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By the light of the moon,
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a group of youths sneak into the woods,
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where they take mind-altering substances,
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switch it up romantically,
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and brush up against creatures
from another dimension.
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A Midsummer’s Night’s Dream sees
Shakespeare get psychedelic –
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and the result is a treat in the
theatre and on the page.
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First performed in the 1590’s,
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this play is one of Shakespeare’s
friskiest works,
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filled with trickery, madness and magic.
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Set over the course of one night,
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Midsummer progresses at a rollicking pace.
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The plot is structured around patterns of
collision and dissolution,
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where characters from different worlds
are thrown together and torn apart.
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Shakespeare uses these patterns to mock
the characters’ self-obsession
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and question authority with a comic twist.
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The action is set in Ancient Greece,
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but like many of Shakespeare’s plays
it reflects his contemporary concerns.
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The magical setting of the woods at night
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disrupts the boundaries between
separate groups, with bizarre results.
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Here, the bard plays with the rigid class
system of his own time,
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taking three distinct groups
and turning their society upside-down
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in a world where no mortal is in control.
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The play opens with young Hermia
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raging at her father Egeus and
Theseus, the King of Athens,
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who have forbidden her to marry
her lover Lysander.
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Hermia has no interest in her father's choice
for her of Demetrius –
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but her best friend Helena
definitely does.
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Furious at their elders, Hermia and
Lysander elope under cover of darkness,
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with Demetrius in hot pursuit.
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This is further complicated
by Helena’s decision
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to follow them all into the woods,
in the hope of winning Demetrius’ heart.
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At this point, the woods are
getting crowded,
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as the lovers are sharing the space
with a group of “rude mechanicals”—
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a troupe of workers drunkenly rehearsing
a play, led by the jovial Nick Bottom.
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Unbeknownst to them, the humans have
entered into the world of the fairies.
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Despite their magical splendor,
Oberon and Titania,
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the king and queen of the fairies,
have their own romantic problems.
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Furious at his inability to control
Titania, the jealous Oberon
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commands the trickster Puck to squeeze the
juice of a magical flower over her eyes.
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When she wakes up, she’ll fall in love
with the first thing she sees.
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On his mission,
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Puck gleefully sprinkles the juice over
the eyes of the napping Demetrius
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and Lysander, and transforms Bottom’s head
into that of a donkey for good measure.
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As eyes flicker open,
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a night of chaos commences that includes
broken hearts, mistaken identity,
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and transformations.
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Out of all the characters, Bottom probably
fares the best –
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when the bewitched Titania
lays eyes on him,
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she calls on her fairies to lavish him
with wine and treasures
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and sweeps the transfigured donkeyman
off his feet:
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“pluck the wings from painted butterflies/
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To fan the moonbeams
from his sleeping eyes.
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Nod to him, elves,
and do him courtesies.”
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While magic is the catalyst to the action,
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the play reflects the real drama
of the things we do for love –
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and the nonsensical behavior
of people under its spell.
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The moon overlooks the action
“like a silver bow,”
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signifying erratic behavior,
the dark side of love,
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and the bewitching allure of a world
where the usual rules don’t apply.
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Although the characters eventually
come to their senses,
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A Midsummer’s Nights Dream raises the
question
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of how much agency we have
over our own daily lives.
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But it’s not the more realistically
rendered lovers, rulers or workers
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who have the last word,
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but the impish Puck who queries whether we
can ever truly trust what we see :
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If we shadows have offended,
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Think but this and all is mended:
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That you have but slumbered here
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While these visions did appear.
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And in so doing,
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he evokes the effect of entering into the
magical world of great theatre
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that plays with the boundary between
illusion and reality –
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and dramatizes the possibility
that life is but a dream.