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NAT GEO documentary 2015 - Farnsworth vs Sarnoff - American Genius

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    [ music ]
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    - How do I look?
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    - Every age is defined
    by its innovations.
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    The greatest advances are born
    out of fierce struggles
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    between rivals.
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    - It is with a very deep
    sense of humility
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    that I come to this moment
    of announcing the birth
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    in this country of a new art so
    important in its implications,
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    that it is bound to affect
    all society.
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    And now, ladies and gentlemen,
    we add sight to sound.
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    - Move, move, move, move.
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    - Hey, watch it, kid.
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    - Television is an art that
    shines like a torch of hope
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    to a troubled world.
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    - The television is one of
    the most revolutionary
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    inventions of our time.
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    - Get away.
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    - Take it easy.
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    - Hey, watch it.
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    - But the story of its
    creation is the ultimate
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    David and Goliath tale.
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    A decades-long battle between
    one of the biggest media moguls
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    in the world and a one-time
    farm boy from Idaho driven
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    to turn a childhood vision
    of the future into reality.
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    Their rivalry would bring an
    already rich man even more
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    wealth and power,
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    and push the other
    to the brink of insanity.
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    But together, they brought
    the world into the home,
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    and connected humanity
    like never before.
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    - I am glad--
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    - In the early 20th century,
    a new invention has captured
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    the imagination of the world.
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    - I want to say--
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    - A device known as the radio.
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    - Radio changed America.
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    All of a sudden,
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    the nation can participate in
    a single event at the same time.
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    Before this,
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    if a big event occurred
    in Washington,
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    people on the West Coast would
    hear about it hours later,
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    days later.
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    Radio brings the nation
    together in real time in a way
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    that had simply not been
    possible before.
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    - One man sees the potential
    of the budding radio industry,
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    and wants to dominate it.
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    - Thank you.
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    - Good morning.
    How are we today?
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    - Oh, Mr. Sarnoff.
    - Yes.
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    - The lawyers are right here.
    - They are.
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    - Mr. Sarnoff.
    - Yes.
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    - The annual report's ready.
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    - I don't like that title.
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    Change that right away, please.
    Thank you.
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    Good morning, gentlemen.
    - Yes, sir.
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    - His name is David Sarnoff.
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    And he's the general
    manager of RCA,
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    the leading radio broadcast
    company in America.
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    - Sarnoff was an ambitious
    and very driven man.
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    He wanted to climb as far
    in this business that he loved
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    as he could,
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    and he never let any
    obstacles stop him
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    from pursuing his goals.
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    - RCA manufactures radios and
    owns over 2,000 radio patents.
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    Sarnoff believes the patents
    are where the big money
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    is to be made.
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    - What do you see, gentlemen?
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    - I see the parts to a radio.
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    - What I see is the technology
    that goes into the radio.
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    75% of all radios were sold
    by other companies.
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    That's how we make our money,
    license the patents.
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    We turn our competitors
    into customers.
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    Every time they sell a radio,
    we make money.
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    - Sarnoff was able to create
    power for himself and RCA
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    by taking all the inventions
    in the radio world
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    and putting them together
    into one asset,
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    so anyone who made a radio had
    to license the patents from him.
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    He was a genius because he saw
    the whole ecosystem of radio.
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    That it wasn't just
    a technological invention,
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    it was an entire industry.
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    - It's my honor to introduce
    tonight's main speaker.
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    Today, radio is a
    household word.
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    For those of us in the industry,
    he is not just a leader,
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    he is radio.
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    Ladies and gentlemen,
    I give you David Sarnoff of RCA.
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    - As radio's popularity surges,
    RCA's profits soar.
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    David Sarnoff has built
    a media empire.
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    But nearly 2,000 miles away,
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    a teenage farm boy
    is formulating an idea
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    that could make radio obsolete.
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    - Schemes to create television
    are not new,
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    though every previous
    attempt has failed,
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    as the greatest minds in history
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    have tried to perfect
    this technology.
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    - 14-year-old Philo Farnsworth
    has a knack for electronics.
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    But he is also a dreamer.
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    - Philo Farnsworth was
    the son of a potato farmer.
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    He was shy and withdrawn.
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    But he had some kind
    of inner drive.
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    He was always tinkering
    with crystal radio sets,
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    and he was looking up to the
    heroes of the age like Edison,
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    Tesla, Ford,
    the Wright Brothers.
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    - Farnsworth dreams of adding
    moving images to the radio
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    by capturing a picture
    electronically,
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    as a microphone does with sound.
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    But he can't figure out how
    to make his dream a reality,
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    until inspiration comes from
    an unlikely place,
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    the plow lines of his
    father's field.
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    - Farnsworth had the natural
    talent for science,
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    and it suddenly occurs to him
    that it would be possible
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    to build a device that would
    scan an image line by line,
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    the same way your eye scans
    the pages of a book.
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    - Farnsworth's inspiration
    soon turns to an obsession.
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    Between schoolwork
    and farm work,
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    the teenager refines his idea.
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    A device that could
    electronically scan an image
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    dozens of times per second,
    then transmit that picture
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    across the airwaves
    at the speed of light.
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    - Time doesn't exist when
    you're creating.
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    24 hours feels like an hour,
    and the next thing you know,
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    a whole day has passed.
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    That's creativity.
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    Nothing else matters.
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    - You're the only person I know
    who might understand this idea.
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    - Farnsworth shares
    his idea with his
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    high school science teacher,
    Justin Tolman.
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    - You came up with
    this yourself.
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    - Yes.
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    - It was unbelievable to a man
    of science like Justin Tolman
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    that a kid would have this
    miraculous breakthrough
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    that scientists around
    the world hadn't conceived of.
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    - Be careful who you
    trust with this.
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    - For the next four years,
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    Farnsworth finetunes his design,
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    leaving Idaho,
    and relocating to California
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    with his new wife, Pam.
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    Farnsworth sets up
    a small laboratory,
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    determined to make his
    dream a reality.
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    - It sends images through
    the air without wires,
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    and it's called television.
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    Now, the key is--
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    - In a stroke of good fortune,
    the Crocker Family,
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    one of the original investors in
    the Transcontinental Railroad,
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    gets wind of Farnsworth's
    idea and wants to invest.
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    - $25,000 and 60% share.
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    - But I only asked
    for a 49% share.
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    - 25,000 for 60.
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    - It was a difficult decision
    that he had to face,
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    which was I need to raise money
    to build my television
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    to get it out into the world.
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    And the only thing he could do
    was give up partial ownership
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    of his baby.
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    - The investment is enough for
    Farnsworth to jumpstart
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    his small lab and build
    a prototype of his television.
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    - It takes an entrepreneur
    and perhaps a team of people
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    that get behind an idea,
    and push it and push it.
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    They push to get
    the capital to fund it.
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    They push against competition
    that wants to crush it.
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    - Okay. This should do it.
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    All right, Cliff.
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    Let's get that curtain shut.
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    - Farnsworth is ready to put
    his prototype to the test
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    and glimpse the future.
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    - All right, hit it.
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    We've got to get something here.
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    Hold on.
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    Okay, try it now.
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    Still not seeing anything.
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    Shut it down.
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    - Farnsworth's first attempt
    is a failure.
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    And his dream of creating
    a working television
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    hangs in the balance.
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    In less than 10 years,
    David Sarnoff has built RCA
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    into a radio empire.
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    But in San Francisco,
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    a young inventor named Philo
    Farnsworth has built a prototype
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    of a television,
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    a machine that could crush
    radio's supremacy.
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    There's just one problem.
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    It doesn't work.
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    - Farnsworth needed a way for
    the negatively charged electrons
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    that got shot across
    the cathode ray tube
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    to stick to the surface
    of the screen.
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    - Positive and negative.
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    Opposites, they attract,
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    so the coating needs to be
    the most positive element.
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    - Farnsworth focused,
    finally, on cesium,
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    which was the most photo-
    positive element he could find.
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    And that was really a big part
    of the breakthrough that made
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    television work.
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    - With his design reconfigured,
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    Farnsworth is ready to show
    his investors exactly
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    what they've been waiting for.
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    - Gentlemen.
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    Now, you asked me when you
    would see dollar signs
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    in this gadget.
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    Cliff?
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    Look right here.
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    - It says something about
    Farnsworth's conviction
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    and the force of his personality
    that he was able to get this
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    up and running.
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    One of his investors said
    the ideas in this boy's head
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    will astonish the world.
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    - This is going to make
    us a fortune.
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    We just have to pick
    the right time to sell.
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    - Sell?
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    - Let's just see what kind
    of offers we can get.
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    - Farnsworth said no, no, no,
    I'm an inventor.
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    I'm going to use the money
    from licensing the patents
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    to create more inventions
    and refine the invention.
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    He wanted to be
    in control of it.
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    He wanted to be the Edison
    of television.
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    - Farnsworth needs to convince
    his investors
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    that they'll make more money if
    they hold onto his invention.
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    - Why don't we invite
    the newspapers? Hm?
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    A demonstration.
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    - Farnsworth called
    a press conference,
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    and the San Francisco Chronicle
    came and snapped a photo
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    of this young genius
    and his amazing light machine.
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    - While Farnsworth applies
    for a patent,
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    the news of his television
    quickly spreads
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    throughout the country.
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    - Thank you, Diane.
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    - And lands on the desk
    of David Sarnoff.
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    - Sarnoff's reaction was
    a little bit of panic,
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    because he was
    the radio monopoly.
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    And in one sense,
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    television could disrupt
    the market for radios.
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    People might stop buying radios
    if they read that
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    in the near future, I could
    see pictures on this thing.
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    - If Sarnoff can pantent
    television first,
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    then RCA could own
    this new technology.
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    Just like they do radio.
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    - He had a very keen awareness
    of how important it was
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    and how much power having
    a patent could give you
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    in shaping the course of future
    technological development.
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    - But to compete with the minds
    like Philo Farnsworth,
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    Sarnoff will need someone
    equally as brilliant.
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    And he finds his man
    in Vladimir Zworykin.
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    - Zworykin was a Russian
    engineer who was working
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    at Westinghouse in Pittsburgh
    who had early designs
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    on electronic television,
    as well.
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    - Zworykin has filed
    for patents on his own
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    electronic television system,
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    but he hasn't been able to
    produce a design that works.
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    - Here, it will capture the
    image and send it wirelessly.
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    - Sarnoff offers Zworykin
    four times the budget
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    of Farnsworth to bring
    television to life.
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    - David Sarnoff knew
    that television
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    had to be invented at RCA,
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    and he needed to take
    credit for the invention,
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    whatever the cost.
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    - The race to invent
    television has begun.
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    This is going to make
    us a fortune.
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    - In the late 1920s,
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    television is on the cusp
    of becoming a reality.
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    And radio giant David Sarnoff
    wants this new technology
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    under the control of RCA.
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    But by August, 1930,
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    Philo Farnsworth is already
    way ahead of him.
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    Three years earlier,
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    the young inventor submitted
    a patent for his design,
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    and finally, it's been approved.
  • 20:45 - 20:47
    According to the
    United States government,
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    Philo Farnsworth is the inventor
    of electronic television.
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    His patents will last
    for 17 years,
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    and now he's in reach
    of his ultimate goal,
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    a television in every
    American home
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    with the Farnsworth name on it.
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    - Is that it?
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    - David Sarnoff has spent
    $100,000 to recruit
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    Vladimir Zworykin to develop
    a television for RCA.
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    - Well, we just need to
    figure out a way to keep
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    the negative charge from
    building up on the screen.
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    - In other words, his works,
    and ours doesn't.
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    - Sarnoff refuses to be beaten
    to the most important invention
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    of the 20th century.
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    So, he makes a bold move
    to put television
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    at the forefront of RCA.
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    - It's impossible to boil David
    Sarnoff down to one thing.
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    He's either a
    corporate visionary,
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    or the most ruthless robber
    baron you can possibly imagine.
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    - Despite the fact that
    Farnsworth owns the patent,
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    Sarnoff announces that RCA
    will invest $1 million
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    in developing a television.
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    - David Sarnoff thought that
    if he couldn't buy up
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    the patent outright,
    he would steal it.
  • 22:44 - 22:46
    And if he couldn't steal it,
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    he would find a way to
    delay progress to give
  • 22:49 - 22:55
    his own team time to do the
    same thing in a different way.
  • 22:55 - 23:03
    To his way of thinking, that
    was how the game was played.
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    - Farnsworth can see
    the race is heating up,
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    and if he wants to compete,
    he has to move fast.
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    - Farnsworth faced a choice.
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    Either he could raise
    massive amounts of capital
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    and begin manufacturing
    televisions himself,
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    or he could license his patents
    and begin working with
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    a radio company that
    knew how to manufacture
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    this kind of equipment.
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    - In an effort to get his
    television to market before RCA,
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    Farnsworth turns to
    a Philadelphia-based
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    radio manufacturer
    called Philco.
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    But just when Farnsworth
    is starting to make progress,
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    he is blindsided by the power
    of David Sarnoff.
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    Philco, like almost every
    other radio manufacturer,
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    has to license radio
    patents from RCA.
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    - I want you to look
    at the numbers.
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    - And when David Sarnoff learns
    of their television partnership
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    with Farnsworth,
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    he decides to flex
    all of his muscle.
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    - What Sarnoff ends up doing,
    essentially, is pressure Philco
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    to get out of television
    by saying if you keep working
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    with Farnsworth,
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    we will stop allowing you
    to use RCA's radio patents.
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    - Philo? Philo.
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    - Philco's backing out.
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    - What?
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    - Sarnoff's aggressive tactics
    have backed Farnsworth
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    into a corner.
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    If Farnsworth is going to win,
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    he'll have to find a way
    to strike back.
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    - We're going to sue him.
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    - Philo.
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    - David Sarnoff has blocked
    Philo Farnsworth
  • 25:43 - 25:48
    from manufacturing
    his television.
  • 25:48 - 25:52
    But Farnsworth
    isn't backing down.
  • 25:52 - 25:55
    Now, in a bold move,
  • 25:55 - 25:59
    the young inventor will
    meet Vladimir Zworykin
  • 25:59 - 26:06
    and the best lawyers RCA's
    money can buy in court
  • 26:06 - 26:08
    to determine who the
    invention of television
  • 26:08 - 26:11
    really belongs to.
  • 26:14 - 26:16
    [ gavel pounding ]
  • 26:22 - 26:26
    - Was television invented
    by Mr. Zworykin,
  • 26:26 - 26:29
    working with brilliant minds
    in the world's finest
  • 26:29 - 26:32
    research facility?
  • 26:32 - 26:39
    Or was it invented
    by a 15-year-old farm boy?
  • 26:40 - 26:44
    - RCA mobilized the strength
    of its full legal department,
  • 26:44 - 26:47
    and they had some of the best
    lawyers in the country.
  • 26:47 - 26:52
    Farnsworth had what he felt
    was the right on his side.
  • 26:53 - 26:54
    - They will have no choice.
  • 26:54 - 26:57
    - The case rests on
    who had a design
  • 26:57 - 27:03
    for working television first.
  • 27:03 - 27:11
    Vladimir Zworykin
    filed his patent in 1923,
  • 27:11 - 27:19
    while Farnsworth submitted
    in 1927, four years later.
  • 27:19 - 27:24
    If RCA can prove Zworykin's
    original design was functional,
  • 27:24 - 27:29
    Farnsworth could
    lose everything.
  • 27:29 - 27:32
    - The question at stake
    was who described
  • 27:33 - 27:38
    in their patent applications a
    working television system first.
  • 27:38 - 27:41
    And this was pretty
    hard to figure out.
  • 27:41 - 27:46
    So, they had to hash all
    this out in patent court.
  • 27:46 - 27:50
    Technical experts had to go
    through all the evidence.
  • 27:50 - 27:53
    - It is our belief that if
    this court is able
  • 27:53 - 27:56
    to answer this question
    successfully by laying out
  • 27:56 - 27:58
    an accurate chronology,
  • 27:58 - 28:01
    it will have no choice
    but to find for my client.
  • 28:05 - 28:09
    - The hearing drags on
    for 15 bruising months.
  • 28:19 - 28:24
    Farnsworth's legal fees
    reach $30,000,
  • 28:24 - 28:31
    over half a million dollars
    in today's money.
  • 28:31 - 28:37
    And the ordeal is
    taking a brutal toll.
  • 28:37 - 28:41
    - The fighting back and forth
    between his operation and RCA,
  • 28:41 - 28:48
    it's proven a real physical
    and emotional strain.
  • 28:48 - 28:54
    He turns to alcohol.
  • 28:57 - 29:02
    - David Sarnoff knows
    he has time on his side.
  • 29:02 - 29:06
    The longer deliberations last,
    the longer he can keep
  • 29:06 - 29:11
    Farnsworth away from his lab
    and his invention.
  • 29:11 - 29:16
    - The court cannot be allowed
    to distract us from the essence
  • 29:16 - 29:17
    of this case.
  • 29:17 - 29:22
    - It's very much a
    David and Goliath scenario.
  • 29:22 - 29:25
    Farnsworth doesn't
    have deep pockets,
  • 29:25 - 29:31
    and Sarnoff knows he can spin
    this out as long as he has to.
  • 29:31 - 29:34
    - With no hard evidence
    to prove that he came up
  • 29:34 - 29:38
    with television first,
  • 29:38 - 29:46
    the case is turning
    against Farnsworth.
  • 29:46 - 29:52
    But he has one last hope.
  • 29:52 - 29:58
    - The plaintiff calls
    its next witness.
  • 30:14 - 30:16
    How do you know Mr. Farnsworth?
  • 30:16 - 30:19
    - I was his teacher
    in high school.
  • 30:19 - 30:23
    - And how did you come
    to learn of his idea?
  • 30:23 - 30:28
    - One day after science class,
    he explained it to me.
  • 30:28 - 30:31
    - And you evaluated the idea,
    and judged it to have merit.
  • 30:31 - 30:33
    Is that correct?
  • 30:33 - 30:38
    - As best I could.
  • 30:38 - 30:41
    - Where was your
    training in physics?
  • 30:41 - 30:45
    - I studied chemistry,
    and taught it.
  • 30:45 - 30:48
    - But no training,
    no background,
  • 30:48 - 30:52
    but you come here and testify
    that what Mr. Farnsworth
  • 30:52 - 30:55
    told you in 1922,
  • 30:55 - 31:03
    when he was 15 years old,
    matches his patent from 1930.
  • 31:03 - 31:07
    - I have proof.
  • 31:07 - 31:10
    He not only told me
    about television,
  • 31:10 - 31:15
    he drew me a picture.
  • 31:19 - 31:21
    - Tolman's testimony proves
    that Farnsworth conceived
  • 31:21 - 31:31
    of a working television
    one year before Zworykin.
  • 31:31 - 31:35
    - This was an amazingly
    dramatic moment for Farnsworth,
  • 31:35 - 31:38
    because Mr. Tolman remembered
    this kid as the smartest student
  • 31:38 - 31:40
    he's ever had.
  • 31:40 - 31:42
    So, this was a very powerful,
  • 31:42 - 31:47
    emotional statement of his
    teacher coming to his defense
  • 31:47 - 31:53
    to hopefully win
    this landmark patent war.
  • 31:53 - 31:57
    - In fact, Farnsworth's
    childhood sketch is remarkably
  • 31:57 - 32:03
    similar to his actual plans.
  • 32:03 - 32:06
    On July 22nd, 1935,
  • 32:06 - 32:11
    Farnsworth is awarded priority
    of invention.
  • 32:11 - 32:13
    He's free and clear
    to pursue his dream
  • 32:14 - 32:18
    to make and sell televisions.
  • 32:26 - 32:29
    But his victory is short-lived.
  • 32:33 - 32:37
    - Okay, next.
  • 32:37 - 32:39
    - Mr. Sarnoff,
  • 32:39 - 32:43
    we have a rigorous appeals
    strategy planned.
  • 32:43 - 32:46
    - Keep him busy,
    file junctions, delay him.
  • 32:46 - 32:50
    - For how long?
  • 32:50 - 32:53
    - For years.
  • 32:53 - 32:58
    Until his patents expire.
  • 32:58 - 33:08
    - Despite the ruling,
    Sarnoff refuses to admit defeat.
  • 33:08 - 33:11
    By applying legal
    pressure and leaning on
  • 33:11 - 33:13
    political connections,
  • 33:13 - 33:17
    he's determined to keep
    Farnsworth from manufacturing,
  • 33:17 - 33:20
    buying time for Zworykin
    to build a working television
  • 33:20 - 33:23
    for RCA,
  • 33:23 - 33:28
    one that isn't dependent
    on Farnsworth's patents.
  • 33:28 - 33:32
    - Sarnoff brings his power
    to bear to suppress
  • 33:32 - 33:37
    any business advantage
    that Farnsworth might have had.
  • 33:37 - 33:41
    Basically, he's trying to
    cut off any flow of money
  • 33:41 - 33:46
    and essentially tighten
    the noose around Farnsworth.
  • 33:50 - 33:53
    - Farnsworth has developed
    a 10-inch television
  • 33:53 - 33:58
    with 343 lines of resolution.
  • 33:59 - 34:02
    He's won the right in court
    to manufacture it
  • 34:02 - 34:06
    and make a fortune.
  • 34:07 - 34:14
    But at every turn,
    he's blocked by David Sarnoff.
  • 34:14 - 34:16
    - Farnsworth had
    a lot going for him.
  • 34:16 - 34:18
    He had a working
    television system.
  • 34:18 - 34:22
    He had the patent rights to
    produce this television system
  • 34:22 - 34:24
    and earn money from it.
  • 34:24 - 34:30
    But he couldn't do it.
    Farnsworth was powerless.
  • 34:36 - 34:38
    - While David Sarnoff
    keeps Philo Farnsworth
  • 34:38 - 34:42
    from manufacturing
    his invention,
  • 34:42 - 34:46
    the media mogul begins
    laying the groundwork
  • 34:46 - 34:48
    for his television empire.
  • 34:56 - 35:00
    He builds a new lab
    in the center of Manhattan,
  • 35:00 - 35:02
    and begins conducting tests
    from a transmitter
  • 35:03 - 35:06
    atop the Empire State Building.
  • 35:06 - 35:09
    Sarnoff has a grand plan
    to launch America's
  • 35:09 - 35:11
    first television network,
  • 35:11 - 35:16
    called the National Broadcasting
    Company, or NBC.
  • 35:16 - 35:20
    But he can't do any of it
    unless Vladimir Zworykin
  • 35:20 - 35:24
    can build him
    a television that works.
  • 35:33 - 35:37
    - Mr. Sarnoff.
  • 35:37 - 35:42
    - Where's your team?
  • 35:42 - 35:43
    - It's Sunday.
  • 35:50 - 35:55
    - I need you to get me a
    television that I can sell.
  • 36:02 - 36:04
    - The tycoons
    of the 19th century,
  • 36:04 - 36:06
    the Vanderbilts,
    the Morgans,
  • 36:06 - 36:09
    the Carnegies,
  • 36:09 - 36:15
    Sarnoff definitely saw
    himself as one of those people.
  • 36:15 - 36:18
    When he saw a technology
    that he felt had potential,
  • 36:18 - 36:21
    he was willing to put
    in as much money,
  • 36:21 - 36:25
    time, manpower,
    resources as necessary
  • 36:25 - 36:29
    to bring it to fruition.
  • 36:29 - 36:34
    - Zworykin rises
    to Sarnoff's challenge,
  • 36:34 - 36:38
    steadily improving their
    prototype's resolution,
  • 36:38 - 36:42
    line by line.
  • 36:42 - 36:45
    - Zworykin was a very,
    very talented,
  • 36:45 - 36:47
    very accomplished scientist,
  • 36:47 - 36:50
    and Sarnoff had the good
    sense to supply him
  • 36:50 - 36:54
    with the tools he needed
    and let him get on with it.
  • 36:54 - 36:59
    And Zworykin did.
  • 36:59 - 37:04
    - Zworykin gets his television
    up to 441 lines of resolution
  • 37:04 - 37:12
    and 30 frames per second,
    the same as Farnsworth's.
  • 37:12 - 37:19
    Sarnoff has spent the modern
    equivalent of $165 million
  • 37:19 - 37:22
    to finally match his rival.
  • 37:28 - 37:33
    Farnsworth has spent less than
    a tenth of what Sarnoff has,
  • 37:33 - 37:37
    but the physical and mental
    toll has been high.
  • 37:37 - 37:41
    - By 1939, Farnsworth
    had been working 18 hour days
  • 37:41 - 37:43
    for 15 years,
  • 37:43 - 37:46
    and he was driving
    so hard at it,
  • 37:46 - 37:50
    and he was compensating
    by drinking heavily.
  • 37:50 - 37:52
    He wasn't getting sleep.
  • 37:52 - 37:54
    He had ulcers.
  • 37:54 - 38:00
    He had all kinds of
    personal problems.
  • 38:03 - 38:06
    - There was an enormous
    cost to Farnsworth
  • 38:06 - 38:10
    of the ongoing struggles,
    but he always rallied.
  • 38:10 - 38:11
    He always came back.
  • 38:11 - 38:17
    And as bad as things got,
    he never gave up.
  • 38:17 - 38:20
    - As Farnsworth continues
    to labor on his dream,
  • 38:20 - 38:25
    Sarnoff is ready to go public
    with Zworykin's creation,
  • 38:25 - 38:31
    at the Greatest Show On Earth,
    the 1939 New York World's Fair.
  • 38:34 - 38:37
    With its theme,
    The World of Tomorrow,
  • 38:37 - 38:39
    it would draw 44 million people.
  • 38:44 - 38:49
    The world is about to be
    introduced to television.
  • 38:57 - 38:59
    - How do I look?
  • 39:02 - 39:04
    - Good, sir.
  • 39:04 - 39:07
    - It's important.
  • 39:27 - 39:30
    - It is with a very deep
    sense of humility
  • 39:30 - 39:33
    that I come to this moment
    of announcing the birth
  • 39:33 - 39:40
    in this country of a new art so
    important in its implications,
  • 39:40 - 39:47
    that it is bound to
    affect all society.
  • 39:47 - 39:52
    Television is an art that
    shines like a torch of hope
  • 39:52 - 39:55
    to a troubled world.
  • 40:17 - 40:26
    And now, ladies and gentlemen,
    we add sight to sound.
  • 40:26 - 40:30
    - Move, move.
  • 40:40 - 40:41
    - Get away.
  • 40:41 - 40:44
    - Hey, watch it, kid.
  • 40:54 - 40:57
    - It is with a very deep
    sense of humility
  • 40:57 - 41:00
    that I come to this moment
    of announcing the birth
  • 41:00 - 41:06
    in this country of a new art so
    important in its implications
  • 41:06 - 41:10
    that it is bound
    to affect all society.
  • 41:10 - 41:14
    Television is an art that
    shines like a torch of hope
  • 41:14 - 41:17
    to a troubled world.
  • 41:17 - 41:20
    - David Sarnoff has beaten
    Philo Farnsworth in the battle
  • 41:20 - 41:22
    to introduce America
  • 41:22 - 41:26
    to the technological
    marvel of television.
  • 41:26 - 41:27
    - Get away.
  • 41:27 - 41:29
    - Hey, watch it, kid.
  • 41:29 - 41:32
    - Even though the courts
    named Farnsworth the creator
  • 41:32 - 41:41
    of television, it's Sarnoff
    who's getting all the credit.
  • 41:41 - 41:47
    - Farnsworth was powerless to
    overcome that kind of publicity.
  • 41:47 - 41:52
    - Farnsworth was essentially
    done in by the power
  • 41:52 - 41:53
    of his own invention.
  • 41:53 - 41:58
    The hidden power of television
    was you could create an image
  • 41:58 - 42:07
    that was perceived as reality,
    and you could not overcome that.
  • 42:16 - 42:18
    - Despite his public victory,
  • 42:18 - 42:22
    Sarnoff isn't satisfied
    with his current model.
  • 42:22 - 42:24
    Vladimir Zworykin keeps working,
  • 42:24 - 42:27
    and develops a second
    television that's far superior
  • 42:27 - 42:29
    to the first.
  • 42:29 - 42:37
    The only catch is that it uses
    elements of Farnsworth's design.
  • 42:37 - 42:40
    To put the best television
    on the market,
  • 42:40 - 42:47
    Sarnoff will need to do the one
    thing he swore RCA never would.
  • 42:47 - 42:50
    - Sarnoff tells his lawyers
    that they need to go
  • 42:50 - 42:53
    and purchase the rights to
    use Farnsworth's patents,
  • 42:53 - 42:56
    something that RCA
    had never done.
  • 42:56 - 42:58
    They're used to having
    other people pay them
  • 42:58 - 43:00
    patent royalties.
  • 43:00 - 43:02
    This was a complete reversal
  • 43:02 - 43:04
    of their normal
    business practice.
  • 43:04 - 43:06
    But they had to do that.
  • 43:22 - 43:26
    - It's the payout that
    the inventor has always wanted.
  • 43:33 - 43:35
    But before Farnsworth
    is able to meaningfully
  • 43:35 - 43:40
    advance his design,
    fate intervenes.
  • 43:40 - 43:50
    - Yesterday,
    December 7th, 1941,
  • 43:50 - 43:56
    a date which will
    live in infamy,
  • 43:57 - 44:00
    the United States of America
  • 44:00 - 44:04
    was suddenly and
    deliberately attacked
  • 44:04 - 44:11
    by naval and air forces
    of the Empire of Japan.
  • 44:11 - 44:19
    - Suddenly, television is the
    last thing on American minds.
  • 44:19 - 44:21
    - When the US got involved
    in the war,
  • 44:21 - 44:24
    all manufacturing
    in the United States
  • 44:24 - 44:27
    had to be dedicated
    to wartime equipment,
  • 44:27 - 44:37
    so television was literally
    put on hold for six years.
  • 44:37 - 44:42
    Farnsworth's patents
    expired in 1946,
  • 44:42 - 44:47
    so he was not able to earn
    royalties from his invention
  • 44:47 - 44:52
    in time for this incredible
    explosion of television
  • 44:52 - 44:55
    taking over America.
  • 44:55 - 44:57
    - By the time the war ends,
  • 44:57 - 45:01
    Farnsworth's patents
    are no longer valid.
  • 45:01 - 45:07
    Now anyone can use
    the technology he devised.
  • 45:09 - 45:10
    - Thank you.
  • 45:10 - 45:12
    Make an appointment, please.
  • 45:12 - 45:13
    Make an appointment.
  • 45:13 - 45:18
    - David Sarnoff
    seizes the moment.
  • 45:18 - 45:24
    RCA develops its first consumer
    TV since the end of the war,
  • 45:24 - 45:29
    and sells nearly 10,000
    in its first year.
  • 45:29 - 45:32
    - Television did what radio
    had already been doing,
  • 45:32 - 45:34
    but did it better.
  • 45:34 - 45:36
    So, now, not only could you
    hear what was happening,
  • 45:36 - 45:38
    you could see
    what was happening.
  • 45:38 - 45:40
    You could be there.
  • 45:40 - 45:43
    - Sarnoff's TV network, NBC,
  • 45:43 - 45:48
    has been broadcasting
    experimentally since 1937.
  • 45:48 - 45:51
    Now it's ready for primetime,
  • 45:51 - 45:54
    and television enters
    its Golden Age.
  • 45:54 - 45:56
    - He is taking his time--
  • 45:56 - 45:59
    - Television unified
    the world in a way
  • 45:59 - 46:01
    that it never had before.
  • 46:01 - 46:02
    For the first time,
  • 46:02 - 46:05
    instead of just hearing of what
    was going on someplace else,
  • 46:05 - 46:11
    you could now see, live, what
    was going on half a world away.
  • 46:11 - 46:17
    This was an amazing,
    almost magical ability
  • 46:17 - 46:22
    granted to us
    by this technology.
  • 46:22 - 46:24
    - In a matter of three years,
  • 46:24 - 46:27
    the number of televisions
    in American living rooms
  • 46:27 - 46:33
    climbs from 40,000
    to over nine million.
  • 46:33 - 46:39
    And RCA's profits increase
    from nine million in 1940
  • 46:39 - 46:44
    to nearly $50 million
    just 10 years later.
  • 46:44 - 46:47
    It isn't long before television
    takes over as the most
  • 46:47 - 46:51
    popular form of
    entertainment in America.
  • 46:53 - 46:59
    - Perigee plus 00085.
  • 46:59 - 47:06
    - In 1969, television cements
    its place in human history
  • 47:06 - 47:09
    when the world watches an
    unprecedented broadcast
  • 47:09 - 47:12
    from outer space.
  • 47:12 - 47:17
    - That's one
    small step for man,
  • 47:17 - 47:21
    one giant leap for mankind.
  • 47:28 - 47:33
    - That looks beautiful
    from here, Neil.
  • 47:36 - 47:41
    - One of the 600 million people
    watching the historic event
  • 47:41 - 47:44
    is Philo Farnsworth.
  • 47:44 - 47:46
    - To setting up the flag, now.
  • 47:46 - 47:48
    I guess you're about the only
    person around that doesn't have
  • 47:48 - 47:51
    TV coverage of the scene.
  • 47:51 - 47:54
    - That's all right.
    I don't mind a bit.
  • 47:54 - 47:56
    - Farnsworth created
    television, really,
  • 47:56 - 48:02
    to bring people together
    around powerful images.
  • 48:02 - 48:06
    And watching the lunar
    landing on his sofa,
  • 48:06 - 48:10
    which was broadcast to the
    biggest audience ever assembled
  • 48:10 - 48:12
    in the history of the world,
  • 48:12 - 48:16
    it was really a final moment
    of redemption for him.
  • 48:16 - 48:19
    This is why he did it.
  • 48:19 - 48:24
    This makes it all worthwhile.
  • 48:24 - 48:27
    - Sarnoff may have been the one
    to introduce the world
  • 48:27 - 48:30
    to electronic television,
  • 48:30 - 48:34
    but history would go on to
    recognize Philo Farnsworth
  • 48:34 - 48:38
    as the true creator of one of
    the most significant inventions
  • 48:38 - 48:42
    of the 20th century.
  • 48:42 - 48:43
    - How is the quality on your TV?
  • 48:44 - 48:46
    - Beautiful.
    Just beautiful.
Title:
NAT GEO documentary 2015 - Farnsworth vs Sarnoff - American Genius
Description:

NAT GEO documentary 2015 - Farnsworth vs Sarnoff - American Genius

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Video Language:
English
Duration:
54:46

English subtitles

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