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The astonishing Book of Kells

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    (gentle piano music)
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    - [Dr. Steven] Two days ago,
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    we went to see the Book of Kells
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    in the magnificent library
    at Trinity College.
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    Then we drove to the town of Kells itself
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    to look at the monastic community
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    where this important book
    was housed for 800 years.
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    - [Dr. Lauren] The Book of
    Kells is one of the most
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    exceptional books from
    the early Middle Ages.
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    When we were standing
    in front of the book,
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    you noticed how many folios
    formed the book itself.
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    - [Dr. Steven] The book is
    made out of fine vellum,
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    and the skin of more than 100 young calves
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    were used to produce this book.
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    - [Dr. Lauren] So many of those pages
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    are filled with full page illustrations.
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    They're not only vibrantly colored,
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    but there is so much intricacy
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    and delicate details to each drawing.
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    It's impressive to think of the time
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    that it would've taken to
    complete even just a single page.
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    - [Dr. Steven] It would've been produced
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    in a building that is
    known as a scriptorium.
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    We can imagine scribes sitting at desks
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    for long hours writing and painting.
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    - [Dr. Lauren] So the Book
    of Kells is a gospel book
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    that includes the writings
    of each of the four
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    gospel authors: Matthew,
    Mark, Luke, and John.
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    - [Dr. Steven] And there are
    both author portrait pages
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    and pages that show the symbols
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    associated with each
    of the gospel authors.
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    Books of this era are
    not structured the way
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    that modern books are with
    title pages, et cetera,
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    but there are efforts to help the reader,
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    and one of the mechanisms
    that books of this era
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    often include is a canon table,
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    that is a kind of
    concordance that allows you
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    to find the passages that
    you're interested in.
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    But in this case, the canon tables
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    are extraordinarily
    elaborate in their decoration
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    and are almost architectural
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    with colonnades and Roman arches.
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    - [Dr. Lauren] And shortly
    after the canon table pages,
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    we find, by some accounts,
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    the earliest representation
    of the Virgin and Child
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    in a manuscript within Western Europe.
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    And it reminds me of imagery
    of the Virgin and Child
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    that you might find in
    Byzantium and even Ethiopia.
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    - [Dr. Steven] What's
    common to these images
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    is the frontal nature of the Virgin Mary,
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    and the schematic rendering of the face
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    and elaboration of the
    clothing that she wears,
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    of the wealth of those textiles.
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    - [Dr. Lauren] Other stunning
    pages in the Book of Kells
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    include things like the carpet page.
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    - [Dr. Steven] And there
    we see a cross so elaborate
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    that it almost ceases to be a cross,
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    because it's got two cross
    beams and these delicate circles
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    with intricate interlacing
    in each of them.
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    But the circles are so large
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    that they almost overwhelm
    the cross itself.
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    - [Dr. Lauren] And carpet pages
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    are not unique to the Book of Kells.
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    We see them in other books
    like the Lindisfarne Gospels.
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    It's likely that the Book
    of Kells was started,
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    if not completed, in Iona,
    in what is today's Scotland.
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    - [Dr. Steven] Iona was
    a monastic community
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    that had been founded by a
    very important Irish saint,
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    a man named Columba.
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    - [Dr. Lauren] Now in
    Irish, Columba is Colmcille,
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    and he is one of the most
    important saints and figures
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    in the early Christian period in Ireland.
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    - [Dr. Steven] The
    illumination that is best known
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    from the Book of Kells
    is the Chi Rho page.
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    It is dense with decoration.
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    - [Dr. Lauren] The Chi Rho
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    is the first letters in
    Christ's name in Greek.
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    You see it frequently
    in early Christian art
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    as a way of marking Christ's presence.
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    And here, what looks
    like an X for the Chi,
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    stretches in this swooping
    diagonal from right to left,
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    taking up a good portion of the page,
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    but really what grabs your attention
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    is the very intricate
    interlacing and spirals
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    and what looks like
    filigree work that we find
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    in metalworking of this era in Ireland.
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    What I'm always struck by when
    I look at the Chi Rho page
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    is how incredibly difficult
    it is to make out the forms.
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    Every time I look, I see something new.
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    There are human heads, there are angels.
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    We see animals, birds, some of them
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    as part of the interlace or
    these interwoven designs.
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    Some of them very clearly articulated,
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    such as my favorite
    detail, which is two cats
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    that have caught mice who are
    biting a eucharistic host,
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    the wafer that miraculously
    trans substantiates
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    into the body of Christ during mass.
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    - [Dr. Steven] And so it seems miraculous
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    that a scribe was able to
    define such intricate details
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    at such a minute scale,
    and to do it so precisely,
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    knowing that the parchment
    itself was precious,
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    that the materials were precious,
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    and that there was little room for error.
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    - [Dr. Lauren] To create a page like this
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    would have required the utmost focus.
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    We could think of it
    as an act of devotion.
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    - [Dr. Steven] But on
    the day that we visited
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    the Book of Kells, it was open
    to another magnificent page.
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    Every few days, the
    pages have to be changed.
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    And it has a typically elaborate border,
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    which is defining a serpent or a dragon
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    who's biting its own tail.
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    - [Dr. Lauren] And in that
    border, we see the characteristic
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    interlace with beasts and
    birds, all intertwined together.
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    And then within the decorative border,
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    we see four angels
    surrounding the word una,
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    and we even see interlaced
    birds that have been described
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    as peacocks inside the middle of the U.
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    - [Dr. Steven] Look at
    that beautiful teal blue,
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    which was used by mixing
    a white with lapis lazuli,
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    a color that was imported
    all the way from Afghanistan.
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    - [Dr. Lauren] The use of lavish materials
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    added to the importance of this book.
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    The text on this page,
    as well as the pages
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    that are primarily
    filled solely with text,
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    is using a Irish form of writing
    called insular majuscule.
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    - [Dr. Steven] Insular refers to something
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    that was made in the British Isles,
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    and majuscule refers to
    the use of capital letters,
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    but there is this distinctly
    beautiful rounded form
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    and regularization of those letter forms.
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    - [Dr. Lauren] This is an era
    where manuscript production
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    is so vital to early Christianity
    and its spread in Ireland.
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    - [Dr. Steven] If it was made in Iona,
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    one of the reasons that it
    would've been transported
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    all the way to Kells is to protect it.
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    - [Dr. Lauren] So in 793, Iona
    is attacked by the Vikings.
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    And so that's when monks
    at Iona would have brought
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    the Book of Kells to Kells
    Abbey for safe keeping,
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    or possibly have finished it there.
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    (gentle piano music)
Title:
The astonishing Book of Kells
Description:

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Video Language:
English
Team:
Khan Academy
Project:
Smarthistory videos
Duration:
06:36

English subtitles

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