-
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- While our group was
in Bukidnon,
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we were invited
by a Higaonon tribe
-
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to experience their traditions.
-
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In the process
of documenting their culture,
-
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we learned new things about life.
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This is the story
behind our storytelling.
-
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- Good day!
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I’d like to introduce Amay Matangkilan
of the Higaonon Tribe.
-
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He is the leader
of the Higaonon in Mintapod.
-
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He prepared the things
that will be used for the ritual
-
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we are going to do.
-
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- During our visit to Sitio Mintapod,
various experiences
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awakened our awareness—
like the preparation
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of the Mamaon by the elders
for their ancestors.
-
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In the provinces
of the Philippines,
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it is customary to use mama,
mamaon, or mama.
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According to the locals,
this is the uniting of hearts
-
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among people,
whether visitors or fellow locals.
-
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Through this, a visitor
becomes part of a community.
-
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- Let’s place a peso.
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- The ritual is something
we’re really obligated to do—
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everyone who enters
this community must do this.
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This is our formal permission
to enter, and it’s also a form
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of cleansing for us
since we are outsiders.
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With me are Datu Junie Pantaon,
Amay, and Dindo Pantaon.
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They are the leaders
of this community,
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the Higaonon of Mintapod.
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- The Mamaon symbolizes
the tribe’s plea to their ancestors
-
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to protect the community
and the visitors.
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It also includes the prayer
that the true intention
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of visitors like us may come out
freely in their land.
-
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- At the start of the ritual,
each offered a personal prayer
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to Magbabáya, the Creator.
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Through the sacrifice of chickens,
they believe the animals
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become messengers
that will carry their prayers
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to the ancestors in the afterlife.
-
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- Each of us who wants
to enter here,
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let’s place our hands in the blood.
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That mark means
we’ve been cleansed.
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It’s like washing off
whatever we brought from outside.
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The feather is placed
on the "bangkaso,"
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or the altar
of the indigenous people.
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There are different levels of altars
because there are
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different levels of rituals.
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This is the first part
of the ritual.
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That will be cooked,
and then there’s a second part
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of the ritual where everyone
will share the meal.
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That’s the part where
we’ll all pray together and offer it.
-
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- I’m cooking the rice now.
-
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This is Sir Alden,
a staff member at the school.
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Ronel Tumana.
-
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She is Lea Pantaon.
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This is Ate Theresa Pantaon,
wife of Sgt. Pantaon.
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This is Nanay Luisa Bandahan,
our teacher in the tribe.
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She is our teacher.
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And also Amay,
our teacher in the tribe here
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in our SLT class.
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- Wow.
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We called it Kinam-o, Kinam-o.
-
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We’ll eat this once
the sweet potato suman is cooked.
-
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- We’ve already tried
many different foods
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from various places
in the Philippines,
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but nothing compares to the feeling
when you’re served
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traditional dishes prepared
especially for you.
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There’s also a special kind
of joy in seeing
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the whole community
working together just
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to give us a warm welcome.
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It was also an honor for us
to be given the "Galang Ha Bukala",
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a brass bangle of their Datu.
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It is believed that the Bukala
possesses power
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to ward off evil spirits.
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Only the Datu is allowed
to give this to those visiting
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their community.
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- You, sir, all of you—
you can try this,
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it’s sweet potato.
-
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- Frog.
-
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- Yes.
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- Watergrass.
-
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- Yes.
-
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- We shared the chickens,
the ones offered in the ritual,
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the ones the community cooked
for us while they continued
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to offer blessings.
-
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It was a unique feeling,
because it felt like
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a commitment was given to us—
to share their stories
-
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with more people
in the best possible way.
-
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And so, we embraced
this responsibility
-
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with our whole hearts.
-
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(laughs)
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- First of all, I’d like
to introduce
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Datu Mambalsahan Altohan.
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Mario is his Christian name.
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We Higaonon,
we have many names.
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So as for me, I am Idot—
that’s my nickname—
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and Brendo is my Christian name.
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Then when I got married,
I was called Mambibuan.
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Amay is Datu Amay Mantagkilan.
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He has a nickname too,
but it’s not often mentioned
-
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because it’s sacred.
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He is the one who fully understands
the traditions.
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He also knows
the ways of the forest.
-
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Then there’s Datu Manggaygayan—
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Junie Pantaon
is his Christian name.
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He was just recently ordained
as a Datu, because he served
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in the Philippine Army.
-
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- Where were you assigned, sir?
-
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- I’ve been all around Bukidnon.
-
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- I’m Dindo Pantaon,
and this is my older brother, Brendo.
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- Amay, maybe you could tell us
what the CADT is,
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what the importance
of ancestral domain is,
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and how it was granted
or awarded to the community?
-
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- Amay said that at first,
Fathers Bling and Mark told him:
-
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"Amay, your land is vast.
It might be best if you claim it,
-
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declare it as ancestral domain—
CADT—so that your land
-
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can’t be easily taken by others."
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So this CADT
is the 54th one awarded,
-
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if I’m not mistaken,
in the entire Philippines.
-
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- Amay, how did you fight
for the CADT?
-
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Because that isn’t something
easily granted.
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- Amay said that he was worried
the area he would point out
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might overlap
with a neighboring CADT,
-
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so the first thing he did was
to verify the boundary
-
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over by Agusan Del Sur.
-
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- Was it Amay himself
who traveled that entire route?
-
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- Yes. Because even before,
Amay already knew
-
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the area very well,
since he was a hunter.
-
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- Why did Amay fight so hard
for the CADT?
-
Not Synced
That’s real dedication.
-
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14,000 hectares—
Amay went through all of that.
-
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What can you say about that?
That’s not easy.
-
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- Amay didn’t want to get married
because he just wanted
-
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to stay in the mountains
to protect the natural resources
-
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and the boundaries—
which he continues
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to promote even today.
-
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He didn’t like conflict.
-
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So he traveled to visit
the neighboring Datu
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who governed other boundaries
or CADTs to consult with them.
-
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That was his sacrifice.
-
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So when the declaration
to claim came,
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it wasn’t difficult anymore.
-
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- This is the full 3D map
of the CADT of AGMIHICU,
-
Not Synced
or Agtulawon Mintapod
Higaonon Cumadon.
-
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So over here is Agusan Del Sur.
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Over there is Misamis Oriental.
-
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And here are
the neighboring municipalities.
-
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This is the entire map.
-
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You can see the mountain ranges
over there.
-
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That’s what Amay
mentioned earlier—
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the most sacred mountain
of the Higaonon,
-
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and its highest peak is there.
-
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That’s Mount Kimangkil,
the highest peak in this area.
-
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So if we locate Mintapod,
it’s right there—where we are now.
-
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- We’re right here.
-
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- 14,313 hectares.
-
Not Synced
- Amay went around all
of these boundaries?
-
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- All of them.
-
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- Even beyond, sir.
-
Not Synced
Because it depends—
he was hunting.
-
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- How did the Armed Forces
of the Philippines help
-
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the indigenous communities?
-
Not Synced
- In 1982, the NPA grew in numbers,
and the Datu
-
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were being pressured
to increase their forces too.
-
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So we, in the Army,
were deployed
-
Not Synced
throughout the communities.
-
Not Synced
That’s what the Army did
to prevent the NPA from penetrating.
-
Not Synced
So that the way of life
of the Lumad communities
-
Not Synced
could continue.
-
Not Synced
Even until now, that peaceful way
of life continues.
-
Not Synced
- Amay, could you introduce
Sitio Mintapod to us?
-
Not Synced
- Amay said that even
during the time of our ancestors,
-
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Mintapod was already peaceful.
-
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Also, he said that Mintapod
is a sacred place—
-
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what we call "tulungdanun"
or sacred ground.
-
Not Synced
At first, it wasn’t supposed
to become a sitio or a place
-
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to build homes
because this place—
-
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Sitio Mintapod—is sacred.
-
Not Synced
But over time,
with the help of the ancestors
-
Not Synced
and Amay,
they were forced to say,
-
Not Synced
“Let’s build homes
so we can live here.”
-
Not Synced
- I’ll just add, sir—
Sitio was established
-
Not Synced
when Amay lived
in Patuga back in 1976.
-
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Then religious groups came in
without permission.
-
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There were many of them,
more than 100.
-
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They lived here.
-
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So their plan was
to build a barangay here.
-
Not Synced
But those of us
from the religious sector
-
Not Synced
who were already living here—
we were told,
-
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“You should be the ones
to stay here.
-
Not Synced
We’ll take care
of asking them to leave.”
-
Not Synced
So Amay and the others decided
to live here and spoke
-
Not Synced
with the religious leader,
and they were asked to leave.
-
Not Synced
So from then on,
it became Mintapod.
-
Not Synced
- Why are you now open
to sharing your culture,
-
Not Synced
your way of life,
and your people with us?
-
Not Synced
Because not everyone is open—
and this place truly is sacred.
-
Not Synced
- You wouldn’t even see
Amay here before—
-
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just in the mountains
or the forest.
-
Not Synced
But once we were Christianized,
and it became a sitio,
-
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we started mingling with people.
-
Not Synced
Because according to Amay,
the Higaonon are humble,
-
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flexible, and don’t like trouble.
-
Not Synced
Let’s go back
to what Amay said earlier—
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that he always talked
with neighboring villages
-
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to keep good relations.
-
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And to your question now
about why they’re open—
-
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It started when the Iglesia entered.
-
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That’s when we realized
we really had to take care of Mintapod.
-
Not Synced
Compared to other places
or other tribes, there is no—
-
Not Synced
how do you say—
no aggression here. None.
-
Not Synced
Because we have a culture
that we’ve always followed—
-
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a relationship like holding
an egg that we don’t want to break.
-
Not Synced
So we need to protect that.
-
Not Synced
That’s why many come here,
and we welcome
-
Not Synced
those who show good intentions
or who can help
-
Not Synced
in Sitio Mintapod, AGMIHICU.
-
Not Synced
- As the elder among everyone,
what is your dream
-
Not Synced
for Mintapod?
-
Not Synced
- What Amay wants now is
for all his brothers
-
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and fellow tribespeople
to settle here.
-
Not Synced
- One of the primary livelihoods
of the women
-
Not Synced
in Sitio Mintapod is weaving.
-
Not Synced
It has a deep connection
to their tradition and culture.
-
Not Synced
Each color has meaning,
each symbol carries a story.
-
Not Synced
The age of the weaver
also relates to the responsibilities
-
Not Synced
placed upon her.
-
Not Synced
- Their story to us was
that Baay Anak
-
Not Synced
was the very first weaver
of hinabol.
-
Not Synced
She used what they call polkas,
a type of loom
-
Not Synced
that’s strapped to the back.
-
Not Synced
Baay Anak supposedly
brought home the loom
-
Not Synced
and called it "hablanan,"
along with dye or ilalama,
-
Not Synced
abaca planting material,
and a sugarcane press
-
Not Synced
called "ligid-ligid."
-
Not Synced
- In the tradition
of the community,
-
Not Synced
hinabol is only worn
during special occasions
-
Not Synced
like weddings, tribal peace pacts,
and gatherings held
-
Not Synced
to give thanks to important visitors.
-
Not Synced
It is also used as an offering
or dowry in marriage,
-
Not Synced
or as payment
to resolve misunderstandings.
-
Not Synced
- The tradition of weaving
is deeply embedded
-
Not Synced
in the consciousness
of each person.
-
Not Synced
Hinabol is important to those
in Sitio because only
-
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a few women, called Bae,
are allowed to weave
-
Not Synced
in the community.
-
Not Synced
They believe that the Bae
has a generous heart.
-
Not Synced
- This is Vilma Tomanas.
She’s the master weaver,
-
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second-liner as a master weaver.
-
Not Synced
So now, they are the master weavers.
-
Not Synced
This is Luisa Bandahan,
also a master weaver.
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Not Synced
They are now our teachers.
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Not Synced
Ate Lea, she is also with Norma,
-
Not Synced
she is the one
who watches over us here.
-
Not Synced
So these are the new weavers.
They’re in the same batch.
-
Not Synced
This is Inday Pinaabot.
-
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So they’re also masters now
at weaving.
-
Not Synced
This one—this is our
traditional sling bag,
-
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and this design
is what I mentioned earlier
-
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as the traditional design.
-
Not Synced
We call this "ginuntian."
-
Not Synced
This was made using
what we call "kinanaway,"
-
Not Synced
the method of designing.
-
Not Synced
This ginuntian, only the Bae
are allowed to weave it.
-
Not Synced
We’re not allowed to weave it
unless we’ve been
-
Not Synced
given authorization.
-
Not Synced
And this one is also
a traditional design—
-
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you can see the difference.
-
Not Synced
We call it "binudbud."
-
Not Synced
Like this one too, it’s different.
-
Not Synced
This one’s also kinanaway.
-
Not Synced
This is what I’m talking about,
it’s a simple design
-
Not Synced
but still traditional.
-
Not Synced
So now, this is
the truly natural color.
-
Not Synced
These ones—if we want
to weave by meter, this is it.
-
Not Synced
Because we produce so much,
and we want more people
-
Not Synced
to know what can be made
out of abaca fiber,
-
Not Synced
we also added earrings
and such.
-
Not Synced
Because it would be a waste
if our rejects from weaving
-
Not Synced
just end up as trash.
-
Not Synced
So really for us women here—
we’re just thankful
-
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that we were allowed to sell,
because this is now
-
Not Synced
our livelihood.
-
Not Synced
If we didn’t have this...
-
Not Synced
They say, “If I didn’t become a weaver,
-
Not Synced
I wouldn’t have been able
to support my child’s education.”
-
Not Synced
For me, it’s really a gift
from the Lord
-
Not Synced
that we were able to learn this.
-
Not Synced
- The experiences we’ve had
with the community
-
Not Synced
are priceless—and next,
they taught us
-
Not Synced
how to make langkuga,
their version of rice wine.
-
Not Synced
- Impressive.
-
Not Synced
- I didn’t go with them,
I’d be left behind.
-
Not Synced
- That was washed to be used
as a strainer
-
Not Synced
for the pressed sugarcane.
-
Not Synced
You’re not allowed
to use soap on that
-
Not Synced
or it’ll ruin the sinubog.
-
Not Synced
Bae said once the pressed sugarcane
is put in the sinubog,
-
Not Synced
it can be drunk
in about two days.
-
Not Synced
But we can already taste
what it’s like once
-
Not Synced
the pressed sugarcane is mixed.
-
Not Synced
- Go ahead, Datu.
-
Not Synced
- I’ll go first, okay?
-
Not Synced
- What does it taste like?
-
Not Synced
- It won’t even last two days—
it can already get you drunk.
-
Not Synced
- There we go.
-
Not Synced
(laughs)
-
Not Synced
- It’s already fermented,
there’s a slight sweetness
-
Not Synced
because of the sugarcane.
-
Not Synced
Delicious.
-
Not Synced
It really can get you drunk.
-
Not Synced
- You’ll get drunk
if you drink a lot. Oh, Mon.
-
Not Synced
- It’s good.
-
Not Synced
(laughs)
-
Not Synced
- This is insane.
-
Not Synced
- Is this already the one
that gets you drunk?
-
Not Synced
How many days has it been?
-
Not Synced
- Around three days?
-
Not Synced
- Ah, three days.
-
Not Synced
- That has a bit of sourness.
-
Not Synced
- It’s good.
-
Not Synced
- I prefer the taste
of the fermented one.
-
Not Synced
- Two days?
-
Not Synced
- Three days? It’s better.
I prefer this one.
-
Not Synced
- The rice is delicious.
-
Not Synced
- Yeah, right? Solid. Want to try?
-
Not Synced
- If it reaches six days,
it starts tasting like vinegar.
-
Not Synced
- So it should be drunk before that?
-
Not Synced
- Yes.
-
Not Synced
- The flavor is more concentrated now.
-
Not Synced
- It’s already binded.
-
Not Synced
- We like it more at three days.
-
Not Synced
- Sacred tradition.
-
Not Synced
- Food.
-
Not Synced
- Experience.
-
Not Synced
- New friends.
-
Not Synced
- Happiness like no other.
-
Not Synced
- The journey continues—
in sharing, in adapting, in growing.
-
Not Synced
- Sige, Datu.
- Ako ang mauna ah.
- Ano lasa?
- Di na aabot ng dalawang araw, makalasing na to.
- Yown.
(laughs)
Fermented na siya, may kaunting tamis dahil dun sa tubo. Sarap. Makakalasing na nga to.
- Makalasing na pag marami yung nainom. Oh, Mon.
- Okay na siya.
(laughs
- This is insane.
- Ito na po yung nakakalasing? Ilang araw na po ito?
- Mga three days?
- Ah, three days na.
- Medyo may asim yan.
- Masarap siya.
- Mas gusto ko yung lasa ng fermented.
- Two days?
- Three days? Mas masarap. Mas gusto ko na to.
Sarap nung kanin.
- Oo nga noh. Solid. Gusto mo itry?
- Pag umabot ng 6 days, parang suka na.
- So dapat mainom na?
- Oo.
- Mas namuo na yung lasa niya.
- Binded na.
- Mas gusto namin yung three days.
- Sagradong tradition.
- Pagkain.
- Karanasan.
- Mga bagong kaibigan.
- Walang kapantay na kaligayahan.
- Tuloy lang sa paglakbay, sa pagbabahagi, at pakikibagay.