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Lamassu from the citadel of Sargon II

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    (piano music)
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    -Ancient Mesopotamia is
    often credited as the
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    cradle of civilization,
    that is, the place where
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    farming and cities began.
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    It makes it seem so peaceful, but this was
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    anything but the case.
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    In fact, it was really a
    series of civilizations
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    that conquered each other.
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    -We're in a room in the Louvre filled with
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    sculpture from the
    Assyrians, who controlled
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    the ancient Near East from about 1000 BCE
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    to around 500 BCE.
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    -And these sculptures
    in particular come from
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    the palace of Sargon the
    2nd, and we're carved
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    at the height of Assyrian civilization in
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    the 8th century BCE.
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    -So this is modern day Khorsabad.
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    -In Iraq.
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    -And various Assyrian
    kings established palaces
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    at different cities.
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    So there were palaces at Nimrid and Assur
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    before this, and after there'll be
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    a palace at Nineveh, but
    these sculptures come
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    from an excavation from
    modern day Khorsabad.
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    -The most impressive
    sculptures that survive
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    are the guardian figures
    that protected the city's
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    gates, and protected the
    gates of the citadel itself.
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    That is, the area within
    which were both the temple
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    and the royal palace.
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    -So at each of these
    various gates, there were
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    guardian figures that
    were winged bulls with
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    the heads of men.
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    -We think they were called Lamassu.
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    -As figures that stood at
    gateways, they make sense.
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    They're fearsome, they look powerful.
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    They could also be an
    expression of the power
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    of the Assyrian king.
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    -They are enormous, but
    even they would have
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    been dwarfed by the architecture.
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    They would have stood between huge arches.
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    In fact, they had some structural purpose.
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    It's interesting to
    note that each of these
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    Lamassu are actually
    carved out of a monolithic
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    stone, that is, there are no cuts here.
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    These are single pieces
    of stone, and in the
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    ancient world, it was no
    small task to get these
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    stones in place.
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    -Well, and apparently,
    there were relief carvings
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    in the palace that depicted
    moving these massive
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    Lamassu into place.
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    So it's important to
    remember that the Lamassu
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    were the gateway figures,
    but the walls of the
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    palace were decorated
    with relief sculpture
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    showing hunting scenes and other scenes
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    indicating royal power.
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    -This is a Lamassu that
    was actually a guardian
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    for the exterior gate of the city.
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    It's in awfully good condition.
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    -Well my favorite part is the crown.
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    It's decorated with
    rosettes, and then double
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    horns that come around
    toward the top center,
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    and then on top of that,
    a ring of feathers.
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    -It's really delicate for such a massive
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    and powerful creature.
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    The faces are extraordinary.
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    First of all, just at
    the top of the forehead,
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    you can see kind of incised
    wavy hair that comes
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    just below the crown, and then you have
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    a connected eyebrow.
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    -And then the ears are the ears of a bull
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    that wear earrings.
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    -Actually quite elaborate earrings.
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    -Well the whole form is so decorative.
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    -And then there's that marvelous, complex
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    representation of the beard.
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    You see little ringlets
    on the cheeks of the face,
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    but then as the beard comes down, you see
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    these spirals that turn downward, and then
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    are interrupted by a
    series of horizontal bands.
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    -And then the wings too
    form this lovely decorative
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    pattern up the side of
    the animal, and then
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    across it's back.
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    -In fact across the body
    itself there are ringlets
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    as well, so we get a sense
    of the fur of the beast.
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    And then under the creature,
    and around the legs,
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    you can see inscriptions in cuneiform.
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    -Some of which declare
    the power of the king.
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    -And damnation for those
    that would threaten
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    the king's work, that is, the citadel.
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    -What's interesting too
    is that these were meant
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    to be seen both from a frontal view and
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    a profile view.
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    -Well if you count up the number of legs,
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    there's one too many.
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    There are five.
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    -Right, two from the front,
    and four from the side,
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    but of course, one of
    the front legs overlaps,
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    and so there are five legs.
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    -What's interesting is
    that when you look at the
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    creature from the side,
    you actually see that
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    it's moving forward,
    but when you look at it
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    from the front, those two legs are static
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    so the beast is stationary.
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    And think about what
    this means for a guardian
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    figure at a gate.
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    As we approach, we see
    it still, watching us
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    as we move, but if we
    belong, if we're friendly,
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    and we're allowed to pass
    this gate, as we move
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    through it, we see the animal itself move.
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    -And then we have this
    combination of these
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    decorative forms that
    we've been talking about
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    with a sensitivity to the anatomy of this
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    composite animal.
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    His abdomen swells, and
    his hindquarters move
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    back, and then we can see
    the veins, and muscles,
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    and bones in his leg.
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    -So there really is
    this funny relationship
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    between the naturalistic
    and the imagination
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    of the sculpture.
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    -And the decorative,
    but all speaking to the
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    power, the authority of the
    king and the fortifications
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    of this palace, and this city.
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    -They are incredibly impressive.
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    It would be impossible
    to broach the citadel
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    without being awestruck by the power
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    of this civilization.
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    (piano music)
Title:
Lamassu from the citadel of Sargon II
Description:

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Video Language:
English
Duration:
05:09

English subtitles

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