플레이브가 왜 이리 천재야� Dash 작곡� & 안무� 비하인드���❤️� | #플레이브 PLAVE | PLAVE Live Full Ver.
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0:21 - 0:22Alright, everyone,
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57:14 - 57:16Let's watch it now, shall we?
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57:16 - 57:18Good
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57:22 - 57:24We are not interfering with the viewing,
right? -
57:24 - 57:28What we are going to be watching is the
fancam, the full fancam. -
57:29 - 57:30So to start off with,
-
57:30 - 57:33Are we going to be watching it in one shot
without pausing? -
57:33 - 57:34No we can't
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57:35 - 57:36There's the copyright..
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57:39 - 57:42It's our song, I wonder why? (copyright)
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57:43 - 57:44Oh, you're right
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57:44 - 57:47When it's our song
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57:47 - 57:48Alright
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57:48 - 57:50First off let's do this with the pausing
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57:50 - 57:53Let's start
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57:55 - 57:58The audio is not working
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57:58 - 57:59Just a moment
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57:59 - 58:02Ah, the audio works now?
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58:02 - 58:03It's supposed to be like this?
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58:03 - 58:05So it starts without audio?
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58:06 - 58:08Let's continue
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58:08 - 58:10Ah, you're right
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58:11 - 58:14Oh? There SHOULD be audio here though?
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58:14 - 58:18There's going to be no sound even if we
play till the end, right? -
58:22 - 58:24Ah.. this feels like..
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58:25 - 58:29"There should be audio here though"
(laughs) -
58:35 - 58:38Ok let's start, now for real!
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58:41 - 58:43Here you go!
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58:45 - 58:47Please speak up whenever you want to pause
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58:47 - 58:50Whoever wants to should pause it
themselves -
58:50 - 58:52Let me bring it back a little
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58:52 - 58:56Here, Yejun hyung and me are lying on the
floor -
58:56 - 58:58Please explain the choreography and
provide details -
58:58 - 59:03There's a related spoiler that we shared
before in PL:RADIO -
59:03 - 59:05It was about our eyes locking and us
laughing -
59:05 - 59:06Ah I remember that
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59:07 - 59:09PL:RADIO?
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59:11 - 59:13Bamby did not watch that
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59:13 - 59:16Ah, PL:RADIO. I know it happened on
Monday -
59:18 - 59:20"It happened on Monday" (laughs)
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59:20 - 59:23Ah, I really knew about it okay? I know.
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59:23 - 59:26Beware of double standards (It's okay
if you do it but not others) -
59:28 - 59:33Anyway, please continue what you were
saying. You two laughed and? -
59:33 - 59:36Since this is a review of the dance...
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59:36 - 59:38Shall I join you in explaining?
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59:38 - 59:39Yes, yes
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59:40 - 59:44At this point (in the choreography)
you probably have some things to share -
59:44 - 59:46Then shall we exchange seats?
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59:46 - 59:48Let's do that
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59:54 - 59:57Alright, now just a moment
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59:58 - 59:59Alright
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59:59 - 60:02Please talk about the choreography in a
detailed manner -
60:02 - 60:03Please proceed
-
60:03 - 60:09There will be opportunites to continue
sharing even more about the dance anyway -
60:09 - 60:12Today was only the first show as well.
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60:12 - 60:14We will only talk about what's been
shown so far -
60:14 - 60:16That's right
That's good -
60:17 - 60:20Let me talk about this part
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60:20 - 60:22Are you going to share the story behind it
too? -
60:22 - 60:23Yes, yes
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60:23 - 60:25That sounds fun!
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60:25 - 60:30When we first heard the song, we discussed
the lyrics with our producer hyungs -
60:30 - 60:36We also talked about the lore and the
setting -
60:36 - 60:40When we first heard the song, there were
many highlights in it -
60:40 - 60:45Hence we had many ideas but we also ended
up spending a lot of time on the details -
60:46 - 60:49Also about Caligo.. Bamby hyung please
talk about this -
60:49 - 60:50Caligo?
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60:50 - 60:52He is someone I don't know.
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60:52 - 60:53Okay (laughs)
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60:53 - 61:02In our choreography, we included a lot
of.. Lucifer? -
61:02 - 61:05Yes that's our main theme
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61:05 - 61:13Whenever we need to choreograph, we watch
the music video draft first -
61:13 - 61:14and take a look at the storyboard
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61:14 - 61:21And so after that(we start choreographing)
In this scene, you may already know but -
61:21 - 61:25This is based on Pieta
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61:25 - 61:31Originally, Bamby (myself) was supposed
to look more pitiful (than this) -
61:31 - 61:35My waist was all twisted. It was too
difficult -
61:35 - 61:38It didn't even look good
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61:38 - 61:42Rather than pitiful, I would say that it
was quite a dynamic pose -
61:42 - 61:45I had to fold my body in that way,
backwards -
61:45 - 61:50So we talked even more with the staff and
gathered their opinions -
61:50 - 61:52And eventually decided to go with Pieta
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61:52 - 61:58Throughout the dance, we fight the devil
within ourselves, try to talk to it, -
61:58 - 62:02reconcile with it and so on..
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62:02 - 62:07In a way it's like a musical with a lot of
intense moments -
62:07 - 62:10There's a lot of such details in this so
if you watch it carefully -
62:10 - 62:11(that'll be great)
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62:11 - 62:14So in this scene, Bamby is gone?
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62:14 - 62:17Yeah I'm gone here
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62:17 - 62:19So it's supposed to be sad?
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62:19 - 62:22Yeah it's a situation where he has lost
everything -
62:22 - 62:25Then what of Yejun and Hamin who are at
the bottom? -
62:25 - 62:27They've fainted.
They're sleeping. -
62:27 - 62:28Ah I see..
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62:28 - 62:30Let's continue watching
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62:36 - 62:38This is the first time I'm watching this
fancam -
62:39 - 62:45Noah hyung is getting up, with a
feeling of loss and loneliness -
62:45 - 62:49It's similar to what was shown in the
music video -
62:49 - 62:54It starts off with a slightly depressing
vibe -
62:55 - 63:00For me, I did say that I wanted to get up
like this. -
63:02 - 63:04This gave off such a good vibe.
-
63:04 - 63:10So to portay it perfectly, I tried my best
to make my eyes look sunken -
63:10 - 63:14I wanted to give off the feeling that I
have fought until I was exhausted -
63:14 - 63:17I positioned my arms, intentionally,
like that in the middle -
63:17 - 63:18Oh~ the detail
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63:18 - 63:20To give off lackluster vibes
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63:20 - 63:22Oh~ 3rd place in dance is different indeed
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63:22 - 63:26Noah hyung focuses on the details a lot
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63:26 - 63:30and always thinks about how to express the
moves better -
63:30 - 63:33For this part as well, he would say that
oh this doesn't look good, -
63:33 - 63:37that doesn't look good, even when other
people tell him something looks good -
63:37 - 63:41He would say that stooping like this made
him look like he really had lost it all -
63:41 - 63:43He would push ahead like that
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63:43 - 63:46And hence this is the result
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63:50 - 63:51This is it
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63:52 - 63:54Right here is where we sway
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63:55 - 64:00In our music video, there were earthquakes
and explosions -
64:00 - 64:01Hence the shaking
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64:01 - 64:02So this is in the midst of war?
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64:02 - 64:04It could also be the start of war
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64:04 - 64:06Or it could even be the end of it
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64:06 - 64:10Our choreographers, our dance line.
Whenever they explain the details, -
64:10 - 64:14I realise how meticulous they are when
making choreography. -
64:15 - 64:18Even up to the intensity of the shaking
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64:21 - 64:24Yeah, it seems that when we are working at
our respective tasks, -
64:24 - 64:26we all tend to be very meticulous.
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64:26 - 64:28We give a lot of attention to detail.
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64:28 - 64:32We are only at the introduction but the
response is already.. thank you. -
64:33 - 64:34Shall we continue watching?
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64:34 - 64:36Is it alright if we do?
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64:39 - 64:41Is there an issue?
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64:41 - 64:44Alright, let's continue.
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64:45 - 64:48Ah, I made a mistake here!
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64:48 - 64:51I was supposed to.. I don't know
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64:51 - 64:52The jewel-like thing
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64:52 - 64:57Yeah, yeah. Originally, that.. was it
Symmetra? -
64:57 - 64:58Symmetra..
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64:58 - 64:59You're talking about Overwatch?
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64:59 - 65:01Yes, the one who uses magic like this
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65:01 - 65:02You're right
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65:02 - 65:04That was where I got my inspiration from
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65:04 - 65:07You don't even play Overwatch, how do you
know that character? -
65:07 - 65:09I know that character. I played once.
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65:09 - 65:12You can get your inspiration from all
sorts of things -
65:12 - 65:12It's up to me
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65:12 - 65:15No, no, I was surprised
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65:15 - 65:17Right? She does this
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65:17 - 65:18That's right
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65:18 - 65:22The idea was that I lift something out
from the land, -
65:22 - 65:26and position it at Noah hyung's eyes.
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65:26 - 65:28His eye should be in here like this
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65:28 - 65:30Ah ah, that's right
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65:30 - 65:33It's the stage and all, so being nervous
may have caused some slip-ups -
65:35 - 65:41In the video that will be released
tomorrow, you will be able to see more, -
65:41 - 65:44so you can check out this part in that
video -
65:47 - 65:49Can we pause it here?
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65:49 - 65:55Our dance line, especially Teacher Hamin,
emphasised on this part -
65:56 - 65:59When running, do not run like it's part of
a choreography, -
65:59 - 66:02run like you're doing it for real
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66:02 - 66:07Bamby ssi talked about it a lot too.. ah
they both emphasised it a lot -
66:07 - 66:10That I had to do it like this for it to
look cool -
66:10 - 66:14At this part, honestly, I got hit by Eunho
a lot -
66:14 - 66:19Because I was the brake.. I was hit a lot
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66:19 - 66:22Unfortunately, that was exactly our
intention. -
66:22 - 66:26If you had to go through the darkness,
and you can't see a thing, -
66:26 - 66:29even though you would be scared, since you
would want to escape quickly, -
66:29 - 66:32You would actually need to
just run ahead reacklessly -
66:32 - 66:34Dance-line wanted Eunho
to just be aggressive with it -
66:34 - 66:36Yes, just do it and we will match it.
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66:36 - 66:38Since it works for the bigger picture
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66:38 - 66:41That's why I kept saying that Yejun hyung
was going to get hit -
66:41 - 66:41That's right
-
66:41 - 66:42I kept saying that
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66:42 - 66:45Just.. that's (how it's has to be - dance
line) -
66:45 - 66:47So it was hard to ask Eunho hyung
to do it, -
66:47 - 66:49and it was hard for us to ask you (Yejun
hyung) as well -
66:49 - 66:52Hyung, just do it and Yejun will match it
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66:52 - 66:53Hyung, it's okay right?
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66:53 - 66:54Yes, of course
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66:54 - 66:57Then hyung said, oh of course, and hence,
oh.. oh! Oh! (gets hit) -
67:00 - 67:03Now, it works well and the choreography is
expressed well, -
67:03 - 67:05it's okay even if you get (hit a lot)
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67:05 - 67:08So that was Eunho hyung getting held
back.. -
67:08 - 67:12held back from going into the darkness
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67:16 - 67:18There's a lot to say here.
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67:19 - 67:21Ah, this part
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67:21 - 67:25Out of nowhere, Hamin says he is going to
step on me -
67:25 - 67:28What is he saying? He is going to step on
me? -
67:28 - 67:32"Just a moment", and he steps on my thigh,
then my back, and went up -
67:33 - 67:38For real, whatever you all are thinking
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67:38 - 67:41What are they thinking? (laughs)
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67:41 - 67:43He was very heavy. It was heavy.
-
67:43 - 67:45Since he's tall and built.
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67:45 - 67:46That can't be helped.
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67:46 - 67:51I worked out, so I should have been able
to bear it -
67:51 - 67:55During practice, we would film our dance
practices -
67:55 - 68:00There was once when the filming would keep
getting cut because of me -
68:00 - 68:06If Hamin stepped on me incorrectly,
I would think, "Ah, I can't do this" -
68:06 - 68:07My legs would be like this
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68:07 - 68:10That's right
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68:10 - 68:14And so Hamin would be like this, on top
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68:14 - 68:15It was anything but beautiful.
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68:15 - 68:17We're looking at them
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68:17 - 68:18Yeah Eunho and I are facing them
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68:18 - 68:20We are actually laughing
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68:20 - 68:24The legs...
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68:25 - 68:28In one of the behind-the-scenes, as I
climbed up, ook ook! -
68:28 - 68:29A sound like this could be heard
-
68:29 - 68:32And so I said, Noah hyung, happy new year
to you, -
68:32 - 68:33I ate a lot over the holidays
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68:35 - 68:38In the second verse, you stepped on me
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68:38 - 68:39That's right
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68:39 - 68:41It's give and take
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68:42 - 68:45Let's talk about that later
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68:45 - 68:50This part is a part I really like
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68:50 - 68:52I feel like it's beautifully expressed
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68:52 - 68:56Kind of like a shadow..
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68:56 - 68:59Or like a reflection in the river
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68:59 - 69:01Bamby is the reflection in the river?
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69:01 - 69:02Yes, he's the shadow
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69:02 - 69:04How about Yejun hyung and me?
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69:04 - 69:06Are we servants?
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69:06 - 69:07Ah, since we can't see you?
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69:07 - 69:09I thought that it was a marionette.
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69:09 - 69:10I thought that's what it was.
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69:10 - 69:12Controlling..(a puppet)
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69:12 - 69:14So that wasn't it.. I had the wrong idea
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69:14 - 69:18As for Yejun hyung and me,
what are we representing? Servants? -
69:18 - 69:20You're just screen dividers.
-
69:20 - 69:21A fence.
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69:22 - 69:24Ah, alright.
-
69:24 - 69:27If I get seen in that position at the back
it's not that (great), right? -
69:27 - 69:28You have to cover me.
-
69:28 - 69:29No, it's a wall
-
69:29 - 69:33However, it plays a really important role
in the part after this -
69:33 - 69:34That's right
-
69:34 - 69:41They act as a wall between Bamby hyung and
me by standing in that formation -
69:41 - 69:47Here, as I was falling backwards,
there's no one to catch me at the back -
69:47 - 69:49I wanted it to seem like I fell like this,
-
69:49 - 69:51so I held on as much as I could before I
went down. -
69:52 - 69:54Ah, so that's what it was?
-
69:54 - 69:58And this is when the next thing comes into
existence -
69:58 - 70:00The full moon..
-
70:00 - 70:05I really thought the full moon idea was
amazing -
70:06 - 70:13Originally.. what's this? Yejun hyung's
and Eunho's hands are -
70:13 - 70:15Bamby's horns
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70:15 - 70:16Ah, horns! Deer?
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70:16 - 70:18That's why the hands are held like this
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70:18 - 70:21Oh, it's not showing
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70:21 - 70:22Yes?
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70:22 - 70:23It's not showing
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70:23 - 70:24Oh, for real
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70:24 - 70:26It's not moving
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70:26 - 70:29Is it the copyright issue?
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70:29 - 70:31We are not even on Twitch now
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70:33 - 70:36We move fine, right?
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70:36 - 70:39They can see us well
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70:45 - 70:48Alright, just a moment, everyone
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70:48 - 70:51If we wait a while, it will be back
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70:51 - 70:51It's our phrase
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70:51 - 70:53Wait a while and we'll be back
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70:53 - 70:58(Singing PUTV lyrics)
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70:58 - 70:59Kindly wait a while
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70:59 - 71:02Anyway, if we were to share more on this
part (of the dance), -
71:02 - 71:04Please go ahead and talk about this,
Bamby ssi -
71:04 - 71:06They can't hear us, right?
-
71:06 - 71:07They can hear us
-
71:07 - 71:10Alright, we..
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71:10 - 71:12PLLI..
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71:12 - 71:13Sorry.
-
71:13 - 71:18For me, the part I really liked was..
I did something like a full moon, right? -
71:18 - 71:22And to match that, Bamby rotated his head
like this -
71:22 - 71:23Yeah, (in the same) direction
-
71:23 - 71:26Yeah, this was really (great)
-
71:26 - 71:30Originally, there was no full moon, but
Noah hyung was there, -
71:30 - 71:33and his hair was yellow..
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71:33 - 71:34And so...
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71:34 - 71:36You got inspired right then?
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71:36 - 71:37Ah, that's where you got it from?
-
71:37 - 71:39At that point, we had the horns already
-
71:39 - 71:42But I wished that there was something at
the back too -
71:42 - 71:44And then, you were there (in front of me)
-
71:44 - 71:48Your ideas.. the way you get them, are
very unique -
71:48 - 71:51Like how you thought of that game
character from out of nowhere -
71:51 - 71:53And how you went from the yellow hair
to the full moon -
71:53 - 71:55It's quite genius, indeed
-
71:55 - 71:56Isn't that how it's supposed to be?
-
71:56 - 71:59That's right
-
71:59 - 72:00You were very cool
-
72:00 - 72:05Alright, please wait a while
They're getting ready -
72:05 - 72:09Once again, we would like to apologise to
our PLLI -
72:09 - 72:13If you could wait a little, that would be
wonderful -
72:13 - 72:20Today.. even earlier on, the YouTube
server had its issues -
72:20 - 72:22We hope for your understanding
-
72:22 - 72:24But anyway, talking about the
choreography is fun -
72:24 - 72:25Yes, it is
-
72:25 - 72:27Now that we're talking about the
choreography, -
72:27 - 72:29Hamin's smile has blossomed.
-
72:29 - 72:31This day was all I waited for
-
72:31 - 72:33The smile flower had blossomed.
-
72:33 - 72:34Coming back is fun.
-
72:35 - 72:36Of course it is.
-
72:36 - 72:41Something new.. making it.. and then
performing it -
72:41 - 72:42It's fun, it is.
-
72:44 - 72:47Alright, now that it's like this
-
72:47 - 72:50Since we can take it that they've seen
the whole dance.. -
72:50 - 72:53We were watching the video while
discussing it -
72:53 - 72:54If we skip that..
-
72:54 - 72:57Everyone has seen the choreography anyway
-
72:57 - 73:01As you were choreographing, what's the
aspect that you focused on the most? -
73:01 - 73:03If you can share more in relation to that
(that'll be great) -
73:03 - 73:09Firstly, for the chorus.. for the
highlights, it was mainly Bamby -
73:09 - 73:12I choreographed the more acrobatic
segments, -
73:12 - 73:17and the more intense segments like in the
rap parts -
73:17 - 73:19The more graceful parts were made by Bamby
-
73:19 - 73:22In charge of sentimentality (myself)
In charge of power (Hamin) -
73:22 - 73:23That was the gist.
-
73:23 - 73:26I had a hard time (as a result).
-
73:26 - 73:27Really.
-
73:27 - 73:29It was hard for me too.
-
73:29 - 73:36Both of them, they would make their
choreography the best as they can. -
73:36 - 73:38Both of them produced their best, right?
-
73:38 - 73:42So if you combined them you get the best
of the best. -
73:42 - 73:43Hence.. (I suffered)
-
73:43 - 73:44I held back a lot actually.
-
73:44 - 73:45It was no joke.
-
73:45 - 73:53But as hard as they worked, they received
as much praise. -
73:53 - 73:55Being great requires suffering.
-
73:55 - 73:59That's right, you have to push yourself
physically for it to turn out well -
74:01 - 74:03Alright, the video.. (is ready)
-
74:03 - 74:04Shall we keep watching?
-
74:04 - 74:08Let's go through this very quickly
-
74:08 - 74:12Going through this quickly would mean that
we get to talk more on this another time -
74:12 - 74:13That's right
-
74:13 - 74:14Let's proceed
-
74:17 - 74:20Here, as the full moon appears, Bamby's
head rotates -
74:20 - 74:25That's so cool, if I say so myself
-
74:25 - 74:28And then, it explodes here
-
74:28 - 74:33You can see here that Bamby hits the arm
move at the exact timing(of the explosion) -
74:33 - 74:34That's right
-
74:35 - 74:45The formation behind Bamby.. represents
his heart, or something similar to that -
74:46 - 74:50And so, here, Bamby..
-
74:50 - 74:52He's locked up in a room
-
74:52 - 74:56And so he wants to break out,
-
74:56 - 75:02and he wants to destroy the devil within
him -
75:04 - 75:06It's quite philosophical, huh?
-
75:06 - 75:07(Sigh) This part is really...
-
75:07 - 75:11The devil has surfaced
-
75:11 - 75:13This part was the hardest
-
75:13 - 75:16Yes, yes, yes
-
75:16 - 75:19We had to show something bold here, right?
-
75:19 - 75:23It felt like if we didn't do something
special here, it wouldn't be right -
75:23 - 75:25Everything we tried seemed so weak..
-
75:25 - 75:28We gave up sleep for this
-
75:28 - 75:31How many times did you modify this part?
-
75:31 - 75:33There's no way to know
-
75:33 - 75:34Roughly?
-
75:36 - 75:37An approximate?
-
75:37 - 75:38Did you do it more than 10 times?
-
75:38 - 75:39That's for sure
-
75:39 - 75:40More than 20 times?
-
75:40 - 75:41Yes, more than that too
-
75:41 - 75:4330 times?
-
75:43 - 75:44The thing is,
-
75:44 - 75:46we kept changing it, and from what's
revised, -
75:46 - 75:49we would find something that we needed to
change again. -
75:50 - 75:51It was originally like this
-
75:51 - 75:53I gotta dash ~
-
75:53 - 75:57That's right, that's right
-
76:01 - 76:04This is more impactful and eye-catching
-
76:04 - 76:05That's right
-
76:09 - 76:13Yes, and as we do that, then look into the
camera, paak~ (that's impactful) -
76:14 - 76:16We are in sync even down to our knees
-
76:16 - 76:19(Groans) This is really..
-
76:19 - 76:22It's death, for real
-
76:22 - 76:23I nearly cried, seriously
-
76:23 - 76:25I really was on the verge of tears
-
76:25 - 76:27Also with this being your part.. (laughs)
-
76:27 - 76:28Yeah..
-
76:28 - 76:30The person in the centre has to sing,
-
76:30 - 76:33but they also need to focus on their
facial expressions -
76:33 - 76:34Yejun really has it hard here
-
76:34 - 76:40When I first watched the choreography
draft, it looked so cool -
76:40 - 76:44It was very shocking
-
76:44 - 76:47Regardless, I had to assimilate this
-
76:47 - 76:49I think I worked really hard for that
-
76:49 - 76:49Yes, you did
-
76:49 - 76:51You did it very well
-
76:51 - 76:55From this choreography, our knees were
really bruised -
76:55 - 76:57Ah, yes, that's right
-
76:57 - 76:59Since it's a choreography that utilises
the floor, -
76:59 - 77:02it was especially painful at the inner
knee area -
77:08 - 77:11Well, if it's for the sake of a great
performance.. -
77:11 - 77:14then yes we have to do this.
-
77:16 - 77:17Shall we move on?
-
77:17 - 77:18Sure
-
77:18 - 77:20Oh, (shall we continue) after Bamby hyung
is back.. -
77:20 - 77:22Since we made this (choreography) together
-
77:22 - 77:25However, the thing is, PLLI, you do not
need to worry about us -
77:25 - 77:28No matter what, we do have to give as
best of a performance as we can -
77:28 - 77:30There needs to be sacrifice.
-
77:30 - 77:32Actually, the interesting thing here is,
-
77:32 - 77:35Now that we have gone through a lot of
filming and dance practice.. -
77:35 - 77:37we film our practices as well,
right? -
77:37 - 77:38Now, it doesn't hurt.
-
77:38 - 77:39That's right
-
77:39 - 77:42We have learnt the know-how and all that
-
77:42 - 77:45Shall we also chat about "that"
later on? -
77:45 - 77:47We starred in our music video.
-
77:47 - 77:50From the filming and behind-the-scenes,
there is a ton of stories to tell. -
77:50 - 77:53If we can also get to talk about that
next time, that will be great. -
77:53 - 77:58For stories related to that, we should
schedule a time -
77:58 - 78:03There's a lot to talk about, a lot of cool
stuff. -
78:03 - 78:06Yes today is about the choreography
breakdown -
78:06 - 78:12Yeah today we'll just touch lightly on
this, and share some BTS stories -
78:12 - 78:16(after that/next time) we'll share more in
depth -
78:17 - 78:19Yes! This is it!
-
78:19 - 78:21It's a wolf!
-
78:22 - 78:23Our wolf.
-
78:24 - 78:25Touch down.
-
78:25 - 78:27We see that right here
-
78:31 - 78:33Wow, this part..
-
78:33 - 78:35Oh? It's not moving though.
-
78:35 - 78:36Yes?
-
78:36 - 78:37It's frozen again.
-
78:37 - 78:37You're right
-
78:37 - 78:39Then let me share something!
-
78:39 - 78:44For the touch-down part, Noah hyung.. my
heart hurt -
78:44 - 78:45Let's share that story another time
-
78:45 - 78:47Another time? Okay okay.
-
78:47 - 78:50Because I have so many things to share
-
78:50 - 78:52Ah, we need to schedule a time for that.
-
78:52 - 78:57At this part where the video is frozen,
this movement.. -
78:57 - 79:02Above Lucifer, there is an angel.. ring,
right? -
79:02 - 79:03What's it called?
-
79:03 - 79:05An angel ring (halo).
-
79:05 - 79:06This movement is to express that.
-
79:06 - 79:07That's what it was?
-
79:07 - 79:11This is my first time hearing this, why
did you not mention this before? -
79:11 - 79:12He did mention it.
-
79:12 - 79:14Sorry~
-
79:14 - 79:15I see you were not paying attention
-
79:15 - 79:18Hyung, then is it buffering for you,
instead of angel ring? -
79:18 - 79:19I must have been very tired
-
79:19 - 79:20Ah, halo.
-
79:20 - 79:24Could Yejun hyung be washing his hair
here? -
79:24 - 79:25From earlier (till now), Nam Yejun ssi,
-
79:25 - 79:29definitely has been moving in a
slightly different way (from the others). -
79:29 - 79:32The angel ring was slightly lowered.
-
79:32 - 79:33That's what I (intended)
-
79:33 - 79:35Great attention to detail.
-
79:35 - 79:41Yeah~ the angel ring, right here, it
could be 15 cm above, right? -
79:41 - 79:42That was prejudice
-
79:42 - 79:44Yeah, you were prejudiced~
-
79:44 - 79:45Great detail.
-
79:49 - 79:53In this case, we should just dance
and explain with that -
79:53 - 79:55That seems a better way
-
79:55 - 79:56Let's do it while dancing
-
79:56 - 79:58Let me remove the table
-
79:58 - 79:59Hyung, I should learn from you
-
79:59 - 80:02As the 3rd-generation MC, I should (learn
from you) -
80:02 - 80:04That should have been my job
The wit.. -
80:04 - 80:08Persimmons(홍시) are different indeed.
(홍시=감 which also means sense/instinct/wit) -
80:08 - 80:12Our PLLI as well, if we dance and
explain, they are going to like it. -
80:12 - 80:16As expected... of the 2nd-gen (MC)
-
80:18 - 80:20Alright, where should we start?
-
80:20 - 80:22Let's start from when Noah comes to the
front. -
80:22 - 80:23Ok, slowly..
-
80:35 - 80:37Nice~
-
80:37 - 80:39Is there anything to share up to this
part? -
80:39 - 80:41Let's move on
-
80:41 - 80:42Ok (laughs) let's keep going
-
80:42 - 80:44Alright, let's continue
-
80:45 - 80:47To the rap part
-
80:52 - 80:56As we're doing this, once we are at a part
you want to talk about, please say Stop! -
80:56 - 80:58Or I can do counting and explain.
-
80:58 - 80:59Sounds good
-
80:59 - 81:04First off, when I was choregraphing for
the rap part.. -
81:06 - 81:08the rap is rhythmic, right?
-
81:08 - 81:13I was thinking that it'd be good to have
Eunho hyung do krump -
81:13 - 81:17I was really.. you really knew what I
wanted (the song to express) -
81:17 - 81:18I kept mentioning krump, right?
-
81:18 - 81:20Yeah yeah.
-
81:20 - 81:22He added that in and I really liked that.
-
81:22 - 81:24That's right
-
81:24 - 81:29At first, what we were going to do was, we
were going to be in this position, -
81:29 - 81:33and Eunho hyung would do something like
a freestyle. -
81:33 - 81:36Yes it was originally like that
-
81:36 - 81:40Throw something, stomp his foot..
Go down like this -
81:40 - 81:41It was originally like this
-
81:41 - 81:43Oh hey, you looked cool
-
81:43 - 81:45Why didn't you go for that?
-
81:45 - 81:47Since you need to rap..
-
81:47 - 81:52And when we looked at the big picture, if
we all burst together.. -
81:53 - 81:53That's right
-
81:53 - 81:54That's what I thought
-
81:54 - 81:57Let's show them this part.
-
82:05 - 82:09This part.. where you throw this.. you
did it well -
82:09 - 82:11He practised this a lot
-
82:11 - 82:13He was at this for a long time
-
82:13 - 82:17This move alone.. don't you think he has
done this more than a thousand times? -
82:18 - 82:20At first, it was supposed to be him
throwing this.. -
82:20 - 82:22Gathering it like this then throwing it
-
82:22 - 82:24But gradually it became more like this!
-
82:24 - 82:27Ah, it became a horizontal line?
-
82:32 - 82:34But that's a good vibe too
-
82:40 - 82:42You just added your own vibe to it
-
82:42 - 82:45Ooh. Thank you.
-
82:45 - 82:47It's just my style.
-
82:47 - 82:50But you really did well.
-
82:50 - 82:55It was then I realised, 4th place is
different indeed. -
82:55 - 82:58It's thanks to you, isn't it?
-
83:03 - 83:06I still have a bullet left (It's not over
yet). -
83:06 - 83:07Okay.
-
83:08 - 83:12At "my prime series", what was it that I
said? -
83:12 - 83:14Did I say move like we're preparing for
something? -
83:14 - 83:16Or rise like this?
-
83:16 - 83:18Yeah, come up from here.. and when we're
up.. -
83:18 - 83:20Yeah the key to this is,
that's right, -
83:20 - 83:21it's this but,
-
83:21 - 83:24"my prime series, new chap-"
At chap! it should feel like, -
83:24 - 83:29all of us are combining in one move.
-
83:33 - 83:35For this part..
-
83:38 - 83:39For this, the knees..
-
83:39 - 83:41We brought out the knees.
-
83:42 - 83:45This is the second (move with knees).
There's a third one. -
83:45 - 83:45There's more?
-
83:45 - 83:47Ah Yejun is right..
-
83:47 - 83:48We still have this.
-
83:48 - 83:49Ah, yeah.
-
83:49 - 83:50There's one more.
-
83:50 - 83:52For this as well, we have a bullet left.
-
83:52 - 83:54No, Yejun has four bullets.
-
83:54 - 83:57He does this too.
-
83:57 - 83:59Ah, sorry
-
84:00 - 84:04I was going to say this later, but when
Yejun hyung does this move, -
84:04 - 84:06the expression on his face is a sight to
behold. -
84:06 - 84:10We can't be looking at each other's faces
(when doing this dance) -
84:12 - 84:14Yejun hyung, we have to talk about this
too though -
84:14 - 84:16Ah, that, let's do that later
-
84:16 - 84:20Wah, seriously, there's so much story in
one segment -
84:20 - 84:24Anyway, in this rap part, no matter what,
there needed to be an explosion -
84:24 - 84:30It has to go up like this, hit it hard
here, go down, and crash hard again -
84:35 - 84:38I kept.. rolling this way.. then that way.
I kept experimenting -
84:38 - 84:43And the finalised version is, I hit this,
and "slow down~" -
84:43 - 84:47The head stays there till "who, who"
-
84:47 - 84:49There's that head detail as well
-
84:49 - 84:50That's right
-
84:50 - 84:52At this part, I go "who who"
-
84:52 - 84:54Shall we demonstrate this part?
-
84:54 - 84:55Shall we show it to them?
-
84:55 - 84:57Starting from "my prime series".
-
84:57 - 84:57Okay
-
85:07 - 85:09Ah, it's tiring.
-
85:09 - 85:12It's tiring even just doing this part!
-
85:13 - 85:14How does this part go?
-
85:14 - 85:15Is this right?
-
85:15 - 85:16That's right
-
85:18 - 85:21To be honest, for this part, Hamin has it
the hardest. -
85:21 - 85:23That's right
-
85:23 - 85:24With the kick and all..
-
85:24 - 85:26It's not tiring if I do a kick,
-
85:26 - 85:29but since I have to do the kick in the
midst of dancing -
85:29 - 85:32My balance was.. it was hard.
-
85:32 - 85:34Because of this, we had a lot of NGs.
-
85:34 - 85:36It's better now.
-
85:36 - 85:42For this part.. holding it here..
is the key. -
85:42 - 85:43Ah, there's one more thing
-
85:43 - 85:46The part where our thighs get destroyed.
-
85:49 - 85:50Sorry!
-
85:57 - 86:01That's why, the fanchant at that part
goes like "Ah!!" -
86:01 - 86:03It's expressing this.
-
86:03 - 86:04For real.
-
86:04 - 86:06Yes, for real.
-
86:06 - 86:10There are many key points to this part,
like this, -
86:10 - 86:14where I wanted to express a wave going
"voom" and striking something -
86:14 - 86:15Let's keep going
-
86:15 - 86:16Shall we?
-
86:27 - 86:29After this, it's Eunho's part
-
86:29 - 86:31Ah right, there's that
-
86:31 - 86:33What were the lyrics?
-
86:41 - 86:47At this part, you have to let it all go
and only put strength into the fingers -
86:52 - 86:55There's something I remember from before..
I was caught (red-handed). -
86:55 - 86:58I was trying to find a easy way to do
this.. -
86:59 - 87:02When I did this..
-
87:04 - 87:06We're supposed to rotate widely
-
87:06 - 87:08Wait a moment
-
87:08 - 87:13Ah, it's this. We are supposed to go round
like this, rotating our waist. -
87:13 - 87:17To make it easier on myself, I realised
that if I bring my arms in a wide motion.. -
87:17 - 87:19Even if I do not use my waist..
-
87:23 - 87:28Ah, you do it like this, to give off the
feeling that you're using your waist -
87:28 - 87:30I wasn't caught by Hamin, but by Bamby
ssi.. -
87:30 - 87:31I caught you at once.
-
87:31 - 87:34Because I got caught, I did it..
like this -
87:34 - 87:38You were intentionally louder, to make it
seem that you were working hard -
87:38 - 87:40(You were proving yourself) through vigour
-
87:40 - 87:41What a bad guy.
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