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Beaches 1988 [Full Movie]

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    Oh, the sun beats down
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    And burns the tar up on the roof
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    And your shoes get so hot
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    You wish your tired feet were fireproof
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    Under the boardwalk
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    Down by the sea
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    On a blanket with my baby
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    Is where I'll be
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    From the park you hear
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    Happy sounds from the carrousel
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    You can almost taste the hot dogs
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    And french fries they sell
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    Under the boardwalk
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    Down by the sea
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    Yeah
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    - On a blanket with my baby
    - On a blanket with my baby
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    Is where I'll be
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    Under the boardwalk
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    Out of the sun
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    Under the boardwalk
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    We'll be having some fun
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    Under the boardwalk
    Walk
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    People walking above
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    Under the boardwalk
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    We'll be falling in love
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    - Under the boardwalk
    - Under the boardwalk
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    Boardwalk
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    - Sound okay, CC?
    - All right.
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    - How was that tempo?
    - Pretty good.
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    You sound pretty good. Thank you.
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    Now, if the strings and horns
    would only come here, right?
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    I know.
    It's like the Claude Rains Orchestra.
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    Message for you, CC.
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    I gotta talk to that contractor.
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    Diana. Diana, get my bag.
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    CC. CC?
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    - What about rehearsal, CC?
    - Diana, get me my bag and my coat.
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    - CC, what's wrong?
    - Brett.
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    - Brett, I've got to go to the airport.
    - Yes, ma'am. Right away.
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    Now.
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    Are you sure you don't want
    me to take you up to the gate?
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    No, no, I'm fine.
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    Just tell Diana
    I'll call her when I get there.
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    We tried everything to get you
    a flight out tonight, Miss Bloom.
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    But there are no planes
    landing in San Francisco.
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    There's a fog.
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    What do you mean,
    no flights landing in San Francisco?
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    - Is this the modern world or what?
    - Even in the modern world,
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    planes don't land in San Francisco
    when it's foggy.
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    Linda, why don't you check about
    the status of the fog lifting?
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    - I checked five minutes ago.
    - Fogs lift. Please check again.
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    I think it would be nice.
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    Miss Bloom would like
    for us to make that call.
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    They said they would call me
    when the fog lifted.
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    You call them. Get...
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    The car's right over here.
    The keys are in it.
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    Here's your map and your contract.
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    I checked the wipers. They're all right.
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    It's raining all the way
    up I-5, so be careful.
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    Okay. Thanks.
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    I'm a big fan, CC.
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    Oh, when the sun beats down
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    And burns the tar up on the roof
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    And your shoes get so hot
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    You wish your tired feet were fireproof
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    Best hot dogs in Atlantic City.
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    Under the boardwalk
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    Down by the sea
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    On a blanket with my baby
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    That's where I'll be
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    Don't tell me. You're lost.
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    I must see a hundred cases
    like you every day.
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    - You want a drag?
    - A drag?
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    You know, a drag on my cigarette.
    It'll calm your nerves.
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    I just want to get back to our hotel.
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    But I can't remember the name.
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    - Big or small?
    - Big.
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    - Ritzy or cheap?
    - I guess it's ritzy.
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    Does it have a fountain
    in front, a pool inside,
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    and a bunch of fruits in monkey suits
    playing violins in the lobby?
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    Yes!
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    Bet your ass it's ritzy.
    It's the Marlboro Blenheim.
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    That's it! Do you know where it is?
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    Yeah, I'll walk you back if you want.
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    - Oh, yes. Please.
    - Just let me put on my shoes.
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    Where the hell are they?
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    What's your name?
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    What's my name?
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    I am none other than the fantastic,
    world-famous child wonder
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    CC Bloom!
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    Ta-da!
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    Hi, I'm Hillary Whitney.
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    Don't you recognize me?
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    No.
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    I do a couple of routines in
    the Sammy Pinkers Kiddie Show.
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    - The what?
    - Holy mackerel, kid.
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    What planet do you live on?
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    The Sammy Pinkers Show
    just happens to be
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    the most popular show in Atlantic City.
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    And I'm the most popular act in it
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    along with Iris Myandowski,
    the hand-walking queer.
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    Do you want a puff?
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    CC, where are you?
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    CC!
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    Don't blow a gasket, Leona.
    I'm down here.
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    When I didn't find you
    in your dressing room,
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    you know what I thought?
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    I thought you were dead!
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    You watch too many movies, Leona.
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    Come on. We gotta get back
    to the theater right now.
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    There's a Hollywood talent scout
    wants to see your act.
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    - Is this your idea of a sick joke?
    - No, honey.
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    He caught the midnight show last night.
    He was crazy about you.
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    And he's looking for a kid
    to star in his new movie. Let's go!
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    Don't sit there. Come on.
    This is my break into the big time.
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    How many times do I have to tell you?
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    Don't wear that costume on the beach.
    I am not made of money, you know.
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    Get off my back, Leona!
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    Oh, my God, I'm dying from
    heat prostration. I can't breathe.
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    What are you, a camel or something?
    Skedaddle! I gotta have a sip!
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    - Who is that woman?
    - What woman?
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    That's no woman, that's my mother.
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    - Let's go, Leona!
    - I'm coming.
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    I am schvitzing from here
    to high heaven.
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    - Come on!
    - I'm coming!
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    I've got splinters in my toes.
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    Oy, God, I hate Atlantic City!
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    - What's this one's name?
    - CC Bloom.
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    - CC Boom, it sounds like a stripper.
    - Not CC Boom. Bloom. Bloom.
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    Hit it, toots.
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    You got to give a little
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    Take a little
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    And let your poor heart break a little
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    That's the story of
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    That's the glory of love
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    Oh, yeah
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    You got to laugh a little
    Cry a little
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    Until the clouds roll by a little
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    That's the story of
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    That's the glory of love
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    As long as there's the two of us
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    We've got the world
    and all its charms
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    And when the world
    is through with us
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    We've got each other's arms
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    You've got to win a little
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    Lose a little
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    And always have the blues a little
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    That's the story of
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    That's the glory of love
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    My mama told me
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    That's the glory of love
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    Oh, great. Really.
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    CC.
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    CC, come here and meet Mr. Melman.
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    - Hi, Mr. Melman.
    - Hi, CC.
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    Mr. Melman came all the way
    from Hollywood...
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    Iris Myandowski's auditioning, too?
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    Hey, CC, it wouldn't be fair not to let...
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    - I thought it was just me, Leona!
    - It was, sweetie.
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    But Mrs. Myandowski wants
    her little girl to have...
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    She found out from you, didn't she?
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    You were bragging again.
    Weren't you, Leona!
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    I'm so proud of you, sweetheart.
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    Iris is ready, Mr. Melman.
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    - What a beautiful child.
    - I told you.
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    Who cares what she looks like?
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    All she knows how to do
    is walk on her hands.
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    It's your fault!
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    - Please don't say that.
    - It's your fault they picked her!
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    - I can't breathe.
    - It should have been me!
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    You keep bragging about me!
    You gotta stop!
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    - Everybody's gonna hear.
    - You're ruining my career!
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    - Honey, look, I'm gonna have an attack.
    - I hate Iris Myandowski!
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    - I'm having palpitations.
    - You're always sorry!
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    Just leave me alone! Leave me alone!
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    Please, will you stop it, honey?
    Look, I'm all flushed.
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    What are you doing to me?
    Calm down, honey. Please.
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    - She got the job. I didn't.
    - I didn't mean to brag.
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    Iris Myandowski's
    a hand-walking queer.
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    Please, CC.
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    Please, stop it. Honey, please.
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    - I hate my life.
    - Now, come on.
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    Get out of there. Where are you?
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    Come on, CC.
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    What do you say we just pack it in
    and we go back to the Bronx?
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    You could hang out at the pool
    with the other kids.
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    You could see your daddy.
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    And then, maybe your daddy will take
    you to Mr. Cohen's candy store.
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    You'll have a nice malted and those
    chocolate-covered cherries you like.
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    Wouldn't that be a nice idea, honey?
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    Don't you want to go home, baby?
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    Come on, give me a smile, honey?
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    Okay, Leona. Let's go home.
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    Okay. I'll be right back.
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    Mr. Pinkers!
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    The Blooms are quitting.
    Find another kid to work for bubkes.
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    Personally,
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    I think walking on your hands
    is kind of creepy.
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    Yeah?
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    And you're the best singer I ever saw.
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    Yeah.
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    You ready?
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    How'd my hair come out?
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    This is your half,
    and my address is on the back.
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    It doesn't say San Francisco.
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    That's because I don't live
    exactly in San Francisco.
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    I live just outside, in Atherton.
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    I live exactly in the Bronx,
    but I'm leaving when I'm a big star.
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    - Thanks, mister.
    - Anytime.
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    I'd like to buy you a soda
    for walking me back.
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    Sure. Bread and butter.
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    What are we doing here?
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    We're getting
    ice cream sodas. Come on.
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    There were sodas on the boardwalk.
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    You'll love the sodas here.
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    - But people are looking at me.
    - So what?
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    What do you mean, so what?
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    So, they'll probably kick me out
    of a place like this.
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    - They can't.
    - Just a minute, you two.
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    - You can't sit here.
    - Oh, I told you.
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    Yes, we can.
    My name's Hillary Whitney,
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    and I'm staying here with my father
    and I want a chocolate soda.
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    Want do you want, CC?
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    Whatever she's having.
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    Certainly, Miss Whitney.
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    So how'd you do that?
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    Easy. My father's rich.
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    And your mother's not rich?
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    She died when I was a little girl.
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    Will you write to me in San Francisco?
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    Sure, but, how come you want
    me to write to you so much?
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    Are you crazy? You just happen
    to be the most fantastic person
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    I've ever met in my entire life.
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    I am?
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    I almost cried when
    you started singing.
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    That's the story of
    That's the glory of love
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    Hillary. Don't sing.
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    Hillary, what are you doing?
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    Having a soda with CC, Aunt Vesta.
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    I got lost and she showed me the way
    back after her Glory of Love number.
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    Her Glory of Love number?
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    Your father and I have been
    looking for you for hours.
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    We were just about to call the police.
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    Listen, maybe we should just forget
    about the sodas, you know?
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    If I don't go back,
    Leona will start foaming at the mouth.
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    Oh, my. Come, Hillary.
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    Come on.
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    Whatever they had,
    charge it to the room.
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    They didn't have anything, ma'am.
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    Look, I'm sorry I got to go.
    That's my Aunt Vesta.
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    I'm glad she's not my Aunt Vesta.
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    Here, little girl. Now, go home.
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    What's this for?
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    It will keep you honest.
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    Be sure to keep in touch, CC. Okay?
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    Well, sure.
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    We're friends, aren't we?
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    You shouldn't play with
    that strange little child.
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    - Who am I going to play with?
    - Me.
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    You like to play bridge.
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    Ta-da!
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    Dear CC, we're spending
    the summer at our beach house.
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    It's very peaceful here.
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    I get to ride horses and think a lot.
    I miss you.
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    It's fun to have somebody
    to be silly with.
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    Ride? All I ride is the subway.
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    Leona won't pay for me
    to go to Juilliard.
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    So I have to keep taking
    dancing and singing
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    from Miss Jean Kayton,
    the freaky, fat vaudeville star.
  • 16:05 - 16:08
    The studio's in the cellar,
    which means you only graduate
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    when you're tall enough
    to hit your head on the ceiling.
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    P.S. I hate my hair.
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    Okay,
    then we have Hillary Whitney
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    on Little Clementine.
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    Stop daydreaming, Hillary. Let's go.
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    Dear CC,
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    sometimes I get sick of words like
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    "proper," "well-bred," "cultured."
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    I go through life thinking
    everyone's watching me. Are they?
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    Well, things are pretty good
    in the Bronx.
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    I hate school,
    and I like taking singing lessons.
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    I got to sing at my father's
    dry cleaning convention.
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    I was a hit.
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    See you later, alligator.
    Cecilia Carol Bloom.
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    Dear CC,
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    I've decided to study law
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    and I'm convinced
    I'll have some effect on the world
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    rather than end up in a mindless
    woman's club like my Aunt Vesta.
  • 17:01 - 17:03
    I ended up choosing Stanford
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    because four generations of Whitneys
    went there, all men, of course.
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    But, mainly, I have to confess,
    because it's co-ed.
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    Dear WASP Queen,
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    Leona gave me a great present
    for my 21st birthday.
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    She moved to Miami.
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    I'm on my own now, and I've got a flat,
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    a can of mace and a subscription
    toVariety, I'm all set.
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    P.S. How's college life?
    Aren't you done yet?
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    Dear CC,
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    I went on my first protest march
    and my father called me a radical.
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    He doesn't understand
    the whole world's falling apart
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    while he's playing golf.
  • 17:41 - 17:43
    Sorry my trip east didn't work out,
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    but Dad just wasn't
    feeling well enough.
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    Will I ever see you again?
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    Call or write soon, will you?
    Love, Hillary.
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    I was just about to commit suicide
    by taking an overdose of Vitamin A
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    when your letter arrived telling me
    I'm a genius and don't lose heart.
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    I've decided to live,
    even though I never get any work.
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    I've got no agent, and I'm deeply
    lonely during this festive season.
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    Thank you. Next, CC Bloom.
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    Let's move along, kids. Okay?
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    From letter G.
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    And just kind of medium, not too bright.
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    - Hi.
    - Hi. Go.
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    You got to win a little
    Lose a little
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    And always have the blues a little
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    That's the glory of
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    That's the story of love
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    My mama told me
    that's the glory of love
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    Merry Christmas. Next, T. Kuhn.
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    Que sera, sera
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    Whatever will be will be
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    The future's not ours to see
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    Who needs Broadway?
  • 19:03 - 19:05
    I think what I really am is a jazz singer.
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    At least, that's what
    I'm gonna try to be this week.
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    I got a job at a nightclub.
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    It's a hot spot, and I'm packing 'em in.
    How's lawyer life?
  • 19:13 - 19:15
    By fashion and fopp'ry
  • 19:15 - 19:17
    I'm never discussed
  • 19:17 - 19:21
    Attending the Opry
    My box would be a bust
  • 19:21 - 19:25
    I never shall have
    that Park Avenue air
  • 19:25 - 19:28
    But I'm in such health
    Why should I care?
  • 19:32 - 19:35
    The hip that I shake
    Doesn't make people stare
  • 19:35 - 19:38
    But I've got such health
    What do I care?
  • 19:39 - 19:41
    The sight of my props
  • 19:41 - 19:45
    Never stops a thoroughfare
    But I still got my health
  • 19:45 - 19:47
    So what do I care?
  • 19:47 - 19:52
    Your face is your fortune
    So some wise man spoke
  • 19:52 - 19:55
    My face is my fortune
    That's why I'm totally broke
  • 19:55 - 19:59
    My ship ain't come in
    but I grin while I bear
  • 19:59 - 20:03
    'Cause I've got my vitamins
    A, B, C, D
  • 20:04 - 20:06
    E, F, G, H
  • 20:06 - 20:09
    I still have my
  • 20:10 - 20:12
    Got no diamonds
    Got no wealth
  • 20:12 - 20:14
    I got no man
    but I got my health
  • 20:20 - 20:21
    Thank you.
  • 20:21 - 20:23
    Thank you. You're just too, too kind.
  • 20:24 - 20:25
    Thank you, guys.
  • 20:30 - 20:31
    Did you catch that set, Harry?
  • 20:31 - 20:34
    Those people were crazy
    about me, so I was...
  • 20:34 - 20:37
    I was wondering if you could
    lend me 50 bucks till payday?
  • 20:37 - 20:38
    No.
  • 20:38 - 20:41
    What the hell is this, a piano bar
    or a Nazi work camp?
  • 20:41 - 20:43
    I'm singing my heart out
    for bubkes, peanuts!
  • 20:43 - 20:46
    I'm living on dog food,
    and you can't give me 50 lousy bucks
  • 20:46 - 20:49
    you already owe me. Harry, you...
  • 20:49 - 20:50
    You're an angel, honey.
  • 20:50 - 20:51
    If your mother hadn't been such a bitch,
  • 20:51 - 20:53
    we could have shared
    something important.
  • 20:54 - 20:55
    Last call.
  • 20:55 - 20:57
    Grace, give me a Stinger.
  • 20:57 - 20:59
    Harry's buying. Ain't that right, Har?
  • 21:01 - 21:02
    CC Bloom?
  • 21:05 - 21:06
    Yeah?
  • 21:07 - 21:10
    Oh, God. I've dreamt about
    this moment for so long.
  • 21:10 - 21:12
    I can't believe we're actually
    in the same room together.
  • 21:12 - 21:15
    Look, honey, I don't know
    what you're after...
  • 21:15 - 21:18
    But if it's what I think it is,
    you're not my type, comprenez-vous?
  • 21:18 - 21:21
    Don't you recognize me?
  • 21:26 - 21:28
    Whitney?
  • 21:29 - 21:30
    Hillary Whitney?
  • 21:34 - 21:36
    I don't believe this!
  • 21:36 - 21:37
    Harry, do you believe this?
  • 21:37 - 21:40
    We've been writing letters
    since we were 11 years old.
  • 21:40 - 21:42
    What are you doing here in New York?
  • 21:42 - 21:44
    I don't know.
    I just walked out on my life.
  • 21:45 - 21:48
    I've been feeling suffocated for years,
    but I couldn't stand it anymore.
  • 21:48 - 21:50
    Today. It's funny how
    that happens, isn't it?
  • 21:51 - 21:53
    I just... I woke up this morning
    and I thought, "This is it!"
  • 21:53 - 21:57
    And I left.
    My job, my father, my apartment.
  • 21:58 - 21:59
    Your money, too?
  • 22:00 - 22:03
    I hadn't thought about it,
    but, yeah, I guess my money, too.
  • 22:04 - 22:06
    - Well, so what? You're here!
    - So what?
  • 22:07 - 22:09
    Well, come back to the storeroom.
    That's where I change my clothes.
  • 22:10 - 22:11
    Shall I leave my bags here?
  • 22:11 - 22:13
    Are you crazy? No!
    Come on, this is New York.
  • 22:13 - 22:16
    - Harry, give us a hand with the bags.
    - I've got a bad back.
  • 22:16 - 22:18
    - You've got a bad attitude.
    - I've come this far.
  • 22:18 - 22:20
    - Come here. Let me help you.
    - I like your tail.
  • 22:21 - 22:23
    You know,
    I really appreciate the offer,
  • 22:23 - 22:25
    but I'm sure I can
    find a place on my own.
  • 22:26 - 22:27
    In this neighborhood?
  • 22:27 - 22:28
    Never!
  • 22:28 - 22:30
    Besides, you're broke.
  • 22:30 - 22:33
    And Leona would have a heart attack
    if I didn't invite you to stay.
  • 22:33 - 22:35
    She lives in Miami. She'd never know.
  • 22:35 - 22:38
    Hi, Marge. How's life treating you?
  • 22:40 - 22:42
    Marge, you ought to cut down
    on the gasoline.
  • 22:42 - 22:44
    It's bad for the complexion.
  • 22:46 - 22:47
    She could be dead.
  • 22:48 - 22:51
    If she was dead, she would
    have dropped the bottle.
  • 22:55 - 22:58
    Here we go.
  • 22:59 - 23:01
    Welcome, a chez moi.
  • 23:01 - 23:03
    Jeez, it's cold in here.
  • 23:03 - 23:04
    I guess old...
  • 23:05 - 23:08
    Armand forgot to send the heat up.
  • 23:08 - 23:10
    Send the heat up!
  • 23:10 - 23:12
    Creep. Crazy Turk.
  • 23:12 - 23:14
    This is where Leona sleeps
    when she visits.
  • 23:15 - 23:16
    You can have that bed.
  • 23:17 - 23:19
    And this is where I sleep.
  • 23:20 - 23:21
    Oh, God.
  • 23:21 - 23:24
    So, all the comforts of home?
  • 23:24 - 23:26
    - A bathtub?
    - Oh, yeah.
  • 23:26 - 23:27
    We got everything.
  • 23:27 - 23:28
    I got everything but heat.
  • 23:29 - 23:32
    Armand! Send up the heat!
  • 23:32 - 23:34
    What a bum.
  • 23:34 - 23:36
    All right, here's the toilee.
  • 23:37 - 23:38
    Wait!
  • 23:41 - 23:44
    For no extra money. Look.
  • 23:44 - 23:46
    What do you think?
  • 23:46 - 23:49
    A veranda, a patio. Shit.
  • 23:50 - 23:53
    It's a gale out there.
    So, what do you think?
  • 23:59 - 24:02
    Well, I know it's not Buckingham
    Palace, but it's home to me.
  • 24:03 - 24:06
    You don't understand.
    I'm crying because I'm happy.
  • 24:08 - 24:10
    It just hit me that I'm free.
  • 24:11 - 24:13
    You don't know what
    it's been like for me.
  • 24:13 - 24:14
    My father controlled everything I did,
  • 24:14 - 24:16
    even down to the
    kind of law I practiced.
  • 24:16 - 24:18
    And now, for the first time in my life,
  • 24:18 - 24:22
    I'm doing exactly what I want to do
    rather than what I've been trained to do.
  • 24:22 - 24:24
    I feel like shouting,
  • 24:24 - 24:26
    "Free at last, free at last!"
  • 24:26 - 24:28
    "Thank God Almighty, I'm free at last!"
  • 24:31 - 24:33
    So,
  • 24:35 - 24:37
    - are you always like this?
    - No.
  • 24:37 - 24:39
    Good. Then you can stay.
  • 24:39 - 24:41
    Come on! Let's put this bed out.
  • 24:42 - 24:43
    It's almost 10:30.
  • 24:43 - 24:45
    - You gonna be long?
    - Not if I can help it.
  • 24:46 - 24:47
    Then you want me to wait for you?
  • 24:47 - 24:49
    Don't you really think you ought to wait?
  • 24:49 - 24:51
    - I am dressed like a rabbit.
    - All right.
  • 24:52 - 24:55
    Yeah, but hurry because I got to be
    at this rent strike rally in an hour.
  • 24:55 - 24:59
    All right. I'll sing one song for darling
    bunny boy. I'll be out like a flash.
  • 24:59 - 25:01
    - Do I look okay?
    - Here it is.
  • 25:01 - 25:03
    Are my ears on straight?
    What about my hair?
  • 25:03 - 25:04
    Yeah. It looks fine.
    You're gonna be great.
  • 25:06 - 25:07
    Break a leg, CC.
  • 25:07 - 25:08
    Oh, you sound so silly
    when you say that.
  • 25:15 - 25:17
    If you call me Bugs, you're dead.
  • 25:23 - 25:24
    I hate my life.
  • 25:30 - 25:31
    Just a minute.
  • 25:31 - 25:35
    Message for the birthday boy from
    his darling bunny girl, Barbara.
  • 25:36 - 25:37
    From my what?
  • 25:37 - 25:40
    I don't write it, pal. I just deliver it.
  • 25:40 - 25:44
    Happy, happy birthday, bunny boy
  • 25:46 - 25:49
    Love's kind of funny
    with a bunny boy
  • 25:49 - 25:52
    He loves me so hard
    He's my bundle of joy
  • 25:52 - 25:55
    I try to go to sleep
    but it's just no use
  • 25:55 - 25:57
    'Cause all he really wants
    to do is reproduce
  • 25:58 - 26:01
    Happy birthday to you
  • 26:01 - 26:05
    Happy birthday, darling Johnny
  • 26:06 - 26:08
    Happy birthday to you
  • 26:08 - 26:11
    Love, from your darling
    bunny girl, Barbara.
  • 26:13 - 26:15
    - Hey, wait a minute.
    - Nope. I only do encores for cash.
  • 26:17 - 26:19
    You know, you've got a great voice.
  • 26:19 - 26:22
    Oh, yeah? Thanks.
  • 26:22 - 26:24
    Why do you waste
    your time doing this?
  • 26:25 - 26:26
    I can't help myself.
  • 26:26 - 26:29
    I love to get dressed up
    like a rabbit and go out in public.
  • 26:30 - 26:34
    Well, is there any place
    I can see your work or...
  • 26:35 - 26:38
    I'll be at Gramercy Park
    at 4:00 in a chicken suit.
  • 26:39 - 26:40
    - This is yours.
    - Thank you.
  • 26:40 - 26:42
    I'm John Pierce.
  • 26:43 - 26:45
    I'm Brer Rabbit.
  • 26:45 - 26:49
    Okay. Well, it was nice to meet you,
    Brer Rabbit, you and your voice.
  • 26:54 - 26:57
    I'm not really Brer Rabbit,
    but I guess you knew that.
  • 26:57 - 27:00
    I'm really Cecilia Bloom.
    How do you do?
  • 27:01 - 27:02
    Hello.
  • 27:03 - 27:05
    You've got a hell of
    a paw-shake, Cecilia.
  • 27:06 - 27:07
    Happy birthday.
  • 27:08 - 27:09
    Thank you.
  • 27:12 - 27:14
    - Have you ever done any acting?
    - Me? Oh, yeah.
  • 27:14 - 27:16
    I've done summer stock
    since I was a kid.
  • 27:16 - 27:18
    You're kidding.
    I run a little theater on the West Side,
  • 27:18 - 27:20
    and we're always looking
    for someone with a strong voice.
  • 27:20 - 27:22
    Would you be interested
    in auditioning?
  • 27:23 - 27:25
    Yeah, sure.
  • 27:25 - 27:26
    What's the name of the company?
  • 27:26 - 27:28
    - The Falcon Players.
    - CC!
  • 27:28 - 27:31
    Yeah, yeah, yeah! Just a sec!
    The Falcon Players?
  • 27:31 - 27:33
    I've seen some of the shows
    you've sent up to Broadway.
  • 27:33 - 27:36
    I saw that play where the guy was
    buried in sand up to his neck.
  • 27:36 - 27:37
    - Yeah.
    - Very deep.
  • 27:37 - 27:40
    - I directed that.
    - And successful. You did?
  • 27:41 - 27:43
    So when do you want to see me?
    When do you want me to come in?
  • 27:43 - 27:45
    - Friday at 4:00.
    - Great, great.
  • 27:45 - 27:46
    If you want me to drive,
    we have to leave now.
  • 27:46 - 27:49
    I'm sorry to be so abrupt.
    I'm late for an appointment.
  • 27:49 - 27:51
    - He's a director.
    - Hi. Really? A director?
  • 27:51 - 27:52
    - This is my roommate.
    - I'm Hillary Whitney.
  • 27:52 - 27:55
    - John Pierce. Nice to meet you.
    - Nice to meet you.
  • 27:55 - 27:57
    You're late for what?
    You're late for an audition?
  • 27:58 - 27:59
    Audition? No.
  • 28:00 - 28:02
    I'm an attorney with the ACLU.
  • 28:02 - 28:04
    An attorney? Oh, I...
  • 28:05 - 28:07
    Oh, I just thought because
    you look so good,
  • 28:07 - 28:09
    I thought you were auditioning.
  • 28:09 - 28:11
    Well, we have to be going now. Bye.
  • 28:12 - 28:13
    Nice meeting you, John.
  • 28:14 - 28:17
    You've got to get to that rent strike,
    Hillary. The poor are waiting.
  • 28:22 - 28:25
    Well, yeah, it's only two lines,
    but they're fraught with meaning.
  • 28:26 - 28:28
    Look, I've got an entrance and an exit.
  • 28:28 - 28:29
    I gotta look special.
  • 28:32 - 28:33
    What do you think?
  • 28:33 - 28:36
    Oh, it's gorgeous!
  • 28:36 - 28:37
    Do I look like Marilyn?
  • 28:38 - 28:40
    - I don't look a thing like Marilyn.
    - My turn.
  • 28:41 - 28:44
    - How is it?
    - Hillary, it's exactly the same color.
  • 28:45 - 28:46
    No, it isn't. No.
  • 28:46 - 28:49
    You just spent two hours
    dying your hair exactly the same color.
  • 28:49 - 28:50
    It's a subtle difference.
  • 28:52 - 28:54
    I don't think so.
  • 28:59 - 29:02
    She says that she's feeling ill
    and that she's pregnant and he did it.
  • 29:02 - 29:04
    You gonna take this
    tramp's word over mine?
  • 29:04 - 29:06
    Don't worry about it.
    I already took care of it.
  • 29:06 - 29:07
    What do you mean,
    you already took care of it?
  • 29:07 - 29:08
    I called in the doctor.
  • 29:08 - 29:10
    And we know what that means,
    don't we?
  • 29:10 - 29:12
    Why don't you just shut up?
    The warden knows what he's doing.
  • 29:15 - 29:17
    - The doctor is here.
    - Thank you, guard.
  • 29:18 - 29:19
    I'm not gonna let you get away with that.
  • 29:19 - 29:22
    Wait. We cut that line.
    Hey, would you show her the script?
  • 29:23 - 29:24
    Listen, can I say...
  • 29:24 - 29:27
    Pop up all the blues and
    see what we have on this.
  • 29:29 - 29:30
    Let's see it.
  • 29:33 - 29:34
    I...
  • 29:35 - 29:37
    I'm playing a prison guard on death row.
  • 29:37 - 29:39
    I know. I did the casting.
  • 29:40 - 29:41
    Well, I thought I'd have a better part.
  • 29:41 - 29:43
    Not yet.
  • 29:44 - 29:45
    But this isn't me.
  • 29:46 - 29:49
    Well, act like it is.
  • 29:53 - 29:54
    He hates my hair.
  • 30:00 - 30:02
    Tell me the truth.
    I mean, really, really tell me the truth.
  • 30:02 - 30:05
    - All right.
    - Do you think I'm really, truly...
  • 30:08 - 30:09
    Get out of here.
  • 30:11 - 30:13
    Do you think I'm really, truly talented,
  • 30:13 - 30:15
    or do you think I'm only
    moderately talented?
  • 30:15 - 30:17
    I think you're truly talented.
  • 30:17 - 30:19
    I've told you this at least
    eight million times.
  • 30:19 - 30:22
    Yes, I know, but maybe
    you were only being nice.
  • 30:22 - 30:23
    I mean, how do I know
    you really mean it
  • 30:23 - 30:25
    and you're not just being nice?
  • 30:25 - 30:27
    I mean it!
  • 30:27 - 30:28
    Gin.
  • 30:28 - 30:31
    - Now let's get back to the laundry.
    - Oh, Hillary.
  • 30:31 - 30:34
    - I'll never forget this as long as I live.
    - What?
  • 30:35 - 30:37
    You doing the laundry for me.
  • 30:38 - 30:40
    I mean, I hate to do laundry
    more than anything in the whole world
  • 30:40 - 30:44
    and I think this is probably the nicest
    thing anybody ever did for me.
  • 30:44 - 30:47
    A man would never do this for you,
    no matter how much he loved you.
  • 30:56 - 30:59
    God rest ye merry gentlemen
  • 30:59 - 31:02
    Let nothing you dismay
  • 31:02 - 31:05
    Remember Christ our Savior
  • 31:05 - 31:07
    Was born on Christmas Day
  • 31:08 - 31:10
    To save us all from Satan's power
  • 31:10 - 31:13
    When we were gone astray
  • 31:13 - 31:17
    O tidings of comfort and joy
  • 31:17 - 31:19
    Comfort and joy
  • 31:19 - 31:21
    O tidings
  • 31:21 - 31:23
    Of comfort and joy
  • 31:24 - 31:26
    All right, let's sing
    O Come All Ye Faithful in Latin.
  • 31:26 - 31:27
    No.
  • 31:28 - 31:30
    Oh, please.
    I sang all those dreidel songs for you.
  • 31:30 - 31:32
    - One dreidel song.
    - That's enough.
  • 31:32 - 31:34
    - You sang one dreidel song.
    - Well...
  • 31:34 - 31:36
    Come on, Hillary, I'm tired.
    I want to go to sleep.
  • 31:36 - 31:39
    - I have a cold.
    - All right. Good night.
  • 31:39 - 31:40
    Good night, Hill.
  • 31:44 - 31:47
    Adeste fideles
  • 31:48 - 31:51
    Laeti triumphantes
  • 31:51 - 31:55
    Venite, venite
  • 31:55 - 31:58
    In Bethlehem
  • 31:59 - 32:01
    Hillary, the Waterman case
    is on the phone.
  • 32:01 - 32:02
    - They want to know...
    - No, no, no, no.
  • 32:02 - 32:04
    - Tell them I'll discuss it in court.
    - Okay, okay.
  • 32:04 - 32:05
    Good morning, ACLU.
  • 32:06 - 32:09
    All right, Mrs. Thomas,
    you can just ignore the eviction notices.
  • 32:09 - 32:11
    I found out your landlord's
    been served with
  • 32:11 - 32:12
    enough citations
    from the Health Department
  • 32:13 - 32:14
    to wallpaper your house.
  • 32:16 - 32:20
    Guess who got the lead
    in the Falcon Players' new musical?
  • 32:21 - 32:24
    Certainly not the hand-walking queer!
  • 32:28 - 32:29
    - This is it! This is it!
    - I know.
  • 32:29 - 32:31
    - Do you feel it?
    - I feel it!
  • 32:41 - 32:43
    Okay, stand by.
  • 32:44 - 32:46
    I am the captain
  • 32:47 - 32:49
    And this is my shrine
  • 32:50 - 32:52
    Lord of the manor
  • 32:53 - 32:55
    See what I leave behind
  • 32:56 - 32:58
    A river in flames
  • 32:59 - 33:01
    Cities on fire
  • 33:02 - 33:06
    Yes, I'm a relic
    trapped in the wire
  • 33:08 - 33:10
    Hydrogen fuel
  • 33:11 - 33:13
    It burns so clean
  • 33:14 - 33:17
    Throbs in the veins
  • 33:17 - 33:19
    Of my beloved machine
  • 33:20 - 33:23
    She is my wife
  • 33:23 - 33:26
    Her mechanical heart
  • 33:27 - 33:30
    Constantly serving
    till death do us part
  • 33:32 - 33:35
    Now our glorious war
    draws to a close
  • 33:35 - 33:38
    The yellow winds blow
  • 33:38 - 33:41
    And I have to know
  • 33:42 - 33:45
    Oh, Industry
  • 33:45 - 33:49
    Whatever will become of me?
  • 33:54 - 33:57
    Oh, Industry
  • 33:57 - 34:02
    Whatever will become of me?
  • 34:04 - 34:07
    Of me
  • 34:19 - 34:22
    Industry, charity, faith
  • 35:18 - 35:21
    Well, I didn't understand
    one damn thing in that play.
  • 35:21 - 35:23
    That was the worst.
  • 35:23 - 35:26
    How can you say that?
    It was brilliance. Brilliance.
  • 35:26 - 35:28
    Get out of here.
    Were we at the same play?
  • 35:28 - 35:30
    It was avant-garde at its best.
  • 35:31 - 35:34
    Mom, I'm showing you
    how they make the smoke.
  • 35:36 - 35:38
    Fifteen cases he bought this afternoon.
  • 35:38 - 35:39
    They taught him how to do it
    at Carnegie Tech.
  • 35:39 - 35:43
    It's the strangest thing,
    but I just can't shake the feeling
  • 35:43 - 35:44
    that I know you well.
  • 35:44 - 35:46
    I know, I feel the same way about you.
    Why is that?
  • 35:46 - 35:49
    Well, that's obvious.
    You must have met in a former life.
  • 35:49 - 35:50
    I don't suppose it has
    anything to do with the fact
  • 35:50 - 35:52
    that I talk about
    the two of you incessantly.
  • 35:52 - 35:54
    Okay, everybody, this is it!
  • 35:54 - 35:57
    They're here. All right, take your time.
  • 35:58 - 35:59
    I got it.
  • 35:59 - 36:01
    Hill, I can't stand it.
  • 36:01 - 36:02
    Listen, listen.
  • 36:03 - 36:06
    "John Pierce gives us a probing
    musical attack at automation, industry"
  • 36:06 - 36:09
    "and the dehumanization
    of the American worker."
  • 36:12 - 36:15
    "Earth Mother Bloom is
    a veritable Hannah Arendt of song."
  • 36:15 - 36:16
    Who's that? Is she a singer?
  • 36:16 - 36:20
    No, a sociologist, philosopher, radical.
    It's a positive review.
  • 36:20 - 36:21
    The Times. The Times says,
  • 36:21 - 36:25
    "CC Bloom's performance is both
    promising and purposeful."
  • 36:28 - 36:29
    I propose a toast
  • 36:29 - 36:33
    to a great writer
    and to a wonderful company.
  • 36:34 - 36:35
    Where's the music?
  • 36:35 - 36:37
    Yeah, let's party!
  • 36:37 - 36:40
    - To a long run.
    - A real long run.
  • 36:40 - 36:43
    And to a great director, John.
  • 36:43 - 36:44
    A great...
  • 36:45 - 36:48
    Okay, CC. Will you take a picture
    with my cousins here?
  • 36:48 - 36:49
    Just get in there.
  • 36:49 - 36:51
    Good, good, good. Okay, now smile.
  • 36:59 - 37:00
    More champagne, CC?
  • 37:06 - 37:08
    You've got to get me out of here!
  • 37:08 - 37:11
    - Be quiet, lady. Be quiet.
    - I'm not drunk!
  • 37:11 - 37:14
    Yes, you are. Come on, let's go.
    You'll get a cup of coffee,
  • 37:14 - 37:17
    - sleep it off, feel better.
    - Don't touch me!
  • 37:17 - 37:19
    - Shut up!
    - Relax and calm down.
  • 37:19 - 37:22
    - Now get in the house.
    - I don't have to sleep anything off!
  • 37:22 - 37:24
    I'll tell you for the last time,
  • 37:24 - 37:26
    I wasn't the ringleader!
  • 37:27 - 37:28
    Marge.
  • 37:28 - 37:31
    Have a drink on me. I was a big hit.
  • 37:46 - 37:48
    My God, what happened to you?
  • 37:49 - 37:51
    I went for a swim
  • 37:52 - 37:55
    in the Central Park boating pond
    with my real friends.
  • 38:01 - 38:02
    Did you sleep with him?
  • 38:04 - 38:05
    Yes, I did.
  • 38:07 - 38:09
    What a snake.
  • 38:13 - 38:16
    So, did the two of you fall in love?
  • 38:16 - 38:17
    I don't know.
  • 38:17 - 38:20
    It was incredibly romantic.
    We went to The Plaza.
  • 38:20 - 38:22
    We drank champagne.
  • 38:23 - 38:25
    I think he's the most attractive man
    I've ever met in my life.
  • 38:27 - 38:29
    You and your feminist principles.
  • 38:30 - 38:31
    I know how you feel about him.
  • 38:31 - 38:34
    I feel sick about what I've done.
  • 38:34 - 38:36
    I showed a complete lack of character.
  • 38:37 - 38:40
    Sexual attraction has
    nothing to do with character
  • 38:40 - 38:42
    unless you're Eleanor Roosevelt.
  • 38:42 - 38:43
    You mean, you would have
    done the same thing?
  • 38:43 - 38:45
    Me? Never.
  • 38:45 - 38:47
    I'd never do something
    that heartless to a friend.
  • 38:48 - 38:51
    - I swear, I'll never see him again.
    - Oh, who are you kidding?
  • 38:52 - 38:54
    Besides, what's the difference?
  • 38:55 - 38:57
    The fact is, he doesn't
    even know I'm alive.
  • 38:58 - 39:00
    Looks like he's crazy about you.
  • 39:02 - 39:04
    What are we gonna do?
  • 39:06 - 39:07
    I don't know.
  • 39:10 - 39:11
    You want me to move out?
  • 39:17 - 39:20
    What do I want you to move out for?
    I'm used to you.
  • 39:22 - 39:25
    Besides, if it hadn't been you,
    it would have been some other girl.
  • 39:29 - 39:31
    Will you still water my plants
    while I'm gone?
  • 39:32 - 39:35
    - Where are you going?
    - I told you, San Francisco.
  • 39:35 - 39:36
    My father's sick.
  • 39:37 - 39:38
    Oh, yeah.
  • 39:39 - 39:41
    Yeah, sure. We're friends, aren't we?
  • 39:46 - 39:47
    Hey, Hill,
  • 39:47 - 39:49
    John says I'm outgrowing
    the Falcon Players,
  • 39:49 - 39:51
    and I ought to move on.
    What do you think?
  • 39:51 - 39:52
    Where am I gonna go?
  • 39:53 - 39:55
    I'm sorry you had to let go
    of your job at the ACLU,
  • 39:55 - 39:57
    but, jeez, don't give up.
  • 39:57 - 39:59
    Your father will be better soon,
    and you'll be back.
  • 40:00 - 40:03
    Dear Ceece, I miss you.
  • 40:04 - 40:06
    I miss shopping at Bergdorf's.
    I miss our facials.
  • 40:07 - 40:11
    What can I say? I'm now the adult,
    and my father's the child.
  • 40:12 - 40:14
    I'm also dating a young lawyer,
    Michael Essex.
  • 40:15 - 40:19
    He's got good breeding
    and a good personality and good body.
  • 40:22 - 40:25
    Hillary, you'll never believe it.
    I got offered a Broadway revue.
  • 40:25 - 40:26
    It's called Sizzle.
  • 40:26 - 40:29
    It's in the worst possible taste.
    It's vulgar, it's gross,
  • 40:29 - 40:32
    it's dirty, and you know what?
    It's gonna make me a huge star.
  • 40:38 - 40:40
    All right, what do I do?
  • 40:40 - 40:41
    Let me show you how to hold it.
  • 40:41 - 40:42
    Put three fingers down
    and make a circle.
  • 40:42 - 40:44
    - Stick the cue through the circle.
    - Okay, all right.
  • 40:44 - 40:46
    Just go for the 10. Here.
  • 40:48 - 40:49
    Make that.
  • 40:50 - 40:51
    Pretty good.
  • 40:51 - 40:53
    - Look, it came back.
    - Okay, that's it.
  • 40:53 - 40:55
    - That's all you get. Stop. Wait. Stop.
    - I like the sound.
  • 40:55 - 40:59
    It's a great little sound.
    Click. Click, click.
  • 41:02 - 41:04
    So, you hear anything about Hillary?
  • 41:09 - 41:10
    Her father took a turn for the worst
  • 41:10 - 41:13
    and she has to stay in San Francisco
    a little longer than she thought.
  • 41:13 - 41:15
    You play. I'll just watch.
  • 41:16 - 41:17
    You mean, play alone?
  • 41:17 - 41:20
    Yeah, you do that pretty good.
  • 41:21 - 41:22
    Dear Ceece,
  • 41:23 - 41:26
    I thought it over and I feel
    you should be true to your talent
  • 41:26 - 41:28
    and not be seduced
    by the money of Broadway.
  • 41:28 - 41:30
    By the way, how are my plants doing?
  • 41:32 - 41:34
    I gotta tell you, girls,
    you don't look that good.
  • 41:35 - 41:37
    I wish you'd cheer up.
  • 41:37 - 41:38
    She'll be back soon.
  • 41:38 - 41:40
    I miss her, too.
  • 41:40 - 41:42
    Now, come on, John,
    what do we need signers for?
  • 41:42 - 41:44
    How many deaf people
    are gonna come see our show?
  • 41:44 - 41:48
    Three. Three deaf people
    always come to see any show.
  • 41:48 - 41:49
    Will you get out of my office?
  • 41:49 - 41:52
    I don't want to talk about it anymore.
  • 41:52 - 41:54
    CC! CC, come on.
  • 41:54 - 41:56
    Hi, Bill. What's the matter?
  • 41:56 - 41:58
    Come, come in here. Come.
  • 41:59 - 42:01
    Where the heck were you
    all day yesterday?
  • 42:02 - 42:03
    Shopping. Why?
  • 42:03 - 42:06
    Why? I must have tried
    to call you a billion times.
  • 42:07 - 42:08
    No kidding?
  • 42:08 - 42:10
    My machine must be broken.
    I wonder who else called.
  • 42:11 - 42:12
    What's the matter? What did you want?
  • 42:13 - 42:15
    - I don't know.
    - You don't know?
  • 42:15 - 42:19
    I guess I missed you.
  • 42:21 - 42:23
    - That's a nice thing to say.
    - You want to have dinner tonight
  • 42:23 - 42:24
    again after the show?
  • 42:25 - 42:28
    Yeah. Yeah. Like a real date?
  • 42:28 - 42:30
    - Real.
    - Semi-date.
  • 42:30 - 42:32
    - Whatever.
    - Okay.
  • 42:33 - 42:35
    Any news about the funeral?
  • 42:36 - 42:38
    The funeral. Well...
  • 42:38 - 42:41
    The funeral was yesterday, and she's
    gonna stay a little while longer
  • 42:41 - 42:43
    to settle the estate
    with her father's lawyer.
  • 42:43 - 42:45
    That's all I know.
  • 42:57 - 43:00
    Well, Hillary, I did it.
  • 43:00 - 43:03
    I'm leaving the Falcon Players
    next month to start that bawdy revue
  • 43:03 - 43:04
    I told you about, the one called Sizzle.
  • 43:04 - 43:08
    I know you don't approve,
    but, hey, I'm gonna be rich.
  • 43:08 - 43:10
    I can't wait.
  • 43:22 - 43:23
    Suicide.
  • 43:26 - 43:28
    Dear CC, well, I did it.
  • 43:29 - 43:31
    I'm Mrs. Michael Essex.
  • 43:32 - 43:34
    Michael wasn'tjust my father's lawyer.
  • 43:34 - 43:37
    He was the son my father never had.
  • 43:37 - 43:40
    And in his final days,
    it gave him greatjoy to see us together.
  • 43:41 - 43:43
    The ceremony was beautiful
  • 43:43 - 43:45
    and our wedding reception
    small but lovely.
  • 43:46 - 43:48
    The only flaw was your absence.
  • 43:48 - 43:51
    But I understand the show must go on.
  • 43:51 - 43:53
    By the way, how's John?
  • 43:54 - 43:55
    Do you see much of him socially?
  • 43:58 - 44:00
    Last night, when we were making love
  • 44:02 - 44:04
    did you say you loved me?
  • 44:06 - 44:07
    What?
  • 44:08 - 44:10
    I thought I heard you say you loved me.
  • 44:11 - 44:12
    Did you?
  • 44:14 - 44:16
    Yes, I did.
  • 44:18 - 44:20
    Is that usual?
  • 44:20 - 44:22
    What do you mean?
  • 44:22 - 44:26
    I mean, is it part of your routine?
  • 44:26 - 44:29
    Do you say it to everybody?
  • 44:30 - 44:32
    I don't have a routine, CC.
  • 44:33 - 44:36
    I haven't said it to anybody in 10 years.
  • 44:41 - 44:42
    Is that true?
  • 44:43 - 44:45
    I'm a womanizer, CC. I'm not a liar.
  • 44:48 - 44:50
    That's great.
  • 44:50 - 44:53
    'Cause I have the most wonderful idea.
  • 44:56 - 44:58
    For richer or poorer,
  • 44:58 - 45:00
    in sickness and in health,
    till death do you part.
  • 45:01 - 45:02
    CC and John,
  • 45:02 - 45:04
    by the power vested in me
    by the state of New York,
  • 45:04 - 45:07
    I now pronounce you man and wife.
  • 45:10 - 45:11
    By the way, you may kiss the bride.
  • 45:18 - 45:19
    Here's your tape.
  • 45:21 - 45:23
    I've got to get back to my lunch.
  • 45:25 - 45:28
    - What did you do that for?
    - This is the happiest moment of my life.
  • 45:29 - 45:30
    I don't ever want you to forget it.
  • 45:32 - 45:33
    Does that make any sense?
  • 45:34 - 45:36
    Perfect. It makes perfect sense.
  • 45:39 - 45:43
    I know you by heart
  • 45:43 - 45:46
    That's CC Bloom's
    biggest hit of 1988.
  • 45:48 - 45:50
    Thousands of CC's fans
    were disappointed last night
  • 45:50 - 45:52
    when her concert was rained out.
  • 45:53 - 45:55
    Insiders say she'd left earlier
    for personal reasons,
  • 45:55 - 45:59
    but whatever the reason,
    all money will be refunded
  • 45:59 - 46:01
    and the concert rescheduled
    for a later date.
  • 46:09 - 46:11
    Pull over, please.
  • 46:31 - 46:33
    She's running late.
  • 46:33 - 46:35
    I waited a year for this play.
  • 46:37 - 46:38
    Hillary.
  • 46:39 - 46:42
    - Hillary, the curtain's going up.
    - Oh, sorry, Michael.
  • 46:44 - 46:46
    And now we take you back
    to 19th-century Bavaria
  • 46:47 - 46:49
    for a very sad story
    about two of my favorite subjects.
  • 46:50 - 46:53
    Industrial theft and bosoms!
  • 46:56 - 46:59
    Otto Titsling, inventor and Kraut
  • 46:59 - 47:02
    Had nothing to get
    very worked up about
  • 47:02 - 47:04
    His inventions were failures
  • 47:04 - 47:05
    His future seemed bleak
  • 47:05 - 47:08
    He fled to the opera
    at least twice a week
  • 47:13 - 47:16
    One night at the opera
    He saw an Aida
  • 47:17 - 47:21
    Whose bust was so big
    it would often impede her
  • 47:21 - 47:24
    Bug-eyed, he watched her
    fall into the pit
  • 47:25 - 47:28
    Done in by the weight
    of those terrible tits
  • 47:28 - 47:31
    Oh, my God
    There she blows
  • 47:31 - 47:34
    Aerodynamically, this girl was a mess
  • 47:34 - 47:37
    Otto eyeballed the diva
    lying comatose amongst the reeds
  • 47:37 - 47:40
    And he suddenly felt
    the fire of inspiration flood his soul
  • 47:40 - 47:42
    He ran back to his workshop
  • 47:42 - 47:45
    where he futzed and futzed and futzed
  • 47:45 - 47:48
    For Otto Titsling
    had found his quest
  • 47:48 - 47:51
    To lift and mold the female breast
  • 47:51 - 47:54
    To point the small ones to the sky
  • 47:54 - 47:59
    To keep the big ones high and dry
  • 47:59 - 48:02
    Every night he'd sweat and snort
  • 48:02 - 48:05
    Searching for the right support
  • 48:05 - 48:07
    He tried some string and paper clips
  • 48:08 - 48:11
    Hey, he even tried his own two lips
  • 48:13 - 48:15
    Well, he stitched and he slaved
    and he slaved and he stitched
  • 48:15 - 48:18
    Until finally one night
    in the wee hours of morning
  • 48:18 - 48:21
    Otto arose from his
    workbench triumphant, yes!
  • 48:21 - 48:25
    He had invented the world's
    first over-the-shoulder boulder-holder
  • 48:25 - 48:26
    Hooray!
  • 48:28 - 48:30
    Exhausted, but ecstatic
    Otto ran out to the diva
  • 48:30 - 48:32
    Bearing the prototype
    in his hot little hand
  • 48:36 - 48:38
    But little did Otto know
  • 48:38 - 48:41
    At the moment
    of his greatest triumph
  • 48:41 - 48:42
    Lurking under the diva's bed
  • 48:42 - 48:46
    was none other than the very worst
    of the French patent thieves
  • 48:46 - 48:48
    Phillipe De Brassiere
  • 48:49 - 48:51
    And Phil was watching the scene
    with a great deal of interest
  • 48:55 - 48:57
    Later that night
    while our Aida slept
  • 48:59 - 49:01
    Into the wardrobe
    Phillipe softly crept
  • 49:01 - 49:04
    He fumbled through knickers
    and corsets galore
  • 49:05 - 49:08
    Till he found Otto's tit sling
    and he ran out the door
  • 49:08 - 49:12
    Crying, "Oh, my God
    Whatjoy, what bliss"
  • 49:12 - 49:14
    "I'm gonna make me
    a million from this"
  • 49:14 - 49:16
    "Every woman in the world
    will want to buy one"
  • 49:18 - 49:23
    "I will have all the goods
    Manufactured in Taiwan"
  • 49:25 - 49:27
    The result of this swindle
  • 49:28 - 49:30
    Is pointedly clear
  • 49:31 - 49:33
    Do you buy a Titsling
  • 49:33 - 49:37
    Or do you buy a Brassiere?
  • 49:43 - 49:45
    Listen, I've got
    a racquetball court in the morning.
  • 49:45 - 49:47
    So we go in, say hello, a quick dinner
  • 49:47 - 49:49
    and back to the hotel
    nice and early, right?
  • 49:49 - 49:50
    We already agreed on that.
  • 49:50 - 49:53
    And let's be sure to
    tell her how wonderful the show was.
  • 49:53 - 49:54
    You are going to be civil, aren't you?
  • 49:54 - 49:56
    Of course I'm going to be civil.
    She's your very best friend
  • 49:56 - 49:59
    in the whole wide world, right?
  • 50:02 - 50:04
    I can't believe it's really you.
  • 50:04 - 50:06
    I'm so happy to see you again.
  • 50:07 - 50:09
    Oh, Hillary, Hillary.
  • 50:09 - 50:11
    - And you.
    - This is Michael.
  • 50:11 - 50:12
    - Oh, hello, Michael.
    - You were fabulous tonight.
  • 50:12 - 50:16
    Oh, it's so exciting to finally meet you.
    That Otto thing that you did...
  • 50:16 - 50:18
    I really enjoyed it.
  • 50:18 - 50:21
    Stay, stay, Arthur. Stay.
  • 50:21 - 50:22
    Stay. Arthur, Arthur,
    back to the bedroom.
  • 50:23 - 50:25
    Back! You're embarrassing me,
    you idiot!
  • 50:25 - 50:27
    Get back! Go back,
  • 50:27 - 50:30
    you brain-damaged bag of bones
    or I'll have you gassed!
  • 50:31 - 50:32
    This is quite an apartment.
  • 50:32 - 50:35
    Oh, do you like it? I'm so glad.
  • 50:36 - 50:39
    Naturally, of course, we're paying
    through the nose for it,
  • 50:40 - 50:42
    but really I think it's worth
    every single penny.
  • 50:42 - 50:44
    We're leasing,
    but we have an option to buy.
  • 50:45 - 50:47
    It's so close to the theater
    and the stores.
  • 50:47 - 50:51
    Remember when we said we wouldn't
    be caught dead above 14th Street?
  • 50:51 - 50:54
    I couldn't bear that downtown
    squalor one more second.
  • 50:55 - 50:56
    But enough about me.
    Let's talk about you.
  • 50:56 - 50:58
    What do you think of me?
  • 50:59 - 51:00
    No, tell me the truth.
    What did you think of the show?
  • 51:00 - 51:02
    Are you kidding? We loved it.
  • 51:02 - 51:03
    Especially that Otto...
  • 51:04 - 51:06
    Stay, stay! Stay, stay, stay.
  • 51:06 - 51:08
    Good boy. Stay.
  • 51:10 - 51:11
    John.
  • 51:11 - 51:13
    Oh, my God. Hillary.
  • 51:14 - 51:16
    I haven't seen you since
    the night that play opened.
  • 51:16 - 51:18
    Yeah, it's been a long time.
  • 51:18 - 51:20
    John. John.
  • 51:20 - 51:23
    Come, you haven't met Michael Essex,
    Hillary's husband.
  • 51:23 - 51:25
    This is my husband, John Pierce.
  • 51:25 - 51:27
    So, Hillary, what do you think
    of the place?
  • 51:28 - 51:30
    Not exactly the old dump
    on Avenue A?
  • 51:30 - 51:31
    No, it's not.
  • 51:31 - 51:33
    It's all so new.
  • 51:33 - 51:36
    Yeah. New.
  • 51:38 - 51:40
    No, I don't miss practicing law at all.
  • 51:41 - 51:42
    But it meant so much to you.
  • 51:42 - 51:46
    It's a little difficult having
    two lawyers in the same household.
  • 51:46 - 51:47
    Somebody's got to do the entertaining.
  • 51:48 - 51:50
    Hillary, really, truly, you were devoted.
  • 51:50 - 51:52
    I thought you were.
    The poor man's friend, you know?
  • 51:52 - 51:53
    Yeah, I'm still the poor man's friend.
  • 51:54 - 51:56
    - Taxi!
    - I guess you are.
  • 51:56 - 51:58
    There are lots of ways
    to be the poor man's friend.
  • 51:58 - 52:00
    John. Let the doorman do that.
  • 52:01 - 52:03
    John, tell me what
    you've been doing with yourself.
  • 52:03 - 52:05
    Oh, living the high life with hi-ho here.
  • 52:07 - 52:08
    - He looks good, doesn't he?
    - Yeah.
  • 52:09 - 52:11
    The theater's mounted a lot of
    new, successful productions this year.
  • 52:12 - 52:14
    - We're very lucky.
    - I bought the jacket.
  • 52:14 - 52:17
    Yeah. If I was in the theater,
    I'd want to be just like you.
  • 52:18 - 52:23
    I would. You have an integrity
    that seems lacking in so many others.
  • 52:25 - 52:27
    So what do you do all day
    now that you're a housewife?
  • 52:27 - 52:30
    I mean, don't you get bored
    sitting around all day?
  • 52:30 - 52:33
    No, because I don't
    sit around all day. I'm extremely busy.
  • 52:34 - 52:35
    Doing what?
  • 52:35 - 52:38
    - I beg your pardon?
    - How do you keep busy?
  • 52:38 - 52:39
    Doing what?
  • 52:39 - 52:41
    What is this, CC,
    the Spanish Inquisition?
  • 52:41 - 52:42
    We haven't seen each other for a while.
  • 52:42 - 52:44
    I just want to know
    how she spends her time.
  • 52:44 - 52:45
    Is that a crime?
  • 52:46 - 52:48
    I don't know. Is that a crime, Michael?
    You're the lawyer.
  • 52:48 - 52:49
    Is that a crime?
  • 52:50 - 52:52
    I spend my time working
    on various charities.
  • 52:52 - 52:53
    I'm on the board of the Junior League,
  • 52:53 - 52:55
    the Stately Homes
    Preservation Society.
  • 52:55 - 52:56
    I'm a docent at the art museum.
  • 52:57 - 52:59
    She's a docent. She docents.
  • 53:00 - 53:02
    Excuse me. There's someone
    bigger than you here tonight.
  • 53:03 - 53:06
    - You've got your horticulture classes.
    - Horticulture classes.
  • 53:07 - 53:09
    You may not be aware of it,
    but gardening's an art.
  • 53:10 - 53:11
    Hey, who's criticizing?
  • 53:11 - 53:13
    - Just so you're happy.
    - I am.
  • 53:13 - 53:16
    - I'm very, very happy.
    - Miss Bloom!
  • 53:16 - 53:18
    Good to see you.
    Mr. Pierce. How are you?
  • 53:18 - 53:20
    - How are you, Nicky?
    - Just a second.
  • 53:20 - 53:21
    I have your favorite table ready.
  • 53:21 - 53:23
    - Great.
    - Very happy.
  • 53:24 - 53:27
    This is the toast of Broadway,
    CC Bloom.
  • 53:35 - 53:36
    - Who's winning?
    - I am.
  • 53:38 - 53:39
    By quite a bit.
  • 53:40 - 53:42
    I'm home!
  • 53:42 - 53:43
    In here.
  • 53:43 - 53:46
    Arthur, get down. Get down!
  • 53:48 - 53:51
    You're still playing cards? You were
    playing cards when I left this morning.
  • 53:51 - 53:52
    So?
  • 53:52 - 53:54
    You want to stop maybe
    and have a late lunch?
  • 53:54 - 53:56
    No, I don't.
  • 53:56 - 53:58
    - Do you, Hillary?
    - No, thanks.
  • 54:00 - 54:01
    Arthur!
  • 54:13 - 54:17
    - This is a great color on me, isn't it?
    - I guess.
  • 54:20 - 54:24
    - Well, is it or isn't it? Be specific.
    - No, it isn't.
  • 54:24 - 54:27
    It makes you look like a corpse.
    Is that specific enough for you?
  • 54:30 - 54:32
    May I have a tissue, please?
  • 54:33 - 54:34
    Thank you.
  • 54:36 - 54:38
    Hill, I have a great idea.
    Let's get a facial.
  • 54:38 - 54:40
    Oh, I can't.
  • 54:40 - 54:41
    Michael's conference ends in an hour,
  • 54:41 - 54:44
    and then we have to leave
    for the airport. I wish I could.
  • 54:45 - 54:47
    Maybe next time.
  • 54:48 - 54:50
    Oh, Hill, look. Isn't this divine?
  • 54:53 - 54:54
    It's so sweet.
  • 54:55 - 54:57
    I can't wait to have a baby.
  • 54:57 - 54:59
    I know what you mean.
  • 55:01 - 55:04
    - You do?
    - Of course I do.
  • 55:04 - 55:06
    - Why wouldn't I?
    - I don't know.
  • 55:06 - 55:08
    I just thought someone
    like you wouldn't care about children.
  • 55:08 - 55:10
    You're so obsessed
    with your career and all.
  • 55:12 - 55:14
    I'm not obsessed.
  • 55:14 - 55:15
    Just because I work
  • 55:15 - 55:19
    doesn't mean someone like me
    doesn't want to have children.
  • 55:19 - 55:22
    Well, wanting them and caring for them
    properly are two different things.
  • 55:22 - 55:24
    It's a full-time job.
  • 55:26 - 55:28
    For some people.
  • 55:29 - 55:32
    Yes, the ones that take
    the responsibility seriously
  • 55:32 - 55:37
    and don't just have children
    to gratify their overweening egos.
  • 55:40 - 55:42
    - Can I show you something?
    - No, thank you.
  • 55:45 - 55:47
    What the hell is going on here?
  • 55:47 - 55:49
    - Would you please lower your voice?
    - No, I won't.
  • 55:49 - 55:52
    What's eating you? You have been a
    total bitch since you came to New York.
  • 55:52 - 55:54
    I could say the same thing about you.
  • 55:54 - 55:57
    - I've been reacting to you.
    - For God's sake, don't you get it?
  • 55:58 - 56:01
    We've grown apart.
    It happens to the best of friends.
  • 56:01 - 56:02
    It's happened to us.
    We might as well face it.
  • 56:02 - 56:04
    - You're ridiculous.
    - I'm ridiculous?
  • 56:04 - 56:07
    We haven't grown apart.
    You've fallen apart.
  • 56:08 - 56:11
    I don't think I care to pursue this.
    So long, CC. Take care.
  • 56:12 - 56:14
    Why, you stuck-up little witch!
  • 56:15 - 56:17
    When your father died,
    he took the best of you with him.
  • 56:17 - 56:18
    Don't make a scene.
  • 56:18 - 56:20
    You tried to be interesting for a while,
    but look at you now.
  • 56:20 - 56:22
    You've completely reverted to type.
  • 56:22 - 56:24
    You're nothing but a small-minded,
    tight-ass snob these days!
  • 56:24 - 56:27
    How would a pretentious
    little climber like you know that?
  • 56:28 - 56:29
    - Experience.
    - "Experience"?
  • 56:29 - 56:31
    - I know what's eating you, too.
    - Oh, really? What's eating me?
  • 56:31 - 56:34
    - Plain, old-fashioned jealousy.
    - Jealousy? Jealousy?
  • 56:34 - 56:36
    What am I jealous of?
  • 56:36 - 56:39
    Your insane ambition?
    No, it must be your new money.
  • 56:39 - 56:42
    No, I'm jealous
    of your marriage of convenience.
  • 56:42 - 56:44
    That must be it.
  • 56:48 - 56:50
    My what?
  • 56:56 - 56:58
    Aren't you afraid
    you got him by default?
  • 57:01 - 57:03
    Maybe I am.
  • 57:04 - 57:08
    But at least I belong to myself,
    which is more than I can say for you.
  • 57:09 - 57:11
    I'm doing what I set out to do.
    Remember?
  • 57:11 - 57:13
    I'm living the life
    you didn't have the courage for.
  • 57:13 - 57:15
    So don't give me you're not jealous.
  • 57:15 - 57:18
    You're so jealous
    you can hardly breathe.
  • 57:21 - 57:23
    Can I help you with something?
  • 57:26 - 57:28
    Oh, no. No, thanks.
  • 57:33 - 57:34
    Ladies and gentlemen,
  • 57:34 - 57:36
    the captain has turned off
    the seat belt sign.
  • 57:36 - 57:38
    Please feel free
    to move about the cabin,
  • 57:38 - 57:40
    but we do suggest, for your own safety,
  • 57:40 - 57:43
    that you keep your seat belt
    fastened while seated.
  • 57:43 - 57:45
    - I'll be right back.
    - Okay.
  • 58:30 - 58:33
    But what will I do without a best friend?
  • 58:33 - 58:34
    You've got me.
  • 58:44 - 58:45
    It's not the same.
  • 58:57 - 58:58
    Dear Hill,
  • 58:59 - 59:01
    stop sending my letters back.
  • 59:01 - 59:03
    I have to talk to you.
  • 59:04 - 59:08
    Okay, okay, so we had a fight.
    So what?
  • 59:08 - 59:09
    Let's make up.
  • 59:10 - 59:12
    John and I are having
    such a terrible time lately.
  • 59:12 - 59:15
    I don't know what's the matter with him.
    My career's going so well.
  • 59:15 - 59:17
    Come on, Hill, lighten up.
  • 59:18 - 59:20
    I'm your only ethnic friend.
  • 59:22 - 59:24
    Please, Hill, keep in touch.
  • 59:25 - 59:26
    Love, CC.
  • 59:35 - 59:37
    Sorry.
  • 59:37 - 59:39
    Coming home for dinner tonight?
  • 59:40 - 59:43
    No, sweetie. I don't think so.
  • 59:43 - 59:46
    - I'm swamped with work.
    - Work, yeah.
  • 59:47 - 59:50
    - What's on your...
    - What about... Sorry.
  • 59:50 - 59:51
    You were...
  • 59:51 - 59:53
    I just wondered
    what you were doing today.
  • 59:53 - 59:58
    Me? I'm going to my exercise class...
  • 59:58 - 60:00
    and I'm going to buy a wrench.
  • 60:00 - 60:02
    A wrench? Why?
  • 60:02 - 60:04
    We don't have one.
  • 60:05 - 60:07
    Well, super.
  • 60:08 - 60:10
    Sounds good.
  • 60:12 - 60:13
    - Bye.
    - Bye-bye.
  • 60:13 - 60:17
    I don't think I'll be too late. Bye.
  • 60:28 - 60:31
    Isn't it nice here in Miami, Arthur?
  • 60:31 - 60:34
    Maybe you ought to think about
    moving down here. What do you say?
  • 60:34 - 60:36
    Are we there yet?
  • 60:36 - 60:38
    The neighbor said the beach
  • 60:38 - 60:39
    across from the Fontainebleau.
  • 60:39 - 60:42
    Don't worry. I wait with the puppy.
  • 60:53 - 60:56
    CC! CC, my baby!
  • 60:56 - 60:59
    I don't believe that it's you!
  • 60:59 - 61:01
    You're a gift from God! You're a dream!
  • 61:02 - 61:05
    - You're a dream come true for me!
    - I just saw you last month.
  • 61:05 - 61:07
    - Who is that?
    - CC Bloom.
  • 61:08 - 61:09
    So everyone should look?
  • 61:09 - 61:11
    This is my daughter, CC Bloom,
    the Broadway star.
  • 61:12 - 61:13
    CC, can we have your autograph?
  • 61:13 - 61:16
    Skedaddle. My friends,
    Mrs. Valdez, Mrs. Cohen, Mr. Levine.
  • 61:17 - 61:20
    - He's in bagels.
    - It's a distinct pleasure.
  • 61:20 - 61:21
    Could you give me five minutes?
    We want to talk.
  • 61:22 - 61:24
    - Take a dip.
    - Nice meeting you.
  • 61:24 - 61:27
    - Sit down.
    - She's a real star.
  • 61:29 - 61:32
    What do you mean, you left him?
    What happened?
  • 61:32 - 61:34
    After only three years, you left him?
  • 61:35 - 61:36
    Was it another woman?
  • 61:38 - 61:42
    It's not a soap opera, Leona.
    Everything with you is a soap opera.
  • 61:43 - 61:46
    Tell me, honey. Go ahead.
    Get it off your chest.
  • 61:47 - 61:50
    Something just died
    between us, that's all.
  • 61:50 - 61:52
    He used to care what happened to me.
  • 61:54 - 61:57
    He stopped paying attention to me.
  • 62:00 - 62:02
    What's so funny?
  • 62:02 - 62:04
    Never mind.
  • 62:04 - 62:07
    Leona, what's so funny?
    Why are you laughing?
  • 62:08 - 62:09
    Tell me why you're laughing!
  • 62:11 - 62:13
    - Ma! Tell me!
    - What?
  • 62:14 - 62:17
    All right, I'm gonna tell you.
    You want to know? I'm gonna tell you.
  • 62:18 - 62:20
    Why do you think I'm living
    down here in Florida?
  • 62:20 - 62:22
    I give up. You like the sun.
  • 62:22 - 62:24
    I don't give a shit about the sun!
  • 62:24 - 62:26
    I'm here because it's peaceful!
    That's why!
  • 62:27 - 62:30
    You always wanted too much attention.
  • 62:30 - 62:33
    You wanted so much attention
    from everybody all the time
  • 62:33 - 62:34
    that you wore people out.
  • 62:35 - 62:38
    You wore me out, you wore your
    father out, may he rest in peace,
  • 62:38 - 62:40
    by the time you were 15 years old!
  • 62:43 - 62:45
    Oh, come on. I love you, CC.
  • 62:45 - 62:46
    - No, you don't.
    - Yes, I do.
  • 62:47 - 62:49
    I love you very much.
  • 62:49 - 62:53
    But I just can't pay
    any more attention to you.
  • 62:53 - 62:56
    You know what I mean?
    I want to, but I just can't.
  • 62:57 - 62:59
    And if I were you,
  • 63:00 - 63:03
    I wouldn't leave anybody
    for not paying attention to me.
  • 63:03 - 63:07
    Because sooner or later, you're
    gonna have to leave everybody.
  • 63:08 - 63:10
    You understand me?
  • 63:15 - 63:18
    Welcome home, Miss Bloom.
  • 63:18 - 63:20
    Arthur! Arthur! That's it!
  • 63:20 - 63:23
    - I'm putting you to sleep!
    - I got him.
  • 63:23 - 63:26
    Do me a favor.
    Take him for a walk down by the river.
  • 63:26 - 63:29
    - Maybe somebody will steal him!
    - All right!
  • 63:32 - 63:34
    John, I'm back.
  • 63:35 - 63:40
    John?
  • 63:42 - 63:43
    John.
  • 63:46 - 63:47
    John?
  • 63:49 - 63:52
    John, I'm begging you. Please give me
    another chance. Please?
  • 63:54 - 63:55
    Please don't leave me.
  • 63:55 - 63:57
    I love you, John. I need you.
  • 63:57 - 63:59
    - You don't need me.
    - I need you!
  • 63:59 - 64:00
    What do you need me for? What?
  • 64:00 - 64:03
    You need an escort? You need
    somebody to hang up the fur coat?
  • 64:03 - 64:06
    Come on.
    That's not how I want to spend my life.
  • 64:07 - 64:09
    I don't care about success
    the way you do, CC.
  • 64:10 - 64:13
    Moving into the mainstream...
    You know that never interested me.
  • 64:13 - 64:15
    We have been fighting
    about this for so long.
  • 64:16 - 64:18
    What's wrong with success?
  • 64:18 - 64:22
    We're Americans. We're supposed
    to want to be successful.
  • 64:22 - 64:25
    - You're too good for it, is that it?
    - Yeah, that must be it.
  • 64:25 - 64:28
    No, I like it here.
    I'm happy here. This is what I do.
  • 64:29 - 64:32
    I'm not threatened. I'm not scared.
    I just... I'm glad you're a success.
  • 64:32 - 64:34
    It makes me happy
    that you're successful.
  • 64:35 - 64:36
    Are you?
  • 64:36 - 64:39
    Yes. I just don't want
    to go where you're going.
  • 64:42 - 64:44
    Then I won't go.
  • 64:45 - 64:47
    You're already gone, Cecilia.
    You're long gone.
  • 64:49 - 64:52
    You're CC Bloom.
    What's the matter with that?
  • 64:52 - 64:54
    That's great. That makes me happy.
  • 64:55 - 64:57
    I feel that in some small way
  • 64:57 - 64:59
    that maybe I had something
    to do with that.
  • 65:00 - 65:02
    Are you sure this is what you want?
  • 65:04 - 65:07
    Yeah. I'm sure.
  • 65:19 - 65:22
    I love you. I'll always love you.
  • 65:23 - 65:26
    I just want to let go of us
    before "us" gets bad.
  • 65:28 - 65:29
    Happy anniversary, sweetie.
  • 65:31 - 65:32
    Oh, Michael.
  • 65:33 - 65:37
    Oh, we're so good here. Nobody around.
  • 65:37 - 65:39
    I know it. I love it here.
  • 65:46 - 65:48
    I wish I didn't have to go back tonight.
  • 65:48 - 65:51
    Do you really have to?
    Can't you stay one more day?
  • 65:51 - 65:53
    - I could quit my job.
    - Good. I'd like it.
  • 65:54 - 65:55
    One more day, come on.
  • 65:56 - 65:57
    I'm sorry, Hillary.
  • 66:00 - 66:02
    I'll see you back home on Monday.
  • 66:02 - 66:04
    If you're lucky.
  • 66:13 - 66:14
    Have a good weekend.
  • 66:21 - 66:23
    Hi. You're back early
    from the beach.
  • 66:23 - 66:25
    Yeah, it got rained out.
  • 66:25 - 66:28
    - It's beautiful now.
    - Yes.
  • 66:54 - 66:56
    That's my robe.
  • 67:01 - 67:03
    Don't dump me, Freddy.
  • 67:03 - 67:05
    Don't dump me
    when we get back to Lubbock.
  • 67:05 - 67:07
    The only thing that kept me going
    was waiting for you to come back.
  • 67:08 - 67:10
    Don't you worry about a thing,
    little darlin'.
  • 67:10 - 67:13
    I'm gonna take good care of you.
    Give me a little kiss.
  • 67:14 - 67:16
    Stop that. We didn't rehearse that.
  • 67:16 - 67:18
    This isn't working for me!
  • 67:21 - 67:22
    Shit.
  • 67:24 - 67:25
    - Cut.
    - That's a cut.
  • 67:25 - 67:27
    Cut! Cut!
  • 67:27 - 67:29
    - Was there too much dust?
    - It's fine.
  • 67:29 - 67:32
    - Stop rocking the truck.
    - Quit the dust and stop the rocking!
  • 67:32 - 67:34
    Jay, baby, how was the belch?
    Was it real?
  • 67:35 - 67:36
    Very honest, very good.
  • 67:36 - 67:37
    What is it this time?
  • 67:37 - 67:40
    - I wouldn't do a thing like that!
    - Do what?
  • 67:40 - 67:42
    Beg this asshole to stick around
  • 67:42 - 67:43
    after he screwed my sister
    and stole my Winnebago.
  • 67:43 - 67:46
    Why would somebody like me
    do such a pathetic thing?
  • 67:46 - 67:50
    Because it's not you. It's a hooker
    from Lubbock. It's called acting.
  • 67:50 - 67:52
    Why don't you do that until
    I tell you to stop? Trust me.
  • 67:52 - 67:53
    Trust you?
  • 67:54 - 67:56
    You have your frigging head
    in that monitor the whole time!
  • 67:56 - 67:58
    You haven't said anything
    about character or motivation!
  • 67:58 - 68:00
    You could be watching
    a Laker game in there for all I know!
  • 68:02 - 68:04
    Clear the set, will you?
  • 68:04 - 68:05
    - Clear the set, people.
    - Clear the set!
  • 68:06 - 68:09
    - Clear the set!
    - Look, it's no secret, CC.
  • 68:09 - 68:11
    I didn't want you on this picture.
    You're trouble.
  • 68:12 - 68:14
    Your looks are shot.
    The bags under your eyes, doll...
  • 68:14 - 68:17
    You got enough luggage
    in there to go to Europe.
  • 68:17 - 68:19
    I don't know what
    you've been doing to get by.
  • 68:19 - 68:21
    Maybe you still think you can
    dazzle them with your talent.
  • 68:22 - 68:25
    I'm here to tell you you're through.
    You ain't got it anymore.
  • 68:25 - 68:30
    You get your fat ass back in the truck,
    and you'll shut your smart mouth.
  • 68:30 - 68:34
    You'll do every line as written.
    Every word, every syllable.
  • 68:34 - 68:37
    - We understand each other?
    - Yes! You asshole!
  • 68:37 - 68:40
    Stop it! Get this bitch off me! Come on!
  • 68:40 - 68:42
    All right!
  • 68:42 - 68:44
    Show a little respect!
  • 68:48 - 68:50
    Dear Hillary,
    if you're still mad at me,
  • 68:50 - 68:52
    you're gonna love this letter.
  • 68:52 - 68:55
    My career is now officially
    approaching oblivion.
  • 68:55 - 68:58
    My agent had a brilliant idea.
    He thinks I should be a disco queen.
  • 68:58 - 69:00
    What do you think?
  • 69:00 - 69:02
    Yours, CC.
  • 69:06 - 69:07
    Look at this.
  • 69:07 - 69:11
    Your friend, the singer,
    she's here in San Francisco.
  • 69:12 - 69:14
    - CC? Where?
    - The Pink Palm.
  • 69:14 - 69:17
    I met my first husband there.
  • 69:17 - 69:19
    It's a snake pit.
  • 69:24 - 69:26
    Wait till I get my hands
    on that agent. I'll kill him!
  • 69:27 - 69:30
    That toad. He told me this was
    a nightclub with leather banquettes
  • 69:30 - 69:32
    and a dressing room with a door on it!
  • 69:32 - 69:34
    I mean, look at this place!
  • 69:34 - 69:36
    It looks like a flamingo threw up in here!
  • 69:36 - 69:40
    Lady, lady, excuse me.
    We're not open yet.
  • 69:44 - 69:47
    Well, look who's here.
  • 69:50 - 69:52
    It's okay.
  • 70:10 - 70:12
    Oh, Ceece, I'm so glad to see you.
  • 70:13 - 70:15
    I feel awful
    for sending your letters back.
  • 70:16 - 70:20
    I don't even know what happened
    in New York. I don't care anymore.
  • 70:21 - 70:24
    I want you to know,
    whatever it was you said,
  • 70:25 - 70:27
    I forgive you.
  • 70:29 - 70:30
    Go home.
  • 70:32 - 70:34
    I have nothing to say to you.
  • 70:35 - 70:37
    No.
  • 70:39 - 70:41
    I do have something to say.
  • 70:42 - 70:44
    You and your damned letters.
  • 70:45 - 70:48
    Every time I opened one,
    I was happy before I even read it.
  • 70:48 - 70:50
    Just to get them
    made me feel important.
  • 70:51 - 70:53
    All your crappy stories,
    your big dreams!
  • 70:53 - 70:56
    - I didn't know that.
    - Well, what the hell did you know?
  • 70:56 - 70:58
    Did you know how bad
    things were for me?
  • 70:59 - 71:00
    Did you know my career
    was in the toilet?
  • 71:01 - 71:03
    No, because
    you never answered one of my letters.
  • 71:04 - 71:06
    If you'd only answered one, just one!
  • 71:06 - 71:08
    Tell me what a jerk I was, anything.
  • 71:08 - 71:12
    I don't know how to fight back.
    I'm not strong like you.
  • 71:13 - 71:16
    You took away your friendship
    without discussing it with me.
  • 71:17 - 71:20
    That friendship was more
    important to me than anything.
  • 71:20 - 71:22
    I trusted it. I believed in it.
  • 71:23 - 71:25
    But you didn't.
  • 71:25 - 71:27
    And now it's gone.
  • 71:28 - 71:30
    Thank you very, very much
    for forgiving me,
  • 71:31 - 71:33
    but I don't forgive you.
  • 71:38 - 71:39
    I was jealous.
  • 71:40 - 71:43
    I was so jealous of you
    I couldn't see straight!
  • 71:45 - 71:49
    You did everything you said
    you were going to do! Everything!
  • 71:51 - 71:54
    And your talent! This incredible talent!
  • 71:55 - 71:56
    I can't even yodel!
  • 71:57 - 71:58
    Hillary!
  • 72:01 - 72:04
    What's yodeling got to do with it?
  • 72:07 - 72:08
    You're beautiful.
  • 72:08 - 72:10
    You're smart.
  • 72:12 - 72:13
    People look at you.
  • 72:19 - 72:20
    It was all my fault.
  • 72:21 - 72:23
    No, it was our fault.
  • 72:24 - 72:27
    No. No, you were right, what you said.
  • 72:27 - 72:31
    You were right. When John looked
    at you, it used to drive me nuts.
  • 72:32 - 72:35
    I can't even think about it today.
    I start to shake.
  • 72:35 - 72:37
    Excuse me.
    Could I have a Stinger, please?
  • 72:38 - 72:39
    Here, here.
  • 72:39 - 72:41
    Here, here.
  • 72:41 - 72:43
    - You want something?
    - I can't.
  • 72:43 - 72:46
    It was just so obvious
    he was in love with you.
  • 72:47 - 72:51
    - Oh, Hillary, it was?
    - Of course it was.
  • 72:52 - 72:54
    - Didn't you know that?
    - We broke up.
  • 72:56 - 72:57
    Oh, no.
  • 72:58 - 73:00
    It really did me in.
  • 73:00 - 73:02
    I was so wrecked, they had
    to shut down my first picture.
  • 73:03 - 73:05
    - What happened?
    - It was horrible.
  • 73:05 - 73:07
    I was terribly edgy.
  • 73:07 - 73:10
    I wasn't comfortable
    in the medium, you know?
  • 73:11 - 73:13
    So I broke the director's jaw.
  • 73:20 - 73:23
    Worst of all, Arthur died.
  • 73:24 - 73:27
    - Oh, I'm sorry.
    - He was hit by a laundry truck.
  • 73:27 - 73:29
    - He went just like that.
    - At least he didn't suffer.
  • 73:29 - 73:34
    No, but I always thought I hated him,
    when really I loved him.
  • 73:34 - 73:37
    There was no time
    for me to show him any affection.
  • 73:37 - 73:38
    I'm sure he guessed.
  • 73:38 - 73:40
    - He never knew how much I cared.
    - No, he guessed.
  • 73:40 - 73:43
    - People know those things.
    - Hillary, believe me, he wasn't smart.
  • 73:43 - 73:45
    You shouldn't torture yourself like this.
  • 73:46 - 73:48
    Ceece, who's Arthur?
  • 73:49 - 73:51
    My dog. Remember my Great Dane?
  • 73:51 - 73:55
    He was so stupid, but he was so sweet.
  • 73:55 - 73:59
    He used to like to run after trucks and...
  • 73:59 - 74:01
    Hillary, you've got so fat!
  • 74:01 - 74:04
    I'm not fat. I'm having a baby.
  • 74:04 - 74:07
    You're not. You're having a baby?
  • 74:07 - 74:10
    - I'm three months pregnant.
    - That's great!
  • 74:11 - 74:13
    Before I caught him with that woman,
    we made love and...
  • 74:13 - 74:15
    - What woman?
    - There is this woman,
  • 74:15 - 74:16
    and I caught them together.
  • 74:16 - 74:18
    - Michael?
    - Of course, Michael.
  • 74:18 - 74:19
    And that's when it happened.
  • 74:19 - 74:20
    Except he doesn't want it
    because he's going to marry her.
  • 74:21 - 74:23
    Can you believe
    he's going to marry her?
  • 74:24 - 74:26
    Would you make this a double, please?
  • 74:26 - 74:29
    Let me get this straight. You caught
    Michael with another woman?
  • 74:30 - 74:31
    Yes.
  • 74:31 - 74:34
    And now you're going to have
    a baby all on your own?
  • 74:37 - 74:39
    Oh, Hillary, I think that's so wonderful.
  • 74:39 - 74:42
    - You do? Really?
    - I do! I think it's the most exciting thing.
  • 74:43 - 74:46
    And if it's a girl,
    will you name it after me?
  • 74:47 - 74:48
    Oh, Ceece.
  • 74:56 - 74:59
    Baby mine
  • 74:59 - 75:02
    Don't you cry
  • 75:03 - 75:06
    Baby mine
    Dry your eye
  • 75:06 - 75:09
    Oh, CC, feel this.
  • 75:10 - 75:15
    Press your head close to my heart
  • 75:15 - 75:17
    Never to part
  • 75:17 - 75:21
    Baby of mine
  • 75:21 - 75:24
    Little one
  • 75:24 - 75:28
    When you play
  • 75:28 - 75:31
    Pay no heed
  • 75:31 - 75:35
    What they say
  • 75:35 - 75:40
    Let your eyes sparkle and shine
  • 75:40 - 75:42
    Never a tear
  • 75:42 - 75:46
    Baby of mine
  • 75:49 - 75:51
    - No, I want you to come.
    - Forget it.
  • 75:51 - 75:52
    Why?
  • 75:53 - 75:55
    Because you know
    how I feel about sickness.
  • 75:55 - 75:57
    - It depresses me.
    - I'm not sick, I'm pregnant.
  • 75:57 - 75:59
    I know, but this is a hospital.
    There are sick people here in the halls.
  • 75:59 - 76:01
    You don't want to see the baby
    on the screen?
  • 76:01 - 76:03
    Draw me a picture, Hillary.
  • 76:03 - 76:04
    - Hi.
    - Hi.
  • 76:04 - 76:06
    I'm Hillary Whitney to see Dr. Milstein.
  • 76:06 - 76:10
    Okay, Dr. Milstein. Sixth floor.
  • 76:10 - 76:11
    - Thanks.
    - You're welcome.
  • 76:11 - 76:13
    - Hillary!
    - Oh, hi.
  • 76:13 - 76:16
    My obstetrician.
    This is Dr. Richard Milstein.
  • 76:16 - 76:19
    - This is my oldest friend...
    - CC Bloom.
  • 76:19 - 76:22
    - Herself.
    - I've always been a great fan of yours.
  • 76:22 - 76:23
    How nice.
  • 76:23 - 76:26
    I traveled through a hurricane
    to see you on Broadway.
  • 76:26 - 76:29
    Really? Gee, I hope it was worth it.
  • 76:30 - 76:33
    Oh, absolutely. You were brilliant.
  • 76:35 - 76:38
    And your wife?
    Did she think it was worth it, too?
  • 76:38 - 76:40
    That was before I was married.
  • 76:43 - 76:45
    Also, she's not my wife anymore.
  • 76:46 - 76:48
    I just got divorced last year.
  • 76:51 - 76:52
    Oh, I'm so sorry to hear it.
  • 76:53 - 76:54
    I mean...
  • 76:58 - 77:00
    I hope it wasn't too painful.
    Are you ready for your radar?
  • 77:00 - 77:02
    It's sonar,
    and I thought you weren't coming
  • 77:02 - 77:04
    because you don't like sick people.
  • 77:04 - 77:06
    Not coming with you? Are you mad?
  • 77:06 - 77:09
    I wouldn't dream of missing a chance
    to see the little darling on screen.
  • 77:09 - 77:11
    - What floor?
    - Six.
  • 77:11 - 77:12
    Okay.
  • 77:15 - 77:18
    - What did you think? I couldn't tell.
    - Oh, about the restaurant?
  • 77:18 - 77:21
    Gee, I thought it was great.
    I love that Victorian crap.
  • 77:21 - 77:25
    Really? I thought it would be too
    provincial for you after New York City.
  • 77:25 - 77:27
    Oh, no, I grew up in the provinces.
  • 77:27 - 77:29
    Oh. Really? Where?
  • 77:29 - 77:31
    The Bronx.
  • 77:33 - 77:36
    - I suppose you're anxious to get back.
    - To the Bronx?
  • 77:36 - 77:39
    No, to New York City,
    show business and everything.
  • 77:40 - 77:42
    Oh, yeah, that.
  • 77:43 - 77:45
    Maybe I am and maybe I'm not.
  • 77:45 - 77:47
    What do you mean, maybe you're not?
  • 77:47 - 77:50
    Well, maybe I'm sick
    of the show business life.
  • 77:50 - 77:53
    Maybe I want to have
    something normal for a change?
  • 77:53 - 77:56
    Maybe I'd like to be a wife,
    and a mother, and have kids,
  • 77:56 - 77:59
    and join a quilting bee
    and have a station wagon.
  • 77:59 - 78:01
    - Did I hurt you?
    - No, no, I'm all right.
  • 78:01 - 78:04
    You mean you'd consider
    giving up your career for marriage?
  • 78:05 - 78:09
    Oh, God, yeah.
  • 78:10 - 78:14
    If I met the right guy, maybe.
  • 78:21 - 78:23
    Okay, Hillary, shut your eyes.
  • 78:24 - 78:26
    I can't believe how perfect this is.
  • 78:27 - 78:30
    Look. What do you think?
  • 78:31 - 78:34
    Am I the picture of a doctor's wife,
    or what?
  • 78:35 - 78:37
    I don't know what to say.
  • 78:37 - 78:39
    You hate it.
  • 78:39 - 78:41
    You hate my hat. You hate my hair.
  • 78:41 - 78:44
    No, no, it's the broach.
    Here, wait a minute.
  • 78:44 - 78:46
    - Try this one. It was my grandmother's.
    - That's so beautiful.
  • 78:46 - 78:48
    - It will be perfect.
    - You think my broach is tacky?
  • 78:48 - 78:49
    This will make it perfect.
    Don't worry about it.
  • 78:49 - 78:50
    - Thank you.
    - Everything will be all right.
  • 78:51 - 78:52
    A doctor, a doctor
  • 78:52 - 78:55
    I can't believe I'm marrying a doctor
    A doctor
  • 79:02 - 79:04
    It's for you. It's your agent.
  • 79:19 - 79:21
    You're leaving? Just like that?
  • 79:21 - 79:24
    I have to. It's a lead. A lead!
  • 79:24 - 79:25
    It's my chance
    to come back from the dead.
  • 79:25 - 79:29
    - What about the baby?
    - I'll be back for that. I told you that.
  • 79:29 - 79:30
    Look, do you want this?
  • 79:30 - 79:32
    - I can't really wear...
    - No.
  • 79:32 - 79:35
    - All right. What about the broach?
    - No, I won't let you do this.
  • 79:35 - 79:38
    - What?
    - Just waltz in and make a mess
  • 79:38 - 79:39
    and leave it for me to clean up.
  • 79:39 - 79:42
    I don't know what you're talking about.
    I told you I would clean up the room.
  • 79:42 - 79:44
    I'm talking about Richard, your fiance.
  • 79:45 - 79:47
    You're heartless.
    You are really heartless.
  • 79:47 - 79:49
    You just used that poor man
  • 79:49 - 79:50
    - to get back on your feet.
    - I did not!
  • 79:50 - 79:52
    - You did, too! You did, too!
    - I did not!
  • 79:55 - 79:57
    Maybe I did.
  • 79:57 - 80:00
    But I didn't know I was,
    so it doesn't count.
  • 80:03 - 80:06
    Besides, I feel terrible
    about it, all right?
  • 80:07 - 80:08
    All right.
  • 80:08 - 80:11
    Then have the decency
    to tell him you're leaving.
  • 80:16 - 80:18
    Yeah, all right, I will.
  • 80:20 - 80:21
    Good.
  • 80:22 - 80:24
    But I was...
  • 80:25 - 80:28
    - I was just thinking.
    - Thinking what?
  • 80:28 - 80:32
    I'm in a mad rush
    to get back to New York.
  • 80:32 - 80:34
    - I've got to go.
    - No.
  • 80:34 - 80:36
    - He's a very old friend of yours.
    - No.
  • 80:36 - 80:37
    - He'd take it coming from you.
    - No!
  • 80:37 - 80:40
    - He's your gynecologist!
    - No.
  • 80:42 - 80:43
    Hillary, please.
  • 80:44 - 80:46
    Please.
  • 80:48 - 80:49
    I can't face him.
  • 80:53 - 80:54
    She's gone?
  • 80:56 - 80:59
    It was the part of a lifetime, Richard.
    She just had to go.
  • 81:00 - 81:01
    I don't understand it.
  • 81:01 - 81:05
    Just yesterday she was telling me
    how she wanted to become a nurse.
  • 81:10 - 81:12
    Here. You might as well have this.
  • 81:13 - 81:16
    Oh, thank you. It's lovely.
  • 81:17 - 81:18
    It's...
  • 81:19 - 81:22
    Why don't we get together next week
    and have lunch and talk about it?
  • 81:22 - 81:24
    - Sure, sure.
    - Really? You mean it?
  • 81:25 - 81:27
    You're perfectly welcome
    to come inside.
  • 81:27 - 81:30
    No, thanks, Hillary.
    I really should get going.
  • 81:53 - 81:58
    - Take out that whole section there.
    - John?
  • 82:03 - 82:05
    Hi, CC.
  • 82:05 - 82:07
    Gee, you haven't changed a bit.
  • 82:08 - 82:10
    Neither have you.
  • 82:10 - 82:12
    You look great.
  • 82:13 - 82:14
    When my agent
  • 82:16 - 82:19
    told me it was you
    who wanted me for this show, I...
  • 82:19 - 82:21
    I just couldn't believe it.
  • 82:22 - 82:23
    Why me?
  • 82:24 - 82:27
    Well, I heard you weren't busy.
  • 82:28 - 82:31
    I bet.
  • 82:32 - 82:34
    You're the only person
    with enough talent to play the part.
  • 82:37 - 82:40
    So you'll do it,
    even though I'm the director?
  • 82:40 - 82:42
    - Sure, I'll do it.
    - You will?
  • 82:44 - 82:46
    Business is business.
  • 82:47 - 82:49
    So, rehearsals start Monday?
  • 82:49 - 82:51
    10:00 sharp.
  • 82:54 - 82:58
    Thank you.
  • 83:07 - 83:09
    What do you mean, you can't?
  • 83:09 - 83:11
    - Some people are afraid of snakes.
    - Snakes?
  • 83:11 - 83:12
    What does that have to do
    with anything?
  • 83:12 - 83:14
    I'm afraid of blood.
  • 83:14 - 83:15
    I'm afraid of death.
  • 83:15 - 83:17
    I can't even stand to hear someone
    say "mucous membrane."
  • 83:17 - 83:19
    - You were going to be my partner.
    - I've made a terrible mistake.
  • 83:19 - 83:21
    I should have known
    you'd do something like that!
  • 83:21 - 83:23
    This isn't the first time!
  • 83:24 - 83:25
    What are you saying?
  • 83:25 - 83:28
    The time you left me waiting
    in the lobby of The Plaza Hotel
  • 83:28 - 83:29
    and you never showed up.
  • 83:29 - 83:31
    I cannot believe
    you're bringing that up again!
  • 83:31 - 83:33
    It was the most inconsiderate thing
    anyone's ever done to me.
  • 83:33 - 83:35
    I told you a million times
    what happened.
  • 83:35 - 83:37
    I went to the Iranian Queen
    for a pedicure.
  • 83:37 - 83:40
    His manic-depressive boyfriend
    stole my purse with everything in it!
  • 83:40 - 83:44
    - CC.
    - Richard.
  • 83:44 - 83:47
    Hi. Congratulations.
    I hear your play is a success.
  • 83:47 - 83:50
    Oh, yeah, yeah. Thanks.
    I hear you're getting married.
  • 83:51 - 83:53
    - Hillary told me she's quite beautiful.
    - Thank you.
  • 83:54 - 83:55
    She also says she's very
  • 83:59 - 84:00
    You're going to stay, aren't you?
  • 84:00 - 84:02
    How'd I get in here?
  • 84:04 - 84:07
    Miss Bloom, are you all right?
  • 84:07 - 84:11
    Somebody! Anybody!
  • 84:11 - 84:13
    You gotta be joking!
  • 84:23 - 84:24
    CC.
  • 84:26 - 84:28
    Wake up. Ceece?
  • 84:32 - 84:34
    - Is it over?
    - Yes.
  • 84:35 - 84:38
    - What is it?
    - It's a girl.
  • 84:40 - 84:42
    It's a beautiful little girl.
  • 84:45 - 84:48
    She's so beautiful.
  • 84:49 - 84:52
    This is the most important
    moment of my entire life.
  • 84:56 - 84:57
    Look at her.
  • 84:57 - 84:59
    She's very smart.
  • 85:03 - 85:07
    I do not fear the Wizard of Evil
  • 85:07 - 85:10
    for I am Princess Opgel,
  • 85:10 - 85:14
    and even he cannot resist my powers.
  • 85:14 - 85:18
    I know he locked
    Prince Charlie in the tower...
  • 85:18 - 85:20
    Victoria Cecilia,
    are you in bed yet?
  • 85:20 - 85:22
    Yes, Mom.
  • 85:23 - 85:26
    And she goes to rescue the princess.
  • 85:26 - 85:29
    And she goes up the slimy steps,
  • 85:29 - 85:30
    and meets the Wizard, and she kills...
  • 85:31 - 85:33
    The Wizard of Evil
    shows up unexpectedly,
  • 85:33 - 85:35
    and he grabs the princess.
  • 85:35 - 85:38
    He puts her into a deep, deep sleep
  • 85:38 - 85:40
    for at least eight hours, I hope.
  • 85:40 - 85:43
    Come on. Let me pull the bed down.
  • 85:47 - 85:49
    Just 10 more days till school's out.
  • 85:49 - 85:52
    You know what? I can't wait, too.
  • 85:52 - 85:56
    I don't know about you,
    but I am exhausted.
  • 85:56 - 85:58
    - Love you.
    - Love you.
  • 86:04 - 86:06
    - Good night.
    - Good night.
  • 86:08 - 86:11
    Pouncer, Pouncer
    The wonder cat
  • 86:11 - 86:13
    I'm so glad you're not a rat
  • 86:13 - 86:16
    Or a bat or too fat
    Pouncer, Pouncer the wonder cat
  • 86:16 - 86:18
    Victoria, it's time for dinner.
  • 86:18 - 86:21
    Dear Favorite Lawyer,
    that was great advice you gave me.
  • 86:21 - 86:23
    I held out, and they had to outbid
  • 86:23 - 86:25
    two other record companies
    to keep me.
  • 86:25 - 86:28
    So I get to do another album,
    and I'm going to pick music that I like.
  • 86:28 - 86:31
    You are the greatest. Love, Ceece.
  • 86:33 - 86:35
    But, Mom, you said I could.
  • 86:36 - 86:39
    You can invite Melissa
    the last week in August, but not before.
  • 86:39 - 86:42
    But I thought she could
    stay the whole month. I already told her.
  • 86:42 - 86:45
    Then "untell" her.
    I want this summer to be peaceful.
  • 86:46 - 86:48
    I can't shake this flu. I'm tired.
  • 86:48 - 86:51
    I don't want to spend my time
    taking care of other people's children.
  • 86:51 - 86:52
    Understood?
  • 86:52 - 86:54
    But who will I play with?
  • 86:54 - 86:59
    The same children you've played with
    every summer since you were born,
  • 87:00 - 87:02
    the ones who live there.
  • 87:02 - 87:04
    I'm late!
  • 87:08 - 87:11
    I'm sorry, puss. I'm just so tired.
  • 87:13 - 87:14
    I'm very tired.
  • 87:15 - 87:17
    You're always tired.
  • 87:23 - 87:25
    Hey.
  • 87:40 - 87:43
    - Thanks a lot. Okay.
    - Bye-bye.
  • 87:43 - 87:46
    - Hi, Frank. Gorgeous night, isn't it?
    - It certainly is.
  • 87:46 - 87:48
    By the way, I want to congratulate you
    for winning the Tony.
  • 87:48 - 87:50
    - Wasn't that something?
    - Oh, yeah.
  • 87:50 - 87:51
    - Did you like my speech?
    - Yeah.
  • 87:51 - 87:52
    I didn't mean a word.
  • 87:52 - 87:54
    Did you see those three other broads
    gnashing their teeth?
  • 87:54 - 87:55
    - Yeah.
    - It was great, wasn't it?
  • 87:55 - 87:58
    - What's this for?
    - It'll keep you honest.
  • 88:12 - 88:15
    - Congratulations on the Nordoff case.
    - Thanks.
  • 88:15 - 88:19
    - Hillary, do you have a minute?
    - Just. I'm due in court now.
  • 88:19 - 88:21
    Well, the attorney from the drug
    company called me this morning.
  • 88:21 - 88:24
    - They want to settle out of court.
    - I bet they do. Forget it.
  • 88:24 - 88:26
    You're being stubborn.
  • 88:26 - 88:28
    I'm not stubborn. I'm right.
  • 88:28 - 88:30
    Look, I respect you, we all respect you,
  • 88:31 - 88:33
    but get off your moral high horse and...
  • 88:33 - 88:35
    Going to court
    is not going to solve a thing.
  • 88:36 - 88:38
    It's just going to complicate
    a simple financial deal
  • 88:38 - 88:41
    between your client and mine.
  • 88:41 - 88:44
    Hillary? Hillary, you all right?
  • 88:44 - 88:46
    - Hillary, you all right?
    - Can't breathe.
  • 88:46 - 88:49
    - What's the matter?
    - She can't breathe. She can't breathe.
  • 88:49 - 88:51
    - I don't know what's going on.
    - Oh, my God. Call a doctor, somebody!
  • 88:51 - 88:54
    - Do you know CPR?
    - No, I don't.
  • 88:54 - 88:57
    - Honey, what can we do for you?
    - Maybe she's a diabetic.
  • 88:57 - 88:59
    I don't know. What is it?
    Call 911! Call a doctor!
  • 89:04 - 89:08
    Technically, it's called
    viral cardiomyopathy.
  • 89:08 - 89:09
    What that means to you
  • 89:09 - 89:14
    is that she will suffer from
    shortness of breath, fatigue, dizziness.
  • 89:14 - 89:16
    Do you mean all the time?
  • 89:16 - 89:17
    I'm afraid so.
  • 89:17 - 89:21
    You see, this virus attacks the heart
    and damages the muscle.
  • 89:21 - 89:23
    I don't know how disciplined she is now,
  • 89:23 - 89:26
    but she's gonna have
    to change her lifestyle.
  • 89:26 - 89:30
    With proper rest and medicine,
    we can slow down the deterioration.
  • 89:32 - 89:33
    - Hi, puss!
    - Hi, Mom.
  • 89:33 - 89:36
    Come here. Give me a kiss.
    I missed you so much.
  • 89:36 - 89:37
    Missed you, too.
  • 89:38 - 89:40
    What are you doing here alone?
  • 89:40 - 89:43
    Aunt Vesta's outside
    talking to the doctor.
  • 89:43 - 89:44
    - Oh.
    - Are you okay?
  • 89:44 - 89:47
    Sure, I am. I'm gonna be home
    at the end of the week.
  • 89:47 - 89:48
    - Really?
    - Yeah.
  • 89:48 - 89:50
    Good! What's this?
  • 89:51 - 89:53
    See? It's how the doctor
    can tell what's wrong with me.
  • 89:53 - 89:56
    - What is wrong with you, anyway?
    - I caught a virus.
  • 89:58 - 89:59
    In your heart?
  • 90:00 - 90:01
    Who told you that?
  • 90:02 - 90:05
    I heard the doctor say it to Aunt Vesta.
  • 90:07 - 90:09
    Yes, I caught a virus in my heart.
  • 90:10 - 90:12
    And you caught three new freckles.
  • 90:13 - 90:16
    - You've been busy, haven't you?
    - Yeah. What's their names?
  • 90:17 - 90:20
    - Ellen, Betty Ann and Benji.
    - What color are they?
  • 90:21 - 90:25
    Broken windows and empty hallways
  • 90:25 - 90:27
    Hi, I was wondering
    if you could help me.
  • 90:27 - 90:31
    I want to see everything you have on
    a heart disease called cardiomyopathy.
  • 90:31 - 90:32
    In a sky streaked with gray
  • 90:33 - 90:34
    Let me look that up for you.
  • 90:35 - 90:36
    Human kindness
  • 90:36 - 90:38
    Viral cardiomyopathy.
  • 90:38 - 90:40
    Is overflowing
  • 90:42 - 90:46
    And I think it's gonna rain
  • 90:46 - 90:48
    Today
  • 90:51 - 90:54
    Scarecrows dressed
  • 90:54 - 90:58
    In the latest styles
  • 90:58 - 91:00
    With frozen smiles
  • 91:00 - 91:04
    To chase love away
  • 91:04 - 91:08
    Human kindness
  • 91:08 - 91:11
    Is overflowing
  • 91:12 - 91:16
    And I think it's gonna rain
  • 91:16 - 91:19
    Today
  • 91:21 - 91:23
    Lonely
  • 91:26 - 91:32
    So lonely
  • 91:35 - 91:37
    Tin can at my feet
  • 91:37 - 91:42
    I think I'll kick it down the street
  • 91:42 - 91:46
    That's the way to treat
  • 91:46 - 91:48
    A friend
  • 91:48 - 91:51
    Bright before me
  • 91:51 - 91:54
    The signs implore me
  • 91:54 - 91:56
    Help the needy
  • 91:56 - 91:59
    And show them the way
  • 91:59 - 92:04
    Human kindness
  • 92:04 - 92:08
    Is overflowing
  • 92:09 - 92:14
    And I think it's gonna rain
  • 92:15 - 92:16
    Today
  • 92:39 - 92:41
    Hillary, I want to help.
  • 92:41 - 92:44
    I came all the way from New York.
    Just tell me what we have to do.
  • 92:45 - 92:48
    I've chosen medication and rest.
  • 92:48 - 92:51
    But that's not very aggressive, Hillary.
  • 92:51 - 92:52
    There's lots they can do
    for the heart nowadays.
  • 92:52 - 92:56
    Sure, I'm on a list for a donor,
    but it's unlikely with my tissue type.
  • 92:59 - 93:01
    But you will get better?
  • 93:01 - 93:03
    Look at it this way,
  • 93:03 - 93:05
    I'll never have to take
    another aerobics class.
  • 93:07 - 93:10
    Why do you always go
    to those crappy jokes, Hillary?
  • 93:10 - 93:12
    I mean, I feel lousy enough as it is.
  • 93:13 - 93:15
    These are nice.
  • 93:16 - 93:18
    I better put them in water
    before they die. I mean, wilt.
  • 93:19 - 93:20
    - CC.
    - What?
  • 93:21 - 93:24
    I still want to take Victoria
    to the beach house for the summer,
  • 93:24 - 93:25
    and we can't go alone.
  • 93:29 - 93:30
    No, of course not.
  • 93:31 - 93:33
    Well, don't worry about it.
    I'll hire you a nurse.
  • 93:35 - 93:37
    No, it's all right. We can...
  • 93:37 - 93:39
    I'll do that myself.
  • 93:41 - 93:43
    Better put those in water
    before they die.
  • 94:02 - 94:05
    - Where did you get this?
    - Get what?
  • 94:05 - 94:07
    This is great.
  • 94:08 - 94:10
    This picture of us in Atlantic City.
  • 94:10 - 94:12
    Victoria found it in a box.
  • 94:15 - 94:17
    Look at us.
  • 94:20 - 94:22
    I always hated my hair.
  • 94:22 - 94:25
    What a pair.
  • 94:32 - 94:34
    Well,
  • 94:35 - 94:38
    now that I finished my record,
  • 94:38 - 94:40
    I'm free for a while.
  • 94:41 - 94:45
    Maybe I should go to the beach
    with you instead of a nurse.
  • 94:46 - 94:47
    I'd like that.
  • 94:50 - 94:51
    Yeah.
  • 94:52 - 94:54
    Sure.
  • 94:55 - 94:57
    I set the alarm on your wristwatch
  • 94:57 - 95:01
    so we'd know what time
    to give you your pills.
  • 95:01 - 95:03
    - Are you okay?
    - Yeah. Why?
  • 95:03 - 95:06
    - Well, you made a noise.
    - I did not make a noise.
  • 95:06 - 95:08
    - I distinctly heard you make a noise.
    - I did not make a noise.
  • 95:08 - 95:10
    What are you doing?
    What are you doing?
  • 95:10 - 95:13
    I'm just helping you into the car.
  • 95:13 - 95:18
    - Yeah, I still have the use of my legs.
    - I was just being helpful.
  • 95:18 - 95:19
    Victoria, get in the car.
  • 95:19 - 95:22
    I always sit in the front with you.
  • 95:23 - 95:25
    CC's driving,
    so you have to sit in the back.
  • 95:25 - 95:27
    Will you sit in the back
    with me, Mommy?
  • 95:27 - 95:29
    There's not enough room.
  • 95:32 - 95:34
    When we get there,
    will you go swimming with me?
  • 95:34 - 95:36
    I can't, but CC will. Won't you, Ceece?
  • 95:36 - 95:38
    Yeah, sure. I love the water.
  • 95:39 - 95:43
    Never mind. I'll go by myself.
  • 95:43 - 95:44
    Hey!
  • 95:46 - 95:48
    You pull gently. You just reach back,
    and you pull gently.
  • 95:49 - 95:51
    Thank you. Be my guest, all right?
  • 95:51 - 95:53
    Who said I wanted
    to go swimming anyway?
  • 95:53 - 95:55
    It was your idea.
  • 95:56 - 95:58
    All right, are we ready?
  • 95:58 - 95:59
    - Yes.
    - We're off!
  • 96:00 - 96:02
    You lose again, CC.
  • 96:02 - 96:04
    I'm fed up with this geography stuff.
  • 96:04 - 96:05
    Let's sing.
  • 96:06 - 96:09
    You are my sunshine
    My only sunshine
  • 96:09 - 96:13
    You make me happy
    when skies are gray
  • 96:13 - 96:17
    You'll never know, dear
    how much I love you
  • 96:17 - 96:21
    Please don't take
    my sunshine away
  • 96:21 - 96:23
    The other night, dear
    as I lay sleeping
  • 96:25 - 96:30
    I dreamed I held you in my arms
  • 96:31 - 96:35
    But when I woke up I was mistaken
  • 96:35 - 96:39
    And I hung my head and I cried
  • 96:43 - 96:46
    Hi, Victoria!
    Are you staying all summer?
  • 96:46 - 96:49
    Mom, the Halen family's here! Hi, Tom!
  • 96:51 - 96:52
    What a place.
  • 96:53 - 96:56
    Well, that's the end of it.
    This is the last piece in the trunk.
  • 96:56 - 96:59
    - That doesn't go there.
    - Well, where does it go?
  • 97:00 - 97:01
    There.
  • 97:05 - 97:06
    Okay, Your Highness?
  • 97:07 - 97:10
    - Are you staying all summer?
    - It looks like it.
  • 97:10 - 97:11
    Why?
  • 97:12 - 97:13
    To help your mother.
  • 97:16 - 97:19
    She doesn't need any help.
    She has me.
  • 97:38 - 97:39
    Mom!
  • 97:41 - 97:44
    - What?
    - CC's towel is on the floor.
  • 97:44 - 97:46
    Well, pick it up.
  • 97:47 - 97:50
    If I leave my towel on the floor,
    you always make me pick it up myself.
  • 97:50 - 97:52
    She's a guest, honey.
  • 98:06 - 98:07
    Happy, dear?
  • 98:22 - 98:23
    - Hi, Victoria!
    - Hi, kids!
  • 98:23 - 98:26
    - Hi, Heather! Hi, Brigitte!
    - Victoria!
  • 98:27 - 98:31
    Continue making the castle.
    I'll be back to check your work.
  • 98:32 - 98:35
    - She's so bossy.
    - Yeah.
  • 98:37 - 98:40
    I think Pouncer's getting hungry.
    You should probably bring him in.
  • 98:42 - 98:44
    We have the same hands.
  • 98:45 - 98:48
    You're right. We do.
  • 98:49 - 98:52
    We have exactly the same hands.
  • 98:56 - 98:58
    Come on, Pouncer.
  • 98:58 - 99:00
    - Come on.
    - There.
  • 99:10 - 99:12
    - Hillary, what are you doing?
    - I'm looking for a picture.
  • 99:13 - 99:15
    The one of my mother. It's...
  • 99:15 - 99:19
    I have to find it.
    I can't remember her hands.
  • 99:19 - 99:21
    I can't remember.
  • 99:22 - 99:24
    Her hands?
  • 99:28 - 99:30
    I'm so scared, CC.
  • 99:34 - 99:36
    I'm just so scared.
  • 99:42 - 99:44
    We'll find it. We'll find it.
  • 99:46 - 99:48
    It's just gonna take a minute, that's all.
  • 99:55 - 99:56
    Here's one.
  • 99:59 - 100:01
    That's it.
  • 100:03 - 100:05
    Thank you.
  • 100:06 - 100:08
    Come on, you know the words.
  • 100:08 - 100:11
    I can't.
    There's too many people.
  • 100:11 - 100:12
    Who's watching? What's the matter?
  • 100:13 - 100:14
    You think we're gonna get arrested?
  • 100:15 - 100:16
    People pay me to do this.
  • 100:16 - 100:18
    You ought to come
    see me work sometime.
  • 100:18 - 100:20
    - Could I?
    - Of course you can.
  • 100:20 - 100:22
    I'll tell your mommy. Okay, you ready?
  • 100:24 - 100:27
    First you put your two knees
    close up tight
  • 100:27 - 100:30
    Then you swing 'em to the left
    and you swing 'em to the right
  • 100:30 - 100:33
    You step around the floor
    kind of nice and light
  • 100:33 - 100:37
    And then you twist around
    and twist around with all of your might
  • 100:37 - 100:40
    Spread your loving arms
    way out in space
  • 100:40 - 100:44
    Then you do the eagle rock
    with style and grace
  • 100:44 - 100:47
    Put your foot way out and bring it back
  • 100:47 - 100:50
    And that's what I call ballin' the jack
  • 100:51 - 100:55
    Very good. Very good.
  • 100:55 - 100:58
    Take our bow. Thank you.
  • 100:59 - 101:02
    - That was great.
    - Very nice. Very nice. Bravo! Bravo!
  • 101:08 - 101:11
    Hello? Hold on. I'll see if she's here.
  • 101:13 - 101:15
    Hillary, it's for you.
  • 101:15 - 101:17
    I'm not here.
  • 101:19 - 101:22
    Victoria, tell them she's not here.
  • 101:28 - 101:31
    You make me say that
    to all your friends.
  • 101:31 - 101:33
    They're gonna think
    I'm holding you prisoner.
  • 101:33 - 101:35
    I don't care what they think.
  • 101:39 - 101:41
    We're going down
    to the dock later to buy some lobsters.
  • 101:41 - 101:44
    - You want to come?
    - No, I can't walk that far.
  • 101:44 - 101:46
    I'm gonna drive.
  • 101:46 - 101:48
    I'd rather not.
  • 101:50 - 101:54
    Okay, then, why don't you get dressed
    and sit outside on the beach with us?
  • 101:54 - 101:56
    I'm happy here.
  • 101:57 - 101:58
    It's a beautiful day.
  • 102:01 - 102:02
    Okay, stay in.
  • 102:03 - 102:07
    But will you at least... Will you at least
    get out of those pajamas?
  • 102:07 - 102:09
    You've been in them for over a week!
  • 102:10 - 102:13
    So what? Who the hell are you,
    the clothes police?
  • 102:13 - 102:14
    Just leave me alone, okay?
  • 102:15 - 102:16
    That's all I want,
    to be left fucking alone!
  • 102:37 - 102:42
    Hillary, I'm sorry to keep on you,
    but I know how hard this is for you.
  • 102:42 - 102:45
    No, you don't. You don't know
    what this feels like at all.
  • 102:45 - 102:48
    I'm the one who won't live to see
    my daughter grow into a woman,
  • 102:48 - 102:50
    who won't be able
    to protect her from the world.
  • 102:50 - 102:53
    And I hate that she'd rather be with you,
  • 102:53 - 102:55
    who has energy, who is fun.
  • 102:56 - 102:57
    You told me to play with her!
  • 102:57 - 103:00
    I know I did, but I didn't know it was
    gonna make me feel like this!
  • 103:01 - 103:03
    I don't want it to be over with yet.
  • 103:05 - 103:08
    So you don't understand
    what this feels like, all right?
  • 103:08 - 103:10
    You're still in the land of the living.
  • 103:11 - 103:13
    Well, so are you.
  • 103:14 - 103:17
    You're not dead yet,
    so stop living as if you are!
  • 103:25 - 103:27
    - That's wonderful.
    - Thank you.
  • 103:27 - 103:30
    All right now, tell us the truth.
  • 103:31 - 103:33
    I want you to pull out
    all the stops on this.
  • 103:34 - 103:36
    We know the performer.
  • 103:37 - 103:39
    Who's the person? Who is CC Bloom?
  • 103:39 - 103:42
    Don't do it. Don't do it.
  • 103:43 - 103:46
    Lila, I can't tell you how many times
  • 103:46 - 103:48
    I've asked myself
    that very same question.
  • 103:48 - 103:49
    She's gonna do it.
  • 103:49 - 103:51
    First and foremost, I would have to say
  • 103:52 - 103:55
    that CC feels things deeply.
  • 103:56 - 103:59
    CC is a deeply feeling person,
  • 103:59 - 104:03
    and because of this,
    is deeply emotional.
  • 104:03 - 104:04
    Do you understand?
  • 104:05 - 104:07
    Can these two things exist separately?
  • 104:08 - 104:12
    Well, I'd...
    I'd love to explore this duality,
  • 104:12 - 104:15
    but I'm afraid we've just run out of time.
  • 104:15 - 104:17
    But thank you so much
    forjoining us on Star Talk.
  • 104:17 - 104:19
    My pleasure, my pleasure.
  • 104:19 - 104:21
    And thank you forjoining me
    on Star Talk.
  • 104:22 - 104:24
    And until next week,
    this is Lila Lake saying...
  • 104:24 - 104:27
    Don't judge, keep sharing.
  • 104:28 - 104:33
    - What did you think?
    - I think you sounded kind of dumb.
  • 104:36 - 104:38
    Shut the darn thing off.
  • 104:44 - 104:47
    - Hi, Mom.
    - Hi, puss.
  • 104:48 - 104:49
    Sit here.
  • 104:49 - 104:52
    I thought I'd help with dinner.
    What are we having?
  • 104:52 - 104:55
    - Beans.
    - Beans?
  • 104:55 - 104:57
    Would you braid my hair, Mom?
  • 104:57 - 105:00
    Sure. Come here.
  • 105:18 - 105:20
    Crap.
  • 105:21 - 105:23
    - Gin and game.
    - I don't believe it.
  • 105:23 - 105:25
    - As usual.
    - Oh! You're driving me...
  • 105:25 - 105:28
    - You will never beat me at cards.
    - You kill me.
  • 105:28 - 105:29
    - Never.
    - You just kill me.
  • 105:30 - 105:33
    You know,
    it's really been a great summer.
  • 105:34 - 105:36
    We have had some laughs, haven't we?
  • 105:37 - 105:39
    You know what I was
    thinking about last night?
  • 105:39 - 105:41
    Remember that first Christmas
    we had at the loft?
  • 105:42 - 105:45
    I was remembering those
    stinking Christmas carols.
  • 105:45 - 105:48
    - What Christmas carols?
    - "What Christmas carols?"
  • 105:48 - 105:51
    The Christmas carols
    you forced me to sing every night.
  • 105:51 - 105:52
    - You know what?
    - What?
  • 105:53 - 105:56
    You really do stretch the truth.
    You know that?
  • 105:57 - 106:00
    Out of the way, kids.
    We're trying to pack.
  • 106:01 - 106:03
    We're going home tomorrow.
  • 106:03 - 106:05
    But guess what?
  • 106:05 - 106:10
    I'm going to Los Angeles
    to see a CC Bloom concert.
  • 106:11 - 106:12
    Can I be your date?
  • 106:13 - 106:15
    Goodbye, Hillary!
  • 106:16 - 106:18
    Bye!
  • 106:18 - 106:21
    Goodbye, CC,
    and thanks for the autograph.
  • 106:22 - 106:24
    I gotta go make lunch for Victoria.
  • 106:24 - 106:27
    "Stretch the truth." What crust.
  • 106:27 - 106:28
    Listen.
  • 106:29 - 106:31
    I know everything
    there is to know about you,
  • 106:31 - 106:33
    and my memory is long.
  • 106:33 - 106:35
    My memory is very, very long.
  • 106:45 - 106:46
    I'm counting on it.
  • 106:52 - 106:55
    Why does a squirrel
    make its nest so high up?
  • 106:55 - 106:57
    So nobody can touch it.
  • 106:58 - 107:01
    Come on. I'll help you finish packing.
  • 107:01 - 107:03
    What do you mean?
    I'm already packed.
  • 107:04 - 107:07
    - What is all this stuff?
    - My clothes.
  • 107:08 - 107:10
    You're only going to LA for two days.
  • 107:10 - 107:13
    Well, you never know
    what might come up.
  • 107:13 - 107:14
    And that?
  • 107:15 - 107:17
    Oh, I told CC I would
    learn her how to play.
  • 107:17 - 107:22
    Teach. And I think she's going
    to be too busy with her concert.
  • 107:22 - 107:24
    Next time.
  • 107:26 - 107:29
    Is the Hollywood Bowl really a bowl?
  • 107:29 - 107:31
    You'll see for yourself.
  • 107:31 - 107:34
    Now, get my brown carry-on bag.
  • 107:34 - 107:36
    It's in the top of the hall closet.
  • 107:37 - 107:39
    - That's all I'm taking?
    - Yep.
  • 107:39 - 107:42
    Now hurry. The cab will be here
    in less than five minutes.
  • 107:42 - 107:44
    Go on.
  • 107:49 - 107:52
    Come on, Pouncer. Get off the furniture.
  • 107:56 - 107:59
    Mom, the brown bag isn't in here.
  • 107:59 - 108:01
    The new maid must have moved it.
  • 108:05 - 108:07
    Mom!
  • 108:10 - 108:12
    Mom! Please get up. Please!
  • 108:13 - 108:15
    I don't know what to do! Please!
  • 108:15 - 108:16
    Help me!
  • 108:17 - 108:20
    Please get up, Mom! Please!
  • 108:38 - 108:41
    It's time for Mrs. Fricker's shot.
  • 108:42 - 108:43
    Hillary Whitney.
  • 109:01 - 109:03
    Hill?
  • 109:05 - 109:07
    Hill.
  • 109:10 - 109:12
    Hi.
  • 109:15 - 109:17
    I waited for you.
  • 109:18 - 109:20
    I'm here now.
  • 109:22 - 109:24
    I want to go.
  • 109:28 - 109:31
    I don't want Victoria to see me here.
  • 109:33 - 109:36
    Are you sure? Are you really sure?
  • 109:38 - 109:39
    Absolutely.
  • 109:42 - 109:46
    Okay.
  • 109:57 - 110:00
    Who do I speak to about getting
    Hillary Whitney released?
  • 110:00 - 110:02
    Do you know how sick she is?
  • 110:02 - 110:04
    Yes, I know how sick she is,
    and so does she.
  • 110:04 - 110:05
    - She wants to go.
    - I don't think we can let her go.
  • 110:06 - 110:07
    I have to talk to the doctor in charge.
  • 110:18 - 110:24
    It must have been cold there
    in my shadow
  • 110:25 - 110:31
    To never have sunlight on your face
  • 110:33 - 110:38
    You were content to let me shine
  • 110:38 - 110:41
    That's your way
  • 110:41 - 110:46
    You always walked a step behind
  • 110:48 - 110:54
    So I was the one with all the glory
  • 110:56 - 111:02
    While you were the one
    with all the strength
  • 111:04 - 111:09
    A beautiful face without a name
  • 111:09 - 111:12
    For so long
  • 111:12 - 111:17
    A beautiful smile to hide the pain
  • 111:19 - 111:24
    Did you ever know that you're my hero
  • 111:27 - 111:32
    And everything I would like to be?
  • 111:35 - 111:41
    I can fly higher than an eagle
  • 111:42 - 111:48
    For you are the wind beneath my wings
  • 111:50 - 111:52
    Did I ever tell you
  • 111:53 - 111:57
    You're my hero?
  • 111:57 - 111:59
    You're everything
    everything
  • 111:59 - 112:03
    I wish I could be
  • 112:03 - 112:08
    Oh, and I... I can flyer higher
  • 112:08 - 112:11
    Than an eagle
  • 112:13 - 112:17
    'Cause you are the wind
  • 112:17 - 112:21
    Beneath my wings
  • 112:21 - 112:26
    Oh, the wind beneath my wings
  • 112:26 - 112:29
    You, you, you
  • 112:30 - 112:34
    The wind beneath my wings
  • 112:34 - 112:36
    Fly
  • 112:41 - 112:45
    So high against the sky
  • 112:45 - 112:49
    So high I almost touched the sky
  • 112:49 - 112:53
    Thank you, thank you
  • 112:53 - 112:55
    Thank God for you
  • 112:55 - 112:58
    The wind beneath
  • 112:58 - 113:02
    My wings
  • 113:04 - 113:06
    Victoria?
  • 113:08 - 113:09
    Honey,
  • 113:11 - 113:14
    your shoes and socks
    are all wet.
  • 113:15 - 113:20
    Let's take them off before we get a cold.
    All right?
  • 113:21 - 113:23
    I was
  • 113:26 - 113:28
    just going through
    your mother's papers.
  • 113:29 - 113:31
    In her will, Victoria, she...
  • 113:34 - 113:36
    She said she wanted you
    to live with me,
  • 113:38 - 113:41
    but you don't have to
    if you don't want to.
  • 113:42 - 113:44
    Everybody wants you.
  • 113:45 - 113:47
    Aunt Vesta wants you.
    Everyone wants you.
  • 113:50 - 113:51
    Can I stay here in my house?
  • 113:53 - 113:55
    No.
  • 113:56 - 114:00
    Does my father know that she died?
  • 114:01 - 114:03
    I don't know.
  • 114:05 - 114:06
    I thought you didn't see him.
  • 114:07 - 114:11
    I know who he is.
    I saw him on the street twice.
  • 114:11 - 114:13
    I can call him if you want.
  • 114:14 - 114:15
    No.
  • 114:18 - 114:21
    Well, maybe... Maybe someday.
  • 114:23 - 114:25
    If you don't...
  • 114:26 - 114:29
    If you don't want
    to come with me, Victoria,
  • 114:29 - 114:31
    I will understand.
  • 114:32 - 114:34
    I'll understand.
  • 114:35 - 114:40
    I mean, I don't know
    what kind of a mother I'd make.
  • 114:43 - 114:47
    You wouldn't believe the things
    that go through my head sometimes.
  • 114:49 - 114:51
    And I'm very selfish, too.
  • 114:56 - 114:58
    I don't know what she was thinking
    of when she picked me.
  • 115:02 - 115:04
    Not that I don't want to do it.
  • 115:05 - 115:08
    There's nothing in the world
    I want more than to be with you.
  • 115:09 - 115:11
    You think about it.
  • 115:12 - 115:14
    CC?
  • 115:17 - 115:19
    If I go with you,
  • 115:20 - 115:22
    can I bring my cat?
  • 115:24 - 115:26
    Of course you can bring your cat.
  • 115:27 - 115:29
    You can bring any old thing you want.
  • 115:59 - 116:00
    It's time to go, Victoria.
  • 116:35 - 116:39
    You've got to give a little
  • 116:41 - 116:44
    Take a little
  • 116:45 - 116:51
    And let your poor heart break a little
  • 116:54 - 116:58
    That's the story of
  • 116:58 - 117:01
    That's the glory
  • 117:01 - 117:03
    Of love
  • 117:16 - 117:21
    You got to laugh a little
  • 117:22 - 117:25
    Cry a little
  • 117:26 - 117:28
    Until the clouds
  • 117:28 - 117:34
    Roll by a little
  • 117:35 - 117:38
    That's the story of
  • 117:39 - 117:41
    That's the glory
  • 117:41 - 117:45
    Of love
  • 117:49 - 117:55
    As long as there's the two of us
  • 117:55 - 118:01
    We've got the world and all its charms
  • 118:01 - 118:07
    And when the world is through with us
  • 118:09 - 118:12
    We've got
  • 118:12 - 118:16
    Each other's arms
  • 118:18 - 118:23
    You've got to win a little
  • 118:24 - 118:28
    Lose a little
  • 118:28 - 118:32
    Yes, and always
  • 118:32 - 118:38
    Have the blues a little
  • 118:38 - 118:41
    That's the story of
  • 118:41 - 118:43
    That's the glory
  • 118:44 - 118:45
    Of love
  • 118:51 - 118:56
    That's the story of
  • 118:56 - 119:02
    That's the glory of
  • 119:03 - 119:04
    Love
  • 119:22 - 119:24
    You know that song I just finished with?
  • 119:24 - 119:26
    Yeah.
  • 119:26 - 119:30
    I sang that song the day
    your mother and I met in Atlantic City.
  • 119:30 - 119:31
    We were just about your age.
  • 119:31 - 119:34
    - Did you know that?
    - Yes.
  • 119:34 - 119:37
    We met when I was under the
    boardwalk smoking a cigarette.
  • 119:37 - 119:40
    - You smoked when you were my age?
    - Yeah, sure.
  • 119:40 - 119:43
    - What else did you do?
    - Whatever they told me not to.
  • 119:43 - 119:45
    Anyway...
  • 119:45 - 119:47
    I just finished doing
    the Sammy Pinkers Kiddie Show,
  • 119:47 - 119:50
    and I was trying to get some peace
    and quiet under the boardwalk steps,
  • 119:50 - 119:52
    when I saw this prissy
    little girl wandering around.
  • 119:52 - 119:55
    Be sure to keep in touch, CC. Okay?
  • 119:55 - 119:57
    Well, sure. We're friends, aren't we?
  • 122:27 - 122:28
    Fly
  • 122:35 - 122:38
    Fly away
  • 122:38 - 122:42
    You let me fly so high
  • 122:42 - 122:45
    Oh, fly
  • 122:46 - 122:49
    Fly
  • 122:50 - 122:53
    Fly high against the sky
  • 122:53 - 122:57
    So high I almost touched the sky
  • 122:57 - 123:01
    Thank you, thank you
  • 123:01 - 123:03
    Thank God for you
  • 123:04 - 123:09
    The wind beneath my wings
Title:
Beaches 1988 [Full Movie]
Description:

A privileged rich debutante and a cynical struggling entertainer share a turbulent, but strong childhood friendship over the years.

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Video Language:
English
Duration:
02:03:26

English subtitles

Revisions