1 00:00:00,163 --> 00:00:03,246 (gentle piano music) 2 00:00:05,190 --> 00:00:06,023 - [Dr. Steven] Two days ago, 3 00:00:06,023 --> 00:00:07,800 we went to see the Book of Kells 4 00:00:07,800 --> 00:00:11,010 in the magnificent library at Trinity College. 5 00:00:11,010 --> 00:00:13,830 Then we drove to the town of Kells itself 6 00:00:13,830 --> 00:00:15,870 to look at the monastic community 7 00:00:15,870 --> 00:00:19,830 where this important book was housed for 800 years. 8 00:00:19,830 --> 00:00:21,510 - [Dr. Lauren] The Book of Kells is one of the most 9 00:00:21,510 --> 00:00:24,810 exceptional books from the early Middle Ages. 10 00:00:24,810 --> 00:00:26,940 When we were standing in front of the book, 11 00:00:26,940 --> 00:00:30,960 you noticed how many folios formed the book itself. 12 00:00:30,960 --> 00:00:33,270 - [Dr. Steven] The book is made out of fine vellum, 13 00:00:33,270 --> 00:00:35,520 and the skin of more than 100 young calves 14 00:00:35,520 --> 00:00:37,410 were used to produce this book. 15 00:00:37,410 --> 00:00:38,730 - [Dr. Lauren] So many of those pages 16 00:00:38,730 --> 00:00:41,610 are filled with full page illustrations. 17 00:00:41,610 --> 00:00:43,710 They're not only vibrantly colored, 18 00:00:43,710 --> 00:00:45,840 but there is so much intricacy 19 00:00:45,840 --> 00:00:48,510 and delicate details to each drawing. 20 00:00:48,510 --> 00:00:50,670 It's impressive to think of the time 21 00:00:50,670 --> 00:00:54,690 that it would've taken to complete even just a single page. 22 00:00:54,690 --> 00:00:55,920 - [Dr. Steven] It would've been produced 23 00:00:55,920 --> 00:00:58,290 in a building that is known as a scriptorium. 24 00:00:58,290 --> 00:01:01,080 We can imagine scribes sitting at desks 25 00:01:01,080 --> 00:01:04,440 for long hours writing and painting. 26 00:01:04,440 --> 00:01:06,870 - [Dr. Lauren] So the Book of Kells is a gospel book 27 00:01:06,870 --> 00:01:10,050 that includes the writings of each of the four 28 00:01:10,050 --> 00:01:13,560 gospel authors: Matthew, Mark, Luke, and John. 29 00:01:13,560 --> 00:01:16,200 - [Dr. Steven] And there are both author portrait pages 30 00:01:16,200 --> 00:01:18,210 and pages that show the symbols 31 00:01:18,210 --> 00:01:21,060 associated with each of the gospel authors. 32 00:01:21,060 --> 00:01:23,580 Books of this era are not structured the way 33 00:01:23,580 --> 00:01:26,520 that modern books are with title pages, et cetera, 34 00:01:26,520 --> 00:01:28,650 but there are efforts to help the reader, 35 00:01:28,650 --> 00:01:31,080 and one of the mechanisms that books of this era 36 00:01:31,080 --> 00:01:32,940 often include is a canon table, 37 00:01:32,940 --> 00:01:34,980 that is a kind of concordance that allows you 38 00:01:34,980 --> 00:01:37,200 to find the passages that you're interested in. 39 00:01:37,200 --> 00:01:39,090 But in this case, the canon tables 40 00:01:39,090 --> 00:01:41,760 are extraordinarily elaborate in their decoration 41 00:01:41,760 --> 00:01:43,290 and are almost architectural 42 00:01:43,290 --> 00:01:46,200 with colonnades and Roman arches. 43 00:01:46,200 --> 00:01:49,410 - [Dr. Lauren] And shortly after the canon table pages, 44 00:01:49,410 --> 00:01:50,910 we find, by some accounts, 45 00:01:50,910 --> 00:01:53,880 the earliest representation of the Virgin and Child 46 00:01:53,880 --> 00:01:56,010 in a manuscript within Western Europe. 47 00:01:56,010 --> 00:01:59,790 And it reminds me of imagery of the Virgin and Child 48 00:01:59,790 --> 00:02:03,870 that you might find in Byzantium and even Ethiopia. 49 00:02:03,870 --> 00:02:05,370 - [Dr. Steven] What's common to these images 50 00:02:05,370 --> 00:02:07,530 is the frontal nature of the Virgin Mary, 51 00:02:07,530 --> 00:02:10,290 and the schematic rendering of the face 52 00:02:10,290 --> 00:02:12,930 and elaboration of the clothing that she wears, 53 00:02:12,930 --> 00:02:15,060 of the wealth of those textiles. 54 00:02:15,060 --> 00:02:17,460 - [Dr. Lauren] Other stunning pages in the Book of Kells 55 00:02:17,460 --> 00:02:20,070 include things like the carpet page. 56 00:02:20,070 --> 00:02:23,070 - [Dr. Steven] And there we see a cross so elaborate 57 00:02:23,070 --> 00:02:25,290 that it almost ceases to be a cross, 58 00:02:25,290 --> 00:02:29,010 because it's got two cross beams and these delicate circles 59 00:02:29,010 --> 00:02:31,260 with intricate interlacing in each of them. 60 00:02:31,260 --> 00:02:33,180 But the circles are so large 61 00:02:33,180 --> 00:02:36,630 that they almost overwhelm the cross itself. 62 00:02:36,630 --> 00:02:37,560 - [Dr. Lauren] And carpet pages 63 00:02:37,560 --> 00:02:39,270 are not unique to the Book of Kells. 64 00:02:39,270 --> 00:02:42,420 We see them in other books like the Lindisfarne Gospels. 65 00:02:42,420 --> 00:02:44,610 It's likely that the Book of Kells was started, 66 00:02:44,610 --> 00:02:48,810 if not completed, in Iona, in what is today's Scotland. 67 00:02:48,810 --> 00:02:50,640 - [Dr. Steven] Iona was a monastic community 68 00:02:50,640 --> 00:02:53,460 that had been founded by a very important Irish saint, 69 00:02:53,460 --> 00:02:55,080 a man named Columba. 70 00:02:55,080 --> 00:02:57,690 - [Dr. Lauren] Now in Irish, Columba is Colmcille, 71 00:02:57,690 --> 00:03:01,590 and he is one of the most important saints and figures 72 00:03:01,590 --> 00:03:04,380 in the early Christian period in Ireland. 73 00:03:04,380 --> 00:03:06,300 - [Dr. Steven] The illumination that is best known 74 00:03:06,300 --> 00:03:08,730 from the Book of Kells is the Chi Rho page. 75 00:03:08,730 --> 00:03:11,100 It is dense with decoration. 76 00:03:11,100 --> 00:03:12,180 - [Dr. Lauren] The Chi Rho 77 00:03:12,180 --> 00:03:15,390 is the first letters in Christ's name in Greek. 78 00:03:15,390 --> 00:03:18,270 You see it frequently in early Christian art 79 00:03:18,270 --> 00:03:20,820 as a way of marking Christ's presence. 80 00:03:20,820 --> 00:03:23,730 And here, what looks like an X for the Chi, 81 00:03:23,730 --> 00:03:27,600 stretches in this swooping diagonal from right to left, 82 00:03:27,600 --> 00:03:30,120 taking up a good portion of the page, 83 00:03:30,120 --> 00:03:32,190 but really what grabs your attention 84 00:03:32,190 --> 00:03:36,660 is the very intricate interlacing and spirals 85 00:03:36,660 --> 00:03:39,630 and what looks like filigree work that we find 86 00:03:39,630 --> 00:03:42,930 in metalworking of this era in Ireland. 87 00:03:42,930 --> 00:03:46,080 What I'm always struck by when I look at the Chi Rho page 88 00:03:46,080 --> 00:03:50,070 is how incredibly difficult it is to make out the forms. 89 00:03:50,070 --> 00:03:52,710 Every time I look, I see something new. 90 00:03:52,710 --> 00:03:56,220 There are human heads, there are angels. 91 00:03:56,220 --> 00:03:59,340 We see animals, birds, some of them 92 00:03:59,340 --> 00:04:02,640 as part of the interlace or these interwoven designs. 93 00:04:02,640 --> 00:04:04,890 Some of them very clearly articulated, 94 00:04:04,890 --> 00:04:07,950 such as my favorite detail, which is two cats 95 00:04:07,950 --> 00:04:12,390 that have caught mice who are biting a eucharistic host, 96 00:04:12,390 --> 00:04:16,140 the wafer that miraculously trans substantiates 97 00:04:16,140 --> 00:04:18,630 into the body of Christ during mass. 98 00:04:18,630 --> 00:04:20,490 - [Dr. Steven] And so it seems miraculous 99 00:04:20,490 --> 00:04:24,090 that a scribe was able to define such intricate details 100 00:04:24,090 --> 00:04:27,930 at such a minute scale, and to do it so precisely, 101 00:04:27,930 --> 00:04:30,990 knowing that the parchment itself was precious, 102 00:04:30,990 --> 00:04:32,910 that the materials were precious, 103 00:04:32,910 --> 00:04:35,460 and that there was little room for error. 104 00:04:35,460 --> 00:04:37,020 - [Dr. Lauren] To create a page like this 105 00:04:37,020 --> 00:04:40,200 would have required the utmost focus. 106 00:04:40,200 --> 00:04:42,750 We could think of it as an act of devotion. 107 00:04:42,750 --> 00:04:44,370 - [Dr. Steven] But on the day that we visited 108 00:04:44,370 --> 00:04:48,090 the Book of Kells, it was open to another magnificent page. 109 00:04:48,090 --> 00:04:51,090 Every few days, the pages have to be changed. 110 00:04:51,090 --> 00:04:54,030 And it has a typically elaborate border, 111 00:04:54,030 --> 00:04:57,120 which is defining a serpent or a dragon 112 00:04:57,120 --> 00:04:59,190 who's biting its own tail. 113 00:04:59,190 --> 00:05:01,470 - [Dr. Lauren] And in that border, we see the characteristic 114 00:05:01,470 --> 00:05:05,460 interlace with beasts and birds, all intertwined together. 115 00:05:05,460 --> 00:05:07,740 And then within the decorative border, 116 00:05:07,740 --> 00:05:11,460 we see four angels surrounding the word una, 117 00:05:11,460 --> 00:05:14,970 and we even see interlaced birds that have been described 118 00:05:14,970 --> 00:05:18,420 as peacocks inside the middle of the U. 119 00:05:18,420 --> 00:05:20,790 - [Dr. Steven] Look at that beautiful teal blue, 120 00:05:20,790 --> 00:05:23,940 which was used by mixing a white with lapis lazuli, 121 00:05:23,940 --> 00:05:27,270 a color that was imported all the way from Afghanistan. 122 00:05:27,270 --> 00:05:29,100 - [Dr. Lauren] The use of lavish materials 123 00:05:29,100 --> 00:05:31,830 added to the importance of this book. 124 00:05:31,830 --> 00:05:34,890 The text on this page, as well as the pages 125 00:05:34,890 --> 00:05:37,110 that are primarily filled solely with text, 126 00:05:37,110 --> 00:05:41,400 is using a Irish form of writing called insular majuscule. 127 00:05:41,400 --> 00:05:43,230 - [Dr. Steven] Insular refers to something 128 00:05:43,230 --> 00:05:45,480 that was made in the British Isles, 129 00:05:45,480 --> 00:05:48,870 and majuscule refers to the use of capital letters, 130 00:05:48,870 --> 00:05:52,710 but there is this distinctly beautiful rounded form 131 00:05:52,710 --> 00:05:55,950 and regularization of those letter forms. 132 00:05:55,950 --> 00:05:58,740 - [Dr. Lauren] This is an era where manuscript production 133 00:05:58,740 --> 00:06:03,740 is so vital to early Christianity and its spread in Ireland. 134 00:06:04,050 --> 00:06:05,700 - [Dr. Steven] If it was made in Iona, 135 00:06:05,700 --> 00:06:08,400 one of the reasons that it would've been transported 136 00:06:08,400 --> 00:06:11,010 all the way to Kells is to protect it. 137 00:06:11,010 --> 00:06:14,790 - [Dr. Lauren] So in 793, Iona is attacked by the Vikings. 138 00:06:14,790 --> 00:06:18,060 And so that's when monks at Iona would have brought 139 00:06:18,060 --> 00:06:22,050 the Book of Kells to Kells Abbey for safe keeping, 140 00:06:22,050 --> 00:06:24,366 or possibly have finished it there. 141 00:06:24,366 --> 00:06:27,449 (gentle piano music)