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[ Music and applause ]
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>> Michal Pilato: Thank you.
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Thank you so much.
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This is truly an honor for me.
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My whole life I've been painting murals.
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Since I was five years old I was doing artwork
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at the Central Pennsylvania Festival
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of the Arts with my mother.
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The murals were merely a backdrop for the stage of life.
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In 1996, I met Yuri Karabosh, who was a friend, a teacher,
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and a mentor and we did about ten murals here
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in State College and we were working on a mural
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on the Deli Restaurant across the street
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from where the inspiration mural now is.
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I was looking across the street at this big blank wall
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and I was drooling, I was going oh my God I would love
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to paint that building.
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The owner of the Deli Restaurant overheard me and he said,
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"Michael what would you paint on that wall?"
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I said, "Andy Zangilli you know, could I go home
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and think about that."
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I went home that night and I thought about my life.
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I thought about the community in State College.
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I thought about the Broadway shows I went
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to at the Eisenhower.
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It thought about all my artist friends.
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I thought about the musicians
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who would entertain us every night.
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I thought about the great professors at Penn State
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who inspire every day.
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I thought about the students who are so energetic
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and bring life into our community.
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And then I thought of a title.
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I said, "Let's call it Inspiration."
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I went back and I talked with Andy, he loved the idea
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and he said, you know, go across the street
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and talk to the Herbovich's
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[ assumed spelling ]
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who own the building and talk to the student bookstore.
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They also liked the idea so Yuri and I went
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to different business owners and different people
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in the community and everybody that we went
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to supported the project.
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I knew the piece would be an educational tool.
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I also knew that it would help teach.
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But a lot of things that I didn't know happened.
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This is the mural behind me.
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It's 100 feet long.
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I'd like to share with you some stories
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that happened during that mural process.
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I was working on Eugene Lederer,
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who was a Penn State renaissance person.
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He also donated a park here
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in the community called Lederer Park that me
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and my twin brother would go and do artwork in many times.
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While I was working on him,
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I got a phone call from my ex-wife telling me that one
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of her students from the Friends School had died and was hit
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by a car right in front of Lederer Park.
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So I called Andrew Friedman's mother and I said I don't know
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where you go when you die
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but I think your son would have taken
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that walk with Mr. Lederer.
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So I painted the two of them together and I put love
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on the chalkboard and his family and friends came out
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and teachers and they all painted love over and over again
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and some of them still come today and paint it.
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It's getting thicker and thicker.
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I felt the power of art and I felt art in healing.
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One of the other stories I'd like to share
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with you is Colonel Russell.
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Colonel Russell was one of the founders here
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of the Special Olympics and the United Way's day of caring
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and he's pictured there with his late wife Eileen.
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Colonel Russell is looking across the street
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at the Deli Restaurant at another small mural
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of himself the age he was when he went into Iwo Jima.
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He went in with 1200 men and on the fifth day
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of battle he had 500 men left.
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His good friend was next to him with tears streaming
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through the black sand on his face and he goes,
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"That's the most beautiful thing I've ever seen."
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Colonel Russell turns to see what he's looking at
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and it's the guys raising the flag on the side
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of Mt. Suribachi so he's right directly across the street
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from the mural again at the whales and if you walk up
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and you look in the eye of the whale,
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you'll see the guys raising the flag from Mt. Suribachi.
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[ applause ]
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Thank you.
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Thank you.
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Thank you.
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There were so many stories; I went to different universities
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and did lectures about communities and I was lucky enough
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to go to Williamsport, Pennsylvania to Lycoming College.
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It's a wonderful community.
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You know, I was just so impressed with all their stories
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and I also realized very quickly
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that their community has stories such as ours.
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Through 2010 and the chamber of commerce there,
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we received hundreds of letters from people
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of their inspirational stories.
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We went through those letters and those are
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over the 400 people that are on their walls there.
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It's the largest outdoor portraiture mural in the world.
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Mr. William Schreyer and his wife, I went to them,
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we had raised half of the money and we were having trouble
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because there were so many different organizations trying
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to get money in that community.
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And I went there and he could tell that I was nervous.
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And you know and he said, "Michael,
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I want to teach you one thing.
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You just have to ask me what you want
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and I'll either say yes or no."
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So I asked him to match the money
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that we had raised and he says yes.
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I was so happy, I walked outside of his office
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and I was like, thank you,
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God and I had tears rolling down my face.
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I went back to Mr. Schreyer a year later and I said,
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"Mr. Schreyer, you're going to hate
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that you taught me that one thing."
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He said, "Michael, what do you need?"
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And I asked him for a substantial large amount of money
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and he looked at me and he said, "Michael,
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I'm going to do this for you but when you walk
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out of my office could you please not scream and shout?"
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[ laughing ]
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And then the terrible day of September 11th came.
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On the mural on Williamsport and the mural at State College,
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it actually happened before then, excuse me.
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I went out with Yuri Karabash
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and we painted symbolic images on the wall.
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Ten firefighters were honored at Beaver Stadium
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at a Nebraska football game right after Penn State.
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They came to the mural and they got a tour.
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They went across the street to the Deli Restaurant
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and they said, "Yo, Mike come over for a beer."
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Went over, drew a picture on a napkin very quickly
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of a firefighter, put 22 in the helmet
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and wrote a poem for them.
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One week later Tony Martin sent a photocopy of that back
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to me with a picture of his cousin who had died
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and they were identical and he was
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from fire station number 22.
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So I painted this picture of Saint Nick
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and I put all the guys who died behind him
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and I put his cousin right behind Saint Nick and I gave it
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to the firehouse for a Christmas present.
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Ever since then, I've been going up and having great meals
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with them; I've been on the fire truck with them
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and they honored me with two crosses made
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out of the steel of the twin towers.
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One of them is in the mural in Williamsport
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and one of them is in the mural in State College.
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80 firefighters buff those crosses for an hour a day
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for 80 days straight.
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I ground the metal off the back of the crosses
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and when we put the crosses up, we put religious symbols.
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Hinduism, Judaism, Christianity,
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[ inaudible ]
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and Taoism and Muslim and we mixed the metal
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from the crosses into all the different symbols.
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For the last 11 years, I've done a 48 hour vigil.
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This is a piece from Williamsport called Never Forget.
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I was sharing stories, people, families that thought,
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you know, it was the worst day.
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A day that they thought they wouldn't smile,
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they were smiling.
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Again, I felt the power of art and my students
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through the Public Art Academy who took part it
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in also felt the power of art and art in healing.
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One of the stories in Williamsport I'd like to share
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with you is about Marshall Post.
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Marshall Post was nominated
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by so many people for two reasons.
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The latter reason mostly.
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In World War II he was a gunner on a plane.
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He did 150 missions over Suribachi, which was unheard of.
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He came out of that war, like a lot of veterans
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and said you can never be a winner of a war,
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only the better loser.
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He had five major heart attacks before he was 40 years old
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and he asked God.
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"God, why am I still alive?
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Why am I so fortunate with my family and successful?"
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And he came out of that with,
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every person I meet from this day forward,
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they're going to have a smile on their face
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when they walk away from me.
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I told that story at Sheridan Elementary in Williamsport
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and 60 children wrote Marshall letters that said Marshall,
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we heard you were nominated to be on the wall
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because you make people smile, so we want to write to you
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about people that make us smile.
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Marshall was dying at the time, so I took that painting
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into his deathbed and his daughter was reading him the
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letters while I was painting him.
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He was a fly fisherman so flies are glued to his hat
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that he tied, he died the first day of fishing season
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so his halo is made of fish doing the infinity symbol.
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That's his handprint above his head
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and he wrote a poem especially for the mural
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that his grandson came in and scribed.
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Those are his grandchildren's footprints;
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they're also in the lens of the camera
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and he's taking a picture across the street
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of the other mural of his girlfriend waving at him
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and his daughter and his son in law.
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Again, I felt the power of art.
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Another story is of Kyri Hall.
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I was painting the mural and I heard the news
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that Kyri Hall had died
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of a heart attack during a Williamsport basketball game.
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So I came out and I painted Kyri.
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Kyri was all about diversity
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and unity so he's got the rainbow colored shirt.
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His family members' handprints all all through him.
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Handprints from children from the center are all around him.
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Letters to this day from hundreds of people
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as you can see there, his family,
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his friends came out and did that.
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He loved BB King so I put BB King in front of him and he got
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to meet BB King in Williamsport
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at the Community Arts Theater.
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He also loved the Nutcracker Suite so the Nutcracker lies
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down there below him.
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That's his coach Allen Taylor
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and that's his little brother Altimar.
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His mother told me that the night Kyri died,
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his little brother went outside and saw a halo
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around the moon and he went inside and he said, "Mom,
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you've got to come out and see this.
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Kyri's an angel."
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His little brother Altimar, when he came to the mural
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and saw him, he said, "I told you he's an angel.
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I told you he's an angel!"
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And he was running around the parking lot.
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It was amazing.
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So in his eye, when you go to the mural and you look
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into his eyes, you'll see the moon and the halo
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and he wrote this story about the moon and the halo
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on the piece below him.
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Again, I felt the power of art.
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In Williamsport, tons of tour busses would come in.
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It was a route from Washington, DC to Niagara Falls
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and Williamsport was the halfway point.
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And I would explain to international people the stories
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of the United States,
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also bringing up stories of State College.
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And I found out that their stories were like ours
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and they were like, oh we would love to have a mural
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like this in our country.
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So I started to think how wonderful it would be
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to take the mural in State College,
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stitch it on the internet to the mural in Williamsport,
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and from Williamsport, we would stitch murals all
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over the world working with artists with different styles
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so it would metamorphasize.
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I told this at a rotary club in Emporium PA
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where we were doing another mural and there was a woman
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in the audience by the name of Ann Olivet.
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Ann Olivet was getting ready to go to Norway to meet
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with her nephew who is a famous comedian, Jan Bach
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[ assumed spelling ]
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. She said, "Why don't you and Yuri come with us?"
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So we took the money that we raised on that project
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and we bought plane tickets.
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We flew to Norway and we met with him
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and we also were amazed by how people just loved the idea.
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By the end of that meeting we were in connection
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with the crown prince and princess,
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we had met with the Prime Minister Bondevic
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and it was just amazing.
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From there, through Christina Kluger in Sweden,
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we opened up into many countries around the world.
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But something happened on our way to Moldova
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where Yuri was from.
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We left to go to the airport,
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we were in Frankfurt at the airport,
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my board of directors was telling me how scary Moldova was.
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They were sending me articles and letters.
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They also sent me beautiful articles but I chose to look
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at the scary articles.
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My friends would say, you know, the guy from Ghostbusters,
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the evil guy, he was from Moldova.
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[ laughing ]
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When we got there, there were 10 gentleman standing there.
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White faces, dark under their eyes, no teeth, tattoos,
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short hair and they were all looking at me mean.
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They were from Moldova
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and I was like oh my God where am I going?
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We got on the plane, we, you know,
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we were diverted because there was fog
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over Moldova to Romania.
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We spent the night in Romania;
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I came down and there they were.
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They said, "Hey American, come over,
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the plane's been delayed a little bit more."
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I went over and it turned out that they were all
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in different countries working for their families,
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their stories were beautiful.
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I was a victim of sensationalism.
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I told them, you know, "Why were you looking at me mean?"
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And they said, "Because you were looking at us mean."
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[ laughter ]
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One of my board members alerted me of a wonderful woman
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by the name of Stella Rotaru who saved people from all
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over the globe on sex trafficking in Moldova.
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So I got on Facebook and I Facebooked
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over 300 Stella Rotarus.
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It was the day before we were leaving Moldova
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and she got a hold of me.
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I met with Stella and now she's a part
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of the world mural project and Stella told me,
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you know the papers come in, the news comes in,
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you know they dig up nine year old stories.
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They sometimes put people in harm's way.
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They're not showing the incredible work that she's doing
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and the country's doing to eradicate that problem.
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And we decided to make that a major part of the world mural
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in Moldova, to help sway the opinions of people.
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At this time I also heard terrible news
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in my own personal life of my daughter.
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My daughter was raped
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and it was just a really hard time in my life.
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And then the terrible day that we all felt.
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I was in Williamsport when I heard the news
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about Jerry Sandusky and what happened with him.
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You know, it's hard for me to talk about this.
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You know, I read the Grand Jury report;
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a mother of one of the victims emailed me
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and said can you please take Jerry Sandusky off of the wall.
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I drove up to State College thinking I was going
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to do this very quickly, I hadn't shaven,
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I come by the mural and there's hundreds of news cameras,
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satellite dishes, I thought
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that somebody had vandalized the mural.
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I got out of my car and it was like a movie.
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People were rushing me with microphones.
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I was petrified and I was not happy about what I had to do.
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This news soon went to millions of people of what I did.
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Yuri Karabosh designed a painting.
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That day there's a lion on the mural, a mountain lion,
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which is our Nittany Lion and the Native Americans
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that I met in Williamsport would say
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that the mountain lion represents courage,
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strength and dignity.
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And that's exactly what it took those young men to come
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and speak out so Yuri designed this which is now a mural.
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At the opening of this, my daughter came and she spoke out.
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She talked about what happened to her.
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After she spoke out, a woman who was 70 years old came
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up to my daughter and said,
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"I was raped like you when I was your age and I never spoke
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out about it and never seeked help.
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Listening to you, I am now going to get help."
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I have never been so proud in my life.
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Joe Paterno passed away and I came up like I did
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so many times to so many people on my murals,
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and I painted a halo over his head.
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The halos represented, to me,
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as soon as the people would walk by,
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I wanted them to see that we have a short time here
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on Earth, as all the halos appeared to do the great things
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like the people on the mural behind me.
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But it was taken as sanctification all over the world
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and it should have been because that what that symbol means.
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So I decided to remove all the halos from the mural
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and simply put rest in peace
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with a birth date and the death.
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The controversy was unbelievable but also I realized,
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as a public artist, that's exactly our job.
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The 48 hours this year was of Michael Murphy.
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We all know Michael Murphy.
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He was a great man, he was a vet
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or he got the Congressional Medal
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of Honor saving one of his Navy Seals.
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His father came out and put, and mother,
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and put their handprint in the mural.
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When they put their handprint in the mural, his father said,
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"The first phone call I got after my boy died was
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from Hillary Clinton and the second phone call was
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from the Paternos," and this really helped in the healing.
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So I, and they also sent us white roses.
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So I put a white rose with Michael,
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I had put a white rose with Joe
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and also one with Sue Paterno.
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The real healing started when I painted Dora McQuaid
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in the seat where Jerry Sandusky was.
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I removed the blue ribbon that was on his seat
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and I put it in her hair.
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Dora McQuaid is a Penn State grad, she taught at Penn State
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and she also, for the last 11 years,
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has helped thousands of victims become survivors.
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She, herself, was a victim.
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She's coming up next month and she's working
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with my daughter and other survivors and victims
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of sexual violence and they're going to do a poem together
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and through the blue ribbon in her hair,
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you're going to see that poem and when you're there
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with your iPhone and your iPad thanks to the 367 students
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at Penn State, you're going
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to hear them speaking a positive message
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and also the resources that are available.
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My favorite part of all the murals are handprints.
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Yuri and I have done thousands of them so right now I'd
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like to ask Sean to come up on stage
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and Yuri Karabosh to come out.
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Sean organized this event and is the director of this event
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[ applause ]
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and I found out last night
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[ applause ]
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and I found out last night from Sean's father
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that when he was a little boy,
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he came out and he put his handprint on the mural
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so this is full circle.
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This is a piece for the world mural
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which will actually be here in State College
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which all the artists on the world mural will be doing.
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Sean, what you're looking at within the murals are people
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from the past and the present
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and your handprint is the future.
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Everybody that Yuri and I meet, the inspirational people
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around the world the people that we paint,
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they have one thing in common.
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They're passionate about what they do
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and they surround themselves with passionate people.
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So if you find this, you can do anything
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in life, anything at all.
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And maybe one day we will paint you on our murals.
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Thank you.
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[ Applause ]
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>> Thank you.
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[ Applause ]