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(instrumental synthesizer music)
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(tape rewinding)
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(electronic instrumental music)
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- [Voiceover] My father, you see,
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interested me in patterns
at the very beginning
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and then later in things,
like we would turn over stones
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and watch the ants carry the little
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white babies down deeper into the hole.
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We would look at worms.
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We’d go for walks and we’d
look at things all the time,
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the stars, the way birds fly.
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He was always telling
me interesting things.
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I mean this story’s a rumor,
as far as I’m concerned,
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but the story is that before I was born,
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he told my mother that,
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“If it’s a boy, he’ll be a scientist.”
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My father used to sit me on his lap
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and the one book we did use all
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the time was the Encyclopedia Britannica
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and he used to sit me on
his lap when I was a kid
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and read out of the damned thing.
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There would be pictures of
dinosaurs and then he would read,
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you know the long words,
the dinosaur so and so
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attains a length of so and so many feet.
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He would always stop and he would say,
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“You know what that means?
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"It means, if the dinosaur’s
standing on our front yard
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"and your bedroom window, you
know, is on the second floor
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"you’d see out the window his
head standing looking at you."
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He would translate everything
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and I learned to translate everything,
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so it’s the same disease.
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When I read something,
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I always translate it in the best I can
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into what does it really mean.
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I can remember my father
talking, talking, talking.
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When you go into the museum, for example,
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there are great rocks
which have long cuts,
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grooves in them, from glacier
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and I remember, the
first time going there,
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he stopped there and explained to me
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about the ice moving and grinding.
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I can hear the voice, practically
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and then he would tell me,
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“How do you think we know
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"there were glaciers in the past?”
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He’d point out, “That's
what we're looking at,
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"that these rocks are found in New York
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"and so there must have
been ice in New York.”
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He understood.
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A thing that was very
important about my father
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was not the facts, but the process.
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How we find out.
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What is the consequence
of finding such a rock?
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But that’s the kind of guy he was.
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I don’t think he ever
successfully went to college.
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However, he did teach
himself a great deal.
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He read a lot.
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He liked the rational mind
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and liked those things which
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could be understood by thinking.
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So it’s not hard to understand
I got interested in science.
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I got a laboratory in my room.
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We also played a trick on my mother there.
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We put sodium ferrocyanide in the towels
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and another substance, an iron salt,
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probably alum, in the soap
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and when they come together,
they make blue ink.
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So we were supposed to
fool my mother, you see.
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She would wash her hands and
then when she dried them,
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her hands would turn blue,
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but we didn’t think the
towel would turn blue.
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Anyway, she was horrified,
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the screams of, “My good linen towels!”
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But she was always cooperative.
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She never was afraid of the experiments.
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The bridge partners, would tell her,
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“How can you let the
child have a laboratory?
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"He'll blow up the house,"
and all this kind of talk
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and she just said, “It’s worth it.”
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I mean, “ It’s worth the risk.”
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I took later solid
geometry and trigonometry.
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In solid geometry was the first time
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I had any mathematical difficulties.
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It was my only experience with how
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it must feel to the ordinary human being
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a then I discovered what was wrong.
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The diagrams that were being drawn
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on the blackboard were three-dimensional
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and I was thinking of
them as plane diagrams
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and I couldn’t understand
what the hell was going on.
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It was a mistake in the orientation.
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When he would draw pictures
and I would see a parallelogram
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and he called it a square,
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because it was tilted out
of the plane, you know
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and I, “Oh God, this thing
doesn’t make any sense.
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"What is he talking about?”
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It was a terrifying experience.
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Butterflies in my stomach kind of feeling.
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But it was just a dumb mistake.
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But I suspect that this
kind of a dumb mistake
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is quite common to people
learning mathematics.
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Part of the missing
understanding is to mistake
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what it is you’re supposed to know.
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It isn’t the question of
learning anything precisely,
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but of learning that there’s
something exciting over there
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and I think that the same
thing happened with my father.
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My father never really
knew anything in detail,
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but would tell me what’s
interesting about the world
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and where, if you look, you’ll
find still more interests,
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so that later I would say,
“Well, this is going to be good.
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"I know this has got
something to do with this,
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"which is hot stuff.”
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This kind of feeling of what was important
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and that is the key.
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The key was somehow to
know what was important
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and what was not important,
what was exciting,
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because I can’t learn everything.
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(electronic instrumental music)
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The thing that I loved was,
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everything that I read was serious,
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wasn’t written for a child.
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I didn’t like children’s things.
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Because, for one thing I was very,
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very, and still am, very sensitive
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and very worried about was that
the thing to be dead honest,
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that it isn’t fixed up so it looks easy.
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Details purposely left out
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or slightly erroneous explanations,
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in order to get away with it.
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This was intolerable.
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I kind of try to imagine what would
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have happened to me if
I’d lived in today’s era.
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I’m rather horrified.
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I think there are too many books,
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that the mind gets boggled.
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If I got interested, I would
have so many things to look at,
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I would go crazy.
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It’s too easy.
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(tape reversing)
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Subtitles by the Amara.org community