
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    The dorsal side
    of anything is the rear of it.
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    In architecture, the facade
    is ornate on a building,
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    but the dorsal side
    is usually far less so.
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    Dorsal experiences are given less value
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    and often attributed
    a negative value in our society.
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    But if you take
    the imagined rock in our path,
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    we only see one side of it.
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    If we were to lift it
    and see its dorsal side,
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    we might see a world teeming with life
    underneath that rock.
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    The quote that you see here comes
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    from a famous architect, and says in sum,
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    that there is nothing about people,
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    nothing about humanity
    that is innately measurable.
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    We, however, come up
    with a means of measure.
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    A yard stick, a calendar,
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    a string of words set up consecutively.
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    These are all means
    of expressing ourselves.
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    My job with working with
    DeafSpace design research
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    is to look at the decisions
    we make in architecture,
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    but back that up to see
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    how we quantify and examine
    and inhabit space.
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    In one situation, for example,
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    painting of the background of a classroom
    might be seen as important,
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    but the measure of width that we paint
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    the color for contrast with the presenter
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    will vary from a hearing
    to a deaf community.
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    A hearing architect would think
    about having a decent swath.
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    But the deaf eye is going
    to look at the perspective
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    of the student and the teacher
    in the classroom.
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    Is the teacher being observed
    from 5 feet away or 20 feet?
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    We would need the contrast
    to go much higher
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    because of the visual sight lines
    we're attuned to.
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    A number of areas of research
    have brought this to mind.
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    Another is the width of sidewalks.
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    The standard width of sidewalks
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    does not engage
    the space of deaf people
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    engaging in a conversation.
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    Oftentimes, one has to walk off the curb.
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    So I began to collect data
    to help me understand
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    how to create a formula
    that we could apply
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    for a more appropriate width
    to sidewalks and walking spaces.
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    The research found a wealth of data.
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    Much of that can be found
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    in the Deaf Studies digital journals.
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    But one that was striking to me,
    and you'll see in this video,
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    people walking down a hallway
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    and avoiding something in their path.
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    I want you to see how they do so.
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    So you see this conversational dyad,
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    maneuvering around this obstacle
    with no problem at all.
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    It's striking.
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    But it's a story we often see told
    in the deaf world.
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    One conversational participant
    is responsible
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    for observing obstacles for the other.
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    If you haven't warned me,
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    as a conversational participant
    in the deaf world,
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    I would be upset that you haven't.
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    But they navigate this without cues.
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    What is happening?
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    We don't see them divert their eye gaze
    and then reroute.
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    Let's take a deeper look at this.
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    After a great deal of study,
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    how humans view the world,
    how we assess the world,
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    I would agree that we do use
    peripheral vision.
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    We have a 180-degree field,
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    but we are very selective
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    in how we apply our attention
    to our visual field.
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    Basically, it's widely agreed upon
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    that deaf people do not in fact see
    with greater acuity
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    nor do we see a wider span
    of peripheral vision,
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    however, we attend to that visual space
    and peripheral field
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    more than do hearing people.
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    So we see differently, not better.
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    But one thing
    that I had struggled with, though,
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    is looking at how we select
    what we attend to
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    in a different way than others do.
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    So hearing conversational
    participants, for example,
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    can hear from a 360-degree
    field around them.
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    They're getting
    information about the world
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    that is overlaid on
    their 180-degree visual field
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    from this auditory channel.
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    So anything that is happening
    in their dorsal experience
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    can be inferred
    from the auditory cues that they get.
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    So in these research findings,
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    we then wanted to look at deaf people.
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    Yes, deaf people are visual people.
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    but that doesn't explain
    what causes these adaptations visually.
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    So we generally accept
    that they are deaf
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    and that is innately what's happening
    and nothing else.
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    We give no attention
    to the dorsal experience.
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    It's not counted, measured, or quantified.
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    So this really begs us
    to explain in greater detail
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    how at 6 years old,
    I inferred the meaning
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    given from the flight of the crows.
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    How did I do this
    without explicit instruction?
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    And what about my dorsal experience
    gives this notion to me?
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    So in DeafSpace, we're looking
    at a number of different factors
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    to help us in design.
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    But I found a few that I can share
    with you today in brief.
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    In DeafSpace, we look at
    how deaf people occupy a space
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    such as a restaurant or a classroom.
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    In a restaurant,
    if I'm the first to get there,
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    I'm most likely to sit
    with my back to the wall
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    so I have control
    of what enters my visual field.
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    I would not sit with my back
    to the bulk of the restaurant.
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    I would reduce these stressors
    by controlling my dorsal experience.
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    So if somebody else is there,
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    I would be willing to sit in
    a different space.
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    The picture that you see on the screen,
    depicts a forward-looking picture
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    that shows the shadow
    of an object behind us.
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    So we are using cues
    from our dorsal experience
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    to infer what's happening.
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    This picture clearly shows that there is
    a street light just behind me.
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    The street light itself
    is not in my visual field.
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    So when we encounter each other.
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    When two of us are in a dyad,
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    we have an effect
    on our dorsal experience.
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    The conversational partner
    is given a sense of trust by his partner
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    to notify each other of experiences
    in their dorsal field.
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    In this film, you see
    people walking backwards.
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    And the camera view is unusual
    because in looking
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    at the deaf experience
    and the deaf community,
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    if people want to experience
    what it's like to be deaf
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    they very often will plug their ears.
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    Well the absence of sound doesn't give you
    that experience of being deaf.
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    I say leave that behind.
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    This kind of video experience
    that you saw walking backwards
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    and navigating in space is much better.
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    Because when you're walking forward,
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    your eyes can use the sensory reach
    to see the columns or whatever
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    to see that you're walking straight.
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    That's also true
    when you're walking backwards.
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    You use the surrounding environment
    to infer your dorsal world.
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    This is an embedded experience
    throughout deaf lives.
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    What I would propose to you is
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    that examining
    your visual experience is great.
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    But it's also mapped onto
    what gives us meaning
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    in terms of the space behind us.
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    And our dorsal experience.
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    We usually stop at looking
    at that person being deaf
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    as though that explains everything.
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    But what role then does dorsality give us
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    in understanding the deaf
    person's epistemological interpretation
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    of the world around them
    and how is that embedded
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    in our research framework
    with our experimental methodologies
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    with the ways
    in which we are examining
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    deaf people and their dorsality?
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    I talked about how we manage
    our dorsal experience when we're alone,
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    but if we look at
    a dyad of deaf people...
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    when they look at each other,
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    the intersection of their eye gaze
    extends this sensory reach.
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    We are then able to extend sensory reach
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    for the other conversational partner's
    dorsal experience.
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    I am now responsible for
    my partner's dorsal world
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    in informing them of any cues
    and any significant changes in that.
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    And they in turn are doing the same for me
    through that dyadic interchange.
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    In this next video, you see Dr. Ben Bahan
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    and his Deaf Studies Digital Journal
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    has looked at Italian experiences in Italy
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    and out in public and looking
    at underlying similarities
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    in their use of conversational eye gaze.
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    And you would see
    in this Italian pair of deaf people,
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    the same kinds of cues and warnings
    for the dorsal experience
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    and something coming along in their field.
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    For example, a car
    that they might run into briefly.
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    Without turning and explicitly
    looking at the car,
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    very slight visual information was taken
    and shared with the person
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    to extend their sensory reach
    to their own dorsal field.
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    So this aspect of dorsality
    asks us to look at further tools
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    we can use to understand
    the visual experience.
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    We have eye tracking software
    and GoPro cameras,
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    but how can we begin to measure
    and quantify the dorsal experience?
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    I looked at
    different conversational dyads,
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    some hearing, some deaf,
    wear GoPro head-mounted cameras
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    and asked them to walk along H street,
    crossing the medians and so forth
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    and converse while doing so.
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    So I looked at the hearing dyads
    who engaged in spoken language
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    and then I analyzed the video tapes
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    for a moment when their visual field
    extended both forward,
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    non-intersecting,
    compared that with how often
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    the visual fields did intersect
    with each other.
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    So you see the two dyads there
    representing the data feed.
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    The green lines show
    points of intersection
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    where their visual fields intersected
    and degrees of intersection.
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    I'm not prepared to show you
    all the data yet.
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    But the deaf dyads
    had much greater intersection
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    and greater duration
    of intersection of visual field
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    than anybody else.
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    A whole host of questions
    is begged from this finding.
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    One of those is that of expression.
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    As we are navigating
    a space and using expression,
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    I am in some ways
    giving my new expressions
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    that you can interpret to get cues
    about your dorsal experience.
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    And we do this for each other,
    in turn, serially,
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    as we walk along
    and engage in conversation.
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    Now the video that saw here,
    the green there indicates
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    where eye gaze of both was consistent
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    in looking directly at each other.
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    And then you can also see
    an indication in the data on your screen
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    showing when intersection
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    showing when intersection happened
    consecutively but not simultaneously.
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    And then you can also see
    some data in the hearing pair
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    where they intersected very little.
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    So if all of the conversation
    were only consecutively intersecting,
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    then the data should show that.
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    But what we saw was for more
    than half of the conversational space,
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    when two deaf people
    were engaged in conversation,
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    the one who was actively signing
    was not looking away
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    from their conversational pair
    and still conversing,
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    they were in fact looking
    at each other.
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    So I do in fact have to engage
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    in some kind of intersection
    of eye gaze with my partner.
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    And some of that is
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    because of the dorsality
    of our experience.
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    I am engaging in intersecting
    eye gazing with them,
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    so they can warn me
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    of whatever is happening
    in my dorsal experience.
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    And honestly, if they fail
    to give me those warnings,
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    I would just tell them you
    walk on ahead,
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    we'll have our conversation
    when we get there.
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    It's a really hard and fast requirement
    of a pair using sign language.
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    This experience of dorsality
    begs for more research,
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    and there's a great
    deal of potential with it.
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    For example, if you look at
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    how deaf children
    are taught and educated,
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    we have looked at cognition,
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    we have looked at language
    and many of these things.
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    But we have to perhaps look at
    how we've interpreted that historically.
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    But the fact is there are
    a great many more cues
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    that we have for human experience
    and human being than have been told.
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    With that, I want to thank
    all of you for watching me
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    and watching my back
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    throughout this whole presentation.
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    Thank you very much.
Title:
An insight from DeafSpace | Robert Sirvage | TEDxGallaudet
Description:

This talk was given at a TEDx event using the TED conference format but independently organized by a local community.

Robert T. Sirvage, a DeafSpace design researcher, ventured outside the pasture of Connaught, just north of the St. Lawrence Seaway to chase the butterfly of the immeasurable.

Sirvage travels across the country to promote DeafSpace as a design philosophy by giving presentations and participating in architectural projects, such as the Rocky Mountain Deaf School in Colorado and the Living and Learning Residence Hall 6, a new residential hall at the heart of Kendall Green at Gallaudet.

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Video Language:
English
Team:
closed TED
Project:
TEDxTalks
Duration:
17:32

English subtitles

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