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Passagem Secreta and Cosmic Effect Present
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>>Rafael Fernandes: The first Sonic for the Mega Drive, besides being considered a classic for a long time,
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has many secrets, rumors and hidden references that were revealed as the 20 years since the release of the game passed by.
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One of these, let's say, "secrets", and that somehow is little discussed in the Web,
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is in the similarity between the science fiction film Blade Runner, from 1982,
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and some elements of Scrap Brain Zone, the last stage of the game.
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According to the observations found during the game, the background scenery of the first act closely resembles this panoramic take of the film,
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what makes us speculate that Yuji Naka was inspired, or at least tried to pay homage to the work of Ridley Scott.
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However, it seems he was not the only one who let himself be influenced by the science fiction classic…
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Somehow, the theme song for the stage, composed by Masato Nakamura,
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has a very interesting resemblance to the one that plays in the end credits of Blade Runner,
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called End Titles and produced by Vangelis, one of the most renowned composers of cinema history.
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The article that dealt with the subject was published in Passagem Secreta in November 2010,
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what blew the minds of some people and… generated some controversy by others.
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That is why we invited Eric Fraga, musician, retrogamer and collaborator of the partner blog Cosmic Effect,
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to bring the definitive proof that the songs are actually quite similar.
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>>Eric Fraga: Well, friends of Passagem Secreta, I'm Eric Fraga, the Cosmonal, and invited by Rafael "00 agent", uh,
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I came to add a bit more of fuel to the fire in a discussion that is out there on an artistic similarity between Sonic 1,
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for the Mega Drive, right, and Blade Runner, the film Blade Runner of Ridley Scott.
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>>Rafael Fernandes: And so, Cosmonal, how will you do that?
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>>Eric Fraga: I'll play a few pieces here of… of… o… only this small piece,
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remembering that this similarity with the song of Scrap Brain Zone is only in the initial section right after the… the intro, and only there, you know,
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and I'll show you here, uh, at least I'll play a few pieces and you draw your own conclusions, right.
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>>Man: C'mon guys, let's go (Hurry up, Eric!).
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>>Eric Fraga: Well, I'll show here to… I'll quickly play the Blade Runner theme and the song of Sonic, the Scrap Brain Zone, right.
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The small piece of Blade Runner…
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Memorize this bass.
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Memorize this timpani.
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O.k., it ends there.
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The song of Sonic; an important detail: uh… the song of Sonic is in a different tone from the song of Blade Runner, right, so uh…
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then you put a song next to each other, it means, I'll now play the other, there is a difference uh…
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and so, we notice, the listener notice, right, but from the musical point of view this is irrelevant, uh…
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for the musicians out there that's the tone, you know, the music of Blade Runner is in C minor and the song of Sonic is in A minor,
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but that is irrelevant musically; you can play uh… the song in any tone and this wouldn't… wouldn't affect there the judgement of any similarity, right.
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This is so true that when I do the demonstration here, I'll use the same tone, the tone of Blade Runner, right, randomly chosen.
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So, the song of Sonic…
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That's it. It's just this passage and that's it.
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Well, now I'll show here to you, I'll start by the bass, only the bass; I'll play the bass of… of the Blade Runner song first, right.
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That would be… I'll play it slowly, these songs are fast, both Sonic and Blade Runner, these songs are…
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electronic, you know, then usually the musician plays more slowly and then accelerates, right, here I'll just perform, you know, so, the bass of the song from Blade Runner.
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Right? I'll do the rest, eh…
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OK. I'll mix, I'll do the Sonic first in fact, after I'll mix.
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Now the bass from the Sonic song.
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Then it loops.
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I'll do both: a little bit of Blade Runner, a little bit of Sonic. So, Blade Runner.
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This is just to show, is not the same arrangement, right, but it looks like who made the song of Sonic, which came later, Mister Nakamura, right,
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the credit is his, uh… he at least… the style… the… the style, the rhythmic way of the bass, you know, it has something… it has something, right.
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He must have heard the song from Blade Runner, it can't be, because of this here…
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He fills, you know, the time with the notes, of… of course.
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Then, until then it can be a coincidence, but it still arise comments because of the little smoke, right.
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>>Rafael Fernandes: Then, as the similarity in the base of both songs was not enough, the tune also has some similarities, as Eric explains.
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>>Eric Fraga: Well, now I'm going to play, uh, the two songs for you.
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I'll start with Blade Runner, right, and you will… will make the comparison.
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Uh… I'll not play the bass, right, uh… they're electronic music, then perform these basses is… is really difficult, in fact it's sometimes even impossible, because they're too fast,
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but uh… I'll… I'll… make an arrangement naturally here, simple, to compose and… well, there you go, Blade Runner first, huh.
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So, here is the bass, just to remember.
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Now Sonic.
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Well, if I make the melody here, uh… separated, only the melody, you… you can, you'll be able to notice with… with a little more calm.
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So, look, Blade Runner.
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So, this notes progress is very similar to the song of Nakamura.
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So, you want to see? Let… let's go… Sonic.
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Then he repeats the same phrase only changing the chord, right, uh… just like… like… Vangelis did in Blade Runner, right.
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So, joining with the bass, with that rhythmic similarity, you know, that we commented, I think we have an inspired coincidence.
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>>Rafael Fernandes: And right now you wonder: why I never noticed it before?
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Well, maybe it is because this is the last stage and is kind of hard to notice these similarities before so many obstacles in the game, right?
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But as Cosmonal himself said, in fact there is at least some inspiration, since it is quite difficult to say that all this is a mere coincidence.
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And you? What do you think?
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Writing, editing and etc.
Rafael "00" Fernandes
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http://passagemsecreta.com
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Special appearance
Eric "Cosmonal" Fraga
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http://cosmiceffect.com.br
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Special thanks *
Masato Nakamura
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Special thanks *
Vangelis
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*we know that they care very little, but we thank them anyway