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(gentle piano music)
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- [Dr. Steven] Two days ago,
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we went to see the Book of Kells
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in the magnificent library
at Trinity College.
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Then we drove to the town of Kells itself
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to look at the monastic community
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where this important book
was housed for 800 years.
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- [Dr. Lauren] The Book of
Kells is one of the most
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exceptional books from
the early Middle Ages.
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When we were standing
in front of the book,
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you noticed how many folios
formed the book itself.
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- [Dr. Steven] The book is
made out of fine vellum,
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and the skin of more than 100 young calves
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were used to produce this book.
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- [Dr. Lauren] So many of those pages
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are filled with full page illustrations.
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They're not only vibrantly colored,
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but there is so much intricacy
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and delicate details to each drawing.
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It's impressive to think of the time
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that it would've taken to
complete even just a single page.
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- [Dr. Steven] It would've been produced
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in a building that is
known as a scriptorium.
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We can imagine scribes sitting at desks
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for long hours writing and painting.
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- [Dr. Lauren] So the Book
of Kells is a gospel book
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that includes the writings
of each of the four
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gospel authors: Matthew,
Mark, Luke, and John.
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- [Dr. Steven] And there are
both author portrait pages
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and pages that show the symbols
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associated with each
of the gospel authors.
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Books of this era are
not structured the way
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that modern books are with
title pages, et cetera,
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but there are efforts to help the reader,
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and one of the mechanisms
that books of this era
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often include is a canon table,
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that is a kind of
concordance that allows you
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to find the passages that
you're interested in.
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But in this case, the canon tables
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are extraordinarily
elaborate in their decoration
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and are almost architectural
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with colonnades and Roman arches.
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- [Dr. Lauren] And shortly
after the canon table pages,
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we find, by some accounts,
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the earliest representation
of the Virgin and Child
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in a manuscript within Western Europe.
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And it reminds me of imagery
of the Virgin and Child
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that you might find in
Byzantium and even Ethiopia.
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- [Dr. Steven] What's
common to these images
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is the frontal nature of the Virgin Mary,
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and the schematic rendering of the face
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and elaboration of the
clothing that she wears,
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of the wealth of those textiles.
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- [Dr. Lauren] Other stunning
pages in the Book of Kells
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include things like the carpet page.
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- [Dr. Steven] And there
we see a cross so elaborate
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that it almost ceases to be a cross,
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because it's got two cross
beams and these delicate circles
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with intricate interlacing
in each of them.
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But the circles are so large
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that they almost overwhelm
the cross itself.
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- [Dr. Lauren] And carpet pages
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are not unique to the Book of Kells.
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We see them in other books
like the Lindisfarne Gospels.
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It's likely that the Book
of Kells was started,
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if not completed, in Iona,
in what is today's Scotland.
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- [Dr. Steven] Iona was
a monastic community
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that had been founded by a
very important Irish saint,
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a man named Columba.
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- [Dr. Lauren] Now in
Irish, Columba is Colmcille,
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and he is one of the most
important saints and figures
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in the early Christian period in Ireland.
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- [Dr. Steven] The
illumination that is best known
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from the Book of Kells
is the Chi Rho page.
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It is dense with decoration.
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- [Dr. Lauren] The Chi Rho
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is the first letters in
Christ's name in Greek.
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You see it frequently
in early Christian art
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as a way of marking Christ's presence.
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And here, what looks
like an X for the Chi,
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stretches in this swooping
diagonal from right to left,
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taking up a good portion of the page,
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but really what grabs your attention
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is the very intricate
interlacing and spirals
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and what looks like
filigree work that we find
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in metalworking of this era in Ireland.
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What I'm always struck by when
I look at the Chi Rho page
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is how incredibly difficult
it is to make out the forms.
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Every time I look, I see something new.
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There are human heads, there are angels.
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We see animals, birds, some of them
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as part of the interlace or
these interwoven designs.
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Some of them very clearly articulated,
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such as my favorite
detail, which is two cats
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that have caught mice who are
biting a eucharistic host,
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the wafer that miraculously
trans substantiates
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into the body of Christ during mass.
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- [Dr. Steven] And so it seems miraculous
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that a scribe was able to
define such intricate details
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at such a minute scale,
and to do it so precisely,
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knowing that the parchment
itself was precious,
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that the materials were precious,
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and that there was little room for error.
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- [Dr. Lauren] To create a page like this
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would have required the utmost focus.
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We could think of it
as an act of devotion.
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- [Dr. Steven] But on
the day that we visited
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the Book of Kells, it was open
to another magnificent page.
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Every few days, the
pages have to be changed.
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And it has a typically elaborate border,
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which is defining a serpent or a dragon
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who's biting its own tail.
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- [Dr. Lauren] And in that
border, we see the characteristic
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interlace with beasts and
birds, all intertwined together.
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And then within the decorative border,
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we see four angels
surrounding the word una,
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and we even see interlaced
birds that have been described
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as peacocks inside the middle of the U.
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- [Dr. Steven] Look at
that beautiful teal blue,
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which was used by mixing
a white with lapis lazuli,
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a color that was imported
all the way from Afghanistan.
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- [Dr. Lauren] The use of lavish materials
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added to the importance of this book.
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The text on this page,
as well as the pages
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that are primarily
filled solely with text,
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is using a Irish form of writing
called insular majuscule.
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- [Dr. Steven] Insular refers to something
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that was made in the British Isles,
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and majuscule refers to
the use of capital letters,
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but there is this distinctly
beautiful rounded form
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and regularization of those letter forms.
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- [Dr. Lauren] This is an era
where manuscript production
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is so vital to early Christianity
and its spread in Ireland.
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- [Dr. Steven] If it was made in Iona,
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one of the reasons that it
would've been transported
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all the way to Kells is to protect it.
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- [Dr. Lauren] So in 793, Iona
is attacked by the Vikings.
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And so that's when monks
at Iona would have brought
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the Book of Kells to Kells
Abbey for safe keeping,
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or possibly have finished it there.
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(gentle piano music)