Trenton Doyle Hancock: "The Former and the Ladder or Ascension and a Cinchin'" | "Exclusive" | Art21
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0:07 - 0:12[Trenton Doyle Hancock: "The Former and the Ladder or Ascension and a Cinchin'"]
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0:13 - 0:18Questo è solo un piccolo esempio
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0:18 - 0:22di come appare il pavimento del mio studio.
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0:23 - 0:26Ho letteralmente staccato un po' di cose
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0:26 - 0:29e ho pensato che fosse carino contestualizzarle
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0:29 - 0:32con le opere che sono alle pareti.
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0:33 - 0:36Di solito nel mio studio non uso gomme.
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0:38 - 0:41Come se lasciassi accumulare il materiale
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0:41 - 0:44per farvi vedere la storia di tutto.
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0:44 - 0:48Quindi l'idea della cancellazione avviene solo con un coltello.
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0:48 - 0:53Taglio di nuovo il materiale per infondergli nuova vita --
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0:53 - 0:55o per sottrargliela.
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0:57 - 1:00Sono molto felice che sia rimasta intatta.
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1:00 - 1:01È una lettera "E"
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1:01 - 1:05che faceva parte del dipinto "Former and Ladders".
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1:06 - 1:09Era sui pantaloni.
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1:09 - 1:14Credo che fosse nel "The".
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1:15 - 1:18Suppongo che sarei potuto essere un po' più incauto
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1:18 - 1:19mentre la tagliavo;
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1:19 - 1:21ma una parte di me ha detto:"No",
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1:21 - 1:25"Se la tagli in un modo che mantenga la sua integrità,
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1:25 - 1:28allora posso usarla di nuovo in un'altra opera".
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- Title:
- Trenton Doyle Hancock: "The Former and the Ladder or Ascension and a Cinchin'" | "Exclusive" | Art21
- Description:
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Filmed in 2012 at James Cohan Gallery in New York City, artist Trenton Doyle Hancock discusses his large-scale collage "The Former and the Ladder or Ascension and a Cinchin'" (2012). Made from materials that Hancock accumulated over a fifteen-year period, including scraps from some of his earlier artworks, it provides a condensed overview of his artistic development to-date. The artist, who recently moved away from his longtime Mounds and Vegans narrative, describes the central figure as busting out of shackles and "trying to get free of something." "The Former and the Ladder or Ascension and a Cinchin'" is held in the Virginia Museum of Fine Arts collection.
Influenced by the history of painting, especially Abstract Expressionism, Hancock transforms traditionally formal decisions—such as the use of color, language, and pattern—into opportunities to convey narratives.
Learn more about the artist at:
http://www.art21.org/artists/trenton-doyle-hancockCREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Ian Forster. Camera: Ian Forster, Rafael Salazar Moreno & Ava Wiland. Sound: Stephanie Andreou & Ava Wiland. Editor: Morgan Riles. Artwork Courtesy: Trenton Doyle Hancock & James Cohan Gallery. Theme Music: Peter Foley.
"Exclusive" is supported, in part, by by the New York City Department of Cultural Affairs in partnership with the City Council; 21c Museum Hotel, and by individual contributors.
Trenton Doyle Hancock, "The Former and the Ladder or Ascension and a Cinchin'" (2012) at the Virginia Museum of Fine Arts
http://www.vmfa.museum/Collections/21st-Century_Art/Hancock_T_2013_3_Former_and_the_Ladder.aspx - Video Language:
- English
- Team:
- Art21
- Project:
- "Extended Play" series
- Duration:
- 05:10
Isabella Martini edited Italian subtitles for Trenton Doyle Hancock: "The Former and the Ladder or Ascension and a Cinchin'" | "Exclusive" | Art21 | ||
Isabella Martini edited Italian subtitles for Trenton Doyle Hancock: "The Former and the Ladder or Ascension and a Cinchin'" | "Exclusive" | Art21 | ||
Isabella Martini edited Italian subtitles for Trenton Doyle Hancock: "The Former and the Ladder or Ascension and a Cinchin'" | "Exclusive" | Art21 | ||
Isabella Martini edited Italian subtitles for Trenton Doyle Hancock: "The Former and the Ladder or Ascension and a Cinchin'" | "Exclusive" | Art21 | ||
Isabella Martini edited Italian subtitles for Trenton Doyle Hancock: "The Former and the Ladder or Ascension and a Cinchin'" | "Exclusive" | Art21 |