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(Typewriter clicks)
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Type is Power
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The power to express words and ideas
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visually
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its timeless
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but always changing
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and thats what we're going to explore
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most people agree that the creator
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of Typography was a German man
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named Johannes Gutenberg
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and Yes he wore a hat like that
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before Gutenberg came along and
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revolutionised the world of communication
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books needed to be scribed by hand usually
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by monks which was very time consuming and
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expensive.
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So Gutenberg created Blackletter
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the first ever typeface modelled after the
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writing of the scribes.
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Blackletter has thick vertical lines and
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thin horizontal connectors which made it
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great for scribing but it looked very
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dense and squished together when printed.
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Something needed to change
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enter Roman type.
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This particular typeface is Cambria which
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you're probably used to seeing on your
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word processor but the first ever
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Roman typeface was created in the
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15th Century by the Frenchman
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Nicholas Jenson.
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This is his typeface right here
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Jenson worked mainly in Venice, Italy
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and was inspired by the lettering
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found on Ancient Roman buildings.
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His letter forms where based on
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straight lines and regular curves.
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This made them very clear and legible
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compared to the dense darkness of Blackletter.
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This legible new typeface was an
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instant success and quickly spread
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across Europe riding on the coat tails
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of the Renaissance.
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The next major innovation in typography
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after Roman letter was Italics.
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Which are like slanted and stylised
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versions of Roman type
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they were created in the late 15th Century
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by Aldus Manutius from Italy
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as a way of fitting more letters on
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the page and saving money.
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Now we use it Italics interspersed in
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Roman type for emphasis.
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Aldus Manutius also created the modern
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comma and semicolon
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but thats another story.
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Type development fairly stagnant until
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the 18th Century in England when
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William Caslon created a typeface
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that set a new standard for legibility.
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Well it wasn't anything radical
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it was just what the world was looking for
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the style of Caslon's typeface is now
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referred to as Old Style
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A few decades later another Britt
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named John Baskerville created a new
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variety of typeface which we call
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Transitional
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later still a Frenchman named Didot and an
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Italian named Bodoni created typefaces
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that we have classified as Modern.
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Most Serif typefaces fit into one of these
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three categories but what does each
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category mean?
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An Old Style typeface has letters that
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have thick serifs and low contrast
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between thick and thin strokes
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A Transitional typeface has letters with
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thinner serifs and a higher contrast
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between thick and thin strokes
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and a Modern typeface has letters with
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very thin serifs and extreme contrast
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between thick and thin strokes.
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Next William Caslon's great grandson, named
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William Caslon the fourth got sick of all of
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these serifs so he decided to remove them
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entirely and made a new kind of typeface
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called the Sans Serif.
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It didn't catch on immediately but
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would eventually get really big
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During the second industrial revolution
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advertising created a need for new typefaces
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letters were made taller
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and wider mainly used in large sizes
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on posters and billboards.
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Thing got pretty weird but one happy
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result of all of this experimentation is
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Egyptian or Slab Serif
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it has really thick serifs and is usually
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used for titles
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As a backlash to the complexity found in
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typefaces of the 19th Century
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the early 20th Century brought
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something simple
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Paul Renner from Germany created a typeface
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called Futura and it was based on
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simple geometric shapes
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this is called the Geometric Sans
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around the same time a British man named
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Eric Gill created a typeface called
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Gill Sans that was similar to a geometric sans
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but with gentler more natural curves
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and this is called Humanist Sans
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The next major step in the world of Sans Serif
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happened in Switzerland in 1957
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with the introduction of Helvetica
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it has simple curves and is available
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in many different weights and some
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would call it the worlds favourite typeface
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The world of typography changed forever with
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the introduction of the computer
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there were a few difficult years of crude
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Pixel type due to the primitive screen
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technology
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but then technology evolved and computers
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began to allow for the creation of thousands
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of beautiful typefaces
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and the odd ..ummm.. dud
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but now anyone has the freedom to
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create their own unique typeface
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and that is the History of Typography