1987-mario camus-la casa de bernarda alba (federico garcia lorca).avi
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5:54 - 5:56Scrub everything clean
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5:56 - 6:00My head is bursting with those tolling bells - The church looks beautiful
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6:00 - 6:06Priests have come from every town. Magdalena fainted during the first response
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6:06 - 6:09She's the one who's going to be the loneliest
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6:09 - 6:14She's the only one her father loved
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6:14 - 6:17Why don't you give me some for my little girl, Poncia?
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6:21 - 6:25Take a handful of garbanzos too. Today she won't notice
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6:39 - 6:40Bernarda
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6:48 - 6:49Is she locked up tight?
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6:49 - 6:53With two turns of the key
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6:57 - 7:01You should fasten the bolt too. She has fingers like five skeleton keys!
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7:01 - 7:02Bernarda
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7:02 - 7:05She's coming!
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7:05 - 7:06Did all the relatives come?
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7:06 - 7:12Hers did. His people hate her
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7:13 - 7:14Are there enough chairs?
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7:14 - 7:19More than enough. Let them sit on the floor!
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7:21 - 7:23Scrub! Scrub those tiles!
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7:23 - 7:26My hands are bleeding for all this scrubbing
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7:26 - 7:32If Bernarda doesn't see things shine, she'll tear out the little hair I have left
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7:32 - 7:33What a woman!
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7:33 - 7:42She could sit on your heart and watch you die for a whole year without taking that cold smile off her damn face
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7:42 - 7:44She's been good to you
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7:44 - 7:49Thirty years washing her sheets. Thirty years, eating her leftovers.
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7:49 - 7:54Entire days peering through cracks, to spy on the neighbors and bring her the gossip
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7:54 - 8:00A life with no secrets from each other. And yet: Damn her!
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8:00 - 8:02May she have a horrible pain, like nails stuck in her eyes
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8:02 - 8:03Poncia
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8:03 - 8:10But I'm a good dog: I bark when I'm told, and I snap at beggars' heels when she sets me on them
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8:10 - 8:17My sons work in her fields, and they're both married now, but someday I'll be sick of it.
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8:17 - 8:17I'll lock myself in a room with her and spit at her for a whole year
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8:17 - 8:21I'll lock myself in a room with her and spit at her for a whole year
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8:21 - 8:28"For this, Bernarda!" "And for that!" Änd for the other!" Until she's a lizard that children have smashed to pieces
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8:31 - 8:37I certainly don't envy the way she lives. She has five girls on her hands, five ugly daughters
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8:37 - 8:41but except for Angustias, the oldest, who is her first husband's child and has some money
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8:41 - 8:48the rest: lots of fine lace, lots of linen shifts, but bread and grapes is all they will inherit!
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8:48 - 8:51I would like to have what they have
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8:51 - 8:55I'm going over to listen the last prayer. I love the way the priest sings
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8:55 - 9:00In the Pater Noster the walls trembled when he sang, it was as if a wolf had come into the church
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9:00 - 9:03AMEEEEEEN
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9:03 - 9:05You'll pulverize your windpipe
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9:05 - 9:07My windpipe?
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9:07 - 9:09I'd rather pulverize something else!
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11:30 - 11:36Rot away, Antonio Maria Benavides, stiff in your wool suit and your high boots!
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11:38 - 11:42Never again will you lift up my skirt behind the back corral
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11:53 - 11:57Of those who served you, I loved you the most
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12:02 - 12:04Must I go on living after you've gone?
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12:04 - 12:07You should have seen to it everything was cleaner
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12:07 - 12:10Get out! This is not where you belong
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12:19 - 12:21The poor are like animals
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12:21 - 12:23Poor people have their sorrows too
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12:23 - 12:26But they forget them, once there's a plate with food in front of them
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12:26 - 12:29You must eat to live
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12:29 - 12:32At your age, one does not speak in front of one's elders
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12:44 - 12:46Sit down
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13:00 - 13:02Magdalena, don't cry
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13:06 - 13:07Did you hear me?
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13:22 - 13:23Give some to the men
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13:23 - 13:25They're having some already
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13:39 - 13:41Tell to Bernarda I'm hungry and thirsty
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13:41 - 13:43I did
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13:43 - 13:48Give me at least some dishwater to drink, and dog meat
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13:48 - 13:51Come with me
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14:04 - 14:08Pepe el Romano was with the men at the funeral?
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14:11 - 14:12He was there
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14:12 - 14:16His mother was there. She saw his mother
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14:16 - 14:19Neither she nor I saw Pepe
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14:19 - 14:25I thought I... - In church, women should look at no man but the priest
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14:25 - 14:30Whoever turn her head is on the prowl for a man
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14:30 - 14:33Blessed be God
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14:44 - 14:49Rest in peace with the souls of the departed - Rest in peace
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14:49 - 14:53With Saint Michael the Archangel and his sword of justice - Rest in peace
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14:53 - 14:58With the key that opens all, and the hand that closes all - Rest in peace
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14:58 - 15:03With all the blessed saints and the little lights of the fields - Rest in peace
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15:03 - 15:08With our holy charity and the sould from land and sea - rest in peace
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15:08 - 15:17Grant repose to your servant Antonio Maria Benavides, and give him the crown of your sacred glory - Amen
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15:22 - 15:27requien aeternam dona eis, domine - Et lux perpetua lucea
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16:05 - 16:08I hope many years go by before you cross my threshold again
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16:08 - 16:10You have nothing to complain about. The whole town came
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16:10 - 16:13Yes. To fill my house with the poison of their tongues
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16:13 - 16:15Mother, don't talk like that
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16:15 - 16:18That's the way you must talk in this damned town without river
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16:18 - 16:23This town of wells, where you always drink the water fearing that it's poisoned
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16:27 - 16:28Look what they have done to the floor
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16:28 - 16:32You'd think a herd of goats had walked on it
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16:46 - 16:48Give me a fan, girl
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16:59 - 17:04Give me a black one, and learn to respect your father's memory
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17:04 - 17:07Take mine, I'm fine
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17:35 - 17:41During our eight years of mourning, no wind from the street will enter this house
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17:41 - 17:46Pretend we have sealed up the doors and windows with bricks
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17:47 - 17:49In the meantime, you can embroider your trousseaus
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17:49 - 17:52I know I'm not going to get married
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17:52 - 17:54I'd rather carry sacks to the mill
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17:54 - 17:58Anything but sit in this dark room, day after day
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17:58 - 18:00That's what it means to be a woman
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18:00 - 18:03To hell with being a woman
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18:03 - 18:10Here you do what I tell you to do. You can't run to your father with your stories anymore.
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18:10 - 18:16A needle and thread for females, a mule and a whip for males
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18:16 - 18:19That's how it is for people born with means
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18:47 - 18:53'During the funeral I had to cover her mouth with an empty sack several times
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18:53 - 18:57Let her out where the neighbors can't see her from their windows
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19:29 - 19:31And Angustias?
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19:31 - 19:34I saw her peering through a crack in the front door
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19:34 - 19:37why did you go to the door too?
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19:37 - 19:41I went to see if the hens had laid
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19:41 - 19:43But the men must have left already
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19:43 - 19:47A group of them are still standing around outside
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20:04 - 20:06what do you want?
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20:06 - 20:08what were you looking at? At whom?
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20:08 - 20:09At no one
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20:09 - 20:13Is it proper for a woman of your class to go chasing after a man
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20:13 - 20:15who were you looking at? - Me?
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20:15 - 20:17You - At no one
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20:20 - 20:25Calm down
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20:25 - 20:27Get out of here
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22:33 - 22:38She did it without thinking, which was clearly wrong
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22:38 - 22:41It pissed me off to see her sneaking toward the patio
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22:41 - 22:49And then she stood at the window, listening to the men's conversation, which as usual, was not fir to hear
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22:49 - 22:51What were they talking about?
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22:51 - 22:54Who? - the men
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22:54 - 22:58They were talking about Paca la Roseta. Last night they tied her husband up in a stall
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22:58 - 23:01threw her over the back of a horse, and carried her off to the top of the olive grove
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23:01 - 23:03what about her? - Her? She agreed to it
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23:03 - 23:08They say she rode with her breasts hanging out, and Maximiliano held her as if he was playing a guitar
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23:08 - 23:10Horrible
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23:10 - 23:12Then what happened? - What was bound to happen
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23:12 - 23:18It was dawn when they got back. Paca la Roseta had her hair undone and was wearing a crown of flowers on her head
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23:18 - 23:20They said a lot more things
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23:20 - 23:22what?
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23:22 - 23:24I'm embarrassed to talk about that
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23:24 - 23:27And my daughter heard all that.
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23:27 - 23:33She takes after her aunts. Soft and slippery, making sheep's eyes at any little barber who flattered them!
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23:33 - 23:36Your daughters are old enough to get married now
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23:36 - 23:40They give you little enough trouble. Angustias must be - Thirty nine, to be exact
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23:40 - 23:42Imagine. And she's never had a suitor
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23:42 - 23:47None of them has had a suitor, nor needs one!
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23:47 - 23:51For a hundred miles around, no one can measure up to them
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23:51 - 23:55What would you have me do? Turn 'em over to some field hand?
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23:55 - 23:57You should have gone to some other town
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23:57 - 23:59Of course, to sell them
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23:59 - 24:02No, Bernarda, to change.
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24:03 - 24:06Can we or can we not be honest with each other?
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24:06 - 24:11We cannot. You are my servant, and I pay you. Nothing more!
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24:11 - 24:13Put away all the clothes
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24:13 - 24:16We could give some things away - Nothing, not one button
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24:16 - 24:20Not even the handkerchief we used to cover his face
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25:55 - 25:58What are you doing with that dress?
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25:58 - 26:02I had such dreams about it.
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26:02 - 26:07I planned to wear it my birthday
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26:07 - 26:10Now it'll rot away in the closet
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26:18 - 26:19Who are you?
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26:19 - 26:20Magdalena
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26:20 - 26:22open up
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26:22 - 26:24I can't
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26:24 - 26:29Magdalena, face of a hyena
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27:16 - 27:18That damned will!
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27:18 - 27:21What a lot of money was left to Angustias!
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27:21 - 27:22A lot
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27:22 - 27:23And to the others?
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27:23 - 27:26So much less
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27:26 - 27:31You know that very well, but you enjoy asking me that several times
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27:33 - 27:35Have you taken your medicine?
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27:37 - 27:39For all the good it's going to do me
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27:39 - 27:43Did you notice? Adelaida wasn't at the funeral
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27:45 - 27:47Her fiance won't let her go out
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27:49 - 27:50She used to be full of fun
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27:50 - 27:54now she doesn't even powder her face
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27:54 - 27:58Nowadays you don't even know whether it's better to get engaged or not
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28:02 - 28:03it's all the same
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28:23 - 28:27It's better never to lay eyes on a man
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28:27 - 28:36Since I was a child I've been afraid of them. I used to see them in the corral, yoking the oxen and loading the sacks of wheat with loud voices and clumsy feet
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28:36 - 28:41I was always afraid of growing up for fear of suddenly finding myself in their clutches
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28:41 - 28:45God made me weak and ugly and set them forever apart from me
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28:45 - 28:50Don't say that! Enrique Humanas was after you and he used to like you
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28:50 - 28:53The things people make up!
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28:53 - 29:02One time I stood at the window until daylight because I was told he was going to come, and he didn't. It was all just talk
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29:03 - 29:06then he married someone with more money than me
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29:06 - 29:07And ugly as the devil
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29:07 - 29:14What do they care about ugliness? All they care about is land, oxen, and a meek little dog to cook for them
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29:14 - 29:16what are you doing?
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29:16 - 29:20hanging out - One of your shoelaces is untied
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29:20 - 29:21what difference does it make!
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29:21 - 29:23You'll step on it and you'll fall
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29:23 - 29:25one less
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29:25 - 29:26here
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29:33 - 29:35Do you know about it yet?
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29:35 - 29:37no - Come on
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29:37 - 29:39what?
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29:39 - 29:41About Pepe el Romano
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29:50 - 29:53Pepe el Romano wants to marry Angustias
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30:03 - 30:05I'm glad
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30:05 - 30:06me too
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30:06 - 30:08neither one of you is glad!
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30:08 - 30:10Magdalena, really!
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30:10 - 30:14If he wanted Angustias as a woman, I'd be glad. But he wants her money
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30:14 - 30:22even though Angustias is our sister, in this family we know she's old and has always had the least to offer of any of us
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30:22 - 30:24Luck comes to the one who least expects it
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30:24 - 30:28Angustias has all her father's money. she's the only rich one in the house so they're coming after her
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30:28 - 30:34it'd be natural for him to be interested in you, Amelia, or in our Adela
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30:34 - 30:36but not to come looking for the gloomiest person in this house
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30:36 - 30:39Maybe he likes that
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30:39 - 30:41I never could stand your hypocrisy!
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30:59 - 31:01If mother sees you she'll drag you out by the hair
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31:01 - 31:03I was crazy about this dress
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31:03 - 31:05It is beautiful
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31:05 - 31:09and it suits me very well
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31:09 - 31:11What you could do is dye it black
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31:11 - 31:15Or give it to Angustias to wear when she marries Pepe el Romano
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31:32 - 31:33Haven't you heard?
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31:35 - 31:37but it's not possible
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31:37 - 31:39Money makes everything possible
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31:43 - 31:45what are you thinking?
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31:45 - 31:49I'm thinking that this period of mourning has caught me at the worst possible time
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31:49 - 31:50You'll get used to it
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31:50 - 31:56I will not get used to it. I don't want to be locked up!
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31:56 - 32:01I don't want to waste away in these rooms
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32:01 - 32:06Tomorrow i'll put on this dress again and go walking down the street
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32:06 - 32:08I want to get out - ADELA
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32:08 - 32:10Hush
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32:12 - 32:15Pepe el Romano is coming down the street - Let's go watch
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32:19 - 32:20You're not going?
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32:20 - 32:21i don't care
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32:21 - 32:25Since he'll be coming around the corner, you can see him better from the window in your room.
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33:22 - 33:26have you dared to powder your face?
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33:26 - 33:30He was not my father. Mine died sometime ago. Don't you remember?
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33:30 - 33:35You owe more to that man, father of your sisters, than you do to your own - Mother, let me go
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33:35 - 33:41After you've taken that powder off your face. Weakling! Hussy! You're the image of your aunts
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34:18 - 34:21If you're worried about the inheritance, you're the richest, you keep it all
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34:21 - 34:23Keep your tongue in its place!
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34:33 - 34:36Don't entertain the illusion that you're going to be a match for me
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34:38 - 34:43until I leave this house feet first, I will make the decisions, my own and yours
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35:59 - 36:02With all this thread you can start sewing
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36:02 - 36:04For whose trosseau?
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36:04 - 36:08for everyone's
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36:08 - 36:11None of you is going to get married
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36:11 - 36:18None of my things will ever be yours, because none of you will get married
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36:18 - 36:20None of you
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36:20 - 36:22why did you let her in?
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36:22 - 36:23She got away
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36:23 - 36:26I escaped...
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36:26 - 36:29because i want to get married
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36:29 - 36:32Bernarda, give me my pearl necklace!
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36:32 - 36:33Be quiet, mother!
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36:33 - 36:36No
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36:36 - 36:39I won't be quiet
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36:39 - 36:45I don't want to see these single women itching to get married
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36:45 - 36:49their hearts turning to dust
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36:49 - 36:55Bernarda, I want a man to marry and be happy
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36:55 - 36:56Lock her up
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36:56 - 36:58All of you help her
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36:58 - 37:03I want to get away from here Bernarda! to get married at the edge of the sea
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37:03 - 37:07At the edge of the sea
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37:21 - 37:24Hail Mary, full of grace, the Lord is with thee.
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37:24 - 37:26Blessed art thou among women
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37:26 - 37:28and blessed is the fruit of thy womb, Jesus.
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37:28 - 37:32Holy Mary, Mother of God, pray for us sinners,
now and at the hour of our death -
42:31 - 42:34And Adela? - still in bed
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42:37 - 42:40Something's wrong with that girl
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42:42 - 42:44There's nothing more or less wrong with her than with any of us
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42:44 - 42:48All of us, except Angustias
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42:48 - 42:52I feel just fine. and anyone who doesn't like it can go to hell
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42:52 - 42:56one must admit the best things about you have always been your figure and your tact
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42:56 - 42:59fortunately, I'll soon be getting out of this hell
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42:59 - 42:59Perhaps you won't be getting out
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42:59 - 43:02Stop that talk!
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44:02 - 44:05is there something wrong?
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44:05 - 44:06I don't feel well
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44:06 - 44:07Didn't you sleep well last night again?
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44:07 - 44:10Leave me alone
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44:10 - 44:13asleep or awake, it's none of your business
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44:13 - 44:14I'll do what I want with my body
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44:14 - 44:16it's only my concern for you
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44:16 - 44:19Concern or curiosity?
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44:20 - 44:24I wish i was invisible, i could walk through these rooms without being asked where I'm going
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44:57 - 45:02In the name of the Father, the Son and the Holy Spirit
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45:02 - 45:05Lead our thoughts and words my Lord
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45:05 - 45:13And Precious Virgin, be graceful with us to follow the catholic faith
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48:17 - 48:20Don't look at me anymore! If you want I'll give you my eyes that are brighter
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48:20 - 48:20and my back, to fix that crooked one of yours
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48:20 - 48:23and my back, to fix that crroked one of yours
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48:23 - 48:24But turn your head away when i go by
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48:25 - 48:28Adela, she's your sister, besides, she's the one who loves you the most
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48:28 - 48:29She follows me everywhere
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48:31 - 48:34sometimes she peeks into my room to see if I'm asleep
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48:35 - 48:37she won't let me breathe!
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48:39 - 48:45And it's always ''What a shame about that face'', '' What a shame about that body which will never belong to anyone''
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48:50 - 48:51Not at all
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48:52 - 48:54My body will be for anyone I please
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48:54 - 48:56For Pepe el Romano, isn't that it?
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49:01 - 49:02What are you saying? - What i said
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49:02 - 49:04Be quiet - Do you think i haven't noticed?
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49:04 - 49:05Lower your voice
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49:05 - 49:07get rid of those thoughts - What do you know?
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49:07 - 49:09Old women can see right through the walls
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49:09 - 49:10I wish you were blind
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49:10 - 49:14I have eyes in my head and in my hands when it comes to things like this.
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49:14 - 49:19Why were you standing at the open window with the lights on when Pepe comes to talk with your sister?
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49:19 - 49:21that's not true
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49:21 - 49:28Don't be childish. Leave your sister alone, and if you want Pepe el Romano, control yourself!
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50:07 - 50:10open the door to see if we can get a little fresh air
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50:23 - 50:25Last night it was so hot I couldn't get to sleep
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50:25 - 50:27Neither could I
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50:27 - 50:31I got up to cool off. There was a black storm cloud and even a few drops of rain
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50:31 - 50:34the fire was rising up out of the ground
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50:34 - 50:38I got up too. Angustias was still at her window with Pepe
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50:38 - 50:40What time did he leave?
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50:42 - 50:44He must have left about half past one
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50:44 - 50:46I heard him cough, and i heard the pony stamping his hooves
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50:48 - 50:50but i heard him leave around 4 o'clock
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50:50 - 50:53That couldn't have been him
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50:59 - 51:03Tell me, Angustias, what did he say to you the first time he came to your window?
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51:13 - 51:15Nothing
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51:15 - 51:17What would he say to me? it was just talk
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51:24 - 51:28''You already know I'm after you''
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51:28 - 51:37''I need a good woman, well behaved and that's you if you agree''. Sort of
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51:37 - 51:40These things embarrass me
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51:40 - 51:42and you?
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51:46 - 51:47I couldn't talk
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51:48 - 51:52My heart almost jumped out of my mouth
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51:54 - 51:57It was the first time I was ever alone with a man at night
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51:58 - 52:05Such things are easy for people with a little experience, who talk and say things and wave their hands around
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52:05 - 52:10The first time my husband, Evaristo the birdman, came to my window... - What happened?
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52:10 - 52:15It was very dark. I saw him coming closer, and when he arrived, he said to me, ''Good evening''
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52:15 - 52:20Good evening I said to him, and we ramained silent for a while
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52:20 - 52:28The sweat was running down my whole body. Then Evaristo came closer, as if he wanted to squeeze through the bars
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52:28 - 52:31and he said in a very low voice '' Come here so I can feel you''
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52:34 - 52:36Afterwards, he behaved himself
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52:36 - 52:40Instead of doing something else, he took up breeding finches, until he died
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52:40 - 52:50It's best for single women like you to know that 15 days after the wedding a man leaves the bed for the table, then the table for the tavern
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52:50 - 52:52And any woman who doesn't accept it rots away in a corner
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52:52 - 52:54is it true that you hit him, sometimes?
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52:54 - 53:01yes. i'm from the same school as your mother. One day he said something to me and I killed all his finches with the pestle from my kitchen mortar
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56:46 - 56:47The harvesters are back to work
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56:47 - 56:50With this sun
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56:50 - 56:52if only I could go out to the fields
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56:52 - 56:55They arrived yesterday morning. Forty or fifty good looking young men
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56:55 - 56:56Where are they from this year?
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56:56 - 57:02They came from the hills. full of spirit! burnt like trees. Shouting and tossing stones
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57:02 - 57:13Last night a woman dressed in sequins arrived in town and she danced to the accordion, and 15 of them paid to take her into the olive grove
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57:13 - 57:20is it true? - years ago, another of these women came, and I myself gave money to my oldest son so he could go. Men needs these things
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57:20 - 57:22they're forgiven everything
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57:22 - 57:24To be born a woman is the worst punishment
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57:38 - 57:43Be careful no to open it too wide, they're bold enough to give it a push to see who's looking
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57:47 - 57:50''Open your doors and your windows
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57:50 - 57:53ladies who live in this town
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57:53 - 57:56Harvesters beg for your roses
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57:56 - 57:59roses to trim their sombreros''
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58:08 - 58:11Open your doors and your windows
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58:11 - 58:15ladies who live in this town
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58:15 - 58:20Harvesters beg for your roses
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59:12 - 59:15What's the matter with you?
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59:16 - 59:18The heat makes me ill
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59:19 - 59:20it's nothing more than that?
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59:24 - 59:26I wish november would come
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59:26 - 59:29the rainy days, the frost
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59:29 - 59:33anything but this interminable summer
-
59:36 - 59:38It will soon pass
-
59:38 - 59:41and come again
-
59:52 - 59:54What time did you fall asleep last night?
-
59:54 - 60:00why? - I thought I heard people in the corral, very late
-
60:01 - 60:04Perhaps a wild mule
-
60:07 - 60:10Maybe
-
60:24 - 60:26What?
-
60:28 - 60:30nothing
-
60:36 - 60:37why did you call me?
-
60:39 - 60:42It slipped out
-
60:42 - 60:44I didn't meant to
-
60:55 - 61:00where is the picture of Pepe I had under my pillow? Who of you has it?
-
61:00 - 61:03Neither of us
-
61:03 - 61:06where's the picture? What picture?
-
61:06 - 61:07One of you has hidden it from me
-
61:07 - 61:09You have the effrontery to say that
-
61:09 - 61:12it was in my room, and now it's not. I'd like to know which of you has it
-
61:12 - 61:13somebody, not me
-
61:13 - 61:14of course
-
61:14 - 61:18What is all this commotion? The neighbors must have their ears glue to the walls
-
61:18 - 61:20they've stolen my fiance's picture
-
61:20 - 61:21Don't scream
-
61:21 - 61:25Who?
-
61:25 - 61:29them!
-
61:29 - 61:31Which of you?
-
61:31 - 61:33Answer me
-
61:37 - 61:40Search the rooms, look in the beds
-
61:40 - 61:48This comes from not keeping you on a shorter leash! But I will hunt your dreams. Come here
-
62:00 - 62:06At the end of my life you make me dring the bitterest poison a mother can swallow
-
62:06 - 62:08Could you find it?
-
62:08 - 62:11where? don't be afraid to tell me
-
62:11 - 62:14Between the sheet's of Martirio's bed
-
62:14 - 62:16Is that true? - it's true
-
62:16 - 62:18don't you hit me, mother!
-
62:18 - 62:21As much as I want - Please, no
-
62:22 - 62:25there aren't even tears left in those eyes!
-
62:25 - 62:29I'm not going to cry just to please you
-
62:29 - 62:31Why did you take the picture?
-
62:31 - 62:33Can't I play a joke on my own sister?
-
62:33 - 62:38It was not a joke. You've never liked games, it was something else
-
62:38 - 62:43Be quiet, don't make me talk. because if i talk the walls will collapse in shame
-
62:43 - 62:44A vicious tongue never stops lying
-
62:44 - 62:46You're both crazy
-
62:46 - 62:48And you torture us with your sinful thoughts
-
62:48 - 62:49others do things that are even more sinful
-
62:49 - 62:52Until they strip themselves naked, and let the river sweep them away!
-
62:52 - 62:54Shout up
-
62:54 - 62:56it's not my fault that Pepe el Romano has chosen me!
-
62:56 - 62:57For your money
-
62:57 - 62:59For your land - silence
-
62:59 - 63:00For your fields
-
63:00 - 63:02Silence, I said
-
63:06 - 63:08Get out of here
-
63:14 - 63:17I saw the storm coming, but I didn't think it'd burst so soon
-
65:18 - 65:21What you're doing is wrong
-
65:26 - 65:30Mind your own business! Spy! Traitor!
-
65:30 - 65:36Instead of cleaning the house and going to bed to pray for your dead, you go sticking your nose into the affairs of men and women like an old sow, so you can slobber over them
-
65:36 - 65:46I want to live in a decent house so people won't spit when they come through that door. I don't want to be disgraced in my old age
-
65:46 - 65:56It's already too late! I wouldn't fight you, you're just a servant. I'd fight my mother to put out this fire that rises from my legs and mouth
-
65:59 - 66:06What can you say about me? That I lock myself in my room and don't open the door? That I don't sleep?
-
66:06 - 66:09I'm smarter than you are. See if you can catch this wild rabbit with your hands
-
66:09 - 66:17Don't defy Adela. Because I can raise my voice, light the lamps and make the bells ring
-
66:27 - 66:35Bring out four thousand yellow flares and set them on the walls of the corral. No one can keep what has to happen from happening!
-
66:47 - 66:50Angustias must get married right away
-
66:50 - 66:52Of course. we have to get her away from here
-
66:52 - 66:57Not her! Him!
-
66:57 - 66:58And do you believe he'll want to leave?
-
67:00 - 67:02What's going on in that head of yours?
-
67:07 - 67:10Something monstrous is happening here
-
67:10 - 67:17I don't want to blame you, but you haven't allowed your daughters any freedom. Martirio is romantic, no matter what you say
-
67:17 - 67:24Why didn't you let her marry Enrique Humanas? Why did you send him a message not to come to her window, the very day he was coming?
-
67:24 - 67:33And I'd do it a thousand times again! My blood will never mix with that family, not as long as I live. His father was a field hand
-
67:33 - 67:35This is what comes of putting on airs
-
67:35 - 67:39I do because I can afford to. And you don't because you know very well what you come from
-
67:39 - 67:43Don't remind me of that! I'm old now. I've always been grateful for your protection
-
67:43 - 67:50It wouldn't seem so. I don't think this is the "something monstrous" happening here. Nothing is happening here
-
67:51 - 67:55That's what you'd like. And if something does happen someday, rest assured it will not go beyond these walls
-
67:55 - 67:59I don't know about that - How you'd like to see my daughters and me on our way to the brothel!
-
67:59 - 68:01No one can know their own fate
-
68:01 - 68:07I know my fate, and my daughter's. We'll leave the brothel to a certain woman who's already dead
-
68:07 - 68:09Bernarda, respect the memory of my mother!
-
68:09 - 68:12Stop hounding me with your evil thoughts!
-
68:12 - 68:14It's best if I don't get mixed up in anything
-
68:14 - 68:16That's what you should do
-
68:16 - 68:19Work and keep your mouth shut, it's the obligation of those who are paid to work
-
68:19 - 68:25But I can't. Don't you think that Pepe would be better off married to Martirio or Adela?
-
68:25 - 68:27I don't think so
-
68:27 - 68:30Adela, she's his real fiancee
-
68:30 - 68:33Things are never the way we'd like them to be
-
68:54 - 69:02Yesterday my oldest son told me that at half past four in the morning, when he went by with his oxen, Angustias was still talking with Pepe
-
69:02 - 69:05That's a lie!
-
69:07 - 69:10For more than a week, Pepe has been leaving here at one o'clock
-
69:10 - 69:13I heard him leave at 4 too
-
69:13 - 69:15Don't you usually talk through the window facing the alley?
-
69:15 - 69:18I talk through the window in my bedroom
-
69:19 - 69:21What's going on here?
-
69:21 - 69:23Careful, you'll find out!
-
69:23 - 69:27Mother, don't listen to someone who wants to destroy us all!
-
69:27 - 69:32If people in this town want to bear false witness, they will find me as hard as flint
-
69:32 - 69:34This matter is not to be discussed
-
69:34 - 69:38Sometimes other people stir up a wave of mud in order to destroy us
-
69:38 - 69:40I don't like to lie
-
69:40 - 69:42So something is going on!
-
69:42 - 69:43I have the right to know
-
69:43 - 69:51You have no right but to obey. No one is going to push me around
-
69:56 - 70:01And you take care of your own affairs. No one will take a step without my hearing it
-
70:27 - 70:30There's a big crowd up the street. And all the neighbors are at their doors!
-
70:44 - 70:45I'll tear you out of his arms
-
70:47 - 70:49Martitrio, leave me alone
-
70:50 - 70:53He wants me in his house
-
70:53 - 70:56I saw the way he embraced you
-
70:58 - 71:01I didn't want to
-
71:01 - 71:04It was like being dragged by a rope
-
71:18 - 71:20Bernarda - What is it?
-
71:20 - 71:23Librada's daughter, the one who's not married, just had a baby, and no one know who's the father - a baby?
-
71:23 - 71:32And to hide her shame, she killed it and put it under some rocks, but some dogs pulled it out, and as if led by God's hands, they put it on her doorstep
-
71:32 - 71:35They're dragging her down the street, and they want to kill her
-
71:38 - 71:40Yes! Let them all come to kill her
-
71:40 - 71:43No, not to kill her. Let her go
-
71:43 - 71:45Let her pay for what she did
-
71:45 - 71:48Finish her off before the Civil Guards get here
-
71:48 - 71:51Burning coals in the place where she sinned
-
71:52 - 71:55Kill her
-
71:59 - 72:07and forgive us our sins, for we ourselves forgive everyone who is indebted to us. And lead us not into temptation
-
72:07 - 72:10Fifth mystery
-
72:10 - 72:13The lost child, found in church
-
72:13 - 72:15The lost child, found in church
-
72:15 - 72:18Our Father in heaven, hallowed be your name...
-
76:29 - 76:30I'm going now
-
76:30 - 76:32It's been a long visit
-
76:32 - 76:34Stay longer
-
76:34 - 76:36We never see each other
-
76:37 - 76:38what's that?
-
76:38 - 76:41The breeding stallion, locked up and kicking the wall
-
76:41 - 76:44Shackle him and let him out in the corral! He must be hot
-
76:44 - 76:46Are you going to breed him with your new mares?
-
76:46 - 76:49At sunrise
-
76:49 - 76:51You've been good at building your herd
-
76:51 - 76:54Thanks to money and a lot of unpleasantness
-
76:56 - 77:02It made my heart pound
-
77:02 - 77:08Shut the mares in the stable, but turn him loose before he kicks down the walls
-
77:09 - 77:12What about Angustias, when will she get married?
-
77:12 - 77:15They are going to ask for her hand in three days
-
77:15 - 77:17Where are you going?
-
77:17 - 77:18For a drink of water
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77:18 - 77:21You may seat down
-
77:29 - 77:30You must be pleased
-
77:30 - 77:32I am
-
77:32 - 77:35Bring a pitcher of cool water
-
77:37 - 77:39Has he given you the ring yet?
-
77:44 - 77:45It's lovely
-
77:46 - 77:50In my day, pearl meant tears
-
77:50 - 77:51But things have changed now
-
77:51 - 77:56I don't think so. Things always mean the same
-
77:57 - 78:00Engagement rings are supposed to be diamonds
-
78:00 - 78:04With pearls or without' em things are what you make of them
-
78:04 - 78:07Or what God makes of them
-
78:35 - 78:38Your furniture is beautiful
-
78:38 - 78:41I spent sixteen thousand reales
-
78:41 - 78:44What's important is that things work out
-
78:44 - 78:46There's no reason why it shouldn't
-
78:54 - 78:56I'll come back soon, so you can show me the clothes
-
78:56 - 78:58Whenever you like
-
78:58 - 79:00God be with you, good night.
-
79:00 - 79:02Good night
-
79:20 - 79:21where are you going?
-
79:21 - 79:24I'm going to the front door to get a little fresh air
-
79:24 - 79:26I'm going with you - Me too
-
79:26 - 79:27I'm not going to get lost
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79:56 - 79:58I want you to speak to your sister Martirio
-
79:58 - 80:01You know she doesn't love me
-
80:01 - 80:07I don't pry into people's hearts, but I do want to keep up appearances and have harmony in the family. Do you understand it?
-
80:11 - 80:13What does Pepe have to say?
-
80:19 - 80:21I find him distracted
-
80:25 - 80:28He always talks to me as if he's thinking of something else
-
80:28 - 80:34if I ask him what's wrong, he answers: "We men have our own worries"
-
80:34 - 80:44You shouldn't ask him. Especially after you're married. Speak if he speaks, and look at him when he looks at you. That way you won't quarrel
-
80:44 - 80:48Mother, I think he hides many things from me
-
80:48 - 80:54Don't try to find out. Don't ask him, and above all, don't ever let him see you cry.
-
80:54 - 80:57I should be happy and I am not
-
80:57 - 81:00It's all the same
-
81:02 - 81:08I often stare very hard at Pepe
-
81:08 - 81:16until he grows blurred behind the bars of the window, as if he were being covered by a cloud of dust like the sheep stir up
-
81:16 - 81:20It's only because you're frail - I hope so
-
81:20 - 81:23Is he coming tonight?
-
81:23 - 81:26He went to the city with his mother
-
81:38 - 81:40come on, to bed
-
82:02 - 82:05There are stars in the sky as big as fists
-
82:05 - 82:11Don't do that. You'll break your neck
-
82:11 - 82:15Don't you like' em?
-
82:15 - 82:22I don't care what goes on above the rooftops. I have enough with what goes on inside these rooms!
-
82:22 - 82:24That's how you are!
-
82:24 - 82:27She has her way and you have yours
-
82:39 - 82:42I can't find any trace of that "monstrous thing" you claim is happening here
-
82:42 - 82:45Bernarda, let's forget about that conversation
-
82:45 - 82:49In this house there's no question of yes or no. My vigilance takes care of that
-
82:49 - 82:54Nothing is happening on the surface, it's true. Your daughters are tucked away in a cupboard, and that's how they live.
-
82:54 - 82:57But neither you nor anyone else can see into their hearts
-
82:57 - 83:01My daughters breathe easily
-
83:01 - 83:04You care about that because you're their mother
-
83:04 - 83:08For me looking after your house is enough
-
83:10 - 83:13Does your son still see Pepe at 4 o'clock in the morning?
-
83:13 - 83:17Do they still tell the same malicious stories about this house?
-
83:17 - 83:18They say nothing
-
83:18 - 83:22Because they can't! Because there's no meat to bite into
-
83:27 - 83:33Suddenly lightning may strike! Suddenly your heart may stop dead
-
83:33 - 83:34Nothing's happening here
-
83:34 - 83:38All the better for you
-
83:38 - 83:40I just fed your mother. Is there anything else you want Bernarda?
-
83:40 - 83:42Nothing, I'm going to bed
-
83:57 - 83:57Bernarda thinks that no one can stand up to her
-
83:57 - 83:59Bernarda thinks that no one can stand up to her
-
83:59 - 84:01She doesn't realize the power a man can have over lonely women
-
84:01 - 84:04It's not all Pepe el Romano's fault
-
84:04 - 84:07They say he spoke to Adela many nights
-
84:07 - 84:08And other things
-
84:10 - 84:13I don't know what's going to happen here
-
84:15 - 84:21I'd like to cross the ocean and get away from this house of turmoil
-
84:21 - 84:24Bernarda is rushing the wedding day
-
84:24 - 84:32Things have already gone too far. Adela has made up her mind to do whatever it takes, and the other keep watch all the time.
-
84:32 - 84:34They are wicked
-
84:34 - 84:37They are women without men, that's all
-
84:44 - 84:46The dogs are crazy
-
84:46 - 84:49They're not going to let us sleep
-
85:22 - 85:24Grandma, where are you going?
-
85:24 - 85:28Are you going to open the door for me? Who are you?
-
85:28 - 85:31Go to bed
-
85:31 - 85:37You're Martirio, now I see you.Martirio, face of a martyr
-
85:38 - 85:41When are you going to have a child? I've had this one
-
85:41 - 85:44Come on, go to bed
-
85:44 - 85:48You can't see him, because it's dark
-
85:48 - 85:53Just because I have white hair you think I can't have babies. Yes, and babies and babies
-
85:53 - 85:56Don't yell
-
85:56 - 86:04I have to go, but I'm afaid the dogs will bite me. Will you come with me out to the fields?
-
86:04 - 86:13I don't like fields, I love houses, but houses that are open where the women are stretched out on their beds with their little children
-
86:13 - 86:21And the men are outside, sitting on their chairs. Pepe el Romano is a giant
-
86:21 - 86:27You all want him. But he's going to devour you, because you are grains of wheat
-
86:27 - 86:33No... not grains of wheat. Frogs without tongues
-
86:33 - 86:35Go to bed
-
86:35 - 86:38But later you'll let me out, won't you?
-
86:38 - 86:40Sure
-
87:04 - 87:08Adela
-
87:13 - 87:16Why are you looking for me?
-
87:16 - 87:17Stay away from that man
-
87:17 - 87:20Who are you to tell me that?
-
87:20 - 87:25He came here for someone else. You have come between them
-
87:25 - 87:28You know, because you've seen that he loves me
-
87:28 - 87:31he loves me, he loves me
-
87:31 - 87:34No more
-
87:43 - 87:52You don't care if he embraces a woman he doesn't love. Me neither
-
87:56 - 88:05He could spend a hundred years with Angustias, but if he embraces me it seems terrible to you, because you love him too
-
88:05 - 88:08You love him!
-
88:08 - 88:12Yes
-
88:12 - 88:18Let my breast explode like a bitter pomegranate
-
88:18 - 88:20I love him!
-
88:25 - 88:31Martirio, is not my fault
-
88:31 - 88:36Don't embrace me! Don't try to soften my eyes
-
88:36 - 88:39My blood is no longer your blood
-
88:42 - 88:50There's no solution here. If one of us has to drown, let her drown! Pepe el Romano is mine!
-
88:50 - 88:57I can't stand the horror of this house anymore, not after knowing the taste of his mouth.
-
88:57 - 88:59I will be what he wants me to be
-
88:59 - 89:06With the whole town against me, branding me with their fiery fingers, persecuted by people who claim to be decent
-
89:06 - 89:12and right in front of them I will put on a crown of thorns, like any mistress of a married man
-
89:12 - 89:14Shout up
-
89:14 - 89:18Yes. Yes, let's go to sleep
-
89:18 - 89:22Let him marry Angustias
-
89:22 - 89:29I don't care anymore
-
89:29 - 89:33I will go to a little house alone, where he will see me whenever he wants
-
89:33 - 89:36whenever he feels the need
-
89:38 - 89:44My heart is full of something so vicious I can't keep it from smothering me
-
89:49 - 89:51They teach us to love our sisters
-
89:56 - 89:59God must have abandoned me out in the middle of the darkness
-
89:59 - 90:02because I see as if I had never seen you before
-
90:06 - 90:07Get away from the door
-
90:08 - 90:10Get away
-
90:10 - 90:12go away
-
90:12 - 90:16Martirio
-
90:17 - 90:19Let me go
-
90:19 - 90:20Mother
-
90:20 - 90:22Mother - Let me go
-
90:22 - 90:23MOTHER
-
90:23 - 90:26Get away
-
90:45 - 90:48Stop it, stop it
-
90:51 - 90:54How por I am, with no bolt of light between my fingers
-
90:54 - 90:56She was with him!
-
90:58 - 91:05The shouting in this prison is over. Don't take one step more. No one gives me orders but Pepe. I'm his woman
-
91:05 - 91:08Go and ask him. He'll be the master of this entire house
-
91:08 - 91:10You're not leaving with your triumphant body!
-
91:10 - 91:14Not you, frail little thing. A horse I can floor just with my pinky finger
-
91:14 - 91:18Let her go, where we won't see her ever again
-
91:37 - 91:38I dare you to find him now
-
91:38 - 91:41That's the end of Pepe el Romano
-
91:48 - 91:50My God, Pepe
-
92:20 - 92:21Did you kill him?
-
92:21 - 92:24No. He ran off on his horse
-
92:25 - 92:27Then why did you say that?
-
92:27 - 92:29Because of her
-
93:32 - 93:32Water
-
93:46 - 93:48She must be somewhere here
-
93:48 - 93:51The neighbors are awake
-
93:51 - 93:53Why is she hiding?
-
94:07 - 94:12She's in the room with the new furniture for Angustias, and won't open the door
-
94:26 - 94:29Open up, or I'll break down the door!
-
94:55 - 94:56Don't go in
-
95:05 - 95:14Pepe, you may go running off alive through the shadows of the poplars, but one day you will fall
-
95:29 - 95:33Carry her to her room and dress her in white
-
95:34 - 95:36No one is to say a thing
-
95:37 - 95:40She died a virgin
-
95:40 - 95:44She was fortunate a thousand times over, she had him
-
95:47 - 95:48Silence
-
95:48 - 95:52Be quiet, I said
-
95:52 - 95:55Tears,when you're alone
-
95:58 - 96:00We'll all drown ourselves in a sea of mourning
-
96:08 - 96:12Send word for the bells to toll twice at dawn
-
96:12 - 96:14Did you hear me?
-
96:17 - 96:19Silence
- Title:
- 1987-mario camus-la casa de bernarda alba (federico garcia lorca).avi
- Description:
-
MUY BUENA PUESTA EN CINE UNA OBRA DE TEATRO DE FEDERICO GARCIA LORCA.......EN PAUSAS........MISMO EL SILENCIO NOS HABLA.........RUIDOS DE FONDO,PUERTAS QUE SE CIERRAN,PASOS,ENFIN.....LA RUTINA....LA VIDA.!!!!!! Y TODO SE MUEVE COMO UN RIO LARGO Y TRANQUILO......RECUERDOS.....EN MARCO DE SILUETAS EN NEGRO QUE TIEMBLAN CON LAS SOMBRAS DE LA CASA DE BERNARDA ALBA.....
- Video Language:
- Spanish
- Duration:
- 01:39:06