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Stretched across a tree-peppered expanse
in southern Africa
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lies the magnificent ruins
of Great Zimbabwe,
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a medieval stone city of astounding
wealth and prestige.
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Located in the present-day country
of Zimbabwe,
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it's the sight of the largest known
settlement ruins in Sub-Saharan Africa,
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second on the continent only
to the pyramids of Egypt.
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But the history of this city
is shrouded in controversy,
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defined by decades of dispute
about who built it and why.
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Its name comes from the Shona word
madzimbabwe,
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meaning big house of stone
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for its unscalable stone walls
that reach heights of nearly ten meters
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and run for a length of about 250 meters.
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For its grandeur
and historical significance,
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it was named a UNESCO
World Heritage site in 1986.
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Back in the 14th and 15th centuries,
it was a thriving city.
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Spread across nearly eight
square-kilometers,
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Great Zimbabwe was defined by
three main areas:
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the Hill Complex, where the king lived;
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the Great Enclosure, reserved for
members of the royal family;
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and the Valley Complex,
where regular citizens lived.
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Rulers were both powerful economic
and religious leaders for the region.
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At its highest point,
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the city had a bustling urban population
of 18,000 people
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and was one of the major African
trade centers at the time.
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What enabled this growth
was Great Zimbabwe's influential role
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in an intercontinental trade network.
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Connected to several key city-states
along the East African Swahili Coast,
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it was part of the larger Indian Ocean
trade routes.
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The city generated its riches
by controlling the sources and trade
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of the most prized items:
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gold,
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ivory,
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and copper.
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With this mercantile power, it was able
to extend its sphere of influence
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across continents,
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fostering a strong Arab and Indian
trader presence throughout its zenith.
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Archaeologists have since pieced together
the details of this history
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through artifacts discovered on site.
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There were pottery shards
and glassworks from Asia,
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as well as coins minted in the coastal
trading city of Kilwa Kisiwani
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over 1,500 miles away.
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They also found soapstone bird figures,
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which are thought to represent
each of the city's rulers,
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and young calf bones,
only unearthed near the royal residence,
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show how the diet of the elite
differed from the general population.
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These clues have also led to theories
about the city's decline.
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By the mid-15th century,
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the buildings at Great Zimbabwe
were almost all that remained.
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Archaeological evidence points
to overcrowding
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and sanitation issues as the cause,
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compounded by soil depletion
triggered by overuse.
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Eventually, as crops withered
and conditions in the city worsened,
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the population of Great Zimbabwe
is thought to have dispersed
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and formed the nearby Mutapa
and Torwa states.
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Centuries later, a new phase
of Great Zimbabwe's influence
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began to play out in the political realm
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as people debated who had built
the famous city of stone.
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During the European
colonization of Africa,
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racist colonial officials claimed
the ruins couldn't be of African origin.
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So, without a detailed written
record on hand,
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they instead relied on myths to explain
the magnificence of Great Zimbabwe.
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Some claimed it proved the Bible
story of the Queen of Sheba
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who lived in a city of riches.
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Others argued it was built by
the Ancient Greeks.
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Then, in the early 20th century
after extensive excavation at the site,
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the archaeologist David Randall-MacIver
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presented clear evidence
that Great Zimbabwe
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was built by indigenous peoples.
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Yet, at the time, the country's white
minority colonial government
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sought to discredit this theory because it
challenged the legitimacy of their rule.
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In fact, the government actively
encouraged historians
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to produce accounts that disputed
the city's African origins.
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Over time, however, an overwhelming
body of evidence mounted,
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identifying Great Zimbabwe as an African
city built by Africans.
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During the 1960s and 70s,
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Great Zimbabwe became an important symbol
for the African Nationalist movement
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that was spreading across the continent.
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Today, the ruins at Great Zimbabwe,
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alluded to on the Zimbabwean flag
by a soapstone bird,
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still stand as a source of national pride
and cultural value.