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Neninthe

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    Downloaded From www.AllSubs.org
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    Disturbance in my heart...
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    O moon, come down...
    Hear our strange tale...
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    Pink cheeked young girl going
    on a picnic in the car...
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    l went to Kasi and brought
    holy water of Ganges...
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    Can you climb trees
    and hills, O Narahari?
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    l've lost all my money...
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    Women's world has awaken...
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    You're a vivacious girl...
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    You're a golden boy...
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    Handsome young man but
    can't trap a bird also...
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    Heart is a beautiful celestial garden...
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    lt's time ofjasmine...
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    My motherland is a beautiful country...
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    Oh Lord Brahma!
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    Five Pandavas...
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    Wrote many love letters...
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    Your eyes say it,
    your mischievous smile says it...
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    O maiden, the word in
    your silent heart...
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    Wake up, my king!
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    Grass cutting young maiden...
    Young maiden in red sari...
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    He's hiding in this little box...
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    Live with a smile, brother...
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    At the fall of night
    behind the jasmine garden...
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    My king will come today...
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    Will you come Muthyalu?
    Will you give whatever l ask?
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    Have you gone mad, my dear?
    Are you itching for love?
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    Look aunty, he's a dirty boy...
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    l lost it while drying...
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    There's a hut...and a bed...
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    Banganapalli Mango is ripe...
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    River Godavari is in full spate...
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    For my Laila...
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    Singing in praise of Lord
    and dance is salvation...
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    O beauty, you enchant me...
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    Pound the paddy to
    move my heart, my dear...
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    l've arranged the bed with flowers,
    come my dear...
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    A star has come down
    from sky for me...
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    lt's a silence of the unsaid word...
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    lt's a music of the silent
    musical instrument...
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    O my beau...my dear...
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    Botany class or matinee show,
    which one is your choice?
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    Team Tolly (www.TollyTorrents.com)
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    Cinema super...100 days...sure hit...
    1 75 days...silverjubilee...
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    Terrific movie...super cinema...
    excellent direction...200 days film...
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    Cinema is big bore!
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    What happened son?
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    l directed a film in my dream, Rajyam.
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    lt got released and public
    were talking about it.
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    Everyone liked it very much.
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    But one man said it was big bore.
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    l'll beat with slippers,
    how dare he says your film is a big bore.
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    How dare he says bad about my son's film.
    - You calm down mother.
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    Tell me who is he.
    - Let's beat him tomorrow morning.
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    Go to sleep now.
    - Sleep? How dare he says it's bore.
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    Son, learn everything about film making
    from the director you work with.
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    You must hit big time than him.
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    l won't if l don't make it,
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    but l shouldn't end up like him,
    that's why l work with him.
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    Greetings sir.
    - Greetings.
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    Can you deliver the dialogues?
    - l can sir.
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    Deliver few lines.
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    We toil day and night for you,
    how dare yet you treat us like dogs!
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    Move...move...move...
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    Get into van sir.
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    Call me after the shot is ready.
    - Okay sir.
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    l've done acting course in film institute,
    please offer me atleast a bit role.
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    Even if there's no dialogue,
    l'll do it sir.
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    Say it aloud!
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    Move little back.
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    Where's the old co-director?
    - He's inside sir.
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    Hero?
    - He came just now.
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    Sir, director has come.
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    Move...move...give him way.
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    Greetings sir.
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    He's thinking.
    - Director sir...
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    Why are you so mad about him?
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    Let him.
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    l came to join you as
    an assistant director.
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    No use.
    - l beg you sir.
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    See, how many are
    fighting it out to join.
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    No use, l'll try in my next film.
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    What? Why are you crying?
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    l didn't have food for 3 days now.
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    Serve him food and send him.
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    Will you make me your
    assistant in next film?- l'll try.
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    Will you take me without fail, sir?
    - Come to my office.
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    What's your name sir?
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    How dare you ask great director
    ldli Vishwanadham is name?
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    Don't you've any sense?
    Will you come without knowing his name?
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    Go out...
    - You calm down sir...
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    Go out...
    - Where's the lunch room?
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    Go...keep it there...
    you too go...
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    He's asking my name!
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    Are you ready sir?
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    Director, he's ready.
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    Once l commit,
    l'll don't care even myself.
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    ldli sir! lsn't the dialogue
    little overboard?
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    You must beat thighs
    and challenge.
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    Deliver dialogues beating your chest.
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    Express sorrow beating your stomach.
    They need all this.
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    Do you know? l've a dialogue which
    nobody has written till now.
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    What is it sir?
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    How worst l'm, l myself don't know.
    - But we know!
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    What a command on dialogues sir!
    Your command is mind blowing sir.
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    You've great command on story,
    screenplay, fights, dance, in all crafts.
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    A director must have
    command on many crafts.
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    He manages well without having
    any command on anything.
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    l'm also confused
    how he manages it.
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    How's the film shoot progressing?
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    Going on fine sir, but director wants
    to move a schedule to America.
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    America?
    - Yes sir.
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    But it wasn't in the plan.
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    Sir, he wants to film the Sumo car
    chase in Grand Canyon.
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    Sumo chase in Grand Canyon...?
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    Where's that bloody idiot?
    - ln the floor.
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    Which floor?
    - This floor.
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    That's my feeling.
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    Good morning director sir.
    - Please sit down.
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    lt seems you're planning
    a film shoot in America.
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    Yes, planning to film at Grand Canyon.
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    lt'll be grand.
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    lnfact we were discussing about it.
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    Can we get Sumos in America?
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    Let's book 20 Sumos in the cargo...
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    Are you a man or a beast?
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    Am l not talking to him?
    Am l not talking to a great man?
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    20 are enough or you need 40?
    - l mean...
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    Let's talk about it later.
    - Okay.
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    What?
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    Dancers are here for dress rehearsal.
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    One girl is refusing to wear the dress.
    Check it.
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    Who is refusing to wear the dress?
    - That girl sir.
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    What's your problem?
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    Dress is bad.
    Hip is very low.
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    Mumaith Khan wears the
    same dress in the song.
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    l don't know what's your problem?
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    Don't talk cheap about us.
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    This is a film shoot,
    it'll be like this only here.
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    Wear this dress and come to
    the rehearsal orjust walk out.
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    You can't refuse after coming here.
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    Who is the co-ordinator?
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    Get ready quickly.
    - You come here.
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    What man? That girl is refusing
    to wear the dress.
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    We can't get our time
    wasted like this.
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    All are ready there,
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    where do you find such people?
    Silly things!
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    You go.
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    You refused little while ago,
    but why are you wearing it now?
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    No other go, l'm starving.
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    l need money very urgently.
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    You've impressed me
    with your words.
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    Life is a pain, you can't avoid it.
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    My name is Ravi.
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    Didn't we tell you not to come here?
    Come.
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    Leave me, l'll call police.
    Leave me first and talk.
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    l'm Yadu, l told you already.
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    That l'll occupy your land.
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    But this land belongs to me,
    l've HUDA permission too.
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    Bloody, occupying means
    usurping land,
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    it belonged to you,
    but it now l've occupied it.
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    Your wife?
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    Take your child.
    - Hubby!
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    Bring him.
    - Come.
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    Please don't harm him.
    Please leave him
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    Leave my leg...leave...
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    No...please someone save him...
    - No...
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    Oh my God!
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    Leave him...please don't harm him...
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    l beg you.
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    Hey you, come here.
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    Come here.
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    Who is she?
    - Don't know brother.
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    Don't harm him.
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    One tea please.
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    Neck pain.
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    Get 4 teas.
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    Which film shoot?
    - ETV serial.
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    Shifting to 14.
    - Shatter it.
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    You play.
    - Got it?
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    l'll go, Raju.
    - Okay brother.
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    All my problems will be solved
    if you become a director.
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    l don't need to beg for small roles.
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    Become a director quickly.
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    lf that happens,
    l'll offer you a good comedy role.
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    Comedy?
    You're underestimating me.
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    l want to become a villain.
    - Villain?
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    Shivasankar Prasad was a villain,
    cut it & he's Megastar Chiranjeevi.
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    Bhaktavatsala Naidu was a villain,
    cut it & he's Collection King Mohan Babu.
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    Shivaji Rao Gaikwad was a villain,
    cut it & he's Superstar Rajinikanth.
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    Oh! Come here and sit.
    - You're right.
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    Get up.
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    Where's your film shoot tomorrow?
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    Annapurna Studios. Second floor.
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    May l sprinkle powder?
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    Greetings brother...greetings...
    - Greetings.
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    l think l've seen you before.
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    Yesterday l was present at the film shoot.
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    Go ahead, what brings you here?
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    Get me a tea,
    l'll tell you a good story.
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    Order a tea for him.
    - Get a tea.
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    Brother! Hero has AlDS!
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    Heroine too is afflicted with AlDS.
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    They fall in love with each other.
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    Will they be cured of AlDs in the climax?
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    No, it'll increase.
    - Cinema will be a flop.
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    lsn't it?
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    Same story, when Mani Rathnam
    made it as 'Geethanjali',
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    you all watched it, O my beau...
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    You've impressed me.
    Keep it up.
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    ldeas are rushing out from inside,
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    if given one chance,
    l'll plough through this industry.
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    Plough it? lt isn't so easy to plough,
    may l explain you in your words,
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    cinema is like this carom board,
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    We both know it'll fall into
    the pocket surely.- Yes brother.
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    We can't pocket it everytime.
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    What we fail to understand is,
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    if we hit the centre,
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    we don't know which will
    move to which side,
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    that's cinema.
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    Reviews are like ruing
    to pocket the red coin.
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    lt's like that.
    So first learn to work.
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    How dare you pass
    comment on my hero!
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    Hey give the bottle...
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    What's the connection between
    my hero and your hero?
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    lsn't it Sai?
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    What's the connection?
    - He's beating up someone.
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    How dare you pass comment
    on my hero infront of me.
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    l'll rip you apart.
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    Leave him...
    - How dare comment my hero.
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    Your hero's life isn't worth as
    my hero's Nizam collections.
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    Bloody...
    - Take him away.
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    His hero is isn't worth even to
    appear as a friend of our hero.
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    Why are you fighting like this?
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    You'll go to jail if he dies.
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    Fans are very scary crowd,
    nobody knows how you react.
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    Don't shout brother, balcony tickets,
    watch the film happily.
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    Take money.
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    No way, how can l take
    money from you.
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    You work for my hero's film.
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    Just give me a ring for
    my hero's film tickets.- Okay.
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    But arrange a meeting with hero
    when l come to the sets.
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    Okay, don't fight again.
    Listen to me.
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    Hail Miracle Star!
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    Who is he?
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    Mallik's biggest fan.
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    Fans association president.
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    He'll cut even his dick
    for his hero Mallik.
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    Where are you coming from?
    Film shoot?- Yes.
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    Whose film?
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    Charan.
    - You mean Rajamouli?- Yes.
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    A girl Varalakshmi was in your group,
    she isn't seen nowadays.
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    You like her so much?
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    Then what? For our entire unit.
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    Entire direction department was mad
    after her instead of the heroine.
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    She got married.
    - Oh No! Got married?
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    Pregnant too.
    - Pregnant...?
  • 15:30 - 15:32
    Are you married?
    - No, not yet.
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    What's your age?
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    You feel why am l still a bachelor
    at this age, right?
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    No, l just asked you casually.
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    Your phone number.
    - Give it, l'll make a missed call.
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    Where are you put up?
    - Krishna Nagar.
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    l too stay in Krishna Nagar.
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    Hey you, come here.
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    What do you do?
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    Who is she?
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    Cinema dancer or club dancer?
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    What's her name?
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    Will she come?
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    What?
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    Will she come for money?
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    She'll not come.
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    How do you know it?
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    May be she'll come.
    - l know.
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    She'll not come.
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    lt seems you film folks will come
    anywhere for money.
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    Why are you looking down?
    Look up!
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    lnquire...inquire her...
    if she'll come and tell me.
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    Go.
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    l was scared thinking
    you may hit him.
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    ls it any film?
    Look, how strong his gang is!
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    They will rip me apart.
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    Son, forget all this and try big banners
    like Aswini Dutt or KS Rama Rao.
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    l'm trying but l must get a chance.
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    lt'll take time.
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    Time? You'll get everything, but how will
    your name appear as director?
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    Why not plan something like
    clouds of Dasari Narayana Rao?
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    l'm worried for getting a producer
    and you're worried about posters.
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    Try it son.
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    Look out from the window, please.
    - Window?
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    What are you doing here?
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    We shifted to this place yesterday.
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    l saw you while unpacking.
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    Just you and your mother at home?
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    Stop! Why are you beating my sister?
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    You stop, your sister is
    talking to someone.
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    Who were you talking to, dear?
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    Why are you making
    phone calls at night?
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    Who is the man in the line?
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    Who is he?
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    Why are you beating her?
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    Not even a day we are here,
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    youngmen are reacting if l beat you.
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    A man in the phone and
    another man on the terrace.
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    You're very fast!
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    l must get you married,
    l must settle down in life,
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    if l see you talking to any man again...
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    What's it?
    What's your problem?
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    She's my sister-in-law,
    l'll beat or kick her,
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    or push her to death
    from the terrace,
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    you don't advantage and become
    a hero and make us villains.
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    Be ware! Go inside.
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    He appears like a crook,
    no need to fight with him, let's go.
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    Where's my cigarette pack?
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    Team Tolly (www.TollyTorrents.com)
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    How is it?
    - What a great music sense!
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    He doesn't have common
    sense also, fool!
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    With great difficulty l got permission
    to shoot in Golconda.
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    Director wants me to
    break these walls.
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    Archeological dept. will put
    me in jail if l do.
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    You tell him sir.
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    You do one thing,
  • 19:51 - 19:53
    push the director down and
    crush him under the wall.
  • 19:53 - 19:55
    l'll speak to the Archeological dept.
  • 19:56 - 19:57
    How did you hurt your head?
  • 19:57 - 19:59
    Last night he beat me again.
  • 20:00 - 20:01
    Who is he?
  • 20:01 - 20:02
    My brother-in-law.
  • 20:02 - 20:04
    My sister is a junior artiste.
  • 20:04 - 20:06
    She met this crook somewhere,
  • 20:07 - 20:10
    he charmed her with false hopes
    of making her a heroine.
  • 20:10 - 20:13
    Later she married him.
  • 20:13 - 20:16
    From then on we both have
    to toil to keep him happy.
  • 20:16 - 20:18
    We've to endure all his torture.
  • 20:19 - 20:21
    He's a drunkard,
    he beats us brutally,
  • 20:21 - 20:24
    he tries to sell us off
    if he gets a good rate.
  • 20:24 - 20:27
    l've to bear all this for my sister.
  • 20:30 - 20:32
    Why don't you find a job for my sister?
  • 20:33 - 20:35
    There's a nurse role in my film,
    will she do it?
  • 20:37 - 20:37
    Why?
  • 20:38 - 20:43
    She gets the nurse role in most of the films,
    she has her own nurse uniform too.
  • 21:17 - 21:22
    Cradle as soon you're born...
  • 21:23 - 21:29
    Coffin when you leave the world...
  • 21:34 - 21:38
    Do something in between...
  • 21:41 - 21:43
    Rule this world...
  • 21:43 - 21:48
    Play with this world...
  • 21:50 - 21:52
    Will laziness bring in the bucks?
  • 21:52 - 21:54
    Will it be yours if you just claim it?
  • 21:54 - 21:56
    Desires touch the sky...
  • 21:57 - 22:01
    Life is very short...
  • 22:03 - 22:07
    Turn it upside down...
    plough it through...clear it...
  • 22:08 - 22:12
    Live a life on your own terms...
  • 22:14 - 22:24
    Team Tolly (www.TollyTorrents.com)
  • 22:53 - 22:59
    l'm very selfish,
    l think only about me, l and myself.
  • 22:59 - 23:00
    What about me then?
  • 23:00 - 23:01
    You're more selfish than me.
  • 23:02 - 23:04
    You'll think about yourself and
    you want me to think about you,
  • 23:05 - 23:05
    Oh no!
  • 23:06 - 23:10
    Don't crib about opportunity
    not knocking your door...
  • 23:10 - 23:14
    lt would've knocked long back,
    you might've missed hearing it...
  • 23:14 - 23:18
    lf you curse yourself
    sitting in the dark...
  • 23:19 - 23:23
    There's no chance of
    a dawn to you...
  • 23:23 - 23:25
    Yesterday will not return...
  • 23:25 - 23:27
    Nobody knows
    what's in store tomorrow...
  • 23:28 - 23:32
    All you've is just today only...
  • 23:34 - 23:36
    Paths without thorns...
  • 23:36 - 23:38
    Lives without sorrows...
  • 23:39 - 23:43
    Lives without any risks...
    lt's a big bore...
  • 23:45 - 23:49
    Though you may reach the top
    of the world and earn billions...
  • 23:50 - 23:54
    Don't let fame take over you...
  • 23:54 - 23:56
    Victory isn't somebody's
    personal property...
  • 23:56 - 24:04
    lt didn't start with you...
    lt's a 50-50 chance...
  • 24:17 - 24:18
    Me?
  • 24:18 - 24:21
    l don't have any bad habits like
    cigarette, tobacco chewing.
  • 24:21 - 24:23
    l eat food and do exercise.
  • 24:24 - 24:24
    No!
  • 24:26 - 24:27
    Yuck!
  • 24:27 - 24:31
    lf l marry him forget about pub,
    he'll not take me to Coffee day also.
  • 24:32 - 24:42
    Team Tolly (www.TollyTorrents.com)
  • 24:50 - 24:54
    You can catch a bus if you
    wait in a bus station...
  • 24:55 - 24:59
    What's there for you
    if you fall into frustration?
  • 24:59 - 25:03
    All your mistakes till date...
  • 25:04 - 25:08
    You can cover it up
    with your success...
  • 25:08 - 25:12
    Raising after a fall is
    a child's first lesson...
  • 25:12 - 25:17
    lsn't it strange we forget
    it so quickly?
  • 25:19 - 25:23
    Know what you want before
    embarking a journey...
  • 25:23 - 25:26
    To make it happy and eventful...
  • 25:26 - 25:28
    See how l've placed the black.
  • 25:30 - 25:34
    Whatever you fear the most,
    do it one everyday...
  • 25:34 - 25:38
    You'll never have any fear...
  • 25:39 - 25:41
    Though life hits rock bottom...
  • 25:41 - 25:43
    Though life turns into a hell...
  • 25:43 - 25:50
    Work only if you love to do it...
  • 25:52 - 26:02
    Team Tolly (www.TollyTorrents.com)
  • 26:11 - 26:12
    What's those lyrics?
  • 26:13 - 26:15
    Such lyrics for Mumaith Khan?
  • 26:15 - 26:17
    Bloody co-director! You went personally
    and got the lyrics written
  • 26:18 - 26:19
    l'm engaging you unnecessarily.
  • 26:19 - 26:22
    lf l engage you again,
    beat me with a slipper.
  • 26:25 - 26:30
    ln 1978, when 'Vetagadu' film shoot was
    in progress at AVM studios,
  • 26:30 - 26:32
    a man fell unconscious
    at the studio door,
  • 26:33 - 26:36
    l sprinkled water on his face,
    fed him with ldlies and took him inside,
  • 26:37 - 26:38
    he's the same man.
    - ls it him?
  • 26:38 - 26:41
    He's shouting at me now.
    l'm taking it, do l need all this?
  • 26:42 - 26:44
    Forget about it,
    are we here for him?
  • 26:44 - 26:46
    We are here aspiring
    to become directors.
  • 26:48 - 26:50
    What? Money?
    - Yes.
  • 26:50 - 26:53
    Do you know who l'm?
  • 26:54 - 26:58
    Do you know Yadu?
    l'm Yadu's man.
  • 26:58 - 27:01
    How dare you ask money
    from Yadu's man?
  • 27:02 - 27:04
    Who are you?
    - Who are you man?
  • 27:07 - 27:08
    Who do you think he is?
    He's Yadu.
  • 27:09 - 27:13
    You inquired about dancer Sandhya,
    he's her brother-in-law.
  • 27:14 - 27:15
    Really?
  • 27:15 - 27:18
    Hey you, come here.
    - Me?
  • 27:19 - 27:20
    Will you slap me again?
  • 27:20 - 27:23
    What's your name?
    - Ram Babu, brother.
  • 27:25 - 27:26
    From today you're Yadu's man.
  • 27:27 - 27:29
    Never ask him to pay bill again.
  • 27:30 - 27:31
    Got it?
    - Okay.- Go.
  • 27:32 - 27:37
    Why are you suddenly
    so benevolent on me?- l like you man.
  • 27:38 - 27:42
    Do you like me or my sister-in-law?
  • 27:43 - 27:44
    l'm very flexible.
  • 27:44 - 27:48
    Then, fix your sister-in-law
    for our boss.- l got it.
  • 27:48 - 27:50
    Remember my face.
  • 27:50 - 27:58
    Team Tolly (www.TollyTorrents.com)
  • 27:58 - 28:02
    Don't make noise...
    please don't make noise...
  • 28:02 - 28:03
    Shooting is in progress.
  • 28:03 - 28:05
    Sorry brother.
    - Listen to me.
  • 28:08 - 28:09
    That's the problem with you guys.
  • 28:09 - 28:12
    We can't hold on if we see
    our hero in action scenes.
  • 28:12 - 28:16
    Please calm down...
    please don't push me.
  • 28:23 - 28:26
    l said let's meet today evening.
    - Take a fight.
  • 28:26 - 28:27
    Waiting there...
  • 28:33 - 28:36
    lf you harm my sister...
  • 28:37 - 28:39
    Spent Rs.2.25 lakhs for
    heroine's Bisleri water only.
  • 28:39 - 28:42
    ls she giving bath to
    her dogs also in it?- Greetings sir.
  • 28:42 - 28:44
    How do you do?
    - l'm fine sir.
  • 28:44 - 28:46
    This time increase
    our hero's film prints,
  • 28:47 - 28:49
    l don't know how you do it,
    our hero's film must be a super hit.
  • 28:50 - 28:51
    l too want a super hit film only.
  • 28:51 - 28:55
    Who will not want it?
    Not to me, say that to ldli.
  • 28:55 - 29:00
    Tell him you need a sliverjubilee hit
    that will break all previous records.
  • 29:01 - 29:03
    Let's cut these bills from
    heroine's remuneration.- Forget it.
  • 29:03 - 29:04
    You go.
    - Go.
  • 29:04 - 29:07
    Hey give me tea.
    - Give him tea.
  • 29:07 - 29:09
    Rehearsals with fighters...
    - Sir, fans are here to meet you.
  • 29:09 - 29:10
    Tell them come.
    - Sai, come here.
  • 29:10 - 29:16
    Hail superstar Mallik Khanna!
    - Wait...wait...boys...
  • 29:16 - 29:17
    What's all this?
  • 29:18 - 29:22
    Same day your film was
    released and ran 1 75 days,
  • 29:22 - 29:25
    next has just released,
    how can we not celebrate it?
  • 29:25 - 29:26
    Give me the knife.
    - Take it.
  • 29:27 - 29:28
    What's all this, Sai?
  • 29:28 - 29:31
    l put a dot to my hero
    twice with my blood,
  • 29:31 - 29:34
    notjust this year,
    l'll do it every year.
  • 29:34 - 29:37
    Are you mad?
    - No problem, just a small dot.
  • 29:37 - 29:39
    You know l don't like this madness.
  • 29:39 - 29:42
    No problem...just a small dot.
    That's it!
  • 29:42 - 29:48
    Hail superstar Mallik Khanna!
    - You go out now.
  • 29:48 - 29:50
    When did you eat it?
  • 29:51 - 29:52
    Where's the heroine?
  • 29:52 - 29:54
    She's inside.
    - lnside?
  • 29:55 - 29:56
    Keep others off.
    - Okay.
  • 29:57 - 29:58
    l'll talk to her.
  • 30:05 - 30:07
    Heroine is inside, he wants to cry,
    let him weep.
  • 30:07 - 30:08
    No sir, in this scene...
  • 30:08 - 30:10
    By luck he became a director,
  • 30:10 - 30:12
    there won't be any affair between them,
  • 30:12 - 30:14
    people must think they have an affair,
    that's what he wants.
  • 30:14 - 30:16
    No sir, inside...
    - Go.
  • 30:16 - 30:19
    Are you ready fighters?
    - What?- Nothing sir.
  • 30:24 - 30:25
    We met last evening only.
  • 30:26 - 30:28
    One day separation is too long.
  • 30:29 - 30:34
    l'm going to US, may take
    3 months to come back.
  • 30:35 - 30:38
    Why not cancel the trip?
  • 30:45 - 30:46
    Greetings ldli sir.
  • 30:46 - 30:47
    Our hero's film must run 1 75 days.
  • 30:48 - 30:49
    How many centres you want?
  • 30:49 - 30:50
    How many 100 day centres
    and how many 1 75 day centres?
  • 30:51 - 30:54
    How many 300 day centres?
    This film will be a colossal hit.
  • 31:01 - 31:05
    Throwing a pumpkin on heroine's navel
    and breaking a coconut...
  • 31:05 - 31:06
    Come here...
  • 31:06 - 31:08
    Aren't you an assistant director?
    - Yes.
  • 31:08 - 31:09
    l've a job for you.
  • 31:10 - 31:13
    l know a company, they will feed you
    but will not pay salary.
  • 31:13 - 31:15
    Will you join?
    - No.
  • 31:15 - 31:17
    Why?
    - l'll direct a film straight away.
  • 31:17 - 31:18
    You gave me a jerk.
  • 31:18 - 31:22
    Yes sir, first observation,
    then apprentice, then assistant director,
  • 31:23 - 31:24
    then associate, then co-director,
  • 31:24 - 31:26
    l can't cross all these
    hurdles to direct a film,
  • 31:26 - 31:28
    Thoughts are flowing out
    from me in a deluge.
  • 31:28 - 31:30
    Our people have a great fancy
    for Tamil directors.
  • 31:30 - 31:32
    Put some ask sir.
  • 31:35 - 31:38
    From today l'm Senthil
    not Sathi Babu.
  • 31:38 - 31:40
    You too call me as Senthil
    next time when you meet me.
  • 31:40 - 31:42
    Brother, get me a tea.
  • 31:42 - 31:47
    SJ Surya, Selvaraghavan, Karunakaran,
    Gowtham Menon were my roommates.
  • 31:47 - 31:48
    Roommates?
    - Yes.
  • 31:48 - 31:50
    How fast you've started
    changing the colours?
  • 31:50 - 31:52
    What do you mean by it in Telugu?
  • 31:52 - 31:53
    lt's difficult with him.
  • 31:55 - 31:55
    Brother...
  • 31:58 - 31:59
    How many times can l give on credit?
  • 31:59 - 32:00
    Recently l settled your bills, right?
  • 32:01 - 32:02
    Yesterday your brother-in-law
    took Rs.2000
  • 32:02 - 32:03
    Please help me this time.
  • 32:03 - 32:05
    How many times can l give?
    Your bills are inflating.
  • 32:05 - 32:06
    Pay and take it.
  • 32:06 - 32:07
    l'll pay in 2 days,
    please help me this time.
  • 32:07 - 32:08
    Please give me the groceries.
    lt'll not happen again.
  • 32:09 - 32:11
    No way. Pay cash.
  • 32:12 - 32:16
    You need money and l want you.
  • 32:18 - 32:19
    Will you come now?
  • 32:21 - 32:25
    Am l not talking to you?
  • 32:25 - 32:29
    You need groceries?
    Are you hungry?
  • 32:30 - 32:31
    l'm also hungry.
  • 32:36 - 32:37
    She's no ordinary Sandhya.
  • 32:41 - 32:42
    Why am l huffing?
  • 32:42 - 32:45
    How many fights l have fought?
    lt never happened to me like this.
  • 32:45 - 32:46
    Kidnap her, l'll rape her.
  • 32:46 - 32:49
    No need brother,
    her brother-in-law is a pimp,
  • 32:49 - 32:51
    if you tell him,
    he'll bring her to your bed.
  • 32:51 - 32:53
    Give me a cigarette.
  • 32:54 - 32:55
    Send the patient in.
  • 32:57 - 32:58
    Greetings doctor.
  • 32:59 - 33:01
    How do you feel now?
  • 33:01 - 33:03
    l feel drained.
  • 33:04 - 33:05
    Sometimes l've cough also.
  • 33:06 - 33:08
    Any blood in the cough?
  • 33:09 - 33:10
    Once.
  • 33:11 - 33:13
    Send someone from your family,
    l need to talk to them.
  • 33:16 - 33:18
    No problem, you can tell me.
  • 33:18 - 33:19
    Ask your children to come.
  • 33:20 - 33:23
    l don't have anyone,
    please tell me whatever it is.
  • 33:24 - 33:25
    l've a strong heart.
  • 33:26 - 33:27
    You've stomach cancer.
  • 33:28 - 33:31
    You can get better but
    medication is very expensive.
  • 33:32 - 33:33
    Can you bear the cost?
  • 33:34 - 33:37
    How long can l live without medication?
  • 33:42 - 33:44
    Cut, and hero is standing,
  • 33:45 - 33:46
    car is parked little away,
  • 33:46 - 33:48
    two people nearby are
    talking mysteriously,
  • 33:49 - 33:53
    hero comes and walks slowly
    towards the car,
  • 33:53 - 33:54
    open the door,
  • 33:56 - 33:58
    there's a dead body as expected,
  • 33:58 - 34:00
    but it isn't Sathish's but Arun's body.
  • 34:00 - 34:04
    Arun? l never expected this.
  • 34:04 - 34:05
    Next?
  • 34:05 - 34:07
    Discussing the scenes?
  • 34:07 - 34:11
    Yes, join us, he and my mother say
    it's excellent whatever l say.
  • 34:11 - 34:13
    That's why l always tell them,
    come, no film shoot?
  • 34:13 - 34:15
    No, free for 10 days.
  • 34:15 - 34:17
    Don't be lazy for 10 days.
  • 34:17 - 34:19
    Do whatever you're mad about.
    - Mad about?
  • 34:19 - 34:21
    Every man is mad about something.
  • 34:21 - 34:23
    Life is useless without any madness.
  • 34:23 - 34:25
    What do you want to become?
  • 34:25 - 34:27
    Choreographer or item dancer?
  • 34:27 - 34:30
    lf it's choreography, spend time to
    compose new dance movements.
  • 34:30 - 34:34
    lt it's item dancer, go to gym,
    exercise and keep body fit and trim.
  • 34:34 - 34:35
    You must do something.
  • 34:36 - 34:38
    First know what you're mad about.
  • 34:38 - 34:40
    Then know what to do
    to satisfy that madness.
  • 34:40 - 34:41
    What?
  • 34:42 - 34:44
    Look my Rajyam too has come.
  • 34:46 - 34:49
    Rajyam, tell what you're mad about,
    l mean your goal.
  • 34:50 - 34:51
    My goal is nothing,
  • 34:52 - 34:55
    my son must become the greatest
    film director in Andhra Pradesh.
  • 34:56 - 34:58
    Good!
    What are you doing for it?
  • 34:59 - 35:00
    What would l do?
  • 35:01 - 35:04
    l'll make sure my son eats on time,
  • 35:04 - 35:07
    watch him from distance
    when he writes a story,
  • 35:07 - 35:11
    l'll not disturb him
    when he's thinking,
  • 35:11 - 35:16
    not only that l'll not tell him even while
    dying anything that can disturb him.
  • 35:17 - 35:19
    What's this Rajyam?
    You got so emotional.
  • 35:20 - 35:27
    Team Tolly (www.TollyTorrents.com)
  • 35:27 - 35:29
    You're doing fine, where should l go
    and tell my sorrow tales?
  • 35:29 - 35:32
    Dancers are ready on the sets,
    fighters are in the hotel,
  • 35:32 - 35:35
    ldli is planning climax with
    1000 people in the Assembly hall.
  • 35:35 - 35:38
    Bomb blast right before the Assembly,
    who will permit it?
  • 35:38 - 35:39
    You wait man, l'll call you later.
  • 35:40 - 35:42
    Climax opposite Assembly?
    - l am also confused sir.
  • 35:42 - 35:44
    l want your appointment sir.
    - Why?
  • 35:44 - 35:45
    l've a subject,
    l want to narrate to you.
  • 35:46 - 35:47
    What subject?
  • 35:48 - 35:50
    lf you're free and give me one hour,
    l'll narrate it to you.
  • 35:51 - 35:52
    What's the discussion
    going on here, Ravi?
  • 35:52 - 35:53
    l want to narrate a story to him.
  • 35:54 - 35:56
    Story? Why?
    - To direct a film.
  • 35:56 - 35:59
    Direct a film? Come on do it.
  • 35:59 - 36:01
    Did you join me to work or
    search for producers?
  • 36:01 - 36:03
    Direction has become
    a big joke to everyone.
  • 36:03 - 36:05
    No sir, a small story.
    - Small story? Tell me.
  • 36:06 - 36:08
    Bring chairs boys,
    sir will sit here.
  • 36:08 - 36:12
    Bring chair here, sir will sit here,
    stop the film shoot.
  • 36:13 - 36:15
    All of you come here,
    Ravi will narrate a story.
  • 36:15 - 36:17
    Sit...sit down.
  • 36:17 - 36:18
    You sit here.
  • 36:19 - 36:22
    Start it. Carry on.
  • 36:23 - 36:26
    Come on narrate l say.
    Begin it, come on.
  • 36:29 - 36:30
    We open with a village shot.
  • 36:30 - 36:33
    l must decide if it's city,
    village or hamlet not you.
  • 36:34 - 36:34
    Carry on.
  • 36:34 - 36:35
    One fine morning...
  • 36:36 - 36:40
    l must decide whether it's morning,
    afternoon or evening not you.
  • 36:40 - 36:42
    Will you decide?
    You carry on with the story.
  • 36:42 - 36:44
    An 18 year old girl...
  • 36:44 - 36:47
    Why are you worried about
    18, 34 or 54 years age?
  • 36:47 - 36:50
    You narrate the story,
    all of you listen carefully.
  • 36:50 - 36:51
    l'm scared sir.
  • 36:51 - 36:53
    Scared?
    - Yes sir.- Why?
  • 36:53 - 36:58
    Asking why sir? is joke to narrate
    story to genius ldli Vishwanadham?
  • 36:58 - 37:01
    He's just a boy.
    - Boy? He's not a boy but a director.
  • 37:01 - 37:03
    You carry on with the story.
  • 37:03 - 37:04
    l'm getting shivers, sir.
  • 37:04 - 37:05
    What?
    - l'm getting shivers,
  • 37:06 - 37:11
    lf you get shivers to tell me a story,
    how can you tell a story to your audience?
  • 37:12 - 37:16
    What a music sense sir!
    - ls it music?
  • 37:16 - 37:20
    Your talking has a musical rhythm,
    what a musical sense!
  • 37:20 - 37:22
    From where do you get
    such inspiration!
  • 37:43 - 37:45
    Tell me.
    - What are you doing, Director?
  • 37:46 - 37:47
    l'm writing a scene.
  • 37:47 - 37:49
    What's the scene about?
    - Love scenes.
  • 37:49 - 37:53
    Love scenes will not come
    if you close the windows.
  • 37:53 - 37:54
    lt'll come if you open them.
  • 37:55 - 37:57
    Will you come down for a minute?
    l need to talk to you.
  • 38:03 - 38:13
    Team Tolly (www.TollyTorrents.com)
  • 38:21 - 38:23
    Had dinner?
    - Had.
  • 38:23 - 38:24
    l'll tell you a story,
    tell me your opinion on it.
  • 38:25 - 38:28
    Always stories?
    Let's listen to some songs.
  • 38:37 - 38:39
    What's your first girl friend's name?
  • 38:39 - 38:41
    Don't act smart, first ask
    if l had a girl friend or not.
  • 38:42 - 38:44
    No smart moves please,
    l never had one before.
  • 38:44 - 38:45
    l too wish for one
    but didn't find one,
  • 38:46 - 38:48
    so l gave up without try.
  • 38:48 - 38:50
    l don't know if he's fresh or dumb.
    - What did you say now?
  • 38:51 - 38:53
    Will you write love scenes also?
    - Why not?
  • 38:54 - 38:57
    Will there be kisses also
    in those love scenes?
  • 38:57 - 38:58
    Why not?
  • 38:58 - 39:01
    You're very fast.
  • 39:02 - 39:03
    Will your hero and heroine
    meet in the end?
  • 39:04 - 39:05
    They will in the climax.
  • 39:06 - 39:10
    Only in the climax?
    So they never do anything before.
  • 39:11 - 39:13
    Do you think l don't know
    what you're suggesting?
  • 39:13 - 39:15
    You think l'm not doing
    what you expect me to do.
  • 39:16 - 39:22
    l too want to kiss and have you,
    but something is stopping me.
  • 39:23 - 39:26
    We both aren't open in few things,
  • 39:31 - 39:35
    someday this auto will shake violently.
  • 39:37 - 39:37
    Watch out!
  • 39:39 - 39:39
    You will see it.
  • 39:43 - 39:45
    When is your birthday Ravi?
  • 39:45 - 39:46
    What bothers you? Why?
  • 39:47 - 39:49
    l asked just to say mine is tomorrow.
  • 39:49 - 39:52
    ln two hours from now
    l'll be born again.
  • 39:58 - 40:00
    What next?
    - No film shoot tomorrow?
  • 40:00 - 40:03
    No, ldli had a piles operation. Why?
    - Nothing...
  • 40:10 - 40:11
    Did you expect Sandhya here?
  • 40:11 - 40:13
    Why wouldn't l? lpod is ours.
  • 40:14 - 40:17
    All lpods are white, you were right,
  • 40:17 - 40:19
    she was here till now,
    she leftjust now.
  • 40:19 - 40:23
    There's nothing between us,
    you needn't beat her like a sadist.
  • 40:23 - 40:26
    Please don't beat her,
    hero will make an entry then.
  • 40:28 - 40:31
    This is yours,
    give it to your sister-in-law.
  • 40:31 - 40:34
    Put a good cover to it.
  • 40:35 - 40:38
    Not for it, l'll have you covered up.
  • 40:46 - 40:50
    Time is running out!
    No sign of call from him.
  • 40:52 - 40:56
    Does he have the habit of wishing or not?
  • 41:03 - 41:04
    Take offering.
  • 41:06 - 41:08
    Tell me what you want for dinner,
    l'll make all your favourite dishes.
  • 41:08 - 41:09
    No need.
  • 41:09 - 41:12
    Dear, a man is here for you.
    - Who?
  • 41:12 - 41:15
    Yadu.
    - Why is he here for her?
  • 41:15 - 41:19
    He has come to wish your
    sister on her birthday.
  • 41:19 - 41:20
    May be he'll write something
    on her name,
  • 41:21 - 41:23
    may be he'll take her as a
    concubine if he really likes her.
  • 41:23 - 41:25
    Are you a man or a beast?
  • 41:27 - 41:31
    Listen to me, he may give some
    usurped property to her,
  • 41:32 - 41:34
    who knows?
    - l'll not come, brother-in-law.
  • 41:34 - 41:35
    Why are you beating my sister?
  • 41:35 - 41:38
    lt isn't her birthday,
    l can beat her.
  • 41:39 - 41:43
    l'll come, brother-in-law.
    - Come dear. Good girl.
  • 41:43 - 41:46
    Trust me, l'm your brother-in-law
    and your pimp too.
  • 41:46 - 41:48
    Whatever l do it's for
    our welfare only.
  • 41:49 - 41:52
    You stay there only,
    your appearance may create problems.
  • 41:53 - 41:54
    Look, your fans.
  • 42:05 - 42:06
    Are you scared?
  • 42:14 - 42:15
    Cut it.
  • 42:27 - 42:29
    Eat...first time Yadu is offering
    someone a cake.
  • 42:29 - 42:33
    Eat my dear,
    Yadu will do anything for you. lsn't it?
  • 42:48 - 42:49
    lt'll be 20 grams of gold, right?
  • 42:50 - 42:51
    Gold chain on golden beauty's neck.
  • 42:51 - 42:52
    Wear it.
  • 42:56 - 42:57
    Why are you crying?
  • 42:57 - 43:01
    Tears of happiness,
    when you get emotional you get tears.
  • 43:01 - 43:03
    When l like l paid them cash,
  • 43:03 - 43:05
    or else l'll rape them for free,
  • 43:06 - 43:07
    never presented anyone
    with a gold chain,
  • 43:16 - 43:17
    Dear!
  • 43:24 - 43:27
    Why did she leave without
    even thanking me?
  • 43:27 - 43:30
    She's afraid, next time
    she'll be free with you.
  • 43:30 - 43:32
    lf you help me,
  • 43:33 - 43:34
    What man?
  • 43:34 - 43:38
    if you send some boys
    other than these fellows,
  • 43:39 - 43:42
    l need to straighten up a man,
  • 43:42 - 43:43
    she'll be all yours then.
  • 43:44 - 43:46
    Wash your hand, flies are hovering.
  • 43:47 - 43:49
    Don't talk.
    - What happened now?
  • 43:49 - 43:52
    l told you two hours before
    midnight about my birthday,
  • 43:52 - 43:55
    l was waiting all night
    for your phone call,
  • 43:55 - 43:55
    you didn't call me,
  • 43:56 - 43:57
    l expected a call from
    you in the morning,
  • 43:58 - 44:00
    you didn't call me,
    an idiot came with cake,
  • 44:00 - 44:02
    my brother-in-law wants
    to sell me off,
  • 44:03 - 44:06
    the man l trust you were no where,
    it's all my fate.
  • 44:15 - 44:17
    All night l was writing story,
  • 44:17 - 44:18
    producer wanted me to come at 6 am,
  • 44:19 - 44:21
    l'm waiting here since then,
  • 44:21 - 44:24
    after every hour, he asked me
    to come after an hour.
  • 44:24 - 44:26
    l'm waiting here since morning 5 am.
  • 44:26 - 44:28
    Didn't you remember about me
    in these five hours?
  • 44:32 - 44:33
    Don't you've a personal life?
  • 44:34 - 44:36
    Just one phone call,
    a birthday wish.
  • 44:36 - 44:39
    Worried about birthday,
  • 44:39 - 44:41
    are you Queen Victoria for
    the nation to celebrate it?
  • 44:42 - 44:43
    What have you achieved to celebrate?
  • 44:53 - 44:54
    l got irritated on you and said it,
  • 44:57 - 44:59
    l forgot in the tension of story,
  • 44:59 - 45:01
    do you know this?
    Yesterday was my birthday.
  • 45:01 - 45:03
    Did l tell you?
    - No.
  • 45:05 - 45:07
    Don't cry, go home.
  • 45:07 - 45:09
    Let's meet in the evening. Okay?
  • 45:13 - 45:15
    Going to meet the producer, right?
  • 45:19 - 45:21
    You're very sensitive,
    how can you live in this world?
  • 45:21 - 45:22
    l'm tensed.
  • 45:22 - 45:24
    Go now, let's meet in the evening.
  • 45:24 - 45:25
    You carry on.
  • 45:30 - 45:32
    Do you know she's very unlucky?
    - Why?
  • 45:32 - 45:33
    Because she got you.
  • 45:34 - 45:36
    Stop staring and hop on the bike.
  • 45:36 - 45:38
    Never talks sweetly or romances,
    always shouts at her.
  • 45:42 - 45:43
    Tell me.
  • 45:43 - 45:45
    Opens with a village,
  • 45:45 - 45:47
    a mountain away from the village,
  • 45:47 - 45:50
    a girl and a boy are
    standing on the edge,
  • 45:50 - 45:56
    if we cut, we'll show deep valley,
    both are facing each other,
  • 45:56 - 45:58
    the girl says l love you to the boy,
  • 46:00 - 46:05
    the boy takes the girl's face into his
    hands and kisses her forehead,
  • 46:05 - 46:07
    they are looking into
    each other's eyes,
  • 46:09 - 46:09
    suddenly he pushes her down,
  • 46:11 - 46:14
    she falls down with a loud cry,
  • 46:15 - 46:17
    the girl who died is the heroine,
  • 46:17 - 46:19
    the boy who pushed her is the hero.
  • 46:21 - 46:22
    ls this the opening scene?
  • 46:25 - 46:26
    Carry on.
  • 46:41 - 46:43
    With God's grace if Ravi's story
    is accepted. l'll be happy.
  • 46:43 - 46:44
    We've been listening to stories
    for the past 4 months,
  • 46:44 - 46:45
    none of them got an okay.
  • 46:46 - 46:46
    Don't say like that sir.
  • 46:47 - 46:48
    l think Ravi has some talent.
  • 46:50 - 46:51
    Story is excellent.
  • 46:53 - 46:58
    But l personally feel an experienced
    director will do justice to it.
  • 47:00 - 47:04
    Okay, l'll offer good price,
    sell the story to me.
  • 47:07 - 47:09
    Trust me sir, l'll make a good film.
  • 47:13 - 47:18
    l've already lost much in making films,
    l can't take the risk.
  • 47:19 - 47:22
    Sell the story or else leave it.
  • 47:24 - 47:26
    l don't have any such idea sir.
  • 47:30 - 47:31
    What happened?
  • 47:31 - 47:34
    He liked the story but
    doesn't want me to direct it.
  • 47:34 - 47:35
    What?
  • 47:37 - 47:39
    Don't worry, let's try elsewhere.
  • 47:39 - 47:41
    How can you say not to worry?
    We do have to worry,
  • 47:41 - 47:44
    l'm little depressed, l'll go for a jog.
    - Jog?
  • 47:45 - 47:47
    You get tired in depression.
  • 47:53 - 48:03
    Team Tolly (www.TollyTorrents.com)
  • 48:12 - 48:15
    Don't beat him lightly,
  • 48:15 - 48:19
    beat him so that he's in hospital
    for atleast a month.
  • 48:19 - 48:20
    Beat him carefully.
  • 48:20 - 48:21
    That's the man!
  • 48:21 - 48:23
    You want us to tell your name
    before beating him.
  • 48:23 - 48:25
    l don't want publicity,
    just do yourjob, that's all.
  • 48:32 - 48:33
    Missed him!
  • 48:42 - 48:44
    Who are you guys?
    - Come on boys!
  • 48:50 - 48:54
    Don't leave him, if you he'll become
    my sister-in-law's husband.
  • 49:12 - 49:17
    l stopped unable to climb the
    fencing not to fight with you.
  • 49:17 - 49:19
    Why are you after me?
  • 49:22 - 49:24
    ls it me or not?
    - You only!
  • 49:26 - 49:28
    Tell me, why are you beating me?
  • 49:40 - 49:45
    You needn't tell me any reason,
    l've a reason to bash you all.
  • 49:46 - 49:49
    Come on boys!
  • 50:08 - 50:12
    Beat me...beat me...
  • 50:25 - 50:27
    Come...come...
  • 50:38 - 50:39
    How many people can you beat?
  • 50:39 - 50:42
    Come...hold him.
  • 51:01 - 51:03
    Who are you guys?
  • 51:14 - 51:16
    Stop...stop...
  • 51:22 - 51:26
    l worked hard to write this script,
    l warned you also,
  • 51:26 - 51:28
    who sent you guys?
  • 51:28 - 51:30
    Tell me villain's name.
  • 51:32 - 51:34
    Who would've sent these guys?
  • 51:38 - 51:41
    Sister, l'm afraid to see you.
  • 51:42 - 51:45
    Your health seems to be deteriorating,
    why don't you see a doctor?
  • 51:45 - 51:49
    You said it now, but never say
    it when my son is around,
  • 51:49 - 51:50
    he'll get tensed.
  • 51:51 - 51:52
    Why is he still in this cinema field?
  • 51:52 - 51:55
    He did MBA.
    lnstead of finding a suitable job...
  • 51:56 - 51:58
    Do you know something?
  • 51:58 - 52:00
    My husband was a big distributor.
  • 52:02 - 52:10
    He bought films, lost all his property
    and finally committed suicide.
  • 52:11 - 52:13
    But still, we love films.
  • 52:16 - 52:18
    l want my son to be a big director.
  • 52:18 - 52:20
    He must make good films.
  • 52:20 - 52:23
    Distributors committing
    suicides must stop.
  • 52:24 - 52:24
    That's all.
  • 52:25 - 52:26
    Why did you come here again?
  • 52:27 - 52:28
    Allow us to meet our hero once.
    And then we will leave.
  • 52:28 - 52:30
    Dubbing is on.
    He stays here forjust 1 hour.
  • 52:30 - 52:31
    How could you ask
    a slice of his schedule?
  • 52:31 - 52:34
    l beg you.
    Allow us to meet our hero just once.
  • 52:34 - 52:36
    Sai, listen to me.
    l'll arrange for a meet after the dubbing.
  • 52:36 - 52:37
    Please.
  • 52:39 - 52:40
    Greetings sir.
    - Greetings.
  • 52:40 - 52:41
    Greetings sir.
    - Greetings.
  • 52:41 - 52:42
    What's it, Sai?
    What brought you here?
  • 52:42 - 52:46
    Though we disagreed,
    Nizam was given to the same distributor.
  • 52:46 - 52:47
    During the last release,
  • 52:47 - 52:49
    he took the film off the screens
    in 4 theatres in just 95 days.
  • 52:49 - 52:50
    He never co-operates with us.
  • 52:51 - 52:54
    He promises something before getting the
    rights and does something after getting it.
  • 52:54 - 52:57
    The film release is getting nearer.
    There is not much publicity.
  • 52:57 - 52:59
    The posters are of this size.
    No visibility.
  • 52:59 - 53:01
    When we asked about it, he says the
    posters are available in every theatre.
  • 53:01 - 53:02
    What do you want me to do?
  • 53:02 - 53:06
    Talk to producer about this.
    We will go to the distributor's office.
  • 53:06 - 53:10
    Okay. l will talk to him.
    - You go. Come later.- Okay boss.
  • 53:10 - 53:15
    Ravi, producer called me.
    You narrated him a story l believe.- Yes sir.
  • 53:15 - 53:17
    He said it was very good.
    Will you narrate me the story?
  • 53:18 - 53:20
    l wrote the script and
    l want to direct the film.
  • 53:20 - 53:21
    Give me a cigarette.
  • 53:22 - 53:23
    What's the character of the hero?
  • 53:24 - 53:25
    Actually, he has no character.
  • 53:28 - 53:31
    He said the introduction was great.
    - Listen to the climax first.
  • 53:31 - 53:33
    lf you like it, l will narrate it
    from the beginning.
  • 53:34 - 53:36
    Are you confident about the story
    or is itjust your talk?
  • 53:36 - 53:38
    lf you listen to the entire story,
    you will get an idea about the film.
  • 53:40 - 53:42
    Can you narrate me the story now?
    - Sure sir.
  • 53:43 - 53:44
    Put 2 chairs there.
  • 53:47 - 53:49
    Boss...
    - Sit here.
  • 53:49 - 53:51
    Sai, make sure we are not
    disturbed for a while.- Okay Boss
  • 53:51 - 53:53
    Silence please.
    Give me a knife.
  • 53:54 - 53:56
    What is it?
    - Sentiment.
  • 53:57 - 53:59
    You must narrate the story.
    He must like the story.
  • 53:59 - 54:01
    And the film must a silverjubilee hit.
  • 54:01 - 54:06
    We have no more desires
    other than this. Lets go...
  • 54:06 - 54:10
    Start narrating Ravi...
    - l will start from the pre-climax.
  • 54:11 - 54:12
    Excuse me.
  • 54:21 - 54:23
    Looks like the script is good.
  • 54:25 - 54:28
    Look at our hero's expression.
    Must be a high action movie.
  • 54:33 - 54:34
    That's all.
  • 54:35 - 54:36
    lt's very nice.
  • 54:39 - 54:41
    But why should you be the director?
  • 54:42 - 54:42
    Why shouldn't l be?
  • 54:43 - 54:45
    What's the guarantee that you will
    make the film as narrated to me?
  • 54:46 - 54:47
    We will do one thing.
  • 54:47 - 54:50
    l'll shoot 3 scenes for a trial.
    - Okay.
  • 54:51 - 54:52
    Go ahead.
  • 54:56 - 54:57
    Sister...
  • 54:58 - 55:00
    Where were you?
    - What?
  • 55:00 - 55:03
    That boy came here many times.
    - Who?
  • 55:03 - 55:05
    Ravi. He also tried you mobile number.
  • 55:06 - 55:07
    He said that he will be in the cafe.
  • 55:10 - 55:12
    This trial shoot must be shot well.
  • 55:15 - 55:16
    Welcome.
  • 55:16 - 55:17
    You had come to my house.
  • 55:18 - 55:21
    You must act for a trial shoot for 2 days.
  • 55:21 - 55:23
    Did you come for that?
    - Just a dummy shoot.
  • 55:23 - 55:25
    You are a dummy heroine
    and he is a dummy hero.
  • 55:25 - 55:26
    l don't want to be a hero.
  • 55:26 - 55:27
    Didn't l tell you that l want to be a villain?
  • 55:27 - 55:28
    Don't talk too much.
    l will break your head.
  • 55:29 - 55:30
    Anand, find a camera.
    We will hire it.
  • 55:31 - 55:32
    Why hire unnecessarily?
    My friend has one. l will get it from him.
  • 55:33 - 55:34
    Are you free tomorrow?
  • 55:34 - 55:36
    Yes. But l won't do that role.
    - Why?
  • 55:36 - 55:38
    l won't do it. That's all.
    - Tell me the reason.
  • 55:38 - 55:39
    Why are you terrorizing me?
  • 55:40 - 55:41
    The shooting begins at 9 am tomorrow.
  • 55:42 - 55:44
    l won't come. Let me see.
  • 55:44 - 55:46
    What will you see?
    - To hell with you.
  • 55:47 - 55:48
    You selfish...
  • 55:52 - 56:02
    Team Tolly (www.TollyTorrents.com)
  • 56:05 - 56:13
    l'm mad about you..
    You pierced into my heart...
  • 56:13 - 56:21
    l am caught in your magic of love...
    And l gave myself to you in love...
  • 56:21 - 56:33
    Do you understand my love?
    Tell me your love...
  • 56:34 - 56:39
    You are killing me to fall in love with you...
    Won't you leave me?
  • 56:39 - 56:44
    lf you cross your limits,
    won't we commit a sin?
  • 56:44 - 56:50
    Don't spark the fire in me?
  • 56:50 - 56:57
    You don't trust me..
    But you're still my soul...
  • 56:58 - 57:05
    You fill my eyes & heart...
  • 57:14 - 57:24
    Team Tolly (www.TollyTorrents.com)
  • 57:39 - 57:46
    You become my day dream and
    torture me with your love...
  • 57:47 - 57:54
    At night you enter my heart
    and trouble me a lot...
  • 57:55 - 57:57
    When l ask you to leave me,
    you weave yourself around me...
  • 57:58 - 58:00
    You bite my lips...
  • 58:00 - 58:03
    You kill me with your looks...
  • 58:03 - 58:07
    You sting me with your love...
  • 58:08 - 58:13
    l'm a dew drop,
    evaporate me with your hot hug...
  • 58:13 - 58:17
    Let's merge into one identity...
  • 58:21 - 58:27
    You're my life...
    My search ends with you...
  • 58:29 - 58:37
    O love! Will you come for me?
  • 58:49 - 58:59
    Team Tolly (www.TollyTorrents.com)
  • 59:12 - 59:12
    Greetings sir.
  • 59:13 - 59:15
    When will you give dialogue version?
    - ln just 2 days.
  • 59:15 - 59:16
    Greetings sir.
  • 59:16 - 59:17
    How are you, Ravi?
    - Fine, thank you.
  • 59:18 - 59:19
    How come you are here?
    - l'm here for an editing job.
  • 59:19 - 59:22
    l need a new face for
    my next venture.
  • 59:22 - 59:24
    Have you come across
    anyone recently?
  • 59:25 - 59:27
    l did a trial shoot with a girl.
    Would you like to see her?
  • 59:27 - 59:29
    Let's go.
    - Come inside.
  • 59:30 - 59:31
    Play from the beginning.
  • 59:40 - 59:41
    She looks good.
  • 59:41 - 59:43
    Her performance is also very good.
  • 59:43 - 59:45
    Call her. We will do a screen test.
    - Okay sir.
  • 59:46 - 59:49
    Welcome my dear.
    How is the palace?
  • 59:49 - 59:51
    Very beautiful just like you.
    - Who bungalow is this?
  • 59:51 - 59:53
    Why do you worry?
    - Why did we come here?
  • 59:53 - 59:58
    He is coming. Greetings sir.
    - Greetings.
  • 59:58 - 60:01
    She is my beautiful girl, Sandhya.
  • 60:08 - 60:11
    Nothing big, my dear.
    He likes you very much.
  • 60:12 - 60:20
    He wants us to shift to this bungalow.
    So, we will stay here from tomorrow.
  • 60:21 - 60:24
    He gives us cars to go around.
    And credit cards to do shopping.
  • 60:24 - 60:28
    There is a bedroom downstairs.
  • 60:29 - 60:30
    Myself & your sister will stay there.
  • 60:30 - 60:32
    There is a master bedroom upstairs.
  • 60:32 - 60:34
    You will stay there with him.
  • 60:39 - 60:41
    Haven't you ever felt
    ashamed of yourself?
  • 60:42 - 60:44
    Do you know what you are doing?
  • 60:44 - 60:47
    l'm very clear.
    You're new to this.
  • 60:48 - 60:49
    You will take sometime to digest this.
  • 60:50 - 60:52
    Listen to me. Accept this offer.
  • 60:53 - 60:55
    Accept this offer. Or else l will
    break you hands & legs.
  • 61:02 - 61:05
    You react this way...
  • 61:05 - 61:07
    Villain at the same time,
    will shout from behind...
  • 61:08 - 61:09
    Ravi, someone has come for you.
  • 61:09 - 61:10
    Excuse me.
  • 61:11 - 61:13
    Narrate her the scene. Excuse me.
  • 61:20 - 61:23
    Ravi, will you take me somewhere?
    lt's your choice.
  • 61:23 - 61:24
    Just take me anywhere you like.
  • 61:25 - 61:25
    What's the problem?
  • 61:26 - 61:29
    Someone wants me to
    be his concubine.
  • 61:30 - 61:31
    My brother-in-law is forcing on me.
  • 61:32 - 61:34
    Let's elope, please.
  • 61:34 - 61:37
    Where shall we go?
    - Anywhere you like.
  • 61:37 - 61:40
    Okay. You, myself & my mom.
  • 61:40 - 61:42
    Let's all elope together.
    - Mom...?
  • 61:42 - 61:43
    l've a mother, do you know?
  • 61:44 - 61:45
    How did you think that
    l'll elope leaving her behind?
  • 61:47 - 61:49
    Not only that, l've a goal
    and a career.
  • 61:52 - 61:55
    Actually, eloping has
    become very common now.
  • 61:55 - 61:58
    lf we elope without a job
    or money, we will suffer.
  • 61:59 - 62:01
    What're you talking?
  • 62:01 - 62:05
    Leading a life with the salary of
    an Asst. director is very tough.
  • 62:05 - 62:08
    l wish to perform a body scan
    for my mother.
  • 62:08 - 62:09
    But l could not do that even.
  • 62:10 - 62:11
    Forget about eloping.
  • 62:11 - 62:14
    l don't even have regular income
    to look after you.
  • 62:14 - 62:16
    l don't earn that much money.
  • 62:16 - 62:17
    You don't understand that.
  • 62:18 - 62:20
    How could you relate money with love?
  • 62:21 - 62:24
    Money doesn't need love.
    But love needs money.
  • 62:24 - 62:26
    Love survives only with money.
  • 62:26 - 62:29
    lf l don't earn more money
    and keep romancing with you,
  • 62:29 - 62:31
    you will see me as irritant
    at one point of time.
  • 62:33 - 62:34
    l wonder you noticed or not,
  • 62:34 - 62:39
    thought l love you so much,
    l never expressed my love to you.
  • 62:40 - 62:41
    Not only me,
  • 62:41 - 62:45
    anyone who doesn't earn money
    has no right to express his love.
  • 62:48 - 62:51
    Every relation needs 3 things.
  • 62:51 - 62:53
    Love, money & time.
  • 62:54 - 62:57
    lf anyone of the above falls short,
    relationship will turn bitter.
  • 62:58 - 63:03
    At this point of time, l've only love.
    l don't have money or time.
  • 63:03 - 63:05
    lf you want to wait for me,
    please wait.
  • 63:05 - 63:08
    Solve your problems yourself.
    Don't irritate me.
  • 63:13 - 63:15
    l loved you so much.
  • 63:15 - 63:17
    l even eloped from my house for you.
  • 63:17 - 63:20
    But l never expected you
    to be so selfish.
  • 63:20 - 63:22
    l told you that l'm a selfish man long back.
  • 63:22 - 63:25
    lf you don't mind, can l ask
    you something? Sit down.
  • 63:28 - 63:31
    Why do you love me?
    Tell me why you love me?
  • 63:32 - 63:37
    l like your behaviour,
    your mentality,
  • 63:38 - 63:40
    yourjovial nature,
  • 63:41 - 63:45
    your work very hard to
    earn a living.- Right?
  • 63:46 - 63:47
    These are what you like.
  • 63:49 - 63:52
    You found a man with what you like.
  • 63:53 - 63:58
    But you talk as if you have
    done a favour for me.
  • 63:58 - 64:00
    Everyone in this world is selfish.
  • 64:01 - 64:03
    No one will accept this fact.
  • 64:04 - 64:06
    You love me for your sake.
  • 64:06 - 64:08
    l love you for my sake.
    That's all.
  • 64:12 - 64:13
    l hate myself.
  • 64:13 - 64:15
    What wrong did you do
    to hate yourself?
  • 64:15 - 64:18
    Hate me...for meeting an idiot like me.
  • 64:18 - 64:20
    No, l don't want to blame anyone.
  • 64:20 - 64:22
    Don't ruin your life for
    the problems at home.
  • 64:22 - 64:25
    You have a great future.
    Concentrate on your career.
  • 64:26 - 64:28
    Director VV Vinayak saw our trial shoot.
  • 64:28 - 64:30
    Wants to conduct a screen test
    on you. Let's go.
  • 64:31 - 64:31
    l won't come.
  • 64:31 - 64:34
    Sandhya, listen to me.
    - l won't listen to you.
  • 64:34 - 64:35
    l won't come.
  • 64:35 - 64:37
    Listen to me.
    - l won't.
  • 64:37 - 64:39
    Why should l listen to you?
    Who are you to me?
  • 64:40 - 64:43
    Who are you in my life? Tell me.
  • 64:43 - 64:45
    lsn't there anything between us?
    - No.
  • 64:47 - 64:47
    How was it?
  • 64:48 - 64:51
    We have no relationship.
    But you're coming with me now. Got it?
  • 64:52 - 64:52
    l won't come.
  • 64:52 - 64:54
    lf you don't l will force you
    to come with me.
  • 64:54 - 64:55
    Let's go.
  • 64:55 - 64:57
    Leave me.
    - You want to elope with me, ah?
  • 64:57 - 64:59
    Let's go. Let's go.
  • 65:04 - 65:14
    Team Tolly (www.TollyTorrents.com)
  • 65:41 - 65:51
    Team Tolly (www.TollyTorrents.com)
  • 65:51 - 65:54
    Hero's introduction happened just now.
  • 65:55 - 65:57
    The film is not so good.
    l will call you later.
  • 66:05 - 66:06
    l don't care even if you are my mother.
  • 66:07 - 66:09
    Hero wants to kill his mother...?
    What story is this?
  • 66:11 - 66:14
    The film is not so nice.
    - Sure, it is a big flop.
  • 66:15 - 66:16
    What did you say on phone?
  • 66:16 - 66:20
    Passing comments without
    watching the entire movie.
  • 66:23 - 66:24
    Superb...
    - Wonderful.
  • 66:24 - 66:29
    Cinema is superb.
    Direction is wonderful.
  • 66:29 - 66:31
    This movie will run for 200 days.
  • 66:31 - 66:33
    lf it doesn't run for 200 days,
    hit me with slippers.
  • 66:33 - 66:37
    Come here. 200 days...?
  • 66:38 - 66:39
    lf it doesn't run,
    can l beat you with slipper?
  • 66:39 - 66:40
    Do you like the movie so much?
  • 66:41 - 66:43
    lf l don't say that,
    we will not be in the limelight.
  • 66:43 - 66:46
    That's why l said so.
    What a shit movie is this!
  • 66:46 - 66:49
    Worst of its kind. Shit!
  • 66:52 - 66:53
    Why did your director
    give us such a film?
  • 66:54 - 66:57
    Very irritating.
    People go out during songs.
  • 66:57 - 66:58
    Why did he cast the 2nd heroine?
  • 66:59 - 67:01
    No one knew why did the
    villain come & go?
  • 67:02 - 67:06
    The movie is a block buster.
  • 67:06 - 67:10
    We'd to buy matinee tickets too.
    - All tickets?
  • 67:12 - 67:15
    How is it at the theatre?
    Sounds very noisy.
  • 67:15 - 67:17
    lt's very horrible.
  • 67:18 - 67:19
    Will the film run for 100 days?
  • 67:19 - 67:21
    lnfront of us, they say it
    will run for 200 days.
  • 67:22 - 67:24
    lnfront of us...?
    ls the movie so bad?
  • 67:24 - 67:28
    l will watch the matinee show and
    tell you how disastrous the movie is.
  • 67:28 - 67:30
    Who is that on phone? ldli?
    - Give me a knife.
  • 67:30 - 67:35
    Calm down please.
    - l will kill you.
  • 67:36 - 67:38
    lf you planning to come to the theatre,
    my advice is not to go.
  • 67:38 - 67:41
    They are very angry.
    They might even beat you up.
  • 67:41 - 67:42
    Listen to me.
  • 67:44 - 67:47
    ls it that bad? Go.
  • 67:53 - 67:54
    l've huge debts.
  • 67:55 - 67:57
    lf l'm lucky, l'll buy you
    a new house, dear.
  • 67:58 - 68:02
    Sign on these papers.
    Save your father's honour.
  • 68:07 - 68:09
    Cash balance is 1 .35.
  • 68:10 - 68:12
    We'll see that later. Bye sir.
  • 68:15 - 68:19
    Bhaskar, connect me to
    my son-in-law in America.
  • 68:19 - 68:21
    Let's find out how the film
    is doing there.
  • 68:22 - 68:25
    Did you see our movie?
    How is the report?
  • 68:26 - 68:28
    Not yet. Planning to watch it tomorrow.
  • 68:28 - 68:30
    But l read the review in the website.
  • 68:31 - 68:31
    Not good.
  • 68:32 - 68:33
    What's not good?
  • 68:33 - 68:35
    Revealing her as his sister is not good.
  • 68:35 - 68:38
    There were no reason
    supporting that scene.
  • 68:38 - 68:41
    Villain enters the scene
    and the climax starts.
  • 68:41 - 68:43
    There must be some interesting scenes.
  • 68:43 - 68:45
    Ali's comedy is not so good.
  • 68:45 - 68:48
    You didn't watch the movie.
    - Yes,
  • 68:48 - 68:49
    But you're commenting about it.
  • 68:49 - 68:50
    Actually...
  • 68:50 - 68:52
    You're talking more than the people
    who have watched the movie.
  • 68:53 - 68:59
    Read the reviews after
    watching the movie.
  • 68:59 - 69:02
    Never read a review before
    watching the film.
  • 69:03 - 69:06
    lf you know the story,
    how will you enjoy the movie?
  • 69:10 - 69:12
    ls he a writer or a director?
  • 69:12 - 69:16
    lf they are so good,
    ask them to come & write stories.
  • 69:16 - 69:18
    We've no good stories here.
  • 69:19 - 69:21
    You call that a review.
  • 69:21 - 69:28
    They reveal story line, twists,
    everything about the film, is it a review?
  • 69:29 - 69:30
    They write & you believe them.
  • 69:31 - 69:33
    Being educated,
    don't you have any shame?
  • 69:35 - 69:38
    lf you're a cinema lover,
    see my cinema's posters.
  • 69:39 - 69:43
    lf you like it, go. Else leave it.
  • 69:44 - 69:46
    You might ruin a business worth millions.
  • 69:47 - 69:50
    People who write reviews
    buy overseas rights.
  • 69:50 - 69:52
    lf we give them our film,
    the review will be good.
  • 69:53 - 69:54
    Or else, it will be very bad.
  • 69:54 - 69:57
    Do you know that they give the
    rating after taking money from us?
  • 69:59 - 70:02
    Do you read the review
    for a mere 8 dollars?
  • 70:02 - 70:04
    Or is it because of your curiosity?
  • 70:06 - 70:07
    Listen to me again.
  • 70:08 - 70:11
    See our cinema's posters.
    Listen to the songs.
  • 70:11 - 70:12
    See the trailers.
  • 70:12 - 70:17
    lf you like it, go. Else leave it.
    Hang the phone. Hang the phone.
  • 70:18 - 70:22
    Tell your sister to accept
    that Jubilee Hills proposal.
  • 70:22 - 70:25
    My sister will never marry
    that old man.
  • 70:25 - 70:27
    He will not marry her.
    She will be his concubine.
  • 70:28 - 70:30
    You've misunderstood.
  • 70:30 - 70:34
    l mean a secret affair.
  • 70:34 - 70:36
    What are you doing?
  • 70:36 - 70:42
    Spatula, it seems they use it
    after heating it.
  • 70:43 - 70:45
    Let me see how well it works.
  • 70:46 - 70:49
    Stop.
    - No.
  • 70:50 - 70:52
    Just once.
    - No.
  • 70:52 - 70:54
    Please don't hurt her.
    - Why are you getting tensed?
  • 71:01 - 71:03
    You look much better
    than your sister.
  • 71:04 - 71:05
    lf there was someone else
    in my place,
  • 71:05 - 71:07
    he would've ruined your life.
  • 71:07 - 71:09
    Thank God, l'm a good man.
  • 71:09 - 71:10
    Listen to me.
  • 71:10 - 71:12
    Accept his proposal.
  • 71:12 - 71:13
    He is waiting there.
  • 71:14 - 71:19
    ls it very hot?
    Even l don't like this.
  • 71:19 - 71:21
    You don't know how worried l am.
  • 71:21 - 71:23
    One more time.
  • 71:23 - 71:29
    Hold him.
    - Give that to me.
  • 71:32 - 71:34
    How is it? How is it?
  • 71:36 - 71:38
    You must be blamed.
    Chop him into pieces.
  • 71:38 - 71:41
    Was your a love marriage?
    He isn't that handsome.
  • 71:41 - 71:44
    What are you staring at me?
  • 71:44 - 71:48
    Girls love wastrels and
    scoundrels like him.
  • 71:49 - 71:49
    Why are you crying?
  • 71:50 - 71:53
    Remove his pant. l'll burn that too.
    - No.
  • 71:54 - 71:58
    lf l ever see you do this again....
    l will slap you...
  • 71:59 - 72:01
    How dare you hurt them?
  • 72:03 - 72:06
    Boss, look at me.
    - What happen?
  • 72:06 - 72:11
    You know how hard
    l'm trying to convince her.
  • 72:11 - 72:13
    When things were getting right,
    he ruined everything.
  • 72:13 - 72:16
    Who is that?
    Did you tell my name?
  • 72:16 - 72:19
    l told your name.
    He hit me more.
  • 72:21 - 72:24
    He burnt my hand with
    a hot spatula.
  • 72:24 - 72:25
    A sadist!
  • 72:25 - 72:28
    You must feel more ashamed than me.
    You must do something.
  • 72:28 - 72:29
    Your honour is at stake.
  • 72:30 - 72:33
    House owner is shouting at him
    for not paying the rent.
  • 72:33 - 72:35
    Give him a small role.
  • 72:35 - 72:37
    He wants to be a villain
    and nothing else.
  • 72:37 - 72:38
    Look at his face.
  • 72:38 - 72:40
    He neither look soft nor hard.
    Somewhat in the middle.
  • 72:40 - 72:41
    What's so bad about my face?
  • 72:41 - 72:43
    Roll the camera.
    l'll show you how talented l am.
  • 72:43 - 72:46
    When l asked him to do a role
    of a hero's friend, he refused.
  • 72:46 - 72:49
    will never do a friend's character
    in Telugu cinema.- Why so?
  • 72:49 - 72:53
    Hero can address us as he likes.
    But we can't do that.
  • 72:53 - 72:56
    We have to call him Boss
    and always follow him.
  • 72:56 - 72:58
    Don't friends in real life
    call each other informally?
  • 72:58 - 73:00
    Change these things
    when you become a director.
  • 73:03 - 73:05
    lt's him.
  • 73:05 - 73:09
    Come here.
    - Who are they?
  • 73:09 - 73:10
    Just a minute.
    - What's happening?
  • 73:11 - 73:12
    Let's go.
    - Who is he?
  • 73:12 - 73:20
    Go. Listen to me. Who are they?
    - Get inside.
  • 73:20 - 73:23
    What are you doing?
    - Leave me.
  • 73:23 - 73:26
    Who are they? Open the gate.
  • 73:28 - 73:29
    Go.
  • 73:39 - 73:40
    Why did you hit my friend?
  • 73:42 - 73:43
    Will you burn his hand?
  • 73:43 - 73:45
    He committed a mistake.
    So l beat him.
  • 73:46 - 73:47
    What mistake?
  • 73:47 - 73:48
    He burnt Sandhya's hand.
  • 73:49 - 73:52
    Why didn't you tell me that?
    - He is lying.
  • 73:52 - 73:55
    l didn't burn her hand.
    l was just threatening them.
  • 73:55 - 74:01
    lt's his family problem, he'll do as he likes.
    - Come to the point, boss.
  • 74:01 - 74:04
    Tell me why you are here?
    - To break your limbs.
  • 74:04 - 74:06
    Why do you need so many
    people to break my limbs?
  • 74:06 - 74:07
    You alone is enough.
  • 74:08 - 74:13
    You are here on your friend's request.
    Hit me as you like. Hit me.
  • 74:18 - 74:19
    Bear one thing in mind.
  • 74:20 - 74:24
    Except you no one should
    lay their hands on me.
  • 74:27 - 74:28
    Especially you.
  • 74:28 - 74:30
    You crossed your limits earlier.
  • 74:30 - 74:31
    Don't hit me.
  • 74:43 - 74:44
    Stop him.
  • 74:48 - 74:50
    Don't hit him.
  • 74:51 - 74:51
    What do you...
  • 74:54 - 74:58
    Didn't l warn you not to touch me?
    You hit me, boss. You hit me, boss.
  • 75:02 - 75:03
    Sister...
  • 75:05 - 75:08
    What's happening?
    - Someone's hitting Ravi.
  • 75:11 - 75:11
    Stop.
  • 75:13 - 75:14
    Why is she coming here?
  • 75:14 - 75:16
    Stop. Don't hit him.
    - Where are you going?
  • 75:16 - 75:19
    Take her upstairs. Take her.
  • 75:22 - 75:27
    Beat him to pulp.- Tell him to stop.
    - Stop Sandhya.
  • 75:27 - 75:31
    Hit me at will.
    But your friend is a scoundrel.
  • 75:32 - 75:34
    He know me very well.
  • 75:46 - 75:47
    How many times to tell you?
  • 75:47 - 75:49
    Didn't l warn you not to touch me?
  • 75:51 - 75:54
    You hit me. You hit me.
  • 76:00 - 76:03
    Hit me...hit me.
    Why have you stopped?
  • 76:05 - 76:08
    Hit me. Hit me.
  • 76:08 - 76:11
    His concept of fighting is different.
  • 76:16 - 76:17
    Stop. Don't go.
  • 76:28 - 76:34
    How dare you hit me from behind.
  • 76:36 - 76:40
    Think twice before hitting me.
  • 76:42 - 76:46
    You beat everyone but not me.
    Why?
  • 76:46 - 76:48
    ls it a sign of respect?
    - Yes boss.
  • 76:48 - 76:50
    Are you playing the fool with me?
  • 76:55 - 76:57
    Go & stop him.
  • 77:01 - 77:02
    Go & stop him.
  • 77:06 - 77:10
    lf you hit my friend again, you...
  • 77:12 - 77:13
    l will kill you.
  • 77:16 - 77:17
    Boss...
  • 77:21 - 77:26
    Tell your friend not to
    touch Sandhya again.
  • 77:27 - 77:28
    lf he does, l will kill him.
  • 77:31 - 77:33
    To hell with your respect.
  • 77:33 - 77:39
    l didn't want to fight on the road.
    Respect, my foot!
  • 77:43 - 77:45
    Let's go.
    Everything is ruined.
  • 77:45 - 77:47
    l never expected him to be so strong
    and this goon to be so weak.
  • 77:50 - 78:00
    Team Tolly (www.TollyTorrents.com)
  • 78:04 - 78:05
    Tell me sir.
  • 78:05 - 78:08
    l heard your story.
    l also saw the trial shoot.
  • 78:08 - 78:09
    l really liked it.
  • 78:09 - 78:12
    l spoke to the producer.
    We are making a film together.
  • 78:12 - 78:14
    And you're my director.
  • 78:17 - 78:20
    What is the film's title?
  • 78:21 - 78:22
    'Neninthe'
  • 78:33 - 78:34
    Enough. Not so hard.
  • 78:34 - 78:35
    What are you doing, mom?
  • 78:39 - 78:41
    Why did you put it as film director?
    Remove it.
  • 78:41 - 78:43
    How will people know that
    you're a director?
  • 78:43 - 78:46
    Atleast remove that MBA.
    - Why should l?
  • 78:46 - 78:51
    SV Krishna Reddy, M.Com.
    Ragavendra Rao, B.A.
  • 78:51 - 78:53
    This is very similar to that MBA.
  • 78:53 - 78:58
    lt's said that only illiterates
    are in this film field.
  • 78:58 - 79:01
    We must put this board
    for that reason.
  • 79:01 - 79:02
    Do as you like.
  • 79:09 - 79:13
    l still feel guilty.
    lt's all because of me.
  • 79:13 - 79:14
    Forget about it.
  • 79:15 - 79:21
    Actually, you might forget us Director.
    - Make it clear.
  • 79:21 - 79:24
    You're now a director.
    You will meet many people.
  • 79:24 - 79:26
    Will you remember me?
    - What else?
  • 79:27 - 79:28
    Shall we get married?
  • 79:28 - 79:30
    l won't. The movie hasn't started yet.
  • 79:30 - 79:32
    And you're talking about our marriage!
  • 79:32 - 79:33
    Film shoot must begin.
    The film should get released.
  • 79:33 - 79:34
    There are lot of things to do.
  • 79:34 - 79:38
    Don't get tensed. Don't worry either.
    We've lot of years left for all that.
  • 79:38 - 79:40
    You may have but l don't have.
  • 79:45 - 79:47
    Why are you cutting your hand?
    You will die.
  • 79:48 - 79:49
    This is called suicidal tendency.
  • 79:50 - 79:52
    lf you want to die, die.
    l will cry for 2 days.
  • 79:52 - 79:54
    l will meet someone else.
    l will happy with her.
  • 79:54 - 79:55
    But you will be dead by then.
  • 79:55 - 79:59
    Do you know which is the costliest
    machine in this world? Our body.
  • 79:59 - 80:01
    Don't cut your nerves
    when you're angry.
  • 80:02 - 80:04
    And don't torture me with
    your marriage proposal.
  • 80:04 - 80:07
    Then, kill me.
    - You get angry for nothing.
  • 80:09 - 80:11
    Fans have come to see you.
    - For what?
  • 80:11 - 80:13
    To pay Rs. 10 lakhs for
    a town record at Sanjay theatre.
  • 80:14 - 80:15
    They have come to meet you for that.
  • 80:15 - 80:19
    Are they losing their prestige?
    The movie has failed.
  • 80:19 - 80:22
    Tell them to meet the producer.
  • 80:23 - 80:24
    He told you to meet the producer.
  • 80:25 - 80:26
    Just give us 2 minutes.
    We will meet him & go.
  • 80:26 - 80:29
    He is down with fever.
    - Fever...?
  • 80:31 - 80:35
    When we bring bouquets on his birthdays,
    for providing free food,
  • 80:35 - 80:38
    and for other reason,
    you let us meet our hero.
  • 80:38 - 80:39
    He won't have any fever then.
  • 80:40 - 80:43
    He will be down with fever when he
    has to pay money to the theatres.
  • 80:43 - 80:46
    Let's face the problem ourselves.
  • 80:46 - 80:48
    l spoke to the hero.
    He has given the dates.
  • 80:48 - 80:50
    We can start shooting
    after six months.
  • 80:50 - 80:53
    You too have time,
    so work on the script.
  • 80:53 - 80:55
    What happened?
    - Minor bike accident.
  • 80:57 - 80:59
    Greetings sir.
    - Greetings.
  • 80:59 - 81:00
    What's it?
    - Nothing sir.
  • 81:00 - 81:05
    lf we don't pay Rs.10 lakhs may
    lose town record, to discuss it.
  • 81:05 - 81:07
    Will my banner record goes
    or your hero's record?
  • 81:07 - 81:09
    My hero's record.
    - Why should l pay for it?
  • 81:10 - 81:12
    Why do you say like that sir?
    You're the producer.
  • 81:13 - 81:16
    l lost Rs.4 crores for making
    a film with your hero.
  • 81:16 - 81:19
    They said l'll get table profit
    if l make a film with your hero.
  • 81:19 - 81:21
    Only the table remains
    in my office now.
  • 81:21 - 81:26
    Should l pay Rs.10 lakhs and paint
    the town red about crores profit?
  • 81:26 - 81:30
    You push us to give ads about getting
    Rs.25 crores in the first week.
  • 81:30 - 81:35
    Would anyone tom-tom his business?
    Who taught you all this?
  • 81:35 - 81:39
    lncome tax people raid us
    taking these ads are genuine.
  • 81:40 - 81:41
    l'm already in losses
    as film has bombed,
  • 81:42 - 81:49
    four organisations have filed cases
    on me for hurting their feelings.
  • 81:49 - 81:51
    lf hero is of their caste
    they wouldn't mind,
  • 81:51 - 81:54
    if it's villain or comedian,
    they will file the case.
  • 81:55 - 81:57
    Should l repay the loans
    or go around the courts,
  • 81:58 - 82:01
    or felicitate myself paying
    for record collections?
  • 82:02 - 82:04
    This film bombed but
    your earlier films were hits.
  • 82:04 - 82:06
    Money? Who gave?
  • 82:08 - 82:13
    ln a year 150 films are made,
    3 hits in a year is rare,
  • 82:14 - 82:18
    we are in an industry where the
    success rate is just 20/0 only,
  • 82:18 - 82:23
    we are making films for the
    passion of it not to make money.
  • 82:24 - 82:29
    Rama Naidu is building a studio in Vizag
    at this age, not to make any money,
  • 82:29 - 82:31
    cinema is passion!
  • 82:31 - 82:33
    Cinema is life!
  • 82:37 - 82:39
    Film making has become a sin.
  • 82:42 - 82:44
    Why are you worried about this?
  • 82:44 - 82:45
    Everyone is bothered about
    his own problems only.
  • 82:46 - 82:48
    You'll end up spending all your
    life running after them.
  • 82:49 - 82:50
    So, listen to me and go home.
  • 82:50 - 82:52
    How can we?
    We are losing our honour.
  • 82:53 - 82:55
    l'll keep the record
    by hook or crook,
  • 82:55 - 82:59
    l'll felicitate the same
    producer on RTC cross road.
  • 83:04 - 83:06
    Why are you taking the money?
  • 83:06 - 83:07
    l've to pay the theatre.
  • 83:08 - 83:10
    lt's saved for your sister's marriage,
    you know it.
  • 83:10 - 83:13
    My hero's prestige is
    more important than it.
  • 83:13 - 83:16
    Your father will get angry
    if knows it...
  • 83:21 - 83:23
    Mother, give these books to Ravi...
  • 83:24 - 83:26
    What happened?
    What's this blood vomiting?
  • 83:26 - 83:29
    Nothing, keep it secret from him.
    - What happened?
  • 83:34 - 83:36
    She's inside.
    Doctor, her son.
  • 83:37 - 83:39
    She said she has no one.
    Are you her son?- Yes.
  • 83:40 - 83:41
    l told her many times
    but she never took care.
  • 83:41 - 83:42
    lt's too late.
  • 83:44 - 83:46
    Even expensive medication
    is of no use.
  • 83:46 - 83:49
    l told her many times
    but never took it seriously.
  • 83:49 - 83:59
    Team Tolly (www.TollyTorrents.com)
  • 83:59 - 84:01
    Why did you hide it from me, Rajyam?
  • 84:01 - 84:03
    lsn't it because l don't earn much?
  • 84:03 - 84:07
    You would've told if you'd
    a well earning son.
  • 84:08 - 84:09
    Please forgive me mother.
  • 84:10 - 84:14
    l've been of no use to you
    even at this age.
  • 84:18 - 84:20
    That's why you told doctor
    you were an orphan.
  • 84:21 - 84:24
    Mother, please forgive me.
  • 84:25 - 84:26
    How much pain you went
    through alone, mother?
  • 84:50 - 84:54
    Sorry brother...
    l beat you by mistake.
  • 84:54 - 85:00
    l beg you, l'm very sorry.
    Sorry brother...
  • 85:01 - 85:03
    How dare you beat me!
  • 85:03 - 85:06
    l'm not that brave to beat you,
    l got an offer to direct a film,
  • 85:06 - 85:09
    please leave me,
    l'm very small man.
  • 85:09 - 85:10
    What do you think of yourself?
    A hero!
  • 85:10 - 85:12
    l'm not a hero,
    that's why l'm saying sorry.
  • 85:12 - 85:16
    How dare you beat my boss!
  • 85:18 - 85:22
    Brother, it's medicines...
    my mother's medicines...
  • 85:22 - 85:24
    Medicines!
    - My foot medicines!
  • 85:36 - 85:39
    l'll buy again,
    please leave me alone.
  • 85:42 - 85:44
    You bastard!
  • 85:48 - 85:50
    Go with head hung down.
  • 85:52 - 85:55
    lf you raise your head,
    l'll knock it off, bloody.
  • 86:08 - 86:13
    My mother, my elder sister,
    my younger sister, my wife.
  • 86:14 - 86:16
    Can you abuse me without
    linking me to anyone of them?
  • 86:17 - 86:22
    Not only me, you can't abuse a man
    without linking him to any woman.
  • 86:23 - 86:26
    l'll not do anything in the rage
    over abusing me.
  • 86:27 - 86:29
    Never use the weakness
    of mother and wife.
  • 86:32 - 86:34
    You too have a mother at home.
  • 86:36 - 86:37
    Don't provoke me.
  • 86:37 - 86:39
    Aren't you sensitive?
    - No.
  • 86:40 - 86:42
    No shame?
    - No.
  • 86:42 - 86:47
    Who is your father man?
    - Certainly not a man like you.
  • 86:51 - 86:57
    lf it can go with wiping away,
    l'm ready to wipe 99 times out of hundred.
  • 86:58 - 87:02
    lf my life is at stake, then you'll die.
  • 87:31 - 87:41
    Team Tolly (www.TollyTorrents.com)
  • 88:03 - 88:06
    lf l get irritated, l'll not back off
    from cutting myself.
  • 88:08 - 88:11
    l'll stab before you take a wink.
  • 88:12 - 88:15
    lt's your daily job.
    l've other work.
  • 88:17 - 88:22
    Don't concentrate on me,
    then l've to concentrate on you all.
  • 88:28 - 88:29
    Greetings to you.
  • 88:30 - 88:31
    Are you Senthil?
    - Yes.
  • 88:31 - 88:33
    Please sit.- Can l sit?
    - Please sit.
  • 88:34 - 88:35
    Had lunch?
    - Yes.
  • 88:35 - 88:36
    Narrate the story.
  • 88:37 - 88:37
    Who is he?
  • 88:38 - 88:38
    No problem, my man.
  • 88:39 - 88:41
    Switch off the cell.
    - lt's off.
  • 88:42 - 88:47
    NTR and Pavan Kalyan asked it
    but l said no to them,
  • 88:47 - 88:48
    because you're the
    hero of my story,
  • 88:49 - 88:51
    the story matches your image,
  • 88:51 - 88:56
    Zoom back from the eye,
    that's the first shot,
  • 88:57 - 88:59
    hero is like a cobbler, poor man,
  • 89:00 - 89:04
    his introduction scene has
    25 trains blowing up into the air,
  • 89:04 - 89:06
    that's hero's introduction,
  • 89:06 - 89:10
    he always peddles a cycle.
    - Hero on a cycle?
  • 89:11 - 89:14
    lmage...he comes in
    a Benz car, a cobbler,
  • 89:15 - 89:16
    in the home,
  • 89:16 - 89:22
    mother has a big hole in the heart,
    you keep on crying always,
  • 89:22 - 89:25
    you cry saying why did it
    happen to you mother?
  • 89:25 - 89:29
    Now heroine,
    she's a billionaire's daughter,
  • 89:29 - 89:34
    she is...is Trisha okay?
    - l've already done a film with her.
  • 89:35 - 89:35
    lleana?
  • 89:36 - 89:39
    Did one film recently.
    - Already over.
  • 89:39 - 89:40
    What's her name? Deepika...
  • 89:41 - 89:44
    Deepika Padukone, what a selection!
  • 89:44 - 89:48
    She looks like an angel
    in the temple.
  • 89:49 - 89:52
    When you're crying with your mother,
    heroine makes an entry,
  • 89:52 - 89:58
    cut...cut...look...cut...
    next is a duet song.
  • 89:58 - 90:00
    ln local beat.
  • 90:02 - 90:03
    A song like this.
  • 90:04 - 90:05
    Seen Bangkok and Singapore?
  • 90:05 - 90:06
    Made a film in Singapore.
  • 90:06 - 90:09
    Australia?
    - Old location.
  • 90:09 - 90:11
    How about Venice?
    - Fantastic!
  • 90:12 - 90:15
    Opening lines in Venice,
    stanza in Ramoji film city.
  • 90:15 - 90:16
    Why again here?
  • 90:16 - 90:20
    We can put up an Australian set.
    - Australia set here?
  • 90:20 - 90:26
    We'll put a sea set in Hyderabad,
    Deepika will sleep on beach and..
  • 90:28 - 90:29
    Who you said is your friend?
  • 90:29 - 90:31
    SJ Surya and others
    are my roommates.
  • 90:33 - 90:36
    Bloody idiot!
    Sea set in Hyderabad!
  • 90:41 - 90:49
    Hail Miracle Star Mallik!
  • 90:50 - 90:58
    Mallik sir...that fool is my son.
  • 90:59 - 91:00
    My mother sir.
  • 91:00 - 91:05
    He paid to the theatre the money
    we saved for her marriage.
  • 91:06 - 91:06
    Mother!
  • 91:07 - 91:13
    She's still in my home only!
    - Mother, stop it.
  • 91:13 - 91:14
    You shut up!
  • 91:15 - 91:17
    What am l to do now?
    Who will marry her?
  • 91:18 - 91:20
    How will l get her married?
    - Mother stop it.
  • 91:21 - 91:25
    Who am l to share my grief?
    Talk to me l say.
  • 91:25 - 91:29
    Where's the way out of it?
    You tell me.
  • 91:29 - 91:33
    Mother, what happened?
    - Mother...mother...
  • 91:36 - 91:39
    Look, think over it again.
  • 91:42 - 91:47
    l've lot of property but no wife.
    l've to sleep alone.
  • 91:47 - 91:52
    Earlier another girl was with me,
    she ran away with my money.
  • 91:52 - 91:55
    You can also run away
    with my money.
  • 92:00 - 92:04
    That's bumper prize in English and
    Bhagyalakshmi lottery in Telugu.
  • 92:04 - 92:05
    What do you say dear?
  • 92:05 - 92:08
    Why are you still watching
    instead of beating both of them?
  • 92:08 - 92:11
    ls it my mistake to live
    opposite you?
  • 92:11 - 92:13
    Won't you allow any good
    to happen in my house?
  • 92:13 - 92:14
    You wait, l'll talk to him.
  • 92:14 - 92:16
    What's your problem?
  • 92:17 - 92:19
    You'll not marry me,
  • 92:20 - 92:22
    whether he takes me as wife
    or a concubine,
  • 92:22 - 92:24
    l'll go with anyone l like,
    what's bothering you?
  • 92:24 - 92:25
    You're right dear.
  • 92:26 - 92:28
    Don't mess with your life
    in an emotion.
  • 92:28 - 92:29
    You got an heroine's offer,
    l came to inform you.
  • 92:30 - 92:31
    Heroine's offer?
    Who is offering it?
  • 92:32 - 92:33
    She's the heroine of
    VV Vinayak's next film.
  • 92:34 - 92:35
    Screen test is over and
    he said okay also,
  • 92:36 - 92:37
    they are coming here today
    to pay advance.
  • 92:37 - 92:38
    When did she took screen test?
  • 92:38 - 92:40
    lt's over, l personally
    took care of it.
  • 92:41 - 92:46
    Ravi, you appear like
    Lord Vishnu to me.
  • 92:46 - 92:48
    What you said is truth, right?
    - True.
  • 92:48 - 92:50
    Confirm?
    - Confirm.
  • 92:50 - 92:52
    lf you say okay, l'll throw him out.
    - Do it immediately.
  • 92:53 - 92:55
    You got it, right?
    Why are you still here? Get up!
  • 92:57 - 93:00
    l must say it,
    look at your age and desire.
  • 93:00 - 93:01
    Can't you sleep alone?
  • 93:02 - 93:04
    When will you repay the advance?
    - Let me see.
  • 93:05 - 93:08
    Don't you want to be a heroine?
    - No.
  • 93:08 - 93:12
    Many are waiting for an opportunity.
    Don't ruin good opportunity.
  • 93:13 - 93:16
    Don't take any silly decision.
    You're going, that's all!
  • 93:17 - 93:20
    l'll go...for you.
  • 93:20 - 93:22
    Not for me, go for yourself.
  • 93:23 - 93:27
    Never do anything for others.
    Do it for yourself, it's your life.
  • 93:40 - 93:42
    Take this advance.
    - l'll handle the cash.
  • 93:46 - 93:56
    Team Tolly (www.TollyTorrents.com)
  • 94:08 - 94:11
    l feel strange in your absence...
  • 94:13 - 94:16
    Nothing is good without you...
  • 94:18 - 94:21
    Don't know what to do...
  • 94:23 - 94:26
    l'm sleepless...
  • 94:31 - 94:36
    You're my happiness...
    You pinched my heart...
  • 94:46 - 94:56
    Team Tolly (www.TollyTorrents.com)
  • 95:05 - 95:07
    How is she doing?
    - She's doing fine sir.
  • 95:15 - 95:16
    Who are you?
  • 95:27 - 95:30
    Twinkling star...
  • 95:32 - 95:35
    A star that gave many
    dreams to my eyes...
  • 95:37 - 95:40
    Shining star...
  • 95:42 - 95:45
    Smiling star...
  • 95:48 - 95:52
    Though dates are changing,
    l'm still living in past...
  • 95:53 - 95:57
    My heart is all yours...
  • 95:57 - 96:02
    Though it's bitter to see
    you away from me...
  • 96:02 - 96:06
    But l wish the star to shine
    bright in the sky...
  • 96:26 - 96:28
    What's the going rate of
    square yard in Jubilee Hills?
  • 96:28 - 96:29
    ln lakhs.
  • 96:31 - 96:32
    Find an acre.
    - An acre?
  • 96:33 - 96:35
    You don't buy it, l'll buy it.
  • 96:35 - 96:38
    To build a home,
    you need space, right?
  • 96:41 - 96:51
    Team Tolly (www.TollyTorrents.com)
  • 97:07 - 97:08
    Move back!
  • 97:14 - 97:15
    Why is he here?
  • 97:17 - 97:18
    Move...
  • 97:18 - 97:19
    You stopped me
    when l wanted to rape her then.
  • 97:20 - 97:22
    Now, she's a famous heroine.
  • 97:22 - 97:23
    Move...
  • 97:27 - 97:29
    Call him on phone.
  • 97:33 - 97:35
    lt's me.
    - Who is it, man?
  • 97:35 - 97:37
    lt's Yadu.
    - Yadu? Who is it?
  • 97:37 - 97:39
    Bloody, forgot me also.
  • 97:40 - 97:42
    Who are you?
    lf you're Yadu, l'm crook.
  • 97:42 - 97:46
    Don't disturb me, we are opening
    a shop, cut the call, bloody.
  • 97:48 - 97:49
    Bloody!
  • 97:52 - 97:54
    Hey...
    - What?
  • 97:54 - 97:55
    Ravi's film is going to start.
    - ls it?
  • 97:56 - 97:57
    lt's happy days from now on.
  • 97:57 - 97:58
    Got okay for a story in Telugu?
  • 97:59 - 98:02
    l didn't get an okay for Tamil story.
    - l'll smash your face.
  • 98:02 - 98:05
    Please recommend and
    make me Ravi's assistant.
  • 98:05 - 98:07
    No, you're a director straight away.
    - Please brother.
  • 98:08 - 98:11
    l'm not Senthil from today,
    l'm Sathi Babu. Please brother.
  • 98:21 - 98:22
    Mother, you break it.
  • 98:33 - 98:34
    Good morning sir.
  • 98:35 - 98:36
    Scene no: 31 , right?
  • 98:38 - 98:38
    Sir.
  • 98:40 - 98:41
    What are you doing here?
  • 98:41 - 98:43
    l'm assistant director to this film.
  • 98:43 - 98:44
    Who appointed you?
  • 98:45 - 98:48
    Who appointed him?
    - Please don't spoil my livelihood sir.
  • 98:51 - 98:52
    Be careful with him.
  • 98:53 - 98:54
    Go...
  • 98:57 - 98:58
    Ready sir?
    - Ready.
  • 98:58 - 98:59
    Are you ready Mallik?
  • 99:04 - 99:06
    Who is it?
    - Fan's association president Sai.
  • 99:06 - 99:08
    Say l'll talk to him later.
    - He insists it's urgent to talk to you.
  • 99:11 - 99:12
    What's it Sai? Why didn't you come
    for my film inauguration?
  • 99:13 - 99:15
    l want to come but l can't come.
  • 99:16 - 99:17
    Why? What happened?
  • 99:17 - 99:19
    l committed a grave mistake.
  • 99:21 - 99:26
    l ruined my father's savings
    saved for my sister's marriage.
  • 99:27 - 99:29
    Her life is ruined.
  • 99:30 - 99:35
    My mother died today after
    six months in hospital since then.
  • 99:36 - 99:40
    l should die not my mother.
  • 99:41 - 99:44
    That's why l'll go
    my mother's way.
  • 99:44 - 99:46
    Don't talk like mad man,
    where are you now?
  • 99:51 - 99:53
    Sleeping on railway track.
  • 99:53 - 99:55
    No Sai...listen to me
    ...don't do it Sai...
  • 99:55 - 99:57
    l called you to wish you all the best.
  • 99:58 - 100:00
    Sai, please listen to me...
  • 100:00 - 100:02
    Atleast you make a film
    that will run 1 75 days.
  • 100:03 - 100:06
    We can't do it any more,
    we are dying to make the films run.
  • 100:07 - 100:12
    We like heroes,
    we are mad on them.- No Sai...
  • 100:12 - 100:17
    Atleast you make
    a hit film with my hero.
  • 100:21 - 100:31
    Team Tolly (www.TollyTorrents.com)
  • 100:38 - 100:40
    What happened, Ravi?
  • 100:40 - 100:42
    Nothing sir...nothing...
  • 100:42 - 100:45
    Let's go for a take.
  • 100:51 - 100:54
    l can never come for you
    and will never come for you.
  • 101:16 - 101:18
    l can't bring back your
    dead mother or brother,
  • 101:20 - 101:21
    but l promise to conduct
    your marriage.
  • 101:24 - 101:25
    Take this Rs.10 lakhs.
  • 101:26 - 101:28
    l know Sai is mad about me,
  • 101:30 - 101:33
    but l really didn't know this
    madness will affect so many lives.
  • 101:38 - 101:42
    We are very happy to see
    you adore us so much.
  • 101:43 - 101:45
    We feel you're our
    unlimited energy.
  • 101:45 - 101:48
    Knowingly or unknowingly we are
    living in a false world of prestige.
  • 101:48 - 101:50
    Your adoration has taken us
    to that extent,
  • 101:50 - 101:52
    if any director suggests something,
  • 101:53 - 101:57
    we have stooped down to so low level
    saying our fans will not accept it.
  • 101:58 - 102:02
    Directors are making films to
    satisfy our ego & stardom.
  • 102:02 - 102:04
    They are getting bombed
    at box office.
  • 102:05 - 102:09
    But why are you ruining your property
    to make it run 100 days?
  • 102:10 - 102:12
    We as stars are fine,
  • 102:12 - 102:13
    audience are fine,
  • 102:13 - 102:16
    but you guys are ruining
    yourselves as our fans.
  • 102:17 - 102:20
    lf you love cinema so much,
    enter the industry,
  • 102:20 - 102:22
    let's all work together and live.
  • 102:22 - 102:24
    But please don't ruin
    your lives for records.
  • 102:24 - 102:26
    Please for God sake!
  • 102:27 - 102:31
    Films made now aren't
    worth running 100 days,
  • 102:31 - 102:33
    it's impossible in 100 of centres,
  • 102:34 - 102:36
    come out of it,
  • 102:36 - 102:38
    when you see us,
  • 102:38 - 102:40
    shake hands with us,
    ask for an autograph,
  • 102:41 - 102:42
    we'll be happy,
  • 102:43 - 102:45
    please don't ruin your lives.
  • 102:46 - 102:49
    Cinema industry is deteriorating.
  • 102:49 - 102:53
    No Telugu hero is working hard.
    All are lazy.
  • 102:54 - 102:56
    There are 10 top heroes,
  • 102:56 - 102:59
    atleast 10 films must release,
  • 102:59 - 103:01
    but no, only 5 releases,
  • 103:01 - 103:05
    if every hero does 3 films,
    turnover will be in billions,
  • 103:06 - 103:07
    but they will not do.
  • 103:07 - 103:08
    Why?
  • 103:08 - 103:12
    Didn't NTR, ANR, Krishna,
    Chiranjeevi do it?
  • 103:14 - 103:15
    Lazy people.
  • 103:15 - 103:17
    Not lazy sir, he'll say like that only,
  • 103:17 - 103:19
    we don't do because no stories,
  • 103:19 - 103:22
    ask him to come with good stories,
    l'll do 4 films in a year.
  • 103:22 - 103:23
    Where can l get the stories?
  • 103:24 - 103:25
    Have to hack 25 people for
    hero's introduction scene.
  • 103:26 - 103:27
    Hack 50 people for interval.
  • 103:27 - 103:29
    Again hack 100 people
    for the climax.
  • 103:29 - 103:31
    l've to write stories with
    common word hack.
  • 103:31 - 103:33
    Whatever we do it's
    for the masses only.
  • 103:34 - 103:38
    B and C centres need fights,
    they need item songs,
  • 103:38 - 103:41
    they can't digest new themes.
  • 103:41 - 103:43
    They don't have any taste for films.
  • 103:43 - 103:46
    What?
    Don't we have a taste for films?
  • 103:46 - 103:49
    We see the same because we think
    you know to make that only.
  • 103:49 - 103:52
    Was 'Shankarabharanam' a hit
    without our patronising?
  • 103:52 - 103:55
    Don't push us as C-class
    and tasteless audience,
  • 103:56 - 103:59
    if you've guts make films
    on new themes.
  • 103:59 - 104:01
    What's your opinion as
    a debutante director?
  • 104:01 - 104:02
    l'm a new boy,
  • 104:03 - 104:06
    as a seniorjournalist, what's your
    opinion about Telugu film industry?
  • 104:06 - 104:08
    Cinema functioning is very bad,
  • 104:08 - 104:12
    it's either in hero's hands
    or the director's,
  • 104:12 - 104:14
    production values must
    improve like in Hollywood,
  • 104:15 - 104:17
    everything must be
    under company's control,
  • 104:17 - 104:18
    corporate style,
  • 104:18 - 104:21
    money transactions
    must be in white,
  • 104:21 - 104:24
    film making should also be
    the status of industry.
  • 104:24 - 104:25
    Well said.
  • 104:25 - 104:28
    By the way,
    who is your film's heroine?
  • 104:31 - 104:32
    ls Sandhya at home?
  • 104:32 - 104:34
    Who are you?
    - My name is Ravi.
  • 104:34 - 104:37
    New film director,
    madam is in a meeting.
  • 104:38 - 104:42
    lt'll take half an hour,
    l'll inform her, you wait here.
  • 104:43 - 104:45
    Are you doing fine?
    - Fine.
  • 104:45 - 104:48
    With you help Sandhya has
    become a top heroine,
  • 104:48 - 104:49
    my family is well off today,
  • 104:50 - 104:53
    our lives took a good turn
    when you forced us that day,
  • 104:53 - 104:57
    feeling it all had
    happened because of you,
  • 104:57 - 104:59
    taking advantage of it,
  • 104:59 - 105:02
    don't ruin Sandhya's life by
    rekindling your old flame of love.
  • 105:02 - 105:04
    Just narrate the story only.
  • 105:05 - 105:08
    There were people to stop
    if l beat you in Krishna Nagar,
  • 105:08 - 105:11
    you're alone here,
    l'll bury you alive,
  • 105:11 - 105:12
    you were going out?
    - Yes.
  • 105:12 - 105:13
    Go ahead.
  • 105:14 - 105:17
    Madam, you mustn't rush
    to meet like that.
  • 105:17 - 105:18
    Have you gone mad?
    Who do you think he is?
  • 105:18 - 105:22
    Your range will slump down,
    please listen to me, madam.
  • 105:22 - 105:26
    You mustn't give appointments
    and call sheets as you please.
  • 105:28 - 105:31
    Madam cancelled the
    meeting for you.
  • 105:31 - 105:32
    Will you please go out?
  • 105:32 - 105:34
    Ring the buzzer after the narration.
  • 105:34 - 105:37
    How are you doing?
    - l must ask that.
  • 105:37 - 105:38
    How are you doing?
  • 105:40 - 105:42
    l'm here to narrate the story,
  • 105:42 - 105:44
    you want it briefly or full narration.
  • 105:44 - 105:46
    This is full script.
  • 105:49 - 105:51
    Did you come to narrate this story?
    - Yes.
  • 105:52 - 105:55
    You've narrated this to me 100 times.
  • 105:55 - 105:57
    Have you come to tell me the scenes?
  • 105:58 - 106:01
    You didn't make one call also
    after l came here,
  • 106:01 - 106:03
    but l called you hundreds of times.
  • 106:03 - 106:06
    You've come to meet me professionally,
    not to see me personally.
  • 106:07 - 106:09
    Not like that, you'll be busy
    with your schedules,
  • 106:11 - 106:13
    that's the reason,
    please don't mistake me.
  • 106:15 - 106:15
    Tell me what's the matter?
  • 106:16 - 106:18
    Are you in the mood to hear story?
    - l know the story.
  • 106:20 - 106:22
    lf l had hurt you.
  • 106:24 - 106:25
    For accepting my film.
  • 106:27 - 106:30
    You once asked me,
    what l'm mad about?
  • 106:30 - 106:34
    You're my madness,
    you mad man!
  • 106:36 - 106:41
    No...no sir...you'll hug me
    and then leave coolly,
  • 106:41 - 106:43
    later we get disturbed,
  • 106:43 - 106:45
    we too have goals and
    aims like you,
  • 106:46 - 106:48
    you may please leave now, go.
  • 106:58 - 106:59
    Set property must come here,
    we are waiting.
  • 107:00 - 107:00
    Greetings sir.
    - Greetings.
  • 107:01 - 107:03
    Sir, ldli is here.
  • 107:04 - 107:06
    Dirty face! Stand covering me.
  • 107:07 - 107:08
    First close ups then suggestions..
  • 107:09 - 107:10
    What's the scene number?
  • 107:10 - 107:13
    Who are you?
    Who allowed you inside?
  • 107:13 - 107:15
    Go out...get out...go...
  • 107:16 - 107:16
    l'll slap you tightly.
  • 107:17 - 107:19
    Who do you think he is?
    My Guru.
  • 107:21 - 107:23
    l feel your face is familiar.
    - l never saw you.
  • 107:24 - 107:26
    Don't your assistants also know me?
  • 107:26 - 107:28
    l mean he's new to the field.
  • 107:28 - 107:30
    You don't feel for it sir,
    would you like to have a coffee?
  • 107:33 - 107:34
    Very nice.
  • 107:35 - 107:37
    Direct the film thinking l'm not here.
    - Okay sir.
  • 107:37 - 107:40
    Don't get tensed.
    l'll sit here.
  • 107:45 - 107:47
    l was harsh because he's big boast.
  • 107:47 - 107:50
    l know it. Serve him a coffee.
  • 107:51 - 107:52
    Greetings sir.
  • 107:53 - 107:54
    Greetings sir.
  • 107:54 - 107:56
    She's here to seek your blessings.
  • 107:57 - 107:59
    l don't like all this.
  • 108:01 - 108:11
    Madam likes you very much,
    always pesters me to take her to ldli sir.
  • 108:11 - 108:13
    Luckily you're on the set.
  • 108:13 - 108:15
    See she is very happy!
  • 108:16 - 108:20
    She was watching you since you
    came and feeling very happy.
  • 108:22 - 108:24
    Wait madam, let me tell him
    the actual matter,
  • 108:24 - 108:26
    won't you and sir meet?
  • 108:26 - 108:29
    l mean won't you two unite
    to make a film?
  • 108:29 - 108:30
    ls it?
  • 108:32 - 108:42
    Team Tolly (www.TollyTorrents.com)
  • 108:43 - 108:47
    Call whenever you want
    or need to talk to her.- Okay.
  • 108:47 - 108:49
    Shot is ready, we'll go now, sir.
  • 108:50 - 108:52
    Enough, come now, madam.
  • 108:57 - 108:58
    Why did you give him your number?
  • 108:58 - 109:01
    Why he needs your number?
    He doesn't have any films.
  • 109:01 - 109:06
    Producers are running away
    from him, l'll handle him.
  • 109:06 - 109:09
    Sir, Mumaith madam is waiting
    for you in the make up van.
  • 109:18 - 109:21
    Every magazine wrote about
    your every day in America,
  • 109:22 - 109:24
    everyone here knows
    who you were going out there.
  • 109:25 - 109:26
    Do you believe them?
  • 109:26 - 109:27
    Why would they write
    without anything?
  • 109:27 - 109:29
    Atleast one could be true.
  • 109:33 - 109:36
    My friends are laughing at me
    when l said l love you.
  • 109:38 - 109:40
    l'm starting to hate myself.
  • 109:42 - 109:44
    We are not meeting from tomorrow.
  • 109:51 - 109:54
    How about a white shot...
    - Hero wants to pack up.
  • 109:54 - 109:57
    What happened?
    - Mumaith and Mallik had a fight.
  • 110:02 - 110:06
    Please stop the car sir...please sir...
  • 110:07 - 110:07
    What's the matter?
    What happened?
  • 110:08 - 110:09
    Madam took sleeping pills.
  • 110:09 - 110:13
    Car broke down, l beg you sir.
    l've to take to hospital urgently.
  • 110:13 - 110:17
    Please help us sir...
  • 110:19 - 110:22
    Madam means Mumaith Khan?
    - Yes sir.
  • 110:22 - 110:26
    Film star Mumaith Khan?
    - Yes sir, looks like madam may die sir...
  • 110:26 - 110:28
    We must take her.
    - We must help, give me a hand.
  • 110:28 - 110:29
    Help us sir.
  • 110:30 - 110:31
    Be careful.
  • 110:34 - 110:38
    Which hospital is nearby?
    - To hell with hospital!
  • 110:39 - 110:40
    Why are you beating me sir?
  • 110:42 - 110:48
    Where are you taking her?
    Stop the car...stop...
  • 110:50 - 110:51
    Come.
  • 110:55 - 110:57
    Get up...get up...
    - Got her luckily.
  • 110:57 - 110:59
    Why are you waking her?
    - She must know who we are, right?
  • 111:00 - 111:05
    Yes.Wake up...wake up...
  • 111:13 - 111:15
    Can you recognise them?
    - l can sir.
  • 111:15 - 111:16
    Never saw them before.
  • 111:16 - 111:20
    Film star Mumaith Khan who rules
    over hearts, was raped last night.
  • 111:20 - 111:22
    Driver says two men kidnapped her.
  • 111:22 - 111:26
    lt's till not known if she was raped
    by two, four or ten men.
  • 111:26 - 111:27
    What?
  • 111:29 - 111:29
    When?
  • 111:30 - 111:32
    Heroes save women from
    such incidents in films,
  • 111:33 - 111:36
    but there are no heroes in real life,
    so she got raped.
  • 111:36 - 111:39
    Whatever it may be Mumaith's life
    is in doldrums now,
  • 111:39 - 111:43
    and look like 10 films
    she's doing now will be stopped.
  • 111:43 - 111:45
    Aparna with cameraman Siva for NTV.
  • 111:46 - 111:50
    Please listen to me...
  • 111:52 - 112:02
    Team Tolly (www.TollyTorrents.com)
  • 112:12 - 112:15
    Reason for my suicide attempt
    or my rape is...
  • 112:20 - 112:22
    They wrote about me having affairs,
  • 112:22 - 112:26
    it lead to a fight with my boy friend,
  • 112:27 - 112:29
    l attempted to commit suicide,
  • 112:39 - 112:45
    you don't know how much trouble
    we face for the gossips you write,
  • 112:45 - 112:48
    you don't know how many times
    we fight in our homes over it,
  • 112:48 - 112:49
    you don't know,
  • 112:49 - 112:54
    l was unconscious, they needn't
    have to beat before raping me,
  • 112:54 - 112:55
    but they did it,
  • 113:01 - 113:05
    you morph nude bodies to our faces
    and post it on websites,
  • 113:06 - 113:09
    you can find nude photos
    of every film heroine,
  • 113:09 - 113:13
    there's a magazine which is
    read by entire family,
  • 113:13 - 113:17
    they write only about film people's
    extra marital relationships,
  • 113:18 - 113:20
    they put a heroine's photo,
  • 113:20 - 113:22
    this girl was seen yesterday
    with Shahrukh Khan,
  • 113:22 - 113:23
    she's going out with Aamir Khan today,
  • 113:24 - 113:25
    who will it be tomorrow?
  • 113:25 - 113:27
    lt's like two women
    neighbours gossiping,
  • 113:27 - 113:31
    all these years you were
    dependent on drawings only,
  • 113:32 - 113:33
    how dare you write about us now,
  • 113:35 - 113:38
    a model is engaged
    by newspaper for publicity,
  • 113:40 - 113:42
    they publish the girl's photo,
  • 113:45 - 113:46
    and write a caption,
  • 113:48 - 113:50
    why am l telling you all this,
  • 113:59 - 114:00
    write anything,
  • 114:06 - 114:11
    but don't write your
    own made up affairs,
  • 114:16 - 114:20
    whenever you write gossips about us,
    remember one thing clearly,
  • 114:21 - 114:26
    you all are living writing about
    film star's affairs only.
  • 114:26 - 114:28
    Come.
  • 114:34 - 114:37
    l think it'll take a month for
    Mumaith to return to sets,
  • 114:37 - 114:39
    we practically lost
    the artistes dates,
  • 114:39 - 114:41
    when will we get such
    a good combination again?
  • 114:42 - 114:42
    We don't know.
  • 114:43 - 114:45
    The lone financier too walked out.
  • 114:46 - 114:48
    Previous films backlogs,
  • 114:48 - 114:51
    Mumaith incident,
    all these disturbances,
  • 114:52 - 114:54
    this project has lost the sheen,
  • 114:54 - 114:55
    earned bad name in the market,
  • 114:55 - 114:58
    no chance of getting
    new financier also,
  • 114:59 - 115:02
    Ravi, we are stopping this film.
  • 115:03 - 115:05
    lsn't there any alternative?
  • 115:10 - 115:11
    We don't have it now.
  • 115:12 - 115:16
    ls your film stopped, son?
    - Yes mother.
  • 115:16 - 115:17
    Will it start again?
  • 115:18 - 115:20
    l don't know mother,
    l don't think it will.
  • 115:24 - 115:25
    Please don't cry mother.
  • 115:25 - 115:29
    l'm not crying son,
  • 115:31 - 115:33
    l can imagine how you're crying inside,
  • 115:34 - 115:37
    l can understand your pain,
  • 115:37 - 115:45
    Please don't cry mother.
    - You don't feel sad son.
  • 115:52 - 116:02
    Team Tolly (www.TollyTorrents.com)
  • 116:07 - 116:14
    Krishna Nagar, buddy...
  • 116:14 - 116:20
    Cinema is life, buddy...
    Life is cinema, buddy...
  • 116:20 - 116:23
    lt's stories everywhere, buddy...
    Unfulfilled dreams, buddy...
  • 116:24 - 116:27
    Life is up when you work, buddy...
    No work no food, buddy...
  • 116:28 - 116:29
    Though tearful...
  • 116:30 - 116:31
    Though filled with difficulties...
  • 116:32 - 116:35
    We are happy here...
  • 116:36 - 116:43
    Though path are filled with thorns...
    We love it...
  • 116:43 - 116:44
    Come on join hands, buddy...
  • 116:45 - 116:46
    Let's decide today
    here or there, buddy...
  • 116:47 - 116:48
    Every moment here is
    a struggle, buddy...
  • 116:48 - 116:53
    But still we'll not say quits, buddy...
  • 117:16 - 117:20
    NTR, ANR, Krishna,
    SVR, Savithri, Rajababu,
  • 117:20 - 117:22
    Relangi, Allu Ramalingaiah,
    Suryakantham,
  • 117:23 - 117:24
    l worked with all of them,
  • 117:24 - 117:28
    l don't know where they all are now,
    but they recognise on seeing me.
  • 117:28 - 117:32
    They all know junior artiste Suramma.
  • 117:40 - 117:47
    As many desires...
    so many wishes...
  • 117:47 - 117:52
    Cinema is inviting with
    it's greatness...
  • 117:52 - 117:56
    We left home, hometown, parents for it...
  • 117:56 - 118:00
    Jumped into the world films
    with sheer madness...
  • 118:00 - 118:04
    We'll not cheat...
    We'll not commit crimes...
  • 118:04 - 118:10
    We don't torture anyone...
    Why should we fear anyone?
  • 118:10 - 118:14
    Whether we have food or not
    is never a problem...
  • 118:14 - 118:17
    When lights are switched on in
    the floors we forget hunger...
  • 118:17 - 118:21
    Becoming a star in one day
    is easier said than done...
  • 118:22 - 118:26
    lt's years of tears, pain and toil...
  • 118:32 - 118:42
    Team Tolly (www.TollyTorrents.com)
  • 118:59 - 119:00
    What happened to you both?
  • 119:00 - 119:02
    lf he becomes Mega Star in future,
  • 119:02 - 119:04
    if he starts a political party,
    he's asking Kodada ticket,
  • 119:05 - 119:06
    and he's pondering over
    whether to accept or reject.
  • 119:06 - 119:09
    Nothing is wrong,
    Mega star is our inspiration.- Yes.
  • 119:09 - 119:12
    What else do we need if you
    become a great man like him?
  • 119:12 - 119:18
    lt's a festive atmosphere
    when film shoot is going on...
  • 119:18 - 119:23
    On completion,
    it's bidding adieu time...
  • 119:24 - 119:27
    We wake up an hour
    before the rooster...
  • 119:27 - 119:31
    Rain or shine we are
    on time always...
  • 119:31 - 119:35
    We act...
    we fight...
  • 119:35 - 119:41
    We produce music...
    we create magic...
  • 119:41 - 119:45
    We have immense talent
    and a great drive to win...
  • 119:45 - 119:48
    Some day it will come
    into the limelight...
  • 119:48 - 119:52
    You watch films for fun and joy...
  • 119:53 - 119:56
    But you always look down on us...
  • 119:58 - 120:08
    Team Tolly (www.TollyTorrents.com)
  • 120:14 - 120:17
    Sister...sister...
  • 120:17 - 120:19
    What happened?
    - Sister...
  • 120:19 - 120:20
    Move...move...
    - What happened?
  • 120:20 - 120:29
    Mother...mother...what happened?
  • 120:42 - 120:46
    Please stop...stop...
  • 120:54 - 120:55
    Mother is dead.
  • 120:57 - 120:58
    Film's stopped.
  • 121:02 - 121:04
    You'll be alone, so l came.
  • 121:06 - 121:07
    Not feeling like crying?
  • 121:09 - 121:10
    Please cry your heart out.
  • 121:12 - 121:13
    Hold me and cry.
  • 121:14 - 121:16
    lf want to cry, l'll cry alone.
  • 121:16 - 121:18
    Sometimes l can never cry.
  • 121:19 - 121:22
    l hate anyone consoling me.
  • 121:23 - 121:27
    l'm always ready to accept
    any setback in life.
  • 121:28 - 121:30
    l never seek solace from others.
  • 121:30 - 121:35
    But when l see you, l feel like crying.
  • 121:37 - 121:39
    Atleast console me.
  • 121:40 - 121:50
    Team Tolly (www.TollyTorrents.com)
  • 121:51 - 121:55
    Calm down.
  • 122:07 - 122:09
    l didn't expect a call from you,
  • 122:09 - 122:12
    getting a call from you is
    my life's biggest achievement.
  • 122:13 - 122:15
    Why are you excited about me, Sandhya?
  • 122:16 - 122:19
    l'm not in a mood to say anything.
  • 122:19 - 122:24
    Me too, l strongly desire
    to meet you Sandhya.
  • 122:28 - 122:30
    One minute sir,
    another incoming call.
  • 122:34 - 122:37
    Hrithik Roshan is trying,
    you carry on sir.
  • 122:37 - 122:40
    Hrithik? You carry on.
  • 122:40 - 122:42
    Why sir? He's big bore.
  • 122:42 - 122:44
    ls he hotter than you?
  • 122:44 - 122:50
    He's very tall and very fair,
    muscular body, l hate it,
  • 122:50 - 122:54
    you're dark and sweet,
  • 122:55 - 122:59
    you're short and fluffy,
    and very soft.
  • 123:04 - 123:07
    l must take you on
    a ride immediately.
  • 123:07 - 123:08
    Where are you now?
  • 123:09 - 123:15
    You write a story for me,
    we can go on riding.
  • 123:20 - 123:22
    Producer is here.
  • 123:22 - 123:24
    Greetings sir.
    - ls Ravi at home?- He's there sir.
  • 123:24 - 123:26
    Ravi lives upstairs, l'll call him.
  • 123:28 - 123:30
    You all live here only.
    - Yes sir.
  • 123:30 - 123:35
    Greetings sir.
    - Shall we start the film shoot?
  • 123:35 - 123:37
    l found a financier,
    shall we start the film shoot?
  • 123:38 - 123:38
    Really sir?
  • 123:38 - 123:41
    When shall we start?
    Tomorrow or day after tomorrow?
  • 123:41 - 123:43
    lf you say yes, right now here.
  • 123:55 - 123:59
    l want two biryanis for madam's
    lunch from Bawarchi.
  • 123:59 - 124:05
    At 4 pm, l want 4 non-vegetarian
    salads from Subway.
  • 124:05 - 124:06
    And two chicken item too.
  • 124:07 - 124:13
    Stock few litres of fresh juices,
    madam may ask at anytime.
  • 124:14 - 124:15
    Did you hear madam's orders?
    - l did sir.
  • 124:16 - 124:18
    Bloody vampires! They suck blood
    of producers in film shoots.
  • 124:18 - 124:22
    Add motion tablets to the
    non-vegetarian salads,
  • 124:22 - 124:23
    that bitch will keep
    running to the toilet.
  • 124:23 - 124:24
    Shot will end after
    the close up dialogue.
  • 124:27 - 124:28
    You started the film shoot again.
  • 124:28 - 124:32
    Our film not stop anymore,
    financier is very strong.
  • 124:32 - 124:35
    He's coming, he wants to meet you.
  • 124:35 - 124:36
    He's coming.
  • 124:38 - 124:40
    Please come.
  • 124:47 - 124:52
    Greetings sir.
    - Greetings Yadu sir.
  • 124:53 - 124:55
    Yadu is your big fan.
  • 124:55 - 124:59
    Hello brother, your acting is great.
    Excellent.
  • 124:59 - 125:01
    l watch all your films 4 times.
  • 125:03 - 125:05
    He's our director Ravi.
  • 125:05 - 125:08
    Greetings sir.
    Are you doing fine, sir?
  • 125:08 - 125:11
    Direct the film well,
    film must be a super duper hit.
  • 125:12 - 125:15
    lsn't there any heroine in the film?
    - Yes, there is.
  • 125:16 - 125:19
    Greetings sir.
    - Greetings.
  • 125:19 - 125:20
    Are you doing fine?
    - Fine.
  • 125:20 - 125:22
    l know him very well.
  • 125:22 - 125:24
    l've some work with him,
    come with me sir.
  • 125:25 - 125:28
    Bloody! Will you ask
    who am l on phone?
  • 125:28 - 125:31
    When did you call me?
    You may have called a wrong number.
  • 125:31 - 125:33
    Don't act smart, l'll lynch you.
  • 125:34 - 125:35
    Where is Sandhya?
    - ln the van.
  • 125:35 - 125:39
    ls he a financier?
    He's not that worth, he's just a goon.
  • 125:39 - 125:43
    l know it, he has occupied many lands,
    rates have shot up,
  • 125:43 - 125:45
    recently he sold a land
    for Rs.100 crores,
  • 125:46 - 125:48
    that's his range,
    he volunteered to finance,
  • 125:48 - 125:49
    l said okay.
  • 125:49 - 125:52
    Let him be anything,
    our film mustn't stop.
  • 125:57 - 125:59
    How many hopes l had on you?
  • 126:00 - 126:02
    Why did you leave me alone?
  • 126:03 - 126:07
    That's why l came searching you.
  • 126:08 - 126:13
    Just say yes,
    l'll finance all your films.
  • 126:14 - 126:17
    No need to finance the films,
    you produce the films,
  • 126:17 - 126:22
    you and Sandhya together must
    rule the Telugu film industry,
  • 126:22 - 126:25
    Sandhya is the heroine
    of all Yadu productions.
  • 126:25 - 126:26
    What do you say dear?
  • 126:27 - 126:31
    No false promises, if you don't
    make her to agree this time,
  • 126:32 - 126:33
    l'll hack you.
  • 126:34 - 126:37
    l'll be here only from tomorrow.
  • 126:42 - 126:46
    ldli is coming, you smile and wish him.
  • 126:47 - 126:49
    You must fold hands and stand.
    - Okay sir.
  • 126:50 - 126:52
    Who are you?
    Who allowed you inside?
  • 127:01 - 127:03
    l've a good subject for you.
  • 127:05 - 127:08
    You want a producer?
    l'll introduce you one.
  • 127:08 - 127:09
    Who is the producer l don't know?
  • 127:09 - 127:10
    New producer sir.
    - l need one like him only.
  • 127:10 - 127:12
    He's right here only.
  • 127:14 - 127:20
    Sir, he's ldli Vishwanadham,
    he wants to make a film with you.
  • 127:20 - 127:21
    What film?
  • 127:22 - 127:24
    Heroine oriented film with Sandhya.
  • 127:24 - 127:27
    Who is the hero?
    - No hero, it's like Kill Bill film.
  • 127:28 - 127:30
    Sandhya is the hero and heroine,
    big bang masala movie.
  • 127:30 - 127:34
    What can a girl do in such a film?
    Cast me as the hero.
  • 127:35 - 127:38
    You? l want to make a film.
  • 127:38 - 127:39
    Don't you know to make a film?
  • 127:39 - 127:41
    Can't make a film?
  • 127:41 - 127:45
    lf not you l can make
    a film with dog also.
  • 127:49 - 127:50
    Oh my God!
  • 127:50 - 127:52
    l want to tell you a small story.
  • 127:52 - 127:54
    is it necessary now?
    - lndeed sir.
  • 127:55 - 127:55
    Tell me.
  • 127:56 - 128:00
    A small sparrow sir, was flying
    over snow clad mountains,
  • 128:00 - 128:02
    it fell down unable to bear the cold,
  • 128:02 - 128:05
    it's shivering in the cold,
  • 128:05 - 128:10
    a buffalo going that side
    dropped dung on it,
  • 128:10 - 128:15
    sparrow felt already l'm shivering in
    cold and now this dung on me,
  • 128:15 - 128:17
    but realisation dawned immediately,
  • 128:17 - 128:21
    it felt the warmth of the dung
    and started enjoying it,
  • 128:21 - 128:26
    sparrow raised it's head from
    the dung and sang a song,
  • 128:30 - 128:35
    a cat that was passing there
    had a close look at it,
  • 128:35 - 128:40
    it picked the sparrow,
    washed it in water and ate it.
  • 128:41 - 128:43
    What happened next?
    - The story is over sir.
  • 128:44 - 128:46
    Moral of the story is rule number one,
  • 128:46 - 128:49
    never consider anyone who pushes
    us into sludge as an enemy,
  • 128:49 - 128:49
    rule number two,
  • 128:50 - 128:51
    never consider anyone helping us
    out of sludge as a friend,
  • 128:52 - 128:53
    we don't know his intentions.
  • 128:54 - 128:55
    when you're in deep shit,
  • 128:58 - 129:01
    shut your gob and sit tight,
    never sing any song.
  • 129:01 - 129:03
    l think you got it.
  • 129:03 - 129:06
    You're a flop director,
    no producer is coming to you,
  • 129:06 - 129:09
    at such time don't use
    any bad words,
  • 129:09 - 129:10
    coming sir.
  • 129:12 - 129:13
    Shot is ready.
  • 129:14 - 129:16
    You can't do anything
    other than kill me.
  • 129:17 - 129:18
    lt's okay to me.
  • 129:21 - 129:22
    lt's okay to me.
  • 129:24 - 129:29
    Why are you torturing her?
    She did give a good shot.
  • 129:31 - 129:34
    Who is talking here?
  • 129:40 - 129:42
    You can't do anything
    other than kill me.
  • 129:44 - 129:46
    Why is he interfering in everything?
  • 129:46 - 129:49
    Where is the producer?
    - You relax, l'll talk to him.
  • 129:53 - 129:54
    When are you coming?
  • 129:56 - 130:00
    You know l'm financing this film, right?
    - l know.
  • 130:01 - 130:02
    When are you coming then?
  • 130:02 - 130:06
    Will you come now?
    Let's come back in few minutes.
  • 130:06 - 130:09
    Just five minutes only, come.
  • 130:11 - 130:13
    Greetings brother.
    - Shall we go after this shot?
  • 130:14 - 130:17
    When did you come back from Goa?
    - Just now brother.
  • 130:17 - 130:18
    What else?
  • 130:18 - 130:20
    Film shoot with Sandhya?
  • 130:21 - 130:21
    Shatter it.
  • 130:21 - 130:24
    Cameraman, come here.
  • 130:25 - 130:25
    Come.
  • 130:25 - 130:28
    Sandhya, get up.
  • 130:29 - 130:34
    Our heroine, take and get her ready,
  • 130:35 - 130:38
    drape her in a white sari,
    show her navel in close up,
  • 130:38 - 130:42
    and pan the camera
    closely on her like this.
  • 130:42 - 130:45
    Brother is directing now, do it.
  • 130:45 - 130:47
    Sir, l want to tell you something.
    - What is it?
  • 130:47 - 130:51
    They are the two rogues
    who raped madam.
  • 130:51 - 130:53
    Take her and dress her in panty.
  • 130:54 - 130:56
    Who?
    - Two guys who came just now.
  • 130:56 - 130:57
    Small bra.
  • 130:58 - 130:59
    Leave other parts freely.
  • 131:01 - 131:03
    lf you blow a fan, it must fly.
  • 131:04 - 131:07
    Get a black stallion,
    make her lie on it,
  • 131:07 - 131:10
    when you place camera down,
    entire sky must be visible,
  • 131:11 - 131:11
    What?
  • 131:13 - 131:15
    Okay, you go.
    l'll take care of them.
  • 131:18 - 131:28
    Team Tolly (www.TollyTorrents.com)
  • 131:35 - 131:38
    Who are you taking my helmet?
  • 131:39 - 131:41
    Helmet is mine,
    can't you hear me?
  • 131:42 - 131:44
    l'm talking to you,
    can't you hear me?
  • 131:59 - 132:00
    Who are you?
  • 132:00 - 132:01
    Bash him up boys!
  • 132:33 - 132:36
    Who are you?
    Why are you beating us?
  • 133:24 - 133:27
    What are you doing?
    Why are you pulling down the pant?
  • 133:31 - 133:32
    What is he up to?
  • 133:34 - 133:37
    What are you doing man? Bloody!
  • 133:55 - 133:56
    What happened, elder one?
  • 134:01 - 134:04
    Brother...
    - l'm dying brother.
  • 134:04 - 134:07
    Who cut my brothers' asses?
  • 134:07 - 134:09
    Cut the same place to both of them.
  • 134:09 - 134:11
    Punishment.
    - What?
  • 134:11 - 134:13
    l think they got cut
    as a punishment,
  • 134:13 - 134:14
    he cut their asses,
  • 134:15 - 134:17
    the gash is deep because
    it's very soft there,
  • 134:18 - 134:20
    l put sutures with great difficulty,
  • 134:20 - 134:23
    but sutures will come off
    tomorrow morning on the pot,
  • 134:23 - 134:27
    l'll put again and
    it'll come off again,
  • 134:27 - 134:28
    it's long process,
  • 134:29 - 134:32
    the man should've cut their necks
    instead of their asses.
  • 134:33 - 134:34
    They are in such pain, sir.
  • 134:34 - 134:38
    They can neither sleep
    on their backs, nor sit,
  • 134:38 - 134:40
    if they bend to do something,
    sutures will come off again.
  • 134:41 - 134:43
    Will you stop it?
    - Okay sir.
  • 134:43 - 134:44
    l got you.
  • 134:47 - 134:49
    Your behaviour is always
    a mystery to me.
  • 134:50 - 134:54
    l don't know what makes
    you angry or vice versa.
  • 134:55 - 134:56
    What do you mean?
  • 134:56 - 134:58
    You beat Yadu's brothers.
  • 134:59 - 135:00
    l know.
  • 135:00 - 135:03
    Yes. l did it.
    Why did you do so?
  • 135:03 - 135:06
    Why did you react like
    that in her matter?
  • 135:06 - 135:07
    l won't mind if people talk bad about me.
  • 135:08 - 135:10
    But if my profession is insulted,
    l can't tolerate it.
  • 135:11 - 135:13
    Treat me as one of the
    film personalities.
  • 135:23 - 135:33
    Team Tolly (www.TollyTorrents.com)
  • 135:43 - 135:45
    You're the down pour...
  • 135:45 - 135:47
    You're the beacon of light...
  • 135:47 - 135:51
    You're smile is like flowers
    dancing to the breeze...
  • 136:02 - 136:03
    Anything l paint resembles you...
  • 136:04 - 136:05
    When dreams come true, it's you...
  • 136:05 - 136:09
    You're the moon in daylight...
  • 136:10 - 136:17
    O sweetheart! O sweetheart!
  • 136:24 - 136:32
    Those little pleasures and
    delights are ours...
  • 136:44 - 136:54
    Team Tolly (www.TollyTorrents.com)
  • 137:05 - 137:08
    You keep biting my lips...
  • 137:09 - 137:12
    and leave a mark of your teeth...
  • 137:12 - 137:16
    l sense something
    unusual inside me...
  • 137:16 - 137:20
    l'm gaining weight with
    you inside me...
  • 137:20 - 137:22
    You're my dream...
  • 137:22 - 137:24
    ...my dream girl...
  • 137:24 - 137:27
    ...my heart beat
    ...O my darling!
  • 137:27 - 137:29
    You're the color of my lips...
  • 137:29 - 137:34
    ...you're the color of my tresses,
    ...come to me, O darling...
  • 137:35 - 137:38
    You soft caresses sparked
    a huge fire in me...
  • 137:38 - 137:42
    Filled me with uncontrollable desires...
  • 137:42 - 137:49
    O my love!
  • 137:56 - 137:58
    You squeezed out love from me...
  • 137:58 - 138:00
    You ward off evil eyes
    with my help...
  • 138:00 - 138:04
    You never stop coming to me...
  • 138:22 - 138:26
    You crush my heart...
  • 138:26 - 138:30
    You are in my eyes...
  • 138:30 - 138:33
    You are in my heart...
  • 138:33 - 138:37
    You're everywhere, darling...
  • 138:38 - 138:39
    Shall l fall in your embrace...
  • 138:40 - 138:45
    Feel shy, turn you little mad, darling...
  • 138:45 - 138:52
    You pulled me in to
    your love a while ago...
  • 138:52 - 139:00
    Made me melt like ice
    in your warmth...
  • 139:04 - 139:14
    Team Tolly (www.TollyTorrents.com)
  • 139:29 - 139:30
    Today is the last day of film shoot.
  • 139:30 - 139:32
    Breaking the pumpkin is next.
  • 139:33 - 139:34
    Don't present the cheques now.
  • 139:34 - 139:35
    l'll tell you when.
  • 139:35 - 139:37
    Bye. Thank you sir.
  • 139:37 - 139:38
    Where is the pumpkin?
  • 139:44 - 139:45
    Get ready.
    Let's go for the take.
  • 139:52 - 139:55
    Turn that box this side.
    Okay boss.
  • 140:06 - 140:08
    What's happening, Ravi?
  • 140:19 - 140:20
    How dare you say ''Action''.
  • 140:21 - 140:22
    Are you the director of this film?
  • 140:22 - 140:25
    How dare you hold my collar!
    l will kill you.
  • 140:25 - 140:28
    l've been patient till now.
  • 140:28 - 140:32
    You're crossing the limits.
    Leave me.
  • 140:32 - 140:34
    Just because l'm silent,
    don't try to interfere in everything.
  • 140:34 - 140:37
    lt's my film.
    l'm financing this film.
  • 140:37 - 140:39
    Your film!
    lt's my film.
  • 140:40 - 140:41
    Your film...?
  • 140:42 - 140:44
    Today is last day of film shoot.
    Do what you can do.
  • 140:44 - 140:47
    Last day? - Leave me.
    - l financed the project.
  • 140:48 - 140:48
    l'll talk to him.
  • 140:49 - 140:51
    What bloody finance!
  • 140:53 - 140:55
    Advice your financier.
  • 140:55 - 140:56
    He is doing too much.
  • 140:57 - 140:58
    This is not good.
  • 140:59 - 141:00
    l'll talk to him.
  • 141:00 - 141:01
    Shall we go for the take?
  • 141:01 - 141:05
    There's no relationship between us.
  • 141:05 - 141:06
    l admire...
  • 141:06 - 141:08
    Lower your voice when you say that.
  • 141:22 - 141:24
    How is the output?
    Can l hear it once?
  • 141:37 - 141:38
    Can we check the BGM of the first reel?
  • 141:38 - 141:40
    Just 2 minutes, l've a new tape.
  • 141:40 - 141:42
    Rajesh, PRO called me.
    Find out why he called me.
  • 141:44 - 141:45
    See it once.
  • 142:00 - 142:01
    Stop it... Stop it...
  • 142:01 - 142:02
    What's that?
  • 142:03 - 142:05
    Story, screenplay, direction Yadu.
  • 142:05 - 142:06
    Why the title is changed?
  • 142:07 - 142:08
    Even l'm seeing it now only.
    l don't know.
  • 142:09 - 142:10
    lt's the same in the first tape too.
  • 142:10 - 142:11
    My name should be there.
  • 142:11 - 142:13
    Was it a mistake or has someone...
  • 142:13 - 142:15
    l don't know. l don't understand.
  • 142:33 - 142:34
    How is it?
  • 142:36 - 142:40
    You got angry when l said
    ''Action'' just once.
  • 142:41 - 142:43
    You challenged me, didn't you?
  • 142:43 - 142:45
    So, l removed your name.
  • 142:45 - 142:47
    Now, this is my film.
  • 142:47 - 142:52
    Director of this film is Yadu.
  • 142:53 - 142:54
    Who the hell are you?
  • 142:56 - 142:58
    What are you doing in my studio?
  • 142:58 - 143:01
    Get out.
  • 143:01 - 143:03
    Throw everyone out.
  • 143:05 - 143:08
    Get out.
  • 143:09 - 143:11
    You think you're the only director.
  • 143:12 - 143:13
    How is my direction?
  • 143:13 - 143:16
    Throw him out.
    Out.
  • 143:16 - 143:20
    Get out.
  • 143:25 - 143:27
    l'm badly in deep debts.
  • 143:28 - 143:29
    l have to sell my house too.
  • 143:30 - 143:35
    At the time of crises,
    he paid money & bought the film.
  • 143:36 - 143:39
    l never thought that
    you'll be the victim.
  • 143:40 - 143:41
    What should l do now?
  • 143:41 - 143:43
    Yadu, what you did is not right.
  • 143:43 - 143:45
    This has never occurred in
    this industry till now.
  • 143:45 - 143:46
    Don't commit that wrong now.
  • 143:47 - 143:48
    Listen why l'm telling you this.
  • 143:49 - 143:52
    You're a hero only in movies.
    Not in real life.
  • 143:52 - 143:54
    l'm the real life hero.
  • 143:55 - 143:58
    Shut up & take rest at home.
    Hang the phone.
  • 144:06 - 144:07
    lt's unfair.
  • 144:07 - 144:07
    What should we do now?
  • 144:08 - 144:09
    Let's take this issue
    to directors association.
  • 144:09 - 144:10
    What can they do?
  • 144:10 - 144:12
    Let's take this issue to producers council
    or let's talk with the film federation.
  • 144:12 - 144:13
    Before we complaint and
    arrange for a meeting,
  • 144:14 - 144:15
    the prints would be ready and
    film would've been released.
  • 144:15 - 144:18
    His name is on the posters
    we have printed earlier.
  • 144:18 - 144:20
    The public doesn't know
    the film title till now.
  • 144:20 - 144:23
    He will print his name
    all over the state.
  • 144:23 - 144:24
    What shall we do now?
  • 144:26 - 144:28
    l'm Sandhya speaking.
  • 144:32 - 144:35
    l never thought you'd call me.
  • 144:37 - 144:40
    What made you feel pity on me?
  • 144:40 - 144:42
    Don't spoil Ravi's life.
  • 144:42 - 144:46
    l know how hard he has
    struggled to come this far.
  • 144:46 - 144:48
    Please don't remove his name.
  • 144:49 - 144:51
    Are you in love with the director?
  • 144:52 - 144:54
    Then, what about me?
  • 144:54 - 144:57
    l'm after you like a dog
    all these days.
  • 144:57 - 144:58
    But you never cared for me.
  • 144:58 - 145:00
    Today you called me for his sake.
  • 145:01 - 145:05
    Okay. What do you want now?
  • 145:05 - 145:08
    l want Ravi's name on the screen.
  • 145:09 - 145:15
    Then, you have to sleep with me.
  • 145:16 - 145:21
    To get something,
    you have to lose something, right?
  • 145:21 - 145:24
    l never desired any woman
    like l desire you.
  • 145:25 - 145:27
    l'm getting burnt in desires here.
  • 145:29 - 145:33
    Come. Sleep.
    Get his name on screen.
  • 145:35 - 145:36
    Will you come, madam?
  • 145:37 - 145:38
    l'm coming.
  • 145:42 - 145:44
    We called up the producers council,
    they said they're helpless.
  • 145:44 - 145:45
    They fear him because
    he is a goon.
  • 145:45 - 145:47
    l called the directors association.
  • 145:47 - 145:48
    He threatened to kill me
    if l call them again.
  • 145:48 - 145:49
    Tomorrow is the film's release.
  • 145:49 - 145:51
    The printing is on.
    What now?
  • 145:52 - 145:55
    Today, ours is not direction dept.
  • 145:55 - 145:56
    Today, we are into goons dept.
  • 145:56 - 145:58
    He is the director.
  • 145:59 - 146:00
    Let's keep it this way.
  • 146:00 - 146:01
    We are goons.
  • 146:17 - 146:19
    Get up.
    Get up.
  • 146:19 - 146:22
    Wake them up.
    Pick them up.
  • 146:23 - 146:24
    Which area?
    - Nizam sir.
  • 146:24 - 146:26
    Keep the balance 2.25 there.
  • 146:26 - 146:27
    l have kept it there.
  • 146:28 - 146:30
    l'm from East & West.
  • 146:30 - 146:31
    Do l have to pay you the money?
  • 146:31 - 146:34
    The cinema is ours.
    Who else will you pay the money?
  • 146:39 - 146:49
    Team Tolly (www.TollyTorrents.com)
  • 147:05 - 147:06
    How are you, director?
  • 147:06 - 147:08
    l think you're in a romantic mood.
    Who is this?
  • 147:09 - 147:10
    l'm Ravi.
  • 147:14 - 147:15
    lf a goon can become a director,
  • 147:16 - 147:18
    what's wrong if a director
    turns into a goon?
  • 147:20 - 147:23
    What can you do?
  • 147:23 - 147:24
    Your Sandhya is with me now.
  • 147:25 - 147:26
    l know...
  • 147:27 - 147:28
    Do you know something?
  • 147:28 - 147:30
    Your brothers are with me.
  • 147:31 - 147:32
    What?
  • 147:32 - 147:33
    Don't you trust me?
  • 147:33 - 147:34
    Talk to them.
  • 147:34 - 147:37
    He kidnapped us from the hospital.
  • 147:38 - 147:41
    Talk to your first younger brother.
  • 147:41 - 147:42
    Talk.
  • 147:42 - 147:43
    He removed our clothes and
    made us lie on a stretcher.
  • 147:44 - 147:45
    l feel ashamed.
    Come fast.
  • 147:45 - 147:47
    Don't show your anger.
  • 147:47 - 147:49
    Show your pain while talking.
  • 147:50 - 147:51
    Heard their cries.
  • 147:52 - 147:53
    l will kill you.
  • 147:54 - 147:55
    Listen.
  • 147:55 - 147:58
    Not even one print will go out
    of Prasad Lab today.
  • 147:58 - 148:00
    Do what you can.
    Come.
  • 148:02 - 148:04
    Shall l tell you something which
    will make you more angry?
  • 148:05 - 148:08
    l beat your brother, tied them to
    the fencing, removed their pants
  • 148:08 - 148:10
    and cut their asses.
  • 148:12 - 148:13
    Come. l will do it for you too.
  • 148:13 - 148:14
    Come. Let's do it.
  • 148:14 - 148:16
    Come, you scoundrel.
  • 148:17 - 148:19
    Come.
  • 148:20 - 148:21
    l'm waiting for you. Come.
  • 148:24 - 148:25
    The climax reel has been printed.
  • 148:26 - 148:27
    Printing of reel 7 & 8 has
    begun just now.
  • 148:32 - 148:32
    Which area?
  • 148:32 - 148:33
    East & West.
  • 148:33 - 148:35
    Pay the money correctly.
  • 148:35 - 148:37
    Not even one print will
    leave this place.
  • 148:38 - 148:40
    What?
    Do you have the guts to stop us?
  • 148:59 - 149:00
    Don't leave him.
  • 149:08 - 149:09
    Don't leave him.
    Kill him.
  • 149:10 - 149:12
    Forget about printing of climax reels.
  • 149:12 - 149:14
    Climax is happening here.
  • 149:18 - 149:20
    You're this film's director. Why are you
    stopping the prints from going out?
  • 149:20 - 149:22
    l'm not the director.
  • 149:40 - 149:42
    l told you that day itself.
  • 149:42 - 149:47
    lf it goes by wiping it away,
    l'm ready to wipe it 99 times.
  • 149:47 - 149:51
    But if my life is in danger,
    you will die.
  • 149:53 - 149:57
    Today, only one of us should be alive.
  • 150:14 - 150:15
    Printing of reels 1 1 & 12 isn't over.
  • 150:15 - 150:17
    We've just loaded reels 5 & 6.
  • 150:31 - 150:34
    There are 2 directors here.
  • 150:34 - 150:36
    Only if one of them will come alive,
  • 150:36 - 150:37
    the prints will go out.
  • 150:37 - 150:38
    Hang the phone.
  • 151:24 - 151:29
    Never mind if you die, but kill him.
  • 151:55 - 151:58
    Ravi, kill him.
  • 151:59 - 152:01
    Don't leave him.
  • 152:20 - 152:23
    Did you write the story?
  • 152:24 - 152:25
    Will you write the story?
  • 152:27 - 152:34
    Do you know what direction is?
  • 152:34 - 152:38
    How did he write the dialogues?
  • 152:39 - 152:41
    Did you write the dialogues too?
  • 152:43 - 152:45
    Did you write the dialogues too?
  • 152:47 - 152:48
    We have changed the name.
  • 152:48 - 152:50
    Reel 1 has been printed just now.
  • 152:50 - 152:52
    lt has your name on it.
  • 152:56 - 152:58
    Let him do anything he can.
  • 152:58 - 153:00
    You all can take the boxes.
  • 153:02 - 153:04
    l'll kill you all.
  • 153:12 - 153:13
    Come.
  • 153:13 - 153:14
    Today, only one of will live.
    lt's either you or me.
  • 153:14 - 153:16
    Come.
  • 153:26 - 153:28
    Hello, can l talk to Commissioner?
    - l'm Commissioner, tell me.
  • 153:28 - 153:31
    When he was about to
    kill my director...
  • 153:31 - 153:33
    You know Yadu, right?
  • 153:33 - 153:36
    l shot him with a gun.
  • 153:38 - 153:40
    ls he alive or dead?
    - l don't know.
  • 153:40 - 153:41
    He has been taken to the hospital.
  • 153:42 - 153:43
    He didn't try to kill the director.
  • 153:43 - 153:46
    Say that he tried to kill you,
    so you shot him.
  • 153:47 - 153:48
    You go home.
    l will take care of the rest.
  • 153:51 - 153:53
    There is no one to take money here.
  • 153:53 - 153:54
    l'll bring the prints first.
  • 153:54 - 153:55
    We will pay money later.
  • 154:03 - 154:05
    Do you know something.
  • 154:08 - 154:10
    Tell me something new.
  • 154:10 - 154:11
    Come.
  • 154:11 - 154:12
    Take him first.
  • 154:12 - 154:13
    The prints are on their way.
  • 154:13 - 154:15
    Midnight show will be on
    in an hour's time.
  • 154:16 - 154:17
    We will know the result by 2:30.
  • 154:17 - 154:19
    Film will be a hit for sure.
  • 154:19 - 154:20
    Don't get tensed.
  • 154:21 - 154:22
    Don't move.
  • 154:23 - 154:24
    Slowly.
  • 154:27 - 154:30
    lf the film fails, will we go home?
  • 154:30 - 154:33
    lf the film becomes a super hit,
    will we stop making films?
  • 154:34 - 154:39
    Be it a flop or a hit,
    we must take another film.
  • 154:40 - 154:42
    We know nothing other than films.
  • 154:43 - 154:45
    We are fit for nothing else
    other than this.
  • 154:46 - 154:48
    We know only one thing.
  • 154:49 - 154:59
    Downloaded From www.AllSubs.org
Title:
Neninthe
Description:

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Ravi (Ravi Teja) is a struggling assistant director who works for a mediocre director 'Idly' Viswanadh (modeled after self-deprecating 'Puri' Jagannadh). Ravi lives with his mother (Rama Prabha) who is suffering from cancer. Sandhya (Siya) is a struggling side dancer who aspires to become a heroine. She is harassed by her brother-in-law (Krishna Bhagawan) who acts more like a broker. Yaadu (Supreet) is a goon who harasses Sandhya. The rest of the story is all about how Ravi and Sandhya realize their dreams
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Video Language:
Telugu
Duration:
02:36:08
Cabdiqani Maxamed edited English subtitles for Neninthe
Cabdiqani Maxamed edited English subtitles for Neninthe
Cabdiqani Maxamed edited English subtitles for Neninthe
Cabdiqani Maxamed edited English subtitles for Neninthe
Cabdiqani Maxamed edited English subtitles for Neninthe
Cabdiqani Maxamed edited English subtitles for Neninthe
Cabdiqani Maxamed edited English subtitles for Neninthe
Cabdiqani Maxamed edited English subtitles for Neninthe
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