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Best Marble Material? - Martin vs The Machine #30

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    [Music]
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    round one
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    [Applause]
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    fight
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    [Applause]
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    you lose
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    [Music]
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    round two
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    [Music]
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    [Applause]
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    fight
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    [Applause]
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    you lose
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    [Music]
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    all right
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    [Applause]
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    [Music]
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    round three
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    fight
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    hello everyone
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    we are back after a
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    intense weekend
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    with
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    sir 3k who can't speak
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    after we went to the swedish
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    metal band power
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    um
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    yeah
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    how do you feel today sir three i have
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    never felt better but as you can hear my
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    voice is
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    a little bit all over the map right now
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    a lot of singing along yeah nice to be
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    with you out and watching some live
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    concerts and just embracing life
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    it was the first live concert we watched
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    since uh the pandemic and the energy in
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    the room was brilliant because everyone
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    had the same feeling like it's happening
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    again and like yeah i was i went from
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    the concert and it's like oh god i miss
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    play i'm historian i'm just playing live
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    brilliant energy of that band and the
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    whole crowd singing along chanting and
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    just fist pumping all the time
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    as you can see yeah it took a toll on me
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    at least but here we are we're ready to
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    start again
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    and today we are going to discuss um
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    marbles size and material so i'm trying
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    to evaluating if i even think i can make
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    a machine that works and
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    i have some new nice tools for that so
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    i have made a new documentation central
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    which you can find on
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    our website and in the description of of
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    this live stream
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    and
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    um in this documentation central you can
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    also see kind of some upcoming live
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    stream topics and
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    what is nice here this is like it's an
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    excel it's a google sheet but i made it
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    like a website so you can click on the
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    links
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    and you can also always go back to the
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    front page so it's almost like a little
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    excel sheet website
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    like um
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    wiki for the marble machine three yeah
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    and
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    basically on a very very high level i am
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    i am
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    this this is going to be some more
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    abstract weeks for you all
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    because we're trying to evaluate um
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    really how
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    if there is a design that i truly
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    believe in i've grown to become
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    extremely skeptic and
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    i look back uh
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    on the previous efforts
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    um
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    [Music]
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    i yeah i think i can show the image
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    there and and
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    the naivety i had in those machines so
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    basically right now i've fallen over to
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    the other side where i think nothing
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    will work
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    and
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    so uh
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    my plan
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    to combat this feeling that nothing will
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    work is
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    to use them
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    um
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    just
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    like think about the stuff that i can
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    think about
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    in smaller
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    portions and then marbles is one of
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    those things so also in the
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    documentation center we have the known
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    unknowns matrix
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    and i want to kind of
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    all these topics
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    i want to kind of investigate them and
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    then i want to as soon as possible
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    like
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    come to a realization that there is a
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    possible machine three because right now
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    i don't even think it's possible
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    honestly after this weekend how are you
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    not just happy about life and just get
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    keep this going there is no surrender
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    this time
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    well if we reach a point where it's
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    physically impossible then well we've
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    done everything we can but we're too far
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    away from that now
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    we just need to focus up and get this
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    sorted and you're just laughing because
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    h3k's
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    voice box
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    has taken some damage
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    it's absolutely beautiful
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    yeah so yeah it's it's it's
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    it's fun because it's like
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    um
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    yeah it's it's it's fun because it's
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    like tormenting me to not be
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    my my normal mode is like everything is
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    possible and i don't recognize myself in
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    this like nothing nothing is possible
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    kind of kind of mood
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    however
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    i know that it will make me kind of
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    happy to go into the topic of marble
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    research because
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    there will be kind of a lot of important
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    um aspects with the design based on two
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    things so
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    i made um i just want to say quickly
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    there from desert pillar anything is
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    possible we're on the same hype level
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    right here
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    there we go that's that is uh that is
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    nice from desert pillar and um
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    and uh han has been dealing with me the
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    whole day i've not been
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    i feel sorry for for this hype man over
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    here trying to hype up this this this
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    this um kind of mood mood whatever i
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    have today let's turn this around so
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    uh hope you're all doing great out there
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    we're so happy to be back um okay marvel
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    sizes and materials
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    so i've um i've prepared two decision
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    matrixes let's see if i can show them a
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    little bit better to you here
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    so
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    um
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    in these documents you can leave
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    comments try to be sparing but you can
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    leave comments and you can link to your
  • 7:01 - 7:03
    own documents there's a whole section
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    actually i should actually just tell you
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    all about that because
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    i love the interactions we have and i
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    want to have
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    i built this um
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    this whole documentation central as a
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    way to
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    so here under the contribute tab
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    you can see exactly how to contribute
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    your ideas uh to the mar machine 3
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    project so i kind of structured it a
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    little bit more during the weekend and
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    um
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    so for example
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    today let's take let's take an example
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    so we go back to marble sizes
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    we're going to research steel core
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    rubber balls today and if you want to
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    leave like a link or if you want to
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    leave something you can leave it in this
  • 7:45 - 7:46
    document as a comment
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    uh like so that's one of the way you can
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    contribute so let's get into what we're
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    gonna talk about today marvel matrix
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    we're going to do two decision matrixes
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    here so i'm going i have prepared
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    what material for marbles which is the
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    first decision matrix
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    and then here
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    we have what's size for marbles
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    and to fill in this i think i need to
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    make some
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    research and see what there is
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    and i know that there is for example
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    steel core rubber balls from industrial
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    steel core rubber balls
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    so yeah that's the marble matrix uh and
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    let's get straight into
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    we can see what we're going to talk
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    about today marble size
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    than marble material and then how the
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    marble lifting is affected by both of
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    these variables and then we're going to
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    be done
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    so yeah let's get into this
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    i feel rusty yeah it's been a while
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    since we've been here my voice is
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    definitely rusty
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    it will kick in a higher gear pretty
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    soon
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    is it time for humble bragging moments
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    right at the start of the of the stream
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    as well no no nothing we have to get
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    into the topic first okay do it then
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    take the wheel go
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    um
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    we'll save it as a nice easter egg
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    that's a nice little treat at the end of
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    the stream there we go what about that
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    with that it's it's epic it is epic
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    okay everyone let's let's let's get into
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    this um
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    marble size everyone
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    um
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    let's go to the decision matrix for
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    marble size and i'm just going to
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    communicate a little bit here first how
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    a decision matrix is used so we have the
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    criteria up here
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    and then we have this assign options
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    here
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    so i'm going to first make the weight of
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    the criteria
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    so
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    uh sound for a vibraphone how important
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    is that to one two five
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    um
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    it's pretty important for sound for
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    snare three sound for kick three sound
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    for height three sound for bass it's
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    actually only one because we're gonna
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    use the hammer jammer
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    so um the hammer jammer should be
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    playable in
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    whatever um
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    this the size is oh sorry i was on the
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    materials
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    so the size is actually
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    no no no this is this is good
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    so then we go ahead supply chain should
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    be like i'm gonna um hmm
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    that should not be here let's remove
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    that
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    uh
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    cost
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    wait the supply chain oh no sorry yeah
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    so
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    see i'm my brain hasn't started yet it's
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    start it's like cranking up yeah yeah
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    yeah yeah yeah yeah as you're at the
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    machine
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    so
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    uh supply chain
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    cost let's put three
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    looks two functionality five
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    most important one
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    lifting four
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    noise
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    five
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    marble division five as so it's very
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    important
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    machine footprint three
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    and then um
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    [Music]
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    now i can kind of grade the different
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    options
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    um so
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    um
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    this is going to be pretty difficult
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    actually
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    um
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    we're gonna do them at the same time so
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    that's for the
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    size and now i'm going to go up to the
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    material one
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    um
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    just want a nice little comment here
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    from joe
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    jory brahms
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    played my first post covet gig last
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    friday rocked my i believe shirt on
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    stage because i believe like never
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    before that's so cool yori what kind of
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    music are you playing i'm jealous about
  • 11:53 - 11:56
    your that you premiered your post covet
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    gig i'm looking for my one and a serious
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    question from foldy one papyrus
  • 12:01 - 12:03
    how on earth are you going to choose
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    without practical tests no way to know
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    how they sound without really testing
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    them so you're rightfully one preparers
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    although i do know uh
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    that a metal ball will sound harder than
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    a wood ball
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    and a rubber ball will sound softest
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    so
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    um
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    like
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    there are some assumptions that we can
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    make
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    with a certain level of certainty
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    that is not perfect as a real world
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    prototype with actual things but talking
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    about your comment i am going to try to
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    during this
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    stream to order some um some some rubber
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    balls
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    and test them yeah so um
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    i saw the coolest one i found
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    right let's see if we can open this one
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    in a new tab is it going to be a new tab
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    yes
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    so these are the coolest ones
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    um for rubber and let's see if i can
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    steel core rubber balls with different
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    coating materials so we're gonna go into
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    this later so we are going to test them
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    these kind of things
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    um so let's see i put the same weight
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    on the criteria for the
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    um
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    material one so let's um
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    i think during this whole live stream i
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    will keep filling this in
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    when we look at the different options
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    um
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    but i can just tell you like um
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    for example a pure wood ball um are you
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    seeing this big enough maybe i should
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    make this bigger for you enhance
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    i have to like manually enhance but it's
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    okay yeah we're among friends yes
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    yeah there we go so pure wood balls
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    is awesome for the hi-hat
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    so we put a five there so we go one two
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    one two three four five is the grade
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    and then you can see that this is
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    getting multiplied by the weight for a
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    total score of 15. yeah there are some
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    formula actions in this document
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    and steel core rubber balls is horrible
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    for the hyatt so there's a one
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    um pure rubber balls is horrible for the
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    hyatt so that's a one
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    ball bearing no wait
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    yeah
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    ball bearing steel spheres is kind of
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    three
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    it's kind of bad it's kind of two
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    and metal core wood marbles is a five
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    for the hyatt i don't even know if
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    metalcore wood marbles exist maybe we
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    have to make our own i don't want that
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    but we i included them for the sake of
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    of the discussion
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    um
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    so so um
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    i prefer if i could just choose
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    i prefer um on the hyatt to use a wood
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    marble like the ones i have here
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    um
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    but i don't think they weigh enough so
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    for the weight
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    the all the marbles with the
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    steel core are better
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    [Music]
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    noise
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    so noise is an interesting category ball
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    bearing steel spheres are bad because
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    they sound a lot pure rubber balls are
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    perfect they will sound the least steel
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    core rubber balls almost as good for
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    pure wood balls
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    three
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    metal core wood marbles
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    two
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    so
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    it's um
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    so you can see here we have
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    rubber balls are taking the lead fast
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    here oh yeah
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    um
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    we got a
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    a follow-up from jewelry brahms
  • 15:50 - 15:53
    we tend to call our music progressive
  • 15:53 - 15:55
    punk but it's always hard to put a label
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    on your own music yeah i mean there's
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    you know the struggle as well marcus
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    people we we've been all over the world
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    oh my best when i released uh when with
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    my first band we had a japanese record
  • 16:08 - 16:09
    label
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    and they released with the band was
  • 16:11 - 16:13
    called the tikti burn so so and they put
  • 16:13 - 16:16
    it like we were like pep we were like
  • 16:16 - 16:17
    cardboard cutout dolls in like the
  • 16:17 - 16:20
    japanese music store pretty proud about
  • 16:20 - 16:20
    that
  • 16:20 - 16:21
    and
  • 16:21 - 16:23
    do you know which stronger they put
  • 16:23 - 16:26
    detective debut album in
  • 16:26 - 16:27
    oh
  • 16:27 - 16:28
    it's gonna be something really strange
  • 16:28 - 16:29
    right
  • 16:29 - 16:33
    is it hip hop r b so so
  • 16:33 - 16:35
    because shelf space is limited in a
  • 16:35 - 16:38
    record store they put us in world slash
  • 16:38 - 16:39
    healing
  • 16:39 - 16:42
    world really i mean that's great
  • 16:42 - 16:45
    that's all there is the power yeah yeah
  • 16:45 - 16:47
    power of music but brilliant world slash
  • 16:47 - 16:49
    healing it was we
  • 16:49 - 16:52
    and pan flute uh
  • 16:52 - 16:54
    synth pads
  • 16:54 - 16:58
    so that's fun so i i know your struggle
  • 16:58 - 17:01
    it sounds fantastic it's bbp no option
  • 17:01 - 17:03
    for glass marbles oh
  • 17:03 - 17:05
    well done
  • 17:05 - 17:08
    glass marbles
  • 17:08 - 17:08
    um
  • 17:08 - 17:11
    [Music]
  • 17:11 - 17:13
    i don't know
  • 17:13 - 17:15
    who knows yeah who knows let's be
  • 17:15 - 17:18
    open-minded glassport i think we should
  • 17:18 - 17:20
    should write porcelain poor slain
  • 17:20 - 17:22
    because that's the kind of fully colored
  • 17:22 - 17:24
    ones
  • 17:24 - 17:26
    uh who who knows
  • 17:26 - 17:27
    they are light though
  • 17:27 - 17:28
    um
  • 17:28 - 17:31
    noise they get bad on noise one
  • 17:31 - 17:33
    um
  • 17:33 - 17:35
    so let's take a quick look at cad
  • 17:35 - 17:38
    because this is so abstract so we were
  • 17:38 - 17:40
    we were looking at this in the last
  • 17:40 - 17:41
    stream
  • 17:41 - 17:43
    with having the drums on the side and i
  • 17:43 - 17:46
    just added the marble cues there like
  • 17:46 - 17:47
    this
  • 17:47 - 17:50
    and i'm a little skeptical about this uh
  • 17:50 - 17:52
    after some pondering but this is not
  • 17:52 - 17:54
    what this live stream is about but i
  • 17:54 - 17:56
    just wanted to show like where we left
  • 17:56 - 17:58
    it off last week
  • 17:58 - 17:59
    like in the end of the stream everyone
  • 17:59 - 18:02
    was like so excited we like thought we
  • 18:02 - 18:04
    figured it out
  • 18:04 - 18:06
    still an option
  • 18:06 - 18:07
    i don't know
  • 18:07 - 18:10
    you love this right sir 3k i love that
  • 18:10 - 18:11
    we finally
  • 18:11 - 18:14
    ventured into the options of putting
  • 18:14 - 18:16
    instruments like on the side of the
  • 18:16 - 18:18
    machine and stuff like that that was
  • 18:18 - 18:20
    exciting me and a lot of people in the
  • 18:20 - 18:22
    audience
  • 18:22 - 18:23
    uh
  • 18:23 - 18:26
    using all that space that's available
  • 18:26 - 18:29
    so maybe we'll find a perfect compromise
  • 18:29 - 18:32
    somewhere in the middle of this yeah so
  • 18:32 - 18:34
    the way i'm trying to untangle this knot
  • 18:34 - 18:37
    of the marble machine three is to go for
  • 18:37 - 18:38
    things
  • 18:38 - 18:39
    that i know i can look at
  • 18:39 - 18:42
    individually and then try to get like
  • 18:42 - 18:44
    somewhere where where
  • 18:44 - 18:46
    and i think marbles is a great great
  • 18:46 - 18:48
    place to start
  • 18:48 - 18:52
    so uh yeah yoshik v tumanai shouldn't
  • 18:52 - 18:55
    durability also be a criteria in this
  • 18:55 - 18:57
    good idea um
  • 18:57 - 18:58
    i think
  • 18:58 - 19:01
    it's on under functionality okay yeah
  • 19:01 - 19:04
    and so for example i'm going to give
  • 19:04 - 19:05
    like uh i think
  • 19:05 - 19:07
    i think the glass marbles i'm going to
  • 19:07 - 19:10
    probably they would hold up really well
  • 19:10 - 19:11
    but i'm going to give them low score on
  • 19:11 - 19:13
    functionality because of that reason
  • 19:13 - 19:14
    yeah
  • 19:14 - 19:17
    so bob let's let's do that category ball
  • 19:17 - 19:19
    bearing steel spheres functionality is
  • 19:19 - 19:22
    five because they're so precise
  • 19:22 - 19:24
    pure rubber balls i think is three
  • 19:24 - 19:26
    because they're too light
  • 19:26 - 19:28
    weight and that i'm gonna punish that on
  • 19:28 - 19:30
    the sound as well for that reason
  • 19:30 - 19:32
    silk rubber balls f4
  • 19:32 - 19:34
    pure wood balls
  • 19:34 - 19:36
    because it's hard to get them completely
  • 19:36 - 19:38
    around a three
  • 19:38 - 19:40
    metal core wood marbles like a two
  • 19:40 - 19:43
    because they're hard to get i think
  • 19:43 - 19:46
    um just got a tip here from mike lucas
  • 19:46 - 19:49
    mcmaster car sifting balls is a really
  • 19:49 - 19:52
    good suggestion oh interesting let's
  • 19:52 - 19:54
    have a look at that right away sifting
  • 19:54 - 19:58
    balls um so i have if we go to cad we
  • 19:58 - 20:00
    can insert a mcmaster car
  • 20:00 - 20:02
    uh part here
  • 20:02 - 20:04
    and let's see if i can show you this
  • 20:04 - 20:07
    little more zoomed in like that
  • 20:07 - 20:09
    sifting balls
  • 20:09 - 20:10
    is that for like polishing machines
  • 20:10 - 20:13
    maybe
  • 20:16 - 20:18
    what is this for sorcery you're this is
  • 20:18 - 20:21
    why i love live streaming
  • 20:21 - 20:23
    what is this
  • 20:23 - 20:27
    wow semicolon oh they have all the
  • 20:27 - 20:30
    what do they have with different cores
  • 20:30 - 20:33
    oh here's the durometer cool so
  • 20:33 - 20:35
    durometer is something that i learned
  • 20:35 - 20:39
    from marius these values are hardness of
  • 20:39 - 20:40
    the rubber okay
  • 20:40 - 20:42
    um
  • 20:42 - 20:45
    and what is really really really cool
  • 20:45 - 20:48
    so on vibraphone um mallets
  • 20:48 - 20:50
    you also have
  • 20:50 - 20:52
    all the different hardnesses
  • 20:52 - 20:53
    so
  • 20:53 - 20:56
    if these balls would work
  • 20:56 - 20:58
    we could actually
  • 20:58 - 21:00
    we could actually order a test for each
  • 21:00 - 21:02
    and choose what kind of sound we want
  • 21:02 - 21:05
    yeah which is really really really cool
  • 21:05 - 21:07
    so here's harness rating and a lot of
  • 21:07 - 21:10
    people in chat are talking about um
  • 21:10 - 21:13
    probability of being a lot of friction
  • 21:13 - 21:16
    with rubber balls yes yes yes yes so
  • 21:16 - 21:18
    this is this is the
  • 21:18 - 21:21
    this is the big um
  • 21:21 - 21:22
    um
  • 21:22 - 21:24
    this is the big issue yeah so just to
  • 21:24 - 21:26
    say that just to show that you're
  • 21:26 - 21:29
    skating where the pack is going
  • 21:29 - 21:30
    in the document it says here friction
  • 21:30 - 21:32
    from rubber marbles creates new design
  • 21:32 - 21:34
    requirements compared to steel marbles
  • 21:34 - 21:38
    um so for example uh i would love to use
  • 21:38 - 21:40
    a marble pump lift
  • 21:40 - 21:42
    uh like
  • 21:42 - 21:43
    this one
  • 21:43 - 21:45
    um
  • 21:45 - 21:48
    so
  • 21:53 - 21:56
    i'm just gonna find it
  • 21:57 - 22:00
    i thought it was here in the end
  • 22:01 - 22:02
    there it is
  • 22:02 - 22:05
    so a pump lift like this
  • 22:05 - 22:07
    would be awesome but i think it's
  • 22:07 - 22:10
    complicated with um
  • 22:10 - 22:12
    with a lot of friction
  • 22:12 - 22:14
    [Music]
  • 22:14 - 22:15
    so
  • 22:15 - 22:18
    it's it's a good idea what do you think
  • 22:18 - 22:20
    the pump
  • 22:20 - 22:23
    yeah it's totally brilliant
  • 22:23 - 22:25
    you love the pump yeah that's a really
  • 22:25 - 22:28
    cool idea should be
  • 22:28 - 22:30
    shouldn't be too much issues with that
  • 22:30 - 22:31
    right
  • 22:31 - 22:35
    no as uh except if they're too
  • 22:35 - 22:38
    too much friction so that's the that's
  • 22:38 - 22:41
    the bad thing yeah the rubber could be
  • 22:41 - 22:42
    problem there
  • 22:42 - 22:45
    okay so what are sifting
  • 22:45 - 22:47
    use these polyurethane balls as seals in
  • 22:47 - 22:50
    pumps and check walls or let them bounce
  • 22:50 - 22:52
    inside of vibrating sifters for an
  • 22:52 - 22:55
    effective screen cleaner
  • 22:55 - 22:56
    they are made of polyurethane which
  • 22:56 - 22:58
    combines the shock absorbing qualities
  • 22:58 - 23:00
    of rubber with the strength of plastic
  • 23:00 - 23:02
    balls with a steel core are heavier than
  • 23:02 - 23:05
    standard balls so they are often used to
  • 23:05 - 23:08
    offset buoyancy buoyancy is if it can
  • 23:08 - 23:09
    float or not
  • 23:09 - 23:11
    or to reach a specific weight and that's
  • 23:11 - 23:14
    what we're after so let's see if we have
  • 23:14 - 23:16
    a steel core
  • 23:16 - 23:19
    option over here great see through that
  • 23:19 - 23:21
    a mandrake you just posted here
  • 23:21 - 23:23
    just saw your post on instagram it
  • 23:23 - 23:25
    explains a lot why hannah's voice has
  • 23:25 - 23:28
    gone chainsmoker's style
  • 23:28 - 23:30
    and yeah we weren't like it was a real
  • 23:30 - 23:34
    heavy metal concert all right
  • 23:34 - 23:36
    yeah it was fantastic we've been
  • 23:36 - 23:38
    listening to the non-stop since we went
  • 23:38 - 23:40
    to the concert
  • 23:40 - 23:43
    i wanted to have the steel core option
  • 23:43 - 23:45
    here
  • 23:45 - 23:47
    um
  • 23:47 - 23:48
    oh
  • 23:48 - 23:51
    here's steel cores oh i heard a little
  • 23:51 - 23:54
    chime here because jimmy crosby
  • 23:54 - 23:56
    just sent us a nice super chat and
  • 23:56 - 23:58
    asking us have you thought about using
  • 23:58 - 23:59
    different balls for different
  • 23:59 - 24:01
    instruments you might need to use
  • 24:01 - 24:02
    heavier balls for the drum slash lighter
  • 24:02 - 24:04
    balls for the vibra
  • 24:04 - 24:06
    and
  • 24:06 - 24:08
    yes gretzky style right yes yes
  • 24:08 - 24:10
    definitely so
  • 24:10 - 24:13
    one of my original ideas for machine 3
  • 24:13 - 24:15
    was to use different balls for different
  • 24:15 - 24:17
    instruments then we have to just catch
  • 24:17 - 24:20
    them or sort them somehow catch them
  • 24:20 - 24:22
    different catch them individually thank
  • 24:22 - 24:24
    you jimmy for for for the suggestion and
  • 24:24 - 24:26
    the support um
  • 24:26 - 24:28
    this is still an option so let's make a
  • 24:28 - 24:30
    notepad
  • 24:30 - 24:32
    where should i make notes should i just
  • 24:32 - 24:34
    do it on the ipad perhaps
  • 24:34 - 24:37
    no no no no no no i should do it in our
  • 24:37 - 24:39
    documentation central that's why i built
  • 24:39 - 24:40
    it
  • 24:40 - 24:43
    um so let's go to
  • 24:43 - 24:45
    [Music]
  • 24:45 - 24:47
    we go here
  • 24:47 - 24:50
    and i'm going to go
  • 24:50 - 24:51
    in to
  • 24:51 - 24:52
    here
  • 24:52 - 24:55
    so here i can just write everything
  • 24:55 - 24:58
    jamie prieto it's not the same if h3k
  • 24:58 - 25:00
    h3k can't say woohoo
  • 25:00 - 25:03
    you know what for you jamie i would try
  • 25:03 - 25:05
    and say whoa
  • 25:05 - 25:07
    it's still kind of there different
  • 25:07 - 25:09
    marbles for
  • 25:09 - 25:10
    different
  • 25:10 - 25:12
    instruments
  • 25:12 - 25:14
    um
  • 25:14 - 25:16
    possible
  • 25:16 - 25:18
    it's noted
  • 25:18 - 25:18
    um
  • 25:18 - 25:21
    [Music]
  • 25:23 - 25:26
    i just saw here on mcmaster car
  • 25:26 - 25:28
    balls with weighted core so this is
  • 25:28 - 25:31
    exactly kind of what i want
  • 25:31 - 25:33
    um
  • 25:34 - 25:37
    but am i reading this correctly that one
  • 25:37 - 25:38
    ball costs
  • 25:38 - 25:42
    36 dollars
  • 25:46 - 25:48
    one inch and one quarter these are kind
  • 25:48 - 25:50
    of big
  • 25:50 - 25:52
    uh
  • 25:52 - 25:56
    or is it a package of hundred
  • 25:58 - 26:00
    i mean
  • 26:01 - 26:04
    is it each
  • 26:06 - 26:07
    that can't be
  • 26:07 - 26:09
    that's super cheap
  • 26:09 - 26:11
    that's so expensive we're in the wrong
  • 26:11 - 26:14
    business harness wow we should be
  • 26:14 - 26:16
    mass produce marbles balls with weighted
  • 26:16 - 26:19
    core it's like it's a very
  • 26:19 - 26:22
    i'm adding it to my order
  • 26:22 - 26:23
    huh
  • 26:23 - 26:26
    let's see okay so these are extra hard
  • 26:26 - 26:28
    95a
  • 26:28 - 26:30
    um
  • 26:34 - 26:36
    so
  • 26:36 - 26:39
    the bigger the marbles are the easier it
  • 26:39 - 26:42
    is to see them and the easier it is to
  • 26:42 - 26:44
    um kind of
  • 26:44 - 26:46
    so let's go to i'm jumping around a
  • 26:46 - 26:49
    little bit to find my pace here let's go
  • 26:49 - 26:51
    to
  • 26:51 - 26:53
    um
  • 26:53 - 26:55
    let's go here
  • 26:55 - 26:58
    to the size decision matrix
  • 26:58 - 27:01
    and just make it clear that for looks
  • 27:01 - 27:03
    for the marbles anyway
  • 27:03 - 27:04
    um
  • 27:04 - 27:06
    bigger the better i i think
  • 27:06 - 27:09
    i'm gonna do this five four three two
  • 27:09 - 27:12
    on in the looks category
  • 27:12 - 27:13
    um
  • 27:13 - 27:16
    and we have another little super chat
  • 27:16 - 27:19
    here from aroma pearl
  • 27:19 - 27:21
    have you considered dense heavy wood
  • 27:21 - 27:25
    balls ig ligno vitae and that's cool
  • 27:25 - 27:27
    that's it maybe a mistake to dismiss
  • 27:27 - 27:29
    wood balls based on the typical light
  • 27:29 - 27:31
    woods available
  • 27:31 - 27:33
    very very very good
  • 27:33 - 27:36
    can you remove that window yeah i don't
  • 27:36 - 27:37
    like i can't see
  • 27:37 - 27:38
    um
  • 27:38 - 27:41
    so uh avron pearl very very good uh
  • 27:41 - 27:44
    comment i'll note it here straight away
  • 27:44 - 27:45
    um
  • 27:45 - 27:49
    i my obs setup is also lacking today
  • 27:49 - 27:51
    everyone yeah we have been enjoying
  • 27:51 - 27:54
    ourselves uh during the weekend we we're
  • 27:54 - 27:56
    gonna get up to scratch very quickly
  • 27:56 - 27:59
    here um
  • 27:59 - 28:00
    heavy
  • 28:00 - 28:02
    dance
  • 28:02 - 28:03
    wood balls
  • 28:03 - 28:07
    i think it's very very expensive the
  • 28:07 - 28:11
    this cool material ling nerve
  • 28:11 - 28:14
    lingnov vitae
  • 28:14 - 28:17
    let's do a quick um
  • 28:17 - 28:21
    quick google ling nerve vitae
  • 28:21 - 28:26
    wood sphere ball
  • 28:26 - 28:29
    um
  • 28:32 - 28:34
    okay
  • 28:34 - 28:37
    but how do you
  • 28:37 - 28:41
    do you think these are really true
  • 28:45 - 28:49
    i don't think these are from
  • 28:51 - 28:52
    anyway
  • 28:52 - 28:54
    i don't think that the weight is going
  • 28:54 - 28:56
    to get get there
  • 28:56 - 28:59
    it will be so cool though
  • 28:59 - 29:01
    and for the hyatt
  • 29:01 - 29:04
    sphere
  • 29:04 - 29:05
    yeah so
  • 29:05 - 29:06
    everyone
  • 29:06 - 29:08
    if you can research
  • 29:08 - 29:10
    if you want something to do during the
  • 29:10 - 29:12
    stream
  • 29:12 - 29:14
    you can find good links to kind of uh
  • 29:14 - 29:16
    and then you can just make a comment in
  • 29:16 - 29:17
    here
  • 29:17 - 29:19
    and just um
  • 29:19 - 29:22
    like cohen has uh made here the cohen
  • 29:22 - 29:24
    has suggested snooker balls which i
  • 29:24 - 29:27
    thought was really really cool um
  • 29:27 - 29:29
    like a cool outside the box thinking and
  • 29:29 - 29:32
    i'm a big ronnie solomon fan
  • 29:32 - 29:33
    as well
  • 29:33 - 29:35
    so if you
  • 29:35 - 29:38
    can find like heavy wood balls
  • 29:38 - 29:41
    um put that in a comment here on my
  • 29:41 - 29:43
    heavy dance wood balls cell in the
  • 29:43 - 29:46
    documentation central
  • 29:46 - 29:46
    um
  • 29:46 - 29:49
    [Music]
  • 29:52 - 29:55
    so
  • 29:55 - 29:57
    maybe i should make maybe i should make
  • 29:57 - 29:59
    a little bit simpler for myself maybe i
  • 29:59 - 30:01
    should make like little pros pros and
  • 30:01 - 30:03
    cons just to get so i can show you all
  • 30:03 - 30:04
    how i'm thinking
  • 30:04 - 30:06
    um so
  • 30:06 - 30:09
    let's see if this works now
  • 30:09 - 30:12
    [Music]
  • 30:12 - 30:13
    oh
  • 30:13 - 30:14
    wonderful
  • 30:14 - 30:16
    pros
  • 30:16 - 30:18
    cons
  • 30:18 - 30:20
    so
  • 30:20 - 30:23
    uh
  • 30:24 - 30:25
    let's start with the obvious one so
  • 30:25 - 30:28
    metal which we know we can get they
  • 30:28 - 30:31
    exist in all sizes they are super
  • 30:31 - 30:34
    precise super sphere spherical
  • 30:34 - 30:35
    metal
  • 30:35 - 30:37
    um
  • 30:37 - 30:38
    so
  • 30:38 - 30:40
    the cons
  • 30:40 - 30:42
    the cons here
  • 30:42 - 30:46
    comes chuck chuck bros
  • 30:46 - 30:48
    is noise
  • 30:49 - 30:52
    and sound
  • 30:52 - 30:55
    uh for vibraphone
  • 30:55 - 30:56
    and hi-hat
  • 30:56 - 30:59
    just wanted to add here from mike perry
  • 30:59 - 31:03
    what about del rin slash acetol you can
  • 31:03 - 31:06
    buy 2 000 of them on amazon for like 200
  • 31:06 - 31:07
    bucks what
  • 31:07 - 31:10
    delrin balls so nice to see you here
  • 31:10 - 31:12
    mike again um
  • 31:12 - 31:13
    what should i search for mike do you
  • 31:13 - 31:16
    think in the
  • 31:16 - 31:19
    uh mcmaster car database uh no so
  • 31:19 - 31:22
    someone suggested golf balls also
  • 31:22 - 31:24
    that material
  • 31:24 - 31:26
    golf ball is pretty cool
  • 31:26 - 31:29
    i mean the material at least
  • 31:29 - 31:31
    like
  • 31:31 - 31:34
    um oh maybe oh no it's going to be so
  • 31:34 - 31:36
    much circus i also have to make the
  • 31:36 - 31:38
    machine bike power then yeah bike
  • 31:38 - 31:41
    powered and golf balls
  • 31:42 - 31:43
    golf balls is uh
  • 31:43 - 31:45
    we could just have like a green on the
  • 31:45 - 31:49
    stage and see if someone hits the hole
  • 31:52 - 31:54
    so we could have a machine like over
  • 31:54 - 31:56
    here
  • 31:56 - 31:59
    and we're playing the music here like
  • 31:59 - 32:01
    yeah and we have no
  • 32:01 - 32:04
    funnels and instead they're just over
  • 32:04 - 32:06
    here and over here we have this office
  • 32:06 - 32:08
    putting range you know with a little
  • 32:08 - 32:10
    gold flag
  • 32:10 - 32:13
    and then we can have
  • 32:14 - 32:16
    so like that
  • 32:16 - 32:19
    and then we what we also could do hannes
  • 32:19 - 32:21
    yeah
  • 32:21 - 32:23
    um
  • 32:23 - 32:25
    is that we could actually mount
  • 32:25 - 32:27
    you're not gonna believe this we can
  • 32:27 - 32:28
    mount a gopro right here
  • 32:28 - 32:31
    [Laughter]
  • 32:31 - 32:33
    that is looking down into the hole i
  • 32:33 - 32:36
    can't believe this go no bro and we
  • 32:36 - 32:38
    project it like on huge screen like this
  • 32:38 - 32:40
    so during the concert you have only like
  • 32:40 - 32:43
    this big thing and then when a ball
  • 32:43 - 32:45
    rolls in there's gonna be like a
  • 32:45 - 32:47
    thunderous roar from the crowd and
  • 32:47 - 32:51
    everyone it starts rolling whoa
  • 32:52 - 32:54
    yes
  • 32:54 - 32:56
    as soon as i crank the machine get in
  • 32:56 - 32:57
    the hole
  • 32:57 - 33:01
    [Laughter]
  • 33:01 - 33:03
    that's brilliant
  • 33:03 - 33:05
    okay yep
  • 33:05 - 33:09
    i love this idea golf balls
  • 33:11 - 33:13
    i'm so intimidated by this project i
  • 33:13 - 33:15
    need to we need to laugh a bit i need to
  • 33:15 - 33:18
    i need i need i need golfers i'm going
  • 33:18 - 33:20
    to add the golf balls
  • 33:20 - 33:22
    to the list right interesting to know
  • 33:22 - 33:25
    what they're made of right
  • 33:25 - 33:27
    because i think they would make like the
  • 33:27 - 33:30
    perf perfect sound
  • 33:30 - 33:31
    we could get
  • 33:31 - 33:34
    like imagine to get uh
  • 33:34 - 33:37
    is it wilson or is wilson only a tennis
  • 33:37 - 33:41
    isn't wilson also a golf brand
  • 33:41 - 33:44
    yeah i think so right yeah
  • 33:44 - 33:46
    we have to research this i will do it
  • 33:46 - 33:50
    wilson golf ball
  • 33:53 - 33:56
    wilson sporting
  • 33:56 - 33:58
    wilson golf
  • 33:59 - 34:02
    yeah but check this i i have it
  • 34:02 - 34:06
    there we have it and look
  • 34:08 - 34:10
    wilson's staff
  • 34:10 - 34:12
    and there you also have the image of
  • 34:12 - 34:14
    wilson there
  • 34:14 - 34:16
    oh yeah
  • 34:16 - 34:18
    [Laughter]
  • 34:18 - 34:21
    this is the original wilson
  • 34:21 - 34:24
    okay so not so far from the truth
  • 34:24 - 34:26
    great suggestion actually i think sound
  • 34:26 - 34:28
    wise they would actually work
  • 34:28 - 34:31
    um
  • 34:31 - 34:32
    okay
  • 34:32 - 34:34
    i'm going to try to get myself together
  • 34:34 - 34:36
    to see um
  • 34:36 - 34:39
    let's see golf balls is in the list
  • 34:39 - 34:40
    thanks for the suggestion mike perry is
  • 34:40 - 34:43
    a follow-up here look up on mcmaster car
  • 34:43 - 34:46
    delrin ball bearings and scroll all the
  • 34:46 - 34:48
    way down and you will see them but they
  • 34:48 - 34:50
    are limited on the metric sizes but if
  • 34:50 - 34:52
    you find imperial equivalent equivalent
  • 34:52 - 34:54
    it should work
  • 34:54 - 34:57
    so thank you so delorean
  • 34:57 - 35:02
    delrin ball bearings
  • 35:02 - 35:04
    [Music]
  • 35:04 - 35:06
    oh wow look there we have water
  • 35:06 - 35:08
    resistance is to machine
  • 35:08 - 35:10
    resin balls into water resistant wear
  • 35:10 - 35:14
    resistant oh water resistant
  • 35:14 - 35:16
    that's great when we're going over the
  • 35:16 - 35:18
    atlantic ocean easy to machine okay this
  • 35:18 - 35:20
    is cool so if you want to build your own
  • 35:20 - 35:23
    something you can put it in a cnc and
  • 35:23 - 35:25
    kind of
  • 35:25 - 35:26
    so let's go metric
  • 35:26 - 35:27
    um
  • 35:27 - 35:29
    eight millimeter is the
  • 35:29 - 35:31
    largest that's what that's what mike
  • 35:31 - 35:33
    said
  • 35:33 - 35:35
    so let's go to
  • 35:35 - 35:37
    inches
  • 35:37 - 35:40
    one inch i think
  • 35:41 - 35:45
    i don't think they will be heavy enough
  • 35:47 - 35:49
    i wonder if i go to product detail that
  • 35:49 - 35:53
    we can see kind of the weight
  • 35:57 - 36:01
    friction rating very slippery
  • 36:01 - 36:03
    that's great
  • 36:05 - 36:08
    thermal stability good
  • 36:08 - 36:11
    for use outdoors no
  • 36:11 - 36:14
    um
  • 36:14 - 36:18
    so we know of course the
  • 36:18 - 36:20
    you know what we should do we should do
  • 36:20 - 36:23
    a cal await
  • 36:25 - 36:27
    i want i want them to be as heavy as
  • 36:27 - 36:29
    possible to make a good sound but of
  • 36:29 - 36:31
    course
  • 36:33 - 36:36
    if we lift them and if they're light our
  • 36:36 - 36:38
    life becomes easier as well
  • 36:38 - 36:40
    these would work fantastic in the in the
  • 36:40 - 36:42
    marble pump
  • 36:42 - 36:44
    yeah
  • 36:44 - 36:46
    this is also interesting from
  • 36:46 - 36:48
    it's jesus
  • 36:48 - 36:50
    someone mentioned that golf balls would
  • 36:50 - 36:52
    bounce unpredictably but you can
  • 36:52 - 36:55
    actually buy dimple less golf balls one
  • 36:55 - 36:58
    man i have never seen
  • 36:58 - 37:00
    i'm definitely going to
  • 37:00 - 37:01
    [Music]
  • 37:01 - 37:06
    dimple less golf balls that's fantastic
  • 37:07 - 37:10
    so i am um
  • 37:12 - 37:14
    i wanted to show you something else here
  • 37:14 - 37:16
    um
  • 37:16 - 37:18
    this is a super cool marble lifting
  • 37:18 - 37:19
    technique i think
  • 37:19 - 37:22
    moving part round
  • 37:22 - 37:26
    so let me just find the end here
  • 37:26 - 37:29
    with the demonstration
  • 37:31 - 37:34
    here's the demonstration
  • 37:35 - 37:39
    so imagine having multiple of these yeah
  • 37:39 - 37:42
    it will pick up the marble
  • 37:42 - 37:44
    turn it around
  • 37:47 - 37:50
    and raise it up
  • 37:50 - 37:52
    is what louvre did on his machine marble
  • 37:52 - 37:55
    comes in
  • 37:58 - 37:59
    move that around
  • 37:59 - 38:02
    and lift that one up it's pretty pretty
  • 38:02 - 38:05
    brilliant right yeah and you have like a
  • 38:05 - 38:07
    whole stack just moving upwards
  • 38:07 - 38:09
    yeah yeah look at that that's cool and
  • 38:09 - 38:11
    now
  • 38:11 - 38:13
    we'll get into the build
  • 38:13 - 38:16
    so credit to um
  • 38:16 - 38:19
    this video here
  • 38:19 - 38:22
    jim steinbrecher 41 000 views super cool
  • 38:22 - 38:24
    video
  • 38:24 - 38:26
    um
  • 38:26 - 38:27
    so
  • 38:27 - 38:30
    dimple less golf ball let's let's look
  • 38:30 - 38:31
    at that
  • 38:31 - 38:33
    golf ball
  • 38:33 - 38:35
    no dimple
  • 38:35 - 38:37
    it's like a mini
  • 38:37 - 38:38
    what
  • 38:38 - 38:40
    cool
  • 38:40 - 38:42
    but do wilson have them that's
  • 38:42 - 38:45
    that's the important one
  • 38:45 - 38:48
    ah no dimple golf ball i heard a little
  • 38:48 - 38:50
    chime there
  • 38:50 - 38:54
    let's see what we have here
  • 38:54 - 38:57
    the face in the wall
  • 38:57 - 39:00
    could maybe use computer mouse balls
  • 39:00 - 39:03
    they are 21.5 uh 21.5 millimeter in
  • 39:03 - 39:07
    diameter fairly cheap to an ir i
  • 39:07 - 39:11
    i i rc a steel core however maybe not
  • 39:11 - 39:13
    the easiest to source
  • 39:13 - 39:15
    but that's a cool idea you know
  • 39:15 - 39:19
    those old-timey cool mouses
  • 39:19 - 39:21
    super suggestion thank you so much thank
  • 39:21 - 39:24
    you so much i am
  • 39:24 - 39:26
    um
  • 39:26 - 39:29
    computer mouse balls i thought they were
  • 39:29 - 39:31
    without steel core but they're probably
  • 39:31 - 39:36
    definitely like steel core yeah um
  • 39:37 - 39:40
    so
  • 39:48 - 39:53
    let's get over here
  • 40:00 - 40:01
    it's cool with
  • 40:01 - 40:03
    options that i absolutely didn't think
  • 40:03 - 40:04
    of
  • 40:04 - 40:05
    um
  • 40:05 - 40:07
    like
  • 40:07 - 40:08
    this
  • 40:08 - 40:11
    steel core rubber balls
  • 40:11 - 40:12
    i think
  • 40:12 - 40:14
    the computer mouse balls are the same as
  • 40:14 - 40:16
    the steel core rubber balls that they
  • 40:16 - 40:17
    use some kind of industrial solution
  • 40:17 - 40:19
    because they were
  • 40:19 - 40:21
    producing a lot of of computer mouses i
  • 40:21 - 40:23
    guess yeah
  • 40:23 - 40:26
    with balls they're called a track ball
  • 40:26 - 40:30
    of raw pearl says ah trackball trackball
  • 40:30 - 40:31
    um
  • 40:31 - 40:33
    [Music]
  • 40:33 - 40:35
    and also we actually have to add to the
  • 40:35 - 40:36
    list
  • 40:36 - 40:39
    delrin
  • 40:40 - 40:42
    balls
  • 40:43 - 40:45
    mcmaster
  • 40:50 - 40:51
    so
  • 40:51 - 40:53
    hmm someone has done the math here
  • 40:53 - 40:56
    quentin harley one inch diameter delrin
  • 40:56 - 41:00
    ball will be 12 grams oh thank you
  • 41:00 - 41:01
    quentin
  • 41:01 - 41:01
    um
  • 41:01 - 41:04
    [Music]
  • 41:05 - 41:08
    one inch
  • 41:08 - 41:09
    12 grams
  • 41:09 - 41:12
    thank you because it's way too light a
  • 41:12 - 41:15
    16 millimeter so let's how much is an
  • 41:15 - 41:17
    inch in millimeter let's let's let's
  • 41:17 - 41:19
    check that
  • 41:19 - 41:23
    inch in mm
  • 41:23 - 41:24
    yeah so
  • 41:24 - 41:27
    25.4
  • 41:30 - 41:30
    so
  • 41:30 - 41:33
    um
  • 41:34 - 41:37
    25.4
  • 41:37 - 41:40
    millimeter one inch is 12 grams
  • 41:40 - 41:42
    and the ball bearing steel spheres
  • 41:42 - 41:45
    uh is 16 millimeters
  • 41:45 - 41:47
    was
  • 41:47 - 41:50
    how much was that
  • 41:50 - 41:52
    oh you're talking to me yeah
  • 41:52 - 41:55
    i mean i made all those tests
  • 41:55 - 41:57
    was it almost the same
  • 41:57 - 42:00
    i don't remember or was it six was it
  • 42:00 - 42:02
    like 16
  • 42:02 - 42:03
    yeah
  • 42:03 - 42:05
    we can find this out for all of this but
  • 42:05 - 42:07
    the most important thing is that to get
  • 42:07 - 42:09
    volume out of the music instruments you
  • 42:09 - 42:10
    need strength
  • 42:10 - 42:12
    you need weight
  • 42:12 - 42:14
    and
  • 42:14 - 42:16
    you need to dampen the sound as we did
  • 42:16 - 42:19
    on the original things with this latex
  • 42:19 - 42:22
    thing so you can hear the difference
  • 42:25 - 42:27
    [Music]
  • 42:27 - 42:29
    it's not as sharp
  • 42:29 - 42:32
    so that's why it would be so cool to not
  • 42:32 - 42:34
    have this on the vibraphone but to move
  • 42:34 - 42:36
    it to to the
  • 42:36 - 42:38
    to the marbles
  • 42:38 - 42:39
    consonator
  • 42:39 - 42:42
    it's asking squash balls question mark
  • 42:42 - 42:46
    wash balls they are made to not bounce
  • 42:46 - 42:48
    pretty big but perhaps they're smaller
  • 42:48 - 42:52
    ones right squash balls too soft i think
  • 42:52 - 42:55
    too soft yeah i think they're too soft
  • 42:58 - 43:00
    so i'm thinking about this european
  • 43:00 - 43:02
    supplier here for steel core rubber
  • 43:02 - 43:03
    balls um
  • 43:03 - 43:05
    [Music]
  • 43:05 - 43:09
    i think this is a european supplier
  • 43:09 - 43:11
    um
  • 43:11 - 43:13
    so as you can see here in the
  • 43:13 - 43:14
    [Music]
  • 43:14 - 43:16
    in the notes here there's so many
  • 43:16 - 43:19
    options yeah you can have
  • 43:19 - 43:21
    all of this
  • 43:21 - 43:22
    whatever that is
  • 43:22 - 43:24
    [Laughter]
  • 43:24 - 43:28
    but the ball diameters 35 starts at 35
  • 43:28 - 43:29
    millimeter
  • 43:29 - 43:31
    yeah
  • 43:31 - 43:33
    and for the big balls you have diameters
  • 43:33 - 43:36
    higher than 160 millimeter two welded
  • 43:36 - 43:38
    hole of steel hemispheres are used so
  • 43:38 - 43:40
    that's 16 centimeters so these are some
  • 43:40 - 43:41
    kind of
  • 43:41 - 43:44
    mega industrial applications i guess
  • 43:44 - 43:48
    yeah that's for the mmxl
  • 43:50 - 43:52
    yeah good one i got this right yeah
  • 43:52 - 43:56
    absolutely a great one
  • 43:58 - 44:02
    so and it also comes down to
  • 44:02 - 44:05
    that's probably where i should be
  • 44:05 - 44:07
    just diligently filling in the decision
  • 44:07 - 44:09
    criteria here now when we've been a
  • 44:09 - 44:10
    little bit everywhere
  • 44:10 - 44:13
    let's let's diligently fill this in
  • 44:13 - 44:14
    because
  • 44:14 - 44:17
    bigger marbles
  • 44:17 - 44:20
    also need wider uh marble gates yeah
  • 44:20 - 44:23
    so um
  • 44:23 - 44:25
    but let's try to do let's try to make a
  • 44:25 - 44:27
    guess here so we can start the
  • 44:27 - 44:30
    discussion uh
  • 44:30 - 44:33
    sound
  • 44:33 - 44:38
    um so the ball bearing steel spheres
  • 44:38 - 44:39
    is a two
  • 44:39 - 44:43
    pure rubber balls is a five
  • 44:43 - 44:45
    steel core rubber balls is a five now
  • 44:45 - 44:46
    pure
  • 44:46 - 44:49
    marb pure rubber balls is a four
  • 44:49 - 44:51
    pure wood balls
  • 44:51 - 44:52
    is a three
  • 44:52 - 44:56
    metal core wood marbles so three
  • 44:56 - 44:57
    um
  • 44:57 - 45:00
    and the other ones i don't know
  • 45:00 - 45:02
    and then it's quite interesting because
  • 45:02 - 45:03
    for the snare
  • 45:03 - 45:05
    you actually want something else i think
  • 45:05 - 45:07
    the steel marbles are perfect for this
  • 45:07 - 45:09
    knife yeah
  • 45:10 - 45:13
    we already know that that works
  • 45:13 - 45:16
    pure rubber i think would work steel
  • 45:16 - 45:17
    core rubber better
  • 45:17 - 45:19
    pure wood balls would work
  • 45:19 - 45:22
    maybe metal would go better
  • 45:22 - 45:25
    sound kick we want metal on the kick
  • 45:25 - 45:29
    heavy metal on the kick oh yeah
  • 45:29 - 45:32
    rubber balls not so good still
  • 45:32 - 45:34
    corruptable a little bit better pure
  • 45:34 - 45:35
    water ball
  • 45:35 - 45:37
    pure wood was bad
  • 45:37 - 45:39
    metacore wood marbles
  • 45:39 - 45:41
    a little bit better
  • 45:41 - 45:42
    base
  • 45:42 - 45:45
    i will give them five all of them
  • 45:45 - 45:49
    or just three so it's not differentiated
  • 45:49 - 45:50
    um
  • 45:50 - 45:52
    you can also see that the weight of that
  • 45:52 - 45:55
    criteria is low in the decision matrix
  • 45:55 - 45:59
    supply chain five on the ones we know
  • 45:59 - 46:03
    uh and probably three on these
  • 46:03 - 46:04
    um
  • 46:04 - 46:06
    and two on wood balls i think it's hard
  • 46:06 - 46:07
    to get them
  • 46:07 - 46:09
    and metacore woodwolf would be one it's
  • 46:09 - 46:11
    very hard
  • 46:11 - 46:12
    cost
  • 46:12 - 46:14
    i think ball bearings are going to be
  • 46:14 - 46:16
    cheapest
  • 46:16 - 46:18
    um so i'm just guesstimating here to
  • 46:18 - 46:22
    guestimating guesstimating yes um
  • 46:22 - 46:26
    life itself is a guesstimation sir
  • 46:27 - 46:30
    3k um
  • 46:31 - 46:34
    no no no no
  • 46:37 - 46:39
    i i don't feel this decision matrix is
  • 46:39 - 46:42
    so useful right now
  • 46:42 - 46:45
    uh looks let's talk about looks looks
  • 46:45 - 46:48
    that kill do you like the ma the look of
  • 46:48 - 46:51
    the metal marbles of the mormon genetics
  • 46:51 - 46:52
    yeah i do
  • 46:52 - 46:56
    kind of uh yeah yeah i do i i got so
  • 46:56 - 46:59
    known with them so yeah nostalgia member
  • 46:59 - 47:01
    berries tingles okay okay i understand
  • 47:01 - 47:04
    black rubber balls would be worse though
  • 47:04 - 47:06
    looks wise right
  • 47:06 - 47:08
    it's more cool with the shiny yeah yeah
  • 47:08 - 47:12
    the aesthetics yes
  • 47:12 - 47:15
    so i'm gonna put two on the rubber balls
  • 47:15 - 47:17
    the wood balls
  • 47:20 - 47:23
    for me rubber balls or wood balls is
  • 47:23 - 47:24
    more it is for something that's really
  • 47:24 - 47:25
    tiny
  • 47:25 - 47:27
    it's really hard for me to grasp on a
  • 47:27 - 47:29
    big machine but it could be cool though
  • 47:29 - 47:30
    i'm
  • 47:30 - 47:32
    i'm not against it at all three and
  • 47:32 - 47:33
    three
  • 47:33 - 47:34
    i just want to say something here that b
  • 47:34 - 47:37
    boot champ and some others have talked
  • 47:37 - 47:39
    about please keep in mind that with new
  • 47:39 - 47:41
    materials you're introducing a whole
  • 47:41 - 47:44
    world of new variables you're
  • 47:44 - 47:45
    invalidating nearly every lesson learned
  • 47:45 - 47:48
    from the mm1 and mmx think of the value
  • 47:48 - 47:51
    of knowledge
  • 47:51 - 47:53
    there is something called the lindy
  • 47:53 - 47:55
    effect i don't know if that's a let's
  • 47:55 - 47:58
    say what next um you're so right that's
  • 47:58 - 48:00
    dead on bible champ
  • 48:00 - 48:02
    lindy effect
  • 48:02 - 48:06
    um oh that's a crypto
  • 48:06 - 48:09
    let's not open that can of worms no um
  • 48:09 - 48:11
    so
  • 48:11 - 48:12
    let's
  • 48:12 - 48:13
    use
  • 48:13 - 48:15
    instead
  • 48:15 - 48:17
    um
  • 48:17 - 48:19
    knowledge or prototype
  • 48:19 - 48:21
    prototype
  • 48:21 - 48:23
    prototype
  • 48:23 - 48:24
    um
  • 48:24 - 48:26
    knowledge
  • 48:26 - 48:28
    so
  • 48:28 - 48:31
    bibo champ i think you are i i've been
  • 48:31 - 48:33
    thinking like
  • 48:33 - 48:36
    this actually worked the liquid latex we
  • 48:36 - 48:38
    found that out so we know that we can
  • 48:38 - 48:39
    solve
  • 48:39 - 48:43
    the hyatt um
  • 48:49 - 48:51
    the hyatt could work with steel marble
  • 48:51 - 48:52
    so
  • 48:52 - 48:54
    your point
  • 48:54 - 48:56
    is so important i'm gonna put five on
  • 48:56 - 48:57
    this
  • 48:57 - 48:58
    criteria here
  • 48:58 - 49:01
    and i'm going to give the ball bearings
  • 49:01 - 49:03
    a five because we we have experience
  • 49:03 - 49:04
    with them
  • 49:04 - 49:06
    and i'm gonna give all of the others a
  • 49:06 - 49:08
    one because we start from scratch
  • 49:08 - 49:11
    and i think
  • 49:11 - 49:13
    because this is so daunting and
  • 49:13 - 49:15
    intimidating this whole project and that
  • 49:15 - 49:17
    we have to use
  • 49:17 - 49:21
    we really have to use our experience
  • 49:21 - 49:24
    [Music]
  • 49:25 - 49:28
    and i think
  • 49:28 - 49:30
    with steel marbles um
  • 49:30 - 49:31
    [Music]
  • 49:31 - 49:35
    there is uh there they just have that um
  • 49:35 - 49:36
    advantage
  • 49:36 - 49:39
    marble division it's same here actually
  • 49:39 - 49:40
    because i think the high friction
  • 49:40 - 49:43
    marbles might be really hard to do
  • 49:43 - 49:44
    marble division on because they would
  • 49:44 - 49:46
    kind of get stuck in each other
  • 49:46 - 49:49
    so i'm gonna put a four on the things
  • 49:49 - 49:51
    that we know and a two on everything
  • 49:51 - 49:54
    else
  • 49:54 - 49:57
    i heard a beautiful chime there
  • 49:57 - 49:59
    and that means a little super chat here
  • 49:59 - 50:01
    from david's stream hey recommendation
  • 50:01 - 50:03
    why don't we test the materials plastics
  • 50:03 - 50:06
    versus woods versus steel slash metal
  • 50:06 - 50:08
    versus rubber versus maybe set up
  • 50:08 - 50:10
    independent lifting systems per
  • 50:10 - 50:12
    instrument
  • 50:12 - 50:14
    that's a that's a great comment thanks
  • 50:14 - 50:16
    david and um
  • 50:16 - 50:18
    we have we
  • 50:18 - 50:20
    uh oh i see some comments over here as
  • 50:20 - 50:22
    well that's nice
  • 50:22 - 50:24
    we have um
  • 50:24 - 50:26
    why don't we test the materials plastic
  • 50:26 - 50:29
    versus versus rubber versus maybe set up
  • 50:29 - 50:29
    um
  • 50:29 - 50:30
    [Music]
  • 50:30 - 50:32
    so different marbles for different
  • 50:32 - 50:35
    instruments possible we have we have the
  • 50:35 - 50:38
    command but it's of course uh
  • 50:38 - 50:39
    it
  • 50:39 - 50:40
    adds
  • 50:40 - 50:43
    adds the design requirement
  • 50:43 - 50:45
    to sort
  • 50:45 - 50:47
    marbles
  • 50:47 - 50:48
    um
  • 50:48 - 50:51
    so it is to use different marbles is a
  • 50:51 - 50:55
    com complication perhaps
  • 50:55 - 50:56
    but i would love to
  • 50:56 - 50:58
    i would love to
  • 50:58 - 51:00
    to do that but
  • 51:02 - 51:04
    if we can use one and the same then we
  • 51:04 - 51:05
    can have the same marble gate for
  • 51:05 - 51:07
    everything on the whole machine but i
  • 51:07 - 51:09
    think like that the kick drum wants
  • 51:09 - 51:11
    actually larger marbles than the hyatt
  • 51:11 - 51:14
    and stuff like that so
  • 51:14 - 51:16
    um
  • 51:16 - 51:18
    it's difficult
  • 51:18 - 51:21
    the face in the wall is back i found an
  • 51:21 - 51:22
    alibaba supplier that does white black
  • 51:22 - 51:24
    or transparent rubber coated steel balls
  • 51:24 - 51:27
    where do i send the link
  • 51:27 - 51:28
    and that's a great question right he
  • 51:28 - 51:31
    could use a documentation central right
  • 51:31 - 51:33
    and add a comment somewhere fantastic so
  • 51:33 - 51:34
    thank you so much for that question and
  • 51:34 - 51:37
    support facing the wall um i can take
  • 51:37 - 51:39
    this opportunity to show exactly where
  • 51:39 - 51:42
    i've given i've given the instructions
  • 51:42 - 51:45
    so if you go to the first the front page
  • 51:45 - 51:47
    um
  • 51:47 - 51:49
    here
  • 51:49 - 51:51
    i'm in a new browser today that's why
  • 51:51 - 51:53
    the window keeps traveling around on
  • 51:53 - 51:55
    your screen i apologize i'm
  • 51:55 - 51:58
    i got teased for using firefox by
  • 51:58 - 52:00
    certain okay because you always tease me
  • 52:00 - 52:01
    about safari yes we're teasing each
  • 52:01 - 52:04
    other now we we bullet each other to
  • 52:04 - 52:06
    both use chrome for today's stream and
  • 52:06 - 52:08
    look what happened and it just messes
  • 52:08 - 52:10
    things up so
  • 52:10 - 52:14
    on the first page there is this um
  • 52:14 - 52:16
    how to make written contributions and
  • 52:16 - 52:19
    comments page and you can actually go to
  • 52:19 - 52:22
    that page and here i made a step-by-step
  • 52:22 - 52:23
    instruction
  • 52:23 - 52:25
    so for the face in the wall
  • 52:25 - 52:26
    you
  • 52:26 - 52:29
    in your case how to make short comments
  • 52:29 - 52:30
    short helpful comments with great ideas
  • 52:30 - 52:33
    no long text here so one locate a cell
  • 52:33 - 52:34
    inside the marble machine three
  • 52:34 - 52:37
    documentation central that relates to
  • 52:37 - 52:38
    the subject of your comment
  • 52:38 - 52:40
    two open comment history right top
  • 52:40 - 52:43
    corner three add a comment keep it short
  • 52:43 - 52:45
    and it's in this comment where you paste
  • 52:45 - 52:48
    your link so this is my new
  • 52:48 - 52:51
    i'm trying to make our collaboration our
  • 52:51 - 52:54
    crazy uh over internet collaboration
  • 52:54 - 52:56
    between you the core
  • 52:56 - 52:57
    uh
  • 52:57 - 52:58
    fans of the modern machine three that
  • 52:58 - 53:01
    are here now in our in the darkest of
  • 53:01 - 53:03
    times when when the project is most
  • 53:03 - 53:06
    abstract and so hard to understand we
  • 53:06 - 53:08
    appreciate you so much the
  • 53:08 - 53:10
    the small crowd who is here with us yeah
  • 53:10 - 53:12
    and i really want to work together with
  • 53:12 - 53:14
    you because i know you're interested for
  • 53:14 - 53:16
    real in helping me solving this so
  • 53:16 - 53:18
    that's why i made this
  • 53:18 - 53:22
    new system with the communication um
  • 53:22 - 53:23
    documentation central and i hope it will
  • 53:23 - 53:26
    work out so that's the instructions for
  • 53:26 - 53:30
    how to leave a link
  • 53:30 - 53:32
    and yes from a brilliant username also
  • 53:32 - 53:34
    master caution
  • 53:34 - 53:36
    if you don't like the sound of steel
  • 53:36 - 53:38
    balls directly hitting some instruments
  • 53:38 - 53:40
    don't switch balls just have the balls
  • 53:40 - 53:43
    hit a pad that makes a melt hit the
  • 53:43 - 53:44
    instrument which is made of something
  • 53:44 - 53:46
    you like oh
  • 53:46 - 53:48
    oh there's a hammer jammer comment
  • 53:48 - 53:50
    actually yeah
  • 53:50 - 53:53
    so
  • 53:53 - 53:54
    yes
  • 53:54 - 53:57
    yes master caution for the base that's
  • 53:57 - 53:58
    exactly what we're going to do we're
  • 53:58 - 53:59
    going to use a hammer jammer for the
  • 53:59 - 54:01
    base we have it in cad
  • 54:01 - 54:03
    um
  • 54:03 - 54:04
    whoops
  • 54:04 - 54:07
    fusion 360. it crashed let's take a
  • 54:07 - 54:10
    beautiful look at us instead
  • 54:10 - 54:13
    i'm i have i have it back pretty soon i
  • 54:13 - 54:17
    think save ass
  • 54:20 - 54:22
    didn't crash it
  • 54:22 - 54:24
    okay
  • 54:24 - 54:26
    well back to well back to the drawing
  • 54:26 - 54:27
    board
  • 54:27 - 54:30
    so um for the bass guitar we're gonna do
  • 54:30 - 54:32
    exactly what you're suggesting but for
  • 54:32 - 54:33
    the
  • 54:33 - 54:35
    i think for the
  • 54:35 - 54:38
    for the vibraphones
  • 54:38 - 54:40
    i i think we want to see the marbles
  • 54:40 - 54:42
    hitting the vibraphone bars right we
  • 54:42 - 54:45
    don't want to like add
  • 54:45 - 54:47
    this my toothbrush
  • 54:47 - 54:49
    we don't want to add like a hammer next
  • 54:49 - 54:52
    to it
  • 54:52 - 54:54
    um
  • 54:54 - 54:56
    so
  • 54:56 - 54:58
    let's go to
  • 54:58 - 55:00
    the marble sizes again
  • 55:00 - 55:02
    so we're almost done with filling this
  • 55:02 - 55:04
    in
  • 55:04 - 55:06
    so
  • 55:06 - 55:08
    here we go
  • 55:15 - 55:16
    we're getting there
  • 55:16 - 55:18
    we're getting we're getting there one of
  • 55:18 - 55:19
    these days
  • 55:19 - 55:22
    lifting ball bearing steels first is
  • 55:22 - 55:25
    like easy to handle in the lift
  • 55:25 - 55:28
    but they're also heavy pure rubber balls
  • 55:28 - 55:30
    i'm scared of some of the lifts there
  • 55:30 - 55:32
    pure wood balls
  • 55:32 - 55:36
    would be probably easiest
  • 55:37 - 55:40
    so according to this quick and dirty
  • 55:40 - 55:44
    ball bearing steel spheres is winning
  • 55:45 - 55:46
    the tr
  • 55:46 - 55:49
    tried and tested
  • 55:49 - 55:52
    the one we have experience with
  • 55:52 - 55:54
    so now i can read the comments uh that
  • 55:54 - 55:56
    you put in during the live stream avi
  • 55:56 - 55:58
    perry rubber that is too grippy could
  • 55:58 - 55:59
    jam the machine
  • 55:59 - 56:01
    if they will not roll nicely together
  • 56:01 - 56:03
    can temperature have an impact here good
  • 56:03 - 56:05
    comment from avi
  • 56:05 - 56:07
    here is a comment from avi possible
  • 56:07 - 56:09
    issue denting and damage over time so
  • 56:09 - 56:12
    as of all the options listed these are
  • 56:12 - 56:14
    made to be used in the least difficult
  • 56:14 - 56:16
    aggressive environment on the computer
  • 56:16 - 56:16
    mouse
  • 56:16 - 56:20
    and on the winning we have a comment
  • 56:20 - 56:21
    um
  • 56:21 - 56:25
    let's see how i can show that like this
  • 56:25 - 56:27
    um so these are comments made in the
  • 56:27 - 56:29
    live stream so these are kind of a live
  • 56:29 - 56:32
    chat through google sheets brilliant in
  • 56:32 - 56:34
    here it works so well doro s tip for the
  • 56:34 - 56:37
    total column mark the cells go to format
  • 56:37 - 56:39
    conditional formatting color scale this
  • 56:39 - 56:41
    will then color the numbers in different
  • 56:41 - 56:43
    shades to see easily which one has the
  • 56:43 - 56:45
    highest and lowest number
  • 56:45 - 56:48
    that's kind of a nice thing conditional
  • 56:48 - 56:51
    format color scale
  • 56:51 - 56:52
    let's try that right away we have to
  • 56:52 - 56:54
    have some fun with google sheets as well
  • 56:54 - 56:57
    yeah that's why we're here fun
  • 56:57 - 57:00
    fun and hard work i'm going to
  • 57:00 - 57:02
    i'm going to show this in big
  • 57:02 - 57:04
    format
  • 57:04 - 57:07
    and conditional formatting
  • 57:07 - 57:09
    um
  • 57:09 - 57:11
    color scale
  • 57:11 - 57:14
    um
  • 57:15 - 57:17
    so i wanted to go
  • 57:17 - 57:20
    minimum value i want that to be kind of
  • 57:20 - 57:23
    uh yellow
  • 57:23 - 57:27
    max point i want to be red
  • 57:28 - 57:31
    midpoint orange
  • 57:31 - 57:34
    midpoint is a percentage
  • 57:34 - 57:36
    and it's orange
  • 57:36 - 57:37
    um
  • 57:37 - 57:41
    no this didn't work well
  • 57:41 - 57:45
    if i go blue no
  • 57:48 - 57:50
    this is
  • 57:50 - 57:52
    you smell feel the smell of
  • 57:52 - 57:55
    procrastination
  • 57:56 - 57:58
    i feel the
  • 57:58 - 58:01
    smell of a happy mind
  • 58:01 - 58:02
    that's funny
  • 58:02 - 58:05
    okay i should probably do percent on all
  • 58:05 - 58:07
    of these because i think the scale is a
  • 58:07 - 58:09
    little bad
  • 58:09 - 58:11
    why did why did why did oh yeah now it
  • 58:11 - 58:14
    looks no it looks good cool
  • 58:14 - 58:17
    and damien villa wants to throw in also
  • 58:17 - 58:21
    the nylon coated steel balls
  • 58:21 - 58:23
    nylon coated
  • 58:23 - 58:26
    that sounds very interesting that's from
  • 58:26 - 58:27
    mcmaster car i think
  • 58:27 - 58:30
    nylon coated
  • 58:30 - 58:31
    nylon
  • 58:31 - 58:35
    coated steel balls so what properties do
  • 58:35 - 58:37
    nylon have actually
  • 58:37 - 58:40
    [Music]
  • 58:42 - 58:45
    riot balls
  • 58:47 - 58:50
    now that's some kind of weapon thing
  • 58:50 - 58:52
    um
  • 58:52 - 58:54
    let's see if we can actually go
  • 58:54 - 58:58
    i'm going to try to fix my fusion 360.
  • 58:58 - 58:59
    do
  • 58:59 - 59:02
    that you know
  • 59:02 - 59:04
    and people are already screaming at you
  • 59:04 - 59:06
    about your
  • 59:06 - 59:07
    uh
  • 59:07 - 59:10
    sheet set up there your condition
  • 59:10 - 59:12
    shouldn't include zero
  • 59:12 - 59:15
    don't highlight the zeroes
  • 59:16 - 59:19
    uh that's why we had so bad a mix
  • 59:19 - 59:20
    okay
  • 59:20 - 59:22
    gretzky's in the chat let's fix this
  • 59:22 - 59:25
    because uh we we have to oblige to the
  • 59:25 - 59:27
    great kids satish kumar choose only
  • 59:27 - 59:30
    non-zero values
  • 59:30 - 59:31
    um
  • 59:31 - 59:33
    this is cool we can learn this together
  • 59:33 - 59:34
    um
  • 59:34 - 59:36
    and damien villa and they're also nylon
  • 59:36 - 59:41
    is durable used in caster wheels
  • 59:41 - 59:43
    that's a very interesting so then that's
  • 59:43 - 59:46
    like a pla that's like a harder plastic
  • 59:46 - 59:47
    around
  • 59:47 - 59:50
    a metal core which should probably then
  • 59:50 - 59:52
    not be grippy but it's that's maybe
  • 59:52 - 59:54
    that's this may be it
  • 59:54 - 59:56
    spar thier kiwi warrior nylon coated is
  • 59:56 - 59:58
    a good option low friction and
  • 59:58 - 60:01
    reasonable hardness for wear and tear ah
  • 60:01 - 60:03
    okay so thank you
  • 60:03 - 60:04
    everyone
  • 60:04 - 60:07
    after i fix this google sheet formatting
  • 60:07 - 60:09
    thing we're going to look at sizes for
  • 60:09 - 60:12
    steel marbles with nylon coating
  • 60:12 - 60:13
    maybe we're getting some maybe they can
  • 60:13 - 60:17
    be found in white yeah there we go
  • 60:17 - 60:19
    and listen to those beautiful stones
  • 60:19 - 60:22
    those tones means that l2m loyalty has
  • 60:22 - 60:24
    sent a super chat our way
  • 60:24 - 60:27
    i'm not an expert or anything but i have
  • 60:27 - 60:28
    been thinking about this for a while
  • 60:28 - 60:31
    what if there's a straight hole drilled
  • 60:31 - 60:32
    in the middle and if we can find a way
  • 60:32 - 60:35
    to use that to make a reliable lift that
  • 60:35 - 60:38
    has a very unique look
  • 60:39 - 60:42
    wow that's outside the box thinking
  • 60:42 - 60:44
    i would be a little bit scared of the
  • 60:44 - 60:46
    hole
  • 60:46 - 60:47
    being hit when it's bouncing and then
  • 60:47 - 60:50
    the marble bounces strange
  • 60:50 - 60:52
    because it's
  • 60:54 - 60:56
    so you mean for some the marbles would
  • 60:56 - 60:58
    go and kind of organize that and be
  • 60:58 - 61:00
    lifted up in the hole
  • 61:00 - 61:02
    oh that's crazy
  • 61:04 - 61:08
    and he also follows up here
  • 61:09 - 61:11
    he might be a little high
  • 61:11 - 61:14
    okay he's a great idea though outside
  • 61:14 - 61:16
    the box thinking right there l2m loyalty
  • 61:16 - 61:20
    in vino veritas so
  • 61:20 - 61:22
    we we really appreciate you being here
  • 61:22 - 61:25
    with us and having a nice time and for
  • 61:25 - 61:27
    all the love and support so yeah thank
  • 61:27 - 61:29
    you thank you so much
  • 61:29 - 61:31
    a lot of beautiful people out there
  • 61:31 - 61:34
    sending super chats our way that's so
  • 61:34 - 61:36
    nice and like the way you support us in
  • 61:36 - 61:40
    this since we we canceled the patreon
  • 61:40 - 61:42
    now it just sounds like i'm crying with
  • 61:42 - 61:44
    my voice
  • 61:44 - 61:46
    you're so beautiful out there it means
  • 61:46 - 61:48
    the world to us to have the support like
  • 61:48 - 61:50
    you're buying merch and you're giving a
  • 61:50 - 61:51
    super chats that's really really nice
  • 61:51 - 61:53
    that's what i wanted to say without
  • 61:53 - 61:56
    crying
  • 61:56 - 62:01
    and i fixed the the the chart here so
  • 62:01 - 62:03
    let's go from green
  • 62:03 - 62:07
    and maybe yellow
  • 62:07 - 62:10
    why is it
  • 62:10 - 62:11
    they are too they are so close to each
  • 62:11 - 62:13
    other but you're right when i excluded
  • 62:13 - 62:16
    this everything everything uh turned out
  • 62:16 - 62:18
    so much better i think this is the best
  • 62:18 - 62:20
    we have
  • 62:20 - 62:23
    no sorry
  • 62:23 - 62:26
    orange in the middle
  • 62:26 - 62:27
    here we go
  • 62:27 - 62:29
    wow wow
  • 62:29 - 62:31
    the darker red
  • 62:31 - 62:33
    the better option
  • 62:33 - 62:36
    cool cool idea thank you
  • 62:36 - 62:39
    let's get in to
  • 62:39 - 62:41
    marble material let's
  • 62:41 - 62:45
    go and check the nylon option
  • 62:45 - 62:50
    so where i wanna make my fusion 360 work
  • 62:50 - 62:52
    um
  • 62:52 - 62:55
    it is a it is a bug
  • 62:55 - 62:58
    when i have full screen windows and i
  • 62:58 - 62:59
    switch between them
  • 62:59 - 63:00
    and
  • 63:00 - 63:03
    fusion 360 disappears
  • 63:03 - 63:05
    so i have to fix that
  • 63:05 - 63:08
    and the gretsky hall of famer mike perry
  • 63:08 - 63:10
    says h3k you won't be the only one with
  • 63:10 - 63:11
    a sore throat i'm heading to a hockey
  • 63:11 - 63:14
    game tonight and i give it my all at
  • 63:14 - 63:16
    hockey games much like you guys did at
  • 63:16 - 63:18
    your concert
  • 63:18 - 63:21
    great mike perry i'm jealous of you i
  • 63:21 - 63:23
    want to go to more hockey games i wish
  • 63:23 - 63:24
    you the best
  • 63:24 - 63:27
    scream your lungs out you're a longtime
  • 63:27 - 63:30
    nhl mega fan aren't you yeah yeah yeah
  • 63:30 - 63:32
    i've been following for a lot of years
  • 63:32 - 63:34
    so mike uh what what team are you going
  • 63:34 - 63:38
    to root for tonight
  • 63:38 - 63:39
    um
  • 63:39 - 63:43
    yeah cad is up and running again kind of
  • 63:43 - 63:46
    um
  • 63:46 - 63:47
    so
  • 63:47 - 63:50
    um
  • 63:50 - 63:54
    let's go to mcmaster car
  • 63:54 - 63:56
    and let's dive a little bit deeper here
  • 63:56 - 63:59
    into the
  • 63:59 - 64:02
    steel core
  • 64:02 - 64:05
    rubber balls
  • 64:12 - 64:15
    now see sifting both what what what was
  • 64:15 - 64:17
    the magic word
  • 64:18 - 64:19
    oh
  • 64:19 - 64:21
    you wrote it down didn't you yeah it was
  • 64:21 - 64:24
    wasn't it sifting balls
  • 64:24 - 64:27
    sifting balls
  • 64:28 - 64:30
    you have to know this crazy so do we
  • 64:30 - 64:32
    have um
  • 64:32 - 64:34
    nylon here
  • 64:34 - 64:36
    is one of these nylon but i don't know
  • 64:36 - 64:39
    it
  • 64:40 - 64:44
    like what's the technical term for nylon
  • 64:44 - 64:46
    technical term you know what to do chat
  • 64:46 - 64:48
    help him out here
  • 64:48 - 64:50
    and mike perry says i'm going to boston
  • 64:50 - 64:51
    to watch the bruins play the toronto
  • 64:51 - 64:54
    maple leafs cool yeah that's gonna be a
  • 64:54 - 64:56
    real clash those two teams have some
  • 64:56 - 64:58
    history late years here
  • 64:58 - 65:00
    kind of epic rivalry going on since
  • 65:00 - 65:03
    boston eliminated maple leafs i think in
  • 65:03 - 65:05
    the playoffs a couple years ago
  • 65:05 - 65:07
    there we go there we go mike perry you
  • 65:07 - 65:09
    have a fellow you can talk you can talk
  • 65:09 - 65:14
    okay with this guy no problem
  • 65:15 - 65:17
    with the fountain of knowledge right
  • 65:17 - 65:18
    there
  • 65:18 - 65:21
    uh neoprene so i'm going to go and
  • 65:21 - 65:25
    google the tech nylon technical name
  • 65:25 - 65:28
    here we go
  • 65:32 - 65:34
    nylon
  • 65:34 - 65:38
    technical name
  • 65:38 - 65:41
    polyamide
  • 65:42 - 65:45
    so it's a polymer
  • 65:45 - 65:48
    yeah poly shatter saying
  • 65:48 - 65:49
    probably
  • 65:49 - 65:51
    so is every poly a an island the
  • 65:51 - 65:54
    technical term for nylon is nylon lol
  • 65:54 - 65:55
    polypolyamide
  • 65:55 - 65:57
    [Music]
  • 65:57 - 65:59
    could that be that
  • 65:59 - 66:00
    so
  • 66:00 - 66:03
    maybe there are some links to nylon
  • 66:03 - 66:06
    balls are here lino by technical term is
  • 66:06 - 66:08
    nylon it's a collective name for a bunch
  • 66:08 - 66:11
    of poly polyamides
  • 66:11 - 66:15
    ptfe balls
  • 66:16 - 66:18
    steel core rubber balls from face to
  • 66:18 - 66:22
    wall let's go and check this out
  • 66:27 - 66:30
    factory large supply high quality iron
  • 66:30 - 66:32
    rubber balls
  • 66:32 - 66:34
    night
  • 66:34 - 66:36
    so it it is a thing it's used for a lot
  • 66:36 - 66:38
    of things i think
  • 66:38 - 66:40
    it's a thing that is used in a lot of
  • 66:40 - 66:42
    things you think
  • 66:42 - 66:45
    love that
  • 66:47 - 66:50
    i i just mean that
  • 66:51 - 66:53
    apparently some industry needs these
  • 66:53 - 66:54
    things
  • 66:54 - 66:56
    which just means that we could find
  • 66:56 - 67:00
    something that would work
  • 67:02 - 67:06
    i wonder if this had nylon what is this
  • 67:06 - 67:11
    psycho dad 1604 try pa6 or pa 6.6 okay
  • 67:11 - 67:13
    that
  • 67:13 - 67:15
    let's let's
  • 67:15 - 67:16
    what is
  • 67:16 - 67:18
    pa
  • 67:18 - 67:19
    six
  • 67:19 - 67:23
    material polyamide pa6 also known as
  • 67:23 - 67:28
    nylon six or polycaprolactarm
  • 67:28 - 67:30
    it's one of the most extensively used
  • 67:30 - 67:32
    polyamides globally
  • 67:32 - 67:36
    nylon six okay cool psychothat thank you
  • 67:36 - 67:36
    um
  • 67:36 - 67:39
    [Music]
  • 67:39 - 67:43
    semi-crystal material
  • 67:48 - 67:50
    ball diameters
  • 67:50 - 67:54
    so i don't see in this
  • 67:54 - 67:55
    i don't
  • 67:55 - 67:57
    see
  • 67:57 - 68:00
    veton rubber
  • 68:00 - 68:04
    this is kind of like where my
  • 68:04 - 68:07
    this is where i should if i could like
  • 68:07 - 68:10
    if i was able to
  • 68:10 - 68:12
    like um like
  • 68:12 - 68:15
    my knowledge i'm so limited here like
  • 68:15 - 68:17
    the plastics and everything i just get
  • 68:17 - 68:19
    confused by it
  • 68:19 - 68:21
    there's
  • 68:21 - 68:24
    i don't really know how to find
  • 68:24 - 68:26
    it's such a it's such a yeah
  • 68:26 - 68:28
    this is like a good example it's not a
  • 68:28 - 68:30
    monumental task to actually
  • 68:30 - 68:33
    learn what what there is in just one of
  • 68:33 - 68:34
    the
  • 68:34 - 68:37
    one of the fields like just only for the
  • 68:37 - 68:39
    marbles but this is where we we should
  • 68:39 - 68:40
    get into it
  • 68:40 - 68:41
    um
  • 68:41 - 68:43
    [Music]
  • 68:43 - 68:45
    so
  • 68:45 - 68:47
    maybe i should just call these people
  • 68:47 - 68:50
    and ask them
  • 68:50 - 68:51
    on rgb
  • 68:51 - 68:54
    balls
  • 68:57 - 68:59
    so
  • 68:59 - 68:59
    but
  • 68:59 - 69:02
    everyone's who suggested nylon balls did
  • 69:02 - 69:06
    you see them um
  • 69:07 - 69:09
    steel
  • 69:09 - 69:11
    core
  • 69:11 - 69:13
    nylon
  • 69:13 - 69:16
    balls
  • 69:25 - 69:27
    oh
  • 69:27 - 69:29
    our friends at spakuma
  • 69:29 - 69:31
    awesome
  • 69:31 - 69:32
    so
  • 69:32 - 69:35
    wow they have so much
  • 69:35 - 69:37
    so specula has been actually sponsoring
  • 69:37 - 69:38
    the first machine so they're from
  • 69:38 - 69:40
    stockholm
  • 69:40 - 69:42
    uh sponsoring
  • 69:42 - 69:46
    there it is oh look at that
  • 69:46 - 69:49
    so um wow i didn't see i didn't know
  • 69:49 - 69:51
    about this but i love specula they've
  • 69:51 - 69:54
    been so fantastic with us
  • 69:54 - 69:56
    um so it's been like a no money deal
  • 69:56 - 69:58
    they just sent us that we marvel you
  • 69:58 - 70:00
    know that these marbles work because
  • 70:00 - 70:02
    they are the ones used and they have
  • 70:02 - 70:05
    other stuff
  • 70:06 - 70:10
    ceramic balls they're beautiful um
  • 70:11 - 70:14
    rubber balls
  • 70:16 - 70:18
    can supply so-called satellite balls for
  • 70:18 - 70:21
    polishing and here's the balls that uh
  • 70:21 - 70:22
    someone um
  • 70:22 - 70:24
    like check this out they have holes in
  • 70:24 - 70:28
    them like someone suggested oh yeah
  • 70:28 - 70:30
    um other rubber walls with steel core
  • 70:30 - 70:32
    and steel balls with partial or drill
  • 70:32 - 70:34
    through hull and drill balls with a
  • 70:34 - 70:35
    threaded hole
  • 70:35 - 70:40
    wow look at this it's from rgp balls
  • 70:42 - 70:44
    [Laughter]
  • 70:44 - 70:46
    are you connecting the dots here
  • 70:46 - 70:47
    so
  • 70:47 - 70:50
    okay so specula so this company that i
  • 70:50 - 70:52
    got really interested in is actually
  • 70:52 - 70:55
    supplying spakuma which i already have a
  • 70:55 - 70:58
    super nice contact at
  • 70:58 - 71:00
    well
  • 71:00 - 71:03
    the blood thickens
  • 71:04 - 71:06
    jesus christ honest three thousand i'm
  • 71:06 - 71:10
    all over the place yeah what like um
  • 71:10 - 71:12
    where do we go from here there's just so
  • 71:12 - 71:14
    many options
  • 71:14 - 71:18
    okay how do you feel in your mind then
  • 71:18 - 71:20
    uh
  • 71:21 - 71:23
    how much of a deal breaker is the steel
  • 71:23 - 71:25
    marbles just steel marbles
  • 71:25 - 71:26
    that actually worked
  • 71:26 - 71:30
    that's a good place to start
  • 71:30 - 71:32
    um
  • 71:32 - 71:35
    it's the best for the kick drum yeah
  • 71:35 - 71:39
    it's the best for the snare drum yeah
  • 71:39 - 71:42
    uh i th or maybe like uh
  • 71:42 - 71:44
    yeah i think it's pretty good for the
  • 71:44 - 71:45
    snare drum yeah
  • 71:45 - 71:47
    you could also have different sizes
  • 71:47 - 71:49
    perhaps perhaps perhaps that's kind of
  • 71:49 - 71:50
    annoying
  • 71:50 - 71:52
    um
  • 71:52 - 71:53
    it's
  • 71:53 - 71:56
    not it's not fantastic for the hyatt but
  • 71:56 - 71:58
    it's not a deal breaker at all yeah
  • 71:58 - 72:00
    um
  • 72:00 - 72:02
    you could even maybe maybe have
  • 72:02 - 72:04
    like
  • 72:04 - 72:06
    with with drumsticks and then
  • 72:06 - 72:08
    maybe maybe the
  • 72:08 - 72:10
    no it's not a deal breaker
  • 72:10 - 72:11
    yeah
  • 72:11 - 72:12
    this is the vibraphone that's the main
  • 72:12 - 72:14
    issue right
  • 72:14 - 72:16
    but listen to this wood ball it does
  • 72:16 - 72:17
    make pretty hard sound
  • 72:17 - 72:18
    yeah
  • 72:18 - 72:20
    yeah
  • 72:20 - 72:22
    that's i don't
  • 72:22 - 72:24
    and then with the vibraphone we can
  • 72:24 - 72:27
    solve it with these
  • 72:30 - 72:33
    and they're very reliable we know
  • 72:33 - 72:34
    we
  • 72:34 - 72:37
    and in a way like i would like to beat
  • 72:37 - 72:40
    these marvel into submission right yeah
  • 72:40 - 72:42
    the the the
  • 72:42 - 72:44
    it's so funny that they have this image
  • 72:44 - 72:46
    on this bearing side with the with the
  • 72:46 - 72:48
    mars that conquer me you can see the
  • 72:48 - 72:50
    army of mars here going to defeat me in
  • 72:50 - 72:53
    this battle yeah and i lost
  • 72:53 - 72:55
    we actually do have some footage
  • 72:55 - 72:58
    [Laughter]
  • 72:58 - 73:00
    so
  • 73:03 - 73:06
    um
  • 73:06 - 73:08
    look at this comment here it's from
  • 73:08 - 73:11
    satish kumar look out look out for under
  • 73:11 - 73:14
    plastic balls is bakuma for nylon balls
  • 73:14 - 73:15
    oh nice
  • 73:15 - 73:17
    um
  • 73:17 - 73:19
    products
  • 73:19 - 73:23
    uh balls
  • 73:24 - 73:26
    plastic balls
  • 73:26 - 73:27
    let me
  • 73:27 - 73:31
    hone in on this yes
  • 73:31 - 73:34
    there you have nylon yeah and delrin
  • 73:34 - 73:36
    also what pa we supply balls in
  • 73:36 - 73:38
    different plasma materials such as nylon
  • 73:38 - 73:39
    pa
  • 73:39 - 73:42
    rubber balls
  • 73:44 - 73:45
    so
  • 73:45 - 73:47
    well
  • 73:47 - 73:49
    my friends i think it's um you need to
  • 73:49 - 73:51
    order a couple of these right sending an
  • 73:51 - 73:53
    email to spokuma and ask if they have
  • 73:53 - 73:55
    steel
  • 73:55 - 73:56
    um
  • 73:56 - 73:59
    well spotted satish kumar not only are
  • 73:59 - 74:01
    you always first in the comment section
  • 74:01 - 74:05
    you're all also on point yes um
  • 74:05 - 74:06
    so
  • 74:06 - 74:08
    um
  • 74:08 - 74:10
    nylon pa so so there was a technical
  • 74:10 - 74:14
    name for nylon like someone said
  • 74:14 - 74:16
    um
  • 74:16 - 74:19
    so
  • 74:19 - 74:23
    i'm gonna give myself homework
  • 74:23 - 74:23
    yay
  • 74:23 - 74:24
    [Applause]
  • 74:24 - 74:26
    um
  • 74:26 - 74:28
    and i'm going to there are more comments
  • 74:28 - 74:33
    here now nice i'm going to uh put here
  • 74:33 - 74:34
    um
  • 74:34 - 74:38
    email spakuma regarding
  • 74:38 - 74:43
    steal core balls with nylon cover they
  • 74:43 - 74:45
    will know even if they don't have it
  • 74:45 - 74:47
    they will know if it exists yeah and
  • 74:47 - 74:50
    they can send me some technical info yep
  • 74:50 - 74:51
    um
  • 74:51 - 74:53
    so
  • 74:53 - 74:56
    homework
  • 74:56 - 74:57
    and then i'm gonna show it to my
  • 74:57 - 74:59
    teachers in the chat and see if i can
  • 74:59 - 75:02
    get a golden star next time on the next
  • 75:02 - 75:05
    lesson let's see um
  • 75:05 - 75:08
    that's kind of fun
  • 75:10 - 75:11
    let's talk about size
  • 75:11 - 75:13
    yes size yeah
  • 75:13 - 75:14
    and
  • 75:14 - 75:16
    the idea
  • 75:16 - 75:18
    if this would be if it would be possible
  • 75:18 - 75:19
    to have
  • 75:19 - 75:24
    two different kinds of marbles how
  • 75:24 - 75:27
    how great our risk is that i mean
  • 75:27 - 75:28
    there's
  • 75:28 - 75:30
    ways to sort it right
  • 75:30 - 75:32
    but they're gonna behave a little bit
  • 75:32 - 75:34
    different
  • 75:35 - 75:37
    so do you mean
  • 75:37 - 75:40
    [Music]
  • 75:40 - 75:42
    we saw some renders earlier on the
  • 75:42 - 75:46
    people is like an old is it in pinballs
  • 75:46 - 75:50
    or no coin machine or what is called
  • 75:50 - 75:52
    the old machines where they sort yeah
  • 75:52 - 75:54
    it's coins right in different sizes yeah
  • 75:54 - 75:57
    sort on size is no issue yeah okay that
  • 75:57 - 75:59
    is no issue but it's of course it's
  • 75:59 - 76:01
    another design requirement short on size
  • 76:01 - 76:04
    is no issue it's more the
  • 76:04 - 76:06
    catch separately
  • 76:06 - 76:08
    so
  • 76:08 - 76:10
    if we have
  • 76:10 - 76:11
    if
  • 76:11 - 76:13
    i thought it would be nice for this
  • 76:13 - 76:15
    machine to not
  • 76:15 - 76:17
    have to catch each instrument
  • 76:17 - 76:19
    individually to catch all the marbles in
  • 76:19 - 76:21
    one big funnel
  • 76:21 - 76:23
    and if we have this
  • 76:23 - 76:25
    um
  • 76:25 - 76:27
    so if we can make a sorter that sorts
  • 76:27 - 76:30
    them and it's fine then we can do that
  • 76:30 - 76:31
    it source them like on the top where it
  • 76:31 - 76:33
    stores them somewhere else
  • 76:33 - 76:35
    but if we have to catch if we can't make
  • 76:35 - 76:38
    a sorter then it's an issue yeah i think
  • 76:38 - 76:40
    so
  • 76:41 - 76:42
    um
  • 76:42 - 76:45
    it's jesus rather than sorting different
  • 76:45 - 76:47
    marbles could just keep them separate
  • 76:47 - 76:51
    isolated loops yeah isolated loops but
  • 76:51 - 76:54
    this uh it's hisses then we need to
  • 76:54 - 76:56
    catch them separate as well yeah
  • 76:56 - 76:58
    which which we come to the big net in
  • 76:58 - 77:01
    front of the vibraphone right now
  • 77:01 - 77:04
    oh yeah yeah the big the big fishing net
  • 77:04 - 77:08
    yeah to catch all the marble fish um
  • 77:09 - 77:11
    i just have this idea that i want the
  • 77:11 - 77:13
    marbles to be bigger on the moon machine
  • 77:13 - 77:15
    three it's
  • 77:15 - 77:18
    feels like okay remind me we it was a 16
  • 77:18 - 77:20
    we had yeah okay
  • 77:20 - 77:21
    so
  • 77:21 - 77:23
    machine 1 was 11
  • 77:23 - 77:24
    11.
  • 77:24 - 77:27
    x was 16.
  • 77:27 - 77:30
    so basically we just have to add five
  • 77:30 - 77:32
    millimeters if the
  • 77:32 - 77:35
    for marble machine three and someone i'm
  • 77:35 - 77:37
    just gonna see here oh that's perhaps a
  • 77:37 - 77:40
    little bit big but jerome blom share 27
  • 77:40 - 77:44
    millimeters is the pinball standard size
  • 77:44 - 77:46
    you could use off-the-shelf parts for
  • 77:46 - 77:49
    the handling ah interesting
  • 77:49 - 77:52
    tyrone blomshier
  • 77:52 - 77:53
    that's interesting in for jerome thank
  • 77:53 - 77:55
    you
  • 77:55 - 77:59
    i'm sorry we stole the skate olympics
  • 77:59 - 78:02
    gold from you guys
  • 78:05 - 78:07
    um
  • 78:08 - 78:12
    27 is the pinball 27 millimeter
  • 78:12 - 78:15
    pin ball
  • 78:15 - 78:16
    uh
  • 78:16 - 78:18
    standard
  • 78:18 - 78:22
    strange to have that as a standard
  • 78:22 - 78:25
    27 would be kind of awesome
  • 78:25 - 78:29
    it's gonna be easier to see
  • 78:29 - 78:31
    um
  • 78:32 - 78:34
    it's gonna be heavy
  • 78:34 - 78:36
    i like it
  • 78:36 - 78:40
    a real oomph to the drums
  • 78:41 - 78:43
    so
  • 78:43 - 78:45
    and for the steel balls i can just order
  • 78:45 - 78:47
    actually a few tests and test with the
  • 78:47 - 78:50
    vibraphone things i have here
  • 78:50 - 78:52
    um
  • 78:52 - 78:55
    add a lot of oomph to the drums
  • 78:55 - 78:56
    so
  • 78:56 - 78:59
    let's just go through this as well
  • 78:59 - 79:02
    [Music]
  • 79:02 - 79:05
    this is very
  • 79:06 - 79:09
    i'm just gonna fill this in so fast
  • 79:09 - 79:10
    yeah it's a little bit overkill but we
  • 79:10 - 79:12
    we get to think about all different
  • 79:12 - 79:14
    kinds so it's
  • 79:14 - 79:16
    serving a purpose here so for example
  • 79:16 - 79:18
    functionality
  • 79:18 - 79:20
    if i if i take in footprint in that the
  • 79:20 - 79:22
    machine is going to be larger the larger
  • 79:22 - 79:25
    the marbles are so i'm going to reverse
  • 79:25 - 79:26
    here i'm going to give bad grades for
  • 79:26 - 79:28
    large
  • 79:28 - 79:30
    i'm better for small
  • 79:30 - 79:33
    lifting should be the same actually
  • 79:33 - 79:36
    small get good grades large get bad
  • 79:36 - 79:38
    noise
  • 79:39 - 79:40
    um
  • 79:40 - 79:43
    probably equal
  • 79:44 - 79:47
    marble division is easier with smaller
  • 79:47 - 79:49
    yeah
  • 79:49 - 79:51
    um
  • 79:51 - 79:54
    small is getting a lot of points here
  • 79:54 - 79:56
    um so this is where the decision matrix
  • 79:56 - 79:58
    helps you right machine footprint was
  • 79:58 - 80:00
    already in here okay
  • 80:00 - 80:01
    um
  • 80:01 - 80:02
    four
  • 80:02 - 80:03
    three three
  • 80:03 - 80:06
    two then i'm going to not punish that
  • 80:06 - 80:08
    one so much
  • 80:08 - 80:10
    supply chain
  • 80:10 - 80:12
    i think it's a little
  • 80:12 - 80:15
    um a little worse wait cost yeah i
  • 80:15 - 80:17
    turned cost around yeah someone said it
  • 80:17 - 80:20
    exactly now yeah it's the wrong way
  • 80:20 - 80:23
    around isn't it yeah so cheaper is the
  • 80:23 - 80:24
    smaller
  • 80:24 - 80:25
    and i think it's the same with the
  • 80:25 - 80:28
    supply chain so
  • 80:28 - 80:30
    sound base
  • 80:30 - 80:31
    i think
  • 80:31 - 80:34
    20 is the best option i'm just gonna put
  • 80:34 - 80:37
    three on other ones
  • 80:37 - 80:39
    sound hi-hat i think 40 is too big
  • 80:39 - 80:41
    actually
  • 80:41 - 80:45
    30 is okay 20 is okay and 16 is less
  • 80:45 - 80:46
    okay
  • 80:46 - 80:48
    sound kick then i really want the
  • 80:48 - 80:50
    biggest ones
  • 80:50 - 80:51
    um
  • 80:51 - 80:54
    sound snare
  • 80:54 - 80:55
    40 is too big actually if we're gonna
  • 80:55 - 80:58
    use steel if we had plastic then 40
  • 80:58 - 81:00
    would be perfect for the snare so that's
  • 81:00 - 81:04
    also kind of an annoying
  • 81:05 - 81:06
    that's why i think i'm not good enough
  • 81:06 - 81:08
    to be able to like finish this project
  • 81:08 - 81:10
    because there's so many variables in
  • 81:10 - 81:12
    everything and my my mind goes into all
  • 81:12 - 81:14
    the variables in everything and you just
  • 81:14 - 81:16
    lose track on the like mvp the minimum
  • 81:16 - 81:18
    viable product
  • 81:18 - 81:20
    yeah
  • 81:20 - 81:22
    so we just get lost in the forest for
  • 81:22 - 81:23
    all the trees that's not the expression
  • 81:23 - 81:26
    is it you can't see the forest for all
  • 81:26 - 81:28
    the trees yeah that's that's the one
  • 81:28 - 81:31
    uh snare sound that's too heavy with a
  • 81:31 - 81:33
    steel ball for
  • 81:33 - 81:35
    so also this decision matrix sucks
  • 81:35 - 81:36
    because
  • 81:36 - 81:40
    i wanted to i want i didn't want to put
  • 81:40 - 81:42
    size and material in the same one but i
  • 81:42 - 81:44
    should have okay
  • 81:44 - 81:46
    so
  • 81:46 - 81:48
    three
  • 81:49 - 81:52
    16 is good for here i think is three and
  • 81:52 - 81:54
    here's two
  • 81:54 - 81:58
    okay so smaller so 40 millimeter is
  • 81:58 - 82:00
    really not a
  • 82:00 - 82:01
    good option let's do the conditional
  • 82:01 - 82:04
    formatting here that uh
  • 82:04 - 82:06
    the beautiful viewers have told me
  • 82:06 - 82:08
    here's a little mini tutorial in google
  • 82:08 - 82:11
    sheet for everyone in this epic live
  • 82:11 - 82:12
    stream all right that i just learned
  • 82:12 - 82:15
    from the audience when you have a range
  • 82:15 - 82:18
    and you want it displayed as a color
  • 82:18 - 82:20
    expression like this
  • 82:20 - 82:22
    choose your cells
  • 82:22 - 82:25
    go to format
  • 82:25 - 82:28
    i should also show that
  • 82:30 - 82:31
    format
  • 82:31 - 82:34
    choose conditional formatting
  • 82:34 - 82:36
    boom
  • 82:36 - 82:38
    and
  • 82:38 - 82:40
    up here
  • 82:40 - 82:42
    you go for the color scale
  • 82:42 - 82:44
    boom
  • 82:44 - 82:46
    and then you do some settings
  • 82:46 - 82:48
    um
  • 82:48 - 82:50
    so let's do percentage on everything i
  • 82:50 - 82:53
    don't know which one is best
  • 82:53 - 82:55
    i'm gonna do the same
  • 82:55 - 82:59
    as i did on the last one and then red
  • 82:59 - 83:01
    and i want to preview
  • 83:01 - 83:04
    [Music]
  • 83:04 - 83:05
    what
  • 83:05 - 83:09
    happened oh they're all red maybe
  • 83:09 - 83:12
    oh i can lower the percentage
  • 83:12 - 83:14
    um
  • 83:18 - 83:22
    i suck at making these fast tutorials
  • 83:22 - 83:25
    we're getting there
  • 83:25 - 83:26
    i'm so much in a mood today because i
  • 83:26 - 83:30
    think the marmitin won't work that's it
  • 83:31 - 83:36
    you just need to come around
  • 83:36 - 83:40
    it's a good sign to be afraid or scared
  • 83:40 - 83:41
    that means you're trying something new
  • 83:41 - 83:44
    my friend ah
  • 83:47 - 83:50
    say kumar cell selection is lost
  • 83:50 - 83:53
    you missed the cells
  • 83:53 - 83:55
    you were on the wrong cell
  • 83:55 - 83:58
    status
  • 83:58 - 84:03
    what's that it okay it looks better now
  • 84:09 - 84:12
    so awesome i
  • 84:12 - 84:15
    i was in the keynote okay
  • 84:15 - 84:17
    now i know why you couldn't see it so
  • 84:17 - 84:20
    let's uh let's let's let's do color
  • 84:20 - 84:21
    scale
  • 84:21 - 84:24
    oh yeah now it works thank you satish on
  • 84:24 - 84:27
    point as always
  • 84:27 - 84:29
    um
  • 84:29 - 84:32
    we gonna do percentages
  • 84:32 - 84:34
    it's just for fun
  • 84:34 - 84:35
    yeah
  • 84:35 - 84:38
    we need some fun
  • 84:39 - 84:40
    it was actually better when this also
  • 84:40 - 84:42
    was yellow
  • 84:42 - 84:47
    okay and here's my kelly
  • 84:47 - 84:49
    saying you'll get it done just remember
  • 84:49 - 84:52
    it's a process those who have never
  • 84:52 - 84:54
    failed something have never tried
  • 84:54 - 84:55
    something new
  • 84:55 - 84:57
    and i totally agree you need to be in
  • 84:57 - 85:00
    love with the process
  • 85:00 - 85:03
    everybody wanna be a beast yeah there we
  • 85:03 - 85:04
    go
  • 85:04 - 85:06
    you're the only one to score
  • 85:06 - 85:10
    you're not in love with the process
  • 85:10 - 85:12
    you should face a linking chat if they
  • 85:12 - 85:14
    want some motivation speech calor thank
  • 85:14 - 85:16
    you so much for for for that comment was
  • 85:16 - 85:20
    it from my kelly mike kelly hi kelly um
  • 85:20 - 85:22
    we were in stockholm this weekend and i
  • 85:22 - 85:24
    was in a restaurant with a friend and
  • 85:24 - 85:26
    all of a sudden someone just steps up to
  • 85:26 - 85:29
    me and says and and just goes towards me
  • 85:29 - 85:31
    and just do this no nothing else
  • 85:31 - 85:34
    excuse me it's going to work we don't
  • 85:34 - 85:36
    care how long time it takes we believe
  • 85:36 - 85:38
    in you nice seeing you here have a
  • 85:38 - 85:40
    wonderful day bye and he just went and i
  • 85:40 - 85:43
    was like wow it was so fun so great
  • 85:43 - 85:46
    right people were so people
  • 85:46 - 85:48
    people were so supportive and it feels
  • 85:48 - 85:50
    like not only you are here watching it
  • 85:50 - 85:52
    feels like there's so many who are maybe
  • 85:52 - 85:54
    not watching or like still rooting for a
  • 85:54 - 85:56
    picture you know sometimes you forget
  • 85:56 - 85:58
    that like okay there's a lot of people
  • 85:58 - 86:00
    out in the world who actually follows
  • 86:00 - 86:01
    this journey
  • 86:01 - 86:04
    so people come up to you in the streets
  • 86:04 - 86:06
    and like when we're in on a heavy metal
  • 86:06 - 86:08
    concert guy next to me just shook my
  • 86:08 - 86:12
    hand and said good luck with the catting
  • 86:13 - 86:14
    so funny
  • 86:14 - 86:16
    that was brilliant
  • 86:16 - 86:17
    so
  • 86:17 - 86:20
    dorouse gave me this tip and now we have
  • 86:20 - 86:24
    this color for both so according to our
  • 86:24 - 86:27
    sloping decision matrixes here
  • 86:27 - 86:28
    it's
  • 86:28 - 86:30
    the same ball as we used on marble
  • 86:30 - 86:33
    machine x it's a 16 millimeter
  • 86:33 - 86:35
    ball bearing steel sphere ball
  • 86:35 - 86:38
    that is winning
  • 86:38 - 86:40
    currently but um
  • 86:40 - 86:41
    with the caveat that i'm going to do my
  • 86:41 - 86:43
    homework to send an email to spekuma
  • 86:43 - 86:46
    about the nylon we have a lot of
  • 86:46 - 86:48
    links here
  • 86:48 - 86:50
    silicon coated
  • 86:50 - 86:52
    [Music]
  • 86:52 - 86:55
    let me see what you are seeing
  • 86:55 - 86:59
    here we're back to this
  • 86:59 - 87:02
    bread tea how heavy does the marble have
  • 87:02 - 87:04
    to be to not be blown of course during
  • 87:04 - 87:05
    windy concerts wow i didn't thought of
  • 87:05 - 87:08
    that alone of course
  • 87:08 - 87:10
    yeah we're gonna play outdoor stages
  • 87:10 - 87:13
    you're right about that brad
  • 87:13 - 87:15
    so which means that they they need to be
  • 87:15 - 87:17
    they need to be heavy
  • 87:17 - 87:17
    so
  • 87:17 - 87:20
    steel marbles will not be bone blown of
  • 87:20 - 87:21
    course
  • 87:21 - 87:23
    jean le belle different size marble can
  • 87:23 - 87:26
    easily be sorted so use several size for
  • 87:26 - 87:30
    several materials
  • 87:30 - 87:33
    yeah so what what do you mean jean or
  • 87:33 - 87:38
    jean is that i guess that if we want um
  • 87:38 - 87:39
    this is a great comment
  • 87:39 - 87:41
    um
  • 87:41 - 87:43
    if we want a
  • 87:43 - 87:45
    bigger ball
  • 87:45 - 87:49
    and this smaller ball no no no if we
  • 87:49 - 87:51
    want wood and steel
  • 87:51 - 87:53
    so the idea do i have my rubber balls
  • 87:53 - 87:54
    here somewhere
  • 87:54 - 87:59
    well we have marbles on our entire floor
  • 87:59 - 88:03
    they're infestated the office floors now
  • 88:03 - 88:05
    our biggest nightmares it's behind the
  • 88:05 - 88:07
    desk maybe you can see it on the webcam
  • 88:07 - 88:09
    i don't know
  • 88:09 - 88:11
    can we
  • 88:11 - 88:12
    no i see
  • 88:12 - 88:17
    a cable or two i can see behind there
  • 88:20 - 88:21
    you found it
  • 88:21 - 88:24
    i found it nice
  • 88:24 - 88:26
    i think i found it look at our
  • 88:26 - 88:28
    professional setup here especially look
  • 88:28 - 88:31
    at the posters in the back there
  • 88:31 - 88:33
    that's fold
  • 88:33 - 88:34
    so
  • 88:34 - 88:36
    i think that's a fallen warrior back
  • 88:36 - 88:37
    there if i understand your comment
  • 88:37 - 88:39
    correctly it's like if you have
  • 88:39 - 88:41
    if you want rubber balls for one
  • 88:41 - 88:44
    instrument and wood balls for another
  • 88:44 - 88:46
    it's hard to sort them on material but
  • 88:46 - 88:47
    then if you deliberately use different
  • 88:47 - 88:50
    sizes then you can make a ball sorter so
  • 88:50 - 88:52
    let me sketch the simplest ball sorter
  • 88:52 - 88:55
    for you right here
  • 88:55 - 88:58
    so that's a great point
  • 89:00 - 89:02
    so
  • 89:02 - 89:05
    it's just a classic coin machine trick
  • 89:05 - 89:07
    so two tracks with
  • 89:07 - 89:09
    widening um
  • 89:09 - 89:10
    area
  • 89:10 - 89:12
    and then
  • 89:12 - 89:15
    we have the green ball
  • 89:16 - 89:20
    and the green ball falls
  • 89:20 - 89:22
    into the green box
  • 89:22 - 89:25
    like there and then we have the red ball
  • 89:25 - 89:28
    that is bigger
  • 89:28 - 89:29
    the red ball falls
  • 89:29 - 89:32
    over here
  • 89:32 - 89:33
    so
  • 89:33 - 89:36
    down like this
  • 89:36 - 89:39
    and down like this simple huh
  • 89:39 - 89:43
    brutal do you get it yeah yeah
  • 89:47 - 89:49
    an r feel
  • 89:49 - 89:52
    no yeah arnie feel bored use a magnet to
  • 89:52 - 89:54
    sort steel from rubble balls
  • 89:54 - 89:56
    and that's a no-no word right now right
  • 89:56 - 89:59
    magnets yeah i
  • 89:59 - 90:02
    it's it's a little bit of a no-no word
  • 90:02 - 90:03
    but
  • 90:03 - 90:06
    um
  • 90:06 - 90:09
    mine uh blue magnet
  • 90:09 - 90:11
    versus marbles my favorite favorite
  • 90:11 - 90:12
    video
  • 90:12 - 90:16
    is it even from oh it's from caplamino
  • 90:16 - 90:18
    um
  • 90:18 - 90:21
    so there's there's a wait i'm gonna find
  • 90:21 - 90:23
    it here okay turn off the music yeah i'm
  • 90:23 - 90:25
    gonna turn the music up
  • 90:25 - 90:27
    and maybe we're gonna get copy
  • 90:27 - 90:29
    copyrighted if we show it but i just
  • 90:29 - 90:32
    need to show this one sequence oh yeah
  • 90:32 - 90:34
    this is brilliant yeah this whole video
  • 90:34 - 90:36
    is fantastic it's my favorite video of
  • 90:36 - 90:38
    all times
  • 90:38 - 90:40
    um
  • 90:44 - 90:47
    was it maybe in the beginning
  • 90:47 - 90:50
    oh yeah it's the first shot here
  • 90:50 - 90:52
    okay everyone
  • 90:52 - 90:55
    have you set it up for me
  • 90:56 - 90:57
    yes wait
  • 90:57 - 91:00
    wait for it
  • 91:00 - 91:02
    uh yep full screen or yep
  • 91:02 - 91:05
    do you have full screen
  • 91:05 - 91:08
    oh no i don't wanna because they maybe
  • 91:08 - 91:11
    copies copyrights claim it okay it's
  • 91:11 - 91:12
    better like this
  • 91:12 - 91:14
    um
  • 91:14 - 91:17
    check this out in this row up here
  • 91:17 - 91:22
    there are uh two forms of ball stars um
  • 91:22 - 91:24
    this is such a brilliant trick i can
  • 91:24 - 91:27
    explain
  • 91:31 - 91:35
    [Music]
  • 91:39 - 91:40
    so did you see what happened there it's
  • 91:40 - 91:42
    worth it it sorted all the metal balls
  • 91:42 - 91:44
    because of the small little magnets
  • 91:44 - 91:45
    there around the band and all the
  • 91:45 - 91:46
    porcelain went
  • 91:46 - 91:48
    better so
  • 91:48 - 91:52
    we it is a good comment it it is proven
  • 91:52 - 91:55
    to be a proven method to sort yeah um
  • 91:55 - 91:58
    but if we can avoid it i'm i would be so
  • 91:58 - 92:00
    happy but this video i just want to say
  • 92:00 - 92:03
    to caplamino magnets and marbles with 25
  • 92:03 - 92:06
    million views this is one of my favorite
  • 92:06 - 92:08
    videos of all time that's so great yeah
  • 92:08 - 92:10
    it's great
  • 92:10 - 92:12
    okay
  • 92:12 - 92:15
    where do we go from here honest 3 000.
  • 92:15 - 92:18
    let's try to summarize
  • 92:18 - 92:19
    um
  • 92:19 - 92:21
    i'm going to go through all the comments
  • 92:21 - 92:24
    as well um
  • 92:24 - 92:25
    just checking what people are writing
  • 92:25 - 92:27
    here
  • 92:27 - 92:29
    jean labelle had a wear and tear column
  • 92:29 - 92:31
    that's a in other words durability yeah
  • 92:31 - 92:35
    it's a good idea um
  • 92:35 - 92:37
    fibonacci weights
  • 92:37 - 92:39
    makes for better adjusted totals it
  • 92:39 - 92:40
    appropriately
  • 92:40 - 92:42
    proportionally balances few highly
  • 92:42 - 92:46
    important versus numerous low importance
  • 92:46 - 92:48
    okay interesting one two three five
  • 92:48 - 92:50
    eight
  • 92:51 - 92:54
    few highly important versus numerous low
  • 92:54 - 92:56
    okay that's a great idea for future
  • 92:56 - 93:00
    so louis aragone suggested um
  • 93:00 - 93:02
    using one two three five eight instead
  • 93:02 - 93:04
    that's a great idea
  • 93:04 - 93:06
    and this one we saw
  • 93:06 - 93:08
    peter kim you could use hollow plastic
  • 93:08 - 93:10
    balls which you can fill with whatever
  • 93:10 - 93:12
    material you want
  • 93:12 - 93:14
    hmm
  • 93:15 - 93:18
    that's cool idea as well
  • 93:18 - 93:21
    peter kim
  • 93:22 - 93:26
    it's not sure they need to be super
  • 93:26 - 93:29
    metal powder and syringe wow
  • 93:29 - 93:32
    but then we have to make them ourselves
  • 93:32 - 93:34
    that's a little tricky silicon nitrate
  • 93:34 - 93:37
    balls are durable and most importantly
  • 93:37 - 93:39
    they are black
  • 93:40 - 93:41
    possible issue denting in damage over
  • 93:41 - 93:43
    time
  • 93:43 - 93:45
    i just want to say this here from nina
  • 93:45 - 93:46
    serve by honest
  • 93:46 - 93:48
    one thing martin might want to take into
  • 93:48 - 93:51
    account is the square cube law
  • 93:51 - 93:53
    doubling the diameter of the bulk result
  • 93:53 - 93:56
    in a ball that is eight times heavier oh
  • 93:56 - 93:58
    that's so cool info i have to write that
  • 93:58 - 93:59
    down
  • 93:59 - 94:01
    um
  • 94:03 - 94:05
    we should have a
  • 94:05 - 94:07
    my lips are breaking because of the
  • 94:07 - 94:12
    weather or something no it's like oh
  • 94:12 - 94:14
    it's everywhere it's like sand
  • 94:14 - 94:16
    gets everywhere dust on the microphone
  • 94:16 - 94:19
    we've been gone too long yeah yeah we
  • 94:19 - 94:20
    took a hiatus for four days the whole
  • 94:20 - 94:23
    studio dusted
  • 94:23 - 94:27
    the square cube law the square
  • 94:27 - 94:30
    cube law states
  • 94:30 - 94:33
    that
  • 94:33 - 94:35
    doubling
  • 94:35 - 94:37
    a diameter
  • 94:37 - 94:42
    will make the weight of a sphere
  • 94:42 - 94:47
    eight times higher there we go wow
  • 94:48 - 94:52
    wait that's really cool which means
  • 94:52 - 94:56
    that a 40 millimeter steel marble
  • 94:56 - 94:59
    is eight times heavier than uh than a 20
  • 94:59 - 95:03
    millimeter one you wouldn't think that
  • 95:04 - 95:05
    that's cool
  • 95:05 - 95:07
    that was very helpful yeah
  • 95:07 - 95:09
    helpful high level stuff
  • 95:09 - 95:13
    ili gideon so here's a nice link
  • 95:13 - 95:16
    ptfe are less durable
  • 95:16 - 95:18
    you can use resin
  • 95:18 - 95:19
    coated wooden balls it's going to look
  • 95:19 - 95:21
    great and have smooth smooth surface
  • 95:21 - 95:24
    with low friction from enigma i think
  • 95:24 - 95:26
    that would look really really nice but
  • 95:26 - 95:27
    they're too light
  • 95:27 - 95:30
    and it would hold up i think
  • 95:30 - 95:33
    florian cg there are hollow steel or
  • 95:33 - 95:35
    hard metal balls as well
  • 95:35 - 95:38
    weight could be adjusted that way
  • 95:40 - 95:43
    let's have a quick look here
  • 95:43 - 95:46
    oh look at this
  • 95:46 - 95:49
    oh yeah that's a hollow one
  • 95:51 - 95:54
    look at these cool star wars so cool
  • 95:54 - 95:55
    right
  • 95:55 - 95:57
    it's like
  • 95:57 - 95:59
    never seen those before
  • 95:59 - 96:02
    so here's a hollowed
  • 96:02 - 96:05
    wow
  • 96:11 - 96:13
    and cleaner kit for your
  • 96:13 - 96:15
    house
  • 96:15 - 96:17
    pipe
  • 96:18 - 96:21
    so yeah this website is looking for the
  • 96:21 - 96:24
    customers who needs kugelman teal and
  • 96:24 - 96:25
    also there are actually these bars in
  • 96:25 - 96:27
    these yeah and deodorant you have there
  • 96:27 - 96:30
    as well oh this is every application i'm
  • 96:30 - 96:32
    so stupid
  • 96:32 - 96:34
    so fun
  • 96:35 - 96:37
    for your gaming controller
  • 96:37 - 96:40
    cool
  • 96:41 - 96:43
    what i don't have in me
  • 96:43 - 96:45
    in design and manufacturing and
  • 96:45 - 96:48
    engineering i make up for with bad jokes
  • 96:48 - 96:49
    okay yeah yeah yeah
  • 96:49 - 96:54
    humor you get a five out of five
  • 96:55 - 96:57
    okay so
  • 96:57 - 96:59
    um
  • 97:00 - 97:01
    basically
  • 97:01 - 97:04
    conclusion of all these marble stuff is
  • 97:04 - 97:09
    go with the ones we know that's the most
  • 97:10 - 97:12
    trusted way
  • 97:12 - 97:14
    and get in touch with spakuma to get
  • 97:14 - 97:17
    some different kinds
  • 97:17 - 97:19
    of coated stuff right
  • 97:19 - 97:20
    so
  • 97:20 - 97:23
    so if if anyone out there want to
  • 97:23 - 97:25
    aid with research
  • 97:25 - 97:26
    i'm going to try something here um
  • 97:26 - 97:29
    [Music]
  • 97:29 - 97:31
    research
  • 97:31 - 97:33
    [Music]
  • 97:33 - 97:36
    research gap i'm going to call it
  • 97:36 - 97:39
    and i'm going to put it down here
  • 97:39 - 97:42
    [Music]
  • 97:42 - 97:43
    so
  • 97:43 - 97:46
    what i feel like that i would really
  • 97:46 - 97:48
    need to know more about
  • 97:48 - 97:49
    is
  • 97:49 - 97:51
    [Music]
  • 97:51 - 97:53
    steel core
  • 97:53 - 97:54
    [Music]
  • 97:54 - 97:58
    nylon coated
  • 97:59 - 98:00
    marbles
  • 98:00 - 98:01
    and
  • 98:01 - 98:04
    steel core
  • 98:04 - 98:08
    rubber coated marbles so for example
  • 98:08 - 98:10
    if there is a page
  • 98:10 - 98:12
    kind of who can show you different
  • 98:12 - 98:14
    dimensions that also have the wall
  • 98:14 - 98:16
    thickness of the rubber coating and also
  • 98:16 - 98:18
    the dural numbers or the hardness of the
  • 98:18 - 98:21
    rubber coating i mean they there will be
  • 98:21 - 98:23
    in some list somewhere
  • 98:23 - 98:26
    and especially if there is a place where
  • 98:26 - 98:29
    we can order from from sweden because
  • 98:29 - 98:31
    mcmaster car is not possible
  • 98:31 - 98:33
    um
  • 98:33 - 98:34
    so
  • 98:34 - 98:36
    if if you already know about something
  • 98:36 - 98:38
    you can fill it in right down here in
  • 98:38 - 98:41
    the red that was a bad color let's do
  • 98:41 - 98:42
    this one
  • 98:42 - 98:45
    and let's make a nice frame
  • 98:45 - 98:48
    if you want to impress people in your
  • 98:48 - 98:50
    google sheets frame them learn how to
  • 98:50 - 98:51
    make frames okay
  • 98:51 - 98:53
    [Laughter]
  • 98:53 - 98:55
    i showed this to my sister and she was
  • 98:55 - 98:57
    like wow you really learned so much the
  • 98:57 - 98:59
    past years i was like yeah it was a well
  • 98:59 - 99:02
    invested time
  • 99:02 - 99:06
    sir cad a lot sir catalog is sir sir
  • 99:06 - 99:10
    spreadsheet a lot nowadays
  • 99:10 - 99:13
    so
  • 99:14 - 99:17
    how do we tie this into uh the big
  • 99:17 - 99:19
    picture and where do we go from here
  • 99:19 - 99:22
    let's look at our list marble lift
  • 99:22 - 99:24
    yeah yeah
  • 99:24 - 99:26
    so that's really interesting so the
  • 99:26 - 99:28
    marble lift
  • 99:28 - 99:28
    um
  • 99:28 - 99:31
    [Music]
  • 99:32 - 99:35
    i think the marble pump
  • 99:35 - 99:38
    is such a cool idea so this one
  • 99:38 - 99:41
    let me show you
  • 99:41 - 99:44
    the first thing i'll need is uh take
  • 99:44 - 99:47
    some quarter inch plywood
  • 99:47 - 99:49
    and i need five squares
  • 99:49 - 99:53
    three and a half inches square
  • 99:56 - 99:59
    where is the demo here
  • 99:59 - 100:00
    so if you didn't see this in the
  • 100:00 - 100:03
    beginning of the stream shout out to yim
  • 100:03 - 100:05
    steinbrusher
  • 100:05 - 100:09
    which because this is a fantastic video
  • 100:10 - 100:13
    what's so cool with this lift
  • 100:13 - 100:15
    so if you think about that lift
  • 100:15 - 100:18
    and if we go to sketch
  • 100:18 - 100:22
    [Music]
  • 100:22 - 100:24
    so we have
  • 100:24 - 100:25
    uh
  • 100:25 - 100:27
    no
  • 100:27 - 100:29
    we have the machine here and check this
  • 100:29 - 100:31
    out if i hold the pen
  • 100:31 - 100:34
    i can make an ellipse and i can make it
  • 100:34 - 100:37
    straighter like this wow you learned so
  • 100:37 - 100:40
    much spreadsheets and now sketching
  • 100:40 - 100:42
    and
  • 100:42 - 100:45
    if i just make a line here if i hold it
  • 100:45 - 100:49
    boom look at that wow
  • 100:49 - 100:52
    whoa
  • 100:59 - 101:02
    so imagine we had this
  • 101:04 - 101:07
    oh that doesn't work hang on
  • 101:16 - 101:18
    so that's the pump
  • 101:18 - 101:20
    so there's no moving parts i think it's
  • 101:20 - 101:22
    very silent actually
  • 101:22 - 101:23
    and
  • 101:23 - 101:25
    you can make it you just make this thing
  • 101:25 - 101:27
    rotate down here
  • 101:27 - 101:29
    and you can have all the marbles
  • 101:29 - 101:31
    climbing up somewhere on the side of the
  • 101:31 - 101:33
    machine it's also easy to position like
  • 101:33 - 101:37
    on the back or on the side or anywhere
  • 101:37 - 101:38
    um
  • 101:38 - 101:41
    the only thing as always with everything
  • 101:41 - 101:43
    is pinch points
  • 101:43 - 101:44
    i don't understand how they get away
  • 101:44 - 101:48
    from that because if the q
  • 101:49 - 101:51
    pinch
  • 101:52 - 101:55
    so it will pinch if the q runs out pinch
  • 101:55 - 101:56
    if
  • 101:56 - 101:58
    q
  • 101:58 - 102:01
    runs
  • 102:02 - 102:05
    then this thing is not practical anymore
  • 102:05 - 102:07
    but you can power this with the gear
  • 102:07 - 102:10
    train of the machine which is super cool
  • 102:10 - 102:12
    um
  • 102:13 - 102:15
    how many of these lifts would be needed
  • 102:15 - 102:16
    do you think
  • 102:16 - 102:17
    yeah and that was the cool idea we
  • 102:17 - 102:19
    talked about in the other
  • 102:19 - 102:21
    if we dragged out like this
  • 102:21 - 102:24
    so we can have several columns
  • 102:24 - 102:29
    and then you had the idea yes sir 3k
  • 102:29 - 102:31
    because i'm all about visual flare when
  • 102:31 - 102:34
    it can be it can be created easily
  • 102:34 - 102:37
    yes so sir 3k had if we put this on on
  • 102:37 - 102:40
    an off axis
  • 102:40 - 102:42
    that we could create a wave-like pattern
  • 102:42 - 102:45
    in how the marbles are moving yeah
  • 102:45 - 102:47
    so they don't move
  • 102:47 - 102:50
    you can have a little bit of
  • 102:50 - 102:51
    yes
  • 102:51 - 102:53
    which would also
  • 102:53 - 102:55
    spread out the load otherwise it would
  • 102:55 - 102:58
    be load load load load and now it's just
  • 102:58 - 102:59
    like
  • 102:59 - 103:02
    load just like um
  • 103:02 - 103:06
    um like eight cylinder engine
  • 103:06 - 103:08
    is is is it's booming at different parts
  • 103:08 - 103:10
    of the rotation of the shaft or how it's
  • 103:10 - 103:11
    working
  • 103:11 - 103:13
    so
  • 103:13 - 103:14
    like
  • 103:14 - 103:18
    let me just clarify what i mean
  • 103:18 - 103:20
    on this first disk
  • 103:20 - 103:23
    let's say we have four disks
  • 103:23 - 103:26
    so we offset the loading point
  • 103:26 - 103:28
    so here is the loading point at 12
  • 103:28 - 103:30
    o'clock and the next one is at uh three
  • 103:30 - 103:32
    o'clock the next one at six and the last
  • 103:32 - 103:34
    one at nine then you will have a
  • 103:34 - 103:37
    wave-like pattern of which queue
  • 103:37 - 103:40
    uh moves up so we have here we have four
  • 103:40 - 103:42
    cues and do you have you thought about
  • 103:42 - 103:45
    the material there are no plastic tubes
  • 103:45 - 103:46
    this time where it's going to be plastic
  • 103:46 - 103:48
    tubes it's going to be
  • 103:48 - 103:50
    we can have that we have acrylic
  • 103:50 - 103:51
    see-through tubes yeah because there's
  • 103:51 - 103:53
    not gonna be bands so there's no they're
  • 103:53 - 103:55
    not gonna get stuck that way right as
  • 103:55 - 103:58
    long as they are machinable uh and no
  • 103:58 - 103:59
    like um
  • 103:59 - 104:01
    no not from me
  • 104:01 - 104:04
    manual bending no manual banding and we
  • 104:04 - 104:06
    need nice fittings and straight pipes
  • 104:06 - 104:09
    and yeah and and then i would love
  • 104:09 - 104:10
    imagine just a wall
  • 104:10 - 104:13
    man in a wall with like
  • 104:13 - 104:15
    20 acrylic tubes
  • 104:15 - 104:18
    and just a waterfall of marble climbing
  • 104:18 - 104:19
    up through them that is goosebumps right
  • 104:19 - 104:22
    there it is pretty that is goosebumps
  • 104:22 - 104:25
    and i mean flare when it's easy right
  • 104:25 - 104:25
    [Laughter]
  • 104:25 - 104:28
    [Music]
  • 104:28 - 104:31
    it is pretty cool uh foldy one papyrus
  • 104:31 - 104:33
    says those sort of pumps fights against
  • 104:33 - 104:35
    the weight of the marble and more
  • 104:35 - 104:37
    importantly the frictional forces so you
  • 104:37 - 104:39
    need the marbles to be low friction
  • 104:39 - 104:43
    material yes i absolutely agree
  • 104:43 - 104:44
    and um
  • 104:44 - 104:46
    i think a conveyor belt
  • 104:46 - 104:49
    is the
  • 104:49 - 104:52
    uses less energy for that reason because
  • 104:52 - 104:53
    it's just
  • 104:53 - 104:55
    a conveyor belt
  • 104:55 - 104:56
    doesn't
  • 104:56 - 104:58
    have any friction towards the marble
  • 104:58 - 105:00
    it's just lifting them up
  • 105:00 - 105:02
    steadily and a lot of people in chat are
  • 105:02 - 105:03
    also uh
  • 105:03 - 105:05
    talking about the
  • 105:05 - 105:08
    uh the screw
  • 105:08 - 105:10
    lift on the archimedes screw yeah the
  • 105:10 - 105:13
    arcade screw so i can just i can just
  • 105:13 - 105:14
    put the archimedes screw here on the
  • 105:14 - 105:16
    sketch pad
  • 105:16 - 105:19
    i always thought it's too slow
  • 105:19 - 105:22
    so it's i can't really um
  • 105:22 - 105:24
    like this and you have a cord in the
  • 105:24 - 105:26
    middle here
  • 105:26 - 105:27
    and either you can have the marbles
  • 105:27 - 105:29
    sitting on one side like this or you can
  • 105:29 - 105:31
    have them in the screw it's used a lot
  • 105:31 - 105:34
    in agriculture to transport dirt and to
  • 105:34 - 105:35
    transport
  • 105:35 - 105:37
    and in the in this industry
  • 105:37 - 105:39
    and
  • 105:39 - 105:41
    i think it's very noisy
  • 105:41 - 105:43
    because the marbles are rolling on these
  • 105:43 - 105:45
    surfaces here
  • 105:45 - 105:48
    when when this thing is spinning around
  • 105:48 - 105:49
    and
  • 105:49 - 105:52
    but i think actually the pump is also
  • 105:52 - 105:54
    noisy you could kind of hear it in the
  • 105:54 - 105:56
    video before yeah
  • 105:56 - 105:57
    [Music]
  • 105:57 - 106:01
    um so conveyor is
  • 106:01 - 106:03
    it's pretty nice someone also wrote a
  • 106:03 - 106:05
    comment in the documentation central and
  • 106:05 - 106:07
    why why just why lift the marbles at all
  • 106:07 - 106:10
    why not just not have them fall down and
  • 106:10 - 106:12
    then refill between songs to have like
  • 106:12 - 106:13
    enough marble
  • 106:13 - 106:16
    to to to play the whole song which is a
  • 106:16 - 106:19
    good outside box suggestion and it could
  • 106:19 - 106:21
    be a feature on the gig you running
  • 106:21 - 106:24
    around with a vacuum cleaner
  • 106:24 - 106:26
    just collecting all the marbles i've
  • 106:26 - 106:28
    seen that before what do you mean you
  • 106:28 - 106:30
    don't like the idea i love it
  • 106:30 - 106:34
    i've seen it before i can see it all day
  • 106:37 - 106:38
    yeah
  • 106:38 - 106:41
    it's um
  • 106:41 - 106:45
    let's go to cat here
  • 106:45 - 106:46
    it's
  • 106:46 - 106:49
    it's um um
  • 106:49 - 106:51
    yeah i don't know what to say
  • 106:51 - 106:54
    oh i'm here most of my car um
  • 106:54 - 106:57
    [Music]
  • 106:59 - 107:01
    yes i think like
  • 107:01 - 107:04
    what i'm going to try to do is
  • 107:04 - 107:06
    this is the first time
  • 107:06 - 107:07
    since i got the idea of building the
  • 107:07 - 107:09
    first machine that i don't know how to
  • 107:09 - 107:11
    build a marble machine and i think it's
  • 107:11 - 107:13
    so good that i'm in this position but
  • 107:13 - 107:15
    i'm questioning everything
  • 107:15 - 107:17
    and
  • 107:18 - 107:18
    so
  • 107:18 - 107:21
    currently i'm just on the mindset that
  • 107:21 - 107:23
    nothing will work
  • 107:23 - 107:24
    so
  • 107:24 - 107:26
    i have to kind of
  • 107:26 - 107:28
    go back to the design requirements
  • 107:28 - 107:31
    and try to make them less dumb
  • 107:31 - 107:33
    and i'm going to keep on exploring the
  • 107:33 - 107:37
    mvp the minimum viable product and mvp
  • 107:37 - 107:38
    is something
  • 107:38 - 107:40
    it's actually a good segue i'm going to
  • 107:40 - 107:43
    talk a little bit about mp mvp because
  • 107:43 - 107:45
    that's top of mind for me right now
  • 107:45 - 107:47
    um
  • 107:47 - 107:48
    so
  • 107:48 - 107:51
    let's add a bonus subject in in this
  • 107:51 - 107:52
    stream
  • 107:52 - 107:55
    bonus segment
  • 107:55 - 108:00
    one more time one more song encore
  • 108:00 - 108:02
    mvp
  • 108:02 - 108:04
    and
  • 108:04 - 108:06
    it's also of course not for nothing that
  • 108:06 - 108:08
    minimum viable product also means most
  • 108:08 - 108:10
    valuable player right yeah yeah yeah
  • 108:10 - 108:13
    there we go so this might be the most
  • 108:13 - 108:15
    valuable player in
  • 108:15 - 108:17
    our uh
  • 108:17 - 108:20
    learning so what an mvp is
  • 108:20 - 108:24
    uh i had uh i had a page before
  • 108:24 - 108:28
    mvp i just heard a little tingling song
  • 108:28 - 108:31
    coming up there because joachim monson
  • 108:31 - 108:34
    asks how does pinball machines do it do
  • 108:34 - 108:36
    you know that martin oh and joaquim is
  • 108:36 - 108:38
    an accordion player nice to see you here
  • 108:38 - 108:39
    joakim
  • 108:39 - 108:41
    you would prob you would eat me for
  • 108:41 - 108:44
    breakfast as a gordon player i'm sure
  • 108:44 - 108:48
    um pinball machines um
  • 108:48 - 108:50
    how how they lift them yeah i don't
  • 108:50 - 108:53
    think yeah with
  • 108:53 - 108:56
    i have no clue you have no clue
  • 108:56 - 108:58
    but they fall down
  • 108:58 - 109:00
    yeah you lift them with the spring right
  • 109:00 - 109:02
    you push you you push them
  • 109:02 - 109:03
    you you
  • 109:03 - 109:04
    [Music]
  • 109:04 - 109:06
    like like you charge something and you
  • 109:06 - 109:08
    drop it on the mechanical one and the
  • 109:08 - 109:11
    ball goes up or they have they are
  • 109:11 - 109:13
    shooted electronically okay so there's
  • 109:13 - 109:16
    no lifter no lifter but if you're a sir
  • 109:16 - 109:19
    if if you mean if you refer to this to
  • 109:19 - 109:21
    sorting and then gating they use the
  • 109:21 - 109:23
    pacman marble gate
  • 109:23 - 109:26
    um which is like a half moon shape
  • 109:26 - 109:28
    so mvp
  • 109:28 - 109:30
    my minimum and good luck with accordion
  • 109:30 - 109:34
    by the way minimum viable product
  • 109:34 - 109:36
    um and this is a concept used mostly in
  • 109:36 - 109:38
    software
  • 109:38 - 109:40
    so it's mostly for digital app
  • 109:40 - 109:44
    so but i saw a nice tutorial uh mvp
  • 109:44 - 109:46
    let's do an image googling and i think i
  • 109:46 - 109:48
    can get it here
  • 109:48 - 109:49
    um
  • 109:49 - 109:51
    oh hannes actually found this before the
  • 109:51 - 109:56
    stream this is a brilliant um
  • 109:56 - 109:58
    a brilliant thing
  • 109:58 - 110:01
    if i can just
  • 110:02 - 110:07
    get my things together
  • 110:08 - 110:11
    so
  • 110:12 - 110:14
    the mean on the top example here
  • 110:14 - 110:17
    they are built making a cake so the
  • 110:17 - 110:19
    product is cake
  • 110:19 - 110:22
    and so it's in swedish so they show like
  • 110:22 - 110:23
    when you only have the bottom of the
  • 110:23 - 110:26
    cake and the cake eater is not happy as
  • 110:26 - 110:29
    you can see very dissatisfied with this
  • 110:29 - 110:32
    cake yeah yeah um it's just not a cake
  • 110:32 - 110:35
    yeah yeah and frosting just frosting no
  • 110:35 - 110:39
    no no no no no no that's bad yeah and um
  • 110:39 - 110:42
    and then you put a little cherry only
  • 110:42 - 110:45
    one cherry that's not good
  • 110:45 - 110:46
    but look
  • 110:46 - 110:47
    how happy
  • 110:47 - 110:49
    the smile is on the fourth step so
  • 110:49 - 110:51
    that's the minimum minimum viable
  • 110:51 - 110:53
    product
  • 110:53 - 110:55
    for for the cake and i'm trying to make
  • 110:55 - 110:58
    that but then if you look under
  • 110:58 - 111:00
    a little cookie
  • 111:00 - 111:02
    already happy yeah
  • 111:02 - 111:06
    a little muffin wow yum yum
  • 111:06 - 111:08
    about a pie
  • 111:10 - 111:12
    and the cake
  • 111:13 - 111:14
    so
  • 111:14 - 111:16
    can we make a little cookie marble
  • 111:16 - 111:18
    machine and still and still have me
  • 111:18 - 111:19
    being
  • 111:19 - 111:21
    i don't think i'm ever going to be as
  • 111:21 - 111:23
    happy as even the least happy smiler
  • 111:23 - 111:25
    here but if
  • 111:25 - 111:26
    if i would be
  • 111:26 - 111:29
    we should make like a little machine
  • 111:29 - 111:30
    um
  • 111:30 - 111:31
    [Music]
  • 111:31 - 111:32
    cookie
  • 111:32 - 111:35
    let's look at another example
  • 111:35 - 111:38
    um
  • 111:39 - 111:40
    oh so this is okay i'm getting into it
  • 111:40 - 111:41
    here now
  • 111:41 - 111:44
    so minimum viable oh this is brilliant
  • 111:44 - 111:45
    okay
  • 111:45 - 111:48
    so when you want to make a car
  • 111:48 - 111:51
    you don't start with the wheels
  • 111:51 - 111:53
    and the customer is
  • 111:53 - 111:54
    like
  • 111:54 - 111:56
    what is this you don't start with two
  • 111:56 - 111:58
    wheels the customer is like what is this
  • 111:58 - 111:59
    you have three wheels and nothing in the
  • 111:59 - 112:01
    customer is like this still completely
  • 112:01 - 112:04
    not usable and the fourth step
  • 112:04 - 112:06
    you have you have something that someone
  • 112:06 - 112:08
    can actually use
  • 112:08 - 112:10
    so if we look underneath you start with
  • 112:10 - 112:13
    a skateboard and the customers
  • 112:13 - 112:16
    actually not as
  • 112:16 - 112:17
    someone can actually use it for
  • 112:17 - 112:20
    something yeah yeah yeah and i think
  • 112:20 - 112:22
    i think that's the thing the minimum
  • 112:22 - 112:24
    viable product is something that
  • 112:24 - 112:26
    actually can be used yeah
  • 112:26 - 112:28
    sorry you were no no no
  • 112:28 - 112:32
    i forgot my bad joke keep on going
  • 112:33 - 112:34
    it's so sad that we never get to hear
  • 112:34 - 112:37
    that one um
  • 112:37 - 112:38
    then you have a skateboard with
  • 112:38 - 112:40
    something or it's like a kickback
  • 112:40 - 112:42
    kickback thank you
  • 112:42 - 112:46
    and and it's usable bike wow yeah and
  • 112:46 - 112:47
    motorbike
  • 112:47 - 112:50
    and a car yeah so
  • 112:50 - 112:53
    what is like the skateboard cookie
  • 112:53 - 112:56
    version of the marble machine three
  • 112:56 - 112:59
    and how can i use this minimum viable
  • 112:59 - 113:01
    product mindset to kind of come up with
  • 113:01 - 113:03
    the design requirement
  • 113:03 - 113:06
    that make uh the machine feel viable at
  • 113:06 - 113:10
    all yeah makes you at least a
  • 113:10 - 113:13
    regular smiley face
  • 113:13 - 113:14
    not the whole like whoa
  • 113:14 - 113:17
    [Music]
  • 113:17 - 113:18
    yum yum
  • 113:18 - 113:20
    so that's why i wanted to
  • 113:20 - 113:22
    to kind of go into the marble sizes and
  • 113:22 - 113:24
    we already have i just want to say we
  • 113:24 - 113:27
    have 24 comments on that things i'm so
  • 113:27 - 113:28
    happy for that i'm gonna go
  • 113:28 - 113:30
    through them off stream
  • 113:30 - 113:32
    so high level hannes where do you think
  • 113:32 - 113:35
    we go from here
  • 113:35 - 113:36
    we found a great comment from mark
  • 113:36 - 113:38
    marketing right here this is great
  • 113:38 - 113:41
    honestly i've had to follow countless
  • 113:41 - 113:43
    project management classes but seeing it
  • 113:43 - 113:45
    all hearing practice is very fun you see
  • 113:45 - 113:48
    we make project management fun
  • 113:48 - 113:51
    nice to hear mark marketing it's it's
  • 113:51 - 113:53
    i think there's a lot of people like you
  • 113:53 - 113:56
    out there who's going to enjoy
  • 113:56 - 113:58
    seeing this whole project just being
  • 113:58 - 114:01
    completely broken down to to
  • 114:01 - 114:03
    to fragments like now because when i
  • 114:03 - 114:05
    started cutting two weeks ago i was like
  • 114:05 - 114:07
    we're gonna fix this i had the same
  • 114:07 - 114:09
    mindset as i had in the first two
  • 114:09 - 114:10
    machines
  • 114:10 - 114:13
    and now i'm like oh we have to really
  • 114:13 - 114:14
    take some steps back
  • 114:14 - 114:17
    and make make something viable so thank
  • 114:17 - 114:19
    you for thank you for kind of being into
  • 114:19 - 114:21
    this very abstract part of the journey
  • 114:21 - 114:24
    and shiran the mvp is only a vibraphone
  • 114:24 - 114:26
    and no bass and nor percussion and let
  • 114:26 - 114:29
    the band play the rest yeah
  • 114:29 - 114:31
    that could be uh
  • 114:31 - 114:33
    something right
  • 114:33 - 114:36
    so that's a marvel played vibraphone
  • 114:36 - 114:38
    yeah because the vibraphone is the most
  • 114:38 - 114:39
    delicate thing that's the thing we're
  • 114:39 - 114:41
    having most trouble with right now
  • 114:41 - 114:43
    that's your whole decision that's what
  • 114:43 - 114:45
    messes with your brain right how to
  • 114:45 - 114:47
    solve the vibraphone the vibraphone is
  • 114:47 - 114:48
    the thing that is completely unsolved
  • 114:48 - 114:51
    for me yeah
  • 114:51 - 114:52
    and then
  • 114:52 - 114:54
    shayaran helping with saying that the
  • 114:54 - 114:57
    vibrant is the mvp yeah which is very
  • 114:57 - 114:59
    helpful sharon because that tells us
  • 114:59 - 115:00
    that
  • 115:00 - 115:02
    um
  • 115:03 - 115:06
    so maybe then in
  • 115:07 - 115:08
    maybe then
  • 115:08 - 115:10
    the design required the work on the
  • 115:10 - 115:14
    design requirements should be focused on
  • 115:14 - 115:17
    only focused on the vibrophone mvp
  • 115:17 - 115:20
    version
  • 115:23 - 115:25
    something like that yeah it's hard for
  • 115:25 - 115:27
    me to communicate this part of the
  • 115:27 - 115:29
    project i and i think what we're gonna
  • 115:29 - 115:30
    do like this week's we're gonna have
  • 115:30 - 115:31
    like
  • 115:31 - 115:36
    we tried last week's to have
  • 115:36 - 115:38
    very
  • 115:38 - 115:40
    easier to follow live streams
  • 115:40 - 115:43
    and i think what's going to happen this
  • 115:43 - 115:44
    week
  • 115:44 - 115:46
    is that i'm going to allow myself i'm
  • 115:46 - 115:48
    we're going to just let you in as flies
  • 115:48 - 115:50
    on our wall i think this week
  • 115:50 - 115:53
    um we're going to probably become even
  • 115:53 - 115:56
    more abstract even more hard to follow
  • 115:56 - 116:00
    because what we're getting into uh here
  • 116:00 - 116:02
    is um
  • 116:02 - 116:04
    it's going to be abstract and very very
  • 116:04 - 116:06
    loose and and very all over the place
  • 116:06 - 116:08
    but the beautiful audience we have here
  • 116:08 - 116:10
    they seem to enjoy it they're not
  • 116:10 - 116:12
    screaming at me that we suck or anything
  • 116:12 - 116:13
    they're enjoying it here good to hear
  • 116:13 - 116:17
    and as this fun actor says the mvp is
  • 116:17 - 116:20
    martin
  • 116:20 - 116:22
    is that is that the most valuable player
  • 116:22 - 116:25
    or minimum viable product both yeah okay
  • 116:25 - 116:27
    both
  • 116:27 - 116:31
    yeah so yeah so
  • 116:31 - 116:33
    during this whole stream i just felt
  • 116:33 - 116:36
    that we talked about marbles i'm tr
  • 116:36 - 116:38
    my plan for this stream was to try to
  • 116:38 - 116:41
    hone in on one subject
  • 116:41 - 116:43
    and i just feel
  • 116:43 - 116:47
    i can't really look at the parts
  • 116:47 - 116:49
    bit by bit
  • 116:49 - 116:51
    i feel i can only look at a large
  • 116:51 - 116:53
    picture because i i felt when i was
  • 116:53 - 116:58
    filling in like the decision matrix
  • 116:59 - 117:01
    it's it's it's too
  • 117:01 - 117:02
    honed
  • 117:02 - 117:05
    it's too zoomed in
  • 117:05 - 117:06
    yeah
  • 117:06 - 117:08
    like that's why that's why maybe like
  • 117:08 - 117:10
    during the whole stream myself like what
  • 117:10 - 117:12
    what am i actually doing and it's like
  • 117:12 - 117:14
    you always said like it's so difficult
  • 117:14 - 117:15
    with a machine like this because if you
  • 117:15 - 117:18
    change something somewhere it
  • 117:18 - 117:20
    affects 20 different things on the
  • 117:20 - 117:22
    machine as well yeah it's really hard to
  • 117:22 - 117:25
    be in really zoomed in on one subject
  • 117:25 - 117:27
    and don't talk about the consequences of
  • 117:27 - 117:29
    all the other things
  • 117:29 - 117:30
    right
  • 117:30 - 117:33
    exactly and that's why like the design
  • 117:33 - 117:35
    requirements that is
  • 117:35 - 117:37
    that should be written
  • 117:37 - 117:40
    sign agnostically like not about how
  • 117:40 - 117:43
    but why and what
  • 117:43 - 117:45
    um which is like the super super super
  • 117:45 - 117:46
    strange
  • 117:46 - 117:48
    piece
  • 117:48 - 117:49
    but i've been i've been talking to a lot
  • 117:49 - 117:53
    of friends this weekend a lot of artists
  • 117:53 - 117:54
    and creators
  • 117:54 - 117:55
    about
  • 117:55 - 117:57
    [Music]
  • 117:57 - 117:58
    the machine
  • 117:58 - 118:00
    and
  • 118:00 - 118:03
    thinking about like
  • 118:03 - 118:05
    ways for me to
  • 118:05 - 118:07
    [Music]
  • 118:07 - 118:09
    relate to the machine in ways that i
  • 118:09 - 118:12
    could someday actually finish it yeah
  • 118:12 - 118:14
    and one of the things um
  • 118:14 - 118:16
    barnaby dickson
  • 118:16 - 118:18
    shared with me um
  • 118:18 - 118:22
    was that like the machine will never be
  • 118:22 - 118:24
    feel finished because you already have a
  • 118:24 - 118:26
    new version in in the head
  • 118:26 - 118:28
    so
  • 118:28 - 118:30
    what i what but what i should do is to
  • 118:30 - 118:32
    kind of work on the sign requirement
  • 118:32 - 118:35
    that would give me kind of a feeling
  • 118:35 - 118:36
    where i think i can feel like it's
  • 118:36 - 118:39
    finished so for example last week a high
  • 118:39 - 118:40
    debate was about how many vibraphone
  • 118:40 - 118:43
    notes we should have yeah and i think
  • 118:43 - 118:45
    for me now when we talk about marbles
  • 118:45 - 118:49
    i just need to go back to
  • 118:49 - 118:52
    i think that is the
  • 118:52 - 118:55
    it's the next fork road decision yeah
  • 118:55 - 118:57
    the because i've been thinking
  • 118:57 - 119:01
    about if we do the 37 note vibraphone
  • 119:01 - 119:03
    we have a certain machine
  • 119:03 - 119:05
    if we do the 11 note mandrake module we
  • 119:05 - 119:08
    have a completely different machine yeah
  • 119:08 - 119:10
    um
  • 119:12 - 119:13
    so
  • 119:13 - 119:16
    you have to find that sweet spot where
  • 119:16 - 119:17
    you're
  • 119:17 - 119:18
    fine with it
  • 119:18 - 119:20
    yeah
  • 119:20 - 119:22
    so i think i'm i'm like it's like
  • 119:22 - 119:24
    peeling the layer of an onion like i i
  • 119:24 - 119:26
    need to
  • 119:26 - 119:28
    and i feel so
  • 119:28 - 119:30
    i feel really insecure about all these
  • 119:30 - 119:33
    design requirements i don't know
  • 119:33 - 119:36
    it's a lot of nice words and we worked
  • 119:36 - 119:38
    hard in writing starting to write them
  • 119:38 - 119:40
    and i learned how to learn more about
  • 119:40 - 119:42
    what design requirements are
  • 119:42 - 119:43
    um
  • 119:43 - 119:45
    but it's still like
  • 119:45 - 119:48
    the thing is hanging so much mid-air
  • 119:48 - 119:51
    yeah right now that's a great thing i
  • 119:51 - 119:53
    feel because that means a lot of options
  • 119:53 - 119:55
    is on the table that's what this machine
  • 119:55 - 119:56
    needs right
  • 119:56 - 120:00
    we're not immediately just building mmx2
  • 120:00 - 120:02
    but so how do we and that's maybe a
  • 120:02 - 120:04
    question for for for the true metal
  • 120:04 - 120:07
    warriors out there in chat right now
  • 120:07 - 120:09
    like how do we
  • 120:09 - 120:12
    do you have any ideas for like how can
  • 120:12 - 120:15
    we share this process with you in a way
  • 120:15 - 120:17
    that is
  • 120:17 - 120:20
    toro has a little suggestion here that i
  • 120:20 - 120:21
    think is
  • 120:21 - 120:22
    pretty great actually
  • 120:22 - 120:25
    doro says to sort things out to make it
  • 120:25 - 120:26
    a bit more visible maybe create a mind
  • 120:26 - 120:28
    map for it there you can also build
  • 120:28 - 120:31
    clusters to see what is connected to
  • 120:31 - 120:32
    what
  • 120:32 - 120:34
    that would make it visible also for the
  • 120:34 - 120:39
    audience not only in your genius mind
  • 120:39 - 120:41
    and we can like group things together so
  • 120:41 - 120:44
    like when we talk about okay this change
  • 120:44 - 120:47
    affects this group up here
  • 120:50 - 120:52
    that's a that's a very
  • 120:52 - 120:56
    nice idea doro and it's kind of maybe a
  • 120:56 - 121:01
    little bit what i tried to create um
  • 121:01 - 121:03
    with here
  • 121:03 - 121:05
    um like
  • 121:05 - 121:08
    i haven't i i feel like we're so every
  • 121:08 - 121:10
    all over the place and and with the
  • 121:10 - 121:11
    documentation central i i kind of wanted
  • 121:11 - 121:14
    to get get a sense of control
  • 121:14 - 121:18
    and maybe the mind map
  • 121:21 - 121:23
    a nice visual aid
  • 121:23 - 121:24
    maybe the mind map could be
  • 121:24 - 121:26
    [Music]
  • 121:26 - 121:28
    highest level
  • 121:28 - 121:30
    so tim keller had a beautiful mind map
  • 121:30 - 121:31
    tool
  • 121:31 - 121:33
    and a beautiful mind
  • 121:33 - 121:34
    that too
  • 121:34 - 121:36
    with clusters
  • 121:36 - 121:38
    okay that's a that's a that's a nice one
  • 121:38 - 121:40
    dora because that's also something that
  • 121:40 - 121:42
    we can look at and work on together
  • 121:42 - 121:44
    during the stream that
  • 121:44 - 121:46
    and because as soon as you go from
  • 121:46 - 121:48
    telling to showing
  • 121:48 - 121:49
    it's the bruce springsteen thing it's
  • 121:49 - 121:51
    that's why it's called show business
  • 121:51 - 121:52
    and
  • 121:52 - 121:53
    we
  • 121:53 - 121:56
    that's a that's so that's a great idea
  • 121:56 - 121:58
    bloomberg says
  • 121:58 - 122:00
    another way might be to do a flowchart
  • 122:00 - 122:02
    spend some time on that and see where
  • 122:02 - 122:06
    decisions lead you see that wonderful
  • 122:06 - 122:08
    friend of mine so nice to see you here
  • 122:08 - 122:09
    um
  • 122:09 - 122:14
    to do a flow chart what's a flow chart
  • 122:14 - 122:16
    steven what's this flow chart i'm gonna
  • 122:16 - 122:17
    google it
  • 122:17 - 122:22
    flow chart low charge
  • 122:23 - 122:25
    also that's
  • 122:25 - 122:28
    is it like a mind map
  • 122:29 - 122:33
    yeah that's a flow chart there we go
  • 122:33 - 122:35
    what decision leads to what kind of
  • 122:35 - 122:38
    thing yeah yeah yeah
  • 122:38 - 122:40
    okay so
  • 122:40 - 122:42
    so what would you put student you would
  • 122:42 - 122:43
    put kind of
  • 122:43 - 122:45
    um
  • 122:45 - 122:47
    marble size
  • 122:47 - 122:50
    leads to marble gates it's it's x this
  • 122:50 - 122:52
    is going to be a really big flow chart
  • 122:52 - 122:54
    this machine is
  • 122:54 - 122:57
    it's so complicated and big so it's all
  • 122:57 - 123:01
    these things explodes right away
  • 123:01 - 123:02
    [Music]
  • 123:02 - 123:05
    but some visual aid
  • 123:05 - 123:07
    yeah and here's some
  • 123:07 - 123:10
    mental aid for you from mike perry
  • 123:10 - 123:12
    think of the project as a funnel and you
  • 123:12 - 123:14
    the marble start with the general design
  • 123:14 - 123:16
    requirements
  • 123:16 - 123:18
    widest part of the funnel and then begin
  • 123:18 - 123:20
    to move down the funnel until you finish
  • 123:20 - 123:22
    the project smallest part of funnel
  • 123:22 - 123:23
    that's beautiful
  • 123:23 - 123:26
    that's that's that's really um that's
  • 123:26 - 123:30
    really smart
  • 123:30 - 123:32
    oh a little chime there
  • 123:32 - 123:34
    steven martin knight nine you need a
  • 123:34 - 123:37
    dependency table work out what part of
  • 123:37 - 123:39
    the system affects the most other parts
  • 123:39 - 123:42
    and lock that parts designs specs in
  • 123:42 - 123:46
    first interesting dependency table
  • 123:46 - 123:48
    um
  • 123:49 - 123:50
    i also need some
  • 123:50 - 123:53
    some guts to believe in myself but maybe
  • 123:53 - 123:58
    a dependency table can help on the way
  • 124:00 - 124:04
    so a dependency table
  • 124:10 - 124:14
    green consumes what is this
  • 124:14 - 124:16
    wizard
  • 124:18 - 124:21
    first degree dependencies
  • 124:23 - 124:26
    what is a dependency table
  • 124:26 - 124:29
    let's go let's go to
  • 124:32 - 124:35
    how do you create a dependency
  • 124:41 - 124:43
    so
  • 124:43 - 124:45
    work out what part of the system affects
  • 124:45 - 124:48
    the most other part and look look that
  • 124:48 - 124:51
    part design specs in first yeah i think
  • 124:51 - 124:54
    that's what i'm
  • 124:55 - 124:57
    and stephen followed up here saying for
  • 124:57 - 125:00
    sure it's gonna be big but not used for
  • 125:00 - 125:02
    smaller details maybe but for a large
  • 125:02 - 125:05
    flow of the project great okay that's
  • 125:05 - 125:07
    awesome student i have
  • 125:07 - 125:10
    i have kind of
  • 125:10 - 125:12
    so maybe maybe you can make different
  • 125:12 - 125:15
    ones for different areas because i have
  • 125:15 - 125:19
    in here i have project timeline
  • 125:19 - 125:21
    so i've just sketched out project
  • 125:21 - 125:23
    chapters and timelines so we're in
  • 125:23 - 125:25
    chapter one project feasibility
  • 125:25 - 125:28
    evaluation that sounds like a musician
  • 125:28 - 125:30
    at work right there
  • 125:30 - 125:33
    feasibility evaluation
  • 125:33 - 125:35
    oh yes it is the it is the title so this
  • 125:35 - 125:36
    is where we are
  • 125:36 - 125:39
    and we won't go to chapter two if
  • 125:39 - 125:41
    chapter one doesn't prove that we can
  • 125:41 - 125:42
    make something
  • 125:42 - 125:43
    so
  • 125:43 - 125:44
    but
  • 125:44 - 125:46
    this is a very high level for the whole
  • 125:46 - 125:48
    project and chapter nine my friends is
  • 125:48 - 125:50
    the world tour oh yeah um
  • 125:50 - 125:53
    so this i want to read all the chapters
  • 125:53 - 125:54
    in this book
  • 125:54 - 125:56
    especially after seeing brothers of
  • 125:56 - 125:57
    metal
  • 125:57 - 125:59
    at frieza in stockholm
  • 125:59 - 126:01
    but
  • 126:01 - 126:05
    so your your idea is good student and
  • 126:06 - 126:07
    yeah
  • 126:07 - 126:09
    i think the vibraphone
  • 126:09 - 126:11
    the vibraphone range and repeatability
  • 126:11 - 126:13
    that we talked about whole whole last
  • 126:13 - 126:16
    week i couldn't really make up my mind
  • 126:16 - 126:18
    because i'm scared of making the machine
  • 126:18 - 126:19
    too large
  • 126:19 - 126:22
    so so here so here it comes down to it
  • 126:22 - 126:24
    here it comes
  • 126:24 - 126:27
    full screen for this
  • 126:27 - 126:29
    either
  • 126:29 - 126:32
    um these are my fears
  • 126:32 - 126:34
    giving the full um range of the
  • 126:34 - 126:35
    vibraphone
  • 126:35 - 126:37
    and repeatability
  • 126:37 - 126:39
    will make the machine
  • 126:39 - 126:41
    physically so big
  • 126:41 - 126:45
    so that it becomes daunting in that way
  • 126:45 - 126:46
    but
  • 126:46 - 126:48
    the wonderful thing with allowing this
  • 126:48 - 126:50
    machine to finally spread out and not
  • 126:50 - 126:52
    look like the previous ones that failed
  • 126:52 - 126:54
    is that things are not in each other
  • 126:54 - 126:56
    yeah look by the way here's my rune from
  • 126:56 - 126:59
    the viking concert
  • 126:59 - 127:01
    i can't really see it yeah it's a rune
  • 127:01 - 127:03
    there no
  • 127:04 - 127:06
    there you have it yeah
  • 127:06 - 127:09
    [Music]
  • 127:09 - 127:11
    so the big machine
  • 127:11 - 127:14
    not a modular use of one big machine
  • 127:14 - 127:15
    um
  • 127:15 - 127:17
    it gives all the space for the component
  • 127:17 - 127:20
    needed for for that requirement so but
  • 127:20 - 127:23
    but i'm scared of that it's too big i'm
  • 127:23 - 127:25
    also scared of making an instrument that
  • 127:25 - 127:27
    is too similar to the previous ones we
  • 127:27 - 127:29
    made with only 11 notes for the
  • 127:29 - 127:31
    vibraphone and i'm pro all of a sudden
  • 127:31 - 127:33
    composing and i'm like
  • 127:33 - 127:49
    [Music]
  • 127:49 - 127:51
    and i'm making like a hit like that
  • 127:51 - 127:53
    um
  • 127:53 - 127:56
    and there's 12 notes in the melody
  • 127:57 - 127:59
    we're screwed then we're screwed i
  • 127:59 - 128:01
    actually like that melody it was like
  • 128:01 - 128:03
    happy wasn't it yeah
  • 128:03 - 128:04
    [Applause]
  • 128:04 - 128:11
    [Music]
  • 128:11 - 128:14
    it was kind of yeah nice kind of nice we
  • 128:14 - 128:16
    got a hit going a little sunshine for
  • 128:16 - 128:18
    you all there um so that's this is my
  • 128:18 - 128:21
    two fears too big
  • 128:21 - 128:23
    because i did stupid design requirements
  • 128:23 - 128:25
    i wanted everything and i got nothing
  • 128:25 - 128:28
    too small
  • 128:28 - 128:31
    and we made the same mistake three times
  • 128:31 - 128:33
    that we built something just because the
  • 128:33 - 128:35
    previous machine looked like that and we
  • 128:35 - 128:37
    didn't do form from function properly so
  • 128:37 - 128:39
    those are my two nightmares i don't know
  • 128:39 - 128:42
    which one to go for there we go that's
  • 128:42 - 128:44
    where we're at i don't know what to do
  • 128:44 - 128:47
    thanks for being here
  • 128:47 - 128:49
    i have no clue i'm like
  • 128:49 - 128:52
    sinking down in my chair now oh yeah i
  • 128:52 - 128:54
    have no clue what to do i have no clue
  • 128:54 - 128:56
    no should we look back at our previous
  • 128:56 - 129:00
    week we had some fun at least right
  • 129:00 - 129:01
    friday
  • 129:01 - 129:03
    saturday sunday
  • 129:03 - 129:05
    no no i'm i'm feeling i'm feeling so
  • 129:05 - 129:08
    happy that i'm not naive like before and
  • 129:08 - 129:10
    it's just like a new i'm not used to
  • 129:10 - 129:13
    this yeah because i was always excited i
  • 129:13 - 129:15
    always knew exactly how to do absolutely
  • 129:15 - 129:16
    everything i also told everyone else how
  • 129:16 - 129:18
    they should do their things absolutely
  • 129:18 - 129:21
    all that time
  • 129:21 - 129:23
    so this is like this uh
  • 129:23 - 129:26
    this uh humble that comes with the with
  • 129:26 - 129:28
    with wounds
  • 129:28 - 129:30
    from the battles cars are i think the
  • 129:30 - 129:33
    humbleness is probably what's
  • 129:33 - 129:35
    going to help us in the end but right
  • 129:35 - 129:37
    now it's like ah
  • 129:37 - 129:38
    i just don't know how to build this
  • 129:38 - 129:41
    machine yeah
  • 129:44 - 129:46
    yeah
  • 129:46 - 129:48
    let's go to cad let's go to camp let's
  • 129:48 - 129:50
    head back
  • 129:50 - 129:52
    no i think i think um
  • 129:52 - 129:54
    this is a good good point to kind of
  • 129:54 - 129:57
    leave everyone with this big big big
  • 129:57 - 129:58
    question should
  • 129:58 - 130:00
    should we have room
  • 130:00 - 130:03
    for
  • 130:04 - 130:07
    i want to tell new stories
  • 130:07 - 130:09
    i want to tell beautiful stories on this
  • 130:09 - 130:10
    machine
  • 130:10 - 130:12
    so i'm i'm just leaning very much
  • 130:12 - 130:15
    towards the 37 note vibrophone damien
  • 130:15 - 130:17
    via martin you know what kind of songs
  • 130:17 - 130:19
    you want to play create sound that can
  • 130:19 - 130:22
    that can play that thank you damian
  • 130:22 - 130:24
    that's that's
  • 130:24 - 130:26
    that's exactly you saying the same thing
  • 130:26 - 130:29
    i'm saying now i think
  • 130:29 - 130:32
    i think i need the 37
  • 130:32 - 130:34
    notes of the vibraphone and that is some
  • 130:34 - 130:35
    mvp
  • 130:35 - 130:38
    design requirement for me
  • 130:38 - 130:40
    that makes me love the project and then
  • 130:40 - 130:41
    everything else just have to follow from
  • 130:41 - 130:43
    that for example one thing that i
  • 130:43 - 130:45
    thought about the other day
  • 130:45 - 130:47
    everyone are scared for the
  • 130:47 - 130:49
    reprogramming time
  • 130:49 - 130:50
    but then i sometimes forget that we have
  • 130:50 - 130:52
    a band
  • 130:52 - 130:53
    so
  • 130:53 - 130:55
    let's just say that the programming
  • 130:55 - 130:57
    wheel is so huge so you can't remove it
  • 130:57 - 130:59
    easily between songs
  • 130:59 - 131:02
    you can reprogram it on the machine but
  • 131:02 - 131:04
    then you play another song while that is
  • 131:04 - 131:05
    happening
  • 131:05 - 131:06
    um
  • 131:06 - 131:09
    so so then you program it on the machine
  • 131:09 - 131:10
    state live
  • 131:10 - 131:12
    so
  • 131:12 - 131:15
    um that's a minimum viable product thing
  • 131:15 - 131:16
    who says that we have a design
  • 131:16 - 131:18
    requirement that we have to repeat songs
  • 131:18 - 131:21
    fast yeah um and that's real the marble
  • 131:21 - 131:25
    machine need to play 20 songs in a row
  • 131:25 - 131:28
    no we need dynamics on the concert also
  • 131:28 - 131:29
    the machine plays a song and then
  • 131:29 - 131:31
    vintage got on the band just take stage
  • 131:31 - 131:35
    hit up valentine just blasting valentine
  • 131:35 - 131:37
    why someone reprogrammed drums and then
  • 131:37 - 131:39
    we're on another marble machine so
  • 131:39 - 131:41
    whoa
  • 131:41 - 131:43
    there we go the who is back there who is
  • 131:43 - 131:44
    back
  • 131:44 - 131:47
    yeah i i i was thinking so because
  • 131:47 - 131:49
    if we're gonna make the 37 um
  • 131:49 - 131:51
    [Music]
  • 131:51 - 131:53
    3705 phone the programming wheel is
  • 131:53 - 131:55
    going to be big
  • 131:55 - 131:56
    and
  • 131:56 - 131:58
    i was like thinking i have to build oh
  • 131:58 - 132:00
    there we have the design no that was
  • 132:00 - 132:01
    actually a crash
  • 132:01 - 132:04
    so i put this as my desktop background
  • 132:04 - 132:06
    and every morning when i put my computer
  • 132:06 - 132:08
    on i met with this image and i get so
  • 132:08 - 132:11
    happy from it so
  • 132:11 - 132:15
    this is a good place actually to to um
  • 132:15 - 132:16
    to
  • 132:16 - 132:20
    take this all the way home that
  • 132:22 - 132:24
    i just heard a little chime here and
  • 132:24 - 132:26
    it's from ontario britain
  • 132:26 - 132:30
    and h3k with many highly coupled
  • 132:30 - 132:32
    components i can only manage such
  • 132:32 - 132:34
    complexity by separately
  • 132:34 - 132:36
    separately defining modules and defining
  • 132:36 - 132:39
    interfaces among them oh
  • 132:39 - 132:41
    i love this
  • 132:41 - 132:45
    so ontario britain this is brilliant
  • 132:45 - 132:46
    um
  • 132:46 - 132:49
    i heard things like this before
  • 132:49 - 132:50
    but you put it so succinctly can you
  • 132:50 - 132:52
    make the can you make it not go away or
  • 132:52 - 132:55
    does it go away after some time i will
  • 132:55 - 132:57
    keep it here
  • 132:57 - 132:59
    so i'm gonna make a sketch here in the
  • 132:59 - 133:02
    design requirement
  • 133:02 - 133:05
    [Music]
  • 133:09 - 133:11
    define
  • 133:11 - 133:13
    separate modules
  • 133:13 - 133:16
    so actually we got we we really got
  • 133:16 - 133:18
    somewhere in the stream because what i
  • 133:18 - 133:20
    learned from you is that the mvp is the
  • 133:20 - 133:21
    vibraphone yeah
  • 133:21 - 133:22
    and
  • 133:22 - 133:25
    i can start designing by approaching the
  • 133:25 - 133:27
    vibraphone as a module it doesn't have
  • 133:27 - 133:28
    to stand
  • 133:28 - 133:29
    away
  • 133:29 - 133:31
    but so it's not modular so we have three
  • 133:31 - 133:33
    different machines based drums
  • 133:33 - 133:35
    vibraphone it's just it's part of the
  • 133:35 - 133:37
    machine but we look at it as a
  • 133:37 - 133:39
    separate module define separate modules
  • 133:39 - 133:42
    so vibrophone i'm just putting that as
  • 133:42 - 133:44
    an example
  • 133:44 - 133:47
    never mind spelling
  • 133:48 - 133:51
    manage such complex by
  • 133:51 - 133:53
    and then
  • 133:53 - 133:55
    define interfaces
  • 133:55 - 133:59
    between modules
  • 133:59 - 134:01
    so a little bit when we when we started
  • 134:01 - 134:03
    this is brilliant ontario uh
  • 134:03 - 134:05
    so if we go to our old design
  • 134:05 - 134:09
    requirements document
  • 134:09 - 134:10
    this is a little bit
  • 134:10 - 134:13
    maybe the the framework for how we
  • 134:13 - 134:15
    should write the design requirements so
  • 134:15 - 134:17
    instead of
  • 134:17 - 134:19
    thinking of it as
  • 134:19 - 134:20
    features
  • 134:20 - 134:23
    as features being a module
  • 134:23 - 134:24
    and
  • 134:24 - 134:25
    known um
  • 134:25 - 134:26
    like
  • 134:26 - 134:28
    user inputs
  • 134:28 - 134:31
    so here we have like user inputs
  • 134:31 - 134:31
    um
  • 134:31 - 134:33
    [Music]
  • 134:33 - 134:36
    instead of if i think like vibraphone is
  • 134:36 - 134:38
    a module
  • 134:38 - 134:39
    and
  • 134:39 - 134:41
    then
  • 134:41 - 134:43
    the muting
  • 134:43 - 134:44
    levers
  • 134:44 - 134:45
    is a module
  • 134:45 - 134:47
    and the bounding cable are the
  • 134:47 - 134:50
    interfaces
  • 134:50 - 134:52
    what i think that's what what ontario
  • 134:52 - 134:54
    means yeah
  • 134:54 - 134:57
    or no interfaces made with the bowden
  • 134:57 - 134:59
    cables is a module and the interface is
  • 134:59 - 135:01
    just the connections are never mind
  • 135:01 - 135:03
    i guess what you mean
  • 135:03 - 135:05
    so
  • 135:05 - 135:09
    as always i've been i've been guided
  • 135:09 - 135:10
    towards the light
  • 135:10 - 135:11
    uh
  • 135:11 - 135:15
    by by the gods of uh of the gretzky's
  • 135:15 - 135:17
    yeah so thank you all for being here
  • 135:17 - 135:20
    through us with in this very abstract
  • 135:20 - 135:22
    part of the project and i mean you can
  • 135:22 - 135:24
    hear from my voice
  • 135:24 - 135:27
    that we had a great weekend it started
  • 135:27 - 135:29
    off with a brilliant friday
  • 135:29 - 135:30
    being at the gym with martin and doing
  • 135:30 - 135:33
    some amazing stuff and then a whole
  • 135:33 - 135:36
    metal concert where we just felt
  • 135:36 - 135:40
    the fire in our hearts were lit with the
  • 135:40 - 135:42
    live music brothers of metal you can
  • 135:42 - 135:44
    hear my voice i was screaming quite a
  • 135:44 - 135:46
    bit in the beginning of the stream we
  • 135:46 - 135:48
    promised something extra and i want to
  • 135:48 - 135:53
    brag to you all about my friend sir 3k
  • 135:53 - 135:57
    who made an amazing personal best last
  • 135:57 - 135:59
    friday in feet up bench press we're just
  • 135:59 - 136:00
    going to share that with you we've
  • 136:00 - 136:02
    prepared a little something for you here
  • 136:02 - 136:05
    to just share what this wonderful man
  • 136:05 - 136:07
    can do well well and there's something
  • 136:07 - 136:09
    there with you as well
  • 136:09 - 136:11
    not taking away anything from you you're
  • 136:11 - 136:14
    doing amazing progress as well
  • 136:14 - 136:17
    i mean where to humble brag but in these
  • 136:17 - 136:19
    streams right with these amazing people
  • 136:19 - 136:21
    it's just an inspirational thing it's so
  • 136:21 - 136:23
    fun to be around hannes and it's fun to
  • 136:23 - 136:24
    introduce
  • 136:24 - 136:26
    what you'll be doing so let's get let's
  • 136:26 - 136:28
    get into it
  • 136:28 - 136:31
    so here we have the personal best in
  • 136:31 - 136:35
    bench press 1.7.5 kilo no
  • 136:35 - 136:38
    135 there we go what raising the board
  • 136:38 - 136:42
    here becomes 142.5
  • 136:44 - 136:49
    yeah there we go wait there's more
  • 136:49 - 136:51
    look at that look at that stack and you
  • 136:51 - 136:53
    know i was i don't remember this i was
  • 136:53 - 136:58
    blacked out i was so focused actually
  • 137:17 - 137:18
    look at this
  • 137:18 - 137:23
    this is this is this is where i am now
  • 137:24 - 137:25
    we're going we're going to improve on
  • 137:25 - 137:27
    that over time but congratulations
  • 137:27 - 137:29
    hannah congratulations to you i remember
  • 137:29 - 137:32
    just a couple of months ago
  • 137:32 - 137:34
    i saw you epically fail on that wait it
  • 137:34 - 137:35
    was really tough for you then and now it
  • 137:35 - 137:38
    just flew up this time so you've done a
  • 137:38 - 137:40
    lot of improvements as well it's
  • 137:40 - 137:41
    impressive as
  • 137:41 - 137:43
    hell
  • 137:43 - 137:46
    now i i see immediately people say don't
  • 137:46 - 137:48
    pump alone you need a spotter and you
  • 137:48 - 137:50
    know there's safety racks on that so
  • 137:50 - 137:52
    even if i fail there's no
  • 137:52 - 137:56
    i can't get stuck there's safety
  • 137:56 - 137:57
    safety rack between
  • 137:57 - 137:59
    i failed a lot of times there and you
  • 137:59 - 138:01
    don't get stuck that's nice thing with
  • 138:01 - 138:02
    it
  • 138:02 - 138:04
    yeah so we wanted to share because it's
  • 138:04 - 138:07
    um that's our life nowadays it's part of
  • 138:07 - 138:10
    it's a part of the process here that
  • 138:10 - 138:12
    we're trying to do and and small
  • 138:12 - 138:15
    improvements on on the on the weight
  • 138:15 - 138:17
    number and small improvements on the
  • 138:17 - 138:19
    design requirements that's that's what's
  • 138:19 - 138:22
    going to get there one day 155 kilo with
  • 138:22 - 138:24
    the feet up which is more difficult is
  • 138:24 - 138:26
    really impressive hannes yeah thank you
  • 138:26 - 138:28
    so so much and i mean that's what
  • 138:28 - 138:31
    sparked the entire weekend imagine if i
  • 138:31 - 138:33
    have failed i've been i would have been
  • 138:33 - 138:36
    so miserable
  • 138:36 - 138:37
    but that was a start of an amazing
  • 138:37 - 138:39
    weekend it was so nice hanging out with
  • 138:39 - 138:42
    you my friend doing out of work stuff
  • 138:42 - 138:44
    just having good times yeah it's it
  • 138:44 - 138:47
    feels like the world is getting better
  • 138:47 - 138:48
    after the pandemic a little bit in that
  • 138:48 - 138:51
    in in that sense so
  • 138:51 - 138:54
    anyway as always we're humbled uh and
  • 138:54 - 138:56
    and and gratified by you being here
  • 138:56 - 138:58
    helping us out with this
  • 138:58 - 139:00
    and i have so much to think about but i
  • 139:00 - 139:03
    feel like
  • 139:03 - 139:04
    yeah
  • 139:04 - 139:06
    when i meet during this weekend when
  • 139:06 - 139:07
    people came up to me and said it's going
  • 139:07 - 139:10
    to work take your time uh i was so
  • 139:10 - 139:13
    touched and it's just like right now it
  • 139:13 - 139:16
    feels completely impossible and it's the
  • 139:16 - 139:18
    first time i felt that and i thought i
  • 139:18 - 139:19
    knew how to build the more machines
  • 139:19 - 139:22
    before i'm repeating myself here now but
  • 139:22 - 139:23
    so
  • 139:23 - 139:25
    thanks for being able to deal with this
  • 139:25 - 139:27
    uncertainty the big the big audience
  • 139:27 - 139:30
    hates uncertainty and surprises
  • 139:30 - 139:33
    and uh it feels like you are who are
  • 139:33 - 139:35
    here now you kind of uh love the
  • 139:35 - 139:37
    uncertainty
  • 139:37 - 139:39
    and i feel that and and i love you for
  • 139:39 - 139:42
    that so with that let's see you on the
  • 139:42 - 139:43
    next stream we don't know what it's
  • 139:43 - 139:45
    going to be about but it's going to be
  • 139:45 - 139:47
    about the beauty of it it's going to be
  • 139:47 - 139:49
    about maybe getting a little bit closer
  • 139:49 - 139:51
    to some
  • 139:51 - 139:53
    finishing minimum viable product let's
  • 139:53 - 139:55
    do this yeah yeah yeah
  • 139:55 - 139:57
    take care everyone
  • 139:57 - 139:59
    see you on the next one have a wonderful
  • 139:59 - 140:00
    day
  • 140:00 - 140:07
    [Music]
Title:
Best Marble Material? - Martin vs The Machine #30
Description:

more » « less
Video Language:
English
Team:
Wintergatan Writers
Project:
Livestream
Duration:
02:20:05

English subtitles

Revisions